inorder offen ection i alwars nds the consiaton of object f desire Sildenai therefore leaves the ll of ex bo, but not sex itself untouched By taking the pil, Rosenkranz enacted Seateic squandering that underscores the fact hat er own female sexual has been eft ow the equation, Tint why the show's ile, My Senulity can only berate for of nepaton Howeres a thecoreofher work might es athe iferen concer the alo thas een hstoialy edt 3 predominantly mal ily could th be degraded by an iological eacing that would expose nee fect chemical events The repetions of certain che of ‘Astract Expressionism in thes aiming, made under the effects of, ‘medication, suppor a reading hem aac pathlogal bec Yet ‘he dystopian seal he pining hos article spears tebe ‘ved fom thebsory andstratare of the unconmous Theskis hey ndlessly materialize as smears of pine no longer imply athing underneath. The phantasm they speak of rather a sexuality without fea: ruber dll jos deus. "Thelastand mot cutive lent ofthe exhibition poinced mont steongy to sucha perspacive Duper by the projects Het Were “ically syatheaued pheromones ofthe ever catone of teal [known ingredients in perfume Whilehamane certainly hare long ‘sory af deploning the sel fate animals ain seacion new research pont to another aspect of thsi poses: Rodents thos eins ave been fected by he para ns toxoplsoens “pear lose thei natinetsl repulsion regarding hese patclor feline pberomanes nen, they become tly aetate the ped ‘ors ume. Theat et havinghled and exten the rodent becomes ‘el te new hs of he parasites monad which can neither de nor ‘desi Ther ari acems hint tht hum nected bythe parte tbo eat diferent to the odo: To aon such an anamorphic pe Spectseon sexual desire—the perspective of he protozoan onder ‘woo ote human abject Thi the tea dbare or of paint ‘ngpeatced by Reena Simon Baie BASEL Naeem Mohaiemen KUNSTHALLE BASEL For poliealy opr scieve tng ican, mut be roland eon td opr caencro a cecome Foran exsmpl coc re Eropern leon elite Benge anata amdrplopt Nace Schanen Strangely te kanal deparing Seco Aan Samy nd ti cade crue Fain cbc i ent dere snl fom fis an che ohnemen sheik (eee cede ers nepal confis ofthe ny Osc te mor rece pov s later pert, ‘tlg tino em a isanced sagen Hp knot Teofilo of Bangle war fr nependence oP Sain 97 lined tos few tagenary etalon, most of stich ake esol reo abo sere ld by members of Tih Send fami. preperation or proc esha on Pe ieuemary mac soc of sued hgh pec ‘Squesandsome ump bppted upon by oie batt dost ‘aprosn obese and wry cote pure ofrecer ‘ny mortar sonny nt cay pasate Benjani bs le the "gs oi 2 Muduiamer orm image thr ofan eps ity bok SClantete ological hess omarcts of hist ipod by cach cling faction through of textbooks, nly to be eweten wth the nexshange of power “Pesones of Sb as,” he show’, mean = prisoners oor tector Ais» mode hk: tng bent on static purposes and ‘road lentiictons, Mohaieman ‘eed men his cleat 2 yet sbty anced conten averse by inter flr refractions. There wat, focenampl, Kaci m Nomanalond, 2000 thre stacks of stmpecele rating the pct Keo Napollay how art allowed fora are cas of nimi among Pakistan and nga Each ounty cli en sim nthe work Rankin Sect, 1953 2013, Mahaemen draws om futher eres photographic nes ties o sketch portent of fam now catered acon te globe as trellay ofa see and neighborhood in Dhaka, an exercise that also provide acai for rleesons on photography. The orchestration [hretand image sisal ight in the longer lm United Red Ary, 3012, Orerlongetreche, te unolficial audio recording fam ipane Iniacking staged bythe Japanese Red Army onthe Dhaka acelin 1977 plays over ablck seen, on which only the ranseription ofthe anne ‘idly phrueddslogue erren the jckers ad he ary chi i theower appear, Theritulined exchange berween the pouting ‘evolutionary jargon in broken English and those who wield tate power with acta disauion exposed in als pompous vauiey thon confronted wich powerful mage rom the hostage criss. “The diconsnater bunt he edtng of Moers las di mantle inesr model of history. Another dimension of this gingerly Spproacho history evened inthe ares ho sccompang the ‘Rhbwon, wih incadesacomplason af enays by Mahaiemeh. At ‘ne poi he quotes a end "There entra history awe ‘he world Walla bashed, covered wth paeake makeup andthe ‘dipped in cosewate® Ba Mobaiemen' at sggets ha ean: gence to, basa dsnctine Naor and aroma VIENNA Han Radel Rens ‘et fo ony ran Josef Dabernig ‘MUSEUM MODERNER KUNST STIFTUNG LUDWIG WIEN For his exibition “Rock the Voi” Jose Dabenig—a Concept ‘tsa imma wks masters dere row the Academy o Fine Asin Vienna-—cete ou and tied up MO paces diay negotiated herween he frm othe uno nd thar the me theater in other words, the white cube andthe blak box—in a Exhibition archer extending ates to loos am aang of Staggered cubes laced tore empty wally theres aligned With {csrosing oblique visual axe, andlined wth wen one pany Stocked gs cases nd hall zen pedestal The show marked ost ‘he murky erry heeween pace, sculpt the photographic pan ‘rams, Coneeptal Wook on pape Issa stats abd he ais ‘conventional variant onarate Romain Iwas abet emptiness andthe production of density, presence an absence, tal vids and