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Buried Life
hidden on the other side of our awareness. Intuition is the language of soulful
experience. The pursuit of a vocation is our true occupation in life.
"A bolt is shot back somewhere in our breast,
And a lost pulse of feeling stirs again.
The eye sinks inward, and the heart lies plain,
And what we mean, we say, and what we would, we know.
A man becomes aware of his lifes flow,
And hears its winding murmur; and he sees
The meadows where it glides, the sun, the breeze.
The second half of life offers the recovery of "a lost pulse of feeling". We begin to
feel a different tempo in our sensibilities. The outward grasping and clinging that
caused our suffering begins to recede. Time is no longer mechanical and clockdriven; we return to the natural rhythms of lifes flow.
Nature is a healing force; when we isolate ourselves from the natural world our
body and mind suffer in its absence. The "winding murmur" of lifes flow imbues
and animates the meadows, sun, and the breeze (Blair, 30).
Themes
A poem of great frustration and sadness, The Buried Life yearns for an openness
which the poet fears that he will never achieve. Saddened by his own inability to
express his deepest, truest self, he turns to his beloved, thinking that in her
limpid eyes he can find true communion with another soul. He knows that
people fear to reveal themselves, suspecting that they will be ignored or, worse,
criticized for what they expose of themselves. Yet, his counterargument is that all
human beings contain essentially the same feelings and thus should be able to bare
their souls more freely than they do. Arnold is identifying the discrepancy between
the self who thinks that he is determining his fate, who thinks he can change his
own identity, and the self who seems to pursue life with blind uncertainty
while actually driving on with it [the buried life] eternally.
4
Conclusion
The Buried Life naturally suggests the possibility that the "unregarded river of our
life" that runs "through the deep recesses of our breast" is akin to the blood and the
circulation. The dual movements of eddying and "driving" on in this poem could
relate to the beating of the heart as well as the motion of the stream. Comparing
human lives to a stream, to the flowing of water, is a traditional metaphorical
conception of human life, which Matthew Arnold uses to capture both the enigma
and the energy of life.
Works cited:
Blair, Kirstie. (2006). Victorian Poetry and the Culture of the Heart. United
States. Oxford University Press Inc., New York.
Cronin, Rechard& Chapman, Allison& H. Harrison, Antony. ( 2002)
Victorian Poetry. n.p. Blackwell Publishers Ltd.
http://brianalger.com/buried-life/ accessed in 23\12\2015.
http://www.poetryfoundation.org/poem/172841 accessed in 23\12\2015.