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Old, Simple Ditties: Secular Music In The Colonies And Early Republic
I.
D.
a)
Songs sung to traditional ballad melodies and on any other tune
the public may know
b)
New verses set that commented on current events
c)
Printed on sheets called broadsides
d)
Sold in the marketplace
e)
Patriotic broadside ballads took their melodies not only from
English songs but also from the vast body of dance music that circulated
in Britain and its American colonies.
4.
Cotton Mather's 1713 telling complaint on the broadside trend
5.
Listening Guide 2.1: "Liberty Song" (John Dickinson)
Dancing and dance music
1.
Two controversial issues have repeatedly surfaced since the 1600s:
a)
Dance's erotic dimension and efforts to keep it under control
b)
Dance's connection with social class
2.
Before the Civil War, most American dances came from Europe.
3.
The lack of common ground between social dance and the Puritan
imagination may be traced to the belief that spirit and flesh are contrary forces
locked in a perpetual struggle.
4.
An Arrow against Profane and Promiscuous Dancing: Drawn out of the
Quiver of the Scriptures (1684) by the Reverend Increase Mather, father of Cotton
5.
For non-Puritans, dance has not always been considered a secular activity:
a)
Role of dance in African religions transplanted through slavery
b)
Native American tribal dances' connection to the spiritual realm
c)
Shakers well known for sacred dancing
6.
Most Anglicans considered dancing a secular activity but did not share in
the Puritanical disapproval.
7.
Americans of the colonial era performed both:
a)
Couple dances (e.g., gavotte, bourre, minuet)
E.
(1)
Courtly affairs of French origin
(2)
Called for precise, schooled movements
(3)
"Longways" dances were especially popular
b)
Country dances
(1)
Music sources came from overseas
(a)
Anglo-Celtic traditions of England, Scotland, and
Ireland
(2)
Circulated both orally and in a long history of written
forms, including printed collections and manuscripts that
musicians copied for their own use, often surviving in multiple
print sources over decades
(3)
Binary form (aabb) very common
(4)
Listening Guide 2.2: "Money Musk" (Anonymous)
Home and amateur music making
1.
Colonial Boston records indicate that many citizens owned musical
instruments.
a)
Keyboards (especially harpsichords)
b)
Plucked and bowed strings
c)
Wind instruments
d)
Trumpets
e)
Drums
2.
Scarcity of professional musicians
3.
Formal instruction available, either itinerant or based in cities
4.
Amateur music making seems to have increased in the years before the
American Revolution
5.
"Amateur" contemporaneous meaning
a)
Thomas Jefferson as amateur musician
II.
4.
C.
c)
Charleston
d)
Williamsburg, VA.
6.
Boston resisted touring troupes for a time owing to a law that prohibited
theater from 1750 to 1793.
7.
Typical programming
a)
Tragedy, comedy, or drama with music
b)
Farce
c)
Musical interlude
d)
Overture
8.
Genres of musical theater work
a)
Ballad opera, e.g., John Gay's, The Beggar's Opera (1728)
b)
Pasticcio, e.g., Love in a Village (1762)
c)
Comic opera, or simply opera, e.g., The Children in the Wood
(1793)
9.
Musical theater in America was a branch of "show business."
a)
American companies established by the 1790s in:
(1)
Baltimore
(2)
Boston
(3)
Charleston
(4)
New York
(5)
Philadelphia
b)
theatrical repertory was growing with original American
compositions
10.
Female actors were paid less and respected less than males.
III.