Descriptive Catalog of Music Books

Descriptive catalog of music books.
Ditson, Oliver, Co.

Boston, Mass., O. Ditson Co. [ca. 1900]
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http://hdl.handle.net/2027/iau.31858047149863
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MU
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The
University
of Iowa
Libraries
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DATE DUE
1972
DESCRIPTIVE CATALOG
OF
&
MUSIC
Books:
PART I
VOCAL
PUBLISHED BY
OLIVER DITSON COMPANY
BOSTON, MASS.
BASS SONGS
collection of thirty-three ideal. Bass songs in

the Bass clef. Twenty-four eminent modern composers
Heinrich Kiehl
of the English, French, German, Italian, Russian, and
$1.00
American schools are represented by these songs, that
every
should be in
Bass singer's repertoire.
A splendid
Edited by
The Indifferent Mariner.

In the Days of Youth (In der Jugendzeit).
My Lodging is the Cellar Here (Im khlen Keller sitz
Gtze, Carl.
O Happy Day (O schne Zeit, O sel'ge Zeit
By the Gaily Circling Glass.
ich hier).
NO. I.
Hasse, Gustav.
King, Oliver.
CONTENTS
Arne, Dr. Thouas.

Bullard, Frederic Field.
Durand, E.
Fischer, Ludwig.
Mendelssohn, Felix.
Mendelssohn, Felix.
Mozart, W. A.
16o,
The Vesper-Hymn (Die Vesper-Hymne). Op. 6, No. 8.

Israfe 1.
Afar (Ferne). Op. 9, No. 9.
Here "Neath the Trees am Lying (Da lieg' ich unter
Op. 84, No. 1.
den Bumen).
O Isis and Osiris (Possenti Numi). From The Magic
Within this Sacred Dwelling (In
diesen
Hallen) (Qui. sdegno non s'accende).
Moszkowski, Moritz.
Nessler, Victor E.
E.
Pergolese, G. B.
Pike, Harry Hale.
Radecke, R.
Rubinstein, Anton.
Schubert, Franz.
Schubert, Franz.
Schubert, Franz.
Schubert, Franz.
Schumann, Robert.
Schumann, Robert.
Scott, Lady John.
Shield, William.
Tchaikovsky, Peter Iljitch.

Wagner, Richard.
Wallnfer, Adolf.
Wekerlin,
B.
Widor, Charles M.
J.
Op.
F111te."
Mozart, W. A.
Nessler, Victor
).
heil" gen
From The
Magic Flute."
Take My Heart (Bitte). Op. 13, No. 1.
My Love, Farewel1 (Beht dich Gott). From The
Trumpeter of Sckingen."
Ye Bid Me Welcome (Ihr heisset mich willkommen).
From The Trumpeter of Sckingen."
Nina (Tre Giorni) (Drie Tage sind verflossen).
Old Journeyman Days.
Joy in Strength (Ich liebe, was da stark).
The Tear (Die Thrne). Op. 83, No. 8.
By the Sea (Am Meer).
Death and the Maiden (Der Tod und das Mdchen).
Op. 7, No. 3.
My Abode (Aufenthalt).
The Wanderer (Der Wanderer). Op. 4, No. 1.
I'11 Not Complain (Ich grolle nicht). Op. 48, No. 7.
The Two Grenadiers (Die beiden Grenadiere). Op. 49,
NO. I.
Annie Laurie.
The Friar of Orders Gray.
Don Juan's Serenade (Stndchen des Don Juan) (Sr
maude de Don Juan).
Endless Love (Die Thrne bebt). Op. 6, No. 4.
No Word from Thee (Kein Wort von dir). Op. 28,
No. 5.
O Thou Sublime, Sweet Evening Star (O/ du mein holder Abendstern) (O / tu bell' Astro Incantator).
From Tannhuser."
Vale Carissima.
The Minstrel Boy (Irish Melody).
Invocation. Op. 28, No. 2.
A collection of twenty-six duets, written

expressly for Soprano and Alto voices,
Heinrich Kiehl
nearly one half of which have never before
$1.00
been printed in this country. Great vari
ety has been secured by selecting compositions from the works of eighteen
composers, prominent representatives
of the English, French, German,
Italian, Russian, and Scandinavian schools.
SOPRANO AND ALTO DUETS
Edited by
CONTENTS
Chaminade Ccile.
Dlibes, Lo.
Foster, Myles B.
Gtze, Carl.
Ease Thine Heart.
Venetian Boat Song.

The Coming Spring (Frhlingswerden). Op.
Nearest and Dearest (Tuscan Folk-Song).
Angelus (L'Angelus). Op.
2,
1.
Serenade (from Le Roi la Dit).

Song Should Breathe of Scents and Flowers.
Still as the Night (Still wie
die Nacht).
Lassen, Eduard.
Log, Henri.
Absence (Entfernung).
Across the Still Lagoon.
Mendelssohn, Felix.
Mendelssohn, Felix.
Autumn Song (Herbstlied). Op. 63, No.

Greeting (Gruss). Op.63, No.
On Wings of Music (Auf Flgeln des Gesanges).
7.
Kjerulf, Halfdan.
Folk-Song (Im Volkston). Op. 72, No.

My Weary Heart Gives Too Much Pain (Mein
mir gar zu Weh /). Op. 72, No.
Birdling (Wr ich ein Vgelein). Op.
Were
Last Night.
Herze thut
No.
3.
Mendelssohn, Felix.
Mendelssohn, Felix.
Rubinstein, Anton.
Rubinstein, Anton.
Rubinstein, Anton.
At Parting (Beim Scheiden). Op. 48, No.

The Angel (Der Engel). Op. 48, No.
The Wanderer's Night Song Wanderers Nachtlied).
No.
auf der
Haide).
48,
No.
Op.
5.
1.
6.
63,
sh' ich
5.
Wert Thou in the Cauld Blast (O

Op.
Sailing Away.
Thomas, A. Goring.
No.
Sunset.
Wilson, H. Lane.
Carmena (waltz).
54,
3.
in
Stange, Tlax.
When the Shadow

Gay Little Bird
is
Smart, Henry.
Smart, Henry.
1.
72,
4.
Jadassohn, S.
2.
Jadassohn, S.
Jadassohn, S.
No.
Brambach, C. J.
Caracciolo, Luigi.
If Thou Wilt
69.
Bracken, Edith A.
Blumenthal, Jacques.
Passing.
the Forest (Vglein im Walde).
Op.
NEW YORK
C. H. DITSON & CO.
LY ON
-"
HEALY
CHICAGO
. . .
-
DITSON
..
...
..
..
//
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*
*
,
*
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J.
PART
I
>.
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, ,
DESCRIPTIVE CATALOG
-*
MUSIC Books
V O CAL
PUBLISHED BY
BOSTON, MASS.
PHILADELPHIA
Co.
Any book herein listed will
be sent
postpaid upon
receipt of price, with a few exceptions otherwise

specified.
Part
II-III,
Instrumental and Theoretical, will be
sent upon request.
For list of special catalogs
see page 3
of cover.
CONTENTS
see page 238.)
(For Index
PART I
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163
CHORAL WORKS.
Sacred.
Secular
Oratorios
Cantatas and other Choral Works.
168
I8o
I90
I93
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Operas (Vocal Scores).

Grand Operas.
Light Operas
Co11ections of Opera Music.
Librettos (Operas and Oratorios).
197
199
Operettas.
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209
213
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2O2
For Adults (Amateurs).

For Girls' Voices only.
For Children.
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71
157
92
99
SPECIAL OCCASIONS.
Music for Christmas.
Carols
Services for the Sunday Schools.
Operettas (or Cantatas) for Chil
dren
Oratorios and Cantatas
Music for Lenten Season.
Music for Easter.
Carols
Services for the Sunday Schools.
Oratorios and Cantatas
Music for Childrens Day........
Music for Harvest Time.
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school Department.
High Schools, Academies and
Seminaries. . . . . * * * * * * * * * * * * * * * * * * * *
Grammar and Primary Classes.
Tonic Sol-Fa Books for all Grades
calisthenic,
Kindergarten,
and
other Song Books for Children.
singing Schools, Musical Societies,
Conventions, Etc.
68
I54
Vespers
Litanies, Etc.
Choir and School Books
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47
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25
88 81
Mens Voices . . . . . . . . . . . . . . . . . . . . . . . .
Womens Voices. . . . . . . . . . . . . . . . . . . . .
I40
Requiem Masses (a11 Voices)
Secular. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Part-Songs (Secular).
Men's Voices . . . . . . . . . . . . . . . . . . . . . . . . 5I
57
Women's Voices. . . .
Mixed Voices. . . . . . . . . . . . . . . . . . . . . . . . 6o
Patriotic and War Songs . . . . . . . . . . . . . 66
College Songs.
137
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18
Catholic Music.
Masses.
Unison
Two Voices
Three Voices
Four Voices.
I29
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Secular.
Albums (each devoted to the com:
positions of a single composer)
General Collections (each con
taining the compositions of
many different composers)....
234
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233
QVVA
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LlBi (ARIES
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Un rsity'f
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I18
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III
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The
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Protestant Church Music.

For Congregational Use
Sunday School Song Books.
Temperance Books
Men's Voices
Masonic Books
Womens Voices.
Protestant Choir Books.
Anthem Books.
Books of Chants
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CHURCH MUSIC.
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Collections of Songs.
Sacred. . . . . . . . . . . . . . . . . . . . . . . . . .
Hebrew Services.
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GENERAL.
Duets.
Sacred.
Morning
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Methods
Treatises
. .. ..
Continued.
studies, Solfeggi, and Exercises.
Protestant Choir Books

Books of Responses.
Services (Communion,
and Evening, Etc.
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TECHNICAL.
VOCAL
235
238
238
PART I
vocal
STUDIES, SOLEEGGI, AND
EXERCISES
see page 99.)
Probably every method, school, or system of voice training and vocal culture is
advocated and represented in the following 1ist. Nearly every teacher of this branch
of the musical art has his or her preference with regard to method, so that we need
not recommend any particular work; the preference, whatever it may be, will with
out doubt be found in this 1ist, which contains the works of the worlds greatest
singing masters.
However, we mention the following names of authors whose methods and exer
Bassini, Cirillo, Concone,
cises are considered standard and in constant demand:
Emerson, Garcia, Lab1ache, Lamperti, Marchesi, Mason, Nava, Osgood, Panofka,
Rondinella, Seiler, Shakespeare, Sieber, and Streeter. And there are other exercises
for the voice, by various authors, and adapted to special uses. Our editions of the
standard vocalizes and solfeggi are reliable, well printed, and in other ways
satisfactory.
BARKER, THEODORE T.
Vocal Exercises. For Baritone and
$1.25
We issue six books of this standard a1,d widely

popular work as follows: For Soprano, Mezzo
soprano, Contralto, Baritone, Tenor, and Bass.
Each book is complete in
instructions for
BEHNKE, EMIL, and

PEARCE, CHARLES W.
its
Vocal Training Exercises

Six Books.
Bass........................
Each .75
it
represents.
the voice which
English
The authors
this practical work are very prominent
Harmony
musical and educational circles. Dr. Pearce
Professor
Trinity College, London; while Emil Behnke one
the most celebrated
topics,
Europe.
lecturers on musical
well
one
the finest teachers
The books contain progressive exercises, which every singer should
examine.
of
of
is is
in
of
.
.
.
.
.
.
For Soprano and

-
as
as
.
.
.
Each
BONALDI, FR.
Six Complete Progressive Vocal Studies.
Contralto.
at
in
of
(For Books suitable for Schools and Singing Classes,
.6o
BORDOGNI,
M.
Art of Phrasing.
Two books.
Each . . . . . . . . . . . . . . . . . . . . . . . . . . . $1.25
(Edition Saint-Jgest.) Two books. Each 1.50
Twelve New Vocalises.
CONCONE, JOSEPH
Fifty Lessons in Singing (Op. 9). For middle register.
edition
Octavo
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . .
.5O
Fifty Lessons in Singing (Op. 9).
For the middle register of

the voice (Soprano or Mezzo-Soprano). Book I, complete . . . .
Book I, Parts I and
2.
Each . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
particularly
attractive,
This is
as it has an adaptation of excellent and met
Barker,
making it decidedly superior to any
by
rical words
Theodore T.
plates.
engraved
other edition. Printed from
Fifty Lessons (Op. 9).
Thirty Exercises (Op.
11).
Eighteen Solfeggi (Op. 13).
DEEMS, JAMES F.
Solfeggi.
English
For Baritone or Bass voice.
words by Theodore T. Barker. Book I, complete. .

Book I, Parts I and 2. Each . . . . . . . . . . . . . . . . . . . . . . . . .
Octavo edition.
Paper.
For two female voices.
1.25
.75
. . . . . . . . . .
I.25
. . . . . . . . . .
.75
. . . .
. .
. . . . . .
Paper....
.50
.25
An elementary and progressive method of vocal music,
comprising the art of reading music at sight according

to the best Italian systems, original exercises in sol
.75.
feggi and vocalization, recreative duets, and trio for
solo or class singing. Excellent for school classes in vocal music. Says
Prof. C. A. Guilmette, author of Vocal Physiology, In this system the
syllabic name of a tone is retained, regardless of the keynote, and the melo
dies are condensed into harmony form.
LAMPERTI, FRANCESCO
First Lessons in Singing. Part I. . . . . . . . . . . . . . . . .
Studies in Bravura Singing. Books I, II, and III.
. . . . . . . . . . . . .
2.OO
......
.6O
Each
MARCHESI,
MATHILDE CASTRONE
Exercises for the Voice (Op. 1). Translated by J. C. D. Parker..
Exercises for the Voice (Op. 1). Translated by T. T. Barker.....
Twenty-four Vocalises (Op. 2). For Soprano or Mezzo-Soprano.
Art of Singing (Op. 5).

Soprano or Contralto.
Twenty-four
. . . .
Part 2.
Vocalises, for Mezzo
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Elementary and Graded Exercises. . . . . .

Thirty Vocalises for Mezzo-Soprano. . . .
. .
..
. . .
.. . . . .
. .
. . . . . . . . . . . . . . .
Twelve Vocalises for two voices, Contralto and Mezzo

Soprano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Part
I.OO
1.00
Eighteen Vocalises for Two Voices (Op. 12). Mezzo-Soprano

and Contralto.
Two Numbers. Each . . . . . . . . . . . . . . . . . . . . . . .
Tiethod. The Art of Singing (Op. 21). In four parts. Complete...
Part I.
$1.00
2.OO
I.50
3.50
I.OO
I.OO
3.
Six Melodies, with words, for Mezzo-Soprano. . . . . . . . . .

LArt du Chant (Op. 30). Thirty Vocalises for Mezzo-Soprano
Part 4.
or Soprano.
. .
. .
. . . .. .. .
. . . . .
. ....
. .
..
.. . . .. .. . .
. . . .
. . . . . .
School. Tiethod of Singing (Op. 31). Theoretical and Practical.

Part I. Elementary and Progressive Exercises. . . . . . . . . . . . . . . .
Part 2. Continuation of Elementary Exercises in the form of
Vocalises. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Part 3.
VO1CeS
Parts I,
Articulation with Vocalization,
III.
and
Complete . .
..
.75
2.50
2.OO
2.50
one, two, and three
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
II,
.90
..
2.OO
. . . . . .
5.OO
SALVATORE C.
Twenty Vocalises (Op. 15). With Italian and English words.
For Contralto or Baritone. Translated by T. T. Barker......
Twenty Vocalises (Op. 15). With Italian and English words.
For Soprano. Translated by T. T. Barker. . . . . . . . . . . . . . . . . . .
I.OO
.. . . .
.. .. . ... .... . ...
MARCHESI,
MASON,
LOWELL
Vocal Exercises and Solfeggi. . . .

MAZZONI,
I.OO
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
$1.50
P.
Solfeggi.
(Arranged by Emma Seiler). . . .
MIKSEH, JOHANNES
Solfeggi . . . . . . . .
.. . .. .
.. .
. .
..
.. ... . . . .
..
..
. .
..
. . . . .
. . . . . . .
. .
. . . . . . .
. . . . . . . . . . .
I.25
.6o
NAVA, GAETANO
Repertoire di Solfeggi (Op. 21).
Books
Books
I and II. Each .

III, IV, and V.
. .
For Soprano or Mezzo-Soprano.
. . . .. . . ..
Each
. . . . . . . .
. . .. .... ..
. . .
. . . . . . ..
$1.50
. . . .
I.75
In four books. Each . . . . . .

(Book IV of the above has English words.)
Twelve Vocalises (Op. 36). For Mezzo-Soprano.
Book I.......
2.OO
. .
2.OO
. . . . . . . . . .. .. . .
I.50
PANOFKA, HENRI
Twenty-four Vocalises (Op. 81). For Soprano, Mezzo-Soprano,
or Tenor. In two books. Each . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.75
(Books I and
Sixty Solfeggi (Op. 22).
IV
. . . . . . . . . . . . . . . . . . . . . . . . .
of above have
.....
English words.)
For Alto.
do.
do.
Book
II. .
. .
I.50
OSGOOD,
GEORGE L.
Singers Daily Exercises.
For Soprano and Alto.
do.
Complete
Twenty-four
Vocalises (Op. 81).

In two books. Each . . . . . . . . . . .
do.
. .
. .. .
.. .. .
. .
. . . .
I.50
For Contralto or Baritone.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Complete
75
. . . . .. . . . . .. . . . . . .
I.50
Twenty-four Vocalises (Op. 85). For Soprano or Mezzo-Soprano.

In two books. Book I. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.75
Book
II. . . . . .
. . ...
. . .. . . .. . . . . .. . .. . . . . .. ..
.75
RIGHINI, VINCENZO
Celebrated Vocal Studies.
Edited by William Shakespeare.
ROEDER, MARTIN
Fundamental Vocal Exercises.
ROSSINI, G.
Vocalises.
. .
I.OO
. . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . .
I.5O
Edited by Emma Seiler.
. . .
SCALA
Twenty-five Concise Vocal Exercises.
8
..
... . . ... . ...
.5O
. . . . . . . . . . . . . . . . . . . . . . . . .
.4O
. .
. . . . .. .. ..
SEILER,
EMMA
Exercises for the Voice.
New and Revised Edition .
Exercises.
Men's voices......
Women's voices. . . . . . . . . . . . .
. . . . . .
.. ..
. .
. . . . . .
..
. .
.
. .
. .. . ..
. .
. .
. .
.. .. . .. . . .
... ..
.
. . . . . .
. . . . . . . . . .
SIEBER, FERDINAND
Exercises in Velocity (Op. 42). For all voices. . . . . . . . . . . . .
Ten Vocalises (Op. 78). For High Soprano. . . . . . . . . . . . . . . . .
Ten Vocalises (Op. 79). For Mezzo-Soprano. . . . . . . . . . . . . . . .
Ten Vocalises (Op. 80). For Alto. . . . . . . . . . . . . . . . . . . . . . . . . .
Eight Tieasure Vocalises (Op. 92). Soprano.

do.
do.
do.
do.
do.
(Op.
(Op.
(Op.
(Op.
(Op.
Alto . . . . .
Tenor . . . .
Baritone
Bass
do.
do.
do.
No.
No.
1 .
. . .
. . . .
. . . .
. . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . .
2.OO
2.00
2.OO
.5O
.5o
.50
.50
.5O
. .
. . . . . . . . . . . . . . .
. . .
No. 3 . . . . . . . . . . . . . .
Primary Elements.
.50
. . . ...
2.50
. . . . . . . . . . .
2.50
. . . . . . . . . ..
2.50
.5o
.6o
. ...
. . . . . .. . . . .. . . .. . . .. . . .
I.75
. . . . . . . . . . . . . . . . . . .
. . . . .
. . . . . . . . .
I.25
I.25
* * * * * * * * * * **
Ten Vocalises (Op. 129). For High Soprano. . . . . . . .

Ten Vocalises (Op. 130). For Mezzo-Soprano...... . .
Ten Vocalises (Op. 131). For Alto . . . . . . . . . . . . . . . . . .
STREETER, H. R.
Exercises in Voice Building.
....
. . . . . .. . . . . . . . . . . . .
Mezzo-Soprano
93).
94).
95).
96).
97).
.. . .
$2.00
. . . . . . . . . . . . . .
. . . . . . . . . . . . . . .
. . . . . . . . . . . . . .
- * >
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METHODS
ABT, FRANZ
Practical Singing Tutor for Soprano or Tenor.
Part I. Scales and Intervals. . . . . . . . . . . . . . . . . . . . . . . . . .
Part 2. Exercises for the Cultivation of Fluency. . . . . .
. . . . . . . . .
. . . . . . . . .
Part 3. Twenty Solfeggi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Part 4. Twelve Exercises on Vocalization. . . . . . . . . . . . . . . . . . . . . .
Complete . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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-50
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I.50
An analytical, physiological, and prac
BASSINI,
CARLO
The Art of Singing
.50
tical system for the cultivation of the

Edited by R. Storrs Willis
voice. This work is one of great excel
lence as a system of thorough instruc
For Soprano or Mezzo-Soprano.... $3.oo
Abridged. . . . . . . . . . 2.50
do.
tion in vocalization. It is constructed
For Tenor. . . . . . . . . . . . . . . . . . . . . . . . . . . 3.00
On a rigidly scientific basis, considering
For Baritone- - - - - - - - - - - - - - - - - - - - - - - - 3.00
the mechanism of the vocal organs, dif
ferent qualities of voice, methods of articulation, true process of culture,
etc., with a series of exercises, from the simplest method of uniting the
chest and medium registers to the most difficult trills.
BASSINI,
instruction for Soprano and

This world-renowned com
New T1ethod
poser and teacher of the voice has fairly outdone
$3.00
himself in the above method, as this work contains
important
all that is
in his former methods, besides many improvements
which time and experience have brought to light.
CARLO
COOKE, T.
A complete
course of
voices.
Mezzo-Soprano
Revised edition, containing, in addition to the original

work, numerous exercises, solfeggi, etc., on portamento,
sustentation, and flexibility of voice.
Vocal "1ethod
$2.00
DAMOREAU, MM.E. CINTI

Tlethod of Singing. Written for her classes at the Conservatory
of Paris. Complete. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $4.oo
Theory
exercises.
Part I.
Part
Part
II.
III.
of singing,
with one hundred and twenty
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
2.5O
Twenty-five exercises, with examples of ornaments..

-- Six grand studies and six vocal exercises for style ...
2.oo
IV.-
Part
Various Cadences introduced by Mme. Damoreau
her Repertoire at the Opera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
IO
in
. . .
I.25
''
This Complete Method in Theory and Practice,
DUPREZ, G.
besides
Vocalises,
Examples
of
Melody from the Best Masters, is the result of a life
time's experience on the part of the author, who
was Professor of Singing in the Royal Conservatory of Music, Paris, and
First Tenor of the Royal Grand Opera.
This work seeks to develop as much as possible the theory of the simple,
broad, and florid style. The work is divided into three principal parts:
The first exclusively consecrated to broad singing, to expression, and to
strength; the second to grace and agility; the third to complete singing,
that is, words united to music.
The second and third sections are included in Book II. A conscientious
study of Book I should suffice to teach one to sing well in the graceful, ener
getic, and pathetic styles.
But one is limited if one does not study the
second Book, which has for its special aim the rendering all voices supple
for the demands of lively and light melody.
***
Art of Singlng
***"
EMERSON, L. O.
Vocal Flethod for Contralto
aritone, and
Barit
d Bass
B
1.50.
$1.5
EMERSON,
L. O.
Vocal Flethod for Soprano

or Tiezzo-Soprano
$1.50
This
work is
the
: '
of
long experience as teacher, and is founde

upon the principles of singing as embodied
in his Method for Soprano or Mezzo-So
prano. (See below.)
This is a compact and good method for

training the voice, and is of convenient
size, one hundred and forty-four pages. A

feature of the work is the use of various
melodious words in the studies or solfeg

gi,
a great relief from the monotonous prevailing use of ah for every
thing. In this method the result of experience is manifest in its adaptability
to the needs of young singers, and in the good judgment and taste displayed
throughout the work.
GARCIA, MANUEL
New Treatise on the
Art of Singing
Part
1, boards, $1.50; complete, cloth, $3.00

Revised Edition
A compendious method of instruction, with ex

amples and exercises for the cultivation of the
voice.
The author of this work is one of the
most famous of European teachers and directors.
The Treatise on the Art of Singing embodies
the methods with which his pupils (many of

them famous singers) were trained for the profession.
A knowledge of
everything that is useful in the cultivation and training of the voice may
be obtained from this well-known book.
II
LABLACHE, LUIGl
I'lethod for the Bass Voice
Part I. Containing remarks on sing
ing, the voice and its formation,

voice register, manner of exercising
Complete,
omplete, $4.00
the voice, position of the mouth, res
piration, forming sounds of different registers, bringing out the voice,
chest and head voices, connecting sounds, scale exercises, thirds
ascending and descending; staccato, legato, sentiment, and expres
sion; swelling sounds and different intervals in the scale. . . . . . . . . . . .
II.
Containing
manner of carrying the voice, phrasing a

melody, breathing expression, embellishments, appogiaturas, grupetto,
illustrated with various remarks and examples. . . . . . . * - - - - - - - - - - - - - - -
Part
I.50
I.50
Containing explanation of the trill, with remarks

Part III.
and examples; the roulade or volata, flexibility of the voice, roulades
extending to an octave; ninths, tenths, octave, and a fifth; octave and
a sixth, ascending and decending exercise to equalize the voice,
semitones and practice of chromatic scales. . . . . . . . . . . . . . . . * * * - - - - - -
I.OO
Containing advanced studies, vocalises, and solfeggi;

Part IV.
being exercises in intonation, phrasing, breathing, flexibility, and
expression ; taste and adorning melody, variations and cadenzas,
accent and its application, terms of different degrees of movement,
recitations, pronunciation and articulation, author's remarks and
advice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . - - - - - - - - - - - - - - - - - - - - - - - - -
LABLACHE, LUIGI
T1ethod of Singing
I.5O
A rational analysis of the principles according to
the
should
for devel
which
studies
be directed
oping the voice and rendering it flexible, and for
Complete, $1.50
forming the voice, with examples for illustration,
Abridged, $1.25
and progressive vocalizing exercises, with addi
tional new exercises for sustaining the voice; and an engraving repre
senting all the parts of the mouth and throat brought into action in the
cultivation and development of the human voice. There are three things
to consider in the art of singing : Sentiment, voice, execution. Sentiment
and voice are chiefly the gifts of nature. Execution can be acquired and
perfected with more or less labor, according to the aptness of the individual.
It is the purpose of this well-known standard work to adequately point
the way to this acquirement.
I2
PANSERON,
Progressive lessons in the rudiments of music and

solfeggi, to which are added the voice part of Con
A, B, C of Ilusic
cones Fifty Lessons, Book I, Op. 9; Twenty
Abridged, $1.00
five Lessons, Op. Io; and Eighteen Solfeggi, for
part, an abridgment
two voices. The work
the larger work
the
name,
particularly
designed
classes,
same
and
for schools and
for which
admirably adapted.
upon
system.
based
the Italian
of
in
of
is,
It
is
it
is
is
A.
text-book for vocal teachers and pupils.

Contains instructions for control of breath,
Singing
Practical Tiethod
distinct articulation, throat relaxation, and
Paper, $1.00; cloth, $1.50
pure tones. Hints on hygiene
emission
merit, and an invaluable aid
voice its use and abuse. Full
teach
ers, students, and singers. Contains many delightful exercises with accom
paniment. Highly recommended by the profession.
to
of
In
this handsomely printed and illustrated

nearly two hundred pages the
volume
*
vocalist will find much instructive reading
$1.50
great variety
exercises, vocalises,
and
etc.
The work
the result
this well-known writer's experience
teacher, singer, and composer.
every subject
The book treats thoroughly
singing.
interesting and well worth an
connected with the art
vocalization, who will be
examination by all teachers and students
pleased with the manner
which the mechanism and production
the
voice are described.
emitting and
The simple, fundamental principles
the only true art
fixing the voice
singing are most difficult
acquire, but they
teach and
vitally
important,
neglect
necessarily
are
because
them
the outset
impair the beauty, purity, and resonance
the vocal tones.
primary
explains
These
rules the author
concise and intelligible
language, purposely avoiding the use
diagrams and
technical expres
'sions, which would require special scientific knowledge on the part
the
reader.
RANDEGGER,
as
of
to
is
of
of
of
in
of
to
at
to
to
in
of
of
in
of
is
It
of
of
is
of
of
of
ALBERTO
Singing
A.
It
.50
Translated and adapted by

W. Dohn.
valuable
on vocal
by
teacher.
most
treatise
culture.
eminent
thoroughly practical work, which has had
wide circulation.
is
SIEBER, FERD.
Singing
Art
of
of
of
of
RAND, JOSEPHINE
I3
SHAKESPEARE,
WILLIAM
The Art of Singing

Three Parts. Each, $1.00
Heavy paper, cloth back, 8vo.
This work is based upon the principles of the

old Italian singing-masters, and deals with
breath control, production of voice, and reg

ister. Illustrated by numerous cuts and many
exercises.
Part I.
The management of the breath, the vocal organ, the jaw, soft
palate, lips and face, eyes, attack and legato, tone, the registers of the
voice, chest register, medium register, head register, force and intensity,
expression.
Part II.
Exercises on intervals, on practice of the head-voice, on the
scale,
chromatic
the trill and various other embellishments, together with
advanced technique.
Part III. Further development of agility, phrasing, pronunciation.
Famous arias for practice.
Appendix. Time or rhythm, scale formations.
STREETER. H. R.
Primary Elements of Tlusic
Boards, .60
A progressive
method
by which pupils are
taught to intelligently read music without

the aid of an instrumental accompaniment.
VACCA, NICCOL
Practical T1ethod of Italian Singing.
For Soprano. Translated by T. T. Barker. . . . . . . . . . . . . . . . . . . . .
For Alto or Bass. Translated by T. T. Barker. . . . . . . . . . . .
For Soprano. Translated by J. C. D. Parker. . . . . . . . . . . - For Alto or Bass. Translated by J. C. D. Parker. . . . . . . . . . . . . . .
In order that
.75
.75
.75
.75
the student should have an opportunity to acquire a good
pronunciation from the beginning the exercises in this work are provided
with words selected from the poetry of Metastasio.
14
TRLEAT ISES
Containing the experience in detail of over two
hundred teachers and over six hundred students.
It treats of the use and abuse of the childs
voice, with rules for its care and treatment,
Paper, .60.
with special reference to proper development.
singing
during
question
The
of
childhood also receives exhaustive treat
following
point
ment from the
of view: 1. In relation to health. 2. As
a matter of musical education. 3. From the voice-trainers point of view,
etc. The practical value of this treatise will at once recommend itself to
CHILD'S WOICE (THE).
Emil Behnke,
and Lennox Browne.
FORMATION OF THE VOICE
This lecture was delivered before the stu
dents of the Grand Conservatory of Music,

New York, by Dr. Frankel, surgeon and
IN SINGING (THE)
Edward Frankel.s M. D
member of the Academy of Medicine, Patho

logical Society, etc. In comparing the
acquirement of the knowledge of musical instruments with that grandest
instrument, the human voice, the Doctor says: Every musician strives to
acquire a most perfect and complete instrument, to improve it by constant
possible, from injury.
and careful practice, and to preserve
much
singer
thorough,
careful, and beautiful
The
alone devotes the least care
cultivation
his instrument, the human voice;
he alone, among the
musicians, who often scorns
obey all dietetic rules, while boasting
instrument, because he has frequently
the indestructibility
his organ
necessary
observed
disobedience
the
dietetic rules by some great singer
(an exception among thousands).
He does not reflect that the health
his vocal organs
close sympathy with the health
his entire organism,
proportion
and that the latter must suffer
the affection
the former.
is
of
of
or
of
to
it
of
as
a as
to it,
.25.
of
in
to
is
in
of
of
This book presents

concise and
intelligible form the result scientific
of
METHODS:
SINGING
in
MODERN
THEIR USE AND ABUSE
investigations
into vocal problems,

Respiration, Registers,
Cloth, .50
Timbres, Ar
Resonance,
Power and
ticulation, etc.
also gives
brief and interesting account
the old
exemplified by the best Neapolitan traditions. Compari
Italian school,
of
in cluding
It
John Franklin Botume
as
the attentive consideration of all parents and instructors of the vocal art.
I5
son is made between the methods of the early and modern schools,
and the whole book is one of incalculable value to those who aim to develop
a
as
This work has been written
show
or
of
of
is
how he may
many methods,
usually the
.50.
case, the slave of one.
The time has
gone by for the exclusive practice, by advanced students,
any one narrow
great artist
system, even when recommended by
learned physiologist.
advanced
become the master
being,
instead
as of
singer
the
SINGERS.
physician and specialist has here

given
clear and concise presenta
PRESERVATION.
everything that
tion
interest to
Whitfield Ward. A. M., M.
singer
the
with reference
the vocal
apparatus and its physical workings.
specialist
The author's long experience
this branch
medical science
say:
enables him
have seen hundreds
throats utterly ruined
through ignorance
the simplest laws
vocal hygiene.
VOCAL SCIENCE.
Agnes Goodrich Vaille,
of
of
to of
in
is
as
a
of
of
to
...
of
us
SINGING WOICE AND ITS
of
to
v.
of
of
of
of
as
in
treatise
which the author gives some
valuable hints
the proper understanding
.80.
application
and
the scientific principles
vocal culture, or, more properly speaking, mechanical voice training. The
book (95 pages) treats
the following subjects: Definition
the word
method, vocal intelligence, voices and violins, registers, teachers, vocal
intelligence, pitch and vibration, organs
mechanics, ignorance
lan
leading factor, the Streeter method, hard
guage and
sound, language
palate, and general hints
learner and teacher.
to
as
a
of
RESPIRATION FOR ADVANCED
to
to
is
of
in
to
to
it
of
is,
the voice intelligently.

While the subject-matter of this book
the title indicates,
brief
sugges
gives
general
timely
methods,
review
different
some
rules and
tions
the young vocalist, who will profit greatly by reading them. The
point out the true
author endeavors
each method, without offering any
of his own.
enlarged one half with new matter
The edition now published
singers.
interest and value
advanced
I6
VOICE AS AN INSTRUMENT
C. H. Stanley Davis, M. D.
These medical hints as to the proper

training and culture of the voice are
.40
the result of a somewhat extensive experi
ence with the laryngoscope and the treatment of
diseases of the throat,
and the hygienic, dietetic, and medical management of
the singing
voice.
The throat, larynx, etc., are illustrated by engravings.
17
COLLECTIONS OF SONGS
-
SACRED
Thirty-four sacred
CHOICE SACRED SOLOS

For High Voice
songs selected from the

compositions of twenty-five composers.
The
book is sheet-music size, contains one hun
dred and fifty-two pages of music. A few
(Soprano or Tenor)
$1.00
with Latin, French, or Italian words in addition to the English.

CONTENTs
Abt, Franz.
Adams, Stephen.
Barri, Odoardo.
Barri, Odoardo.
Barri, Odoardo.
Costa.
Dubois, Archie A.
Faure, J.
Gounod, Charles.
Gounod, Charles.
Gounod, Charles.
Gounod, Charles.
Gounod, Charles.
Handel.
Haydn.
Henshaw, Arthur.
Hewitt, Horatio
Hughes, Tiary
Lassen, E.
D.
T1.
Meyer-Helmund, Erik.
Morsell, Herndon.
Moszkowski, M.
Parker, Henry.
Piccolomini, M.
Raff, Joachim.
Rodney, Paul.
Rodney, Paul.
Saint-Sans, c.
Schlsser, Adolphe.
Tosti, F. Paolo.
Tosti, F. Paolo.
Tours, Berthold.
Tours, Berthold.
Home so Blest.
The Star of Bethlehem.
The Beauteous Song (Come Unto Me).
Gethsemane (Thy Will Be Done).
Good Shepherd.
Christ the Pilgrim.

Turn Thee Unto Me.
Come Unto Me and Rest.
Trust in God (Eng., Latin, and French words).
Entreat Me Not to Leave Thee.
Forever with the Lord.
G1ory to Thee, My God, This Night.
Ring Out, Wild Bells.
The King of Love My Shepherd Is.
He Shall Feed His Flock (Come Unto Him).
O Love Divine.
When the Mists Have cleared Away.
Suffer Little Children to Come Unto Me.
Beulah Land.
In Heavenly Love Abiding.
Christmas Song (Glory to Heaven's Eternal King).
Now the Shades of Night Are Gone.
My God, My Father, while I Stray.
Jerusalem.
Eternal Rest.
Tarry with Me,
O My Saviour.
Sion.
Calvary.
Thou, O Lord, Art My Protector (English and Italian).
He That Keepeth Israel.
Guide Us with Thy Heavenly Light.
To a Mind Worn and Weary (Prayer) (Eng. and It.).
The Gates of Heaven.
Jesus, Lover of My Soul.
18
Thirty-five sacred
CHOICE
SACRED SOLOS.
For Low Voice.
(Alto or Baritone.)
Paper. . . . . . . . . . . . . . . . . . . . . . . . $1.oo
Boards. . . . . . . . . . . . . . . . . . . . . . . I.25

compositions of twenty-eight composers. The
book is sheet-music size, contains one hun
-
dred and fifty pages of music. The contents

are similar to those of the volume for high
voices, many of the numbers being the same. (See page 18.)
FOLIO OF SACRED SONG.
Paper, .50.
A collection of sixty-four sacred songs selected

from the works of eminent composers.
Sev
enty-four pages, sheet-music size. The contents include songs by Gounod,

Handel, Spohr, Smart, Rodney, Roeckel, Adam, Faure, Sullivan, Bee
thoven, Rossini, Mendelssohn, Haydn.
SACRED SONG FOLIO.

Higli Voice.
A collection of thirty-nine sacred songs selected
from the works of eminent composers. One hun

dred and twenty-eight pages, sheet-music size.
Part of the contents are as follows :
Paper, .50.
Angels Ever Bright and Fair...... Hndel.

Ave Maria. . . . . . . . . . . . . . . . . . . * * * * * Cherubini.
Ave Maria. . . . . . . . . . . . . . . . . . . . . . . . . . . Gounod.
Charity............
Christmas Song.
* * * * * * * * * * * * Faure.
. . . . . . . . . . . . . . . . . . . . . . Adam.
Crucifix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Faure.
Father of A11. . . . . . . . . . . . . . Panseron.
The First Violet. . . . . . . . .
Mendelssohn.
The Hour of Rest................... Roeckel.
and thirty more of a similar character.
A collection of forty-six sacred songs for low

voice, selected from the works of eminent com
posers.
One hundred and twenty-eight pages,
Among the contents are:
SACRED SONG FOLIO.

Low Voice.
.50.
sheet-music size.
Above the Stars ........................ Abt.

The Chorister........
. Sullivan.
Heavens Chorister................. Pinsuti.
Nazareth. . . . . . . . . . . . ................ Gounod.

Palm Branches....................... Faure.
The Wanderer..................... Schubert.
and forty others of a similar character.
I9
TREASURY
OF SACRED SOLOS
For High Voice
(Soprano or Tenor.)
Paper, $1.00
Twenty-seven songs selected from the

compositions of twenty-four composers.
The book is sheet-music size, contains
one hundred and twenty-seven pages of
music.
CONTENTs.
Abt, Franz.
Bartlett, J. C.
Bradsky, Th.
Cantor, Otto.
Chenery, C.
Coverley, Robert.
Gounod, Charles.
Gounod, Charles.
Gounod, Charles.
Hosmer, E. S.
Howell, Chas. T.
Jordan, Julian.
Loud, A. P.
Mascagni, Pietro.
Peticolas, C. L.
Perry, Francis W.
Pinsuti.
Randegger, A.
Reed, Carl Hempel.
Roeder, Tiartin.
Schnecker, P. A.
Sommers, Frederick S.
Sutcliffe, C. T.
Tosti, F. Paoli.
Van de Water, Beardsley.
Van de Water, Beardsley.
Watson, Michael.
King of G1ory, God of Grace.

Grass and Roses.
O Lamb of God.
Ever Safe with God.
There is an Hour of Hallowed Peace.
Trusting in Thee.
Come Unto Me.
Easter Eve.
Hymn to the Night (Fr. and Eng, words).
Theres a Friend for Little Children.
By the Waters of Babylon.
Trusting I Ca11.
There is a City Bright.
Ave Maria (Cavalleria Rusticana) (Eng. and Lat. words).
Jesus, Lover of My Soul (Latin and Eng. words).
I Heard the Voice of Jesus Say.
Come Unto Me, Ye Weary. (Arr. by Geo. B. Nevin.)
Save Me, O God.
Abide with Me.
G1ory to God (German and English words).

Take My Life, and Let It Be Consecrated, Lord, to Thee.
Love Divine, A11 Love Excelling.

The Voice of Jesus.
My King of Grace. (Adapted by Victor
Night of Nights.
The Good Shepherd.
Babylon.
Vane.)
Twenty-eight sacred songs selected from

the compositions of twenty-six com
(Alto or Baritone.)
posers. One hundred and twenty-eight
Paper, $1.00
pages, sheet-music size.
The contents
high
voice,
many
are similar in character to those for
of the numbers
being the same.
OF SACRED SOLOS
For Low Voices.
TREASURY
2O
SECULAR
ALBUMS
As the twenty-eight selections in the two vol

umes are suitable for voices of medium com
pass
that is to say, requiring neither an
Vols. 1 and 2, paper, each $1.00
extended upward range of the soprano nor
it will be of use to all classes of
the lowest tones of the deeper voices
singers. The variety of selections is indicated in the following partial list:
the album are sheet-music size.
ELSON, LOUIS C.
Compositions
Paper. .50
--
Lethe.
Master Love.................. C. Rae-Brown.
- - - - - Mackay.
The Sailors Wife.......
A Spanish Cradle Song.
The Swallows......... . . . . . . . . . . . . Becquer.
Thou and I.....
Phoebe Cary.
Waiting for You, Jock....,
Haliburton.
Seven compositions
this well-known Boston musi

cian collected in book form. Vocal and instrumental.
of
The pages
of
Angelus (The).... Poem by Francis L. Mace.

Bring Me No Cup...on a motif from Lethe.
Destruction of the Assyrians. . . . . . . . Byron.
From the Close Shut Window...... Lowell.
Here's a Health to King Charles .... Scott.
I am Weary with Rowing........ . Story.
In the Dark, in the Dew .. , , Miss 1Prescott.
...
.
.
.
.
.
BOOTT, F.
Album of Songs
Echoes
(Piano).
the Surf (ccncert
4-
L'Ancien Rgime Minuet, No. (Piano).

of
Hope and Doubt (Piano).
6.
7.
is
Murmuring Voice of the Deep (Song).

The World
Fair (Song).
Morning Song (Quartet, Mixed Voices).
5.
CONTENTS.
Each of the following volumes is devoted

to the compositions of a single composer.
valse)
FISHER, WILLIAM ARMS
Posies from a Childs
Dedicated To the singing

those who love them, to
children and
those
whose
bairns are only Dream-Children, and to

Garden of Verses
words by Robert Louis Stevenson
all who, in spite of time, have kept the
Paper, $1.00
child-heart, this little book is inscribed by
composer.
the
The music written for the singing children is well within
the range of a childs voice, happy in spirit, and easily learned.
Fifteen songs, thirty-two pages of music. Paper cover, with deckle
edge, design in colors, octavo size.
CONTENTS
Op.
No.
1.
2.
3.
4.
5.
6.
7.
8.
Windy Nights.
Singing.
Where Go the Boats?
The Land of Nod.
No.
System.
Escape at Bedtime.
Marching Song.
Happy Thought.
9.
10.
11.
12.
13.
14.
15.
The Wind.
Foreign Children.
My Bed is a Boat.
The Swing.
Bed in Summer.
Rain.
Time to Rise.
A collection of one hundred and
FRANZ, ROBERT
Album of Songs
Two volumes, each, paper, .50. Complete in

one volume, boards, $1.25; cloth, $2.00
seven songs, representing the best

of this lyric master. This edition
was authorized by Franz and
bears his personal endorsement,
follows:
am convinced that these volumes will succeed in making
known my aims, to artistic Boston and still wider circles.Robert Franz.
The songs have both German and English words, the latter being the
best translations extant, many having been prepared especially for this
edition by Miss Frothingham, Rev. Chas. T. Brooks and John S. Dwight.
Interesting features of this collection are the notes and comments by such
eminent composers and critics as Liszt, Ambros, Saran, and others, throw
ing, as they do, a suggestive light upon the spirit of the songs.
as
JOHNS,
CLAYTON
Songs of Sleep
Four lullabies issued in two keys for Soprano
Mezzo-Soprano; one of the daintest of

In two keys. Paper, each .50
small collections, each song bearing the evi
dence of the skilled musician's touch. It is not a child's book; the songs are
suitable for good soprano and mezzo-soprano voices.
The melodies are
fresh, the piano parts skillfully and pleasingly complementing the vocal.
When ordering please state which edition is desired high or medium
voice. Each song is also issued separately.
and
22
JORDAN, JULES
New Song Album
An album of fifteen songs for Soprano, Alto, Tenor,

Fifty-two pages, sheet-music size.
and Baritone.
Each song is also issued separately.
$1.00
KELLEY, JOHN CRAlG

Album of Six Songs
Settings of poems by Tennyson and Longfellow.

Sheet-music size.
.75
CONTENTS
Flower in the Crannied Wall. Medium
In Winters Wild and Cheerless Reign.
voice.
Medium voice.
And Shall We Say. High voice.
Maiden with the Meek Brown Eyes.
Break, Break, Break. High voice.
Medium voice.
Stay, Stay at Home. Medium voice.
A collection of six songs for high voice by this well

known and deservedly popular composer.
Sheet
NEWIN, ETHELBERT
Album of Songs
music
$1.25
S1ze.
The songs of Ethelbert Nevin possess a peculiar charm and delicacy

which, coupled with finished musicianship, appeals alike to the trained
musician and the lay hearer. Most of the numbers contained in this volume
were newly revised for this edition, which is most attractive in appearance.
Each poem is printed on a separate page, before the musical setting, and
the cover design in colors is unique and striking.
Each song can be
obtained separately
if
desired.
CONTENTS
Bedtime Song.
Cradle Song.
Once Had a Sweet
Milkmaid's Song.
Little
Do11,
Dears.
PASMORE, HENRY BICKFORD
Song Album
Stars of the Summer Night.

When A11 the World is Young, Lad.
A collection of nineteen songs for high

medium voices,
German and
$1.00
a duet for
Soprano and Tenor.
Sheet-music size.
Mr. Pasmores work is always interesting and musicianly, and these songs
form an admirable and characteristic selection from his writings.
and
with
English words, including also
ROEDER, MARTIN
Eighteen songs for Soprano, Mezzo-Soprano, and

including also a few suitable for Alto and
Tenor,
Song Album
$1.50
Baritone. This collection strikes a high note in
musical literature, and it would be difficult to find
many volumes that sustain such a high quality throughout. Harmonically
rich and interesting, and melodically strong and fluent, these numbers dis
play a finished musicianship without pedagogic dryness.
23
WHITE,
MAUDE WALERIE
Album of German Songs
A delightful collection of sixteen songs with

German words from the works of Heine,
Siebel, Sturm, Kerner, Tegnr, and

with English versions mostly by the composer. The accompaniments are
pleasing and effective.
Sheet-music size.
$1.00
ZECKWER,
CAMILLE
Five Short Songs (Op. 12)

.75
Robin Sings in the Apple-tree.

A Fancy.
Sleepest Thou Still, My Own.
Goethe,
A collection of attractive songs for high voice,

sheet-music size.
CONTENTS
Although Shes Far away.
Through the Meadow.
24
GENERAL COLLECTIONS
Each containing the compositions
different composers.
of many
A volume of
216 pages, sheet-music

size, containing fifty-four popular
ballads by American and English composers, many of them old favorites.
Among the writers represented are Molloy, Blumenthal, Pinsuti, Tosti,
Roeckel, Sullivan, Adams, Abt; and among the songs may be mentioned
AMERICAN BALLAD COLLECTION

50; postpaid, .65
Answers,
A volume of
AMERICAN SONG
AND CHORUS COLLECTION
parts simple and easily learned.
AND POPULAR
ALTO SONGS
...
*
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*
*
of
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Henshaw.
Who11 Buy My Blackberries?...
Yearnings.
Cowen.
Yellow Roses.
Paladilhe.
Molloy.
25
Barnette.
Leslie,
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Molloy.
Trotere.
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DeLara.
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Temple.
Violetta.
Old Barn Window, John.....
Pedlar.
Lohr.
Ring, Blue-Bells, Ring......... Von Lennep.
... Marzials.
River of Years.....
Cowen.
Song of Rose.
... ... Loud.
Tell Him Love Him.
Time and Tide..........
... Rodney.
Two Children
Behrenn.
Lights
Lane.
When the
are Low.
Away,
When the Mists Have Cleared
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Osgood.
Cowen.
Ostlere.
Blumenthal.
My Lady's Bower...........
Oh, Leave Me Not, Dear Heart ..... Mattei.

Bliss,
Day
Day
Love........ Gotze.
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size,
CONTENTS
Mullen.
Afterwards. . . . . . . . . . . . . . . . . .
Watson.
A11 in Garden Fair.
Temple.
An Old Garden.
Angel Came, The.
Cowen.
Tosti.
Beautys Eyes
Brown Eyes Has That Little Maiden,
Garden of Sleep.
Go and Forget.
Good Night, Robin
Home, Dearie, Home........
In Old Madrid.
In the Chimney Corner.
Love in Idleness.
Love's Old, Sweet Song.
216 pages, sheet-music
many of the most popular modern composers.

Sheet-music size.
Paper covers, $1.00

Cloth, gilt, $2.00
Exhilaration
Company,
A book of thirty-three songs, representing
ChOICE
Dutch Dolls.
Good
containing sixty-eight songs with choruses

arranged for mixed voices. The songs are
in the popular ballad style, the chorus
Paper, .50; postpaid, .65
Childrens Home.
Dreaming,
of
Bedouin Love Song,

Will Love You Ever, etc.
Love,
Paper,
Watson.
CENTENNIAL COLLECTION OF
NATIONAL SONGS
A collection of twenty-eight
national
France,
Ireland,
Sweden,
of America, England,
Germany,
Russia, Austria,
Paper, .40
Italy, Scotland, Denmark,
Spain, Wales. Words and music, with piano accompaniment.
Thirty-five ballads selected from the composi
CHOICE COLLECTION
OF BALLADS
tions of twenty-nine well-known composers.

The book is sheet-music size and contains one
hundred and twenty-eight pages of music.
Paper, $1.00
Love's Side....J.
My Heart
Thine Forever,
is
Anton Strelezki.
B.
L.
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Wells.
Macy.
Thirty-nine songs, with refrain,

selected from the compositions
popular style,
thirty different
of in
C.
J.
.
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C.
J.
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C.
Usual Way, The ............ Marion Osgood.

Vanished Dream.......... Herndon Morsell.
Well-a-Day.
... Fanny M. Spencer.
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.
CHOICE COLLECTION
OF SONGS
With Refrain
...
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is
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Roses Fade Away,

Anna M. R. Barnette.
Dr. C. S. Putnam.
Unawares.
Until We Meet.
... Anton Streleaki.
Good Little Girl......... Richard Mansfield.

If S1umber Sweet.
Florence M. Singer.
Macy.
In After Years.
Hatton
Kate Wannah.
J. Gilbert.
Anton Strelezki.
...Anton Strelezki.
Anton Strelezki.
Henry
Repp.
Streamlet ...........
Surely.
Tel1 Me, My Heart..
Thy Heart.
Till the
Nevin.
Eduard Holst.
...
...
Regret.....
Osgood.
Dream, Baby, Dream.

.Anton Strelezki.
Dreamland Tree
Herbert Leslie.
Every Bird
Hushed in Sleep,
Knight.
A.
Auguste Bachmann.
Everywhere.
Foolish Little Maiden,
Laura Sedgewick Collins.
Learning the Lesson.

Little Puritan Maiden.
George
Of You....
Questionings
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L.
George
Thousand Eyes,
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Night Has
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Madrienne...................... R.
Down the Shadowed Lane She Goes,
Draper.
M. Stults.
T.
Love's Ever
J.
...
Absent, Yet Present...... Anton Strelezki.

Julian Jordan.
As of Old................
Ballad of the Dreamers....... Adam Geibel.
Ethelbert Nevin.
Bedtime Song.
Twilight...
Paul Lring.
Bird of
Ethelbert
Nerin.
Song.
Cradle
Clarence D. Arnold.
Dollys Lament.
at
CONTENTs
S. P.
J.
of
is
R.
E.
C.
writers, among them Charles Astin, Charles

Baker, Harry
Ballou, H.
Danks, Gussie
Paper, $1.00
Davis, Adam Geibel, Will
Hayes, Eduard
Holst,
Macy, Charles
Pratt,
The
book
sheet-music
M. Stults.
size and contains one hundred and twenty-eight pages
music.
J.
songs
CLASSIC SONGS
Baritone and Bass
Paper, $1.00
Boards, $1.25
Cloth, gilt, $2.00
Thirty-three songs, many of them with German or

Italian words in addition to the English, selected
from the works of twenty-seven eminent composers.
One hundred and fifty-one pages of music.
CONTENTS
Abt.
Abt.
Bonheur.
When the Night in Dusky Shadows (Eng. and Ger. words).

Still is the Night.
Wondrous is the Power (Wie berhrt mich wundersam).
Heres to You (Toreador's Song). Carmen (English
and Italian words).
Red Scarf.
Denza.
Come to Me.
Denza.
If (Se).
Bendel.
Bizet.
Eayrs.
Gordigiani.
Gtze.
Hoffmann.
Jensen.
Lhr.
Lhr.
Lhr.
I lattei.
Tieyer-Helmund.
Song of the Sea.
Benediction (La
Benedizione).
O Day of Bliss, O Day of Love (O schne zeit, O sel'ge zeit).

Fairest Angel (Der schnste Engel).
Oh Press Thy Cheek against Mine Own (Lehn
wang'an meine wang').
Biondina.
Love's Proving.
Out on the Deep.
Sailor's Prayer (Odi tu ?).

Thou Art Near Me, Margarita (Dein
gedenk' ich,
garetha).
Molloy.
Warning (Warnung).
Thursday.
Moir.
Best of A11.
Floir.
Good Night, Beloved.

My Love, Farewell (Behit dich Gott).
Tieyer-Helmund.
Nessler.
Osgood.
Pinsuti.
Roeckel.
Ries.
Schumann.
Spohr.
Temple.
Thomas.
Wagner.
Watson.
Weidt.
deine
Mar
My Little Woman.
Bedouin Love Song.
Skippers of St. Ives.
Thou Art the Noblest (Du bist die Herrlichste von Allen).
Two Grenadiers (Die Beiden Grenadiere).
Bright Star of Night.
My Ladys Bower.
Summer Night (Une nuit de Mai).
O Thou Sublime, Sweet Evning Star (O du mein holder
Abendstern), Tannhuser.
Anchored.
How Fair Art Thou (English and
27
German words).
CLASSIC TENOR
Thirty-six songs, many with German or Italian

words in addition to the English, selected
SONGS
Paper, $1.00
Boards, $1.25
Cloth, gilt, $2.00
from the compositions of thirty-one modern

composers.
One hundred and fifty-one pages
of music. Foreign titles indicate, when given, that the songs have both
English and Foreign words.
contRNTs
Abt.
Bendel.
Birch.
Bohm.
Chenery.
Coenen.
Cowen.
Denza.
Denza.
Denza.
Godard.
Gtze.
Gregh.
Jensen.
Josephson.
Josephson.
Klein.
Lacome.
Lacome.
Lassen.
Meyer-Helmund.
Meyer-Helmund.
Meyer-Helmund.
Nessler.
Nicolai.
Palloni.
Pinsuti.
Pinsuti.
Rubinstein.
Rupes.
Sullivan.
Supp.
Thomas.
Thomas.
Warren.
White.
O Youth, How Delightful Thou Art (O Jugend, wie bist

du so schn).
Wondrous is the Power ( lyie berhrt mich wundersam).
I am
Waiting (Serenade).
Entreaty (Bitte).
Meditation.
Lovely Spring (Frihlingslied).
I Love You Too Well.
Come to Me.
If (Se).
Star of My Heart.
Tell Me (Dtes-moi).
O Day of Bliss, O Day of Love (0 schne zeit, O sel'ge zeit).
Appear, Love, at Thy Window (Serenade).
Night in Spring (Frihlingsnacht).
Serenade (Standchen).
Shepherdess (Das Hirtenmdchen).
Farewell (Lebe wohl).
Good Day, Susanne (Bonjour, Suzon).
I Worship Her and Her Alone (Soubise).
A11 Souls Day (Allerseelen).
Magic Song (Das Tauberlied).
Thou Art Near Me, Margarita (Dein gedenk' ich, Mar
garetha).
Warning (Warnung).
My Love, Farewel1, Too Lovely was the Vision (Behiit
dich Gott, es wr zu schn gewesen).
Oh, Do Not Thus upon Me Smile (O sieh mich nicht so
lchelme an).
To-morrow (Domani) (Morgen).

Last Watch.
Queen of the Earth.
Since First I Met Thee,
Do not Forget (Non si scordar).
Ever.
Forget Me Not (Das vergissmeinnicht).
Ah! Little Thought the Hapless Maid (Ah! non
l'afflitta).
Summer Night (Une nuit de Mai).

His Picture of Her.
Eyes of Heaven (Die Himmelsaugen).
28
credea
A collection of thirty-three songs, many of

them having German or Italian words in
Paper, $1.00
addition to the English, selected from the
Boards, $1.25
compositions of twenty-one eminent com
posers.
The book is sheet-music size, and contains one hundred and twenty
eight pages of music.
CLASSIC
VOCAL
Alto
GEMS
CONTENTS
Bohm.
Bohm.
Brahms.
Brahms.
Brahms.
Chaminade.
Chaminade.
Still as the Night (English and
Coenen.
Cowen.
Cowen.
Cowen.
Delibes.
Dvokk.
True Love (English and

Bird Raptures.
German words),
Thine (English and German words).

Faithful Love (English and German words).
Little Dustman (English and German words).
Sapphic Ode (English, French, and German words).
Rosemonde (English and French words).
Thou Little Bird with Pinions Gay (Madrigal) (English

and French words).
Gluck.
Grieg.
Hndel.
Henschel.
Kjerulf.
Lassen.
Tlattei.
Pleyer-Helmund.
Meyer-Heimund.
Tieyer-Helmund.
Nevin.
Thomas, Ambroise.
Thomas, Goring.
Thomas, Goring.
Thomas, Goring.
Tosti.
Vidal.
White.
White.
White.
For
German words).
a Dream's Sake.
Snowflakes.
O Thou Cruel Sea (English and French words).
Good Night (English and German words).
Come, For So Bright Love's MorningSemiramis
(English, German, and Italian words).
Autumn Storm (English and German words).

Say Where Art Thou (English and Italian words).
O Hush Thee, My Babie!
Longing (English and German words).
A11 Souls Day (English and German words).
My Native Land (Patria) (English and Italian words).
I am Thine, Thou art Mine (Old German Love couplet)
(English and German words).

Moon Spinner (English and German words).
Vow (English and German words).
.
Bedtime Song.
Mignons Song. Hast Thou E'er Seen the Land
and Italian words).
My Neighbor (English and French words).
Village Noon (English and French words).
Winds in the Trees.
Could I (English and Italian words).
Springtime (English and French words).
Ask Not.
Go, Lovely Rose.
When Passions Trance.
29
(English
A collection of twenty-five songs, many with

German, French, or Italian words, in addi
tion to the English, selected from the com
positions of twenty-one eminent composers.
size, and contains one hundred and twenty-seven
VOCAL
GEMS
Baritone or Bass
CLASSIC
Paper, $1.00
The book is sheet-music

pages of music.
CoNTENTs
Bemberg.
Bohm.
Bohm.
Brahms.
Flgier.
Gounod.
Gounod.
Gounod.
Henrion.
Kjerulf.
Loder.
Tlassenet.
Come to Me (English and French words).

But Once the Hour Approaches (English
words).
and German
Thy B1ue Eyes (English and German words).

My Queen (English and German words).
Adrift (English and French words).

At the Smithy (Vulcan's Song)(English and French words).
My Heart is weary (English and Italian words).
She Alone Charmeth My Sadness.
Muleteer of Tarragona (English and French words).
Afar in the Wood (English and German words).
Diver.
Pleyer-Heimund.
F1eeting vision (English and French words).

At the Casement (English and German words).
Gondolier's Song (English and German words).
Reissiger.
Toper and the Devil (English and
Ries.
Tieyer-Helmund.
German words).
Schilofsky.
Most wondrous It Must Be (English and German words).

Do Not Forget (English, French, and Italian words).
Still is the Night.
Scuderi.
Sleep On (Serenade) (English, French, and Italian words).
Sharp.
Look into Mine Eyes Again.

Could I But Whisper (Serenade) (English and French
Rups.
Thom.
words).
Tosti.
waft Her the Strains (Serenade) (English and Ital, words).
Verdi.
Here Rest in Peace (English and Italian words).

How Do I Love Thee.
In a Dream to Me Thou Speakest (English and Fr. words).
White.
Widor.
30
CLASSIC
VOCAL
GEMS
Soprano
Paper, $1.00
Boards, $1.25
The book is
sheet-music
A collection of thirty classical songs, many

with German, French, or Italian words, in
addition to the English, selected from the
compositions of nineteen eminent composers.

size, and contains one hundred and twenty-eight
pages of music.
CONTENTS
A. L.
Bohm.
Bohm.
In Meadow Grass (English
Bohm.
Cowen.
Thine (English and German words).

Ev'ry Spring the Swallows Come (Eng. and Fr. words).
Rosemonde (English and French words).
Sombrero (English and French words).
Lovely Spring (English and German words).
An Idle Poet.
Cowen.
Song for
Cowen.
To
Dassier.
Delibes.
One Little Sou (English and French words).

By-Gone Days (English and French words).
Dvokk.
Bemberg.
Charmante Marguerite (English and
French words).
Song
(English
Hindoo
and French words).
Rest Thou, My Child (English and French words).
Answer (English and German words).
Bemberg.
Chaminade.
Chaminade.
Channinade.
Coenen.
Frster.
and German words).
Twilight.
Flower.
I Love Thee
Godard.

Blue Ribbon (English and French words).
Godard.
Lu11aby from
Lacome.
Tlassenet.
Bird's Ba11 (English and French words).

Dost Thou Know? (English and French words).
Enchantment (English and French words).
Good Night (English and French words).
Tiozart.
Lu11aby (English and German words).
Ries.
A11
Riga.
When the child Reposes (English and French words).

Morning Bright.
Massenet.
Tlassenet.
Thomas, Goring.
Thomas, Goring.
Jocelyn"
Night a Bird
man words).
(English and French words).
Sang Low and Sweet (English and Ger
Tosti.
Song of Sunshine.
Could I (English and Italian words,
Vidal.
Springtime (English and French words,
3I
CLASSIC
VOCAL
Tenor
Paper, $1.00
Boards, $1.25
GEMS
many with
German, French, or Italian, words in addition
composi
to the English, selected from the
composers.
The
tions of twenty eminent
A collection of twenty-seven
songs,
and twenty-eight pages

book is sheet-music size, and contains one hundred
of music.
CONTENTs.
Bohm.
Bohm.
Bohm.
Bohm.
German words).
May God Watch O'er Thee (English and German words).

Merry Poverty (English and German words).
My Happiness (English and German words).
Boissire.
Short Rest (English and German words).

We'11 Sing of Love (English and French words).
Bourgeois.
To Musette (English and French words).
Bohm.
In One Year (English and
Dvorak.
O Faithful Moon (English and Italian words).

Here Below (English and French words).
Taught Me (Gipsy Song) (English and
Songs My
Ehlert.
Flgier.
what Carols the Nightingale? (English and Ger. words).

I Love Her (English and French words).
Denza.
Duprato.
Godard.
ITassenet.
Marcelles.
Tiarchetti.
Tlattei.
Tieyer-Helmund.
Tieyer-Helmund.
Raff.
Raff.
Schumann.
Salaman.
Tosti.
Wagner.
Von Wickede.
Von Wickede.
Mother
German words).
Come and Embark (English and French words).

Now She is Wholly Mine (English and French words).
Through the Fields of Corn (English and French words).
Water Lilies (English and French -words).

Stars Love the Night.
Gondolier's Song (English and German words).
Violets I Send Thee (English and German words).
Ever with Thee (English and German words).
Riccio's Last Song (English and German words).
-
Hidalgo (English and German words).

I Would Tel1. Her.
(English and
Waft Her the Strains I Offer. (Serenade.)
Italian words).
Walther's Prize Song (English and German words).
Softly Fa11 the Shadows.
Springtime of the Heart (English and German words).
32
EVEREST ALBUM OF SONG
Eleanor
Two vols.
w.
Everest
Volume I.
Contains
twelve songs by
the
following eminent composers: Godard, Liszt,
Massenet, Reinecke, and Sausay.

Translated
by M. Barnett, forming a rich collection of
musicians. A few have part for violin ad lib.
Full
Each, paper, $1.00
songs for advanced

sheet-music size.
Volume II. Contains songs by Bemberg, Godard, Lenepveu, and

Massenet. Like the preceding volume, it is an admirable collection of
songs for good singers. All the numbers have French and English words.
FAVORITE
COLLECTION
OF SONGS
Paper, .50
A collection of fifty-six songs of the ballad
type, by such representative composers of this

class of music as Glover, Forster, Balfe, Ascher,
Strelezki, Gatby, Linley.
fifty-eight pages, sheet-music size.
FOLIO OF BASS AND.

BARITONE SONGS
One
hundred and
A collection of eighty-eight songs for low voice,

equally well adapted for Alto or Mezzo-So
prano, selected from the works of popular

composers, among whom may be mentioned
.65
Tosti, Pinsuti, Mattei, Kcken, Trotere, Kjerulf, Sullivan, Watson, Molloy,
and many others. Two hundred and eight pages, sheet-music size.
.50
Postpaid,
GEMS OF ENGLISH SONG
A collection of eighty songs, duets, etc., that
have established their popularity with nearly

everybody, including many old favorites, such
as Killarney, AWarrior Bold, Christmas Song, Twickenham Ferry,
Wed Better Bide a Wee ; and such standard numbers as The Lost
Chord, Sullivan; Nazareth, Gounod; Palm Branches, Faure; Sing,
Smile, Sleep (Berceuse), Gounod, etc. Sheet-music size.
Boards, $2.00
cloth, gilt, $3.00
One hundred or more songs by eminent Ger

man composers, with German and English
words. Among the better-known numbers are
such songs as Beethovens Adelaide, Schubert's Serenade, Erl King,
Wanderer, Mendelssohns Cradle Song, First Violet,
Would
My
Love,
Kcken,
Franz,
Abt,
by
That
and others
etc. This volume con
tains two hundred and sixteen pages, sheet-music size.
GEMS OF GERMAN SONG
Boards, $2.00
33
GEMS OF SCOTTISH SONG
A collection of two hundred and thirteen

Paper, $1.00
songs. This work of two hundrea and eight
Revised and Enlarged
een pages, 8vo., is probably the most com
plete and authentic collection of ancient and modern Scotch songs that has
The book has had the benefit of the assistance and advice of leading
authorities on Scotch music in this country. There is a full glossary of
Scotch dialect terms, and an abundance of interesting historical, biographi
cal, and explanatory data.
In most of the old book-editions of these songs the airs were pitched
too high for the ordinary voice, and the accompaniments were often crude
and in artistic. The songs in this edition are in keys suited to the average
voice, and the accompaniments for piano are in a more modern style.
PARTIAL CONTENTS.
Stevenson.
B. Ordway.
Last Rose of Summer.
W.
R.
of
Home, Sweet Home. . . . . . . . . . . . . . . . . Bishop.

Ivy Green. . . . . . . . . . . . . . . . . . . . Henry Russell.
Joys that weve Tasted.
Jaunita. . . . . . . . . . . . . . . . . . . , , , ...; . J. G. May.
# athleen Mavourneen...F. Nichols Crouch.
Lament
the Irish Emigrant,
Dempster.
...........J.
Alice Hawthorne.
the Steer, Kimmer?.
Lee.
Mile of Edinboro.
Woodman, Spare that Tree... Henry Russell.
Life on the Ocean Wave.

Listen
The Lone Starry Hours........J. P. Ordway.

Mary of Argyle.
. . . . . . . . ; : . . . . . S. Nelson.
oft in the Stilly Night.... SirHenry
J. Stevenson.
Russell.
Old Arm Chair. . . . . . . . . . . . . .
Old Folks at Home. . . . . . . Stephen C. Foster.
Old Oaken Bucket. . . . . . . . . . . . . . . Kiallmark.
Russell.
Qld Sexton. . . . . . . . . . . . . . . . . . . HenryDempster.
Rainy Day. . . . . . . . . . . . . . . . . . . W. R.
Robin Ruff. . . . . . . . . . . . . . . . . . . . Henry Russell.
Rocked in the Cradle of the Deep,
.
J. P. Knight.
Silver Moon. . . . . . . . . . . . . . . . . . . J. W. Turner.
Speed Away! Speed Away! I. B. Woodbury.
Star of the Evening.... . . . . James M. Sayles.
Then You
Remember Me... M.
Balfe.
Midnight Hour.
What is Home Without
Mother?
'T
is
.. .. ...
VOL.
Annie Laurie. . . . . . . . . . . . . . . Lady Jane Scott.

Araby's Daughter.
Leeves.
Auld Robin Gray. . . . . . . . . . Rev. Wm. Bishop.
Bloom on the Rye. . . . . . . . . . . . . . . . . . .
Flow Gently, Sweet Afton.
Flee as a Bird.
Grave of Bonaparte. . . . . . . . . . . . . . . Hunter.
e Shaded ?
Has Sorrow Thy Young
Home Again.
W.
Paper, $1.00
Boards, $1.25
what's
Within
the Mocking Bird,

Alice Hawthorne.
34
A.
Vo1.
which have been sung for years and are still

popular. One hundred and sixty-eight pages,
sheet-music size.
USED
A collection of one hundred and ten songs
WE
.
.
SONGS
TO SING
11.
OLD
aa
GOOD
to
yet been published. The whole period of Scotch history has been thor
oughly covered, and the best and most famous songs of the nation have been
included.
The list of authors includes such names as Burns, Allan Cunningham,
Jeffries, Lady Anne Lindsay, Sir Walter Scott, Lady Nairne, Lady Caroline
Keppel, John Imlah, James Hogg (the Ettrick Shepherd), Robert Tan
nahill, Monk Lewis, Hugh Ainslie, and a host of other bards of lesser
reputation. There are also many anonymous songs, and Scotlands old,
representative ballads and airs have been given a prominent place.
A collection of one hundred and ten songs of

the same character as those contained in Vol
ume I. One hundred and sixty-eight pages,
sheet-music size.
PARTIAL CONTENTS.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Mendelssohn.
G1
T.
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".
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1.
.
.
Wurzel.
Hazel Del
Heart Bowed Down.
M. W. Balfe.
Bright Smile Haunts Me Still,
Her
Wrighton.
Henry
Allen.
Turner.
W.
Wallace.
P.
J.
Ordway.
by
Hays.
we Parted
the River Side... Will
Kye
When the
Comes Hame.
when the Swallows Homeward F1y,
Franz Abt.
When You and were Young, Maggie,
J.
Whippoorwill's
Song
A.
Butterfield.
H. Millard.
Alice Hawthorne.
whispering Hope.........
Widow in the Cottage by the Seaside,

C. A. White.
Thee,
Winds That Waft My Sighs
to
S.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
I.
.
C.
J.
.
.
.
.
.
in
V.
W.
Tenting on the Old Camp Ground,

M. F. H. Smith.
Twinkling Stars are Laughing, Love,
.
.
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.
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.
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.
.
R.
.
.
.
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.
.
.
.
.
.
.
Mary
W.
the Wild Moor
Massa's
De Cold Ground ...
Foster.
Hutchinson.
Mrs. Lofty and
My Trundle Bed................ J. C. Baker.
Oh! Whisper What Thou Feelest,
Cherry.
Sporle.
S.
Wallace.
W.
engary.
N.
Sweet Spirit, Hear My Prayer
Star of
J.
She 11s of Ocean.
You, My Lad.
C.
Whistle, and I11 Come
S.
W.
V.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
C. Foster.
Gentle Annie.
Night
Dreams,
Good
and Pleasant
Loves Young Dream.

Maid of Athens.
II
T.
.
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.
.
of
.
.
.
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.
.
.
Drink to Me Only with Thine Eyes.
of
W.
Wallace.
PLANTATION
is
Paper, .30
SONGS
One hundred and five characteristic songs

the
sung by the Hampton students, Jubilee
slaves,
singers, and Fisk University students. The Vo1
ume
octavo size, eighty pages. Among its con
as
JUBILEE AND
of
Brinley Richards.
of
tents are such songs as: A Few More Years, Been a-Listening, Come
Down, Angel, Did nt Old Pharaoh Get Lost, End This War, Fight
ing on, Hallelujah, Go Down, Moses, Hes the Lily
the Valley,
Mary and Martha, Steal Away, Swing Low, Sweet Chariot,
Meeting Here To-night, etc.
Theres
a
.
.
.
.
.
.
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.
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W.
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S.
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By the Sad Sea Waves.......... J. Benedict.

J. R. Thomas.
Cottage by the Sea.
Thompson.
H.
Cousin Jedediah.
Hamilton Aid.
Danube River.
Dearest Mae.
L.
H. Crosby.
Wrighton.
W.
Dearest Spot
Earth.
Dan Emmett.
Dixie Land.
VOL.
Old Musician and His Harp,

H. M. Higgins.
Over the Sea.
Mrs. Groom.
Wert Thou in the Cauld Blast,
...
V.
Aileen, Aroon!. . . . . . . . . Charles C. Converse.

American Hymn. . . . . . . . . . . . . . . . . . M. Keller.
Battle Prayer. . . . . . . . . . . . . . . . . . ... .Himmel.
J.V.
Wallace.
Bell Ringer. . . . . . . . . . . .
W.
Paper, $1.00
Boards, $1.25
to
Vol. II
.
.
.
.
.
.
.
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.
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.
.
.
.
OLD SONGS WE
USED TO SING
.
.
.
.
.
.
.
.
.
.
.
.
.
.
GOOD
Thirty-one songs selected from the compositions of twenty

seven popular composers.
One hundred and twenty-six
sheet-music size.
pages of music. The book
LYRIC GEMS
is
For Alto
Paper, $1.00
CONTENTS
At Parting..... . . . . . . . . . . . . . . . . . Paul Lring.

Bird and the Rose. . . . . . . . . . . .A. E. Horricks.
Molloy.
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Mackay.
Storm-Tossed
Summer Message......... Sarah C. Downes.
When I'm Big I11 be Soldier,
Molloy.
Arranged by A.
When Love
Kind.
.
.
.
.
.
.
L.
L.
Walter Davis.
is
.
.
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.
.
.
.
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.
.
The
J.
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J.
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.
is
Message,
Denza.
O'er Starlit Waves........... Henry J. Repp.

Our Own............. ......... Kate Vannah.
Over the Cathedral Door,
Frank H. Brackett.
Pine and Palm............... Herbert Leslie.
Sing Me to Rest.
Knight.
A.
Spanish Gipsy................... M. Watson.
Stories.
A. H. Behrend.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
J.
H. Behrend.
Nocturne........................... L.
C.
In Sweet September.......... Hope Temple.

It's Weary, the Waiting...... O. L. Carter.
Little Boy Blue... ...... Frank H. Brackett.
Love
A11...
Ella M. Chamberlin.
Clarence D. Arnold.
Love Light.
P. Bucalossi.
Love Ever Faithful.
Twenty-six songs selected from the composi

twenty-two popular composers.
tions
One
twenty-eight
pages
hundred and
music. The
book
sheet-music size.
of
of
LYRIC GEMS
For Bass and Baritone
is
Paper, $1.00
CONTENTS
Mighty Deep.................... W. H. Jude.
Misers Remorse.
John E. Webster.
Mona.
Stephen Adams.
Eugene Cowles.
Monk.
Fair,
Holy
(English
Sweet and
.
.
.
.
.
.
.
.
Fessenden Peterson.
W. H. Jude.
Paul Rodney.
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C.
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J. J.
Edward
W. Foster.
W. Chesham.
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T.
E.
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Longshoreman.
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Joly Friar...
H.
Statham.
E. L. Morris.
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.
to
O. L. Carter.
JV. H. Jude.
Otto Cantor.
Old Guard....
Paul Rodney.
Philadelphia........ Battison Haynes.
Off
Over the Harbour Bar...... Godfrey Marks.
Soldier's Dream.
Paul Rodney.
Steadfast, My Heart.......... James B. Goe.
Storm Fiend.
.J. L. Roeckel.
King..........................
Marion.
Storm
Vagabond...
Sidney
Whod Not Be
Brown.
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if
Happiest Land.
Heave-Ho!...
Ho for the Sea
words).........
and German
H.
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Brave Sentinel.
Macy.
Charmed Ring.
Condor.
Kenyon.
RoSewig.
Diver.
A.
J. C. Bartlett.
Dream (A).
Farewel1,
Prayer,
Ever Fondest
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the Bo'sun.
Alice
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Bill
Ashes.
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Was Born
L.
. . ... ... ... . . .
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..
House Where
Gift (The).
.A.
Boat Song. . . . . . . . . . . . . . . . . . . . A. W. Lansing.

By the Fountain............. Stephen Adams.
Childrens Hour.. Alice Fessenden Peterson.
Daddy. . . . . . . . . . . . . . . . . . . . . . . . A. H. Behrend.
Dragon Fly. . . . . . . . . . . . George Lowell Tracy.
Forgotten. . . . . . . . . . . . . . . . . . . Eugene Cowles.
Mission of a Rose. . . . . . . . . . . . . . F. H. Corren.

Mizpah ( English and German words),
Adam Geibel.
Twenty-nine songs selected from the compositions of twenty

six popular composers. One hundred and twenty-eight
pages of music. The book is sheet-music size.
LYRIC GEMS.
For Soprano
Paper, $1.00
CONTENTS
Angel-Land. . . . . . . . . . . . . . . . . . . . Ciro Pinsuti.
Annie Lee. . . . . . . . . . . . . . . . . . . J. A. Robertson.
April and September...... Jennie Franklin.
Bel1s of Seville. . . . . . . . . . . . . . . . . . W. H. Jude.
Bird and the Rose.
Elise Horrocks.
. . . . .Amy
By the B1ue Waters. . . . . . Frederick S. Hall.

Do You Forget? (Te Souviens-Tu ?)
Idalia Scaila.
Ever the Same. . . . . . . . . . . . . . . . A. N. Cosner.
Fairies.... . . . . . . . . . . . . . . . . . . . . . . . . . . . Dolores.
Forget Me... . . . . . . . . . . . ......... Tito Mattei.
Gift, The . . . . . . . . . . . .
-- - - - - - - -
A.
H. Behrend.
..Jennie Franklin.
Land of the Long Ago... Dora Wiley Tennis.
Loves Dream. After the Ba11,
Arranged by Martin Roberts.
Jack and Sue.
.. . .. ... .. ..
LYRIC GEMS
For Tenor
Paper, $1.00
Maiden and the Shepherd.... Horace Ellis.

Mission of a Rose. . . . . . . . . . . . . . F. H. Cowen.
Nocturne. . . . . . . . . . . . . . . . . . . . . . . . . L. Denza.
Old House, The . . . . . . . . . John Carver Alden.
One Summer Day. . . . . . . . . . Clarence Arnold.

Riding Home Upon the Hay.. Adam Geibel.
Rose and a Dream. . . . . . . Arthur Grimshaw.
Same Old Story..... - - - - - - Annie Armstrong.
Serenade. . . . . . . . . . . . . . . . . . . . . . . Kate Vannah.
Spanish Gipsy. . . . . . . . . . . . . Michael Watson.
Sweetest Song..... ............... L. Denza.
Sweet Old River... . . . . . . . . . Anton Strelezki.
When Love is Kind. . . . . . Arranged by A. L.
Why Are You Sad. . . . . . . . . . Anton Strelezki.
Word That Never Came. . . . . . Charles Wels.
Twenty-nine songs selected from the compositions of

twenty-seven popular composers. One hundred and twenty
eight pages of music. The book is sheet-music size.
CONTENTS
By the Fountain............
O Sweet and Holy (English and

German words) . . . . . . . . . . . . . Otto Cantor.
Proposal. . . . . . . . . . . . . . . . Frank H. Brackett.
Shine On, O Stars 1............ F. E. Sawyer.
Sweetheart, I Wait Thee Here,
McN. Ilgenfritz.
Thou Art a Friend..... . . . . Thomas O'Neill.
Toreador Hola!... . . . . . . . . . . . . . . H. Trotre.
Two Violets. . . . . . . . . . George Lowell Tracy.
Stephen Adams.
Dream, A. . . . . . . . . . . . . . . . . . . . . J. C. Bartlett.
Dream of Me, Dear. . . . . . . . Nena Fales Peck.
Garden of Roses. . . . . . . . . Alea. S. Beaumont.
Promise Thee. . . . . . . . . . . . E. W. Thompson.
I Stand Beside a Summer Sea,
I
I
Sarah C. Downes.
Want No Stars in Heaven to Guide Me,
L.
If
O. Emerson.
Uncertainty ........................ R. Keiser.

Upon the Mountains Distant Head.
Thou Couldst Know... F. Shattuck Hall.

In Praise of Her. . . . . . . . . . . . . . . Horace Ellis.
In Twilight Land,
In
Fair,
Op. 1, No. 1 . . . . . . . . . . . . . . . . . . . . . . Redman.

Wake Not, But Hear Me, Love
Lilliam Bissell.
ring
Main,
When O'er the Slumb'
Harvey Worthington Loomis.

Sweet September. . . . . . . . . . Hope Temple.
Love's Signal. . . . . . . . . . . . Arthur F. Burmett.

Maiden D1 eaming. . . . . . . . . . . . . . . J. C. Macy.
Mona. . . . . . . . . . . . . . . . . . . . . . . Stephen Adams.
Mr. Me. . . . . . . . . . . . . . . . . . . . . . Marion Osgood.
My Memories... . . . . . . . . . . . . . F. Paolo Tosti.
Who Has Seen My Daffodil

Wooing of the Morning.
37
Herbert
Leslie.
Sarah C. Downes.
Op. 19,
L. Carter.
MINSTREL SONGS
OLD AND NEW
Paper, $1.00
Boards, $1.25.
One hundred and two songs selected from the works

of well-known minstrel song writers. Two hundred
and
fifteen
of music, sheet-music size, in

Dem Golden Slippers, Gospel
the Mornin' by the Bright Light,
pages
cluding Oh !
Wedding, In
Adolphus Morning Glory, Oh, Dat Watermelon '''Carry Me Back to
Ole Virginny, Floating Scow of Ole Virginny, History of de World,
Dearest Mae, Jordan is a Hard Road to Trabbel. Seventeen by Foster,
including Gentle Annie, Massa's in the Cold Ground, My Old Ken
tucky Home, Good Night, Nelly Bly, Old Folks at Home, Old Dog
Tray, Old Black Joe, Uncle Ned, Way Down the Suwanee Ribber,
Hard Times Come Again no More, together with many other old favor
ites, as well as later ones.
MOORE'S IRISH MELODIES

Revised and Enlarged
This new edition includes one hundred and
fifty-nine of the songs that have become

Paper, $1.00
famous as Moore's Melodies (Irish airs
to which the poet Thomas Moore wrote
such exquisite lines).
One hundred and eighty-six pages of music, 8vo.
The airs in the old edition are, in many instances, placed too high in
pitch for the ordinary voice; great care has been exercised in editing and
rearranging this new edition. In many instances, too, the accompaniments
were not in keeping with the requirements of modern musical taste.
We
have selected the best accompaniments supplied by Irish, English, and
American musicians.
We have also added many of Moore's songs,
together with the original melodies, that have never before appeared in
any edition this side of the Atlantic, and which can be found in only one
other collection. Moore's original notes and comments are also carefully
preserved in this new edition.
NE PLUS ULTRA
BALLAD COLLECTION
Paper, .50
Forty-six ballads selected from the compositions

of thirty-two composers.
pages, sheet-music size,
One hundred and sixty
including :
Oh, How Delightful (Waltz Song),

J. L. Molloy.
Queen of My Heart (from Dorothy),
Are the Bairns at Home?... Michael Watson.

Arise ! He Ca11eth Thee...Joseph L. Roeckel.
Dream Faces. . . . . . . . . . . . . . . . W. Hutchinson.
Hark, the Birds (Vocal Mazurka). Marion.
Joys of Spring (Waltz Song). Adam Geibel.
Just a Little Sunshine (Life's Story),
Alfred Cellier.
Rowing . . . . . . . . . . . . . . . . . . . . . . . Henry Parker.
Star of Bethlehem......... Stephen Adams.
True to the Last. . . . . . . . . . . . . Stephen Adams.
Fred Solomon.
Lullaby (from Ermine), Ed. Jakobowski.

38
NE PLUS ULTRA SONG

AND CHORUS COLLECTION
A collection of fifty songs of varying char
acter, each with a chorus for mixed voices,

selected from the compositions of thirty
four writers. Sheet-music size.
Paper, .50
Norway's folk-songs, dances, national airs,

and recent compositions, arranged for piano
forte and for the voice. Edited and furnished
with English text by Auber Forester and Rasmus B. Anderson.
Contains two hundred and fifty-eight pages, sheet-music size, embracing
more than one hundred and sixty pieces, including fifty-six folk-songs, fif
teen hallings, fifteen spring dances, fifteen folk-dances, wedding marches,
etc., ten national songs, and over forty of the more recent compositions,
consisting of eighty pages of music, vocal and instrumental, by Grieg, Nord
raak, Agathe Grndahl, Kjerulf.
NORWAY MUSIC
ALBUM
Boards, $2.50
ONE HUNDRED AND TEN

SCOTCH SONGS
Paper, .50
one hundred and forty-four pages,

octavo size, containing all the favorite Scotch
songs, with piano accompaniment, arranged
and revised by Thomas a'Becket, Jr.
A volume of
ONE HUNDRED SONGS OF SCOTLAND

Airs and words.
Paper. . . . . . . . . . . . . . . . . . .
Boards. . . . . . . . . . . . . . . . . .
ONE HUNDRED SONGS OF IRELAND

Airs and words. Paper. . . . . . . . . .
Boards.
. . . . . . . . . . . . . . . . . .. . .
.4O
. . . . . . . . . . . . . . . . . . . . .
.50
. ..
.4O
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.5O
. . . . .
. . . . . . . .
. . . .
... .
. . .
A selection of solos, duets and trios from Don

Boards, $2.00
Giovanni, Il Flauto Magico, Der Freischtz,
Lucrezia Borgia, Somnambula, Norma,
Lammermoor,
Lucia di
I Lombardi, I Martiri, Trovatore,
Traviata, Martha, Don Pasquale, Ernani, Huguenots, Fa
vorita, Masked Ball, etc., with English and Italian words and piano
OPERATIC
PEARLS
accompaniments.
Two hundred pages, sheet-music size.

39
PEOPLE'S
COLLECTION
OF WOCAL MUSIC
Paper, .50
one hundred and twenty-six pages,

sheet-music size, containing thirty-nine popu
lar songs by well-known composers, including
A volume of
Dear Heart, Tito Mattei; The Devoted

Apple, Joseph Roeckel; Never Again, Frederick Cowen, Now, Was
I Wrong Anton Strelezki; Out on the Deep, Frederick Lhr ; Queen
of My Heart (from Dorothy), Alfred Cellier; Tender Kisses, Eduard
Holst; Thine Image, Anton Strelezki.
THE
POPULAR SONG
COLLECTION
A collection of thirty-six popular songs repre

senting twenty-nine different composers.
The
book is sheet-music size and contains one hun

dred and forty-four pages of music. The con
tents include, among many others, songs by
Stephen Adams, J. W. Bischoff, Carl Bohm, Francis Boott, Alfred Cellier,
Edith Cooke, P. De Faye, Arthur Henshaw, Eduard Holst, Ed. Jakobow
ski, Annie F. Loud, Theo. Marzials, Tito Mattei, Auguste Mignon,
L.
Molloy, Frank Moir, Herndon Morsell, Ethelbert Nevin, George L.
Osgood, Henry Parker, Paul Rodney, Anton Strelezki, Hope Temple,
F. Paolo Tosti, Michael Watson.
Paper, $1.00
Boards, $1.25
J.
ROYAL COLLECTION
OF BALLADS
Paper, .50
Postpaid, .60
A collection of forty-five ballads selected from the

works of thirty-eight composers, including Glover,
Jordan, Torry, Geibel, Strelezki, Millard, Kinkel,
etc.; one hundred and sixty pages, sheet-music size.
ROYAL COLLECTION OF SONGS

WITH CHORUSES
Paper, .50
Fifty-one popular songs with well

arranged chorus to each, for mixed
voices, representing twenty-nine well
known composers.
One hundred and
sixty-five pages, sheet-music size. The contents include compositions by
H. P. Danks, C. A. White, Walter Sumner, T. Brigham Bishop, H. S.
Thompson, Will S. Hays, Harry Percy, John M. Jolley, Frank Collins,
J. E. Stewart, H. Leighton, Harrison Millard, Edwin Christie, W. Dressler,
Chas. E. Pratt, Arthur French, V. Cirillo, Charlie Baker, George Dana,
Arthur J. Mundy, Chas. D. Blake, Wm. A. Huntley.
4O
A collection of about one hundred and fifty old favo

Boards, $2.00
rites, including, Ah, I Have Sighed to Rest Me,
from Il Trovatore, How so Fair, Martha, I11
Pray for Thee, Lucia; In Happy Moments, Maritana, I Would
That My Love (duet), by Mendelssohn ; Serenade, by Schubert, and
SILVER
i.
CHORD
numerous ballads.
SONG
Two hundred pages, sheet-music size.
CLASSICS
For High Voices
Vol. 1
Paper, $1.00
Boards, $1.25
Becker.
Bendel.
Bohm.
Bohm.
Brahms.
Denza.
A collection of forty-seven lyrics
by some of the best

modern composers, large sheet-music size, one hun
dred and fifty-one pages. Most of the songs have
German as well as English text; some have Italian
or French.
Franz.
Franz.
Franz.
Exile
Godard.
Godard.
Gounod.
Gounod.
Graben-Hofmann.
Gregh.
Grieg.
Grieg.
Grieg.
Grieg.
Hndel.
Hiller.
Jensen.
Jensen.
CONTENTS
Spring (Frhlingszeit).
Wondrous is the Power (Wie berhrt mich wandersam).
A Night in Spring (Frhlings Nacht).
Entreaty (Bitte),
Cradle Song (Wiegenlied).
Star of My Heart.
Mother, O. Sing Me to Rest (Mutter, O sing mich zur rest).
Oh Think of Me (Widmung).
On Me Turn Tny Sparkling Lustre (Wiel aaf mir).
"
Kjerulf.
Kjerulf.
Kierulf.
Kierulf.
Kjerulf.
Lassen.
Lassen.
Lassen.
Lassen.
Liszt.
Massenet.
Tieyer-Helmund.
Dioszkowski.
#olese
Raff.
Ries.
Ries.
Rubinstein.
Rubinstein.
Rubinstein.
Rubinstein.
Rubinstein.
Tschaikowsky, P.
Wagner.
( Verbaunt).
Florians Song (Chanson de Florian).

My Fairest Angel (Biondina Bella).
With Newer Strings My Mandolin (Ho messo nuove
al mandoleno).
Forget Me Not (Vergissmeinnicht).
Appear, Love, at Thy Window.
Forest Wandering (Waldwanderung).
I Love Thee (Ich liebe dich).
Margaret's Cradle Song (Margarethens Wiegenlied).
The O1d Story (Das alte lied).
Summer
(Semele).
were I a Bird of Air (Wenn ich ein Vglein Wr).
Marie.
Oh, Press Thy Cheek Against My Own (Lehn
corde
Wang'an meine Wang).

Last Night (Sehnsucht).
Love Voices (Liebespredigt).
My Sweetheart (Mein Schatz).
Synnove's Song (Synnoves Lied).
When You Slept (Quand tu dors).
A Dream (Ich hatte einst ein Waterland).
Ah! When Thine Eyes of Azure
deine
(Avec tes yeux, Mignonne).
Resolution (Vorsatz).
Spring Greeting (Frhlings Gruss).
Oh, Thou Art Like a Flower (Du bist wie ein Blume).
Childhood (Les enfants).
A Maiden's Song (Mdchenlied).
S1umber Song (Schlaflied).
Nina ('Tis Three Long Days).
He Who Heaven and Earth is Keeping (Serenade).
Parting (Abschied).
Spring's Blue Eyes (Die blauen Frhlings Gruss).
Golden Rolls Beneath Me (Gelb rollt mir zu Fssen).
The Dream (Der Traum).
The Eastern Slave (Der Asra).
Thou Art So Like a Flower (Du bist wie eine Blume).
Yearnings (Sehnsucht).
No One My Grief Can Feel (Nur, wer die Sehnsucht kennt).
Dreams (Trume).
4I
CLASSICS
High
For
Voices
SONG
Vol. 2
Paper, $1.00
Boards, $1.25
some of the best modern composers, large

music size, one hundred and forty-eight pages.
CONTENTS
Bohm.
Forsaken.
Bohm.
Oh Let Me Share Thine Evening Prayer.
Bohm.
Still as the Night.
Bohm.
Brahms.
Thy Blue Eyes.

Love Song.
Carmichael.
June Song.
Carmichael.
May Song.
Snowflakes.
Thy Remembrance.
Cowen.
Cowen.
Thirty-eight songs selected from the compositions of
David.
Thou Art Mine A11.

Maid and Butterfly.
Thou Charming Bird.
Delibes, Leo.
Delibes,
Leo.
Denza.
Thou Cruel Sea (Arioso).

Shepherd Song.
Exchange.
Desjoyeaux.
Exile Song.
Gangloff.
Jungst.
Spring is Only Love.

Spring.
Why Dost Thou Weep (Perche Piangi).
Sunshine Song.
Spinning Song.
Massenet.
List to the Voice of Youth.
Massenet.
Open Now Thy B1ue Eyes.
Meyer-Helmund.
Linden-tree.
Meyer-Helmund.
Serenade.
Ries.
Cradle Song.
Ries.
From Out Thine Eyes My Songs are Flowing.

Birthday Song.
In Springtime.
Bradsky.
DAlbert, E.
Gounod.
Gounod.
Grieg.
Sachs.
Thomas.
Thomas.
My Neighbor.
River Dream.
Thomas.
Village Noon.
Thomas.
Winds in the Trees.

Pearls of Gold.
Beauty's Eyes.
Thomas.
Thom.
Tosti.
Tosti.
Weil.
Ninon.
Spring Song.
42
sheet
SONG
CLASSICS
For Low Voice

Paper, $1.00
Boards, $1.25
A collection of forty
songs with piano accompaniments,
selected from the compositions of thirty-one eminent

composers, making a book of one hundred and forty
three pages of music, sheet-music size. Most of the
songs have German as well as English words; some have Italian or French.
CONTENTS
Jensen.
Wondrous is the Power (English and German words).

Across the Hills.
Good Night.
The Maiden's Wish (English and German words).
Lovely Spring (English and German words).
Star of My Heart.
Sweet Slumber, Come (Invocation).
I Have Lost My Eurydice (English and Italian words).
Oh That We Two were Maying.
The Guardian Angel.
The Old Story (English and German words).
Leave Me to Languish (English and Italian words).
Were I a Bird of Air (English and German words).
Be Thou with Me (English and German words).
Oh, Press Thy Cheek Against Mine Own (English and
Kjerulf.
Last Night (English and German
Bendel.
Chadwick.
Chadwick.
Chopin.
Coenen.
Denza.
Franz.
Freake.
Gluck.
Gounod.
Gounod.
Grieg.
Hndel.
Hiller.
Hiller.
Lassen.
Lassen.
Lassen.
Liszt.
Tlassenet.
Tieyer-Helmund.
Mozart.
Mililotti.
Osgood.
Rotoli.
Rubinstein.
Rubinstein.
Rubinstein.
Rubinstein.
Salvator Rosa.
Salvator Rosa.
Schne.
Schumann.
Stradella.
Tschaikowsky.
Watson.
Weber.
White.
German words).
A Dream (English and German
words).
words).
Resolution
Ah, When Thine Eyes of Azure (English,
German
and
French words).
Thourt Like a Flower (English and
German words).
Serenade to Zanetto (English and Italian words).

A Maiden's Song (English and German words).
Silently Blending (English, Italian, French and German
words).
Daylight is Waning (English and Italian words).
Wake not, but Hear Me, Love.
The Pining Flower (April was smiling Gaily) (English
and Italian words).
The Dream (English and German words).
Day by Day in Wondrous Beauty (Der Asra) (English
and German words).
Golden Ro11s beneath Me (English and German words).
Yearnings (A Wish) (English and German words).
Far from His Home (English and Italian words).
To be Near the Fair Idol (English and Italian words).
An Hour before the Day (English and German words).
I11 not Complain (English and German words).
Oh, from My Tender Love (English and Italian words).
No One My Grief can Feel (English and German words).
Voices of the Woods.
O Fatima, Gift Sent from Heaven (Abu
Absent, yet Present.
43
Hassan).
A volume of two hundred and seven pages, sheet-music

size, containing one hundred and sixty-two songs by emi
Paper, .50
nent composers, among which may be mentioned:
Postpaid, .65
Among the Lilies, Czibulka; As You Like It, Pin
suti; Ave Maria, Gounod; Birds in the Night, Sullivan; In the
Gloaming, Harrison; It Was a Dream, Cowen, and many other favorite
SONG FOLIO
No. 1
songs and ballads.
A volume of two hundred and eight pages, sheet-music

size, containing one hundred and three songs by eminent
No. 2
Paper, .50
composers, among which may be mentioned:
A Dream
Postpaid, .65
Ah,
Verdi;
Love,
Tosti;
Me,
Sighed
of
I Have
to Rest
I Love My Love, Pinsuti; Last Night, Kjerulf; Long Ago, Mil
lard; Over the Stars There is Rest, Abt; Stella, Supp; The Maid
of the Mill, T is Not True, Mattei, and many other favorite songs and
SONG FOLIO
ballads.
SONG FOLIO
size, containing eighty-five songs by eminent composers,

among which may be mentioned: Afterwards, Mul
len; Beauty's Eyes, Tosti; Come, Gentle Sleep
Ivanhoe),
Sullivan; Creole Love Song, Moncrieff; Dear
(from
Heart, Mattei; In Old Madrid, Trotere; selections from Milloeckers
Poor Jonathan, Audrans La Cigale, etc.
No. 3
Paper, .50
Postpaid, .65

size, containing one hundred and six songs by eminent com
No. 4
Paper, .50
posers, among which may be mentioned: Ask Nothing
Postpaid, .65
More, Marzials; Beside Me, Mattei; Cooper's Song,
Supp; Hedge Rose, Schubert; Thine My Thoughts are, Margarita,
Meyer-Helmund; with many other favorite songs and ballads, together
with selections from Audrans La Cigale and Miss Helyett, Zeller's
Tyrolienne, Planquettes Capt. Thrse, Godards Jocelyn, etc.
SONG
FOLIO
44
SONG
FOLIO
No. 5
Paper, .50
Postpaid, .65
A collection of forty-one popular

One
compositions of thirty-three well-known composers.
hundred and sixty pages. The book is sheet-music size.
CONTENTs
White.
. .. .. . ... . . .. .
Henry Parker.
Ballad of the Dreamers....... Adam

Beggar Maid.
. ... . . .. ... .. . . ....
. . . . . . . . . . A. E. Horrocks.
Cowslips.
Bunch of
. . . . . . . . A. M. Wakefield.
Clang of the Forge. . . . . . . . . . . . Paul Rodney.
Con Amore. . . . . . . . . . . . . Arr. by Sep. Winner.
Could I. . . . . . . . . . . . . . . . . . . . . . . . F. Paolo Tosti.
Eyes of Sunny Spain... Arr. by R. A. Keiser.
F. Clay.
Stirrup Cup. . . . . . . . . . . . . . . . . . . . . . . . L. Arditi.

Tell Her I Love Her So... . . . . . . . P. De Faye.
The Morning and Evening Star,
Hamilton Aid.
Thomas Hutchinson.
R. M. Stults.
Thou'rt A11 in A11 to Me.
Wel1-a-Day.
Fannie M. Spencer.
When I'm Big I11 Be Soldier,
Molloy.
F.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
...
Fairies, The......................... Dolores.

Five Oclock Tea..
Henry Pontet.
Gipsy John.
Clay.
Stephen Adams.
Go and Forget.
Love You Too Wel1.
F. H. Cowen.
Watch Thee from Afar.... Hamilton Aid.
Araby....
Clay.
I11 Sing Thee Songs
Ive Something Sweet to Tel You,
Thine Forever...
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
J.
F.
of
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
I I
When Love
Kind............ Arr. by A.
Arr. by Sep. Winner.
With My Love.....
You are Mine.
F. N. Lhr.
is
Eaton Faming.
SONGS
OF
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
of
King of the Forest Am I.... Henry Parker.

King Love My Shepherd Is... Ch. Gounod.
of
Revised edition. The melodies and ballads

Ireland are almost universal favorites. They are
brisk and bright and have distinctive originality
both in words and music. As
the words
this volume, besides the
greatly admired ones
Thomas Moore, are others
Samuel Lover, Lady Duf
ferin, Mrs. Crawford, M.
Barry, Thomas Campbell, and Francis Mahoney.
old days, the literature and the songs were
ancient Irish,
the
bringing
language,
poems
Gaelic
thus
them
line with the
Ossian.
Ideas
from the old harpers' songs and melodies, derived from those that once
vibrated
their harps, form the basis
much
the modern Irish music,
and the few that are
modern composers echo the spirit
the older lyrics.
sixty-six
piano
accompaniments.
songs,
There are
all with
IRELAND
by
of
of
by
of
on
in
of
in
or
J.
by
to
in
Paper, $1.00
Cloth, gilt, $2.00
In
Bird and the Rose.
Geibel.
...J. Barnby.
L.
At My Window.
Leaving, Yet Loving........ Theo. Marzials.

Loch Lomond.
Mission of a Rose. . . . . . . . . . . . . . F. H. Cowen.
Old Brigade........................ O. Barri.
... F. N. Lhr.
Paradise Square. . . . . . .
Polly and I. . . . . . . . . . .
.A. M. Wakefield.
Rhine Maiden. . . . . . . . . . . . . . . . Henry Smart.
Sands o' Dee. . . . . . . . . . . . . . . . . . . . . . . . . F. Clay.
Serenade (La Serenata)...... F. Paolo Tosti.
She Wandered Down the Mountain Side,
L.
Valrie
Alone . . . . . . . . . . . . . . . . . . . . . . . . . . Theo. Bendiac.

Anchors Weighed, The . . . . . . . . . . . Braham.
.
.
.
.
.
.
Absent, Yet Present... Maude
45
A collection of two hundred and five songs

representing all that is best and most popula
of Scotland's lyric music, the music edited by
J. Pittman, Colin Brown, and Thomas Becket, Jr. Each song has a satis
factory piano accompaniment. The poetry edited with notes by Dr. Charles
Mackay, who has furnished an exhausting and highly interesting critical
history of the Music and Poetry of Scotland.
SONGS
OF
SCOTLAND
Paper, $1.00
WAR
SONGS
Paper, .50
Cloth, gift, $1.00
The extraordinary revival of military and patriotic

feeling typified by the increase and energy of Grand
Army organizations has brought this collection into
It contains songs for the camp-fire and the march,
very great favor.

memorial songs, and in fact the best of all those that (without bitterness)
awaken memories of the great war. Choruses are for men's voices, and
there is an accompaniment for piano. The solo parts can be sung by men's
or womens voices.
songs, represent
ing
patriotic
the
music of the world, and
PATRIOTIC SONGS AND AIRS
including characteristic numbers from
.50
America, Argentine Republic, Austria,
Belgium, Bolivia, Brazil, Chili, China, Denmark, England, Finland, France
Germany, Greece, Guatemala, Holland, Ireland, Italy, Japan, Mexico, Nor
way, Peru, Poland, Portugal, Russia, Scotland, Spain, Sweden, Switzerland
Turkey, Wales. The several pages of interesting historical notes add great
WORLD'S COLLECTION
OF
A collection of fifty-two
value to this work.
46
DUETS
SACRLED
CHOICE SACRED DUETS
For Two Medium Voices
Paper, $1.00
Boards, $1.25
Thirty duets selected from the compositions
of twenty-one composers.
One hundred and
twenty-eight pages of music.
CONTENTS
Abt, Franz.
Abt, Franz.
Faure, J.
Geibel, Adam.
Geibel, Adam.
Geibel, Adam.
Gounod, Charles.
Gounod, Charles.
Grell, A. E.
Hoffmann, G.
Howe, E.
Irwin, T. L.
Irwin, T. L.
Lachner, I.
Lassen, B.
Lassen, E.
Leslie, H.
Leslie, H.
Molique,
Mozart.
Nicolai, O.
Rubinstein, A.
Smart H.
Smart, H.
Smart, H.
Smith, A. Ti.
Stainer, John.
Saint-Sans, c.
Saint-Sans, C.
Wiegand, J.
LAUS
DEO
IN SACRED DUETS
George C. Hugg
Boards, $1.00
Over the Stars There is rest. (Soprano and Alto).

Near Us, Ever Near Us. (Soprano and Bass).
Crucifix (Come Ye That Weep). (Soprano and Alto),
Tantum Ergo. (Soprano and Alto).
Saviour, Source of Every Blessing. (Soprano and Alto).
Inspirer and Hearer of Prayer. (Soprano and Baritone).
Forever with the Lord. (Soprano and Alto).
G1ory to Thee, My God, This Night. (Soprano and Bar.).
When A11 Thy Mercies, O My God. (Soprano and Alto).
Art Thou Weary. (Soprano and Baritone).
In the Cross of Christ I Glory. (Soprano and Baritone).
Sweet Hour of Prayer. (Soprano, or Tenor and Alto).
Prayer. (Soprano, or Tenor and Alto).
My Faith Looks Up to Thee. (Soprano and A1to).
Jesus, Lover of My Soul. (Soprano and Alto).
Saviour, Breathe an Evening Blessing. (Sop. and Alto).
Invisible Land. (Soprano and A1 to).
I Saw a Golden Sunbeam Fa11. (Soprano and A1 to).
It is of the Lord's Great Mercies. (Tenor and Bass).
Thou Art, O God, the Life and Light. (Sop. and Alto).
Tarry With Me, O My Saviour. (Soprano and Tenor).
O Let Him Whose Sorrow. (Soprano and Alto).
As Pants the Hart. (Soprano and Alto).
"
Lord is My Shepherd. (Soprano and Alto).
Love Divine, A11 Love Excelling. (Mezzo-Sop. and Bar.).
(Soprano and Tenor).
Peace to This Dwelling.
Love Divine, A11 Love Excelling. (Soprano and Tenor).
Ave Maria. (Soprano and Alto).
In Dreams I've Heard the Seraphs Fair. (Sop. and Alto).
O Saving Host (O Salutaris Hostia). (Tenor and Baritone).
This book of one hundred and ninety two pages

contains fifty-four duets for the various combina
tions of two voices.
The selections represent the
great masters, among whom are included Beethoven,
Hndel, Mozart, Mendelssohn, Schumann, Rubin

stein, Gounod, as well as compositions by later composers, like Sullivan,
Pinsuti, Wallace, Faure, etc., and include music suitable for all church
services. The book is octavo in size.
47
SECULAR
CHOICE
VOCAL
Twenty-six duets selected from the composi

tions of eighteen composers; one hundred and
forty-four pages of music.
DUETS
Paper, $1.00
Boards, $1.25
Cloth, $1.50
CONTENTS
Abt, Franz.
Abt, Franz.
Abt, Franz.
Abt, Franz.
Abt, Franz.
Barnett, John Francis.
Blangini, F.
Brackett, L. F.
Campana, F.
Geibel, Adam.
Grell, A. E.
Hawthorne, Alice.
Tlacini, F.
Tiarzials, Theo.
Nicolai, O.
Pinsuti, Ciro.
Pinsuti, Ciro.
Rubinstein, Anton.
Rubinstein, Anton.
Schlesinger, S.
Schubert.
Smart, Henry.
Smart, Henry.
Smart, Henry.
Smith, Alice Tiary.
Tours, Berthold.
Boatman's Song.
(Soprano or Tenor and Alto).
Fly Away, Birdling. (Soprano and Alto).

Good-bye, Ye Flow'rets Fair. (Soprano and
A1 to).
(Soprano and Alto).
Like the Lark. (Soprano and Alto).
Parting Hour. (Alto and Tenor).
Through Valley, Through Forest. (Soprano and Tenor).
In Meadows Green. (Tenor and Alto).
I Live and Love Thee. (Soprano and Alto or Baritone).
On the Moonlit Stream. (Soprano and A1 to).
Rose and the Laurel-tree. (Soprano and Alto or Baritone).
Whispering Hope. (Soprano or Tenor and Alto).
Land of the Swallows. (Soprano and Alto).
Friendship. (Soprano and Alto or Baritone).
Adieu. (Soprano and Tenor).
The Time of Youth. (Soprano and Alto).
When Life is Brightest. (Soprano and Alto).
Angel, The. (Soprano and A1 to or Baritone).
Wanderer's Night Song. (Soprano and Alto or Baritone).
Gentle Be Thy slumbers. (Soprano or Tenor and Alto).
Serenade. (Tenor and Baritone).
Faint Not, Fear Not, God is Near. (Soprano and Alto).
Land of the Setting Sun. (Soprano and Tenor).
Lord is My Shepherd. (Soprano and Alto).
Maying. (Soprano and Tenor).
With the Stream. (Soprano and Alto).
Greetings.
FAVORITE COLLECTION
OF
WOCAL DUETS
Paper, .50
Postpaid, .60
of forty-one duets selected

from the compositions of twenty-four com
posers.
One hundred and sixty pages,
A collection
sheet-music
size.
CONTENTS
Ah
Could
I Teach the
Nightingale,
C. Keller.
Things are Beautiful... Stephen Glover.

Alpine Morning. . . . . . . . . . Gustave Blessner.
A11
Back to Our Mountains. . . . . . . . . . . . . . Verdi.

Bear Me, Boatlet. . . . . . . . . . . . . . . . . . Neukomm.
Beautiful Dove . . . . . . . . . . . ... Stephen Glover.
Beautiful Moonlight. . . . . . . . Stephen Glover.

Bridesmaid's Duet, The.... Maria Padilla.
Come with Me.................. F. Campana.
Do You Remember............. F. Campana.
Evening Song to the Virgin... Mrs. Hemans.
Flowers' Prayer, The.......... Franz Abt.
Good Night, My Love, Good Night,
Moon is Beaming O'er the Lake, The,
J.
Adam Geibel.
Happy Moments . . . . . . . . . . . . . . . . . . . . Deems.

Hark! Hark! How Sweetly...... Schubert.
Hark! T is the Indian Drum (Trio),
Sir Henry Bishop.
Hear Me, Norma. . . . . . . . . . . . . . . . . . . . . Bellini.
Hill
and Lake, Farewell.
. .. . .
F.
Campana.
Hour of Parting, The . . . . . . . . . . . . . . . . Bellini.
How Can I Leave Thee!. . . . . . . . . H. Cramer.

Hunters Song, The...... - - - - - - . F. Kcken.
Im Lonely Since My Mother Died,
In the Starlight.
I Would
. ...
See the Pale Moon (Guarda
ehe
Bianca
Luna). . . . . . . . . . . . . . . . . . . . . . . . F.
Campama.
Serenade of Don Pasquale. . . . . W. Callcott.

Sister's Faithful Love, A.... Stephen Glover.
H. S. Thompson.
. . . . . . . . Stephen Glover.
That My Love........ Mendelssohn.

La Manola ; or, This Happy Day,
Paul Henrion.
Moonlight....
by
Meet Me
Arr. by Shroven.
Evening
(Trio),
Song
Mermaids
Soar on Gently, Heavenly Music (Trio),

When
Karl Merz.
Know That Thou Art

Near Me,
-
Franz Abt.
Whispering Hope. . . . . . . . . Alice Hawthorne.

Woodbirds Song. . . . . . . . . . . . Stephen Glover
Stephen Glover.
GEIBEL ALBUM
For Medium Voices
Blockley.
Oh, Softly Rise, Bright Summer Moon,

Strauss.
On the Blue Wave. . . . . . . . . . . . . . . H. Panofka.
O Swallow, Happy Swallow.... F. Kcken.
O Thou Queen of Love and Beauty... Verdi.
Parting whispers.. ...... Alice Hawthorne.
Pray Tell Me the Wish of Thy Heart,
Alice Hawthorne.
A collection of twelve very attractive two-part

adapted
songs,
in girls' schools, acadamies,
well
to use
high schools, etc., since the music, which is of a
high grade, is not difficult, and the spirit of the
songs is suited to womens voices. These duets have also been used in con
Adam Geibel
Paper, $1.00
certs with good effect.
Forty-three pages, sheet-size music.
A collection of Mendelssohn's ever

popular two-part songs (first and
second soprano) including:
MENDELSSOHN'S TWO-PART SONGS

Felix T1endelssohn
Paper, .40
I Would That My Love.

The Passage-birds Farewell.
Greeting.
Autumn Song.
Oh Wert Thou in the Cauld Blast.
The Maybe 11s and the Flowers.
The Sabbath Morn.
The Harvest Field.

Song from Ruy Blas.
Home Far Away.
Evening Song.
My Bark is Bounding to the Gale.
Zuleika and Hassan.
49
DUET ALBUM.
For Womens Voices
RUBINSTEIN
Anton Rubinstein
Paper, $1.00
Eighteen two-part songs, of medium diff

culty, for women's voices, with English
and German words, the latter by W. Stig
and, edited by Hermann Eisoldt.
CONTENTs
Maidens Thro' the Meadow Roaming.
Night.
Russian Song.
Song of the Birds.
Spring and Hope.
Sweet Once Sang the Bird.
Turtle Dove and the Wanderer.
Wanderer's Night Song.
We Two. When we Parted.
The Angel.
At Eve.
The Bird.
The Cloud.
Evening by the Sea.
F1eeting.
Forest Song.
In My Native Land.
The Lotus Flower.
About seventy duets, selected from the works

Mozart, Bellini, Donizetti,
of Mendelssohn,
Campana, Glover, and others.
Two hundred
forty
pages,
and
sheet-music size.
OF
SHOWER
PEARLS
Boards, $2.00
Twenty-four songs arranged as duets

for Soprano and Tenor voices.
Se
twenty
lected from the compositions of
Many of the duets
one well-known European and American composers.
English.
have German or Italian words in addition to the
AND TENOR DUETS
SOPRANO
Paper, $1.00
Allen, Victor.
Bechtel, J. C.
Brahms, Johannes.
Cowen, Fred H.
Leston, Harold.
Tlacy, J. C.
Ilarzials, Theo.
Tiendelssohn, Felix.
Tlililotti, I.
Floir, Frank L.
Nicolai, Otto.
Parker, Henry.
Pinsuti, Ciro.
Quaranta,
Francesco.
Rossini, G.
Schumann,
Schumann,
Robert.
Robert.
Smart, Henry,
Smith, Alice Mary.
Smith, Edgar Belmont.
Sudds, W. F.
Thomas, A. Goring.
Thomas, A. Goring.
Thomas, A. Goring.
CONTENTS
Confession.
Oh, Come to Me When Daylight Sets.
Come, Let Us Wander (English and German words).
Fountains Mingle with the River.
Evening Twilight Gathers.
Night of Joy.
Go, Pretty Rose.
Zuleika and Hassan (English and German words).
Night (English and Italian words).
Dreams of Gladness.
Adieu (English and Italian words).
Just the Old Story, Soft and Low.
Remembrance (English and Italian words).
Neapolitan Nights (English and Italian words).
See
Moon Shine O'er Us (English and Italian
In
# tale
2007'rts).
the Woods (English and German words).

Remembrance (English and German words).
Land of the Setting Sun.
Oh, That We Two were Maying.
Ranchero.
Oh, That We Two Were Maying.
Contentment.
Night Hymn at Sea (English and Italian words).
Noontide Heat is Long Passed Over (English and Italian

words).
50
SECULAR
PART-SONGS
MEN'S VOICES
(Volumes of Sacred Fiusic for Men's Voices
will
be found described on p. 113.)
A catalog of Oliver Ditson Companys Octavo Edition of choruses, part-songs, an

thems, etc., including nearly eleven thousand numbers, will be sent upon application
or a separate 1ist of octavo music for mens voices if desired.
AMERICAN MALE CHOIR

J. H. Tenney
A collection of
sacred and secular music for

mens choruses and quartet-choirs, clubs, col
consisting of
leges, and singing societies,
Paper, .80
Boards, $1.00
quartets, gospel songs, anthems, chants, glees,
songs, and patriotic pieces. Written and compiled by
H. Tenney. This
book contains one hundred and sixty octavo pages and one hundred and six
J.
pieces.
AMPHION
Selected
and arranged
J. E. Gould
by
A collection of four- five- and six-part songs for

men's voices, in five books, viz.: piano score and
four vocal parts, each voice part being in a book
by itself. Original and selected, with piano accompaniment ad lib. There

are about eighty pieces, a11 of a high order, most of them by the best
Abt, Mller, Mohring, Kreutzer, Neu
German and English composers,
komm, Hatton, Barnby, etc. Words written chiefly by H. A. Clarke.
The four vocal parts and piano score. Five books. . . . . . . . . . . . . . . $4.00
Pianoforte score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
I.5O
Separate vocal parts.

Separate vocal parts.
ARION
Four books.
Four books.
. .. . . . . . . . . . . . . . . . . . . . . . . . . . . .
Each
A collection of four-part
. . . . . . . . . . . . . . . . . . . . . . .
3.OO
I.OO
songs, for mens voices, with
piano score, each part being in a book by itself. Mainly

John D. Willard
to be sung without accompaniment.
The Arion,
like The Amphion, contains part-songs of sterling
merit by the best composers. There are about seventy pieces, mostly from
Compiled
by
5I
the German. Twelve thousand full sets have already been sold. No
men's
voice club should fail to procure such a valuable standard work.
The four vocal parts and piano score. Five books. . . . . . . . . . . . . . . . $4.00
Separate vocal parts. Each . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
I.00
Separate vocal parts. Four Books. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
3.00
Pianoforte SCOre - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
1.50
COLLEGE SONGS
A collection of ninety-two of the popular songs

of American colleges. The choruses of these
Henry Randall Waite
songs are arranged to be sung by men's voices;
Paper, .50
they are, however, well fitted also for
mixed
Cloth, gilt, $1.00
voices.
Solos have piano accompaniment, and
can be sung by any voice. One hundred and four pages,
octavo size.
Three hundred and fifty thousand copies have already been sold,
and the
book to-day is as popular as ever.
Compiled by
CROSS
FOR
PART-SONGS
MALE VOICES
Selected
and arranged
T1. Cross
A collection of part-songs of varied char

including Billeters Adieu, Beck's
Evening Song, Curschmanns
Exile's
acter,
by
Song, Speidels Farewell to Fatherland,

Appels Love's Greetings, Billeters
Our
Native Land, Lachner's Serenade, Ap
pel's Serenade, Abt's Sunrise,
Reinthaler's Sweet Spring, Jahnke's
Wanderer's Evening Song, Mangolds Wanderer's Night Song.
Boards, .50
EMERSON'S NEWMALE QUARTETS
A book of
one hundred and
twenty
eight pages, containing thirty-five

L. O. Emerson
quartets; octavo size. Many of the
Paper, .60
numbers are Mr. Emerson's origina
Boards, .75
composition, while in addition there
are arrangements from Martel, Abt, Arne, and others, together with
several
Original, selected, and arranged
by
popular old songs.
EMERSON'S QUARTETS AND

CHORUSES
FOR MALE VOICES
L. O. Emerson
A collection of over forty attractive
Paper, .60
Boards, .75
from Pinsuti, Barri, Seifert, and others.

52
numbers. They are not difficult, and

will suit the average male quartet
very nicely.
Besides compositions
by Mr. Emerson, there are selections
A variety of quartets and choruses

for men's voices, many of the pieces
Boards, $1.00
original and many selected, making
in all an interesting collection in book
form. Each has accompaniment for the piano. Among the fifty-seven
numbers may be mentioned The Smith, Kreutzer; Sir Cuckoo, Hof
mann; Sweet Love, Good-night, Hatton; Stars of the Summer Night,
Glover; Laughing, Abt; The Fair and Brave, Zllner; Good-night,
Franz; Tom, He Was a Piper's Son, Driffield, etc.
MALE VOICE
L. O. Emerson
EMERSON'S
GEMS
GIFFEs. MALE QUARTETS

Nos. I and 2
Each volume contains thirty easy quartets

for men's voices.
st
Each, cloth, ,60
&
KRATZ COLLECTION FOR
".
MALE QUARTETS
Lee G. Kratz
k'.
.50
:
:
MALE
GLEE
A collection of about eighty short glees

and part-songs for mens voices, preceded
by an elementary course, and containing

After the Battle, by T. W. Weber;
Chamounix, by
Call; Chapel, by
Kreutzer; Hour Glass, by
Zllner; Legend
Smart; Snow Bells, by
the Rhine, by
Kinkel; Summer Song,
Maier, Soldier's Farewell,
Mendels
sohn, and many others.
C.
L.
by
of
by
...
BOOK
$1.00
A.
...
*:
and still others selected from the repertoire

of the quartet.
W. O. Perkins
VOICE
A collection of thirty-five quartets for men's

voices, compiled by the director of the T. K.
Many of the numbers were com
Quartet.
posed by Mr. Kratz, others arranged by him,
H.
#.
FOUR-PART
SONGS
Paper, .75
collection
of
MENDELSSOHN'S
twenty-one part-songs for men's
voices, without accompaniment.
(For Mendelssohn's
Voices see page 61.)
53
Four-Part
&
#.
:*
Songs for Mixed
NEWHALL'S APOLLO COLLECTION OF QUARTETS FORMALE VOICES

Compiled, Adapted, and Edited by Herman Auer.
.
Price. . . . .
A collection of distinctly Harvar

The original edition, issue
in 1891, contained thirty-four song
The revised edition contains fift
five songs, including popular ne
HARVARD SONG BOOK

Revised and Enlarged Edition
NEW
Songs.
compiled by R.T. whitehouse (class of '91)

Frederick Bruegger (Class of '92
Paper, $1.00
-- -
ORPHEAN
W. O. Perkins and
A. R. Hallett
Boards, $1.00
For boys' schools and colleges.
*
|
Mr. Osgood
OSGOOD COLLECTION OF PART.
a com
Arranged in one,
has
been,
for
tw
man
identified with the leadin

organizations of mens voices
Boston.
His broad experience as
years,
SONGS FOR MEN'S WOICES

Selected and Edited by
George L. Osgood
Containing
plete elementary course and a great variety

music, comprising exercises, rounds, sacred an
secular selections, to the number of about one hu
dred and seventy pieces.

three, and four parts for men's voices.
director of the celebrated Boylsto

Clubs. and other societies, togethe
with his well-known ability as com
poser, teacher, and singer, eminently
him for the work which he has
successfully accomplished
the Osgood Collection.
The music has bee
carefully edited. The contents include numbers by the following eminen
Billeter, Brahms,
composers:
Franz Abt,
Jos. Brambach,
Th
Cursch-Bhren, Franz Curti, Alfred Dregert,
Hegar, Conrad Kreutzer
Heinrich Marschner, Erik Meyer-Helmund, Ferd. Mhring,
Nes
1er, Josef Piber, Josef Rheinberger, Laurent de Rill, Gustav Schreck
Fr. Silcher, Max von Weinzierl, Westmeyer,
H. Dring, Richard Gene
Gumbert, Hugo Jngst, Franz Mair, Carl Mettner, Emil Naumann, Joh
Pache, Karl Schmid, Gustav Schmidt, Edwin Schultz, Robert Schumann
Robert Schwalm, Ed. Steglich,
von Wilm.
There are fifty-one par
songs
the two volumes.
In two volumes, each, paper, $1.00
Cloth, $1.25
N.
in
E.
V.
=l-m.
C.
F.
A.
C.
F.
in
fit
Generated
for student (University of British Columbia) on 2015-09-27 19:20 GMT / http://hdl.handle.net/2027/iau.31858047149863
I
songs as sung by the Harvard Glee Club.
54
PERKINS MALE VOICE

PART-SONGS
Compiled by
VV.
in
A collection of forty-nine
O. Perkins, Tius. Doc.

Boards, $1.00
part-songs from
various sources. Some were composed by the
compiler especially for the book, others were
adapted or arranged by him from recent
popular sources. The great variety displayed

forty-nine
compositions
the
included is one of the volume's strongest
features.
SCHUBERT'S GERMAN DANCES

Franz Schubert
Paper, .40
Octovo No. 7203
SONGS OF HARVARD
Compiled by
H. D. Everett
and H. D. Sleeper
$1.00.
A collection of eight numbers, arranged

for men's voices, with piano accompani
ment by Richard Henberger.
A book
of world-famous melodies dear
to the hearts of college men. Solos and

choruses for men's voices. It has many
of the standard favorites as well as more
recent songs; one hundred pages octavo size.
The first edition of Students'

Songs was prepared in 1880, with
STUDENTS SONGS (THE MOSES

KING COLLECTION)
a view to preserving these songs

and making them accessible to all.
The success of the book was imme
diate. The second edition of Stu
Compiled and Edited by
William H. Hills (Harvard

Class of 1880)
Paper, .50
dents' Songs was in reality an

It contained none of the songs comprised in the first
edition, but was made up of other wholly new songs, equal in merit and
popularity. Like its predecessor, it had a most remarkable sale.
The third edition of Students' Songs comprised nearly all the songs
of both the first and second editions, together with more than twenty
pages of wholly new music, including all the latest college songs of the day.
Most of the songs which the book contains are copyrighted and to be found
in no other collection.
entirely new book.
55
WAR SONGS
Dedicated to the Grand
of the Republic
Paper, .50
Cloth, gilt, $1.00
Army
A collection of fifty-three songs, con

sisting of the old favorites and many
Thirty-six are suitable
less familiar.
for anniversaries and gatherings of sol
diers and seventeen for Memorial Day
The choruses are especially arranged for men's voices.

Contains
ninety-six pages of music, octavo size. Title in colors, with authenticated
portraits of Generals Grant, Sherman, and Sheridan.
services.
56
PART-SONGS, TRLIOS, ETC., FOR
WOMEN'S VOICES
(Volumes of Sacred Titusic for Womns Voices
will
be found described on page 117.)
A catalog of Oliver Ditson Compan'ys Octavo Edition of choruses, part-songs, trios,

etc., for women's voices, will be sent upon application, or a complete catalog of
octavo choruses, part-songs, anthems, etc., for all voices, including nearly eleven
thousand numbers, if desired.
A collection of forty-four part-songs for womens voices,
ARIEL
Composed
and
Compiled by
W.
O.
Perkins
Boards,
$1.00
CHOICE
TRIOS
with accompaniment for the piano. Mostly composed by

W. O. Perkins, but including also numbers by H. Kurth,
H. Heale, Olive King, Adam Geibel, Seymour Smith,
J. B. Wekerlin, J. Concone, A. Peron, C. Fabiani.
For womens voices, especially intended for seminaries
and high and normal schools. The best of music skil

fully selected and arranged, consisting of songs, glees,
W. S. Tilden
$1.00
etc., in three parts,
first and second Soprano and
Alto, for the use of young ladies at school or at social
gatherings. There are about seventy selections of a secular character, and
about twenty chorals and hymns.
Compiled by
COLLEGE SONGS FOR GIRLS

Compiled by
Florence Leonard
(Smith College, Class of
88)
Handsome Title in Colors

Paper, $1.00
A collection of fifty-three songs ar

ranged for womens voices. About one
fifth of the number have German as
well as English words.
One hundred
eighteen
music,
pages
and
of
8
ize.
eig
music,
pages
d
of
8vo size
The term
college song always
suggests some musical trifle of the rol

1icking sort. But college songs are not always commonplace and trivia1.
Hence, although the name may imply humor and triviality, we find many
numbers of value among college songs. The compiler (herself a college
graduate) has worked wisely and well, and the new book is suitable for any
chorus of girls at home, at college, or in the concert-room. Among its con
tents are Abschiedslied, by Nessler; Absence, by Meyer-Helmund;
Beim Sonnenuntergang (Sunset), by Grieg ; Breeze of the Night, by
Lamothe, Ching-a-ling ; Concert Waltz, Buck; Folk Song, by
Jensen; German Students Song, by Mahlmann; Good Morning, by
Kjerulf, Ich Fhle Deinem Odem (I Feel Thy Presence), Lassen, and
about forty-five others of similar character.
57
A collection of thirty-eight four-part songs

women's voices, original, selected and arranged.
WOMEN'S VOICES
Among the numbers are: Spin Spin, Hugo
Compiled by
Jnst; The Sleeping Lake,
Schumann;
W. O. Perkins
Daylight
Bonaldi; There
Fading,
$1.00
Bird, Abt; The Bridegroom,
Sings
Brahms; Sacrificial Hymn, Beethoven; Song
the Sunbeam, Mac
Farren; Oh Skylark, for Thy Wing, Smart.
!
of
is
F.
R.
FOUR-PART SONGS FOR
comprehensive
of
This
book
two hundred and
eight
twenty-four
being occupied
pages,
pages
the first
and
Edited by
study, and the rest with an interesting
with
course
Wm. Dressler
mostly
songs,
collection
three parts, for women's
$1.00
voices, with piano accompaniment.
interspersed
exemplfying the various
with melodious exercises, which aid the teacher
rules, etc.
large number
trios, part-songs, etc., are introduced, includ
is
a
MUSICAL CHIMES
is
It
in
in
of
or
Part-songs for three

selected mostly from
PART-SONGS FOR FEMALE

VOICES
of
Boards, .60
Cloth, .75
and Edited by
Alice S. Tiartin, 95, and

Kristine Plann, 95
Paper, $1.00
VOCAL ECHOES
Compiled
W.
by
Perkins, T1us. Doc.

$1.00
thirty three-, and four-par

collection
songs for women's voices with piano accom
paniment, for the use
colleges, seminaries
Among the contents are
and schools.
of
Compiled
forty Smith College

collection
songs arranged for womens voices,
cluding the Colloquium Songs, Bio
logical Songs, and Class Songs.
of
COLLEGE SONG BOOK
SMITH
four female voices

collection by
Muller, and translated by Fannie Malone
Raymond, for the use
normal schools
young ladies institutes, etc.
of
Cradle Song, Cherubini; Ave Maria, Franz Abt; The Woo

Nymphs, Smart; Friends, Good Night, Flotow: Hither
Fairie
Trip, Sully; The Violet, Curschmann, and many others.
|
*
t
t
t
The words have been written and selected
school use.
ing several opera selections.
O.
of
of
Compiled
58
WELLESLEY COLLEGE COLLEC-
TION OF PART-SONGS
Edited by
Charles H. Morse
$1.00
A collection of twenty-five part-songs

for women's voices. Mr. Morse, pro
fessor of music at Wellesley College, is
teacher of practical experience and

has made an excellent collection of
music admirably adapted for womens
a
voices.
59
PART-SONGS, GLEES, CHORUSES,

ETC.,
MIXED VOICES
(Volumes of Sacred "lusic for

Flixed Voices
FO
will
GLEE BOOK
AMERICAN
of
be found described
on page 118
A catalog of Oliver
thems, etc., for men, Ditson Company's octavo Edition of choruses,
part-songs,
women and mixed voices,
including nearly
numbers, will be sent upon
eleven thousa
application; or separate
women's voices.
lists of octavo music for men
as
as
of
in
of
of
AMERICAN PATRIOTIC SONGS
volume
carefully selected
nation
lyrics, with words
and music complete
There are nearly sixty numbers,
hymn, etc.,
song
the collection.
specially useful for patriotic
All the old, standard, and firmly
occasions
established songs and hymns
are
be found herein, and many
Americ
the songs, also, that have
solubly connected
become
ind
with our country.
Paper, .50
Postpaid, .65
CENTENNIAL COLLECTION OF
NATIONAL SONGS
of
volume
pages,
two hundred and

sixtee
sheet-music size,
containing sixt
eight songs, with

choruses arranged f
mixed voices. The songs
are in th
popular ballad style,
the chorus par
simple and easily
learned.
AMERICAN SONG AND CHORUS

COLLECTION
of
of
is
It
in
Paper, .50
to
6o
of
collection
twenty-eight nationa
America, England, France
Paper, .40
Germany, Russia, Austria, Italy,
Ireland
Scotland, Denmark,
Wales; words and music,
Sweden, Spain
with piano accompaniment.
songs,
of
to
It
of
book
two hundred and twenty-four
pag
containing
collection
W. O. Perkins
more than
hu
dred glees, part-songs,
etc.
$1.38
has been
aim
make the variety
great
possib
work
this kind. Besides glees
part-songs for large
a
choruses and small clubs,
there will be found
number
pieces especially
lar
for quartet.
Compiled by
CENTENNIAL (YE OLD FOLKS

COLLECTION)
Paper, .40
EMERSON'S CHORUS
A collection of thirty sacred and secular
BOOK
Among them
choruses from masterpieces.
may be mentioned : Awake, the Night is
Beaming, by Donizetti; Brightly the
Compiled by
L. O. Emerson
$1.00
s*
A quire booke for folke, olde and

younge, with olde (and some newe)
tunes, made by ye compiler, E. Tourjee,
Doctor of Musick.
Morning, by Von Weber; Crowned With the Tempest, fromi Ernani,

Evening, by Sullivan; Gloria, from Farmer's Mass; God of Israel,
by Rossini; Inflammatus, by Rossini; Mighty Jehovah, by Bellini;
O Father, by Whose Almighty Power! by Handel; Oh for the Wings
of a Dove, by Mendelssohn.
EMERSON'S PART.SONGS
AND GLEES
Composed and Compiled
L.
by
Emerson
O.
$1.00
A collection of original and selected composi

tions for mixed voices, including works from
such writers as Flotow, Abt, Kreutzer, Webbe,
Cowen, Glover, Kcken, and many other
later composers.
FORTY-FIVE OPERA CHORUSES

Compiled by
Edwin Bruce
Selected and arranged from some of the

most popular works of Rossini, Auber,
Bellini, Donizetti, Gounod, Verdi,
Flo
$1.75
tow, Spontini, Wagner, Herold, Bishop,

Balfe, Benedict, and others, forming a valuable collection for societies, con
ventions, and singing schools.
Accompaniments for the piano.
Such
following
numbers as the
will be found in this collection : All Honor and
Praise, Masaniello, Bend Before High Heaven, Enchantress, Father
Supreme, Zampa ; Ah, Happy Day ! Lucia ; To Horse ! Ernani;
Were Gipsies Gay, Traviata, together with many others of similar
character.
MENDELSSOHN'S
. FOUR-PART
:
SONGS
Boards, $1.00
A collection of twenty-four part-songs
for mixed
voices and fifteen for men's voices, complete in one

volume. Those for mixed voices the same as in
following collection.
part Songs for Men's Voices see page 53).
61
(For Mendelssohns Four
MENDELSSOHN'S
FOUR-PART
SONGS
Paper, .40
Boards, .60
Latest English translation.

The songs are
Soprano, Alto, Tenor, and Bass, without acco
paniment.
CoNTENTs
-
In the Woods.
Oh, Fly with Me!
In the Forest.
The Woods.
Early Spring.
The Departure.
Nightingale.
Vale of Rest.
Hunting Song.
For the New Year.
Happy Lover.
Shepherd's Song.
Wood Minstrels.
Victor's Return.
Wandering Minstrel.
Spring Song.
One Night There Came.

|
Over Their Grave.

May Song.
Spring.
Morning Prayer.
Autumn Song.
Remembrance.
Spring.
of
of
the favorite
tunes
Billings, Swan, Holden,

Kimba
Read,
Ingalls, and others,
which
add
is
to
(FATHER KEMPS)
New and Enlarged Edition
collection
of
CONCERT TUNES
Paper, .50
OLD FOLKS
fifty songs
varying ch
chorus for mixed voice
selected from the compositions
thir
four writers. Sheet-music size.
collection
acter, each with
NE PLUS ULTRA SONG AND

CHORUS COLLECTION
of
Praise
62
as
in
is
of
be
of
in
of
variety
anthems and choruses, a
patriotic
divers
and other songs by em
nent composers.
many hundreds
This collection has been used
the Old Folk
performances, and will
found well suited for all concerts
the kin
One hundred and fifty thousand already sold, and
much demand
ever. Just the collection
have for an Old Folks' concert.
Octavo Size
Paper, .50
to
Lark's Song.
of
Primrose.
Celebration
of
On the Sea.
First Day of Spring.
OPERA CHORUS
Consisting
quintets,
of trios, quartets,
arranged
choruses,
solos and
selected and
BOOK
E. L. White
J.
from the works of Von Weber, Rossini,

Meyerbeer, Bellini, Benedict, Donizetti,
Mercadante, Auber, Balfe, Verdi, and Bishop, forming an interesting and
valuable work for societies, advanced schools, and clubs. Accompaniments
for piano. There are twenty or more selections from Rossini's operas, four
from Donizetti, five from Balfe, three from Bellini, two from Meyerbeer, and
selections from operas by Verdi, Mercadante, Von Weber, and Auber, with
words specially written and adapted for the work; two hundred and twenty
and
$1.75
E. Gould
three pages.
OPERA CHORUSES.
For list of the choruses from
the solos, etc., see page
PART-SONG
GALAXY
Compiled by
W. F.
Sudds
Boards, $1.00
operas, complete, bound separately
from
197.
A collection of thirty-four part-songs for mixed
voices, composed, arranged, and edited by W. F.

Sudds. Each number has piano accompaniment,
but with few exceptions all can be sung without.
:
PART-SONGS
FOR MIXED VOICES
Compiled by
W. O. Perkins
A collection of thirty-two
part-songs, composed,
selected, and arranged for mixed voices, with piano
accompaniment; one hundred and sixty pages,
octavo size.
Boards, $1.00
:
9
:
#
PATRIOTIC SONGS OF THE

UNITED STATES
Paper, .15
A collection of ten songs, arranged for

mixed voices (solo and chorus) all well
within the range of the average voice.
Selected from the patriotic music of Amer

Twenty-four pages of music, octavo size, including America,
ica.
American Hymn" (Speed Our Republic), Battle Hymn of the Repub
-
, lic, Columbia, the Gem of the Ocean, Dixie's Land, The Flag of
There, Rally 'Round the
4 Our Union, Hail, Columbia, Our Flag is
Flag, Star-Spangled Banner.
63
PATRIOTIC
A collection of patriotic songs, arranged as

lows: "Our Country, twenty-one number
Our Flag, thirteen numbers; Our Navy
four numbers; Our Heroes (Memorial Da
SONGS
FORSCHOOL AND HOME

John Carroll Randolph

Boards, .60
of
eight numbers; Our Homes, five number

Hymns
Patriotism, seventeen numbers; National Days, seven nu
bers; Miscellaneous, seven numbers; one hundred and ninety-eight pag
of music, octavo size.
PREFACE.
of
is
it
is
to
of
in
as
of
The subdivisions
the book,
indicated
its arrangement, show t
scope
the work. Two features distinguish the volume:
patriot
First. Its plan and size. The volume
devoted entirely
music, and
believed that no other work
this character has thus
of
is
is
in
in
it
in
in
of
or
as
a
in
is
in
at
or be
to
to
of
in
of
in
so
happily manifest
concord
our land.
unique
arrangement
Second. The
the voice parts has been made
experienced workers
response
the urgent demand
the public schoo
all, must
sung
schoo
As the tenor part,
most cases be sung,
by an alto voice (boy
girl), this part has throughout the book been writte
duplication
the
clef and denominated alto-tenor. This
t
original tenor part, which will be found
its usual place on the bass sta
part
treble,
The alto
has been written beneath the soprano
seco
soprano.John Carroll Randolph.
of
spirit
in
GLEE AND
CHORUS BOOK
of
thirty secular and six sacr

collection
glees, madrigals, and choruses, original a
PERKINS
from standard operas, oratorios, et

for the use
musical conventions, choral so
selected
of
Compiled by
H. S. Perkins
eties, and advanced classes.
Boards, $1.00
Fifty-one popular songs, with we

arranged chorus
mixed
WITH CHORUSES
voi
Representing
twenty-nin
each.
"Paper, .50
well-known composers; one hu
sixty-five
pages,
dred and
sheet-music size. The contents include compo
Brigham Bisho
Danks,
White, Walter Sumner,
by
tions
Thompson, Will
Hays, Harry Percy, John M. Jolley, Fra
H.
Collins,
Stewart,
Christie, H. Leighton, Harrison Millard,
Cirillo, Charlie Baker, Geor
Dressler, Charles
Pratt, Arthur French,
Huntley.
Mundy, Charles
Blake, William
Dana, Arthur
OF SONGS
T.
A.
V.
A.
D.
J.
E.
E.
E. S.
P.
C.
H.
J.
for
to
ROYAL COLLECTION
S.
of
in
of
print. As the love

home
the natural basis
love
country,
few songs
home have been included. Music and words th
are sectional
character have been carefully omitted, and
believe
perfect consonance with t
that the volume
its entirety will be found
appeared
64
STAR CHORUS
BOOK
and secular music for conventions and

musical societies.
Some of the best authors,
W. O. Perkins
classic and modern, are represented.
This book
$1.00
contains one hundred and sixty-eight pages and
thirty-six pieces
high character, octavo size. Among the many selections
are the following, which indicate the general character
the book: Glori
Israel, by Haydn, Earth and Heaven, by Mercadante;
ous the King
Serenade, by Marschner; Hearken Unto Me, My People, by Sulli
van The Rover, by Taubert; Good Night, by Carulli; Hark, the
by Macfarren; Stars
Lark
the Summer Night, by Hatton, and
Sacred
of
is
of
of
of
'''
Compiled by
at
it
as
it
of
collection
choral works performed
the
International
Musical
Festival
in
Boston.
MUSIC
This work continues to be used as
chorus
.75
book, for which purpose
admirably,
answers
including,
does, choruses from oratorios, cantatas, etc.
WORLD'S PEACE JUBILEE
of
of
Compiled by
is
$1.00
of
or
Carl Zerrahn
For the use

musical conven
tions and other singing societies.
choruses, having
collection
accompaniments for either piano
organ. The reputation
the
compiler
guarantee that each
SELECTIONS OF SACRED
AND SECULAR CHORUSES
ZERRAHN'S
of
in
of
in
selection
this book has been made with characteristic good taste and
judgment. Years
experience
conducting musical societies, and especi
ally the renowned Handel and Haydn Society
Boston, have enabled Mr.
provide the best material for this work.
Zerrahn
to
many others.
65
PATRIOTIC AND WAR SONGS
A volume of carefully selected natio

Paper, .50
lyrics, with words and music comple
There are nearly sixty numbers, son
hymns, etc., in the collection. It is especially useful for patriotic occasio
All the old, standard, and firmly established songs and hymns of Ame
are to be found herein, and many of the songs, also, that have become in
solubly connected with our country.
AMERICAN
PATRIOTIC
SONGS
A collection of twenty-eight natio

songs of America, England,
Fran
Italy,
Austria,
Germany, Russia,
Paper, .40
land, Scotland,
Denmark,
Swed
Spain, Wales. Words and music, with piano accompaniment.
CENTENNIAL COLLECTION
NATIONAL SONGS
MEMORIAL DAY
SONGS AND HYMNS
.25
the favorite songs and hymns used on Deco

tion Day will be found in this book. The choru
are for mens voices.
A11
PATRIOTIC SONGS
FORSCHOOL AND HOME
OF
A collection of patriotic songs arranged as

lows: Our Country, twenty-one numbe
Our Flag, thirteen numbers; Our Nav
four numbers; Our Heroes, (Memorial Da
eight numbers; Our Homes, five numbe

Hymns of Patriotism, seventeen numbe
National Days, seven numbers; Miscellaneous, seven numbers;
hundred and ninety-eight pages of music, octavo size.
The subdivisions of the book, as indicated in its arrangement, show
scope of the work. Two features distinguish the volume :
First. Its plan and size. The volume is devoted entirely to patrio
music, and it is believed that no such work of this character has thus
appeared in print. As the love of home is the natural basis of love
country, a few songs of home have been included. Music and words t
Boards, .60
66
are sectional in character have been carefully omitted, and it is believed

that the volume in its entirety will be found in perfect consonance with the
spirit of concord so happily manifest in our land.
Second. The unique arrangement of the voice parts has been made in
response to the urgent demand of experienced workers in the public schools.
As the tenor part, to be sung at all, must in most cases be sung, in schools,
by an alto voice (boy or girl), this part has throughout the book been written
in the G clef and denominated alto-tenor. This is a duplication of the
original tenor part, which will be found in its usual place on the bass staff.
The alto part

soprano.
has been written

beneath the soprano
-
A collection of ten songs, arranged for

mixed voices, solo and chorus, all well
within the range of the average voice.
PATRIOTIC SONGS OF THE

UNITED STATES
Paper,
. 15
or treble, as a second
Selected from the patriotic music of Amer

music, octavo size, including: America,
ica; twenty-four pages of

American Hymn" (Speed Our Republic), Battle Hymn of the Republic,
Columbia, the Gem of the Ocean, Dixie's Land, The Flag of Our
Union, Hail Columbia, Our Flag is There, Rally 'Round the Flag,
Star-Spangled Banner.
WAR SONGS
Dedicated to the Grand Army
of the Republic
A collection of fifty-three songs, con
sisting of the old favorites and many

Thirty-six are suitable
less familiar.
Paper, .50
for anniversaries and gatherings of sol
CIoth, gilt, $1.00
diers and seventeen for Memorial Day
services. The choruses are especially arranged for men's voices.
Contains
ninety-six pages of music, octavo size. Title in colors, with authenticated
portraits of Generals Grant, Sherman, and Sheridan.
WORLD'S COLLECTION OF
PATRIOTIC SONGS AND AIRS
A collection of fifty-two
songs, representing
the patriotic music of the world, and in

cluding characteristic numbers from Amer
.50
ica, Argentine Republic, Austria, Belgium,
Bolivia, Brazil, Chili, China, Denmark, England, Finland, France, Ger
many, Greece, Guatemala, Holland, Ireland, Italy, Japan, Mexico, Norway,
Peru, Poland, Portugal, Russia, Scotland, Spain, Sweden, Switzerland,
Turkey, Wales. The several pages of interesting historical notes add great
value to this work.
67
coLLEGE soNGs
MEN'S VOICES
A collection of ninety-two of the popular
COLLEGE SONGS
Henry
Waite
Randall
son
of American colleges.
The choruses of the
songs are arranged to be sung by men's voice
they are, however, well fitted also for mix
voices.
Solos have piano accompaniment, a
Compiled by
Paper, .50
Cloth, gift, $1.00
can be sung by any voice. One hundred and four pages, octavo size.
Thre
fifty
copies
already
sold,
hundred and
thousand
have
been
and the bo
to-day is as popular as ever.
COLLEGE SONGS AND
POPULAR
BALLADS FOR THE GUITAR

Paper, $1.00
Cloth, $1.50
A collection of college songs a

other popular compositions,
w
accompaniment for the guitar. T
book is sheet-music size, one hu
dred and twenty pages, and contain
all the popular college songs, together with other selections.
COLLEGE
SONGS
-
FOR BANJO
Paper, $1.00
A collection of seventy-eight of t
most popular college songs, with acco
paniment for banjo.
One hundred a
twenty pages, sheet-music size.
COLUMBIA COLLEGE
SONG BOOK
Paper, $1.00
Cloth, $2.00
DELTA KAPPA EPSILON.

COLLEGE SONG BOOK
florocco, gilt, $4.00
-
popular wi
the students of Columbia College. The book
A collection of
octavo
music.
size, and
fifty-seven
songs,
contains ninety-six
pages
A complete collection of songs of the frate

Bound in morocco and gilt.
Th
standard collection of songs of the Del
Kappa Epsilon fraternity comprises near
nity.
every song that has appeared in this connection, together with upwards of
hundred that have never before been published. Many of these are cont
butions from college men, in response to the invitation of the committee
The book contains both vocal and instrumental music.
68
in
With one exception no song
DARTMOUTH SONGS
this
'94,
five songs,
(THE
SONGS
MOSES
KING COLLECTION)
The
edition contains fifty
including popular new
first edition
Songs was prepared
Students'
with
preserving these songs,
in
The revised
sung by the Harvard Glee Club.
STUDENTS
t"
'9")
of
songs
in
R.T. whitehouse (class

Frederick Bruegger (Class of '92)
Paper, $1.00
of
by
compiled
of
distinctly Harvard
collection
Songs. The original edition, issued
1891, contained thirty-four songs.
NEW HARVARD SONG BOOK

Revised and Enlarged Edition
as
D.
C.
A.
P.
F.
A.
F.
Roberts, by Frederic Field Bullard; My Love's Waitin, by Ethelbert

Nevin; Old Dartmouth, by Addison
Andrews; Old Dart. on the
Conn., by
Andrews; The Polliwog and the Weevil, by
A.
Schnecker; A Sensible Serenade, by W.
Raboch; You Remind Me,
Sweeting, by
Milliken, and fifty other songs.
1880,
in
in
it
of
to of
of
of
it'
its
of
in
It
of
to
H.
to
view
William
Hills (Harvard Class
and making them accessible
all.
The success of the book was imme
of 1880)
.50
diate. The second edition of Stu
reality an
dents' Songs
was
entirely
comprised
songs
new book.
contained none
the
the first
#
edition,
wholly
up
songs,
equal
but
was
made
other
new
merit
and
#
predecessor,
had
most remarkable sale.
: popularity. Like
Songs
comprised nearly all the songs
The third edition
Students'
both the first and second editions, together with more than twenty pages
of wholly lew music, including all the latest college songs
the day.
songs
copyrighted,
which the book contains are
and
be found
Most the
in no other collection.
to
F.
F.
A.
F.
of
of
to
F.
College Songs
P.
of
collection has been previously pub

Andrews, Ethel
lished. Addison
bert Nevin, Homer N. Bartlett, Fred
eric Field Bullard,
A. Schnecker,
composers
and other well-known
college songs attest its worth from musi
contributions
this new book
music, at
cian's standpoint. There are one hundred and nineteen pages
Among
design
by
tractive cover
Louis Rhead.
the numbers are
The
Angler's Serenade, by Homer N. Bartlett; A Banquet Song, by Addi
Andrews; Barney McGee, by Frederic Field Bullard; Come
son
Erlong, Honey, by
Andrews; Dartmouth, Our Dartmouth, by
Cramer; The Freshman Chapel, by Arthur
M. Custance; Han
Bullard;
Song,
Thee,
by Frederic Field
over Winter
Heres Health
New Collection
Compiled by Edwin Osgood Grover,

and musically edited by Addison
Fletcher Andrews, '78
Paper, $1.00
69
A book of world-famous melodies.

dear to the hearts of college men.
SONGS OF HARVARD
Compiled by
H. D. Everett and H. D. Sleeper

$1.00
Solos and choruses for men's voices.

It has many of the standard favor.
ites, as well as more recent songs.
One hundred pages, octavo size.
7o
COLLEGE SONGS
WOMEN'S VOICES
A collection of fifty-three
COLLEGE SONGS FOR Gl'LS
for womens voices.
Compiled by
Florence Leonard
songs arranged
About one-fifth of the
number have German as well as English

words. One hundred and eighteen pages
of music, 8vo size.
college
song
always suggests some musical trifle of the
The term
rollicking sort; such a catchy thing that, when one voice takes up the
melody of
dozens
voices are irresistibly drawn into the song, and
indulged in. But college songs are
season
harmless musical hilarity
always
commonplace
not
and trivia1. We may classify them into three
humorous, the laudatory, and the sentimental. Hence,
sorts: the dro11
although the name may imply humor and triviality, we find many gems
college graduate)
value among college songs. The compiler (herself
has worked wisely and well, and the new book
suitable for any chorus
girls
college,
home,
the concert-room. Among its contents are
Abschiedslied, by Nessler; Absence, by Meyer-Helmund; Peim
Sonnenuntergang (Sunset), by Grieg; Breeze
the Night, by Lamothe;
Ching-a-ling
Concert Waltz, by Buck; Folk Song, by Jensen;
is
of
in
or
is
of
of
or
at
at
of
(I
German Students' Song, by Mahlmann; Good Morning, by Kjerulf;

Ich Fhle Deinem Odem
Feel Thy Presence), by Lassen, and about
forty-five others
similar character.
music for women's voices, containing

among many other selections such numbers
follow
Lift Thine Eyes (Elijah), Mendels
LASELL COLLECTION
Sacred
Walter Davis
''
as
Compiled by
J.
sohn
Ave Maria, Abt; Ave Maria,

Mozart; Tantum Ergo, Saint-Sans; Rest for the Weary, Gounod.
.50
Hymnal for women.
of
in
to
of
in
in
F.
L.
J.
by
as
Believing that hymnals

voluminous,
rule are too
the compilers
the
present
R. Kendrick and
book have reduced the number herein by
about one half. The hymns contained
this vol
Ritter
Boards, $1.00
non-sectarian,
neglecting
and,
ume are
while not
Cloth, $1.25
specially
themes,
doctrinal
are
full
the expres
sion
the daily needs and experiences incident
school life. The music
arranged
three-part harmony for womens voices, with an added Bass.
LAUDAMUS
compiled and Edited
is
of
of
it,
Handsome Title in Colors

Paper, $1.00
SMITH COLLEGE SONG BOOK

Alice S. Tiartin, 95, and

Kristine Mann, 95
Paper, $1.00
WELLESLEY
COLLEGE COLLEC
TION OF PART-SONGS
Edited by
Charles H. Morse
$1.00
A collection of forty Smith College song

arranged for women's voices, includin
Biologica
the Colloquium Songs,
Songs, and Class Songs.
A collection of twenty-five part-song
for women's voices. Mr. Morse, pr

fessor of music at Wellesley College,
a teacher of practical experience an
has made an excellent collection
music admirably adapted for women'
voices.
72
SCHOOL DEPARTMENT
BOOKS DESIGNED FOR HIGH SCHOOLS,
ACADEMIES, AND SEMINARLIES
(Cantatas, Operettas, etc., page 209.)
We
publish several thousand cheap Octavo

editions of carefully
appropriate
Trios,
Glees,
Choruses,
Part-Songs,
selected and
Oratorio Selections,
Marching Songs, Festival and Commencement Choruses, etc., for the use of schools.
The prices of these Octavo pieces vary from two to twelve cents each. A11 teachers,
1eaders, directors of music in public schools, and others interested, should send for
the Catalog of Ditson Co.'s Octavo Choruses, which will be sent upon request.
Not E.
CHOICE TRIOS
Compiled by
W.
S. Tilden
For women's voices, especially intended for seminaries

and high and normal schools.
The best of music skil
fully selected and arranged, consisting of songs, glees,
first
Soprano and
Alto, for the use of young ladies at school or at the social gatherings. There
are about seventy selections of a secular character, and about twenty chorals
and hymns.
$1.00
etc., in three
parts,
and second
progressive method of vocal

music, comprising the art of reading music at sight,
according to the best Italian systems, original exer
.75
cises in solfeggi, and vocalization, recreative duets,
and trios for solo or class singing.
Excellent for school classes in vocal
Says
Guilmette,
music.
Prof. C. A.
author of Vocal Physiology: In
this system the syllabic name of a tone is retained, regardless of the key
note, and the melodies are condensed into harmony form.
DEEMS
SOLFEGGI
James F. Deems
EMERSON'S
An elementary and
ROYAL SINGER
The compiler has brought to bear in this
work many years of experience as teacher

L. O. Emerson
and convention leader, and has made a col
.60
lection that is adapted to the wants of high
schools and other institutions where class-singing is in vogue. There are
many glees, choruses, and part-songs that teachers will be glad to have, and
to use in class instruction. In the Review Lessons there are pieces for
simple practice in all kinds of time and in all keys. The music is not
beyond the powers of an advanced singing school.
Compiled by
73
ENCORE
Edited by
L. O. Emerson
.75
A book of one hundred and ninety-two pages, conta

ing a singing-school course, or course in musical no
tion, which fills about fifty pages. The work conta
short, distinct, and easily understood explanation

plenty of progressive exercises, with and without words, and a number
bright songs for practice. They are in one, two, three, or four parts.
GEIBEL
A collection of twelve very attractive two-pa

songs, well adapted to use in girls' schools, aca
mies, high schools, etc., since the music, which
ALBUM
For Tiedium Voices

Adam Geibel
Paper, $1.00
high grade, is not difficult, and the spirit of

songs is suited to women's voices. These duets have also been used in c
of
certs with good effect.
HIGH SCHOOL
BOOK OF SONG
Compiled
and
Edited by
Forty-three pages, sheet music size.
A collection of songs, trios, duets, and quartets select

Many of
from the works of the best composers.
pieces are for two or three female voices, while in
selections for mixed voices the Tenor part has be

arranged so that it may be sung by Alto voices (eith
.75
of boys or girls), reading the notes an octave lower,
course.
The editor, being familiar with the needs of high schools and se
inaries, has made a collection which will meet with favor among teache
and pupils alike.
Ernest Leslie
HIGH SCHOOL CHOIR
A book of studies and recreations
singing classes: 1, prelim

nary
studies;
2, devotional selection
L. O. Emerson and W. S. Tilden
$1.00
3, choral anthems and hymns; 4, fo
part songs; 5, favorite melodies; 6, sacred and secular choruses; 7, thr
part music, Soprano and Alto; 8, four-part music, Soprano, Mezzo-Sopran
Alto, and Bass; 9, five-part music.
Designed, in the first instance, for high schools, the music is of such
high order that it is a proper book for adult classes and societies.
Us
in a large number of the higher schools of the United States.
advanced
HYMNS AND TUNES FOR UPPER
There are many schools whose op

ing exercises are brief, and who
GRAMMAR AND HIGH SCHOOLS
not need a regular hymn and tu
book.
For such schools this smal
Irving Emerson
.08
collection is exactly fitted.
Many persons are familiar w
Mr. Emersons Public School and Vestry Hymnal
an excellent bo
and one that can be commended for use in all the higher schools.
74
A book for singing schools, musical institutes, and con
IDEAL
ventions. It has a complete course of elementary in

L. O. Emerson struction, besides a large number of duets, quartets,
.75
hymn tunes, and anthems.
A book of nearly two hundred pages, and, in addition to more than one
hundred pleasing exercises, has about eighty glees and part-songs, forty
hymn tunes, and twenty-five anthems and chants. This gives a good vari
ety and abundance of music for all occasions of class or social singing.
Edited by
music for women's voices, containing,

Compiled by
among many other selections, such numbers as
J. Walter Davis
follow : Lift Thine Eyes (Elijah), Mendels
.50
sohn ; Ave Maria, Abt; Ave Maria, Mozart;
Tantum Ergo, Saint-Sans; Rest for the Weary, Gounod.
LASELL COLLECTION
Sacred
one hundred and ninety

two pages, illustrating many pro
gressive
ideas, with a plain yet
MODEL SINGER
W.
A book of
O. Perkins and D. B. Towner

.60
thorough method of class or choir

instruction. The book is also a guide to the teacher, and contains valuable
remarks and suggestions.
The sign manual (different positions of the hand)
engravings,
by
is illustrated
and the exercises in vocalization and articula
tion are worthy of careful study. The study of chords, transpositions, etc.,
is aided by the use of diagrams known as the modulators, while the
progressive system of imparting knowledge in all that pertains to the vocal
art is observable in all parts of the book. It contains, beside the department
of instruction, about sixty glees and part-songs, many hymn-tunes, a num
ber of gospel pieces, twenty anthems, and some chants. Thus the book is
well suited to the wants of both singing class and choir.
comprehensive book of two hundred and

Compiled and
eight pages, the first twenty-four pages being occupied
Edited by
with a -course of study, and -the rest with an interesting
Wm. Dressler
y
collection of songs, mostly in three parts, for women's
$1.00
voices, with piano accompaniment.
It is interspersed
with melodious exercises, which aid the teacher in exemplifying the various
rules, etc.
A large number of trios, part-songs, etc., are introduced, in
MUSICAL CHIMES
This is
cluding several opera selections.

for school use.
The words have been written and selected

75
A collection of the best and most popular sacred

music.
As the hymns are entirely undenomina
tional, it is well suited to the opening and clos
Boards, .40
ing exercises of schools, academies, etc.
Many of the old familiar hymns and tunes are preserved, while there is
an abundance of material of a general sacred character to select from.
The
book is of convenient shape and size for either congregational or school use,
and contains three hundred and forty selections. The hymns have been
selected with particular reference to school use, being devotional without
NATIONAL HYMN AND
TUNE BOOK
being sectarian.
a thorough course in the rudiments of

reading
notes, followed by practical exercises
music and
Attractive, easy glees will also be
and simple songs.
found, as well as a number of easy anthems and chants.
It is an excellent class book.
In this book is
ONWARD
"
Compiled and
Edited by
-
For boys' schools and colleges.
ORPHEON
Containing
com
plete elementary course and a great variety of

W. O. Perkins and music, comprising exercises, rounds, sacred and
A. R. Hallett
secular selections, to the number of about one hun
Boards, $1.00
dred and seventy pieces. Arranged in one, two,
three, and four parts for men's voices.
PART-SONGS FOR FEMALE

VOICES
Boards, .60
Cloth, .75
A B C OF MUSIC
A. Panseron
PANSERON'S
$1.00
Part-songs for three or four female voices,

selected mostly from a collection by S.
Mller, and translated by Fannie Malone
Raymond, for the use of normal schools,
young ladies institutes, etc.
Progressive lessons in the rudiments of

music and solfeggi, to which are added
the voice parts of Concones Fifty Les
sons, Book I, Op. 9; Twenty-five
is
76
R.
It
is
it
of
of
in
is
10
is,
and Eighteen Solfeggi, for two voices.

part, an abridgment
This work
the larger work
the same
name, and
designed particularly for schools and classes, for which
admirably adapted.
based upon the Italian system.
Translated by
Fry; edited by Felice Dorigo.
Lessons, Op.
J.
L. O.
PATRIOTIC
SONGS
FORSCHOOL AND HOME


Boards, .60
Hymns
A collection of patriotic songs arranged as fol

lows: Our Country, twenty-one numbers;
Our Flag, thirteen numbers; Our Navy,
four numbers; Our Heroes (Memorial Day),
eight numbers; Our Homes, five numbers;
of Patriotism, seventeen numbers; National Days, seven num

bers; Miscellaneous, seven numbers; one hundred and ninety-eight pages
The subdivisions of the book, as indicated in its arrangement, show the

scope of the work. Two features distinguish the volume:
First, its plan and size. The volume is devoted entirely to patriotic
music, and it is believed that no such work of this character has thus far
appeared in print. As the love of home is the natural basis of love of
country, a few songs of home have been included. Music and words that
are sectional in character have been carefully omitted; and it is believed
that the volume in its entirety will be found in perfect consonance with the
spirit of concord so happily manifest in our land.
Second,
the unique arrangement of the voice parts has been made in
response to the urgent demand of experienced workers in the public schools.
As the Tenor part, to be sung at all, must in most cases be sung, in schools,
by an Alto voice (boy or girl), this part has throughout the book been written
in the G clef and denominated Alto-Tenor. This is a duplication of the origi
nal Tenor part, which will be found in its usual place on the Bass staff. The
Alto part has been written beneath the Soprano or Treble, as a second Soprano.
PUBLIC SCHOOL HYMNAL FOR

THE USE OF HIGH SCHOOLS
AND SEMINARIES
Irving Emerson
Enlarged Edition
.40
be appropriate in church service.
In preparing
hymn book for schools

one has some very difficult matters to
overcome.
It will not do to be de
nominational, yet hymns must be
religious feel
devotional and full of
ing. For high schools one must avoid
childish expressions, and yet choose
a little differently from what would
a
Mr. Irving Emerson has done well in
his selections, which include four hundred and thirty-one hymns and tunes.
77
A book of one hundred and seventy-six pages,

containing a collection of two- and three-part
C. Everest
songs, together with a thorough course of ele
.60
mentary study and practice, adapted to young
ladies' seminaries and normal schools. There are a great many part-songs
so interwoven with the extensive instructions that the useful and the agree
able are skilfully mingled.
SONG BOOK
SCHOOL
Compiled
and Edited by
SINGING CLASS MANUAL

Edited by
William Jackson
.60
"
The elementary matter is clear and concise,

and forms a fitting introduction to the collec
tion of four-part songs that follow.
These
songs have the tonic sol-fa syllables added for
the use of those who wish them.
-*-
SINGERS
WELCOME
Compiled
and Edited by
L. O. Emerson
One hundred and ninety-two pages, including one

hundred pieces of secular music, songs, duets, glees,
etc., and fifty hymn-tunes, anthems, etc., with an
elementary course and plenty of exercises.

manual signs and other special features are introduced.
.75
The
This genial collection will be appropriate for the younger

Compiled by
classes in seminaries, or will be quite at home in common
H. S. Perkins
schools.
Two hundred and eighty-six pages, and about
.75
two hundred songs in one, two, three, or four parts.
There are over one hundred thousand copies of this work in use. The con
tents are too numerous to be mentioned in full. The music is good and
appropriate for school use. It contains nearly two hundred familiar home
SONG ECHO
-----songs.
of high schools
and singing classes, etc., arranged for the most part
.60
for Soprano, Alto, Tenor, and Bass. The selections
consist of part-songs, glees, choruses, anthems, and
numbers for devotional purposes.
Preceded by solfeggi and other vocal
SONG GREETING
L. O. Emerson
studies.
A collection of part-songs for the
use
SONG MANUAL
This book consists of solfeggi in all the keys,
L.
glees, anthems, and other sacred
part-songs,
Emerson
training department.
fifty
There are about
secular songs and thirty
Advanced
Classes
three sacred songs. Books
and
this
series, for primary and grammar grades, will
be found described under that heading.
selections,
s:
and a vocal
of
II
High Schools and
mostly the work

This volume
Mr. H. R. Palmer, who has had
is
SONG MONARCH
of
for
Book III,
O.
in
Emerson
Compiled by
the compilers
produce
series
of of
as
The object
READER
of
SONG
these
Readers
of
as
as
of
as so
of
O.
W.
Perkins, Tius. Doc.

$1.00
of
of
thirty three- and four-part

collection
songs for female voices for the use
col
leges, seminaries, and schools, with piano
of
of
ECHOES
Compiled by
WOCAL
of
in
of
in
is
to
A as
of
or
of
as
in
is,
":
in
in
has been
make readers
of
to
books that would

Irving Emerson and
singers
songs.
music
well
O. B. Brown
number,
one,
In this
as
the first
the rudiments
II
are taught from the beginning, but the book
.oo
general character,
little further advanced, and
pupils
high
schools,
academies,
etc.,
hence suitable for
well
the
higher classes
grammar
the
schools. The different divisions
lessons
contain bright and interesting songs, and
few selections have been intro
duced for concert
festival purposes.
boys, after changing, seldom have
compass
As voices
extended
singing
Tenor,
part
arranged
admit
their
that
has been
an Alto.
part
provided
however,
necessary.
voices,
Bass
also
wherever
All
Soprano, Alto, Tenor, and Bass,

are provided for
some
the part-songs,
hymns, etc. The compilers are men
experience and know exactly what
description
needed
books
this kind. (For
Book see page 87.)
is
accompaniment. Among the contents are:

Song,
Cherubini;
Cradle
Ave Maria, Franz Abt; The Wood
Nymphs, Smart; Friends, Good Night, Flotow; Hither Fairies
Trip, Sully; The Violet, Curschmann, and many others.
|
is
as
.75
O.
L.
distinguished success
the West
compiler and leader.
Mr.
singing
many
pieces,
Emerson has contributed
and the book
first-class
school text-book.
H. R. Palmer and
79
The difficulty of adapting music to the
WILHEM'S METHOD OF
to
to
of
$o
of is
to
to
of
in
of
to
it
by
the
CLASSES
to
VOCAL
by
wants of the young is too well known

require comment.
Adapted to Use in
schoolroom
all teachers
say, therefore, this book
John Hullah
Suffice
only intended
supply the wants
.60
higher
grammar schools.
the
classes
Care has been taken
the selections
furnish variety enough for classes
either sex, giving both easy and difficult music,
be used according
proficiency
pupils.
the
the
TEACHING
BOOKS FOR GRAMMAR AND
PRIMARY CLASSES
NoTE.-The classification of schools is so different, varying in almost every
neighborhood, that it is sometimes difficult to assign the proper book to the proper
class. Thus the more difficult grammar-school books may be just the ones for the
1ower high-school classes, and many grammar schools may with advantage use the
easy high-school singing-books.
AMERICAN JUVENILE
The American Juvenile Speaker and

Songster furnishes materials for literary
SPEAKER AND SONGSTER
and musical exercises in schools, or for
Compiled by
any entertainment given by juveniles.
C. A. Fyke
.40
The book has four special features or de
partments, as follows :
First, the musical department, which comprises a great variety of
songs, including gymnastics in songs for the little folks. The scarcity
of such songs has induced us to make them a special feature of this
department.
Second, choice selections of juvenile poetry.
Third,
Choice Thoughts or selections for memorizing, and short
paragraphs containing valuable lessons on various topics, which may be
committed by the pupil or made the subject of a morning lesson.
Fourth,
suitable dialogues.
The capacity and tastes of boys and
girls have been kept in mind, and nothing has been inserted that can not
be performed in any schoolroom.
CHILDREN'S SCHOOL SONGS
A collection of songs for primary classes,
with rudiments and exercises; also a gen

J.
eral collection of children's songs for
.35
school and home. In this book, of con
venient size, are one hundred and thirty-nine good songs, on one hundred
and twelve pages. They are arranged in two divisions, and are preceded
by a very simple course in the elements, which constitutes Part I.
Part II contains simple graded melodies. There are fifty-five songs, the
simple ones with only the melody printed, and a few with harmony for the
accompaniment. Quite a number are Action Songs, and there are simple
directions for the motions.
In Part
there are eighty-four miscellaneous songs, all with accom
paniment for piano or organ, all of easy compass, and not difficult.
Selected and Arranged by
C. Tiacy
III
81
CHILDREN'S SONGS AND

HOW TO SING THEM
Wm. L. Tomlins
School Edition, paper, .30
Teachers' Edition, boards, .75
This new book embodies the system adopt

by Mr. Tomlins in his work with children
classes in Chicago, and contains a treatise

the subject of training children's voices, w
exercises, examples, and a collection of brig

and pleasing songs for the little ones. T
also,
book has for its object,
the cultivation of good musical taste, and be
the endorsement of many of our leading musicians, among whom may
mentioned Mr. Theodore Thomas.
lessons, with n
public
songs
and select
for use in
schools.
Ray
has
been
the
author's
aim
to
meet
the
deman
Charles Walter
.20
for a book so concise and simple in its meth
that any one of ordinary intelligence may learn to read music without
aid of a teacher. The rudimentary lessons have been made brief as pos
ble, that young singers may not be discouraged in attempting to learn wh
they really need to know. A small portion of the book is given to vo
exercises; the use of songs with words being relied upon to discipline
ear and the voice. The author believes that what pupils are most intereste
in they will learn with the greatest facility. The book is convenient in si
well printed, neatly bound, and contains nearly one hundred pages, w
seventy-two excellent songs, specially adapted to the purpose designe
They are written on two staffs, treble and bass, four-parts, so that the pian
or organist has no difficulty in playing them, and
the different voice-par
may be sustained by the singers if desirable.
DAY SCHOOL CROWN
A short
series of rudimental
Containing songs and rounds with physical ex

Asa Fitz
cises. Designed for the use of primary schoo
.20
A capital book for the little ones.
The exercises are intended mostly for the amu
ment of children, in order to relieve their minds of a tedious routine
school-room duties, and, when well performed, will be found excellent
the development
their physical powers.
EXERCISE
SONG BOOK
of
The school edition of Children's Songs has the melodies arranged

one staff, without accompaniment.
The teachers' edition contains the songs with piano accompaniments.
82
FIFTY TWO-PART SONGS
A book of easy pieces for school or home.

composed, Selected, and Arranged by
A well-chosen collection of songs for chil
J.
A.
Butterfield
t
dren is given in this book, making a use
.20
:
ful supplement to the general school-music
work in the lower and middle grades. The songs are in two parts, on sepa
1
rate staffs, making an attractive and enjoyable book of fifty-one pages.
GOLDEN
For the use of juvenile classes and public schools.

Part I.
Musical notation.
ROBIN
Compiled and
Edited by
W.
Part II. Rounds and exercises adapted

to musical
p
action.
Part III. A large collection of pieces for general use
O. Perkins
its
and various occasions.

Part IV. Sacred music.
Two hundred thousand copies of this book have been sold since its pub
lication, and
popularity still continues.
of
as
be
-systematic
progressive
and
course
of
GRADED MUSIC READER
as
as
it
in
on
is
to
is
of
of
of
WREATH
of
Designed for the

collection
favorite melodies.
schools, seminaries, select classes, etc. Also
Compiled by
use
L. O. Emerson
complete course
elementary instruction upon
.50
system,
the Pestalozzian
with numerous exercises
practice.
Perhaps
any
greatest
for
the
success
school-music book, over
three hundred thousand copies having been sold. As much
the music
always
please,
by
of kind that will
live and
the book
no means
be
shelf,
places
appeared
laid
the
but
where
has never
will
new
good
as the newest, and
the best.
GOLDEN
in
.80
and
a11
festival occasions.
is
83
in
of
to
B. Sharland
in
Compiled by
.
.
.
Containing Wilhems Method

Teach
ing Vocal Music, adapted
use
the
by
schoolroom
John Hullah
also selec
exercises,
exhibitions,
tions for devotional
Adapted and arranged
one, two, and three parts.
GRAMMAR SCHOOL CHORUS
J.
.5O
.6o
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Grade.............
.
.
.
.
Grammar
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
or
or
For the Intermediate

For Higher Grades.
.
.
.
II. I.
Book
Book
III. -
in
in
singing for public schools and

H. S. Perkins
struction
elementary classes. The Reader
three
parts
books, as follows
Book
For the Primary Grade.
.4O
50
MERRY
CHIMES
Compiled by
L. O. Emerson
A collection of songs, duets, trios, and sacred pieces

for juvenile classes, public schools, and seminaries, to
which are prefixed complete elementary instructions

and attractive exercises.
A large proportion of the
words have been written especially for this book by one who has had much
experience in writing for children. About twenty pages of sacred music
have been added for opening and closing school exercises, and there are
pieces for other special occasions.
The immense sale and widespread popularity of Merry Chimes indi
cate its value.
One hundred and fifty thousand copies have been sold.
.50
MOCKING
BIRD
Compiled by
W. O. Perkins
Boards, .50
MUSIC TEACHER
C. Everest ,
Boards, .50
and twenty-four pages for

classes, containing a complete
A book of two hundred
schools and juvenile

elementary course and a great variety of music in one,
two, three, and four parts, suitable for all occasions.
An original, theoretical and practical course of ele.

mentary instruction in vocal music, adapted to semi
naries, public schools, classes, and private pupils, to
collection of beautiful pieces

arranged as trios, duets, and solos for recreative as well as instructive
practice.
which
NATIONAL HYMN AND

TUNE BOOK
is
added
A collection of the best and most popular sacred

music. As the hymns are entirely undenomina
tional, it is well suited to the opening and clos

ing exercises of schools, academies, etc.
Many of the old familiar hymns and tunes are preserved, while there is
an abundance of material of a general sacred character to select from. The
book is of convenient shape and size for either congregation or school use,
and contains three hundred and forty selections. The hymns have been
selected with particular reference to school use, being devotional without
being sectarian.
Boards, .40
NIGHTINGALE
W. O. and H. S. Perkins
.50
chants, and hymns,

designed for the use of juvenile classes, pub.
lic schools, and seminaries; containing, also
a complete and concise system of elementary
instruction.
A collection of
84
songs,
PATRIOTIC SONGS
. FOR SCHOOL AND HOME

-
Hymns of Patriotism,'
seventeen numbers; National Days, seven num

seven numbers: one hundred and ninety-eight pages
bers; Miscellaneous,
The subdivisions of the book, as indicated in its arrangement, show the
scope of the work. Two features distinguish the volume:
First, its plan and size. The volume is devoted entirely to patriotic
music, and it is believed that no other work of this character has thus far
appeared in print. As the love of home is the natural basis of love of
country, a few songs of home have been included. Music and words that
are sectional in character have been carefully omitted, and it is believed
perfect consonance with the
that the volume in its entirety will be found
spirit
in
in
in
of
in
in
of
of
as
a
on
is
or
in
be
in
or
at
to
to
so
happily manifest
concord
our land.
Second,
unique
arrangement
the
the voice parts has been made
response
experienced workers
the urgent demand
the public schools.
part,
all,
sung
schools,
As the Tenor
be
must
most cases be sung,
by an Alto voice (boy
girl), this part has throughout the book been written
duplication
the
clef and denominated Alto-Tenor.
This
the
original Tenor part, which will
found
its usual place
the Bass staff.
part
Soprano
Treble,
The Alto
has been written beneath the
Second
of
Soprano.
AND SEMINARIES
Irving Emerson
Mr. Irving Emerson
has done
to
well
hundred and thirty-one hymns and tunes.
.25
manual containing an original, theoretical, and

practical course
elementary instruction
vocal
Adapted
public schools, classes, and
music.
private pupils.
85
in
of
to
C. Everest.
his selections, which include four
SINGING TEACHER
Enlarged Edition
.40
It
USE OF HIGH SCHOOLS
hymn book for schools

very
one has some
difficult matters
overcome.
will not do to be denomi
national, yet hymns must be devotional
religious feeling. For high
and full
schools one must avoid childish ex
pressions, and yet choose
little dif
ferently from what would be appropri
ate in church service.
in
THE
preparing
of
PUBLIC SCHOOL HYMNAL FOR
In
&
ini
Boards, .60
A collection of patriotic songs, arranged as fol

lows: Our Country, twenty-one numbers;
Our Flag, thirteen numbers; Our Navy,
four numbers; Our Heroes (Memorial Day).
eight numbers; Our Homes, five numbers;
Graded song books have

Compiled by
been more or less in use by the teachers of large town
L. O. Emerson
and city schools, and these books will grow in favor as
.50
sytematic and classified instruction becomes more
Still, the great majority of schools (reckoning the many thou
common.
sands in village neighborhoods) cannot at present introduce a full graded
system; hence the necessity of a general collection, with an elementary
course fitted for all classes.
Song Bells shares the popularity of the Golden Wreath '' and
Merry Chimes, two school books by the same author that are great suc
cesses, and to which this book may be compared in general scope, size, and
SONG BELLS
A collection of school songs.
shape.
SONG
ECHO
Compiled
by
H. S. Perkins
.75
This collection will
be
appropriate for the younger
classes of seminaries or in common schools.

Two hun
dred and eighty-six pages, and about two hundred
songs in one, two, three, and four parts.

complete course of elementary instruction.
SONG MANUAL FOR

GRADED SCHOOLS
L.
O.
Emerson
Book I, .30
Book II, .40
Book III, .50
Preceded by
I, FOR PRIMARY SCHOOLS
BOOK
This book has eighty pages and one hundred and

thirty-nine numbers.
Each number represents an
exercise or- song
There is an easy, elementary
course, which the teacher may further simplify,
if
BOOK
he pleases.
II, FOR GRAMMAR SCHOOLS
This book does not exactly begin where the other left off, as it reviews
some of the primary'' work.

It supposes the teacher to be familiar with the Elements. Therefore,
only four pages are devoted to explanation of scale, staff, and notes, and the
teacher can amplify as he pleases. The contents include sixty-eight one
part songs and exercises, and about two hundred two-part songs, and seventy
three-part songs.
BOOK
III,
FOR HIGH SCHOOLS
AND ADVANCED
SINGING CLASSES
This book consists of solfeggi in all the keys, part-songs, glees, anthems,
and other sacred selections, and a vocal training department. There are
about fifty secular songs and thirty-three sacred songs.
86
SONG READER
Compiled by
Irving
Emerson and
O. B. Brown
Book I, .50
For Book II see page 79.

The object of this Reader is to supply material
for the study of singing in public schools, the les
sons being arranged in a progressive order for use
in youngest classes, and up to and including the
class in the grammar school. Where the graded system does not
prevail the book may be used longer. Book
is designed for older pupils.
topic
classified,
every
The matter in each book is
under its appropriate head,
solfeggios and songs of each key being grouped together. There are hymns
for opening and closing exercises, standard patriotic songs, etc. The com
pilers have brought to the work an experience of several years, and we feel
fourth
II
confident that the book will be useful and interesting to teachers and pupils
UNITED VOICES
An ungraded collection of school songs, together
with elementary study and exercises.

The contents
twenty-one
songs
include
sacred
and about one hun
.50
part-songs.
dred
This is the newest of Mr. Emersons
school-music books, and a steady demand is kept up for
Compiled by
L.
it.
O. Emerson
87
of a
O. Perkins
Boards, .50
Compiled by
W.
two hundred and twenty-four pages, for

public schools and juvenile classes, containing
complete elementary course, and
great variety
one-, two-, three-, and four-part songs.
book
of
WHIPPOORWILL
alike.
TONIC SOL-FA NOTATION SONG

BOOKS FOR ALL GRADES
The Tonic Sol-Fa System, which has wro

A
such a reformation in England as is unpr
dented in the history of music, is now b
Daniel Batchellor
taught in various parts of this country. So g
.25
has been the interest awakened wherever i
been introduced that there is a growing demand for good class books.
The Bouquet of Song was originally prepared for Mr. Batchell
use in his own classes, but the call from other teachers was such that
first edition was quickly exhausted.
To meet this want the book is
placed before the public in an enlarged form.
The work begins with the simplest exercises of the first step, and
on in progressive order into the sixth step.
The exercises are care
graded, and considerable pains have been taken to provide such tune
will combine pleasure with instruction.
As it is intended for class use, no explanations have been given; te
ers and students can get them from the Manual accompanying the To
Sol-Fa Music Course for Schools.
While nothing essential has
omitted, the course is condensed within the smallest possible limits. It
be found sufficient for two successive courses of lessons.
Mr. Batchellor is well known as a successful teacher and lecturer on
Tonic Sol-Fa Method in this country as well as in England. The posi
which he formerly occupied in the Tonic Sol-Fa College of London
instructor in the art of teaching, peculiarly fits him for the preparation
work of this kind.
BOUQUET OF SONG
CHILDREN'S GRADED
SINGING-BOOK SERIES
E. H. Nourse
In three books,
An elementary course in music for schools

the Tonic Sol-Fa and Staff Notations.
In his own work as special teacher of mus
public schools the author of these books expla

both notations, and gives perfect freedom
Some incidental, purely staff work is done even in
each .15
which shall be used.

first grade, and is increased as the pupil advances. This work is don
the use of the hand staff and blackboard, for plan of which see Manua
Teachers, which accompanies this course.
Book carries the pupil through the first, second, and third steps
Tonic Sol-Fa Method, with either or both notations.
Graded Course of Singing

Edited by
88
II
continues the work of the third step, introducing two-part

, singing and new difficulties in time.
\
Book III takes up the fourth step of the Tonic Sol-Fa Method, but as
" the work has already led to a practical knowledge of the staff (except in
cases of transition or modulation), the combined notations are dropped, and
the two used separately, the Sol-Fa notation being used principally to illus
trate transition, modulation, and new difficulties in time.
Book
gives directions, practical

hints, and instructions for the use of the
teacher in presenting the Tonic Sol-Fa
Method in the school and contains a fine
* MANUAL
FOR TEACHERS:
AND ROTE SONGS
Daniel Batchellor and
Thomas Charmbury
&
:
.*
collection of rote songs for little ones. It

is intended for use in connection with the
.50
Tonic Sol-Fa Music
Course,
in
Thomas Charmbury.
!:
four
\
books,
by
Daniel
Batchellor
and
Although this manual is the teacher's hand

book for the Children's Graded Singing
Book Series (Sol-Fa), by the same author,
any teacher wishing a plain, practical, and
progressive aid in illustrating the different
* NOURSE'S MANUAL FOR

:
TEACHERS
%
E. H. Nourse
.40
a steps of the Sol-Fa system will find the book invaluable.
SUPPLEMENTARY COURSE;
of
s:
and
IV
III,
in
and
II,
Supple
is
Book
ment to Book
Books
it
Supplement
to
Supplement
to
Sol-Fa Music Course for Schools

Daniel
aniel Batchell
Batchellor an
Three Books:
of
is
to
The purpose
the Staff Supple.
ments
to enable the Tonic Sol-Fa
pupils
apply their knowledge
music to the Staff Notation.
These books should not be taken
up until the corresponding steps
the Tonic Sol-Fa Books have been
learned. Where
deemed desir
the Tonic
Thomas Charmbury
to
...
or, Staff Supplements
Each .15
to
II
is
at
*.
of
#:
able, the staff exercises may follow

the close
each step, but more
sisatisfactory results will be obtained by working through Books
and
introducing
thoroughly
before
the Staff.
The more
music itself
first
understood the more easily and rapidly will the pupils learn
use the
:-
This Manual
Staff Notation.
89
to
is
of
to
as
of
in
im.
A few simple rules for finding the key and for getting a pictorial
pression
the scale
all keys are here given. For further instruction
presenting the subject, the teacher
the manner
referred
the
Manual for Teachers, which accompanies the Course. (See Tonic Sol-Fa
be
Course.)
TONIC SOL-FA MUSIC COURSE
The
convenience of
both
.45
.
.
.
.
.
.
.
inches on roller.
is
48
18
TONIC SOL-FA MODULATOR

Daniel Batchellor. Cloth,
for
teacher
To assist the teacher

Manual"
containing
prepared,
has been
direc.
in
as
as
in
of
Supplementary
With
the Staff Notation
with Accompanying manual for Teachers
Course
in
Daniel Batchellor and
and Pupil has been kept

view
this Tonic Sol-Fa
the preparation
Course for public schools.
For the
scholars the instruction is embodied
pleasant songs
possible
far
Schools,
(.50); and T1odulators for Class

Use (.25 and .45)
in of
is
is
be
to
in
present.
tions that will assist him
rote-songs
the children.
number
are pro
vided with the Manual, which will
found useful
the lower primary
original
grade.
A11 the music
(unless otherwise stated), and has been
large and
having
composed and prepared for this course. This work
continuous sale.
ing the musical exercises
Containing easy songs and rounds for

school practice. This book
intended
supplement
regular course of
10
struction. All teachers feel the need of
large number
recreation songs, particularly when the third step
supply that
hoped that this little book will do something
reached.
want. Several new rounds have been introduced, which, besides being
interesting
the class, will
found very useful for developing indepen
singers,
among
dence
the
and the best possible preparation for part-singing.
to
is
of
to
...
in as
SOL-FA SONGSTER
Daniel Batchellor
is
TONIC
be
to
is
It
by
in
for
in
is
of
of
in
The Rounds
the Third Step will
found useful drill for securing
good time and independence
parts.
original
Most
the music
and has been prepared for this Course.
The music and exercises
this Supplementary Course are entirely diff.
ferent from those
the books comprising the Tonic Sol-Fa Course
steps the same.
schools. The relative progression
90
TONIC SOL-FA STEP MODULATOR

Daniel Batchellor.
Paper, 30 x 54.
SONGS AND EXERCISES

IN TONIC SOL-FA
William K. Stiffey
.15
in
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.25
A book that will be a most valuable assistant

of the Tonic Sol-Fa in schools.
to the teacher
is for fourth-year classes, and belongs, for

the most part, to the third step of the
Tonic Sol-Fa Course, with a few exercises
It
transition which are beyond the third step. The review exercises at the
beginning are indispensable as a test of the pupils preparation for the
fourth-year work in this system of notation. It contains voice-training
exercises for daily use, and a varied collection of charming school songs.
Charming selections of two-, three-, and

four-part songs by different authors, in
cluding bright part-songs, hymns, exer
cises in both Staff and Tonic Sol-Fa Notations.
Send for a descriptive price-list of the Young Singers' Leaflets
YOUNG SINGERS' LEAFLETS

Per copy, .02
mailed free.
91
CALISTHENIC, KINDERGARTEN.
OTHER SONG BOOKS FOR
CHILDREN
ACTION
A collection of sixteen action-songs,
FROM
OWER THE SEA
SONGS
and adapted for the kindergarten,

directions as to the actions.
Violette E. Scharff
AN
transl
with
.30
In this collection of songs for the

folk the author has furnished a varie
original pieces, intended for the a
ment of children who can combine

talent of mimicry with their sim
attainments,
musical
the songs being lively, tuneful, and easily lear
and for either kindergarten or home use, we know of no better moder
lection of a similar character.
.50
As to the action or mimicry' which the verses of each

demand, we may instance, as suggestive of the style of the book, the
pretty piece entitled Good Morning, Tommy Tompkins. It desc
certain incidents that occurred on Tommy's way to school, and the ma
in which the cow, the quail, the rooster, and other things rural said
morning. The children all join the chorus, which, like the solo, is
tive and irresistible.
Each song has an accompaniment for the pianof
The pages are sheet-music size.
in
home.
plete
Octavo size.
Also published
volume,
paper,
.60, unde
one
title Songs
of
Five numbers, each, paper, 15
Fach number contains five or six song

children
the kindergarten, school,
in
CHILDREN'S SONG SERIAL

Gertrude A. Walker and
Elizabeth L. Walker
Nature.
(See page 9
Fourteen songs for the kindergarten and

which special attention has been
sery,
KINDERGARTEN SONGS
perfect sympathy
rhythm between
Louise Pauline warner
and music, the naturally accented syl
.35
falling on the accented note, an impo
point especially
children's songs,
too many
which the rhyth
words and music
at variance. The natural limit of the child's vo
also considered and none
the songs extend higher than
on the st
lower than
flat below
of
of
in
is in
"
of
in
DOZEN AND TWO
CHARACTER AND ACTION

SONGS FOR CHILDREN
Silas G. Pratt
92
Containing
EXERCISE SONG BOOK

"
Asa Fitz
songs and rounds, with physical

Designed for the use of primary
exercises.
schools.
A capital book for the little ones.
!
.
The exercises are intended mostly for the amuse
children,
ment of
in order to relieve their minds of a tedious routine of
duties,
and, when well performed, will be found excellent for
schoolroom
he development of their physical powers.
.20
FIRST STEPS
N SONG READING
Irving Emerson
primary classes in public schools,

kindergartens
also for
and private teaching; de
signed to precede
the regular Song Readers for
year's
one
work with children that have been
.30
taught
sing
songs by rote.
to
It contains exercises
nd songs, written in three keys only, viz., F, C, and G, and in but three
::inds of time, viz., double, triple, and quadruple.
An attempt has been made to grade the exercises according to difficulty.
So signs or words have been given without being explained.
No acci
sentals or harder intervals than one, three, five, and eight are used. None
f the pieces modulate. Pretty illustrations are introduced, so that the
hildren may think what the words of the songs MEAN, and thus be able to
laster the first requirements of good singing, viz., a sympathetic quality
f tone. A few sacred
melodies and hymns suitable for devotional exercises
given.
- re
The suggestions made throughout this work are for the benefit of those
who have made no special study of the teaching of vocal music, and conse
uently dont know how to go to work to teach others.
*
This book, which has grown out of an actual necessity on the part of the
ompiler, is dedicated to the young children, whom he hopes it will benefit.
For the
e
%
:*
EMS FOR LITTLE SINGERS

* Elizabeth U. Emerson and
*
:
it
Gertrude Swayne
-
.30
use of
For primary schools, the kindergarten,

Sixty-two delightful little
and home.
melodies to pretty words, accompanied by

pictures, making an attractive picture
song-book. Such titles as Little Black
Busy Bee, Lady Moon, Little White
pinner, Springtime,
ily indicate the character of the little poems.
93
A collection of songs and games for primar

schools, revised and enlarged edition, wit
Paper, $1.00
valuable suggestions to teachers by a prac
Boards, $1.25
tical and enthusiastic kindergartner, wh
Cloth, $1.50
has an international reputation as a writer
children.
There are ring-songs, marching, gift, game, good-morning, an
other songs, with accompaniments for piano. One hundred pages, midwa
between sheet-music and octavo size, containing eighty-seven songs.
KINDERGARTEN
CHIMES
Kate Douglas Wiggin
represent their dail

are intended
amusements, and are arranged so as
mak
to
They
an
in
to
is
bright
them suitable for children's gymnastic exercises.
The music
pleasing, easy
learn, and written by one who has had experience
German kindergartens.
th
of
short, simple, pleas

collection
ing, and appropriate rote-songs
LITTLE SONGS FOR LITTLE SINGERS

W. T. Giffe
pr
first- and second-year grades
mary and kindergarten schools.
the first part
the book will
found many little songs that may
keys
upon
transposed
other
and written
the blackboard
desire
pupils
sing
by
have the
first
them
note.
introducing variety into th
The teacher will discover many ways
songs.
part
song
few voices,
one voice alone, may sing
sol
sing
chorus,
and the rest
the school
the remainder
the school ma
be divided, and let the divisions alternate with the lines or stanzas
preferred.
in
if
it
is
be
to
of
In
Paper, .25
Paper, .25
as
or of
are
SCHOOLROOM
G. N. Bordman
TMrs.
thirty-three songs
the boo
only,
some for recitation
some set to familia
airs, and some with numerous motions, whic
grea
are fully explained, and which furnish
rhythmic
deal
exercise.
There
in
MOTION SONGS FOR THE
of
as
a
of
or
of
to
.30
With English and German text. These play

were suggested by intercourse with children
to
KINDERGARTEN PLAYS
C. J. Richter
94
Dedicated To the singing children and

those who love them, to those whose
POSIES FROM A CHILD'S

GARDEN OF VERSES
William Arms Fisher
in
of
in
of
is
is
of
in
all
bairns are only Dream-Children, and to

who,
time, have kept the
spite
words by Robert Louis stevenson
child-heart, this little book
Paper, $1.00
inscribed by
composer.
the
The music written for
singing
range
the
children
well within the
child's voice, happy
spirit, and easily learned.
Fifteen songs, thirty-two pages
music. Paper cover, with deckle
colors, octavo size.
edge, design
System.
Escape at Bedtime.
Marching Song.
Happy Thought.
ROUNDS, CAROLS, AND SONGS
12.
13.
14.
15.
11.
The Wind.
Foreign Children.
My Bed
Boat.
The Swing.
Bed in Summer.
Rain.
Time to Rise.
One hundred and thirty-one selections

England,
from the children's songs
France, and Germany.
good variety
lullabies,
catches,
rounds, carols, and
songs, arranged for the home, kinder
of
Compiled by
Io.
is
No.
9.
Windy Nights.
Singing.
Where Go the Boats?
The Land of Nod.
8. 7. 6. 5. 4. 3. 2. 1.
No.
Margaret Cushing Osgood
of
Paper, $1.00
Cloth, $1.50
garten, and schoolroom. A11 have English words, many have also the
original German
French words.
or
- - -- -
SIXTY SONGS FROM

MCTHER GOOSE'S JUBILEE
L. E. Orth
would,
the
of
of
E.
L.
of to
or
or
in
be
naturally
or
in
they
of as
is
Mother Goose's Jubilee"

an opera
for children.
The characters speak,
language
Mother Goose, the entire libretto being
Paper, $1.00
based upon her rhymes and jingles. The
telescopic,
given on large scale
opera
and can
smaller way,
entirety
abridged,
accompaniment
throughout
its
with orchestral
piano alone, according
circumstances.
The compositions
Orth for children (songs and piano pieces)
are already widely and favorably known. The present volume consists
Sixty Songs from the opera, being musical settings
Mother Goose
is
:
:
Op.
CONTENTS
95
it.
rhymes, a collection that bids fair to become as popular as the verses

inspired
indergarten /('eview says: Those who know
Of this book, the
of
Orth's Mother Goose without Words' know what they may expect
way
characteristic musical settings for the Mother Goose rhymes
Gaiety, delicacy, fun, and charm,

Mrs. Orth's music has
all. The melodies are such
children will enjoy and sing with s
while their taste will be cultivated by the delightful harmonizing.
new book.
SONG ECHOES FROM CHILDLAND
of
as
collection
one hundred
thirty-eight songs for the kin
Harriet S. Jenks and
garten, classified
follows: Hym
Tlabel Rust
Spring Songs, Summer Songs,
Cloth, $2.00
ter Songs, Christmas Carols,
cellaneous Kindergarten Rhymes and Games; one hundred and thirtyand Edited by
pages, large octavo size.
The compilers have, with much good
SONGS AND GAMES FOR

LITTLE ONES
Prepared
of
many
selected and, with permission
lishers and authors, brought together
by
volume an interesting collection

childre
songs.
These are grouped
twelve
sions, covering all the needs
$2.00
the kin
garten classes. The words
action-so
the
and games sufficiently indicate the motions, which may be varied or m
plied by the teacher. Eight White Sheep suggests an unfolding
eight white fingers.
The trade
the blacksmith, the cooper,
farmer, the miller, etc., may easily
acted out.
There are one hund
thirty-six
songs
and
and one hundred and nineteen pages
the b
Directions for the action
the songs have been added.
of
of
in
be
of
of
in
of
Gertrude Walker and

Harriet S. Jenks
of
delightful collection
eight songs repres
ing the following subjects:
SONGS FORCHILDREN
Frederic H. Cowen
.50
Swinging in the Orchard.

A Prisoner.
Slumberland.
Good Night.
Time to Rise.
Mother.
School.
The Dunce.
in
F.
as
as
as
regards both verse and music, are very attractive.

These songs,
accompaniments for the piano are
simple and easy
the songs, and
celebrated English composer,
H. Cowen, has written,
this book,
pleasing children's lyrics. The book
sheet-music size.
is
of
as
Compiled
96
A collection of fifty easy and attrac

tive songs for little children. The
soNGs FOR KINDERGARTEN AND

PRIMARY SCHOOLS
of
author
the words has caught the
J.
true child-spirit, one
the most
Music by
do, and
difficult things
com
Belle Plenard
paratively rare accomplishment,
.30
kindergarten
workers appreciate,
peculiarly
the composer has matched the words with music that
fitting in
every respect.
Gertrude A. Walker and

Elizabeth L. Walker
Paper, .60
* consideration
These twenty-nine Songs

Nature fur
appropriate
nish
music for the entire school
Songs for Thanksgiving Day, Christ
year.
mas, Easter, and the four seasons are in
cluded.
In making selections for this volume due
the limited range
children's voices, and
of
the School and Home

Edited by
in
For children
has been given
as
as
in
p.
.#
the music,
well
the story-telling
feature
the verses. Also published
five separate parts, paper, each
fifteen cents, under the title Children's Song Serial. (See
92.)
of
the melodious and singable quality
of
of a
of
sixty-two songs offers

great variety for all occasions.
Most
having
songs
new,
the
are
been written
specially for Songs
Sunshine.
Be
Paper, .75
majority
songs,
sides the
the
which are
Boards, $1.00
by Miss Emerson and Miss Clarke, there
are others by
W. Chadwick, Arthur Sullivan, W. Taubert, Carl Reinecke,
and L. O. Emerson.
This collection
posing such songs
of
original and selected, made by two earnest

writing and com
teachers who have the gift
children,
and whose
will.at once captivate the minds
of
Boards, $1.00
Paper, .75
book for kindergarten, school, and home, con

sisting
bright, interesting, and melodious
songs for little children,
collection both
of
s'
STORIES
SONG
Elizabeth U. Emerson
and Kate L. Brown
as
IN
;3,
G.
| ".
songs
SUNSHINE
For Kindergarten, School, and Home
Elizabeth U. Emerson and
Mabel E. Clarke
of
of
*-**
SONGS OF NATURE
of
of
an
to
E.
is
as
to
of
of
Words by
Gertrude "1enard
97
experience and knowledge of the needs and methods of kindergartens and

primary schools is plainly manifested throughout the work.
Stories in Song is an attractive, handsome book for kindergartens
primary schools, and the home, and suitable as a musical gift book for a
child.
These
as
Stories fill a book of ninety-five large pages and are commended
valuable to kindergarten and primary school teachers.
98
SACRLED AND
sEculAR. MUSIC FOR
SINGING SCHOOLS, MUSICAL SOCIETIES,

CONVENTIONS, ETC.
NoTE. The following named books contain elementary instructions, easy and
moderately difficult glee music, and part-songs for four voices; also a variety of hymn
tunes in the different metres, and a selection of anthems and other sacred pieces for
the opening and closing of church worship.
Collections
CHORAL
L.
TRIBUTE
Compiled by
O. Emerson
Boards, $1.38
of Sacred Music for Choirs, page

Secular Part Songs, page 51.
18.
A collection of church music for choirs, singing

schools, conventions, etc. The Choral Tribute
aims to present such music as will not only be
appropriate for the sanctuary but interesting as a
study, and which will further the cultivation of a correct taste. The ele
mentary instructions and progressive exercises, part-songs, etc., are in great
variety; also the melodious glees, choruses, quartets, etc., for the use of
singing schools, conventions, and social gatherings. The hymns are in all
the principal metres, and in sufficient variety to suit any choir; the open
ing and closing pieces, anthems, chants, and the like will doubtless please
both choir and congregation.
The Choral Tribute has had an extraordinary success (a sale of over
one hundred thousand copies), and may be properly classed with the cele
brated Harp of Judah and Jubilate by the same author.
CHORAL WORSHIP
L.
Compiled by
O. Emerson
$1.00
A book of three hundred and twenty pages for choirs,
singing classes, and musical conventions. One hun

dred pages of elementary study, exercises, easy and
graded songs
in one, two, or more parts, glees, and
quartets;
seventy-five pages of metrical tunes, one hundred and ten pages

anthems,
motets, sentences, chants, etc., thirty-five pages of well-chosen
of
miscellaneous music for concerts, exhibitions, etc.
CORONET OF SONG
A collection of one hundred pieces, designed for
the use of singing schools, musical conventions,

institutes, etc., arranged in four-part harmony,
.60
with piano accompaniment, and classified as fol
lows: Sixty secular selections, twenty-four selections for opening and
closing school, sixteen anthems and choruses, to which is prefixed an ele
mentary course of instruction, with many exercises and examples.
Compiled
by
L. O. Emerson
99
DIAPASON
F.
prefixe:
review of music and its notation,

exercises for reading music, and vocal training, songs
Root
$1.38
is
a comprehensive
by
Compiled
George
A collection of church music, to which
part-songs, rounds, etc.

The Diapason" is used with excellent success by choirs and by classes
wishing to practise church music. The compiler has succeeded in providing
an excellent collection of hymns, sentences, motets, anthems, choruses, and
chants, and other music suitable for choir practice.
EMERSON'S CHORUS BOOK

Compiled
by
L. O. Emerson
and secular
the
Among them
may be mentioned: Awake, the Night is
Beaming, by Donizetti; Brightly
of
by
of
Morning, by Von Weber; Crowned With the Tempest, from rnani,

Evening, by Sullivan; Gloria, from Farmer's Mass; God
Israel,
by Rossini; Inflammatus,
Rossini; Mighty Jehovah, by Bellini,
O Father, by Whose Almighty Power! Hndel; Oh for the Wings
Dove, Mendelssohn.
ENCORE
The Encore has one hundred and ninety-two
pages
by
Lutz
Hodges
.50
many fine secular selections, and
of
is
It
of a
sing:
schools,
brief statement of
the
music.
of
of
and Edited by
for
glees, hymn tunes, anthems,

elementary
course, all well adapted
and an
village choirs, singing
the use
schools, and the home circle.
There are
collection
choice lot
IOO
of
D.
F.
Compiled
SCHOOL
SINGING
ing schools, choirs, conventions, high

and academies, with
elementary principles
Boards, .50
GRADED
sacred and secular music
to
I.1.
Compiled
S.
collection
of
OF SONG
GARLAND
is
in
in
or
of
It
O.
by
in
singing-school course, or course

and contains
Emerson
musical notation.
fills about fifty pages and has
.75
short, distinct, and easily understood explanations,
plenty
progressive exercises, with and without words, and
number
bright songs for practice,
good book
one, two, three,
parts.
four
required.
for use
all social musical meetings where easy music
Compiled
L.
$1.00
A collection of thirty sacred
anthems and sentences.
HARP OF JUDAH
Compiled by
L. O. Emerson
A collection of sacred music for choirs, musical con

ventions, singing schools, etc. It is divided into five
parts
Part I.
$1.38
Devoted
to the
singing school, theoretical
and practical.
Collection of music for choirs,
Part II.
musical conventions, and
social gatherings.
Hymn tunes in every variety of metre.
Part III.
Part IV. Anthems, sentences, choruses, chants, etc.
Part V. The most familiar favorite hymn tunes for congregational use.
- HERALD
L.
OF PRAISE
Compiled by
O. EmersOn
$1.00
poses.
A collection of music for the church and singing

school, consisting of tunes and anthems for public
and private worship, and glees, choruses, duets, and
quartets for the singing school and for social pur
Over three hundred pages of music.
IDEAL
A book for singing schools, musical institutes,
and
con
ventions. It has a complete course of elementary in

struction, besides a large number of duets, quartets, hymn
3. L. O. Emerson
.75
tunes, and anthems.
A book of nearly two hundred
..
pleasing exercises,
a pages, having, in addition to more than one hundred
part-songs, forty hymn tunes, and twenty-five
|s about eighty glees and
anthems and chants. This gives a good variety and abundance of music for
all occasions of class or social singing.
Compiled by
"
A collection of sacred and secular music, for choirs,

singing schools, musical conventions, and the home
$1.00
circle.
In this book we have thirty long-metre
tumes, twenty-one common metre, thirteen short metres, seventeen sevens,
and fifty-five of the odd kinds of metres, making about one hundred and
forty tunesa sufficient variety for the average choir. Nearly one hun
dred and fifty pages of the book are occupied by anthems. The first one
hundred pages contain a singing-school course and a large quantity of
melodious exercises furnished with words, easy songs, duets, trios, and four
part songs and glees, making the work class book,
well
choir book.
PRAISE
IOI
as
JEHOVAH'S
as
#...
i. * |
".
MODEL SINGER
A book of one hundred and ninetypages, illustrating many progres

ideas, with a plain yet thorough met
W. O. Perkins and D. B. Towner
.60
of class or choir instruction.
The
is also a guide to the teacher, and contains valuable remarks and sug
tions. The sign manual (different positions of the hand) is illustrated
engravings, and the exercises in vocalization and articulation are worth
careful study. The study of chords, transpositions, etc., is aided by the
diagrams known
the modulators, while the progressive system
imparting knowledge
all that pertains
the vocal art
observabl
and Edited by
CONCERT TUNES
(FATHER KEMP)
to
collection
the wants
of
of
well suited
OLD FOLKS
instruction, about sixty glees

gospel pieces, twenty anthe
both
the compositions
Billings, Swan, Holden,
Read,
ball, Ingalls, and other pioneers

American sacred music.
To the old tunes and anthems contained in the book are added m
recent pieces, sacred and secular; one hundred and eleven pages.
The w
unique production, universally used
old folks entertainments.
a
is
in
Paper, .50
in
of
as
as
a
O.
L.
It
In this book
is
thorough course
the rudiment
Compiled by
music and reading notes, followed by practical exerc
Emerson and simple songs. Attractive, easy glees will als
.75
found,
easy anthems and cha
well
number
an excellent class book.
ONWARD
is
AND CHOIR
For the
use
of
CLASS
of
singing classes, ch
Compiled by
musical institutes, seminaries, academ
W. O. Perkins
conventions, etc., containing
very
Boards, .75
complete
elementary
and
course
struction,
large collection
glees, and part-songs for mens, wome
and mixed voices; hymn-tunes, chants, responses, invocations, anthe
PERKINS
and some chants.

Thus the book
ing class and choir.
is
It
of
contains, besides the department

part-songs, many hymn tunes,
number
is
to
the book.
of
all parts
of
in
of
as
Compiled
choruses, etc.
IO2
PERKINS VOCAL
one hundred and thirty-nine pieces,

Compiled by
one hundred and ninety-two pages, for
Perkins,
singing schools, choir work, musical
W. O.
Plus. Doc.
Revised Edition
conventions and societies.
Intended
.60
for the average singing class, choir, or
musical organization not yet ready to attempt the more difficult choral
works, it is well adapted to its purpose. The volume is divided into three
-
parts, as follows:
Part I. A clear and concise- course of elementary instruction, with
abundant exercises.
Part II. Forty-five glee and part-songs.
Part III. Sixty hymns and anthems.
An attractive feature of the book is the opportunity for solo and duet
work given in connection with the chorus singing. The selections are of
great variety and interest.
ORATORIO CHORUSES
matter of economy these books are extensively used in musical
societies and chorus choirs. They contain all of the oratorios except the
* solo parts. There are published the choruses of:
As
&
Creation
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ .5o
* Eli....................... ..............
E1ijah. . . . . . . . . . . . . . . . . . . . . .
# Israel in Egypt. .
-
Joshua
. ... .. ... ..
. .. .. .. .. .
I.O.O.
.
.50
.50
Samson
.50
.. .
Judas Maccabeus. . . . . . . . . . . . . . . . . . . . . .
Messe Solenne11e (Rossini)..........
.50
.75
. . .. ... ... .. ... ... .. .. . .. .. . ... .
.5o
Messiah
Moses in Egypt. . . . . . . . . . . . . . . . . . . . . . .
Naaman . . . . . . . . . . . . . . . .
Passion Music . . . . . . . . .
Prodigal Son. . . . . . . . .
. $1.oo
. ... .. . . . .. .. ... ... .. ... ... .. .. . .
St. Paul . . . .
Samson and
. . . . . . . . . . . . . . . . .- - - - - -
Dililah.
...
.. .. .. .. .. ... ... ..
OO
.6o
.50
.50
.50
I.OO
Descriptions of the complete works will be found in their appropriate

places.
A catalog of Oliver Ditson Company's octavo editions of choruses, part
|- songs, etc., which are used by all singing societies, and which range in price
from five to twenty cents, will be sent upon request.
O.
L.
by
Emerson
Signs.
as
is
Manual
things
Musical
Notation. The Singing School, an advanced school

that belongs where the old first quarter left off, and
of
IO3
in
to
in
in
in
of
of
of
in
in
or
to
to
prepare the average singer

should last long enough
take an intelligent
part
choir, chorus,
congregational singing.
Review Lessons, giv
ing simple practice
time,
singing
parts.
all sorts
all keys, and
high
order, varying
difficulty from easy
Glees and Part-Songs
fairly difficult.
hymn-tunes,
anthems,
choruses, and chants
collection
not beyond the powers
an advanced singing school.
&
.60
The book
divided
follows:
plain statement
important
the
of
Compiled
in
it.
ROYAL SINGER
, * *
BOOK
CLASS
A book of anthems, glees, and light and easy piec

for singing-school work. The one hundred a
L. O. Emerson
twenty-eight pages of this book are divided in
Paper, .50
three parts :
Part I.
Rudiments of music, terms, scales, exercises, and easy piece
Glees, part-songs, quartets, etc.
Part II.
Part III.
Sacred music. Octavo size.
SINGER'S FAVORITE
Compiled by
One hundred and ninety-two pages, including o

hundred pieces of secular music, songs, duets, glee
L. O. Emerson
etc., and fifty hymn tunes, anthems, etc., with
.75
elementary course and plenty of exercises. T
manual signs and other special features are introduced.
SINGERS
WELCOME
SINGING-CLASS
MANUAL
The elementary
is clear and co
fitting
a
introduction to t
Edited by
William Jackson
four-part
songs whic
choice collection of
.60
follow. These have the tonic sol-fa syllable
added for the use of those who wish them.
matter
cise, and forms
SONG
CLARION
Compiled by
W. T. Giffe
.60
of high schoo
Compiled by
.
and singing classes, etc., arranged for the most pa
L. O. EmerSOn
for Soprano, Alto, Tenor, and Bass. The selection
.60
consist of part-songs, glees, choruses, anthems, an
numbers for devotional purposes.
Preceded by solfeggi and other voc
SONG GREETING
*
*
A collection of part-songs for the
use
studies.
of one hundred and eighty-four pages intende

Compiled by
for the use of schools, conventions, etc. It contain
L. O. Emerson
an extended course of elementary instruction, full
.60
illustrated by exercises and songs, all arranged
addition,
large variety
progressive practice and study. There
pieces,
anthems,
chants,
hymns,
glees,
rounds,
part-songs.
choral
and
SONG HARMONY
A book
IO4
in
A collection of music for singing classes, choirs, co

ventions, day schools, musical academies, etc. Precede
by an elementary course of instruction.
is,
Compiled by
SONG
t-
H. R. Palmer
:
#
The Song Monarch is mostly the

work of Mr. H. R. Palmer, who has
had distinguished
success in the
West, and of late in New York City,
MONARCH
Compiled by
and L. O. Emerson
.75
as compiler and leader. Mr. Emerson has contributed many pieces, and the
book is a first-class singing-school text-book.
A collection of sacred and secular
STANDARD
music for choirs, conventions, sing

ing schools, normal musical acad
* L. O. Emerson and H. R. Palmer
*
$1.38
emies, and the home circle, con
sisting of musical notation and exercises, glees, quartets, hymn tunes,
anthems and chants, and congregational tunes.
#.
Compiled
by
STAR CHORUS BOOK

:
Compiled
W.
by
O. Perkins
Sacred and secular music for conventions and

musical societies.
Some of the best authors,
classic and modern, are represented.

This book contains one hundred and sixty-eight
pages, and thirty-six pieces of high character, octavo size. Among the many
selections are the following, which indicate the general character of the
book: Glorious is the King of Israel, by Haydn, Earth and Heaven,
by Mercadante; Serenade, by Marschner; Hearken Unto Me, My
People, by Sullivan; The Rover, by Taubert; Good Night, by
Carulli; Hark, the Lark by Macfarren; Stars of the Summer Night,
by Hatton, and many others.
$1.00
s
#
VICTORY OF SONG
#
!
This work, intended for singing schools and musi
cal conventions, is an attractive class or choir book

L. O. Emerson
of one hundred and ninety-two pages, containing
60.
many rudimentary exercises, lessons in note teach
ing, and an abundance of glees, part-songs, choruses, hymn-tunes, anthems,
chants, quartets for men's voices, and valuable hints in regard to the proper
use of the voice in singing, together with timely suggestions as to articu
1ation and the pronunciation of words.
Many years of varied experience in his particular branch of the art have
enabled the author and compiler of his book to put forth suggestions that
Compiled by
will
be found useful by teacher and
pupil.
IO5
For the
musical conventions
singing societies.
SACRED AND SECULAR CHORUSES and other
A collection of choruses, having
Compiled by
companiments for either piano
Carl Zerrahn
organ. The reputation of the com:
$1.00
piler
guarantee that each selec.
tion
this book has been made with characteristic good taste and judgment
experience
conducting musical societies, and especially
Years
Haydn
Society
Boston, have enabled Mr. Zerrahn
renowned Handel and
provide the best material for this work.
OF
use of
to
the
of
in
of
in
is
or
ac.
ZERRAHN'S SELECTIONS
CHURCH MUSIC
FOR CONGREGATIONAL
USE
(The following volumes contain hymns, etc., especially adapted for

congregational singing.)
AMERICAN TUNE BOOK
A complete collection of the tunes which are

widely popular in America, with the most
Dr. Lowell Mason
popular anthems and set pieces, preceded by a
$1.50
new course of instruction for singing schools.
The American Tune Book was compiled in the following manner:
One thousand experienced choir leaders and teachers of music, in all parts
of the country, were asked to assist in preparing the book. Five hundred
consented, and each one of these was asked to select a tune which had
proved permanently pleasing and useful in his section and within his expe
rience, and that could be recommended for insertion in the book. By this
means a collection of really useful and enduring tunes was made.
The variety of metres is complete. It includes all that are in the vari
ous hymn books in common use. The anthems and set pieces have been
selected, as far as possible, on the same principle as were the tunes.
Edited by
best and most popular sacred

music. As the hymns are entirely undenomi
TUNE BOOK
national, it is well suited to the opening and
Boards, .40
closing exercises of schools, academies, etc.
Many of the old familiar hymns and tunes are preserved, while there
is an abundance of material of a general sacred character to select from.
The book is of convenient shape and size for either congregational or school
use, and contains three hundred and forty selections.
The hymns have
been selected with particular reference to school use, being
devotional
-
NATIONAL HYMN AND
A collection of the
without being sectarian.
NEW LUTE OF ZION
A collection of sacred music designed for the
use
of
congregations generally, with a preliminary ele

mentary course for singing schools. This admira
$1.50
ble work continues to have a large sale, and is the
most popular of all of Mr. Woodbury's compilations.
Compiled by
I. B. Woodbury
Io7
NEW SPIRITUAL SONGS

Rev. Elisha A. Hoffman and
J.
H. Tenney
.35
SCHOOL AND
HYMNAL
PUBLIC
A volume of two hundred and twenty-fiv

pages, containing about four hundred sele
tions, including the words of hymns, hym
tunes, and gospel songs.
WESTRY
Compiled by
Irving Emerson
In preparing
hymn book for schoo

one has some very difficult matters
overcome.
It will not do to be d
nominational, yet hymns must be d
a
votional and full of religious feelin

For high schools one must avoid chi
ish expressions, and yet choose a litt
differently from what would be appropriate in church service.
Mr. Irving Emerson has done well in his selections, which include fo
hundred and thirty-one hymns and tunes.
**
Enlarged Edition
.40
A collection
of music for funerals.

The selection
Compiled by
have been made with good taste and discrimination
W. O. Perkins and the book will, without doubt, meet a deman
.50
Many of the hym
which has long been manifest.
are familiar, while the new pieces are appropriate a
well suited to the occasions for which they were written.
Chorus cho
quartet, or congregation can use the book.
REQUIEM
SONGS
J.
OF PROMISE
Compiled
by
H. Tenney and
Rev. E. A. Hoffman
.35
A varied collection of pieces suitable for Sabba

schools, prayer, praise, and gospel meetings, a
the home. The authors are well known in t
song work of our Sabbath schools, and have take
pains to make this work meet the demand for

higher grade of music, without placing it beyond the comprehension
the 1nasses.
For revival, prayer, social, and church gathering

Prepared primarily to meet the compilers needs as
.35
evangelist of many years' experience both in preac
ing and in song. It contains about three hundre
gospel tunes, church hymns, which include many numbers that can
used for solo, duet, or quartet singing, and yet so constructed that near
every piece is available for congregational use.
TEMPLE CHIMES
C. C. Luther
IoS
SUNDAY
SCHOOL
SONG BOOKS
FRESH
FLOWERS
Compiled by
Emma Pitt
.25
A book containing fifty-five little
songs for the infant

Every piece in this little
classes in Sunday schools.

book will please and interest any child. There are
pretty illustrations, almost every song having a pict
ure to illustrate its words. The book has been compiled with a view of
entertaining the child while imparting instruction, both purposes being
admirably blended.
GOOD NEWS
Compiled by
R.
PT.
A book of one hundred and sixty pages, containing

hymns and tunes for the use of Sunday schools.
Ticintosh
.35
A collection of new hymns and tunes for Sunday

schools, prayer meetings, praise meetings, and re
R. TI. TMcIntosh
vival meetings. In Light and Life Mr. McIntosh
.35
maintains the reputation acquired as the compiler of
that most successful book, Good News. The selections, in variety and
number, as well as quality, are admirable.
LIGHT AND LIFE
Compiled by
LIGHT AND LIFE

Same as above,
PRAISE IN SONG
Compiled
by
L. O. Emerson
Boards, .40
Cloth, .50
with character notes.
..
. . .
.. .. .. . .
..
. . ..
..
. . . . . .. .
-35
A book for the Sunday school
and prayer meeting,

containing two hundred and thirty-nine hymns, etc.
There are many selections from English authors and a
number of familiar favorites have been retained. The
compiler was assisted in the preparation of this work

by his daughter, Elizabeth U. Emerson.
JOg
THE REWARD
J.
Compiled by
H. Kurzenknabe
.35
A collection of hymns and music especially
adapted
to the use of Sunday schools, church festivals, Sun

day-school anniversaries, etc., together with a com:
plete course of elementary instruction in voca
music.
A varied collection of pieces suitable for Sabbath

schools, prayer, praise, and gospel meetings, and
the home. The authors are well known in the
J. H. Tenney and
song
Rev. E. A. Hoffman
work of our Sabbath schools, and have taken
.35
pains to make this work meet the demand for a
higher grade of music, without placing it beyond the comprehension of the
SONGS
OF PROMISE
Compiled by
111aSSeS.
VOICES
OF PRAISE
A most excellent book for the Sunday school,
being above the average of such books a

regards both words and music, yet not by any
Rev. Charles L. Hutchins
.40
means difficult. The songs and hymns, taken
largely from English and American sources, partake of that variety and fit
ness of subjects that will make this book acceptable in all Sunday schools.
Compiled by
IO
TEMPERLANCE BOOKS
HULLS TEMPERANCE
GLEE BOOK
Compiled
by
Asa Hull
.40
This is an enlarged edition of an excellent book,

containing one hundred and thirty pages and
more than a hundred pieces.

About sixty of
lyrics, very
these are well-chosen temperance
wide awake, and including The Temperance
Star, Temperance
Helping Hand, Dawning Light,
Ship, Conquer or Die,
and others as good.
Then follow
about twenty easy glees, such as Shepherds, Tell Me, Larboard Watch,
Spring's Delight. There are also twenty-four sacred pieces. It has,
in a special department, the odes of the different degrees of the I. O. of
Good Templars and the odes of the Order of the Sons of Temperance.
TEMPERANCE
CRUSADE
A collection
of temperance songs,
rousing marching songs

stirring
Hope,
temperance cam
for Bands of
Edwin Moore
paign songs for the masses, and beautiful quar
.35
tets and choruses for concerts
and social
gatherings, besides a large number of sacred pieces suitable for gospel
temperance meetings.
L.
Compiled by
O. Emerson and
TEMPERANCE
\
selected, containing
original and
LIGHT
Compiled by
George C. Hugg and

M. E. ServOSS
gospel hymns, and

sacred songs designed for Christian Temperance
Unions and a11 Sunday-school and gospel temper
A collection of temperance
ance meetings.
. 12
TEMPERANCE
RALLYING SONGS
Compiled
by
Asa Hull
.35
Consisting of a large variety of solos, quartets, and

choruses, suited to every phase of the great temper
ance reformation.
In Temperance Rallying Songs prohibition and
gospel temperance work are well provided for; also
many good temperance campaign songs are herein
found. The author's chief desire and aim has been to secure a good selec
tion of enjoyable temperance music suited to the wants of temperance
organizations and home singing.
III
TEMPERANCE
SONG
HERALD
Compiled by
For temperance lodges, meetings, etc., there is no better

book now published. Besides the new songs there are
many familiar airs (some of them the spirited war me
odies) to which appropriate words have been adapted

There are songs for meetings, lodge ceremonies, initia
tion, worship, etc., and plenty of material for specia
occasions and for the home circle.
All the songs have piano or organ
accompaniment.
J. C. Placy
.35
II2
SACRED MUSIC FOR
MEN'S VOICES
AMERICAN MALE CHOIR
J.
Compiled by
H. Tenney
Paper, .80
Boards, $1.00
A collection of sacred and secular music for

men's choruses and quartet-choirs, clubs, col
leges, and singing societies, consisting of quar
tets, gospel songs, anthems, chants, glees,
songs, and patriotic pieces, written and com
piled by J. H. Tenney. This book contains
one hundred and sixty octavo pages and one hundred and six pieces.
DOW'S SACRED
ORPHEUS
FOR MALE VOICES

Compiled
Howard
II.
sacred quartets, hymn tunes,

chants, and choruses for church service.
A collection of
by
Dow
$1.00
DOW'5 SACRED QUARTETS
FOR MALE VOICES

Cornpiled
by
A collection of anthems, hymn tunes, sen

tences, and chants, more than one hundred
pieces, some of them original, but many
arrangements from such authors as Mozart,

Mendelssohn, Barnby, Dudley Buck, etc.
As there is a growing demand for male
voice choirs, especially quartets, all who desire something appropriate
and good for church services and other religious meetings should examine
this collection.
Howard M. Dow
Boards, $1.50
of Masonic lodges or for the

church choir this new book is intended. The
original pieces are excellent, and the selec
Compiled by
tions, made from the best sources, are such as
Albert J. Holden
.8o
have seldom if ever been placed together in a
book of devotional music for men's voices.
variety
extensive,
The
is
the range of topics is wide. The voice parts are
on four staffs, with accompaniment for either piano or organ.
HOLDEN'S SACRED MUSIC

FOR MEN'S VOICES
For the
II3
use
MALE VOICE
Compiled
A collection of gospel songs for men's voic

There are more than a hundred pages of exc
lent devotional songs, many being adapted
CHOIR
by
L. O. Emerson
the purpose of evangelical work, reviv

religious conventions, and similar occasions. The most famil
and generally admired hymns and gospel songs will also be found amo
course, easy, and most
the pages of the Choir. The music
readily
pieces may
learned.
.50
of
of
be
is,
meetings,
to
of
of
hymns, chants, and anthems,

latter containing solos for the different voices; a
gether welcome addition
this somewhat limit
accompaniment
throughout.
Piano
to
class
bers, consisting
a
Two volumes, each, .60
This collection of sacred music for men's voices

two volumes, each containing thirty-one nu
of
SACRED MUSIC
FOR MEN'S WOICES
W. O. Perkins
of
more
in
quartet
or
where
to
of
.50
compositions.
of
C.
collection
of
twenty-two numbers for me

or arranged by
Paper, .35
voices,
composed
consisting
Steele,
hymn
seventeen
together with chants and responses. Among the numbers arranged from
works
other composers are selections from Abt, Barnby, Schubert, Webe
Twenty-four pages, large octavo.
STEELE'S SACRED GEMS
of
ninety hymns set

collection
music
by
Tenney
men's voices
H.
and W.
Martin. These settings are very easy a
without accompaniment, and will make w
any ch
come addition
the library
men's voices are available.
MALE CHOIR
Tenney
H.
and
W. S. Martin
J.
J.
SABBATH
II4
MASONIC BOOKS
HoLDEN's SACRED MUSIC
Masonic lodges or for the

this new book is intended.
The
FOR MEN'S VOICES
church choir
original
excellent,
pieces
are
and the selec
Compiled by
tions, made from the best sources, are such as
Albert J. Holden
.80
have seldom if ever been placed together in a
book of devotional music for men's voices.

"The variety is extensive, the range of topics is wide. The voice parts are
* on four staffs, with accompaniment for either piano or organ.
use
of
ta
3.
In this work will be found a collection of music suit

Compiled by
able for all Masonic occasions.
It is arranged for
J. W. Dadman men's voices by O. B. Brown, an important point in a
.75
book of this kind. A number of Chants and Marches
have been introduced,
an original feature and one much desired in some
departments of Masonic work.
MASONIC CHOIR.
'3.
of
of
as
of
collection
of
Masonic odes, hymns,

songs, etc., for the public and private
Geo. W. Chase, K. T.
ceremonies and festivals of the frater
Cloth, $1.00
nity, also containing the monitorial
prayers, charges, explanations, etc., used
conferring the degrees
Lodge,
Chapter, Council, and Encampment.
MASONIC HARP AND MONITOR
II5
in
Compiled by
in
Compiled by
|
-
haRP
of
collection
Masonic odes, hymns, songs, etc.,
for the public and private ceremonies
the fra
including
Chase,
ternity,
complete
Geo. W.
K.T.
Masonic Burial Ser
Cloth, .75
vice
and also
Burial Service for the Orders
Knighthood. Same
the following, except
prayers,
charges,
for the omission
monitorial
etc.
MASONIC
For the
ODE
A collection of solos, quartets, and choruses

Compiled by
adapted to the use of the fraternity.
Powell G. Fithian
There are ninety-nine hymns and seventy.
Organist
W. Grand
of the
three tunes and chants in the book. The
M. W. Grand Lodge of New Jersey
thirteen chants are all appropriate to occa.
60
sions in the work of the three degrees.
good
Among the tunes we find
There is
music for Installations.
Love), Dennis, St. Thomas, Lead
well-known Rathbun
(God
Kindly Light, America, Pleyel's Hymn, Naomi, Old Hundred,"
''
is
the
MASONIC
Arlington,
and others.
de
to
to
in
of
of
MUSIC OF THE CHAPTER

Compiled by
of
of
of
For Royal Arch Masons, under the sanction

Most Excellent John W. Simons, Grand
High Priest
the Grand Chapter
the
John B. Tiarsh
116
Compiled and arranged
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Masonic service for Blue
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
SPRIG OF ACACIA
Compiled by George D. Newhall.
Lodges. Price
of
State
New York.
for men's voices.
$1.00
to
of
songs, hymns, chants, and familiar

collection
tunes, especially designed
accompany the work
Compiled by
Howard M. Dow
Accepted
Free and
Masons
all the various
Boards, $1.75
grees and orders appertaining
the Blue Lodge,
chapter, Council and Commandery, also adapted
all public and private
fraternity,
installation,
dedication, funeral obsequies
ceremonies
the
etc., arranged for men's voices.
MASONIC ORPHEUS.
.25
and high and normal schools.
Compiled by
W. S. Tilden
music
skil
at
at
or
young ladies
school
social gatherings.
There
character,
twenty
secular
and about
chorals
are about seventy selections
of
in
of
fully selected and arranged, consisting

songs, glees,
etc.,
three parts,
First and Second Soprano and
$1.00
use
The best
of
For women's voices, especially intended for seminaries
TRIOS
Alto, for the
VOICES
of
CHOICE
N'
SACRED MUSIC FOR
music for women's voices, containing

among many other selections such numbers
Compiled by
J. Walter Davis
follow
Lift Thine Eyes (Elijah), Mendels
.50
sohn
Ave Maria, Abt; Ave Maria,
Mozart; Tantum Ergo, Saint-Sans; Rest for the Weary, Gounod.
LASELL COLLECTION
Sacred
as
#.
:*
0:
#: it!
as
in
of
women.
in
J.
hymnal for
rule are too
present book
by about one
Believing that hymnals

voluminous, the compilers
the
R. Kendrick and
have reduced the number herein
F. L. Ritter
half.
The hymns contained
this
Boards, $1.00
neglecting
non-sectarian,
volume are
and while not
Cloth, $1.25
doctrinal themes, are specially full
the expres
...sion
the daily needs and experiences incident
school life. The music
arranged
three-part
harmony
voices,
"is
for women's
with
added Bass.
LAUDAMUS
in
an
to
of
of
to
of
17
to
is as
O. Perkins
Boards, $1.00
Compiled by
W.
fifty-four sacred selections for

womens voices with piano accompaniment, which
style and char
may be used ad lib. The variety
acter
the selections are such
be adapted
all
required.
occasions where sacred music
collection
of
SACRED MUSIC FOR

WOMEN'S VOICES
and hymns.
MUSIC FOR THE
PROTESTANT CHOIRL
ANTHEM BOOKS
The special attention of organists and choir leaders is called to the Choir Lead
er's List of Music for the Protestant church, which will also be sent upon request.
A collection of easy anthems,
AMERICAN ANTHEM BOOK

and A.
J.
can
J.
H. Tenney,
Abbey
the
A. N. Johnson,
that
be sung by choirs who can master ordi.

nary church music. The music through.
out is good, and well adapted to
words.
There are over one hundred
numbers.
$1.25
and Edited by
to
in
of
or
of
of
The elementary department
is
in
of
of
I.
B.
Compiled
of
large variety
tunes, chants, anthems, quartets,
etc., from the best foreign and American com.
Woodbury
posers, together with an elementary course and
$1.38
original anthems. There are about
collection
three hundred and fifty pages
selections from the best sources, old and
new, and
sufficient variety. All the old favorites will here be found, and
anthems, motets, sentences, etc.,
there are plenty
set pieces,
melo
pleasing.
Many
dious and
the tunes have (in addition
the notes on the
harmony
theory.
bass staff) figured basses for the use
the student
ANTHEM DULCIMER
progressive and thorough.
2,
3
Vols.
Each,
Boards,
$1.00
II,
or
of
by
Compiled
W. F. Sudds
comparatively easy anthems, com.

posed, selected, and arranged for chorus
quartet
fifty
anthems,
choirs.
Volume
contains
Vol.
fifty, and Vol. III, forty. Accompaniment for either
pipe
reed organ.
Three volumes
or
ANTHEM GEMS
1,
The volumes included under this head are, with few exceptions, devoted entirely to
anthems for the Protestant church. The exceptions contain, besides the anthems, a
few chants, responses, and canticles for the Episcopal service.
Books of Chants will be found described on p. 128.
Books of Responses on p. 129.
Books of Canticles and Complete Services on p. 131.
A catalog of sacred music in octavo form for all voices (men's, womens, and mixed
will be sent upon request.
II8
BAUMBACH'S
A collection of pieces for the opening and close
Accompaniments for organ or piano.

of service.
Though the pieces are called quartets, yet many
of them are suitable for and are used by large
chorus choirs. Every piece is pleasing, and of a
dignified and elevated character, without being too
SACRED QUARTETS
Compiled by
| Adolph
Baumbach
Boards, $1.75
of
of
Dudley Buck
to
of of
or
Boards, $2.00
Cloth, $2.25
Containing
variety
pieces suited
the opening and close
divine worship,
consisting
thirty-three selections and
original compositions for quartet
chorus choirs, composed, arranged, and
of
of
is
of
selected by Dudley Buck. Besides Mr. Buck's own pieces there are adapta
tions from Beethoven, Haydn, Mendelssohn, Mozart, Cherubini, Hauptman,
and others. Each piece has an accompaniment for the organ. The music
shade more difficult than that
Baumbach's collections and Church
Home,
beyond
and
but not
the abilities
most well-conducted choirs.
BUCK'S SECOND
MOTET COLLECTION
Composed, selected and adapted by Dudley Buck.
Dudley Buck
Boards, $2.00
is
larger book than

the first (see above), containing about fifty superb
selections, occupying one hundred and eighty
seven large pages. The same admirable treat
The second Collection
of
to
II9
in
as
ment and good taste are here evinced

the
book,
neglect
superb
first
and no choir should
examine these
collections
closing divine worship.
pieces for opening
piece
Each
has an organ
accompaniment.
or
...
BUCK'S MOTET COLLECTION
*
3
...
difficult. The following named pieces indicate its character: As Pants

the Hart, arranged from Spohr; But the Lord is Mindful of His Own"
(St. Paul), Mendelssohn ; Lift Your Glad voices, Mozart; Oh ! Come,
* Let Us Worship, Mozart; Oh! Rest in the Lord (Elijah), Mendelssohn;
Praise the Lord, Our God, Spohr; Protect Us Through the Coming
Night, Curschmann; Sing Unto the Lord, Christmas anthem, Novello;
The Heavens Proclaim Him, Beethoven; What Holy Calm, Duet
large number
and Quartet, Beethoven, and
others
similar character.
of sacred music, consisting of

Compiled by
thems, motets, excerpts from oratorios, mass
George Leach
canticles, chants, etc., adapted from the works
Boards, $1.75
Handel, Haydn, Mozart, Deethoven, Weber, M
delssohn, Spohr, Cherubini, Gibbons, Boyce, Crotch, Clark, King, Wint
Himmel, Novello, etc., also a variety of short pieces for introduction a
close of service.
CHURCH
A collection
AND HOME
Probably every church organist and ch

director has experienced the great inco
OF SACRED TRIOS
venience resulting from the absence or
ability of some one of his quartet, and e
W. F. Sudds
Boards, $1.00
when timely notice of such absence or
ability has been given, the difficulty if
impossibility
finding
desirable substitute. To meet this and vario
other contingencies frequently arising this collection has been prepar
thirty-seven trios, providing for every combinatio
The contents consist
S., T., B., and several for wome
voices, S., A., B.; S., A., T.; A., T.,
singing
voices, and are adapted
chorus
well
solo voices. The mu
selected from the works of the masters.
of
of
as
to
as
B.
of
is
ANKS'
SABBATH OFFERING
H. P. Danks
of
as
of
collection
sixteen easy anthems for mix
piano accompaniment.
Six
voices, with organ
pages,
six
octavo size.
or
Paper, .50
of
SACRED QUARTETS
thirty-three sacred quartets, selec

collection
Danks, Thay
from the works
such writers
Emerson, Whitney, Keller, Macy, Dressler;
hundred and twenty-eight pages, sheet-music s
CROWN FOLIO OF
Paper, .35
$1.00
I2O
is
of
collection
anthems especially adapted
spirit
the use
choirs desiring music that
being
and effective without
too difficu
pieces that are singable, and which do
overtax the ordinary choir.
of
DEVOTIONAL ANTHEMS
Charles H. Gabriel
CHURCH CHOIR TREASURY
EMERSON'S
ANTHEMS OF PRAISE
new book by
nearly
this veteran author, containing
one hundred anthems, jubilates, sen

etc.,
Compiled by
:
suitable for large chorus choirs,
L. O. Emerson
quartets, or classes studying church music.
t
The
$1.00
pieces are spirited and of medium difficulty.
Besides the larger anthems and jubilates, there are sentences, hymns,
prayers, selections for special occasions, such as
Easter and Christmas, .
etc. Some of the pieces have solos, duets, and trios, and the entire
book
*
will not only interest
most choirs and chorus classes, but will prove a valu

able source of instructive practice.
&
&
L.
t".
O. Emerson
of
$1.00
:
rt: #
Compiled by
EMERSON'S
BOOK OF ANTHEMS
variety
vices,
is
view of affording
excellent material to the average
chorus or quartet choir.
The subjects are varied;
all are dignified as to words and music, and the
harmonization
the four voice parts
effective.
Octavo size, two hundred and eight pages.
TRIBUTE
music for opening and closing ser
anthems by some
of
* ANTHEM
This collection of anthems was compiled with the
EMERSON'S
of
the best composers.

-
in
of
O.
L.
The pieces - are arranged - such

manner that
appear
no
difficulties
ordinary
which
the
choir
Emerson
may not readily overcome. The book contains
$1.25
forty
pages
wo hundred and
selections and original pieces.
Compiled by
of
of
of
of
sixty-one anthems
collection
about two
thirds
which Mr. Emerson was the composer, the
balance being selected from the works
Moore,
Compiled by
Morey,
Kreissman, Barker, Thompson, Martel, Part
L. O. EmerSOn
ridge, Andrews, Merrill, Clarke, Tanner, Ballard,
$1.00
)w
Winslow, and Southard.
The words
half the
scriptural,
"umbers are
the rest being well-known hymns.
EMERSON'S
CHOICE ANTHEMS
of
tences,
I2I
EMERSON'S
-
BOOK
CHORUS
Compiled by
L. O. Emerson
$1.00
s:
and
secu
Among the
may be mentioned: Awake, the Nigh
Beaming, by Donizetti; Brightly
Morning, by Von Weber; Crowned With the Tempest, from Ernan

Evening, by Sullivan; Gloria, from Farmer's Mass; God of Israe
by Rossini; Inflammatus, by Rossini; Mighty Jehovah, by Bellin
O Father, by Whose Almighty Power! by Handel; Oh for the Win
Dove, by Mendelssohn.
O.
L.
Emerson
as
of
of
as
arrangements, and are classified

anthems, five responses, three chants, two for funerals.
.80
follows: thirty-nin
work including thirteen compositions by Em

A. Havens, and others by Elve
SACRED QUARTETS
Ryder,
Petri,
Ewing,
Mrs. Scott, and William
Compiled by
Clarke,
with
number arranged from the maste
L. O. Emerson
Boards, $1.75
Ma
There are altogether forty-seven numbers.
Cloth, $2.00
Scripture,
them have words from the
and th
hymns
Every
many
piece
accompan
are also
beautiful
set
music.
has
piano.
ment for the organ
EMERSON'S
to
of
C.
son, four by
or
as
$1.00
ANTHEMS
Compiled
by
W. F. Sudds
Boards, $1.00
funerals, dedications, etc.
GRADED
of
of
by
W. T. Giffe
of
Compiled
collection
anthems arranged and adapt
from the works
the best composers, for op
ing and closing religious services;
also
special occasions, such
Christmas, East
Each selection has an organ accompaniment.
GIFFE'S CHOIR GEMS
collection
thirty-eight
comparatively
anthems, the early ones being very easy, but al

Original, selected,
good musical quality.
arranged for mixed voices, with numerous so
and accompaniment for organ or piano.

22
by
of
EASY ANTHEMS
Compiled
fifty numbers for the choir which,

collection
title implies, are comparatively simple and well with
the ability
all church singers. The contents
original compositions, selections,
book consists
EMERSON'S
of
of
A collection of thirty sacred
Comprising psalm and hymn-tunes, chants,

anthems, and sentences, original and Se
Compiled by
#:
H. W. Greatorex
lected, from the best standard composers.
Boards, $1.38
Adapted to the use of the Protestant
. Episcopal Church in America, and for other denominations, as well as for
societies and schools. The chants, as well as the hymn-tunes, are of a high
order. One of the attractive features is an appendix containing interludes
COLLECTION
:
.
than fifty excellent

choir pieces, some original, many arranged
famous composers.
Mr.
ving Emerson
prominent figure
his special line church
choir leadership
public school sing
and superintendence
.75
in
of
...
Irving Emerson
'.
ingtherefore this work has been care
fully prepared. The
LAUS DEO
''
Compiled by
or
at
* s:
is
of
to
in or
average choir, the average singing-school (desiring

general sacred selections),
occasional
the singing home-circle will not
fail
find
this collection
book
once useful and satisfactory. The
good quality, without being too difficult.
music
is
of
#!.
of
or
of
quartets and choruses for church ser

collection
America, England,
vice. The standard composers
Henshaw
and Germany are here represented.
The book
for
Arthur$1.00
quartet choirs, and contains nearly
either chorus
including sacred choruses, an
fifty
selections,
pages
two hundred and
thems, Te Deums, quartets, Christmas and Easter music, funeral music, and
some pieces arranged expressly for men's voices.
of
book
W.
to
of
to
r:
FOR
two hundred and fifty-six

containing one hundred and
Pages,
QUARTET AND CHORUS-CHOIRS
twelve solos, duets, trios, quartets,
R. N1. TIcIntosh
choruses; interesting, well arranged,
$1.00
and especially adapted
choir use.
subjects
varied,
practice
many
The
are
and
and afford abundant
for the
shoir, and aid
impressiveness
enhance the
the church service.
McINTOSH'S ANTHEMS
McIntosh.
Same
as
H.
R.
welNTosh's ANTHEMs
&
Compiled by
2:
of
FOR CHURCH SERVICE AND

SOCIAL SINGING
more
is
Consisting
COLLECTION
HARTFORD
organ.
for the
of
is GREATOREX
above.
I23
Character
notes.............
$1.00
Comprising the most popular psalm and

tunes in general use, together with a
variety of new tunes, chants, sentences, m
principally by distingu
anthems,
and
European composers.
NEW CARMINA SACRA

by
Compiled
Lowell Mason
$1.38
ORATORIO CHORUSES
.
.
.
.
.
.
.
.
found
.
.
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in
will
the complete works
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in
St. Paul
Samson and Delilah.
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.5o
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.75
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.50
.50
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of
.5o
.5o
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.
Descriptions
places.
their
appro
Oliver Ditson Company's octavo editions of cho

part-songs, etc., which are used
all singing societies, and which ra
price from five
twenty cents, will be sent upon request.
catalog
to
by
of
Perkins
by
Perkins
$1.00
PERKINS
octavo size.
EASY ANTHEMS
by
Compiled
W. O. Perkins
$1.00
book
one hundred and ninety-two
containing eighty-four anthems, whic
not difficult, and which are suited to t
of
O.
of of
ANTHEMS
Compiled
W.
forty-six anthems
collection
moderate
culty, largely the compositions
the com
including
few arrangements and collection
other writers; two hundred and sixteen
of
PERKINS'
CHURCH
of
is
$1.38
O.
in
by
Compiled
W.
collection
music for opening and
religious services and other public occa
The anthems are easy and pleasing, an
one for every Sunday
the year.
ANTHEM BOOK
PERKINS
church choirs. The pieces are so arr

organist
difficulty
accompanying.
that the
will have no
in
of
.
.
.
.
.
.
.
.
.
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.
.
.
Israel in Egypt.
Joshua
Judas Maccabeus.
Messe Solennelle (Rossini).
Messiah.
.
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.
.
.
Elijah.
Egypt.
Moses
Naaman.
Passion Music.
Prodigal Son.
Samson
.
.
.
.
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.
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.
.
.
.
1.00
Eli
be
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.
.
$.5o
.
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.
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.
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.
.
Creation
.
.
.
.
.
As a matter of economy, these books are extensively used in m

societies and chorus choirs. They contain all of the oratorios exce
solo parts. There are published the choruses of:
I24
PERKINS
NEW
ANTHEMS
Compiled
W.
1.
O.
by
Perkins
Boards, $1.00
.s
anthems for mixed voices, with accompani

ment for piano or organ; original, selected,
and arranged.
Consisting of solos, duets, quartets, responses,

glorias, carols, hymn arrangements,
etc., for
general choir use in the church service; thirty
PHIPPEN'S
CHOICE SELECTIONS
Compiled
A collection of fifty-four comparatively easy
by
two pages, octavo size.
R. H. Phippen
A collection of thirty-six
motets
and anthems
for quar
".
original,
choirs,
arranged,
selected,
tet or chorus
and
W. F. Sudd's
with piano or organ accompaniment. For fear that
Boards, $1.00
the title of this book might, in a measure, mislead as
...o the real character of the contents, we would say that it is not compiled
solely for the use of choirs consisting of four singers only; the use of the
erm quartet choir merely implies that the music, though not generally
lifficult, in most cases requires at least one singer for each voice part, of suf
then,
icient ability to properly render a solo.
connection with the
Juartet, chorus
available for the louder four-voice passages,
should by
employed.
means be
QUARTET CHOIR
REQUIEM
it
'
!.
all
is
in
If,
Compiled by
collection
of music
for funerals.
The selections
have been made with good taste and discrimination,

W. O. Perkins
and the book will, without doubt, meet
demand
.50
long
Many
which has
been manifest.
the hymns
are familiar, while the new pieces are appropriate and
well suited
the occasions for which they were written.
Chorus choir,
congregation
can use the book.
Juartet,
Boards, .80
in
to
of
of
of
Clara H. Scott
collection
anthems prepared
assist
appropriate
pure
the introduction
and
style
music for the opening and closing
divine worship.
25
Compiled by
"ROYAL ANTHEM BOOK
of
or
to
&
of
Compiled by
's
Paper, .35
SANTORAL
A collection of anthems, responses, and
chan
consisting of selections from the best writer

A. H. Palmer
America, England, and Germany.
There
Trowbridge
thirty-seven
anthems,
responses,
and J. E.
fifteen
$1.00
chants,
seven
all of the best grade, yet
too difficult for most choirs. Every piece has accompaniment for p
or organ.
Compiled by
of
in a
W. O. Perkins
$1.00
by
by
of
English and
reputation;
R. Thomas
fifty-two pieces, fiftee

the book, and the
German composer
one hundred and fifty
pages.
Boards, $1.75
answers admirably for either quar

not difficult. Every piece has accompanim
The music
anthems, quartets, respo

book
etc., for church and home. The mu
with
few exception, Mr. Trowbrid
own composition, and
the result
organist, choir-director, and compose
TROWBRIDGE COLLECTION
Eliot Trowbridge
of
chorus choirs.
for organ.
is
It
J.
Compiled
collection
the compiler
THOMAS SACRED
QUARTETS AND ANTHEMS
of
is
is
of
to
in
of
in
and Bass), and have

numerous instances very
solos,
duets,
etc.,
ful
for different voices. The pieces are such as the ave
using. They are
sufficiently high grade
choir will take pleasure
interesting and
furnish the choir with excellent material for practice
ability
well within the
the average choir. Sunday Anthems
o
the best of modern choir books. This work
in constant demand.
J.
long and varied experience

arranger
sacred music.
as
is
.75
of
The excellence
this collection
choir piece
apparent
glance. The anthems, sentences,
are written
four-voice parts (Soprano, Alto, Te
at
Compiled by
of
SUNDAY ANTHEMS
I26
Thirty-nine original and selected composition's

for quartet and chorus choirs, with organ accom
VOICE IN PRAISE
James G.
Barnett
to
paniment. Specially adapted

the varied re
$1.50
quirements
divine service. The entire con
"tents will
found
effective and useful, and within the capacity
all well-constituted choirs
the average ability. Solos, duets, and trios
"ccur frequently
the anthems, and afford ample variety for the different
of
in
of
of
be
to
be
:...
(Mus.Doc
Yale college)
Boards,
voices.
is
as
it
is
of of
as
A
is
of
'e
$1.00
of
Giffe
collection
favorite anthems for opening
and closing religious services, also selections
suitable for special occasions, such
Christ
mas, Easter, funerals, dedications, etc.
as
Compiled by
W. T.
to
or
to
TSTERN ANTHEM BOOK

: *
in
or
collection
select pieces for quartet
chorus choirs.
Compiled by
The music
an elevated and dignified character, with
3rnest Leslie out being too difficult for most well-conducted choirs, and
$1.00
interesting for study and practice
useful for
ervice
church. The selections are suitable for nearly all denominations.
This collection includes selections from Mendelssohn, Bach, Gounod,
Rubinstein, Rink, Osgood, Chandler, Leslie, Thayer, Buffinton, Gade,
,
louston, and many other eminent composers.
The numbers consist
anthems for full choir, quartets, trios, selections
soprano
voices,
octets,
mens
solos with chorus, selections for women's
oices, music for Christmas and Easter, and pieces adapted
other special
Organ
piano
accompaniment
every piece.
ccasions.
VOX LAUDIS
I27
BOOKS OF CHANTS
CHANTS OF THE EPISCOPAL
CHURCH
W. H. W. Darley and J. C. B. Standbridge. Octavo No. 7,267.

A collection of forty chants, octavo size . . . . . . . . . . . . . . . . . . . . . .
Octavo No. 7,316. A collection of thirty canticles and chants for

choir and congregation. Paper. Each . . . . . . . . . . . . . . . . . . . . . .
Per dozen . . . . . . . . . . . . . . . . .
Dr. Lowell T1ason
in
$1.00
Consisting mostly of selections from

approp
sacred scriptures, adapted
music and arranged for chanting. Des
public and
for congregational use
worship.
to
MASON'S BOOK OF CHANTS
ORIGINAL CHANTS
of
A.
forty
Warden.
Octavo No. 7,268.
collection
Paper. ...
three chants for the Protestant Episcopal Church.
S. Parkman Tuckerman, Mus. Doc.
the Holy Communion and the

easy mo
the Dead, with
of
Cloth, $2.50
Adapted
the canticles and
sional services of the
Prote
Episcopal Church; also servic
an
TUCKERMAN'S
CATHEDRAL CHANTS
to
David
of
of
Arranged with
consisting
service
Te Deum and Benedictus.
Including the Gregorian tones. Book
accompaniment.
words fo
above, sixteen cents.
in
F,
LIBER LAUDIS
128
BOOKS OF RESPONSES
For other sets of Responses
ANDERSON'S RESPONSES
E. N. Anderson
Octavo number,
Paper, .20
Oliver Ditson Companys
Octavo Catalog.
A collection of fifty responses for use after the

reading of the scriptures.
7,867
DOW'S COLLECTION OF
RESPONSES AND SENTENCES
Compiled by
Howard M. Dow
Boards, .80
see
A collection of pieces for
in church
services, consisting of selections from Bee
thoven, Mendelssohn, Schubert, Barnby,
Hatton, Kreutzer, Abt, Pearsall, Costa, and
use
many other celebrated

composers.
The
responses and sentences are of an elevated
character, yet not difficult.
=MERSON'S NEW RESPONSES

Compiled by
L. O. Emerson
A collection of responses, original and

selected, for either quartet or chorus choirs.
It contains about sixty responses for
mixed choirs Soprano, Alto, Tenor,

Bass; four compositions in the same style, for women's voices; three for
mens voices, and nine chants for the choir; eighty-eight pages, octavo
size.
.60
PHIPPENS TWENTY RESPONSES

R. H. Phippen. Price. . . . . . .
.. . . . . . . .
*OTTER'S COLLECTION OF RESPONSES,
. . .
.. . . . .
..
. . . . . . - - - - - - - -
fine collection
.2O
in book form
of many compositions by some

of the best organists and choir.
of the Gloria, Kyrie, and Sanctus
country. The
Compiled by
directors in the
music is arranged for the ordi
William A. Potter
nary choir of mixed voices, and
.75
intended chiefly for unaccom
anied singing; yet variety has been given by the insertion of several
umbers for women's voices alone, and for men's voices; while other
wieces have the usual organ accompaniment. There are sixty responses,
entences, etc., and a variety of chants, besides the Gloria, Sanctus,
nd Kyrie. The book contains seventy-six pages, octavo size.
with
Sentences,
Chants, etc., and Settings
129
TROWBRIDGE'S
THIRTY VOCAL RESPONSES
J.
E. Trowbridge
Compiled
.20
by
For
use in church services after pra

May be sung with or without organ.
SERVICES
AND CANTICLES
ADVENT SERVICE
P. A. Schnecker.
Octavo No. 8,878.
. . . . . . . . . . . . . . . .. . . .. . . . . . .
.50
A collection of sixteen canticles, consisting of Glorias,
BEST OF ALL
Te Deums,
Compiled by
H. P. Danks
Magnificats,
etc.
Sixty-four
pages,
octavo
size.
.35
CHURCH SERVICE
Alois Lejeal. . . .
COMMUNION
Concone,
Eyre, A.
. . . . . . . . . . . . . .
SERVICES
J.
J.
In F : .
In E2 .
..
. . . . . . . . . . .. .
..
. .
.. ..
. . . . . . . . . . . . . . . . . . . . . . ..
..
..
.8o
. . . . . . . . . .
.50
. .
..
..
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Farmer, John.
In BP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Moir, Frank L.
In G. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Schwarz, Moritz E. In F. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Whitney, S. B.
No. 1 . . . . . . . . . . . . . . . . - - - - - - - - - - - - - - - - - - - - do.
Woodward, H. H.
dO.
do.
No.
. . . . . . . . . . . .
. .
. . . . . . . . . . . . . . . . . . .
.. ..
In A (Unison). . . . . . . . . . . . . . . . . . . . . . . . . . . .
In EP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
In D. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MORNING AND EVENING SERVICES

Bridgewater, Thomas. In A. . . . . . . . . . . . . . . . . . . . . . . . .
Field, J. T.
In D. . . . . . . . . . . . . . . . . . . . . . . .
Garrett, G. M.
In F. . . . . . . . . . . . . . . . . . . . . . . . .
Tours, Berthold.
In F. . . . . . . . . . . . . . . . . . . . . . . . .
I31
I5
.50
.5O
.50
.35
.50
.
I6
..I6
.
I5
. . . . . . . . . .
.2O
.30
.25
. . . . . . . . . .
.3O
. . . . . . . . .
. . .
... . .
HEBRLEW SERVICES
EVENING SERVICE OF
THE SYNAGOG
A.
J.
Davis
Octavo No.
.40
A collection of thirteen numbers, each of

can be obtained separately. Octavo size.
lish and Hebrew words.
10,149
SABBATH SERVICE OF
THE REFORMED HEBREW RITUAL
W. G. Owst
.40
A collection of thirteen
num
two of which can be obtained

English
arately. Octavo size.
Hebrew words.
132
MUSIC FOR
CATHOLIC SERVICECS
A11 Catholic singing societies, singing classes, schools, choirs, and other Catholic
musical organizations will be interested in Oliver Ditson Companys catalog of Octavo
editions, which will be sent upon request, comprising Ave Marias, Ave Reginas, Mag
nificats, Tantum Ergos, Vespers, complete Masses, a11 the different parts of Masses,
as well as other church services, and selections from the great master-works, such as
oratorios, etc. These Octavo publications range in price from five to thirty cents each,
and are universally popular.
MASSES
Unison
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 133.
... .. ... ..... ..... .. . .. .. . ..... .. . .. ... .
134.
Two Voices.
Three Voices. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . a4. 137.

Four Voices. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ........
140.
Requiem "lasses (Unison, Two, Three and Four
151.
Voices) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
(Vespers, page 154; Litanies, page 157; Catholic Music Books, page 158
UNISON
-
LA HACHE, T. WON
Unison Mass in F. (Men's, Women's, or Mixed voices.) (Latin
only.) . . . . . . . . . - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Unison Mass in G. (Latin only.) . . . . . . . . . . - - - - - - - - - * * * * * * * * * *
_EONARD,
WILLIAM
Mass in F.
.60
A.
(Latin only.).
PETERS, W. C.
Missa de Angelis in C.
SPOTH, E.
Choral Mass.
$1.00
... . .. .
. . .
....
(Latin only.) .
(Latin only.) . . . . . .
I33
... .. . . ...
.... . .....
. ...
. .
. . . . . . . . .
.. ....
. . . . . . . . . . . . . . . . . . . . . . . .
. .
.. . .
.....
.50
.65
.65
TWO VOICES
BATTMAN, J. L.
Mass in C. For Soprano and Alto. (Latin and English.) . . . . . .
Mass in F. For Soprano and Alto. (Latin and English.)......
Convent Mass in G. For two women's voices. (Latin and
English.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
BORDESE, LUIGI
Second Tlass in F. For two or four voices. Arranged by A. H.
RSewig. (Latin only.)
Octavo No. 8,061 . . . . . . . . . . . . . . . . .
Mass in G minor. Two womens or men's voices, with additional
Bass ad lib. (Latin only.). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CONCONE, JOSEPH
Plass in F. New edition, the organ part revised and registrated

by J. P. Weston. For two women's voices, with Tenor and
Bass ad lib. Adapted by J. Bisse M. (Latin only.) . . . . . . . . . . .
do. (Latin and English.). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
do. Arranged by A. Werner. (Latin only.) Octavo No. 1,748
CREMER, CARL
Including an offertory,
Veni Creator, Spiritus, O Salutaris, and Tantum Ergo. (Latin
Sancta Flaria.
only.)
DAVIS, A.
Tlass.
For two children's voices.
Octavo.
No. 8,308.
. . . . . . . . . . . . . .
. . . . . . . . . .
..
. ...
J.
For two voices.
(Latin only.)
Octavo No. 8,727.
. . . . .. ..
DE MONTI, H.
Mass in C.
added.
For two voices, with motet for Sopranos and Bass

Arranged by W. C. Peters. (Latin only.) . . . . . . . . . .
I34
DRESSLER WILLIAM
Messe Solennelle in Ep.
For two women's voices.
REV. WILLIAM J.
Mass in A. For Soprano and Alto.
(Latin only),
.50
SALVIN,
8,385.
. . . . . . . . . . . . . . . . . . . . . . . . . . . .
iOUNOD, CHARLES
Mass in C. For two women's voices.
7,871
UTGEN,
(Latin only.)
.
Octavo No.
. . . . . . . . . . . . . . . . . . . . . . . . . .
(Latin only.)
.24
Octavo No.
* * * * * * * ** * * ** ** ** * * * * * * ** * * * * * * ** * * * ** * * ** * * * * ** * * * * * * *
.24
B,
Mass.
For two voices.
ETERS, W. C.
Mass in G. For Soprano
(Latin only.)
(Latin only.)
Octavo No. 8,062.
. . . . .
...
I6
and Bass voices, with additional chants.
. . . . . . . . . . . . . . . . . . . . . - - - - - - - - - - - - - - - - - - - - - - - - - -
.50
6SEWIG, A. H.
*
Mass in F, No. 2 (Op. 327). For two or four voices. (Latin
only.) Octavo No. 7,942 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.50
EG, CONSTANT
Mass in F. For Soprano
and
ranged by A. H. RSewig.
Alto, with Bass part ad lib. Ar

(Latin only.) Octavo No. 6,946. . .
.24
ATERMAN,
*
ELOISE
Mass in G. For two or four voices.
I35
(Latin and English.).
. . . .
..
.5O
WEBBE, SAMUEL
Arranged by A. H. RoSewig.
Mass in A. For Soprano and Alto.

(Latin only.)
WERNER, A.
Mass in C.
3,646
Octavo No. 2,941 . .
For two or four voices.
- - - - - - - - - - - -
- - - - - -
- --
- - - - -
136
. . . . . . . . .. . . . .
(Latin only.)
--- - ----
- -
. . . . .
. . . .
. .
.16
Octavo No.
--- - - ------ -- - - -- --
.40
THRLEE VOICES
BORDESE,
LUIGI
For two womens or men's voices, with addi

tional Bass ad lib. (Latin only.) . . . . . . . . . . . . . . . . . . . . . . . . . .
in G minor.
Tlass
I.O.O.
BUHLER. F.
For two Sopranos and Tenor.
Tlass No. 2 in Ep.
CARR,
(Latin only.)
B.
Easy Tlass
only.)
in C minor.
For Soprano, Tencr,
- - - - - - - - - - - - - -
- - - -
- - - - -
- -
Bass.
(Latin
- - - - - - - - - - - * * * ** * ** **
CONCONE, J.
Tiesse Solennelle in E,. For two Sopranos, or two Tenors and
Bass. (Latin only.). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CROSS,
M. H.
Tlass in Ep.
For Soprano, Tenor, Bass.

Octavo No. 1,088.
. . . . . . . .. . . . . . . . . . . . . . . . . . . . .
.4O
H.
.8o
L.
Tlass in EP. For Soprano, Mezzo-Soprano, and Alto. (Latin

only.) Octavo No. 1,04I. . . . . . . . . . . . . . . . . . . . . . . . . . . * * * * * * * * *
UCHS,
I.OO
Of medium difficulty.
Tlass in C. For two voices, with Bass ad lib. Arranged by

W. C. Peters. (Latin only.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
FELTZ,
-35
(Latin only)
DE MONTI,
1.00
.24
R.
T1ass in C.
For two Sopranos and

I37
Bass.
(Latin only.)
. . . . . . . . ..
I.O.O.
MERCADANTE, S.
Mass in B2. For two Sopranos and Bass. (Latin and English.).
MINE, A.
Messe Solennelle in E2. For Soprano, Tenor, and Bass, wit
Alto ad lib. (Latin only.) . . . . . . . . . . . . . . .
PETERS, W. C.
T1ass of the Holy Ghost.
For Soprano, Alto, and Bass.
only.) Octavo No. 2,494. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
(Latin
. . . . . . .
SCHMID, FR. X.
1, in C.
For Soprano, Tenor, Bass. (Latin only.
Arranged by W. C. Peters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tlass No. 2, in A. For Soprano, Alto (or Tenor), Bass. (Latin
only.) Arranged by A. Derleth. . . . . . . . . . . . . . . . . . . . . . . . . . . .
Flass No.
Plass No. 3, in C. For Soprano, Alto (or Tenor), Bass. (Latin

only.) Arranged by A. Derleth . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tlass No. 4, in D. For Soprano, Alto (or Tenor), Bass. (Latin
only.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tlass No. 5, in EP. For Soprano, Alto (or Tenor), Bass. (Latin
Tlass No. 6, in F.
only.) . . . . . . . . . .
For Soprano, Alto (or Tenor), Bass.

. . .
(Latin
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
For Soprano, Alto (or Tenor), Bass. (Latin

Tlass in E2. For Soprano, Alto (or Tenor), Bass. (Latin only.
Tlass No. 7,
in G.
Arranged by E. Spoth.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
SELLE, LOUIS
Tlass.
(Latin only.)
. . . . . . .
...
. . . . .
SlEG, CONSTANT
Tlass in F. For Soprano, Alto, with Bass ad lib. (Latin only.

Arranged by A. H. RSewig. Octavo No. 6,946. . . . . . . . . . . .
138
OUTHARD,
L. H.
Tlass in F.
6,884
For Soprano, Alto, Bass.
Short Tlass in D.
(Latin only.)
TARK,
Octavo No.
.50
For Soprano, Alto, Bass, with Tenor ad lib.
Octavo No. 6,885.
. . .. .
. . . .
. .. . .
. . .
. .
. .
.50
W.
Easy Tlass in C.
TOECLIN,
For Soprano, Alto, Bass.
(Latin only.) .
. . . . . .
M.
Soprano, Alto, Bass, with Tenor ad lib. (Latin

Octavo No. 3,640. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
in Bo.
T1ass
(Latin only.)
. . . . . . . . . .. . . . . .. . . . . . . . . . . . . . . .. . . . . . . .. . . . .
. . . . . . . . . .
only.)
.4O
JAYAFFE
Mass in C.
IMMER,
M.
Two Sopranos and
Bass.
(Latin only.) .
. . . . . . . . . . . .
I.OO
T.
Mass in D.
I39
(Latin only.)
. . . . . . . . . .
I.25
FOUR VOICES
ARMSTRONG, WILLIAM D.
Choral Tlass in G. For Soprano, Alto, Tenor, and Bass.
only.) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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- .
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A. or
four voices (Soprano, Alto,

H. RSewig. (Latin only.)
.
.
.
.
.
.
.
.
.
.
.
.
Eng
(Latin and
Bass.
Second Tlass
For two
Tenor, Bass). Arranged by
Octavo No. 8,061
in
.
.
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F.
.
.
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.
.
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.
.
Paper.
Cloth
For Soprano, Alto, Tenor,
F.
in
BORDESE, LUIGl
Plass
lish).
.
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Eng
(Latin and
Bass.
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.
Paper.
Cloth.
.
.
VAN
.
.
.
Tlass
lish.)
C.
in
BEETHOVEN,
(Latin
.
.
.
.
.
.
.
.
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.
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.
.
BARTSCHMID, ALOIS
Mass in
minor.
For Soprano, Alto, Tenor, and Bass.
only.) Octavo No. 8,696.
For Soprano, Alto, Tenor, Bass. (Latin only.),

For Soprano, Alto, Tenor, Bass.
(Latin only.)
I40
.
.
.
Octavo No. I,O43
E2.
in
C.
Tlass
1,
F.
BHLER,
Tlass No.
in
|
-
(Latin only.)
in
minor. For Soprano, Alto, Tenor, Bass.

Octavo No. 7,292.
Mass
------
GERARD
.
BARTON,
(Latin
-
CARR,
B.
Easy Chant Tlass in D.
Arranged for four voices (Soprano, Alto,

Tenor, Bass) by W. A. Newland. (Latin only.). . . . . . . . . . . . . . .
CHERUBINI,
LUIGI
Tiessa Solenne in E.
only).
. . . . . . . . . . . . . . . . . . . . .
COLMAN, H. S.
First Tlass in F.
.2C
....
. . .
(Latin
. . . . . . . . . . . . . . . . . . . . . . . . .
(Latin only.),
I.25
CONCONE, JOSEPH
Mass in EP.
For Soprano, Alto, Tenor, Bass. Arranged by
W. O. Fiske. (Latin only.) Octavo No. 1,119. . . . . . . . . . . . . .
Tlass in F. New edition, the organ part revised and registrated
by J. P. Weston. For two women's voices, with Tenor and
Bass ad lib. Adapted by J. Bissell. (Latin only.). . . . . . . . . .
do.
Two womens voices, with Tenor and Bass ad lib.

Arranged by A. Werner. (1atin only.) Octavo No. 1,784
For
do.
two womens voices,
Adapted by
J.
Bissell.
Bass.
DE
(Latin only.)
Octavo
.25
. . . . . . . . . . . .
.50
For Soprano, Alto, Tenor, and
Mass in Honor of St. Nicholas.

i.
.5O
with Tenor and Bass ad lib.
CREMER, CARL
.3O
No. 8,543.
. . . . . . . . . . . . . . . . . . . . . . .
MONTI, H.
Mass in B5. For Soprano, Alto, Tenor,
English.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Bass.
(Latin
.4O
and
. . . .
.50
in Eb. For Soprano, Alto, Tenor, Bass. (Latin only),

T1ass No. 2, in F. For Soprano, Alto, Tenor, Bass. (Latin only),
I.OO
. . . . . . . . .
..
..
. .
DERLETH, A.
&
Mass No.
1,
I4I
I.O.O
DRESSLER,
WILLIAM
Short Choral Mass in E2. From the German. For Soprano,

Alto, Tenor, Bass. (Latin only.) Octavo No. 2,977. . . . . . . . -
.1
DROBISCH,
C. L.
Mass No. 1, in C. For Soprano, Alto, Tenor, Bass.
only.) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Solemn Mass No. 2, in F.
(Latin only.) - - -
DUMONT,
- - - - -
, .
I.O

---- -- -- -- --
- - - -
---- ---- -- -- ---- -

Octavo No. I, I 17. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
-----
I.0
(Latin
Mass in Ep.
only.)
EMERSON,
. . . . . . .
.1
L. O.
Mass in Bb.
Bass.
(Latin only.) .
Mass in E2. For Soprano, Alto, Tenor, Bass. (Latin and

lish.). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
FARMER,
HENRI
Third
(Latin
- - - - -
. .
---.
. . .
Eng
J.
Mass in B,. For Soprano, Alto, Tenor, Bass. (Latin and Eng
lish.) Paper. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Cloth
do.
. . . . . . . . . . . . . . . . .
(Latin only.)
Paper.
Cloth.
. . ....
. . . . . . . . . . . . .
. . . . . . . . . . . . . ..
. . . . . . . . . . . . . .
. . ..
. . .
I.O
. .. . . . . . . .
. . . . .
I.0
. . . . . . . . . . . . . .
FISKE, W. O.
Mass in E2.
lish.)
(Latin and
Mass in F.
Octavo No.
I, I2O.
. . . . . . . . . . . . . . . . . . . . . . . . . . . .
FRANCKE, F.
Eng
* ** * * ** * * * * ** ** * ** * * *** ** * * * *** * * * * * * ** ** * * * * ** ** * * - - -
. . . . . . . .
. .
(Latin only.)
. . . .
. .
. . . . . . .
...
Mass in Honor of St. Charles Borromeo. For Soprano, Alto,

Tenor, Bass. (Latin only.) Compiled and arranged from the
works of the great masters.
. . . . . . . . . . . . . . . . . . . .. . . . . . . . . .
I42
. . . .
I.0
GANSS,
H. G.
For Soprano, Alto, Tenor, Bass. With or

without chorus choir. (Latin and English.) . . . . . . . . . . . . . . . . .
Second Mass in D. For Soprano, Alto, Tenor, Bass. (Latin and
English.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
First Mass in D.
GENERALI, PIETRO
Tlass in G. For Soprano, Alto, Tenor, and
do.
(Latin only.).
Bass.
Separate Soprano, Alto, Tenor, and Bass parts.
Each
I.OO
I.25
. .
.50
GOUNOD, CHARLES
Tlesse Solennelle. (St. Cecilia.) For Soprano, Alto, Tenor,
Bass. (Latin and English.) Accompaniment by Barnby.
Paper
Cloth
- - ---- -- -- -- -- -- -
---- ---- ---- ---- ---- ---- ---- ----
---
.50
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tlass of St. John.
only.)
. . . .
...
. .
... .
. . . . . . . . . . . . . .
. .
. . . . . . . . . . . . .
.. .
(Latin
.
. . . . . . .
I.OO
GUILMANT, ALEXANDRE
Third Messe Solennelle.

(Latin
English.)
and
HAYDN, JOSEPH
First Flass in B9.
Boards
do.
. . . .. .. . . .. ...
.. .
. . .
.. .. . .
. . . . . .
Paper
Cloth
Tenor, and Bass.
For two Sopranos,
* * * ** * * * * ** * * * * ** ** * * * * ** * * ** *
. . . .
** ** * ***
(Latin only.)
. . . . . . . . . . .
(Latin and English.)
.. ... . ..
. .
. . .. .. .
. .
. .
. .
. .
..
. . . . .
. .
. . . . .
...
Boards. . . . . . . . . . . . . . . . . . . . . . .
(Latin only.)
Third Tlass in D. For Soprano, Alto, Tenor, Bass. (Latin and
English.) Paper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
do.
do.
.6 5
- - - - - - - - - - - - - - - - - - - - - - - * * ** ** ** ** * * * * * ** * - - - - - - -
Second Mass in C. For Soprano, Alto (or Mezzo-Soprano), Tenor,

Bass. (Latin and English.) Price. . . . . . . . . . . . . . . . . . . . . . . . . .
Cloth . . . . . . . . . . . . . . . . . . . . . . . . .
I.OO
Cloth . . . . . . . . . . . . . . . .
(Latin only.) Boards. . . . . .
*
I43
.4O
.65
.4O
. . . . . . . . . . .. . . . . . . . . . . . . . . ..
. . ..
. . . . . . . . . . . . . .
. ..... . .
.6 J.
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1.2:
Sixth Mass in Bo. For Soprano, Alto, Tenor, Bass. (Latin and
English.) Paper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Cloth
.
.
I.2:
.
.
Fourth Mass in B2. For Soprano, Alto, Tenor, Bass. (Latin and
English.)
Paper. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Cloth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.8.
.65
.5.
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(Latin
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.50
I,0.
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W.
S.
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in
A.
(Latin only.)
Bass.
Separate Soprano, Alto, Tenor, and Bass parts.
.
.
.
D.
L.
.
.
Each
*
*
*
*
*
*
*
*
*
*
*
G.
(Latin
**
D.
only.)
Mass Pastorale
in
I44
.
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(Latin
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.
only.).
.
.
Missa Dixit Maria.
.
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.
Mass
do.
in
K.
KEMPTER,
.
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.
J.
.
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.
.
1.2:
.
.
I.2:
For solo Soprano, Alto, Tenor, Bass, and chorus.

(Latin and English.) Paper
Cloth.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.5.

I.3.
Mass
KUMIN,
.
.
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-
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Paper
KALLIWODA,
KNITZE,
.
.
.
.
.
.
.
.
.
.
.
.
in
Cloth.
J.
do.
..&
(Latin and
Sixteenth Tlass
B.
Boards.
only.)
Bo.
in
Eighth Tlass
English.)
.
.
Cloth
.
.
.
in
G. For Soprano, Alto (or Mezzo-Soprano),

(Latin only.) Boards.
do.
For Soprano, Alto (or Mezzo-Soprano), Tenor, Bass.
Paper.
Seventh Tlass
Tenor, Bass.
&
I.0.
AMBILLOTTE,
R. P.
Paschal Mass in D. For Soprano, Alto, Tenor, Bass. (Latin

and English.)
Boards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
VILLA, PAOLO
Mass in C. For quartet, solo, and chorus.
lish ).
..
. .
...
. . .
Third Mass in D.
English.)
. . . . . . . . . . . . .
and
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.. .. .
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. .
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.. .
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.... .
. .
. . .
Orchestra parts can be rented
only.)
B2.
...
. .
. . . . .
. . . . . . . . . . . . . .
I.50
(Latin and
Bass.
. . . . . .
EONARD, WILLIAM A.
Mass in E5. For Soprano, Alto, Tenor, Bass.
Third Mass in
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tlass in Eb.
English.).
. .
(Latin and Eng
EJEAL, ALFRED
Second
I.5O
I.OO
(Latin
.... .
. . .
.8o
(Latin only.)
.... . . . .
. . . .
. . . ...
.8O
(Latin
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
.8O
|ERCADANTE, S.
Third Tlass in
only.) * * *
Minor.
Bass.
(Latin
** * * * ** * * * * * ** ** ** ** * * * * * * * * ** * * ** * * * * * * * * ** * * * * * **
I.25
|INE, A.
Tiesse Solennelle in Ep. For Soprano, Tenor, and Bass, with
Alto ad lib. (Latin only.). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
I45
I.OO
MOZART,
WOLFGANG
AMADEUS
For Soprano, Alto, Tenor, Bass. Arranged b

Vincent Novello. (Latin and English.) Paper . . . . . . . . . . . .
First Mass in C.
*.
-
Cloth
do.
. . . . . . . .
.. . .
Arranged by Vincen
(Latin only) Boards. . . . . . . . . . . . . . . . . . . . . . . .

Second Mass in C. For Soprano, Alto, Tenor, Bass. Arrange
by Vincent Novello.
(Latin and English ). . . . . . . . . . . . . . . . .
Arranged by Vincen
do. For Soprano, Alto, Tenor, Bass.
Novello. (Latin only.)
Boards. . . . . . . . . . . . . . . . . . . . . . .
Novello.
Seventh Tlass in B2. For Soprano, Alto, Tenor, Bass. Arranged

by Vincent Novello. (Latin and English.) Paper. . . . . . . . .
. . . . . . . .
For Soprano, Alto, Tenor, Bass. Arranged b

Vincent Novello. (Latin and English.) Paper. . . . . . . . . . . .
Cloth. . . . . . . . . . . .
Ninth Mass in G.
|
Twelfth Tlass in G. For Soprano, Alto, Tenor, Bass. Arrange

by Vincent Novello. (Latin and English.) Paper. . . . . . . . .
Cloth
do.
. . . . . . . . .
For Soprano, Alto, Tenor, Bass. Arranged by Vincen

Novello. (Latin only.)
Boards. . . . . . . . . . . . . . . . . . . . . . .
NEUENDORFF, ADOLF
Plass in F. For Soprano, Alto, Tenor, Bass.
(Latin only.)
. . . . .
L,
PALESTRINA,
146
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(Latin only
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3,645.
Octavo No.
P.
GIOVANNI
Missa Brevis. For Soprano, Alto, Tenor, Bass.
(Latin an
.
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English.)

.
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[1inor.
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.
.
T1ass
NIEDERMEYER,
in
B
Cloth.
ERLET, HERMAN
First T1ass in Ep. Op. 5. For Soprano, Alto, Tenor, Bass.
(Latin only). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
I.OO
ETERS, W. C.
Mass in plain chant, for Soprano, Alto,
Tenor, Bass. Music selected from Ries, Knitze, Rossi, Est,
Cerruti, and Bhler. (Latin only.) . . . . . . . . . . . . . . . . . . . . . . . . . .
Jubilee Mass in G.
EISSIGER, C. G.
- - --
I.5O
For Soprano, Alto, Tenor, Bass. Ar

ranged from the orchestral score by Charles Lewis. (Latin
Fourth Grand Tlass in Ep.
only.)
Paper
Cloth
* * ** * * * * * * * * * ** * * * ** ** * * * * * ** * * * ** * * * * * * * * *
. .
. .
A.
NK, C. H.
Mass in D.
..
.. .. .. . .
..
. .
. . ..
.. . .. .
. . .. .
. . . .
. . .. .
I.25
Edited and with

organ accompaniment, by Rev. Joseph Graf. (Latin only.)
Octavo No. 7,956 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
.4O
jSEWIG, A. H.
Mass in F, No. 2.
Op. 327. For Soprano, Alto, Tenor, Bass.

(Latin only.) Octavo No. 7,942. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Mass in G. For Soprano, Alto, Tenor, Bass.
(Latin only.)
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
- - - - - - - - - - - - Octavo No. 3,643
DSSINI,
*
3.
.5O
.4O
GIOCOMO
Tiesse Solennelle. For Soprano, Alto, Tenor, Bass. (Latin and

English.) Paper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Boards
Cloth.
. . . . . . . . . . . . . . . . . . . . . . . . .
..
. . . . . . . . . . . . . . .
. . . . . . . .. . . . . . . . . . . . . . . . . . . . . . .
**** *** * ****
HEIDERMEYER
T1ass in C. For two Sopranos, Tenor, and Bass. Arranged by
;:
W. C. Peters. (Latin only.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
**
I47
I.OO
I.25
I.5O
I.OO
SCHMID, FR. X.
Tlass in E2. For Soprano, Alto, Tenor, Bass.
Octavo No. 3,642 * * * * * * * * * * * * * * * * * * * * * * * * * * * *
*
(Latin only.)
* * ** * * *
- -- - . . . . .
Tlass in G. For Soprano, Alto, Tenor, Bass. Arranged by A.

Werner. (Latin only.) Octavo No. 3,773....................
SCHNECKER,
A.
P.
Second Tlass in F. For Soprano, Alto, Tenor, and Bass.

only.) * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * - - - - - -
(Latin
-
. . . . . . .
Tlass in G. For Soprano, Alto, Tenor, Bass.

Octavo No. 1,090. . . . . . . . . . . . . . . . . . . . . . . . . . . .
SHORT,
(Latin only.)
... . .. . . . . . . . . ..
J.
St. Joseph.
and English.)
Tlass.
(Latin
* * ** * ** * * * ** * * * * ** ** * * ** * * * * ** ** * * * * * * * * *
SOUTHARD,
For three or four voices (Soprano, Alto, Bass,

with Tenor ad lib). (Latin only.) Octavo No. 6,885. . . . . . . . .
Short Tlass in D.
SPOTH,
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S.
148
(Latin only.)
.
.
Bass.
.
.
F.
Tlass
Eng
(Latin and
in
Flass
A. "For Soprano, Alto, Tenor, Bass.
lish.).
STOCKER,
.
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C.
C.
in
STEARNS,
in
.
.
B5
(with Offertory). For Soprano, Alto, Tenor, Bass.

only.)
(Latin
(formerly EP). For Soprano, Alto, Tenor, Bass. (Latin
Tlass
only.)
T1ass
- - -
E.
- -
H.
L.
in
SCHULTZE
STOECLIN, M.
Tlass in B5. For Soprano, Alto, Tenor ad lib., Bass. (Latin only.)
Octavo 3,640. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .....
.4O
TAUMANN
Tlass
Octavo
For Soprano. Alto, Tenor, Bass.
in C.
No.
1,
199.
(Latin only.)
. . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . .
THAYER, EUGENE
Tlass No. 1 in Eb. For Soprano, Alto, Tenor, Bass.
English.). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
WALLENREITER, C. A.
Plass Pastorale in C.
only.)
. . . . .
.4O
(Latin and
. . .... . ... ..
Octavo No. 1,042.
I.25
(Latin
. . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . .
.30
WATERMAN, ELOISE
Mass in G. Two or four voices (Soprano, Alto, Tenor, Bass)
ad lib: (Latin and English.). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.50
WEBBE, SAMUEL
Mass in F. For Soprano, Alto, Tenor, Bass.
Octavo No.
Mass in G.
I 18 . . . . . . . . . . . . . . . . . . . . . . . .
1,
(Latin only.)
. . . . . . . . . . . . . . . . . . . .
(Latin only.)
.25
.. . . . .
.25
WEBER, C. M. VON
Mass in G. For Soprano, Alto, Tenor, Bass. (Latin and Eng
lish.) Paper. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.4O
Cloth
. . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
For Soprano, Alto, Tenor, Bass. (Latin only.). . . . . . . . . .

Mass in Ep.
(Latin and
English.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
do.
I49
.4O
.4O
WELS,
CHARLES
Mass of St. Cecilia in D. For Soprano, Alto, Tenor, Bass. (Lat
and
English.)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
Third Tlass in E2. For Soprano, Alto, Tenor, Bass. (Latin an

English.) Paper. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Cloth. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Fourth Mass in F. Op. 127. For Soprano, Alto, Tenor, Bas
(Latin only.).
.. . . . ...
. .
. .
Fifth Tlass in G. Op. 134.

prano, Alto, Tenor, Bass.
. . . . . .. .
. . ...
. .
. .
. . . . . . . ...
In honor of St. Stephen.

(Latin only.) . . . . . . . . . . . .
For S
. . . . . ..
For Soprano, Alto, Tenor, Bass. (Tenor and Ba

(Latin only.) Octavo No. 3,646. . . . . . . . . . . . . . . . . .
Roman Convent Mass in A minor. For Soprano, Alto, Teno
Bass. (Latin only.) Octavo No. 1,039. . . . . . . . . . . . . . . . . . . .
Roman Convent Mass in F. For Soprano, Alto, Tenor, Bas
(Latin only.) Octavo No. 1,040. . . . . . . . . . . . . . . . . . . . . . . . . . .
Mass in C.
ad lib.)
B.
Mass
.
.
.
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.
.

(Latin only.)
G.
ZANGL,
J.
in
Messe Solennelle
ranged by Kemptjer.
G.
Octavo No. 3,639
only
(Latin
Bass.
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
.
Mass
G.
WITZKA,
in C.
WILCOX AND SOUTHARD

Mass in C. For Soprano Alto, Tenor, Bass. (Latin only
Octavo No. I, 128 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
in
B2.
(Latin only.)...
ZWING
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.
150
(Latin only
D.

Octavo No. 3,641
Mass
in
WERNER. A.
REQUIEM MASSES
&
~3ARTSCHMID,
ALOIS
Requiem Flass in F. For Soprano, Alto, Tenor, Bass. (Latin
and English.). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
JAUFFMAN, F.
.80
G.
Requiem Mass in D minor. For Soprano, Alto, Bass. (Latin

only.) Octavo No. 1,091 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.25
PRESSLER, WILLIAM
Short Choral Requiem Mass, in E Minor.
For two or four

Alto,
(Soprano,
Tenor,
voices
Bass). (Latin only.) Octavo
No. 2,978. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
#ST,
L. B.
Requiem Mass in C. For Soprano and Alto, with Bass ad lib.
(Latin only.) Octavo No. 3,644. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
FISKE, W. O.
Gregorian Requiem Mass in F.
Bass. (Latin only.) Octavo No. 1, 12I . . . . . . . . . . . . . . . . . . . . . . .
HOUNOD, CHARLES
Requiem Plass in C (Posthumous). For solo, quartet, and chorus.
(Latin only.) * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * - * * * * * * * * *
I6
.4O
.2O
I.25
AKOB,
A.
Requiem Mass in D. For Soprano, Alto, Tenor, Bass. (Latin
only.) Octavo No. 7,943. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
I5I
I6
LUTZ,
J.
Requiem Tlass in E minor.

Octavo No. 1,053 . . . . . . . .
MICHEL,
For men's voices.
(Latin
only.)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..
JOSEPH A.
New Requiem Mass in D minor. For Soprano, Alto, Tenor, Bass.

(Latin only.) Octavo No. 8,880. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MOZART, WOLFGANG AMADEUS

Fifteenth (Requiem) Mass in D minor.
For Soprano, Alto,
Tenor, Bass.
Arranged by Vincent Novello.
(Latin and
English. ) Paper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Cloth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . - - - - - - - - - - - - -
MULLER,
J.
Mass for the Dead, in F.

(Latin only.) Octavo No. 1,815. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
OHNEWALD., JOSEPH
Requiem Mass No. 1, in F. For Soprano, Alto, Tenor, Bass.
(Latin only.) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Requiem Mass No. 2, in B2.
(Latin only.) - - - - - -
- - - - - - -
-- -----
- -
- -- --
- - -
- - - -
---- -- -- -
PETERS, W. C.
Gregorian Mass for the Dead, in F. For one medium voice,
with unison chorus ad lib. (Latin only.) . . . . . . . . . . . . . . . . . . . .
SCHMID, FR. X.
Requiem Mass in Ap. For Soprano, Alto, Tenor, Bass.
only.) Octavo No. 3,51O. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
I52
(Latin
. . .
.. . . .
POTH, E.
Gregorian Requiem Mass in F. For Soprano, Alto, Tenor, Bass.
Unison chorus. (Latin only.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Requiem Plass in E Flinor. For Soprano, Alto, Tenor, Bass.
(Latin only.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.50
.65
TERNER, A.
Gregorian Requiem Mass in F. For Soprano, Alto, Tenor, Bass.

(Latin-only.) Octavo No. 1,052. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
AND SOUTHARD
i'ILCOX
Requiem Tlass in D minor.
(Latin only.)
.25
Octavo No. 1,130.
153
. . . . . . . . . . . . .
. . . . . . . . . . . . . .
.40
VESPERS
ANGEBER
Vespers in D. For Soprano, Alto. Tenor, Bass, with organ accom

paniment by W. A. Newland. (Latin only.) Octavo No. 1,08
BUHLER,
F.
Vespers in D.
For Soprano, Alto, Tenor, Bass. (Latin only
Octavo No. 1, I:22- . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Vespers No. 7 in D. For Soprano, Alto, Tenor, Bass. Arrange
by William Dressler.
(Latin only.). . . . . . . . . . . . . . . . . . . . . . .
DONIZETTI, G.
Vespers in A.
For Soprano, Alto, Tenor, Bass. (Latin only
Organ accompaniment by R. W. Crowe. Octavo No. 8,542...
DOOLEY, E. J.
Vespers for Sunday in Eb.
Octavo No. 2,948.
. .
.. . . .. . .. . . . .
EMMERICH
Vespers in D. For Soprano, Alto, Tenor, Bass. (Latin only.)
Organ accompaniment by A. Werner. Octavo No. 1,065. . . .
EST, L. B.
Vespers in C. For Soprano, Alto, Tenor, Bass.

Octavo No. 1,085. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
FISKE, W. O.
Vespers in C, with
Magnificat.
. . . .
. ..
. .
(Latin only
. . . . . . . . . . . . .
For Soprano, Tenor,

. .
I54
. . . . . . . . . . . . . . . .
..
Bas
. . . . .
iENERALI, PIETRO
Vespers No. 4, in C. For Soprano, Alto, Tenor, Bass. Arranged
by William Dressler. (Latin only.) . . . . . . . . . . . . . . . . . . . . . . . . . .
I.OO
OWE, EDWARD F.
Complete Vespers in F.
(Latin only.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
:IERCADANTE, S.
Vespers No. 8 in D.
only.)
(Latin
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .
I.OO
EWLAND, W. A.
Vespers No. 1 in A. In sets for the different feasts of the year, in
plain chant. (Latin only.). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
I.OO
--
.6o
. . .
..
ETERS, W. C.
Vespers for Common Sundays, in G. For Soprano, Alto, Tenor,
Bass. (Latin only.) Octavo No. 3,537. . . . . . . . . . . . . . . . . . . . . . .
Vespers No. 2 (Gregorian), in G. For two Sopranos, Tenor,
Bass, with Magnificat.
Six easy chants. (Latin only.) . . . . . .
Vespers No. 3 (in Plain Chant) in F. For Soprano, Alto, Tenor,
Bass.
(Latin only.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
OEDER, MARTIN.
Vespers. Op. 68. For Soprano, Alto, Tenor, Bass. (Latin
only.) * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
6SEWIG, A. H.
Vespers in G.
16
.25
-
.35
I.50
Chants, mixed quartet.
Octavo No. 3,783.
. . . .
..
Vespers for Common Sundays, in G. Octavo No. 8,084. . . . . . .

Vespers No. 2, in C. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Vespers in G. For Soprano, Alto, Tenor, Bass. (Latin only.)...
I55
I2
.O8
I.OO
1.00
ROSS
Vespers No. 5, in F.
by

William Dressler. (Latin only.) . . . . . . . . . . . . .
Arrange
. ... . .
....
SHERBAUER, K.
Vespers (Short and Easy Choral), No. 6 in A minor.
Fo
Soprano, Alto, Tenor, Bass.
-only.)
(Latin
. . . . . . . . .
WERNER. A.
Vespers, Communion of Saints in E minor.
Octavo No. 1,82
Vespers for the Different Seasons and Festivals in A minor
(Latin only.) Octavo No. 1,827. . . . . . . . . . . . . . . . . . . . . . . . . . .
Vespers Proper to the Feasts of the Saints in Ab. (Latin

only.) Octavo No. 1,829. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
WILCOX AND SOUTHARD.

Vespers in Chant Form in A minor.
I, I32 . .
ZINGARELLI,
. .
. .
.. . .
. .
. .. .
. . . .
. .
(Latin only.)
Octavo No
. . . . . . . . . . . . . . . . . . .
. . . . . . .. . .
N.
Vespers in Ep. For Soprano, Alto, Tenor, Bass.

Octavo No. 1,066. . . . . . . . . . . . . . . . . . . . . . . . . . . .
156
(Latin only.
.
. . . .. . .. . . . . .
LITANIES, ETC.
)OTT, F.
Miserere.
tavo No. 3,606.
.. . . . .
)MEYER. J.
Responses at High Tlass.
. . . . . . . .
. . .
Bass.
. . . . . . .
(Latin only.) . .
(Latin only.)
. . . ... . . .. . .
. . . . .
Oc
.. .
.2O
. . . . . . .. . . .. . . . . . . . . . .
SEWIG, A. H.
A.
Litanies. A collection of sixteen in honor of the Blessed Virgin

Mary, for two, three, or four voices. Octavo No. 9,425 . . . . . . .
I.O.O.
SSINI, G.
Stabat Tlater. For two Sopranos, Tenor, and Bass. (Latin and
English.) Paper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Cloth.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Y57
..
. . . .
. . .. ..
.4O
I.OO
HOL I C
C HO I R
AND
SCHOOL BOOKS
l;
CANTABO
A collection of Latin hymns and motets

and three voices, as sung in Catholic c
DOMINO
Compiled
by
Sisters of Notre Dame,

Philadelphia
Paper, $1.25
Boards, $1.50
C AT
book of two hundred and twenty-one pa

taining about one hundred easy selectio
accompaniments for piano or organ.
CANTATE
Compiled
These are large volumes, each on

ing all that pertains to a full servic
by
Anthony Werner
Two volumes,
each, Boards, $2.00
voLUME
-
(MoRNING SERVICE)
Six masses, namely, Mass in C, Bhler; Mass in F, Concone;

Ep, Feltz; Mass in G, Schmidt; Mass in C, Wallenreiter; Mass
Convent) in A, Werner. There are also two requiems, each with n
sions, and more than fifty miscellaneous pieces for various occasions
voLUME
CANTICA MARIANA
-
Compiled
by
Charles Lewis
Boards, $1.25
(EVENING SERVICE)
Contains a still greater variety, including all things approp

evening service. It has about fifty vesper hymns, thirty-six psal
English hymns, and about seventy other pieces, including fifteen
eight forms of O Salutaris and eight of Tantum Ergo. These b
recommended by the Bishop of Boston.
1.
A collection of canticles, antiphons of o

set to music by eminent composers.
Als
forms of O Salutaris and Tantum Ergo
Benediction of the Most Blessed Sacrame

an appendix. The whole compiled and edited by Charles Lewis
of the Cathedral choir of Boston. The work has the approval
bishop Williams.
CANTUS DIVINUS
Compiled
by
A. H. RSewig
Boards, $2.75
variety of music in its th

dred pages, and is already very widely known
It is recommended by the Archbishop of Phila
This book has
a great
158
For morning and evening service.
Compiled
by direction of Bishop Fenwick, of Boston.
Compiled by
R. Garbett
This is a comprehensive work, intended to
Boards, $2.00
provide music for every occasion of Catholic
urch service.
The music is at once good and easy. Two hundred and
enty-six pages. There is an elementary course for beginners.
CHOIR BOOK
ATHOLIC
The Chapel Hymn-Book is for

Compiled by the
*
the use of Catholic schools, semi
naries, convents, and for chapel use
ters of Notre Dame, Philadelphia
Flexible Covers, .25
generally. The selection of hymns,
editing and general compilation have been carefully done, and the book
rs the sanction of the Archbishop of Philadelphia.
BOOK
A collection of Catholic music (Latin words only),
NCENTUS SACRI
consisting of seventy-four hymns, litanies, canticles,

and other selections, suitable for all feasts and
Boards, $1.50
seasons of the year, arranged in easy and pleasing
duets, trios, and quartets, with organ accompaniment.
The editor
experience
requirements
choirs,
had considerable
the
church
con
ts, schools, etc., and has produced
the Concentus Sacri
book
purely religious character, and nothing
their wants. The music
been inserted that will conflict with the rules governing music
the
Compiled by
H. RSewig
to
in
is
of
in
in
of
is,
M.
holic Church.
ONA
it,
or
.50
of
J.
P.
Catholic Sunday-school hymn-book, containing

collection
Catholic hymns arranged for the prin
cipal seasons and festivals
the year.
of
DIS CORONA
dation
any other book. The Corona Aurea bears the cordial recom
Ryan, Archbishop
Philadelphia.
the Very Reverend
of
in
seared
of
in
1e
of
AUREA
of
collection
music for Catholic choirs, convents,
schools,
Compiled by
and for the Catholic home. The book con
requiem mass, vespers, and set
H. RSewig
tains three masses,
33oards, $2.00
hymns for benediction and for all feasts and seasons
year. With one exception (the Gregorian vespers), all the music con
arranged expressly for
ed
this work was composed
and has never,
CHAPEL HYMN
I59
A collection of masses, hymns, motets for the offe

tory, benediction, elevation, and the principal
selected and Arranged by
J. H. Wilcox and
the Catholic Church, together with
tivals
responses complete from authentic sources, and
L. H. Southard
Boards, $2.50
rect Gregorian music for vespers; two hundred
seventy-two large, oblong pages.
CATHOLICA
of
LYRA
by
collection
Compiled by
Anthony Werner
Boards, $2.75
to
in
in
or
piano.
of
Catholic music, containing

collection
masses,
short requiem mass, vespers, a
variety
ing
of a
MEMORARE
acc
May Blossoms, with the add
full accompaniments for organ
of
Paper, $1.00
is
The same contents
one and two parts, without

schools.
use
Well adapted
as
very pretty volume.

The music
paniment, except for the left hand.
CHIMES
English,
Blessed Virgin, compiled by the Sisters of Notre Da

Cincinnati, Ohio. The book has sixty-eight pages
Boards, .40
MAY
forty-two hymns,
to
the service.
in
MAY BLOSSOMS
miscellaneous pieces suitable for

evening service, and for family
and
accompaniments
to
of
or
piano.
Mr. We
for organ
private devotion, with
an elevated character int
introduce music
has taken special pains
book, its two hundred and seventy-one pages containing selections
Mozart, Cherubini, Palestrina, Mueller, Himmel, Zimmer, F. X. Schm
Recommen
LAbb Michel, Zwing, Witzka, and other good composers.
by the bishop
Boston.
of
to
is
the different parts
of
to
Boards, $2.00
priate
of
is
Dooley
most pleasing characte

well-known book
There are no masses, and the space gained
well filled by brilliant, easy,
their omission
words app
united
tasteful music, which
of
E.
J.
Compiled
(Latin only.),
two quartet choirs.
MARIA IMMACULATA
or
For eight-voice
is
Gabrieli,
G.
MAGNIFICAT.
160
PETERS CATHOLIC
CLASS
Designed as a school music book for

Catholic schools, and containing the
elements of music, many secular
songs of good quality, and sacred
BOOK
Compiled by
William Dressler
Boards, .75
Catholic music for religious exercises.
PETERS
CATHOLIC.
A new and enlarged edition, with
HARMONIST
valuable and important additions by

A. H. RSewig.
A collection of
Boards, $1.38
music,
appropriate
sacred
for morn
ing and evening service, consisting of motets, masses, hymns, chants, etc.,
suitable for the principal festivals throughout the year. For the use of
small choirs; with accompaniments for organ or pianoforte. Of the eighty
six pieces a large proportion are of Gregorian origin. The remainder are
arranged from compositions by Beethoven, Mozart, Haydn, Winter, Nukomm,
Compiled
by
W. C. Peters
and other great composers.
PETERS
CATHOLIC HARP
Compiled by
W.
C. Peters
Boards, $1.38
A new and enlarged edition, with valuable

and important additions by A. H. RSewig.
A collection of sacred music, designed for
the use of choirs, schools, and musical asso

iations, containing morning and evening services, masses, motets, offer
ories, litanies, hymns for benediction, vespers for Sunday, and for the
various feasts of the Blessed Virgin.
There is an elementary course with
11ustrations, and an explanation of the Gregorian system of singing.
The
easy. The book is commended by Archbishop

Purcell, of Cincinnati; Bishop Rosecranz, of Cincinnati, and Bishop Carroll,
f Covington, Ky.
music is almost invariably
[.
Consisting of hymns to the Blessed

Virgin, vesper hymns, hymns for bene
Compiled by
l,
W. C. Peters
diction, litanies, and chants, together
:
Paper, $1.38
with hymns for all the principal feasts
3.nd other important occasions, arranged for women's voices, with an occa
ional Bass part ad lib. The one hundred and forty numbers are generally
#3rinted with two staffs in a brace; but sometimes with three, to allow proper
ccompaniment.
&PETERS
CATHOLIC
MELODIST
16I
PETERS SODALITY
HYMN BOOK
Edited by
W. C. Peters
Boards, .40
Compiled by the Sisters of Notre Dame, Cincin

A very compact and convenient book of on
dred and twenty-five pages and nearly two hu
pieces of music, including responses, chants
for occasions connected with the service
mass, requiem mass, vespers,
litanies for
co
in
of
is
two, thre
service, English and Latin hymns, etc. The music
four parts. There are also solos, and most
the pieces can be perf
Soprano
good
by
with
effect
and Alto voices.
book for sodalities, schools, convents,

etc., containing the elements of musi
by
A. H. RSewig
about one hundred and twenty-five

attractive pieces
sacred music.
Compiled
ea
of
HYMN BOOK
SUNDAY-SCHOOL
by the
Sisters of Notre Dame,
This little book contains one

and sixty pages and nearly
hu
bright
and pleasing songs.

number
the pieces have Sopran
Alto parts, and there
all the
put
that can well be
bo
of
Philadelphia
in
is
Paper, .20
Cloth, .30
children.
EASY PIECES
I,
Alma;
8,
6,
4,
Regina
Ave Regina;
Salve;
Tantum Ergo;
Creator;
Passion Canticle.
16
5,
Organ accompaniment.
eight pieces are:
Asperges
Bass.)
OF SACRED MUSIC
A. Werner
Paper,
For four voices (Soprano. Alto,

3,
WERNER'S EIGHT
Notre Dame
Boards, $1.00
YOUNG CATHOLIC'S
WOCAL
CLASS-BOOK
Boards, .35
to
of
or
Sisters
by the
to
Compiled
hymns
collection
the Blessed V
Forty-one hymns set
excellent musi
nearly all
parts,
two
for Soprano and
organ.
with accomrpaniment for piano
in
OF MARY
WREATH
of
Boards, .50
Compiled
SODALIST'S COMPANION
containing
eleme
thirty-five
numbers,
incl
instructions and
Marias,
Ave
etc.
For children's
I62
classes,
ORATORIOS
O1iver Ditson Company's Octavo Editions of sacred and secular music are used by
: hoirs and other musical organizations throughont the country. They comprise
nthems, Te Deums, sacred choruses and quartets, part-songs, glees, etc. Our catalog
f octavo publications, which names more than ten thousand pieces, ranging in price
* rom five cents to twenty cents, will be sent upon request.
#
Sacred Cantatas. . . . . . . . . . . . . . .
Secular Cantatas.
Grand Operas, ..
Light Operas.....
'HRIST AND HIS SOLDIERS

*
John Farmer
.. . ..
. . . . page
. page
page
. . . . . . . . . . . . . . . . . . . . . . page
168
180
190
193
This oratorio is meant to be sung to
chil
dren, to young persons, and to all who

Paper, $1.00
can retain a childs love of simple and
sacred song. The work is divided into
wo parts, each part being composed of twelve hymns, in the form of
olos, recitatives, choruses, carols, etc. There are solos for Soprano, Alto,
enor, and Bass. It affords excellent practice for chorus-choirs, and is also
sed by large singing associations for public performances.
Orchestra parts
an be purchased.
!"
CHRISTUS
.40
=elix Mendelssohn
...
This celebrated work is from an unfinished Oratorio,
Op. 97; Posthumous Works, No. 26. The music is

not difficult and will occupy about half an hour.
Solo Soprano, Alto, Tenor, and two Basses will be
equired in addition to the chorus.

/
Orchestra parts can be purchased.
le
re
"
:
(#
CREATION
Joseph Haydn
New Edition
Paper, .75
Boards, $1.00
Cloth, gilt, $1.25
Compared with many oratorios this work is relatively

easy, and in consequence is often the first choice of
new societies.
Solo Soprano, Alto, Tenor, and Bass
are required in addition to the chorus. Orchestra
parts can be purchased.
Chorus parts (separate),
.50.
163
This cantata, suitable for the Lenten season,

occupy about an hour, and requires, in additio
CRUCIFIXION
John Stainer
the chorus, solo Tenor and Bass.

can be rented.
Paper, .60
s.
Orchestra
An oratorio requiring, besides the chorus, solo

Alto, Tenor, and Bass.
DAVID
Neukomm
Sop
$1.00
This is one of the easier oratorios, and follows the sto

the aged high-priest, in his relation to the young Samu
sinful Israel, and to the taking of the ark by the Philist
A work filled with such a sacred spirit that

effect on the heart and the feelings it may b
ELIJAH
Felix Mendelssohn
to excel the most solemn church service.

In
tion
the chorus, two Sopranos, Alto, Teno
E. Trowbridge
Bass solo voices are required.

be purchased.
.75
Orchestra par
work well adapted

the acquirements and fac
the average chorus-choir. Solo voices require
Soprano, Alto, Tenor, and Bass. Orchestra part
of A
EMMANUEL
to
Paper, .75
Boards, $1.00
Cloth, $1.25
to
Paper, $1.25
Boards, $1.50
Cloth, $1.75
J.
be purchased.
Gave Them Hailstones for Rain l an

double chorus, Sing Ye
the Lord, for He
He
to
ISRAEL IN EGYPT
Georg F. Hndel
be purchased.
164
of
Gloriously
of
Triumphed
give full scope fo

power
great concourse
voices, such
required
perform this oratorio.
Two so
pranos, an Alto, Tenor, and two Basses are necessary. Orchestra par
Paper, .75
Boards, $1.00
Cloth, $1.25
to
ELI
M. Costa
:*
JOSHUA
jeorg F. Hndel
This majestic composition, full of fine effects, is to the
American public less known than most others. But its

stately choruses at Gilgal, at Jericho, by the Vale of
Ajalon, such duets as Our Limpid Streams, such
songs as Oh, Had I Jubal's Lyre ! and those belong
ing to the parts of the angel, of Joshua, of Caleb, and
if Othniel are quite sufficient to make one of the most interesting of Han
le1's great works.
Solos voices required are Soprano, Tenor, and two
parts
3asses. Orchestra
can be purchased.
Paper, .75
Boards, $1.00
Cloth, $1.25
Most of it is constituted of heroic music, strong,

manly,
courage-sustaining, and brilliant.
There
* Georg F. Hndel
".
mourning
also,
contrast,
songs
Paper, .75
are
in
the
of the
Hoards, $1.00
*
afflicted Israelites, and Sound an Alarm, and,
Cloth, $1.25
still different, the prayer choruses before battle.
solo Soprano, Tenor, and Bass are required.
Orchestra parts can be
urchased.
g
Since the day when an English audience first arose

Georg F. Hndel
and remained standing during the performance of the
Hallelujah chorus The Messiah. has kept its place
Paper, .75
Boards,
:
$1.00
in popular estimation in the front rank, perhaps at the
s' cloth, gilt, $1.25
head of oratorios. Solo voices required are Soprano,
to,
Tenor,
-1
and Bass. Orchestra parts can be purchased.
MESSIAH
A brilliant composition, whether we call it a sacred

opera or an oratorio; its principal numbers have a
world-wide popularity. Soprano, Alto, Tenor, and
MOSES IN EGYPT
G. Rossini
:
$1.50
Bass solo voices are necessary.

be purchased.
NAAMAN
Orchestra parts can

-
Naaman is an easy oratorio. The text has reference to the

. M. Costa
works and miracles of the prophet Elisha. The changing
>aper, $1.25
scenes
at Damascus, at Samaria, at the Jordan, the affect
zloth, $1.75 ing incident of the raising of the Shunamite's son, the war
2ngs of the Syrians, and the lyrical picture of the healing of the warrior
Sopranos,
per give variety and additional effect
the music. Two solo
.1 ree Altos, two Tenors, and
Bass are required. Orchestra parts can be
urchased.
to
....
UDAS MACCABAEUS
165
NEL
is
A Christmas oratorio by one of the most celebrat

C. Saint-Sans
modern writers. There are recitatives for Alt
Paper, .75
Tenor, solos for Mezzo-Soprano and Tenor,
du
Soprano and Baritone,
trio for Soprano, Teno
Bass,
quartet for Soprano, Mezzo-Soprano, Alto, and Baritone, and
tive choruses for mixed voices. The work
suitable for large si
societies, and may also be used by well-trained chorus-choirs with
effect.
is
It
of
is
any other.
THE APOSTLE
Eliot Trowbridge
Paper, .80
Boards, $1.00
An easy oratorio designed especially for

at
societies that do not feel competent
the great oratorios
the masters.
Solo v
Soprano, Alto, Tenor, and Bass. The num
to
J.
PAUL
of
to
S.
superior
an
include also quartets for mixed and men's voices, choruses, etc. Tim
performance, about
hour and half. Orchestra parts can be purcha
The beautiful Scripture story here finds

suitable and interesting musical setting. The
Paper, .75
tation
the composer should be sufficient assu
that this short oratorio
well worthy the atte
all singing associations. The time required for its rendition
abo
hour and
half. Solo voices necessary are Soprano, Alto, Tenor,
is
of
PRODIGAL SON
Arthur S. Sullivan
is
of
ST. PAUL
Felix Mendelssohn
Paper, .75
Boards, $1.00
Cloth, gilt, $1.25
Solo Soprano, Alto, Tenor, and two Basses a

quired for the rendition
this work.
Orch
of
of
The sacred drama
of
Passion week
ing shape about the year A.
Paper, .75
became gradually clothed with
Cloth, gilt, $1.50
Of all compositions
the kind
setting by Bach
very difficult, a
doubtless the most beautiful.
whole, beyond the reach
any but the best performers, but the easy
including the chorals, are quite attainable, and the work may be u
part with the best results. The English translation by John
Dwi
PASSION MUSIC (ST. MATTHEW)
J. S. Bach
166
SAMSON
Georg F. Hndel
Paper, .75
Boards, $1.00
Cloth, gilt, $1.25
SEASONS
Joseph Haydn
The solo voices required for this work are Soprano,

Alto, Tenor, and Bass.
purchased.
This familiar classic requires solo Soprano, Tenor and

Bass.
Paper, .80
Boards, $1.00
Cloth, $1.25
167
CANTATAS AND CHOR A

WORKS
FOR MUSICAL ASSOCIATIONS,
CHORAL SOCIETIES, AND
Oratorios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 163

Operas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 190
Light Operas and Musical Sketches. . . . . . . . . . . . . . . . . . . . . . . . . page 193
Secular Cantatas. . . . . . . . . . .................... . . . . . . . . . . . . . . . page 180
Cantatas especially for Christmas and Easter........... . . . . . pages 230
in
The Cantatas mentioned in the following list have no dialogue or dramatic

but are musical settings of dramatic poems or other selections, and intended
singing associations, conventions, and large classes
use
the display
chorus singing.
The same may be said of the legends, odes, psalms, etc., also named in this
The accompaniments
the vocal music
these works may be played o
the piano or the organ.
to
of
of
SACRLED CANTATAS
ALPHA AND
OMEGA
Charles B. Rutenber
CONVENTIONS
.80
AS
THE HART PANTS
(FORTY-SECOND
PSALM)
Felix Mendelssohn
cantata
for solo Soprano,
Tenor and
one hour and
parts can be rented.
Time for performance,

minutes.
Orchestra
For solo Soprano and chorus.
Time
formance, about twenty-five minutes.

tra parts can be purchased.
.40
168
An effective cantata in five acts, and one of the most

celebrated among similar works.
The events upon
...
BELSHAZZAR
A. Butterfield
is
of
as
of
of
v.[0
which the cantata

founded occurred during the
reign
Belshazzar, B.C. 538, and are both instructive
nd impressive. There are ten prominent characters and some minor ones,
1together requiring five Sopranos, two Mezzo-Sopranos, two Altos, three
enors, two Basses, small chorus
Baritones, and
large
company
Paper, $1.00
is
to
of
may be desired.
George
F.
Root
of is
in
of
duets, quartets,
and choruses.
There are
eight leading characters, viz.: Belshazzar,
;ass; Daniel, Tenor; Nitocris, Soprano; Jewish maiden, Alto; Hananiah,
}aritone;
lord and lady
the court, Tenor and Alto; the High Priest,
people, with small solo parts for some
:ass. There
also
full chorus
them. The costumes should be
the ancient Jewish style. Full instruc
ions for performing will be found
the book. Time required, about fifty
minutes. Orchestra parts can be rented.
of of
in
,f
is
of
.50
dramatic cantata
ten scenes. This
setting
the well-known Bible story
the handwriting on the wall, with solos,
**
*ELSHAZARs FEAST; OR,

THE FALL OF BABYLON
re:
Octavo No.
.35
7,201
of
For Soprano solo and mixed chorus.

beauti
setting
ful and effective
the 137th Psalm.
Accompaniment for piano

organ. Time
performance, about twenty minutes.
Orchestra
of
or
WATERS OF BABYLON
H. Goetz
gif
BY THE
169
of
of
The well-known legend set
to
beautiful music by one

the foremost modern composers.
Voices required
Josef Rheinberger
#2
Alto,
Sopranos,
Tenor,
$1.00
are two
and Baritone for the
perform
leading parts, and mixed chorus. Time
ince, about one hour. Orchestra parts can be purchased.
CHRISTOFORUS
of
T D
in
of
as
The scenery need not be expensive, and

similar
that
Esther
(ancient Jewish), another
\opular cantata. The music comprises solos, duets, trios, quartets, and
horuses, all
which are pleasing and interesting. Belshazzar makes
ery enjoyable evening's entertainment. Full instructions
the book.
given
parts
his can also be
without action.
Orchestra
can be rented.
performance, one hour and three quarters.
*ime
mixed voices
he costuming
to be s
children,
young
persons,
to
and to a
John Farmer
Paper, $1.00
can retain a child's love of simpl
sacred song.
The work
divided
part
being
hymns,
parts,
composed
two
each
twelve
the form
recitatives, choruses, carols, etc. There are solos for Soprano, alto,
and Bass.
affords excellent practice for chorus-choirs, and
also u
large singing associations for public performances.
Orchestra parts
AND HIS SOLDIERS
This oratorio is meant
It
is
of
in
is
CHRIST
purchased.
CHRIST, THE LORD
The birth, life, death, and resurrection

Saviour musically portrayed.
Solos for tw
pranos, Alto and Tenor voices, with choru
performance, about
mixed voices. Time
Orchestra parts can be rented.
Paper, .40
purchased.
cantata
three parts, telling the story
Captivity and Restoration.
new edition
popular work, revised and enlarged with
Macy. Solo voic
tional matter, by
quired, Soprano, Alto, two Tenors, three
performance, one hour. Orchestra pa
Time
in
tones, and one Bass.

be rented.
OF JAIRUS
John Stainer
DAUGHTER
.60
of
J.
.50
George F. Root and

William B. Bradbury
C.
DANIEL
of
(NINETY-FIFTH PSALM)
Felix Mendelssohn
choral work requiring two solo Sop

performance,
and Tenor.
Time
twenty-five minutes.
Orchestra parts c
COME LET US SING
five minutes.
of
Paper, .80
Boards, $1.00
sacred cantata for large chorus.

Sol
Soprano, Tenor, and Bass, duet for Sopran
Tenor, chorus for women's voices, chor
men's voices, chorus for mixed voices.
W. Williams
voices required, Soprano, Alto, Tenor, and Bass.

purchased.
170
Orchestra parts
The individuality of this author's compositions

has made him famous.
The Deluge is a de
t
scriptive
requires
singers of experience,
Paper, .80
chorus and
*
Boards, $1.00
a good chorus, and, where possible, an orchestra.
* The story, of course, is taken from the Bible, hence the work may be
:-classed as sacred. There are solos for Soprano, Alto, Tenor, and Baritone
or Bass. Orchestra parts can be purchased.
Words translated from the
* French of Louis Gallet, by Theo. T. Barker.
DELUGE
camilie Saint-Sans
ESTHER THE BEAUTIFUL QUEEN

William B. Bradbury
tion is necessary. The work has had

12.
an enormous sale, and the perform
given hundreds of times in different localities. There are
ance has been
ten prominent acting parts: The Queen, Soprano; King, Bass; Zerish,
Alto ; Mordecai, Tenor; Prophetess, Soprano; Mordecais sister, Soprano;
Harbonah and Chamberlain, Tenors; Haman, Baritone; Scribe, Bass or
Baritone, also some minor characters for different voices, and a chorus.
The costuming is of the ancient Jewish style. There are five short acts, and
about two hours time will be required for the representation. Full instruc
# tions in the book.
*
This cantata is so well known through

out the land that no extended descrip
.50
Libretto, Words only,
EVENING
HYMN
Carl Reinecke
A short cantata for Tenor solo and mixed chorus.

of performance, ten minutes.
Time
Octavo Io,058
.35
A brilliant song of thanksgiving, with words prin

#1
cipally from the Scriptures. Quite appropriate for
Eugene Thayer
|
Paper, $1.00
a concert performance; it will also add to the inter
| ".
est of any public occasion, like an anniversary, a
# national holiday, or Thanksgiving Day.
There are Soprano, Tenor, and
*FESTIVAL CANTATA
Bass solos, and chorus for mixed and men's voices.

Time of performance,
parts
about one hour and fifteen minutes. Orchestra
can be purchased.
.
*
e
FLIGHT OF
THE HOLY FAMILY

Max Bruch
Octavo
.25
7,198
A dramatic musical setting
of the
biblical narrative,
for mixed chorus and piano or orchestra.

performance, ten minutes.
purchased.
I7I
Time of
FLIGHT
INTO
EGYPT
This is part second of the composer's great

triology, The Holy Family, and is th
Hector Berlioz
Octavo No.
.20
available and useful portion of that work

as the average singing society is conc
Time of performance, about fifteen minutes. Solo Tenor required.
O
9,692
FORTY-SECOND PSALM
(AS THE HART PANTS)
Felix Mendelssohn
For solo Soprano and chorus. Time

formance, about twenty-five minutes.
O
FORTY-SIXTH
PSALM
(GOD IS OUR REFUGE)

Dudley Buck
Paper, .80
Boards, $1.00
GALLIA (MOTET)
Charles Gounod
Octavo No.
.35
7,200
John
Camp
.60
No. 5 a Tenor solo, No. 6 a quartet, and

a chorus. Time of performance, about
minutes. Orchestra string parts can be r
minutes.
Latin
about
A musicianly setting of the 46th Psalm, fo

chorus, and organ. Solo voices required
prano, Tenor, and Bass. Time
periorIna
forty-five minutes.
Orchestra parts ca
of
AND STRENGTH
This psalm has seven numbers, of which

is a chorus, No. 2 is a Soprano solo and d
quartet, No. 3 a Pass solo, No. 4 a
c
For Soprano solo, chorus, and organ.

English words. Time of performance,
GOD IS OUR REFUGE

S.
rented.
|
HEAR MY PRAYER
Felix TVendelssohn
Octavo No.
.12
7,21o
For Soprano solo and chorus. Time

ance, about fifteen minutes.
Orchestra
be purchased.
of
.40
I72
per
part
A sacred cantata composed for the Birmingham (England)
CITY
HOLY
festival of 1882. There are solos and plenty of good work

for all voices and chorus. The music is interesting, but
not too difficult. Solo voices required are Soprano, Alto,
Time of performance one hour and thirty minutes. Or -
Alfred R. Gaul
Paper, $1.00
Cloth, $1.25
"
Tenor, and Bass.

*chestra parts can be rented.
HYMN OF PRAISE
(Lobgesang)
Mendelssohn
Paper, .40
Boards, .60
HYMN OF THE NUNS

Op.
W.
No.
1o,
IN
-
6,285
for horns and pianoforte.

One of the standard chorus works. Very effective
for trained singers.
Time of performance, about
fifteen minutes.
CONSTANT ORDER
C. M. von Weber
.60
Solo voices required, two

For Soprano solo and chorus of womens voices,
with
Adolf Jensen
Octavo No.
.24
about forty-five minutes.

Sopranos and a Tenor.
purchased.
accompaniment
A short sacred cantata for soli and chorus.

Time of performance, thirty-five minutes.
Solo
voices required, Soprano, Alto, Tenor, Bass.
JOSEPH'S BONDAGE
J. T. Chadwick
it.
The music of this cantata is more difficult than that

of many others mentioned in our list, but will
Paper, .80
amply repay all who wish to study
There are
eighteen prominent characters and
chorus
mixed voices. The solo parts require four Sopranos, three Contraltos, six
Joseph
['enors, three Baritones, and one Bass. The character
for the
Bass voice. The cantata
three acts, with three scenes
each act, and
would
better
use regular stage scenery
the performance.
There
dialogue.
required
some
The costumes are ancient Jewish. Time
for
Derformance, about two hours. Full instructions
the book. Orchestra
is
in
in
in
to
be
is
in
of
of
s t
Felix
A new edition of this standard choral classic, much

used by singing societies.
Parts can be rented.
I73
Octavo No.
Quintet for Sopranos, Alto, Tenor, and Bass,

solos for Tenor and Bass, and accompanimen
organ.
performance, about ten minute
Time
of
JEHOVAH, HOW
MANY ARE THEY
Henry Purcell
3,930
.24
very impressive and beautiful vocal setting

poem,
well-known
which introduces
the h
Abide With Me; for solo Soprano and Bari
performance, about t
and mixed chorus.
Time
A.
LAST HYMN
George
Kies
Octavo No.
7,813
Orchestra parts can
minutes.
rented.
standard choral work, with solos for Soprano,

Tenor, and Bass. Time
performance, about one
and fifteen minutes.
Orchestra parts can be purcha
LAST JUDGMENT
of
Louis Spohr
.40
LAUDA SION (PRAISE JEHOVAH)

Felix Mendelssohn
is
of
one
the posthumous
publication,
setting
later
Paper, .60
the beautiful old Latin hy
English and Latin words are g
performance, about twentythe composition
not difficult. Time
required,
Alto,
Soprano,
Tenor, and Bass. Orche
minutes. Solo voices
For men's voices.

fifteen minutes.
Time
of
4,498
3,196
MIRAM'S
SONG OF TRIUMPH
Franz Schubert
Octavo No.
.30
7,977
of
of
standard
performan
powerful and spirit-stirring setting.

solo Soprano and chorus
mixed vo
performance, about twenty
Time
utes. Orchestra parts can be purchase
of
Octavo No.
.08
new engraved edition

this
for women's voices. Time
about fifteen minutes.
of
MY SHEPHERD
Franz Schubert
LORD
performance,
Octavo No.
.20
of
MY SHEPHERD
Franz Schubert
be
is
LORD
-a
of of
This
purchased.
IS
parts can
IS
be
of
.50
I74
* NINETY-EIGHTH
A beautiful work for double chorus, requiring

about fifteen minutes in rendering. Orchestra
PSALM
TO THE LORD)
: (SING
Felix Flendelssohn
-:
Paper, .20
Boards, .35
x
; :
A choral work requiring two solo Sopranos and

Tenor.
performance, about twenty
Time of
five minutes.
Orchestra parts can be pur
NINETY-FIFTH PSALM
(COME LET
US SING)
Felix T1endelssohn
chased.
Paper, .40
that dwelleth in the secret place,the

words of the ninety-first Psalm,
furnish the text
of
this
musical
work.
The
choruses
are not diffi
.60
cult. There are solos for Soprano, Alto, Tenor,
Time of performance, about fifty-five minutes. Orchestra parts
NINETY FIRST PSALM

L. W. Ballard
He
and Bass.
can be rented.
:ONE
HUNDRED AND
FOURTH PSALM
E. L. Gurney
8.
.80
An easy and melodious setting of this psalm, con
stituting a short cantata for soli, chorus, and

organ or orchestra.
Solo voices required, So
prano, Alto, Tenor, and Bass. Time of perform
ance, fifty minutes. Orchestra parts can be rented.
PAUL, THE APOSTLE

Eliot Trowbridge
J.
Paper, .80
Boards, $1.00
include also
An easy oratorio designed especially for choral

societies that do not feel competent to attempt
the great oratorios of the masters. Solo voices,
Soprano, Alto, Tenor, and Bass. The numbers
quartets for mixed and mens voices, choruses, etc. Time of

performance, about an hour and a half. Orchestra parts can be purchased.
PEACE OF JERUSALEM
J.
Eliot Trowbridge
.50
s:
Bass.
An easy cantata for soli, chorus and organ,

consisting of settings of the 121st and 122d
Psalms, with introduction and coda.
Solo
Alto,
required,
Soprano,
Tenor,
voices
and
forty minutes.
I75
A new edition of this popular work, revised and

larged, with additional matter, by J. C. Macy. T
"50
cantata is founded on incidents, real and suppos
Libretto, words only, 12 in the history of the Puritans, from the time shor
previous to their embarkment in the Mayflower to the famous treaty w
There is no dramatic action. The work is designed for singi
Massasoit.
classes, choral societies, etc., and as most of the choruses and quartets ar
Ti
a religious nature, we classify the work among sacred cantatas.
required,
Sopra
forty-five
performance,
minutes. Solo voices
about
of
Alto, Tenor, and three Basses.
PRAISE JEHOVAH (ONE HUNDRED

AND FORTY-NINTH PSALM)
Anton Dvorak
Octavo No.
.24
Mixed quartet or chorus. Suita

for experienced vocal societies. T
of performance, about ten minutes
3,900
PRAYER AND
PRAISE
W.
Ballard
L.
Scriptural selections, effectively set to music

Accompaniment for piano
chorus-choirs.
organ. Solos for Soprano, Alto, Tenor and B
performance, about thirty-five minu
Time
rented.
Orchestra parts can
be
of
.50
scriptural cantata for soli, chorus, and orc

piano, graphically telling the bib
Blodgett
tra,
Benjamin
melodiously interesting music.
story
$1.00
required,
Soprano, Alto, two Tenors,
voices
performance, f
tone, and Bass.
rented. Time
Orchestra parts can
five minutes.
fit
as to
a
Paper, .75
The words are selected from the Scriptures, and

admirably
the pathetic story.
the music
opening chorus
Like
Father Pitieth His
176
of
as
prepares the way for the narrative.

including solos for Soprano, Alto, Te
eighteen
numbers,
There are
May, perhaps, be classed am
and Bass, duets, quartets, and choruses.
perfo
among
appropriately
cantatas. Time
the easier oratorios
ance, about one hour and thirty minutes.
Orchestra parts can be purcha
dren.
as
PRODIGAL SON
Arthur Sullivan
of
be
in
or
c.
PRODIGAL SON
PILGRIM FATHERS
Geo. F. Root
There are eleven leading characters in this cantata (which

D. F. Hodges
is similar in style to Esther), requiring one Soprano,
.65
one Mezzo-Soprano, one Contralto, two Baritones, four
:
Tenors, and two Basses, with a mixed chorus. The stage
:setting and costuming (ancient Jewish) need not be expensive. It is an
excellent work for amateurs and will occupy about two hours' time for
performance.
Full instructions in book. Orchestra parts can be rented.
REBECCA
|
*
REBEKAH
Joseph Barnby
It is suitable
for singing societies, chorus-choirs, and simi

organizations.
lar
s
work,
The
which is not a long or very difficult one, requires a good So
*
prano soloist, a good Tenor, and a strong Bass.

The choruses are for mixed voices. Piano or organ accompaniment.
Time of performance, about forty-five minutes. Orchestra parts can be
Purchased.
.40
*EDEMPTION HYMN
2.
J. - C. D. Parker
.32
RUTH
\lfred R. Gaul
.75
Time of per
Orchestra parts
A powerful chorus, with Alto solo.

formance,
about fifteen
can be purchased.
cantata for
minutes.
soli and chorus, requiring two solo Sopranos,
Contralto, and Bass. Time of performance, forty minutes.

2.
Bible story of Ruth, Naomi, and

2 ben
A. Andrews
Boaz receives in this cantata an excellent musical
Paper, .50
illustration. There are five leading roles: Ruth,
Libretto, . 10
:Soprano;
Naomi, Mezzo-Soprano; Orpah, Con
Boaz, Bass; Overseer, Tenor; and there is a chorus of Moabites,
* ralto;
RUTH AND
The
BOAZ
beautiful
of
is
sery
a is
of
ethlehemites, and reapers.

The costumes are
the ancient Jewish
difficult,
yet
pleasing.
tyle. The music not
effective and
The cantata
performance
any
company
singers,
by
ze11 worth
amateur
and makes
...
in
be
enjoyable and instructive evening's performance.

Full instructions
>r performing will
found
the book. Orchestra parts can
rented.
be
*
A
Scriptural Idyl'' by Arthur Matthison, set to

music by Joseph Barnby, the famous English composer.
This is
177
The beautiful scriptural idyl set to appropr

music in a masterly manner, for soli, chorus,
piano
orchestra. Solo voices required, Sop
Alto, Tenor, and Bass. Time
performance,
RUTH AND NAOMI.

Leopold Damrosch
of
or
Cloth, $1.00
SEVEN LAST WORDS

OF CHRIST
Theodore Dubois
formance, forty-five minutes.
in
(NINETY-EIGHTH PSALM)
Felix Mendelssohn
beautiful work for double chorus, req

rendering. O
about fifteen minutes
TO THE LORD
Paper, .20
Boards, .35
MATER
Gioachino Rossini
Paper, .40
Cloth, $1.00
Paper, $1.00
Cloth, $1.50
sacred cantata for singing societies, requiring s

prano, Alto, Tenor, and Bass.
perform
Time
forty-five
parts
about
minutes. Orchestra
can be
of
TEN VIRGINS
Alfred R. Gaul
New edition
this standard favorite. Time
formance, about forty-five minutes. Solo voic
quired, two Sopranos, Tenor and Bass.
Orc
of
STABAT
fine choral work, suitable for singin

The words have been selected fr
Paper, $1.00
Scriptures, and relate
the period
Boards, $1.25
captivity under Nebuchadnezzar.
Th
Cloth, $1.50
ing solos are for Soprano, Bass, Teno
Alto, with choruses for mixed voices. This beautiful work has bee
England and America
some
the leading musical associations
purchased.
music
not very difficult. Orchestra parts can
eties.
to
THREE HOLY CHILDREN

C. Villiers Stanford
is
be
in
of
by
.75
SING
cantata for soli, chorus, and orchestra,

Latin and English text. Solo voices requ
Soprano, Tenor, and Baritone.
Time
hour.
178
.
#:
TRANSIENT AND ETERNAL

Andreas Romberg
.25
WHAT MADNESS STIRS

HEATHENT
(PSALM
Op. 78, No.
[[:
*.
TWO)
impressive and solemn ode or can

tata. Soprano, Tenor and Bass solos, and
choruses for mixed voices.
In eight parts for two choirs.

performance,
Time of
about fifteen minutes.
Felix Fiendelssohn
Octavo No.
.20
7,078
'HO WAS AND IS

.J. von Lindpainter
re
THE
Very
Octavo No.
.32
7,072
A choral work with
solos for Soprano,
Alto and
Accompani
Bass, introducing the Lord's Prayer.

ment for organ or piano. Time of performance,
about twenty minutes.
WOMAN OF SAMARIA
William Sterndale Bennett
The short interview between Jesus and the

woman at Jacob's well is made the occasion
Paper, $1.00
of about ten choruses, airs, recitatives, etc.,
Boards, $1.25
*
all forming an interesting short oratorio.
Cloth, $1.50
Among the choruses are: Therefore with
S.
y Shall Ye Draw Water from the Wells of Salvation, God Is a Spirit,
"d Abide with Me. There are solos for Soprano, Alto, Tenor, and Bass,
d choruses, etc., for a full company of singers. Music which is not very
fficult, and yet worthy of study. Time of performance, about one hour.
'chestra parts can be purchased.
i.
I79
SECULAR
Oratorios......
.........................
Sacred Cantatas.
ATHALIE
CANTATAS
.. .. . .. ...... .. ..... . ..
page
**
163.
168.
Although published after the death of the au

it is a complete composition, and Mendelssohn,
ing, might have enlarged, but probably would
otherwise have changed
Founded on Rac
Felix Mendelssohn
it.
Paper, .75
Boards, $1.00
-- -
From The seasons"
Joseph Haydn
Tenor, and Bass, and
ch
.40
AWAKENING OF SPRING
Theodor Gouvry
7,209
7,211
BECALMED AT SEA, AND

PROSPEROUS VOYAGE
Ludwig van Beethoven
Octavo No.
.10
7,945
chorus for mixed voices,
which
Octavo No.
.80
For solo Soprano and Baritone and cho

very effective work for
men's voices.
societies.
Piano accompaniment. Time
formance, forty-five minutes.
in
BATTLE OF THE HUNS

Heinrich Zllner
of of
8,571
.20
Octavo No.
patriotic ballad for solo Soprano, chorus

setting
orchestra.
the poem by John
performance, about
leaf Whittier. Time
parts
minutes.
Orchestra
can be rented.
BARBARA FRIETCHIE
Jules Jordan
Octavo No.
.50
Cantata for solo Soprano and chorus

voices. Piano accompaniment.
the subsequent coming of th

come wind are most admirably contra
performance,
Time
about six mi
parts
Orchestra
can be purchased.
sea and
of
--
Requiring solo Soprano,
AUTUMN
tragedy.
18O
BEETHOVEN'S
CHORAL FANTASIA
udwig van Beethoven
Octavo No.
.16
4,547
*IRCHES AND ALDERS
Max Bruch
Octavo No.
7,205
.40
One of the standard modern
choral works for

solo Soprano and chorus, with piano accom
paniment. Time of performance, about fifteen
minutes.
A ballad, from the German of Uhland, for solo

Baritone, chorus of men's voices, and orchestra. Time
BLIND KING
C. D. Parker
s'
The vocal parts complete, Handel and Haydn

Society edition. German and English words,
the latter by Natalia Macfarren.
of performance,
.30
*JILDING
OF THE SHIP
Henry Lahee
i-
.60
d fifteen minutes.
*JRNING SHIP
$. F. Baker
:*:
.65
about ten minutes.
A very popular cantata for mixed chorus and

soli.
The text from Longfellow's poem.
Solo voices, Soprano, Alto, Tenor, Baritone,

and Bass. Time of performance, one hour
A thrilling
musically depicted. Solos for So

prano, Tenor, and Bass, and spirited choruses for mens
voices and for mixed voices. Music moderately difficult.
sea scene,
This
is a romantic cantata, the words from Ossian.

=ls W. Gade
The weird music accompanying the marches of the
Paper,
warriors, the flight of the spirits, the terror and death
*
.75
oards, $1.00
of the hero, is of the most impressive character. Solos
Mezzo-Soprano, Alto, and Bass, with splendid choruses for mixed and
ns voices. Music rather difficult.
COMALA
*
* RUSADERS
'ls W.
Gade
A cantata for solo Soprano, Tenor and Pass, and chorus.

Time of performance, one hour and ten minutes.
.75
&
I8I
A very beautiful setting of the poem by Joseph Rodma

Drake. The music is for women's voices only, and is
medium difficulty.
CULPRIT FAY
J. L. Ensign
.80
A symphonic ode for men's voices.
of
of
of
is
mixed voices.
Time
Orche
of
unison.
The old Danish legend

the Erl-King
admirable musical treatment in this celebr
called
work by Gade. The ballad,
found favor with the leading singing socie
is
it
.50
Sp
The solo part ca

performance, a
as
Niels W. Gade
in
by
Sopranos
sung
six minutes.
ERL-KING'S DAUGHTER
laid in
of
Octavo No.
.24
chorus
For solo Soprano and mixed chorus.
182
is
as
favorite on programs.
The Baritone sustains the principal
though there
large
work for all voices and
chorus as des
performance, about forty-five minutes.
Time
Orchestra parts ca
purchased.
and
of
6,847
the times
high order and worth

study by the best singers. There sho
be Soprano, Mezzo-Soprano, or Contra
The music
Tenor, Baritone, and Bass soloists, and

ELEGY
Joachim Raff
to
Crusades, and the

scene
a
Paper, $1.00
Boards, $1.25
Choruses (separate), .60
This legend belongs
of
DON MUNIO (LEGEND OF).

Dudley Buck
of
6,392
is
J.
Octavo No.
.20
Suitable for the gr

young
uation exercises
ladies schoo
accompaniment.
Piano
For womens voices.
OF PRIZES
Eykens
DISTRIBUTION
is
is
of
of
in
or
an
The music of th
composition is somewhat descriptive in its character,
beautifully illustrates the morning devotions
Octavo No. 4,809
A
.30
bian company
caravan
the desert, the march,
night rest, sunrise, departure
the caravan, etc., all affording excelle
opportunities for displaying the abilities
men's singing clubs and so
eties. The music
medium difficulty.
DESERT
Felicien David
A new and revised edition with English and German

words.
This story is the thrilling one of the siege of
AIR ELLEN
T1ax
Bruch
Lucknow, where Highland Ellen heard, in the far

distance, the bagpipes of the advancing host that were
5ming to rescue the beleagured garrison. The Soprano sustains the prin
ipal part; a solo Bass is also required. Time of performance, about twenty
linutes. Orchestra parts can be purchased.
.40
3.
->
AIR
MELUSINA
* H. Hofmann
Octavo No. 7,204

.75
A beautiful setting of the old legend for solo Soprano,

Baritone, Alto, two Basses, and mixed chorus, with
piano accompaniment. Time of performance, about one
hour. Orchestra parts can be purchased.
RST WALPURGIS NIGHT
Felix Mendelssohn
Paper, .40
Cloth, .80
HIAWATHA
ederick R. Burton
There
are solos for

Basses, and choruses
voices.
minutes.
Alto, Tenor, and
tWO
for men's and mixed

Time of performance, about forty
In his preface to this interesting setting of parts
poem, the composer

from Longfellow's
says:
regard the poem as a narrative and the
e
chorus, soloists and orchestra as narrators. The
Dst important events in Hiawathas life, as described in the poem, were
e battle with Mudjekeewis, the wooing of Minnehaha, the loss of his wife
ring the famine, and his mystical departure from his people to take his
* ace among the immortals.
These events, including a suggestion of the
*tivities attending Hiawatha's wedding, and the prophet's gloomy vision
the future of his race, have been chosen as the salient points in the story
setting.
musical
Solo voices required, Soprano, Alto, Tenor, and
V
$1.50
ss.
selected
2.
*
LIDAY SCENES IN
KARINTHIA
.*
)
* Thomas
..
For solo Soprano and chorus of men's voices.
One of the favorites with men's singing societies.
Koschat
Octavo No.
7,208
.40
183
IDYLL
Friedrich Kiel
Octavo No.
.40
For solo Tenor and Baritone and mixed chorus.

tiful choral work, with piano accompaniment.
Ti
performance, about fifteen minutes.
7,199
A choral work for soli and chorus that to

first prize
the Musical Record competitio
K.
in
IN MUSIC'S PRAISE
Henry
Hadley
which Messrs. Horatio Parker, Arthur Foot

judges. The fre
Reinhold Herman acted
and vigor
the work, its highly attractive musical quality and tho
practicability ensures
hearty welcome for choral conductors looki
the best American works. Its initial performance was given with
success by the People's Choral Union
New York, -1,ooo voices,
the direction
Frank Damrosch. Solo voices required, Soprano
Tenor, and Bass. Time
performance, forty minutes. Orchestra pa
be rented.
of
of
of
of
of
Rogers
.75
cantata for women's voices, requir

solo Sopranos, one Mezzo-Soprano, t
traltos, and chorus
women. Time
formance, one hour.
of
KING RENE'S DAUGHTER

Henry Smart
hour very pleasantly.
of
of
.50
humorous cantata, being

musical set
Cowper's poem.
There
no acting.
Th
large class
suitable for
mixed voice
competent Soprano, Alto, Tenor, and Bass
Music
medium difficulty, which will oc
performance, about twenty-five minut
Time
is
JOHN GILPIN; OR,

THE RIDE TO WARE
$1.00
Edmund
new edition
this well-known and favorite
cal cantata.
For soli, chorus, and orchestra (o
accompaniment). Solo voices, Soprano, Teno
one or two Baritones.
OF ARC
Alfred R. Gaul
is
JOAN
it
of
as
Paper, $1.00
184
ALARCHEN OF EBERSTEIN
Op. 97
Josef Rheinberger
Octavo
No.
.30
4,857
*AGUE OF THE ALPS

ve
Carl
Being voice parts alone of this cantata,

which requires two solo Sopranos, a solo
Alto and Tenor, with mixed chorus.
Busch
$1.25
The spirited poem of this work is based upon a

very dramatic episode in the heroic history of the
little land of mountains and lakes. It is highly
picturesque, and is a good opportunity for a com
ser. In this case the setting is sympathetic, the cantata is resourceful,

ply diversified, and vivid. The treatment is modern in that, among
er things, it follows the text in narrative style, with ingenious and felici
is continuity, rather than in separate and elaborated numbers. The work
'not difficult for an average chorus under good training. It is written with
*perience of all the resources employed. Moreover, there are, as might be
pected of a composer of Mr. Buschs quality, such readiness in modula
n, in general harmonic richness, and melodic eloquence, even in the
and the accompaniment, that the musician is constantly inter
ed. Solo voices, Soprano, Alto, Tenor, Bass. Time of performance, one
ir and a quarter. Orchestra parts can be rented.
1er voices,
:
:
LORELY
Iix Mendelssohn
Lorely,
of is,
fragment from the unfinished opera,

however, complete
itself, and the strange story
.40
the siren of the Rhine here adds interest to the music.
The music
divided
follows: Ave Maria,
trio
voices; Vintage Song, chorus for men's voices; Finale, solo and
* female
performance, about twenty min
rus. Solo Soprano required. Time
of
as
in
is
Octavo No.
.40
hestra or
10,1or
in
of
stirring setting
an old English ballad (Rus
tic Dance)
6-8 dance rhythm throughout, for
mixed chorus, with four-hand piano accompani
ment.
Time
band parts can be rented.
185
of
$7
MAY DAY
ederick Stevenson
performance,
about six minutes.
William
MAY QUEEN
Bennett
Sterndale
Paper, .75
Boards, $1.00
Cloth, $1.25
Choruses (separate), .50
MEMOIRS OF A PIANO
L.
Lackenbacher
Octavo No.
.40
7,207
MORNING
Franz Ries
octavo
No.
.30
8,305
A beautiful pastoral cantata for solo So

prano, Alto, Tenor, and Bass, with chorus
of mixed voices. The music is not very
difficult. Time of performance,
about
fift y minutes.
parts
Orchestra
can be
purchased.
men's choruses.
A very successful and
part-song
effective humorous
of the larger sort
for men's voices. Piano accompaniment.
For
A cantata, with solos for Soprano and Bass, and plenty of

work for a good chorus of mixed voices and a trio of
womens voices. The music is not difficult. Time of per
formance, about six minutes.
NINTH SYMPHONY
L. van Beethoven.
Society edition.).
do.
Vocal parts (complete). (Handel and Haydn

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Vocal parts (separate).
OLD CLOCK ON THE STAIRS

Frederic H. Pease
.40
POWER OF SONG
Otto Singer
Octavo No.
.50
7,314
(Jubilee edition.)
Each
-35
.. .. . . . .
..IO
. .
A short cantata for mixed quartet, womens

chorus, and mixed chorus, with solos for
Soprano, Alto, and Tenor. An interesting
setting of Longfellow's well-known poem.
Schiller's poem in a fine musical setting for solo Tenor

and chorus of mixed voices.
German and English
words. Piano accompaniment.
about twenty-five minutes.
186
OF
For two Tenors and Bass,

and Contralto. The music
FRIENDSHIP
W. A. Mozart
and not very difficult.

about ten minutes.
8,306
This
REBEKAH
Joseph Barnby
Time
Scriptural Idyll by Arthur Matthison, set

Joseph Barnby, the famous English composer.
to
Octavo No.
.20
two Sopranos
very beautiful,
performance,
is or
PRAISE
of
is
by a
5.
music
suitable for singing societies, chorus-choirs, and simi
lar organizations.
very difficult one, requires good So
The work, which
not long
strong Bass.
prano soloist,
good Tenor, and
organ accompaniment.
The choruses are for mixed voices. Piano
performance, about forty-five minutes.
Time
purchased.
a
or
of
RITORNELS
Robert Schumann
Octavo No.
.20
ROLANDS
Seven numbers in one collection.
HORN
For men's voices with solos for Tenor and Bass, with
piano accompaniment.
very spirited and pleasing
perform
singing
work for men's
societies.
Time
ance, about twenty minutes. Orchestra parts can be
of
Octavo No.
.75
For men's voices.
7,074
F. W. Markull
7,202
MAIDEN
Frederic H. Cowen
Op. No.
143
Joseph Rheinberger
Octavo No.
.24
6,855
of
of
HILDESHEIM
the most attractive

the modern
favorites; for mens voices with piano accom
paniment. Time
performance, about six
minutes.
One
of
.*
OF
of
ROSES
cantata for large singing societies.

fine edition
perform
this standard English work. Time
ance, about one hour and forty-five minutes. Solo
$1.00
Alto, Tenor, Bass. Orchestra parts can be rented.
required,
Soprano,
voices
ROSE
of A
.."
rented.
or
is
is
It
.40
187
CECILIA'S DAY
Johannes B. Van Bree
ST.
Paper, .40
Cloth, .80
Time
of performance,
purchased.
SEASONS
Joseph Haydn
Paper, $1.00
Boards, $1.25
Cloth, $1.50
The festival of the musical saint is here worthily

celebrated.
Excellent words and music, an
nothing very difficult. Solos for Soprano an
Tenor, and choruses for mixed and mens voice
about thirty minutes.
Orchestra parts can b
This familiar classic requires solo Soprano, Tenor,

Bass.
SLEIGHING FROLIC
Music by
Frederic Field Bullard and

Grace Mayhew
.20
SONG OF THE BELL

Andreas Romberg
an
A short descriptive cantata for women's voice

The music, while bright and melodious
attractive, is comparatively easy. Time
performance, fifteen minutes.
Solo voice r
quired, Soprano.
A setting of the poem by Schiller.
A marked
fe
ture of this edition of The Song of the Bell

Boards, .40
the translation, which is most admirable, and whic
has won the praise of all experienced persons w
have examined the book. To Hon. Samuel A. Eliot we are indebted f
this English version.
The various stages of the moulding, the casting and raising of the b
are made the occasion of the most beautiful descriptions by the poet, who
admirably interpreted by the composer. The cantata has many beautifu
"
passages, none more so than the last ones, where the completed
out clearly, Peace, its first, its first and latest sound.
The leading solo part is for Baritone, but there also solos
.
-
and Tenor, and spirited choruses for mixed voices.
difficult.
188
ring
for Sopran
The music is not ve
Time of performance, about thirty-five minutes.
can be purchased.
work
Orchestra par
Joseph Haydn
is,
This is the best known of The Seasons, and breathes

the very spirit of the time so longed for. The com
SPRING
From The seasons
with many, too long

part
requires
for concert use. This
about thirty min
utes in rendering, and contains solos for Soprano, Tenor, and Bass. Orchestra
plete work of
MESSAGE
(Frhlings-Botschaft.)
short cantata, with English and German words.

one continued chorus, interspersed with brief
performance, about ten min
duets, etc. Time
utes. Orchestra parts can be purchased.
of
Niels W. Gade
very spirited short cantata, with Soprano, Bass,

and Tenor solos, quartet for men's voices, choruses
for mixed voices. Music not difficult.
STORM KING
B. F. Baker
.40
ing
performance, fifteen
the choir. Time
quired, Soprano. Orchestra parts can
rented.
be
of
7,206
of
of
Octavo No.
.35
Solo voice
re
Longfellow's poem.
splendid setting
For solo Soprano, Alto, Tenor, and Bass,
performance,
and mixed chorus.
Time
about twenty minutes. Orchestra parts
can be purchased.
WRECK OF THE HESPERUS

Thomas Anderton
minutes.
189
of
at
as
F.
of
very interesting and musicianly setting

Longfellow's poem, for mixed chorus (and short
Soprano obbligato), with piano, organ, and anvil
.40
accompaniment. The numerous admirable effects
available are appropriately introduced, such
the sounds
the forge, the
church bells, the church organ, and the voice
the smith's daughter sing-
WILLAGE BLACKSMITH
Noyes
Charles
in
.20
THE
The Seasons
is
SPRING'S
It A
.40
OPECRLAS
VOCAL SCORLES
Light
Operas......................................
Orchestra
Parts of Operas, Operettas, Cantatas,
- - - - - - - - - - - - - - page 193
etc............ page
GRLAND
AiDAGiuseppe
Verdi...................................
acts, with Italian and

adapted by T. T. Barker.
business and stage directions,

CARMEN --Georges Bizet.

In four acts.
by
. . . . . . . . . . . . . .
Leon Keach.
..
.. ...
J.
Paper,
. . . . . . . . . . . . . .
The Ditson copyright edition of this famous work.

translation by
English
C. Macy.
(SCENES FROM) Jacopo Peri. The Ancient Music

public.
Drama Euridice was the first opera ever performed
in
EUR.IDICE
of
musical history.
190
of
to
to
is
of
It
so
if
to in
be
in
of
was given
the year 16oo. This edition, consisting
singing
some
the best scenes
the opera, will
use
colleges. (The scenes can be given
societies, and especially
by women alone,
special interest
desired.)
the
student
2.2
I.OO
Orchestra
.. .. . . .. .. . .
CAVALLERIA RUSTICANA Pietro Mascagni......
of
$2.0
English text; translated and
BOHEMIAN GIRL
M. W. Balfe. . . . . . . . . . . . . . . . . . . . . . . . . . . . Paper,
In three acts. Full libretto, including dialogue, adapted, with
It
In four
Paper,
Boards,
1.5
I.0
'AUST-Charles Gounod....................................
Paper,
English and Italian words.
In five acts.
RIEND FRITZ (LAMICO FRITZ) Pietro Mascagni...........
I.O.O.
Translated and adapted by Willard G. Day.
*
*
AKMLeo
In
Delibes
three acts.
: ARITANA William
In three
text.
....................................... Paper,
I.6o
With English text.
acts.
Vincent Wallace . .
. . . . . . . . . . . . . . . .
Dialogue and stage business
complete.
{#.
English
Paper,
I.5o
I.75
ARTHAFriedrich von Flotow........................... Paper,

In four acts. With Italian, German, and English words, and
recitative.
EFISTOFELE
In four acts.
Arrigo Boito.
. . . . . . . . . . . . . . . . . . . .. .. . .
Translated and adapted
With recitative.
GNON
In
Ambroise Thomas......
.. ..
.. .. ... . ... . . . . . .. . . .. . . ..
Camille
Saint-Sans.
* In three acts, with English text by M.
J.
Paper,
2.OO
by Theodore T. Barker.
three acts. Italian and English text and dialogue.

and adapted by Theodore T. Barker . . . . . . . . . . . .
MSON AND DELILAH
Paper,
2.OO
Translated
. . . . . . . . . . ..
. . . . . . . . . .. . . . . . .
Choruses,
2.50
I.OO
Barnett.
#.
to:
:
In three
RADELLA
s
I.OO
acts.
Friedrich von
Flotow......................
I9I
Paper,
I.OO
TROVATORE (IL)Giuseppe
English adaptation by Theodore
T.
Verdi............ . .
I92
Barker.
Paper,
With recitatives.
. . .
10.
. .. .. .
LIGHT OPERAS
Grand Operas............................................................. .page 190
Operettas. . . . . . . . . . . . . . . . . . . . . . ...................................... . . . . . . . . page 202
Orchestra Parts of Operas, Operettas, Cantatas, etc . . . . . . . . . . . . . . . . . . . . . page
The following works require actors and singers of some experience, and should have
correct costuming and good scenery if possible.
BELLS OF CORNEVILLE (CHIMES OF NORMANDY)

Planquette .
In three
. . . .
. ...... .... .... .
. . . . . . . .
.....
. . . . . . . . . . . .
acts.
BILLEE TAYLOR
Edward Solomon.
. . . . . . . . . . . . . . . .
Words by Henry P. Stephens.
ROCCACCIO;
OR, PRINCE OF PALERMO
-
Robert
Paper
Franz
von Supp,
Paper,
In three acts. With English translation and adaptation by Dexter
Smith. The libretto has been thoroughly revised.
CLOVER
Franz
CONTINENTALS
von Supp
. . . . . . . . . . . . . . . . . . . . . . .
Selections from
George H. Hayes...............................
I.50
.5O
.25
2.OO
.25
I.5O
American comic opera in three acts.
FANTINE
Bernicat and Messager.
. . . . . . .
Complete Vocal Score,

Selections,
Sung by the Boston Ideals under the title of Victor, the Blue
Stocking. This edition contains the full piano score, Eng
lish words, and stage directions.
I93
I.OO
.25
Paper,
Boards,
Selections,
In three acts. German, Italian, and English words. English
translation by T. T. Barker. Orchestra parts can be rented.
FATINITZA
Franz von
HEART AND HAND

In
three acts.
Supp.
.... . . . .... . . . .. ..
Charles Lecocq ...
. . .
. . . . . . . . . . . . . . . . .
Translated and adapted by Theodore T. Barker.
INFANTA'S DOLLS (LES PoUPES DE L'INFANTE) charles

Grissart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
In three acts and four tableaux, with English text and dialogue
complete.
Translated and adapted by Theodore T. Barker.
LITTLE DUKE
Charles
Lecocq .
. . ..
. .
. .
. .
..
Paper,
Translated and adapted by Fred Williams and T. R. Sullivan.

Complete vocal score, with dialogue and stage business.
LOVELY GALATEA
Franz von Supp. . . . . . . . . . . . . . . . . . . . . . . . . .
A charming operetta in two acts, requiring but four acting char
acters. It is founded upon the old Greek mythological story
of Galatea, and the characters represent Galatea, Ganymede,
Pygmalion, and Midas. Full piano score and English words.
LOVE'S VOW (LE SERMENT DAMOUR)

In three acts.
MADAME
In
Edmond
The English words and adaptations by B.
FAVART
Jacques
Offenbach.
three acts. English adaptation by

and stage directions.
I94
. . . . . . . . . . .
Audran,
E. Woolf.
H. B. Farnie, with dialogue
IANOLA; OR, THE DAY AND THE NIGHT (La Jour

Charles
In
Lecocq
three acts.
. . .. .
. . .
.. .
. .
et la
Nuit)
. . . .. .. . . .... . . .. .... . ..
. . .
Woolf, with dialogue.
r:
Edmond
IASCOT (LA MASCOTTE)

In three acts. Translated and
Audran.
. . . . .
adapted by Theodore
dialogue and stage directions.
. .
Translated and adapted from the French by B.
I.50
E.
.50
.25
T. Barker, with
IOUSQUETAIRES, LES (THE MUSKETEERS)

Louis Varney,
* In two acts. English adaptation by H. B. Farnie.
ADIY F.
Chassaigne
:
BispAH (HASTY
In
.
Edmond
PINAFORE
*
-- Atkinson
Words
W. S. Gilbert.
Orchestra
two acts.
-
Prologue and
I95
Arthur
.25
I.OO
.25
.50
.25
Orchestra
Selections,
IDA ; OR, CASTLE ADAMANT
Words by W. S. Gilbert.
selections,
and Thompson,
Selections,
. . . . . . . . . . . . . . . . . . . . . . .
Arthur S. Sullivan...........
by
PRINCESS
Audran .
- - - - - Vocal
three acts. English adaptation by H. B. Farnie.

:1
-- -- -- ---- -- -- -
PUDDING PLAY)
&
LIVETTE
-- -- -- --
.5O
.25
Sullivan,
Paper,
| Selections,
I.O.O.
Paper,
.25
RIP VAN wiNKLE-Jules Jordan....................! So!"Plete,

Selections,
1
2.0
Romantic opera comedy in three acts. Words and music by Jules

Jordan. Orchestra parts can be rented.
SORCERER
Arthur
S.
Sullivan.....................
Words by W. S. Gilbert. Dialogue and stage directions.

tra parts can be rented.
SUZETTE
Oscar
Weil. . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . .
In three acts.
Orches
.(Complete,
\ Selections,
TARANTELLA (LA); OR, THE QUEEN OF THE CARNIVAL

Edward Jakobowski
. . . . . . . . . . . . . . . . . . . . . . .. . . . . .
Words by Alfred Murray.
VICTOR, THE BLUE STOCKING
Bernicat
and Messager,
Also known as Fantine.
y Complete Vocal Score,
l Selections,
Sung by the Boston Ideals. This edition contains the full piano
score, English words, and stage directions.
Harold
Tappin, oo ...... By mail, postpaid,

The Hasty Pudding Clubs annual play is one of the chief
Wytche
events of college life at Harvard University.
Hazelle, the play for 1900, was given twice in Cambridge and
four times in Boston with great success. The song hits of the
play are a11 included in the vocal score. Libretto and lyrics
by J. H. Halliday, oo and E. L. Dudley, oo.
WYTCHE HAZELLE
VOCAL COLLECTIONS OF OPERA

MUSIC
FORTY-FIVE OPERA CHORUSES
Compiled by
Edwin Bruce
Selected and arranged from some of the

most popular works of Rossini, Auber,
Bellini, Donizetti, Gounod, Verdi,
$1.75
Flo
tow, Spontini, Wagner, Herold, Bishop,

Balfe, Benedict, and others, forming a valuable collection for societies, con
ventions, and singing schools.
Accompaniments for the piano.
Such
numbers as the following will be found in this collection : All Honor and
Praise, Masaniello, Bend Before High Heaven, Enchantress, Father
Supreme, Zampa, Ah, Happy Day! Lucia ; To Horse ! Ernani,
Were Gipsies Gay, Traviata, together with many others of similar
character.
OPERA AND CANTATA CHORUSES

Creation. Joseph Haydn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Doctor of Alcantara. Julius Eichberg . . . . . . . . . . . . . . . . . . . . . . . Don Munio (Legend of). Dudley Buck . . . . . . . . . . . . . . . . . . . . . . .
May Queen.
Sterndale Bennett.
. . . . . . . . . . . . . . . .
of
trios,
- - -
.5O
.6o
.50
quintets,
solos and choruses, selected and arranged
E. L. White and J. E. Gould from the works of Von Weber, Rossini,
$1.75
Meyerbeer, Bellini, Benedict, Donizetti,
Mercadante, Auber, Balfe, Verdi, and Bishop, forming an interesting and
valuable work for societies, advanced schools, and clubs. Accompaniments
for piano. There are twenty or more selections from Rossini's operas, four
from Donizetti, five from Balfe, three from Bellini, two from Meyerbeer, and
selections from operas by Verdi, Mercadante, Von Weber, and Auber, with
OPERA CHORUS BOOK
Consisting
- - - - - - - - -
.50
quartets,
words specially written and adapted for the work; two hundred and twenty
three pages.
197
OPERATIC
A selection of
solos, duets, and
trios from
Giovanni, Il Flauto Magico, Der Freisch
Lucrezia Borgia, Somnambula, Norm
Lucia di Lammermoor, I Lombardi, I Martiri, Trovato
Traviata, Martha, Don Pasquale, Ernani, Huguenots,
vorita, Masked Ball, etc., with English and Italian words and
accompaniment. Two hundred pages, sheet-music size.
PEARLS
Boards, $2.00
198
LIBRLETTOS
k:
GRAND OPERAS, WITH MUSIC
sex
Each, .25
*English words only.
* English
and German words.

and French words.
Those not starred have English and
*English
Martha.
Masked
Africaine.
Aida.
Italian words.
Ba11.
Singer (Wagner).
* Master
Mephistofele.
Barber of Seville.
Bohemian Girl.
Carmen.
Cavalleria Rusticana.
*** Damnation of Faust.
Dinorah.
Don Giovanni.
Don Pasquale.
*** Elaine.
* Merry Wives of Windsor.

Mignon.
Mirella.
Norma.
Orpheus (Gluck).
Otello (Rossini).
Otello (Verdi.)
Poliuto.
Prophete.
Puritani.
Ernani.
Faust.
Favorita.
* Queen
** Fidelio.
* Flying Dutchman.
of Sheba.
Rigoletto.
Robert le Diable.
Flying Dutchman.
* Freischtz.
Romeo and Juliet (Bellini).

Romeo and Juliet (Gounod).
* Rose of Castile.
Samson and Delilah.
Satanella.
Semiramide.
Siegfried.
Sonnambula.
Tannhuser.
Traviata.
** Tristan and Isolde.
Trovatore.
** Freischtz.
Giaconda.
Gtterdammerung.
Huguenots.
Jewess.
Lakm.
Linda di Chamounix.
** Lohengrin.
Lucrezia Borgia.
Lucia di Lammermoor.
*
*
Magic Flute.
*** Manon.
* Maritana.
**Walkre.
William Tell.
Marriage of Figaro.
Zampa.
I99
LIGHT OPERLAS, WITH MUSIC

Each, .25
Fra Diavolo.
*** Girofl-Girofla.
*** Grande Duchesse.
* Bells of Corneville.
*** Belle Helene.
*** Blue Beard.
* Fatinitza.
*** Fille de Madame Angot.
Fille du Regiment.
* Orpheus (Offenbach).
*** Perichole.
LIGHT OPERAS WITHOUT MUSIC

English words only.

Each, .15
Belle Coquette.
Madelon.
Manola.
Mikado.
Cox and Box.

Doctor of Alcantara.
Dorothy.
Erminie.
Friend Fritz.
Gillette.
Heart and Hand.
Infanta's Dolls.
Ivanhoe.
Lovely Galatea.
ILoves Vow.
Madame Favart.
Musketeers.
Boccaccio.
Bride of Messina.
Nadjy.
Orpheus (Offenbach).
Postillion of Lonjumeau.
Princesse de Trebizonde.
Reine Topaze.
Ruddygore.
Ruy Blas.
Sleeping Queen.
Son and Stranger.
Yeomen of the Guard.
Each,
. 10
Billee Taylor.
Claude Duval.
Olivette.
Palomita.
Pauline.
Pinafore.
Don Munio (Legend of).

Heroes of 76.
Hiawatha.
Robinsonade.
Ruth and Boaz.
Sorcerer.
Spectre Knight.
Little Duke.
Mascot.
Maud Irving.
Nanon.
Widow.
2OO
GRLAND OPERLAS
Each, .15
Paul and Virginia.
Hamlet.
Lakm.
Masaniello.
Ostrolenka.
Poliuto.
Stradella.
Zampa.
ORATORIOS
Creation.
Passion Music.
Redemption.
Elijah.
Judas Maccabaeus.
Samson.
Messiah.
Stabat Mater.
St. Paul.
in
Egypt.
Moses
Naamann.
Bach,
...
CANTATAS
::
Each, .25
Athalie.
Daniel.
Esther.
12
Flower Queen.
Haymaker.
Pilgrim Fathers.
2O1
OPERLETTAS
EOR ADULTS
(AMATEURS)
Operettas for Girls Voices ..................................... page 209

Operettas for Children... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 213
Operettas especially for Christmas....... . . . . . . . . . . . . . . . . . . . . . page 226
Orchestra parts of Operas, Operettas, Cantatas, etc.......... page
We select the following excellent operettas as being particularly desirable and

entertaining for young people whose voices are sufficiently developed to be classified
as Sopranos, Altos, Tenors, Baritones, and Basses. These works are a11 good, and may
be relied upon for purity of dialogue and action, bright, pleasing music, and genera
adaptability to the requirements of singing societies, social clubs, and pupils of high
schools. Young children, boys and girls, may be admitted into the chorus parts o
some of these works. The music is not difficult.
CAPITAL JOKE
A. J. Mundy
.60
keeping.
A parlor
Soprano,
Alto
The plot is derived from the peculiarities o
operetta, with four characters,
Tenor, Bass.
the telephone, and there are some comical situations.
The dialogue is bright and humorous, and the music in
No fancy costuming required. Will occupy an hour, or a little
111Ore.
CINDERELLA
Franz Abt
.50
A pretty
Alto
work for singing classes.
COX AND BOX

Arthur S. Sullivan
.50
poem set to charming music, for

solos, with chorus of female voices.
most amusing comic operetta for three men'

voices.
It has become a great favorite among am
teurs. The music bright, easy, and pleasing. Whe
properly performed the piece will keep the hous
This edition contains complete music score, words
a roar of laughter.
dialogue, and stage directions.
in
Soprano an
An excellen
2O2
CUPS
AND SAUCERS
George Grossmith
.25
A satirical musical sketch in one act and scene.

There are only two characters,
a China
Maniac, Soprano (with a penchant for old
and General Deelah, Baritone, an

other. It is an English satire on the bric-a-brac craze. Music pretty;
dialogue humorous; makes a short and pleasing sketch.
No fancy
costuming.
china),
DAIRY-MAID'S
SUPPER
Mrs. A. G. Lewis
A cantata for church and charity festivals, with

music and illustrative pictures.
This simple
rural cantata can be easily given, as it utilizes

H. M. Ingalls
the talent that may be found in every Sunday
.20
school, and will make a pleasing element in
every vestry entertainment. The Milkmaids drill will be found especially
attractive to the young ladies, and the costumes of Chalk, Pump, and
Milk Can will be found very amusing. As the action includes a supper,
the entertainment may very properly be connected with a lawn party. A
few bushes and young trees about the stage answer for all the scenery.
Farmer, Farmer's Wife, Corydon, Phyllis, chorus of
CHARACTERs.
Milkmen, of Milk Cans, Chalk, and Pump.
Opening chorus, farmer's call, procession of milkmaids
1.
and
Music by
milkmen.
Dairy-maid's
march.
Milking-stool
Corydon drill. Phyllis.
Duet,
Song ofsupper,
Milk
supper.
Call to
march
2.
3.
4.
5.
6.
and
Cans.
DOCTOR OF ALCANTARA
and
Opera
two acts.
Libretto by
Benjamin E. Wolff. Music by Julius Eich
Paper, $1.50
Choruses separate, paper, .50
berg.
New and enlarged edition.
Dia
1ogue, with stage business complete.
A very well imagined and amusing opera; easily brought out by an
amateur company. There are six male and three female characters.
The
following voices are required : One Soprano, one Mezzo-Soprano, one Con
tralto, one Tenor, three Baritones, one Bass. There is no dialogue. Or
chestra parts can be rented.
203
bouffe
in
A sparkling French comic opera, requiring six

Bernicat and Messager
teen acting characters.
There is dialogue a
pretty
trios, choruses
solos,
quartets,
$1.00
well as
etc., and the whole opera has the spicy French
flavor and chic. The edition contains the full piano score. English word
FANTINE
and stage directions.
The opera Tyrolean Queen has an established

reputation, and the only thing in the way of a more
Words by
Arthur W. French extensive circulation has been the difficulty of prep
Music by
aration. Gipsy Queen, operetta in two acts, i
Charles F. Hanson
substantially the same thing, but is a revised and
.60
"abridged edition, made easier for the use of classes
or schools. The costumes and scenery are not difficult to procure or make,
the Fairy scene brightens the play for the enjoyment of children, and
the whole is commended to those who wish to provide a most pleasing
entertainment, and one likely to prove profitable to the giver. Orchestra
GIPSY QUEEN
HAYMAKERS
George F. Root
$1.00
In this favorite operatic
cantata
there are seven
leading characterstwo Sopranos, one Mezzo-So

prano, one Tenor, two Baritones, one Bass, and
chorus of mixed voices, as many as can be put on
Libretto, words only, 12

the stage. The Haymakers is founded upon scenes and incidents con
nected with the hay-field, the farmhouse, hay-making season, etc., and
flowers, shrubbery, and the like are all that is required for the stage setting.
The music is bright, spirited, not too difficult, and abounds in pretty solos
trios, quartets, and choruses. The piece will occupy an evening. Orche
tra parts can be rented.
HEROES OF '76
J.
E. Trowbridge
A dramatic cantata of the Revolution in three

acts, and requiring the following characters: The
Roger, captain of minute-men,

Tenor; Allan, Baritone; Messenger, Tenor; So
Libretto, words only, .10
dier, Baritone; Anna, a village maiden, betrothed to Roger, Soprano
Ruth, farmer's daugher, Mezzo-Soprano; Farmer's Wife, Alto; and chorus o
villagers. The three scenes are the farmhouse, the camp of the Continenta
Army, and the village green. As may be inferred from its title, the inc
dents of the play are those of Revolutionary days, showing the patriotism,
heroism, and sacrifice of the brave men and women of those troublous times
The music is enjoyable, and the dramatic effects good, and the cantata wi
be sure to please an audience.
It will occupy about two hours.
$1.00
Farmer, Bass;
2O4
HIS ONLY COAT
W. A. Slaughter
.40
A very bright
laughable operetta in one act,

book by Randolph Hartly; for two Sopranos, Alto,
"
Tenor, and Baritone. The music is melodious and
$1.00
singable, with plenty of go, but withal compara
tively easy. The scene, a private hotel drawing-room, can be readily man
aged, and the costumes are modern every-day suits and gowns. This is a
clever work, which will pleasantly fill an hour of an evening's entertain
** ment.
*
There are three male characters in this pleasing

sketch. It is laughable, and in the hands of three
wide-awake fellows may be made very enjoyable.
Costume ordinary, voices, Tenor and Baritone. An
hour will suffice for the performance.
LOVE AND WHIST

Henry Houseley
LOVELY GALATEA
Franz von Supp
Full
and
A charming operetta in two acts, requiring but four
acting characters.
It is founded upon the old Greek
mythological story of Galatea, and the characters
$1.00
represent Galatea, Ganymede, Pygmalion, and Midas.
piano score and English words.
.
A parlor
operetta, which is also suitable for

schools or classes. The characters are Professor
Ippolita, his
Crotchet, the enthusiast, Bass;
.50
daughter, Soprano; Edward, her lover, Tenor;
Estelle, sentimental pupil, Soprano; Charles, her beau, Tenor. There is
also a chorus of mixed voices. The dialogue is humorous and the music
pretty, making a pleasant evening's entertainment.
MUSICAL ENTHUSIAST
J. H. Hewitt
OBISPAH
The Hasty Pudding Play
Atkinson and Thompson
Harvard Hasty Pudding

humorous productions.
One of the
$1.00
205
Clubs
PAULINE, OR,
There are five acting characters in this

pretty two-act operetta, the voices being
THE BELLE OF SARATOGA
Alto, Tenor, Baritone, and Bass;
soprano,
H. P. Danks
there is also a chorus of ladies and gentle
$1.00
Libretto, words only, . 10
men. The scene is in a fashionoble hote
at Saratoga; the love-plot is interesting,
pleasing,
dialogue
good. The scenery a hotel parlor
the music
and the
may be the same in each act. The operetta will make an evenings enter
tainment of an enjoyable character. Orchestra parts can be rented.
Who has not heard of this charming little opera? I

PINAFORE
Arthurs. Sullivan will, in all probability, remain as one of the standard
.50
comic operas of the lighter sort as long as such music
Selections, .25
pleases the people.
There are eight leading charac
ters, requiring one Soprano, one Mezzo-Soprano, one Contralto, one Tenor
three Baritones, and one Bass, besides a chorus of mixed voices.

Orchestra
An entertainment full of humor and bright music

Eight young ladies and two young gentlemen ar
.30
needed in the cast of this bright little sketch. I
can be given in the parlor to a few friends, or
may be placed upon part of a concert program. The dialogue is dro11 an
the music is in keeping with the piece.
QUIXOTIC QUAKERS
AIlan Dixmyth
ROSE OF SAVOY
Luigi Bordese
operetta for women's voices, requiring firs

and second Soprano and Contralto solo voices an
A bright
chorus of girls. The action very simple, costuming

and stage setting easily obtainable and not elaborate
Music not two difficult, but very effective. Time of performance, thirty-five
minutes.
.50
|
|
SLEEPING QUEEN
M. W. Balfe
.80
This charming little
operetta
is in one act and scene

There are four characters, Soprano, Alto, Tenor, an
Bass, and the plot and dialogue are interesting.
Th
costumes are those of a Spanish court.
2O6
SPECTRE KNIGHT
Alfred Cellier
This bright
operetta is full of sparkle and vim,

pretty music, good dialogue, and humorous situations.
Only six acting characters are required for its perform

ance, two Mezzo-Sopranos, one Soprano, one Tenor,
one Bass, and one Baritone.
No chorus is required. The music is not
beyond the ability of well-trained singing classes or societies, and will be
sure to please all.
$1.00
The works of Sullivan are so well known that no

praise is needed here. The Trial by Jury is quite
.50
familiar to the public, and is one of the best light
operas ever written. The voices required are one
Soprano, two Tenors, two Baritones, one Bass, with a chorus of mixed voices.
The costuming is ordinary modern dress, and the scene a court of justice.
TRIAL BY JURY
Arthur S. Sullivan
Time required for performance,

rented.
TYROLEAN QUEEN
Charles F. Hanson
.80
an hour and a half.
This bright operetta has been given in New York

and elsewhere
with success, winning favorable
comment from press and public.
The principal
characters are for ladies, and the solos are very

pleasing. As large a chorus of mixed voices as is desired may assist in the
performance. The subject is Tyrolean, and the costuming is that of the
Tyrolese, gypsies, and fairies. There are four acts, or scenes, occupying
about two hours' time, ending with a beautiful tableau. Some very pretty
effects may be produced by a careful stage setting of the piece, and this may
be done without much expense.
A Herald :
We quote the following from the New York
At
the Cosmopolitan Theatre some very pretty scenes and groupings,

pleasing music, and graceful acting were enjoyed last night by the many
1adies and gentlemen who attended the first performance of the Tyrolean,
or Mountain Queen, operetta, written by C. F. Hanson. (See Gipsy
Queen, page 204.)
WEDDING CAKES
(MUSICAL FARCE)
MacCulloch and Stobbe
For parlor entertainment; very pretty and full

of fun.
.15
2O7
A cantata for young ladies and gentlemen. There

are five acting characters, viz.: one Soprano, one
Alto, one Tenor, one Baritone, one Bass, together
with a chorus of mixed voices. Estella, the daugh
.60
ter of Mr. Grey, gives a quilting-bee, and, besides
attend,
the ladies who
a number of gentlemen are invited to tea. Consider
able fun and amusement follow to make an evening's entertainment.
The
music is not difficult, the stage arrangements easily provided, and the can
tata will afford much enjoyment for a whole evening.
WINTER EVENING'S
ENTERTAINMENT
A. Cull
The Hasty Pudding Clubs annual play is one of

the chief events of college life at Harvard Univer
Mail, postpaid, $1.50
sity. Wytche Hazelle, the play for 1900, was
given twice in Cambridge and four times in Boston
great
with
success. The song hits of the play are all included in the vocal
score.
Libretto and lyrics by J. H. Halliday, oo, and E. L. Dudley, oo.
WYTCHE HAZELLE
Harold Tappin, 'oo
OPERIETTAS
FORL GIRLLS VOICES ONLY
Operettas for adult amateurs. . . . . . . . . . . . . . . . . . . . . . .
Operettas for children.... . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Operettas especially for Christmas. . . . . . . . . . . . . . . . . .
. . . . . . . . . . page
202
. . . . . . . . . . page
...
. ...
213
. . page 226
The following carefully selected Cantatas and Operettas are for school-girls nine
to fifteen years of age, and for young ladies of from sixteen to eighteen.
BROTHER JONATHAN'S
TEA PARTY
G. P. Benjamin
A patriotic cantata, containing recitations,

songs, choruses, etc., arranged expressly for
school entertainment and concerts.
PRINCIPAL CHARACTERS.
Goddess of Lib
erty, young lady; Brother Jonathan, boy;
Peace, young lady; Brother Jonathan's Nephew, boy about eight
years of age. Each State in the Union is represented by girls from ten to
fourteen years of age.
When the cantata is used for ladies only it can be called Aunt
Jerushas Tea Party by having the speakers address Aunt Jerusha instead
.15
of Brother Jonathan.
CINDERELLA
Franz Abt
50.
A pretty poem set to charming music, for soprano and alto

solos, with chorus of female voices.
An excellent work for
singing classes.
CROWN OF VIRTUE,
CORONATION
L.
OR,
Bordese
.50
girls.
A bright little operetta for young girls. Dia

logue and music alike good.
The chorus
may comprise as many voices as are desired.

The action consists of the choosing and crown
ing of two village girls as queens, or best
The scene is a village green or playground.

ance, an hour and a half.
DISTRIBUTION OF PRIZES
J. Eykens
Octavo No.
.20
6,392
Length of perform
Words and music suitable for the closing

exercises of private schools or seminaries
where the custom of giving prizes for scholar
ship is still observed.
209
This is a bright musical

young ladies. The story
fun and frolic
the kind
by girls, especially those
of
of
REHEARSAL
Louis Diehl
sketch in one scene,

great dea
includes
.50
that will be appreciat
who attend seminari
colleges, etc. There are twelve characters, all good. The play involve
burlesque imitation
Cinderella, and will occupy, perhaps, an hour
half.
DRESS
very pretty operetta

one act, for
young girls. There are some dialogues
pretty solos, trios, and quartets. Only
plain interior. No fancy costum
scene,
Will occupy an hour's time.
L. Bordese
.50
LESSON IN CHARITY;
OR,
is
in
is
is
in
or is
This
in
pleasing little operetta

act,
scene, with dialogue, and
THE MIRACLE OF THE ROSES
girls' voices. The lesson
quires
only
L. Bordese
charity
very prettily told
song
.50
action. There are eleven active c
acters and
chorus.
The scene
forest glade. The music, though
difficult,
style and finish. The
above the average cantata music
Fancy costuming not necessary.
formance will occupy nearly two hours.
of
an
represented.
It
introduced.
is
.50
in
pastoral operetta
three acts. Bo-peep, Boy B
Mistress Mary, Lady Lea, Netticote, and Taffy are
leading characters, and may be sustained by you
ladies only.
chorus
mixed voices for the peasa
The costuming
not expensive, and the scenes may be ea
enjoyable evening's entertainment.
will make
LITTLE BO-PEEP
M. A. Ward
is
in
an
of
is
It
This
is
charming little operetta

five a
for young ladies, and suitable for schools,
THE LITTLE ORPHAN
has good dialogue, pleasing solos and chorus
William Dressler
and there are seven acting characters.
mi
.50
chorus may also be used. The story
found
upon the vicissitudes
orphans
life,
happy
ending
an
with
the p
and there are two tableaux.
The costuming need not be expensive. Th
scenes,
are three
the material for which may readily be obtained in sm
evening without being wearisom
towns, and the performance will occupy
MAUD IRVING; OR,
of
in
ANGEL: OR,
LITTLE MOTHER
GUARDIAN
:
-
cantata for girls' voices. This beautiful can

tata is well adapted to all festive occasions; the
.60
music is bright and pretty, and there are no
difficult roles to impersonate.
The flowers meet
in a pretty dell to choose their queen. A person discontented with the
world here seeks retirement. The flowers tell of love and duty, and the
recluse resolves to return again to the world, and lead a more useful and
contented life. The voices required for this cantata are five Sopranos, four
Mezzo-sopranos, four Contraltos. If desirable, a gentleman (Baritone) may
assume the part of the recluse. The stage should be decorated with flowers
and evergreens. As the singers represent different flowers, the dresses are
NEW FLOWER QUEEN

George F. Root
chosen accordingly.
About two hours time will be required for the
performance.
The Flower Queen, of which the above is a revised edition, is still
published in its original form.
The Picnic is a bright and enjoyable cantata for sing

J. R. Thomas ing classes, schools, etc., and is more especially for female
voices, although a class of mixed voices may be used.
.75
There is no action, no dialogue. The different solos,
trios, choruses, etc., will occupy an hour's time.
PICNIC
The characters of this pretty operetta for young

ladies represent different flowers. There is some
dialogue, a little action, and the music is pleas
ing.
The stage should be wreathed with gar
.32
lands and festoons, with a throne in the centre.
The piece will make a short entertainment.
QUARREL
AMONG THE FLOWERS
H. Schoeller
-
STRANGE VISITORS; OR,

A MEETING OF THE NATIONS
J. C. Macy
A short cantata for children, introduc

ing guests from various lands. With
characteristic songs and national music.

CHARACTERs. Six entertainers (boys
.30
and girls, or girls only), who are sup
posed to give the party or reception to which the foreign guests have been
invited. These entertainers introduce the guests to the audience, and con
duct the performance generally.
THE GUESTs. John and Edith from England, Bruce and Bessie from
Scotland, Terrence and Katy from Ireland, Pierre and Lucile from France,
2II
Wilhelm and Mina from Germany, Gaetano and Gabriella from Italy, Carlo
and Isabel from Spain, Peter and Katrina from Holland, Setti and Ros
from Switzerland, Gustav and Christine from Sweden, Olaf and Laura from
Norway, Ivan and Sophia from Russia, Hop Sing, a Chinaman, Kiou,
Japanese girl.
Should the class or school not be large enough, some omissions of cha
acters may be made.
The representatives of each country are to be dressed in the costume
their land, and carry their national flag or emblem. The flag should b
large enough to make a good appearance.
Each couple is introduced b
one of the entertainers, who simply leads the pair gracefully to the fron
of the stage, bows with them, and then retires to back of stage.
When th
couple have finished their song, they join the entertainers and others a
back of stage, and remain there until the march takes place. Characteristi
dances may be introduced at the discretion of the manager.
For samples of different flags, see cover of the book. A flag of our ow
country will also be needed. Orchestra parts can be rented.
A capital little operetta for young ladies.
The character
Anna, Mary
schoolmates; Preciosa, a gipsy girl; maids of honor
.40
chorus of school-girls, chorus of gipsies. There is som
dialogue, the music is easy and pleasing, and there are no difficult solos
Stage represents an arbor with different entrances, a throne, and a moss
bank. The piece will make a short evening's entertainment.
The cha
acters mentioned indicate the costumes necessary, that of school-girls an
TWIN SISTERS
H. Saroni
gipsies.
are Mab and Florence, twin sisters; Corinna,
Orchestral parts for nine instruments can be rented.
VIOLET IN FAIRYLAND
Joseph L. Roeckel
.50
This little cantata for classes of girl-singers illu

trates in a charming musical way the pretty dream
or vision of Violet, as she sat in the great arm
chair. The song of the Fairy Queen, the Fai
ies' dance, Violet's song, and the choruses, all harmonize delightfully, an
thus give full expression to the dainty poem by Shapcott Wensley. Solo
and two-part choruses for girls voices.
2I2
OPERIETTAS
F O R C H I L ID RL EN
Operettas for Girls Voices. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 209
Operettas for Adult Amateurs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 202
Operettas especially for Christmas. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 226
The following are suitable for children eight to twelve years of age, and contain
nothing objectionable in dialogue or acting, while the music is simply and easily
learned.
ANNIVERSARY OF
COLUMBIA'S BIRTHDAY
C. B. Allen
A good patriotic cantata for school children.
opening or closing piece in an

Suitable for an
evening's entertainment.
.15
BROTHER JONATHAN'S
TEA PARTY
G.- P. Benjamin
A patriotic
recitations,
cantata containing
choruses, etc., arranged expressly for
songs,
school entertainment and concerts.

PRINCIPAL CHARACTERs.
Goddess of Lib
erty, young lady; Brother Jonathan, boy;
Peace, young lady; Brother Jonathan's Nephew, boy about eight years
of age. Each State in the Union is represented by girls from ten to fourteen
years of age.
When the cantata is used for ladies only it can be called Aunt
[erushas Tea Party by having the speakers address Aunt Jerusha instead
.15
Df
Brother Jonathan.
for children, with

bright, attractive music and oppor
OR THE LOST LADY'S SLIPPER
tunity for effective stage pictures by
Marion Loder
simple means, introducing flowers,
.30
butterflies, and birds. It is the story
of Cinderella charmingly retold.
The Daisy is Cinderella; Hollyhock and
Tiger Lily, the proud sisters; Nature, the fairy godmother; Sunshine, the
SINDERELLA IN FLOWER LAND
A pretty
pr111Ce.
213
operetta
COLUMBIA'S PARTY
J. C. Macy
.25
tention of all school
Following is an
A short entertainment for public schools and patr
otic assemblies or for any class of juveniles.

It consists of dialogues, recitations, and songs. The
recitations predominate, and are worthy of the at
teachers.
outline of the performance: The girls and boys form in
platform, the girls in front with Columbia and Liberty
line. The United States are represented by the girls
two lines across the

in the centre of the
each carrying a banner on which is inscribed the motto of her State.
(The
motto of every State in the Union is given in the book.)
Liberty addresses Columbia, introducing the States and setting forth the
purpose of the Party. Then each State, in order of admittance to the
Union, recites a verse in honor of her domain.
The States' recitations are followed by singing, after which some People
of '76 appear, and either sing or recite. Then enters a Puritan maid, who
has a very quaint and pointed recitation.
Finally Uncle Sam appears and humorously closes the exercises.
The entertainment is full of historic reference, and through it much
information may be obtained as to the characteristics of every State in the
Union. It is also well enlivened with humor and bright music.
DAY IN THE WOODS

Charles H. Gabriel
It is somewhat
difficult for
composer to get down
to the level of children, or, if he does, it is difficul

.40
not to make the music too easy or too flat to be in
teresting. Mr. Gabriel has done well in both ways
The storm scene, which is so apt to intrude upon picnics, duly appear
and makes a good deal of noise, and the planets furnish what is needed in
the way of machinery. The music shows signs of careful workmanship
and there is sufficient of it to well fill the forty-two pages of the pretty can
tata, with only moderate room for recitations.
This pleasing little cantata represents a fes

tival among shepherds and sheperdesses. I
.25
is suitable for children's voices, and ha
been given with much success by singing
classes, schools, etc. The stage should be decorated with flowers and fe
toons of evergreen. There are short recitations in poetry, and the piece
interesting. The Festival will make a very pleasant evening's ente
tainment. The costumes may be gotten up according to the taste of th
teacher following the pastoral style.
FESTIVAL OF THE ROSE
J. C. Johnson
2I4
FLOWER FESTIVAL ON
THE BANKS OF THE
RHINE
A charming little work for children, with

tinge of delightful German romance,
representing a festival, as its title indi

cates. The costuming may be ordinary,
.40
or, if the teacher choose, the little folks
may represent the children of the Rhine. The stage may be decorated with
by
flowers and shrubbery. An hour and a half may be pleasantly occupied
-
J.
this little
C. Johnson
cantata.
A very popular
and entertaining floral cantata, suitable

It has for its subject the coronation of a
for children.
flower queen, and the music and words are alike pretty
and interesting.
An entire school or singing class
may take part in the performance.
.60
The melodies of this charming little operetta

for boys and girls are very pretty, and the
.40
children will take as much pleasure in sing
ing them as the audience will in listening. It
is a jubilee of the birds of the forest, and the singers dress to represent the
colors and other characteristics of such birds as much as possible.
Full
instructions in the book. Small children may take part in the performance.
Time required, about an hour and a half.
FOREST JUBILEE BAND

N. B. Sargent
..
GARDEN OF SINGING FLOWERS
The simplicity of this little cantata is
of
in
is
or be
or
in
or
in of
in
2I5
or
or
be
of
or
it.
so
recommendation. A11 the scenery

Albert J. Holden
.40
needed is a painted curtain or screen,
representing a small cottage with a
garden around
The principal flowers are large,
that the face
singer, standing
screen,
seated behind the
can
thrust through and
Pansy,
Daisy,
Buttercup, gentle
appear
Rose,
the middle
Tulip,
Moon,
appear
mans face can
the
and
the
which
the upper
portion
the picture. The characters are the various flowers and the
gardener.
quartet may
behind the curtain,
chorus either behind
before
FLOWER QUEEN
George F. Root
of
IN
or
tableaux
This pretty cantata has five scenes,
viz.: an old-fashioned fireside,
winter scene
haymaking scene,
golden wedding, and
.50
Christmas-tree. The fairies stand on both side
the stage and sing appropriate solos and choruses, introducing the ta
leaux, which are arranged
stage and shown by raising
back
curtain
land,
very
pretty
fairy
This
hour
and we commend
al
require
help
adults,
The tableaux will
the
two
three
and an hour an
half should be allowed for the performance. Orchestra parts can be rented
a
FAIRY LAND
H. Schoeller
to
of
or
it
in
is
at
of
of
HOUR
bright, entertaining operetta for high schools, ama

day from sun
teur clubs, etc., musically illustrating
N. B. Sargent
bedtime,
happy
farmer, hi
.40
rise
the lives of
family, and his neighbors; consisting
solos, quartets
attractive, melodious
duets, choruses, and bright dialogue. The music
setting
costuming
easy.
stage
and
The
and
can be made very picturesqu
although simple and easily contrived.
KINGDOM OF MOTHER GOOSE

IIrS. G. N. Bordman
.25
is
of
in
to
JOLLY FARMERS
of
or
in
of
in
of
it.
madrigal, Brightly Dawns the May

The singing commences with
for mixed voices, after which the Gardener appears and introduces his va
ous flowers, who take care
the rest
the singing.
There are solos by th
Sunflower, Lily, Rose, Buttercup, Tulip, and Daisy, and the Man in th
song
longer song by Sunflower,
Moon puts
word. Then comes
the Daisy,
version
the Flowers that Bloom
the Spring, by Man
chorus,
by
Buttercup,
quinte
by
Rose,
the Moon and
one
the
one
then
then song by Daisy. Now the warm evening arrives and the flowers sleep
strong quartet
The whole concludes with
chorus indicating the comin
morning.
the
new fairy play for vestry and schoo
entertainments, with appropriate an

Also
easy music for young voices.
original recitations, music, motion
songs, etc., for school exhibitions.
216
LITTLE BO-PEEP
II. A. Ward
A pastoral operetta in three acts. Bo-peep, Boy Blue,

Mistress Mary, Lady Lea, Netticote, and Taffy are the
leading characters, and may be sustained by young

ladies only. A chorus of mixed voices for the peasants
is introduced. The costuming is not expensive, and the scenes may be easily
represented. It will make an enjoyable evening's entertainment.
.50
LITTLE
.25
A short, easy operetta for children, telling the story of a

little girl who was stolen from her home when a baby, by
the Gipsies, and recovered after several years.

is bright and melodious.
MAUD IRVING; OR,

THE LITTLE ORPHAN
William Dressler
This is
charming
The music
little operetta in five acts,
for young ladies, and suitable for schools, etc.

has good dialogue, pleasing solos and choruses,
and there are seven acting characters. A mixed
.50
chorus may also be used. The story is founded
upon the vicissitudes of an orphan's life, with a happy ending of the play,
and there are two tableaux. The costuming need not be expensive. There
are three scenes, the material for which may readily be obtained in small
towns, and the performance will occupy an evening without being wearisome.
MAY FESTIVAL
J. C. Johnson
.20
It
A musical recreation for flower time. Teachers and

others who wish an entertaining little piece for an ex
hibition or floral concert will find this excellent. Ever
and flowers are used to decorate the stage, no

other scenery being required. The performance consists of the crowning of
May queen, with appropriate songs and choruses. An entire school,
many as can be placed upon the stage, may take part
the festival.
As
in
...
or
greens
GIPSY
Adam Geibel
217
MERRY COMPANY, OR,

THE CADETS' HOLIDAY
Collin Coe
.40
A sprightly, humorous, sparkling little oper.

etta, in which the boys represent a company
of military cadets, and are joined by the girls
in a holiday picnic.
The solos are very
pleasing; the music of some of them has been

selected from the modern comic operas; not difficult, and yet better than
the average cantata music. The choruses are bright and easy to learn. The
dialogue is very amusing. The operetta is well adapted to the abilities of
boys and girls ten to thirteen years of age, and would not be out of place in
the hands of older children.
Quite young children may be allowed to sing
in the choruses, but it is not well to have many little ones. There are five
leading characters (three boys and two girls), and the costuming is military
and holiday attire. An hour should be allowed for the performance. Or
chestra parts can be rented.
MYSTIC MIDGETS
J. D. Smithdeal
Liliputian Carnival of Nations, a juvenile fairy specta

cle in two acts, designed for churches, schools, etc.
.50
A beautiful piece, with additions and revi

sion by J. C. Johnson, suitable for a festival in
.40
which a class of children is to be the leading
attraction. The performance consists of the
crowning of the queen of the flowers (or of the May), with appropriate solos
NEW
FLORA'S FESTIVAL
W. B. Bradbury
The music is very simple, and the cantata can be produced

in public with very little expense, the only stage-setting or decorations
being flowers, evergreens, etc. This is a revised edition of the well-known
Floras Festival, and contains a number of new songs and choruses.
and choruses.
NEW-YEARS EVE
Henry Schoeller
.50
cantata for school exhibitions, concerts, etc.

Four
given
during
perform.
may
beautiful tableaux
be
the
ance, viz.: Crowning of the Queen, Summer
Picnic, Harvest Scene, and Star of the East.
consist of the Old Year, Old Father Time, Christmas, Santa

Claus, Young Year, Zephyr, Dew-drop, Cloud, Jack Frost, each month o
the year, the seasons, shepherdesses, and small children ad libifuzzz. The
solos are simple.
Father Time may be represented by either Baritone o
Contralto. The cantata will make a pleasant evening's entertainment.
The characters
218
PEGGY'S
Words
Mr. Noll has the gift of melody, and in this cantata for
juveniles he has produced charming little songs which
should become popular. The music, written in the
DREAM
and Music by
Albert W. Noll
.40
comic opera style, is bright, melodious, and catchy

throughout.
The songs, well within the range of young voices, are quickly
easily
sung.
learned and
The story is of a poor lame girl, who, returning to her cold, poorly-fur
nished room, takes up her doll and tells her of the shop windows down
town, filled with picture books, dolls, etc., and about seeing Jack and Jill,
Bo-Peep, Brownies, etc., and then, wishing that she had a fairy godmother,
begins to sing her doll to sleep. A Fairy appears and waves a wand over
her head; Peggy falls to sleep and the Fairy introduces the following char
acters: Bo-Peep, Mother Hubbard, Miss Muffet, Jill, Lady Bunny (a white
rabbit), Sir Thomas Grimalkin (a white cat), Boy Blue, King Cole, Brownie,
and Jack, who spread a feast for her, amuse her with songs, dances, etc., and
Lady Bunny and Sir Thomas Grimalkin are married. After the wedding
Peggy awakes to find it all a dream. Time of performance, fifty minutes.
The Picnic is a bright and enjoyable cantata for sing

R. Thomas ing classes, schools, etc., and is more especially for female
voices, although a class of mixed voices may be used.
.75
There is no action, no dialogue. The different solos, trios,
*
choruses, etc., will occupy an hour's time.
J.
PICNIC
POOR HENRY
&
J.
:.
Rheinberger
.50
forming characters in dialogue and song. Probably an

hour and a half will be required for its performance.
QUEEN'S SURPRISE
J.
A comic opera for children. The subject and incidents

are English, the music pleasing, and there are nine per
C. Macy
.40
musical play for juveniles. The Gnomes,

who are supposed to reside in Nowhere-land, have
decided to visit the Elves, who dwell in the same
mysterious country.
This is
The visit, or rather call, is
a very informal one, as their appearance

indicates.
On the same eventful day the Queen of the Elves goes a-hunting. As a
natural
consequence,
the Elves transgress

219
one of the strict
rules of the
Elves' frolic.
As the play
on
is
is
travesty
the fairy performances
erable latitude
allowed the director and his youngsters.
bright and melodious, without being difficult.
yore, co
The
mus
or
is
Mrs. A. G. Lewis and

Leo R. Lewis
This
festival suggested by the va
color teas, etc., this one combining a
young peo
colors. For charity fair,
FESTIVAL AND
THE RAINBOW PRINCE
RAINBOW
in
in
be
to
of
I.
is
in
or
is
of
of
entertainment, seven tables, each repre

ing one color
the rainbow, are sprea
.20
the feast or the sale. The little canta
given on
musical tableau
the Rainbow Prince
small stage
misty
mosquito
like,
by
somewhat
curtain
the
front.
cheery
Grey
ScENE
The
old Grandma
seated
her chair wh
bears, rush
children, pretending
sto
crowd
and demand
of
young children's cantata.
The tableaux
Adam Geibel
.25
short, easy operetta for children, with bright, melod

music, consisting
solos, duets, trios, and choruses.
tuming and stage setting very simple.
of
SECRET
portion
form
of
is
of
is
.25
It
short and simple cantata for school concerts

pleasing and instructive,
exhibitions.
ability
ordinary juvenile ta
within the
There
some dialogue; no scenery required.
longer program.
SCHOOL FESTIVAL
C. G. Allen
is
very pretty.
be seen
is
will
it
to
It it
of
is
be
is
is
is
The story
acted out.
SCENE II. Prince Miguel
seen asleep.
He
famous archer
spoiled prince, could not
has hit almost everything, but, like
sati
shooting
by
queer
gratified
without
rainbow. The
freak
ce
ordinary
May
dance),
fairies who weave
rainbow
ribbons (the
and
sent
him on condition
his being better boy.
of
household, and the result places the Queen temporarily in a ludi

predicament.
As is the way of the world, all is made pleasant again by the su
accumulation of riches in the Queen's treasury, which is also a result
22O
STRANGE
A short cantata for children, intro
OR,
ducing guests from various lands.

With characteristic songs and na
J. C. Tiacy
tional
music.
.30
CHARACTERS. Six entertainers
(boys and girls, or girls only), who are supposed to give the party or recep
tion to which the foreign guests have been invited. These entertainers in
troduce the guests to the audience, and conduct the performance generally.
THE GUESTs. John and Edith from England, Bruce and Bessie from
Scotland, Terrence and Katy from Ireland, Pierre and Lucile from France,
Wilhelm and Mina from Germany, Gaetano and Gabriella from Italy, Carlos
and Isabel from Spain, Peter and Katrina from Holland, Setti and Rosy
from Switzerland, Gustav and Christine from Sweden, Olaf and Laura from
Norway, Ivan and Sophia from Russia, Hop Sing, a Chinaman, Kiou, a
Japanese girl.
Should the class or school not be large enough, some omissions of char
A MEETING
VISITORS;
OF
THE
NATIONS
acters may be made.
The representatives of each country are to be dressed in the costume of

their land, and carry their national flag or emblem. The flag should be
large enough to make a good appearance.

Each couple is introduced by
simply
entertainers,
>ne of the
who
leads the pair gracefully to the front
.2f the stage, bows with them, and then retires to back of stage.
When the
ouple have finished their song, they join the entertainers and others at
Pack of stage, and remain there until the march takes place. Characteristic
lances may be introduced at the discretion of the manager.
For samples of different flags, see cover of the book. A flag of our own
sountry will also be needed. Orchestra parts can be rented.
This is a charming little operetta for juveniles,

in two acts. There are nine acting characters,
besides a chorus of mixed voices.
Cats and
.50
kittens are represented very cunningly, cos
uming varied, without being expensive. There is some dialogue. Two
1ain curtains will be all the scenery required. The music is easy and
retty, and everything is within the range of juvenile ability. The piece
will occupy the greater part of an evening pleasantly.
THREE LITTLE KITTENS

Henry Schoeller
'RIP TO EUROPE
J. C. Macy
.30
e11
very
This unique and very amusing entertainment is in the

form of an operetta, with dialogue, songs, choruses,
etc.
The children taking part in the performance
(and as many as can be put upon the stage may do so)

musically and humorously how a party of youngsters managed to
22
take an imaginary sail across the ocean in one of the great steamships (with
out leaving the sitting-room)
The usual sea-sickness, the crusty captain, the customs officer, and th
very proper maiden aunt (as chaperone), are portrayed and imitated
a manner calculated to entertain an audience pleasantly for an hour or so.
The songs are capital-bright, catchy, popular-and the dialogue
terse and humorous, while the entire piece is not beyond the ability
say from eight to thirteen years of age.
children
VOICES OF NATURE
A bright and interesting cantata for children.
Bird
small animals, insects, and flowers, all receive a

.40
tention in this pretty piece. It is one of the best
its class, and cannot fail to entertain and intere
both performer and listener. The performance will occupy about an hou
N. B. Sargent
A cantata for school, church, or parlor.

Nursery
songs and child's fairy stories co
S. V. R. Ford
.40
stitute the best material for childish opera
and this is a true opera in a simple wa
arranged
and is so
that all the members of a school, both large and sma
have something to do.
THE SCENERY. A curved row of small fir, hemlock, or other trees
the back of the stage answers every purpose, since the scene is in a forest.
There are eight numbers:
No. 1.
The Birds March. A procession, entering, and singing
praises of that prime vocalist, Cock Robin.
A party of Hunters enter just as Cock Robin falls, transfixed by
arrow, on the ground. All have much to say, as has the Knight who ente
No. 2. The Hunters sing a song.
No. 3.
Peasant Maids enter, singing the Peasants song. Maids, Hu
ters, Hermit, and Knight hold a coroner's inquest.
The Sparrow c
fesses the deed.
No. 4. The Sparrow's Shame, duet. Then I, said the Beetle, et
WHO KILLED COCK ROBIN ?
followed by a trio.
Beetle, Owl, and Kite.
No. 5.
No. 6.
Parson Rook's Song and Funeral Hymn in chorus.
No. 7.
Solo by the Thrush.
No. 8.
Hark! While the Tolling, Tolling of the Bel1. Full chor
and farewell.
Final Chorus
No. 9.
and Recessional.
There is a Bass part, to be taken by the teacher or other adult sing
although well-trained girl or boy singers can easily sing the four parts.
222
MUSIC
For
CHRISTMAS
CARLOLS
For list of hundreds of Christmas Carols published separately in
octavo form see our special catalog of Christmas Music.
BETHLEHEM SONGS
A collection of twenty-one Christmas carols by popular com

posers.
Per copy
. ... .. . ... .. . . . . . .. . .. .
. . . .
. .
..
. .
..
... .
IO
CHRISTMAS
CAROLS
Edited by Sir John Stainer.
Old and new selected carols.......
. IO .
CHRISTMAS CHIMES
William Dressler. Twenty beautiful

CHRISTMAS
Rev.
J.
pieces, hymns and
carols...
15
JEWELS
L. Ray.
Ten bright, easy Christmas carols by the best

together with a carefully prepared Scripture ser
vice, Our Promised Lord. Each, postpaid. . . . . . . . . . . . . .
. .
hundred,
prepaid.
Per
not
. . . . .
composers,
.05
4.OO
SHRISTMAS SONGS AND CAROLS

Kate Douglas Wiggin. A collection of new Christmas songs and
carols suitable for children; and the Story of Christmas,
beautifully told by the well-known author and experienced
kindergartner.
This is one of the best collections of its kind
and has become very popular. Music can be played on the
organ or plano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.
I2
:LEVEN
CHRISTMAS CAROLS
A. P. Howard. . . . . . . . . . . . . .
. . .... .. .. . . ... . .... ..... . .... .. .. ..

223
..IO
GOLDEN CAROLS
Popular Composers.
Containing eleven bright carols for Christ

King, a Christmas pastoral of
Shepherd
The
Scriptural song, prepared by Frank L. Bristow.
Each,
- ---postpaid
Per hundred, not prepaid. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
mas, also
SELECTED
CHRISTMAS CAROLS
Nineteen carols by this popular composer.
A. P. Howard.
. .
. ..
SEVEN CHRISTMAS CAROLS

A. P. Howard. The music is well within the range of childrens
voices.
SILVER
..
. . ... .. . . .. . . . . ..
. .
.. .. .. . .
. ...
. .
. .
. . . . . . . . .. . .
CAROLS
Twelve easy and pretty carols, and
Christus.
Christmas responsive service with songs and
Sunday
recitations for
Schools. Each, postpaid
Per hundred, not prepaid
.
.
.
.
CHRISTMA
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.
.
.
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224
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AND EASTER
A. P. Howard.
AND OTHER CAROLS FOR
WATCH,
SHEPHERDS
.
.
.
.
.
WHILE
.
.
.
.
.
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.
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.
.
.
.
TEN CHRISTMAS CAROLS

A. P. Howard.
.
.
.
.
.
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.
.
.
.
.
.
.
W. Howard Doane.
CHRIST MAS SERV I C E S

FOR THE SUNDAY SCHOOL
Each consisting of Songs, Carols, Recitations, Responses, Reading, etc.
Price of each Service under this heading:
Single Copy (postpaid). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............. $ .05
Per Hundred (not postpaid). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.00
George B. Nevin
. Aosabel
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George
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...
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. . . . .. .. . . .
Rosabel
... . . . . ..
A'ez. A. Dezovitt
.
.
Nevin
B.
... .
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..
... ..
...
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225
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. . George B.
.. ..
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YULE TIDE BELLS.
.. .. . .
....
. . . . . . . . .
.
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.
.
. . . . . . . . . . .. . . . . . . . .
JOYFUL CHIMES...
. .. . . . . . . . . . . .
COMING OF THE CHRIST . . . .
KING OF PEACE.
. .
.
.
.
CHRISTMAS JOYS.
. . . . .
. . . . .
.
.
BIRTHDAY OF OUR LORD.
..
. . . . .
.. .
BIRTHDAY OF A KING...
. . .
.
.
..
. . ... . .. ... ..
..
.
.
.
BETHLEHEM.
Nevin
Rosabel
Aosabel
Mallary
CHRISTMAS OPERLETTAS
CANTATAS
ORL
FOR CHILDREN
CAUGHT NAPPING
Leo R. Lewis
There are ten acting characters in this brig

one-act operetta for Christmas Eve: Santa Clau
King Somnambulo, Queen Somnambulo, Prin
Elbert, Prince Victor, Princess Eugenia, Prince
.30
Genevieve, Princess Theresa, Princess Buttercu
and Plump, the king's page.
The chorus comprises pages, nurses, a
humorous;
play
court attendants. The
is
the music is easy, and yet bet
than that of the ordinary Christmas piece.
Little expense need be
costuming
performance,
yet
may be as elaborate
curred in its
the
desired.
Full instructions are given in the book. All schools, classes, e
may use it conveniently. Adults should impersonate the characters of Kin
Queen, and Santa Claus. The other parts are to be taken by the children.
number of the youth of the Holy City

supposed to pass out of a gate in a porti
.25
of the walls, and having assembled amo
the flower gardens and vineyards, th
sing their cheerful songs, telling of the wonders performed in the days
their fathers, and rehearsing the story of the Star of Bethlehem and
Man of Sorrows.
For a class of children this little piece is excellent. T
performance will occupy an hour.
CHILDREN
J.
OF JERUSALEM
C. Johnson
CHRISTMAS AT THE KERCHIEFS

Leo R. Lewis
.20
A musical dialogue for
tree festivals.
use at
Christma
The plot of this is the common and ve

pretty one of the children surprisi
Santa, who submits with a go
grace, and finally distributes his presents.

The characters are Mr. and Mrs. Kerchief
and their children, th

city,
cousins from the
and Santa Claus.
The songs are pretty, and there is plenty of dialogue for those who
not care to sing.
22
adapted to the wants of the Sunday School, and

tains carols, songs, dialogues, recitations, etc.,
.15
Written and compiled expressly for a Christmas per

formance or concert by little children.
It is specially
CHRISTMAS GIFT
Rosabel
con
inci
dental to the story of the Gift, which Santa Claus was induced to make
by the timely letters of little girls and boys.
t #:
-
:
i
* -
The dialogue
to
of
of
of
of
.30
this operetta are from the pen

Rev.
right conception
Colcord, who seems
have
the requirements and abilities
children.
The words
J.
O.
L.
KING WINTER
Emerson
E.
is
of
of
an
is
of
is
in
of
is
is
in
this operetta
two scenes
entertaining and humorous.
The music
all
way
pretty
Leo R. Lewis
that could be desired
the
melo
dies, and
.30
not very difficult.
There are ten
characters: Santa Claus, Dame Claus, and their
eight children. The play
departure from the usual style
Christmas
performances, introducing novel scenes and situations, by which
audience
bright juveniles. The
may be really well entertained by
company
authors
this pretty cantata have become well known through their other
musical compositions, especially the bright operetta entitled Caught Nap
ping, which also capital thing for Christmas entertainment.
in a
of
on
be
as
large chorus.
There are nine leading characters and
put
As many children
can
the stage may take part
the perform
King
Winter,
scenes,
ance. There are three
viz.: the Throne
the Court
Slumberland, and
Grand Final Tableau.
227
--
JINGLE BELLS
of
it
in
to
of
or
is
of
in
of
it.
An operetta for Sunday Schools and

bright,
juvenile classes, introducing
pretty music, interesting dialogue and
ROsabel
recitations, with a description of Christ
.25
mas customs in foreign lands.
This operetta is particularly pleasing and entertaining in dialogue,
music, and recitations, and cannot fail to please any bright class of juveniles
that may wish to learn
The return
the long-absent sailors, the village
Germany,
festival on Christmas Day, and the recital
Christmas customs
France, Italy, Norway, Denmark, and Russia add
novel feature.
The
comprehen
simple,
dialogue
easily
music
the
and recitations
within the
children,
any
sion
and we are confident than
class
schools undertaking
produce
public will meet with hearty success.
of
GOOD TIDINGS; OR,

THE SAILOR-BOYS CHRISTMAS
A very interesting and novel production, illustr

ing Christmas Eve in Sweden. The songs are v
bright and pretty, the dialogue is simple and adapt
to the comprehension of children.
It is suitable
STOCKING
Emma W. Shogren
MARY'S
.20
either the Sunday-school class or general entertainment, and is undoubted

one of the most unique operettas of the kind. The costuming and sta
setting are simple, requiring little or no expense.
MERRY CHRISTMAS TIME

G. P. Benjamin
OF CHRISTMAS
T1artin T. Towne
MESSAGE
.30
recitation
dialogues, and carols, arranged expressly

Sunday Schools.
A charming little operetta for juvenil

Music easy, dialogue pleasing and intere
ing. The piece can be got ready for p
or
be
it.
formance with a few rehearsals. As ma

children as the stage can accommodate may take part in
The assistan
singers
required.
two
three adult
will
Full instructions for p
formance and stage setting accompany the book. The accompaniments
organ.
for either piano
or
of
The plot
this little operetta for children
quite original, telling the story
how
lit
boy's toys, having suffered the usual tre
Words and Music by
H. W. Hart
.20
of
TOYS
of
REVOLT OF THE
to
of
in
toys, rise
ment
revolt against him
plot
revenged.
Christmas Eve and
be
Hes broken us and shattered us,
He's thrown about and scattered us,
With mud he has bespattered us,
This cruel 1ittle boy.
as
is
as
of
is
of
to
They tell Santa Claus, who has arrived on his annual tour.
By
kindness the toys are endowed with speech and action every Christm
Eve (or rather Christmas morning) from midnight till cock's crow, and
gives them permission
punish Alfred for his treatment
them. H
they succeed
by
development.
told
the
The characters include the C
toy
soldiers),
Drum,
Sled,
tain (of the
the
the
the Doll, each with
ch
lullab
Alfred,
part;
song;
speaking
Mother,
pretty
acteristic
his
with
Faith, Hope, and Charity, singing an attractive trio; Santa Claus (of cours
many Toy Soldiers
practicable. The music, wh
and
chorus
pretty,
not difficult; the scenery and costumes simple.
a
.10
A Christmas operetta containing
228
A cantata designed for Christmas entertainments,

festivals,
etc., and for church and Sunday-school
W. F. Sudds
.40
anniversaries. It is founded upon the Bible, and
poetically and musically portrays the fall of man
redemption.
subsequent
and his
Solo voices required, Soprano, Alto, Tenor,
and Bass. Time of performance, thirty-five minutes.
STAR OF BETHLEHEM
SKETCHES
FOR THE LITTLE FOLK

Frank L. Bristow
Little
#:
*
Christmas
Pilgrims for schools, entertainments, etc.,

containing pretty marches and bright melo
dies.
Full directions.
This entertaining
operetta
full
to of
WONDERFUL CHRISTMAS TREE

James C. Johnson
is
.10
Christmas Charade and
is
CHRISTMAS
#.
is
it.
to
of
TWO
of
of
In
of
of of
in
pleasant excitement from beginning

end, having
.40
scene
the autumn
midnight view
woods,
the Snow
Fairies, the visit
fairy
Waits,
incoming
merry
band,
the
the
led by
Puck, the prince
comedians, the glitter
the Christmas-Tree, and the
hymn
the Morning Star.
addition there are eight carols, which may
sung
by
chorus,
accompanying
be
the cantata. The author has had
long experience
musical Christmas-tree festivals, and embodies
this his
brightest and best.
in
of
most charming little Christmas

operetta is this bright production,
by the well-known teachers of, and

writers for, children. The piece is
so arranged that a number of wide.30
awake little folks, assisted by a quarpeople,
part
may
good dialogue and very
tet of older
take
in
There
pretty musicenough
delight the children and satisfy the audience.
very beautiful, and the lesson derived
The tableau
the Christmas Star
from the entertainment wholesome.
of
.
Public Domain, Google-digitized /. http://www.hathitrust.org/access_use#pd-google
TABLES TURNED; OR,

A CHRISTMAS FOR SANTA CLAUS
Elizabeth U. Emerson and
Kate L. Brown
229
ar
CANTATAS
ORLATORLIOS AND
ESPECIALLY ADAPTED TO CHRISTMAS
A short choral work for Alto, Tenor, and Bass s

ists and chorus.
The scriptural text divides the w
into three partsThe Christ Sought, The Christ Se
The Christ Sanctified.
Excellent for chorus-choir
THE CHRIST
C. B. Rutenber
Octavo No.
8,303
.24
singing society.
Time of performance, about half an hour.
A short cantata for Alto solo, chorus and orchest

The Seraph (Alto Solo) chorus of Seraphim and cho
.35
of Shepherds form the dramatis persona of the c
tata; the angelic announcement and ascriptions
praise are its theme. Time of performance, about twenty minutes.
chestra parts can be purchased.
CHRISTMAS
IDYLL
W. W. Gilchrist
.60
A cantata for soli, chorus, and organ or orchest

The text is selected from the Scriptures and divid
the work into three parts I. The Desolation,
of
or
The Promise, III. The Fulfillment.

The mu
demands
well-trained chorus
choir.
Solo voices required, Sopran
Alto, Tenor. Time
performance, thirty minutes.
Orchestra parts
be rented.
be
to
required
in
will
is
.40
This celebrated work
is
from an unfinished
O
torio, Op. 97; Posthumous Works, No. 26.
T
music
not difficult, and will occupy about half
hour. Solo Soprano, Alto, Tenor, and two Bas
purchase
addition
the chorus. Orchestra parts can
CHRISTUS
Felix Mendelssohn
be
short choral cantata for Christmas with org

and brief Soprano solo.
T
.40
introductory chorus Ring forth, ye bells"
followed
Part
The Shepherds; Part II, T
Wise Men, after which comes the jubilant closing chorus Hail, roy
Babe!. The work
melodious and easily given
the average cho
performance, twenty minutes.
Time
by
I,
accompaniment
by
HOPE OF THE WORLD

P. A. Schnecker
is
of
CHRISTMAS EVE
Niels W. Gade
230
NEL
A Christmas oratorio
by one of the most celebrated of

There are recitatives for Alto and
modern writers.
C. Saint-Sans
Paper, $1.00
Tenor, solos for Mezzo-Soprano and Tenor, a duet for
Soprano and Baritone, a trio for Soprano, Tenor, and
Bass, a quartet for Soprano, Mezzo-Soprano, Alto, and Baritone, and effect
ive choruses for mixed voices. The work is suitable for large singing soci
eties, and may also be used by well-trained chorus-choirs with good effect.
An interesting cantata for soli, chorus, and organ.

Text compiled from the Scriptures by Catherine W.
.50
Fowler. The following divisions indicate the sub
ject-matter of the work:
1. The Triumph of
Prophecy; 2. The Annunciation; 3. The Vision of the Shepherds; 4. The
Journey of the Shepherds; 5. The Quest of the Magi; 6. Marys Slumber
Song; 7. The Flight into Egypt; 8. God Manifest. Time of performance,
one hour. Solo voices, Soprano, Alto, Tenor, Baritone.
PRINCE OF PEACE
John Spencer Camp
231
LENT
CRUCIFIXION
John Stainer
.60
sacred passion of the Holy Redeeme

(Tenor and Bass) and chorus, inte
to be sung by the congregation.
Tim
parts
hour. Orchestra
can be rented
The sacred drama of Passion Week, taking shap

about the year A. D. 1260, became gradually clothe
(ST MATTHEW)
with music.
Of all compositions of the kind, th
J. S. Bach
setting by Bach is doubtless the most beautiful.
It
Paper, .75
Cloth, Gilt, $1.50
very difficult, and, as a whole, beyond the reach of an
but the best performers; but the easy parts, includin
the chorals, are quite attainable, and the work may be used in part with th
best results. The English translation by John S. Dwight is superior to an
other.
PASSION
A meditation on the
for two solo voices
spersed with hymns
of performance, one
MUSIC
a successful writer of choir music and a

organist and choir director of recognized stan
ing, the composer is eminently fitted for writin
.40
an effective cantata that can be easily sung b
average
the
choir. The music is spontaneous, melodious, and varied. Th
text, is of a dramatic order, and tells the story well. The cantata is espec
ally suitable for Holy Week services.
Solo voice required, Bariton
part
performance,
twenty minutes.
who takes the
of NarratorTime of
STORY
OF
CALWARY
P. A. Schnecker
As
232
MUSIC FOR
EASTER
CARLOLS
For list of hundreds of Easter Carols published separately in octavo
form see our special catalog of Easter Music.
EASTER BELLS
A Collection of Anthems, Chants, Hymns, and Carols, selected
and arranged by William Dressler. . . . . . . . . . . . . . . . . . . . . . . . . .
I5
EASTER BLOSSOMS
A Collection of Easter Carols by Modern Composers. These
Carols can be obtained singly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
IO
EIGHT EASTER CAROLS

A. P. Howard. . . . . . . . . . . .
.08
. . . .
. . .
..
. . .
. . . . . . . . .
. . .
. .
..
. . .
..
bright carols for Easter are

furnished in this octavo collection. The
variety is sufficient to enable the Sunday
SELECTED EASTER CAROLS

A. P. Howard
Seventeen
.16
for the entire school or choir,

or infant up to the older
the carols may be sung with
and Bass), or by all voices in
school director to make a choice suitable

and for the different classes, from the primary
sections. The music is well harmonized, and
the proper voice-parts (Soprano, Alto, Tenor,
unison or chorus. Either organ or piano may
be used.
SEVEN
EASTER CAROLS
A. P. Howard.
. .
..
.....
. .
.... . .....
TEN EASTER CAROLS

A. P. Howard. . . . . .
. .
.... .... .... ..
SIX EASTER
. .
...
. .
.. ..
. . .
..
. .
. . . . . . .
..
. . .
. . .
.... ..
. .
.O8
..IO
.....
..IO
CAROLS
A. P. Howard.
..
233
. . . .
. .
..... .
. .
. .
. .
... .......
....
. .
..
. .
. .
..
. .
. .
EASTER SERVICES
"
Each consisting of Songs, Carols, Recitations, Responses, Reading, etc.

Price of each Service under this heading:
Single Copies (postpaid). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ .05
Per Hundred (not prepaid) ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.00
EASTER ALLELUIAS.
EASTER
GLAD EASTER...
...
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . .
LIFE FOREVERMORE.
- - - - - -
.. - - - - - - - - - - -
. . . . . . . . . . . . . . . . . . . . . . . . .
-- -
----
- -
- -
. . . . .
. Rosa
- Aos
- - - -
Edwin L. Gur
Rev. R. Dezwitt Mall
LIGHT OF LIFE.
. . .. . . .
OUR RISEN LORD.
. . .. . . . . .. . . . . . .. . . . . .. . . . . . . . .
. . . . . . . . . . . . . . . . . . . . .. . .
....
. . . . .
world's REDEEMER...............................
OUR
EASTER OFFERING
George B. Ne
. W.
Howard Do
W. Hozoard Do
The scene and action are as follows:

Mother, with her Children, has come to c
plete the floral decorations preparatory to

.15
Easter services in the church, while the
lage children have gone to the mountains
gather more flowers. The emblems are already partially covered w
flowers. Mother and Children come in with their hands, or with bask
full of flowers, which they are to twine with those already there.
The characters comprise ten girls and four boys, and there is a cho
of village children. The music is not difficult.
Leo R. Lewis
234
ORATORIOS AND CANTATAS

ESPECIALLY ADAPTED TO EASTER
EASTER EVE AND MORN
Frederick R. Stevenson
Dramiatic
in spirit, this short cantata sets
forth the Resurrection story with keen em

phasis yet in a churchly style with festal
.50
practical,
too,
color. It is
but with sharply-defined effects, stirring alike for
singers and organist. All of these characteristics naturally result from
Mr. Stevensons ample musical training and experience in all the phases of
his art that are involved in such a composition. Solo voices, Soprano, Alto,
Tenor, Bass. Time of performance, half an hour.
The text is largely

Scriptural, embodying the Easter story. The
strictly narrative portions are in melodic
.40
recitative for the Baritone. There are solos
one each
for Soprano, Alto and Tenor, of the kind that singers enjoy, well
suited also to any reasonably capable singers, yet highly satisfactory to the
more cultivated.
There is a pleasing and practical trio for womens voices,
also an impressive unaccompanied chorus or quartet.
The choruses are
very effective and not hard. There are also a striking prelude leading with
stirring crescendo into the opening chorus, and a suggestive organ inter
mezzo that will appeal to the player.
Solo voices required, Soprano, Alto,
Tenor, and Bass. Time of performance, twenty-five minutes.
Among the churches which have given the cantata are the Arlington
Street and the New Old South, Central Congregational, Second Unitarian,
and Copley Square, Boston; Broadway Tabernacle, Broadway and 34th
Street, New York; the Lafayette Avenue Presbyterian, and Greene Avenue
- Presbyterian, Brooklyn; and the New York Avenue Church, Brooklyn,
N. Y., whose organist wrote the composer as follows:
RESURRECTION
Charles Fonteyn Manney
A short
cantata for Easter.
We gave your cantata, The Resurrection, on Easter, and enjoyed it hugely. Our
people were delighted with both the work and its rendition, and we shall repeat it on
Having run the gamut of the 1iterature of that class, I was dis
Sunday following.
couraged and dismayed, and to say I was thankful when your work appeared is putting
it mildly.
My choir fairly beamed after our first reading of the work.

Cordia11y yours,
ABRAM RAY TYLER,
Secretary of American Guild of Organists.

235
RISEN KING
P. A. Schnecker
.40
The music is simple and

melodious; contains no extended solos; easy of rendi.
A short cantata for Easter.
tion by the average choir. Accompaniment, organ or

piano. Solo voice required, Alto ; time of perform
ance, twenty minutes.
236
OTHER SERVICES
--
CHILDRLENS DAY
Price of each of the following services:
Single Copy (postpaid). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Per Hundred (not prepaid). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CHILDRENS DAY SERVICE.
CHILDRENS DAY SERVICE.
..
. . . . . . .
. . .
. . . . . . .
. . .
. . .
$ .05
4.00
. . . . . .
Rosabel
*-
. . . . . . . . . . . . . . . . . . . . . . . .
... P. A.
Schnecker
Words by Addison F. Andrews.
CHIMES FOR CHILDREN'S
FLOWERS AND PRAISE.

VOICES OF PRAISE.
. . .
DAY.
. . . . . .
. ...
. . . . . . . . . . .
. . . . . . . . .
. . . . . . . . . . . . . . .
......
. . . . .. . . .. . . .. . . .. .
. Willers
&
..
. . . .
. . . . .
. . . ..
. .
. .
Rosabel
Rev. R. Dewitt Mallary
.... . . . .. .. . .. ... . ..... . ..... . ...

Single Copy (postpaid,).05; Per Hundred (not prepaid,) $4.00.
.
237
*
R.
HARVEST SERVICE
GARNERED SHEAVES
#.
-
. . . .
--
.#
*
. .
Rosabel
- -- -
PART I
PAGE.
Academies............
Albums of Songs.-----------------------
......
Calisthenics ........ --------------------Generated for student (University of British Columbia) on 2015-09-27 19:22 GMT / http://hdl.handle.net/2027/iau.31858047149863
Anthem Books
73
Exercises.................
21
Grammar Grades
Sacred................ -------------...
Secular................ ---------------
||
Harvest Service.........
92
Hebrew
Services........................
168
.. . ... . .
Hymn and Tune

tional Use) . . . .
||
18o
Christmas............. ---------------
223
Easter............ -------------------
233
Catholic Music.
. . . . . . . .. . . ..
158
Etc............. - - -
133
Masses,
as
(Protestant).....................
Children's Day
.................
........................
...........................
-
Christmas Music
-
Church Music
College Songs.
-
Men's Voices.....
-
Womens Voices.
-
Communion
Io?
68
.... .. . .... ... .. .. ..
71
...................
131
107
.............................
99
Duets
Sacred................................
Secular..........Easter Music
Masses
-- -
--
---
--
............................
47
--- - - -- -----
. . . . . . .... . .. ..
-- . .. . .
. ..... . .. ....
Men's voices.
College Songs
Masonic.....
.......................
- ----
- --
Sacred Music.......................
Secular Part-Songs ................
223
Congregational Hym-Books............
Conventions
Masonic...........
92
.. ... ...
Services
... .... ...
- - - - - - - - - - ----
Music---------------- ..........
Librettos (Operas and oratorios).....
Lenten
. . . . . . . . . . . . . . . . . . . . . . . . . . 237
Childrens Song-Books
........
Litanies...................:
Choir and School Books............
-- --- -----
Books (Congrega
Kindergarten............
Carols,
Chants
118
High School
Cantatas.
.......................
Methods................
... . . . . . . . . . . ....
Morning and Evening Services.......

Motion Songs
.. .... .... .. . . . .. . . . .
--
Opera Music (Collections of)

Operas (Vocal
......
..........
scores).
Grand Operas . . . . . . . . . . . . . . . . ......
Light Operas
operettas.
.. .. . . . .
----
Adults (Amateurs)..................
48
Girls' Voices only...................
233
238
Secular Duets.
Seminaries.
services
6o
Harvest
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III
I5
54
66
Women's Voices.
II7
92
Sacred Music
2I
Secular Part-Songs
71
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College Songs
239
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Vespers
88
War Songs.
88
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Treatises.
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Kindergarten,
Calisthenic, and
other song Books for children.
Secular Songs.
73
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Tonic Sol-Fa Song Books for
Tonic Sol-Fa.
and
Grammar and Primary Classes ...

Grades
Sunday School...
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Academies
81
Seminaries.
Studies
Temperance
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Schools,
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School Department.
High
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163, 168
-- ---
2I
Secular -
II8,
99
18
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----
237
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*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
Sacred Duets
.
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Sacred Songs
99, Io7,
234
Songs.
Sacred
47
Music...... - - - - -
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129
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151
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-
Sacred
Responses.
Solfeggi.
81
225
237
Singing Schools
66
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Masses
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Requiem
Grades.........................
I31
Children's Day.
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Easter.
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51
Patriotic and War Songs.

Primary
73
(choir)............ ........
Christmas
Womens Voices.
Mixed Voices
. .. .. .. .. .. .. .. .. .. .. .. .. .
Services (Sunday School).
163
Part-Songs (Secular).
Mens Voices
...
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48
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Christmas (Children) ...
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.... .. .. .... . ... .. ... .. . .. .. .
Oratorios.
PAGE
PAGE
Operettas Continued.
Children
Continued.
INDEX
57
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PHILADELPHIA
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T E A C H C R. S
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to/E
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Send for Teaching Fieces and Hot" to Teac. Them,
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If you teach singing send for Selected Songs, a similar series for
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THE
s PaR R Eu-u- P R in r. so ston
"
DESCRIPTIVE CATALOG
|
Of
MUSIC
*-*.
|-
*&-
F-S3.
\: 2)
*
Books'
PART II
INSTRUMENTAL
PART III
THEORETICAL
PUBLISHED BY
BOSTON, MASS.
--
--
--
DESCRIPTIVE CATALOG
OF
MUSIC BOOKS
PART
PART
C. H. DITSON & Co.
NEW YORK
II
INSTRUMENTAL
THEORETICAL
III
LYON & HEALY
CHICAGO
d
PUBLISHED BY
BOSTON, MASS.
J.
PhilADELPHIA
E. DITSON & Co.
Any book herein listed will be sent postpaid upon
receipt of price, with a few exceptions otherwise
specified.
Part I, Vocal, will be sent upon request.
(For Index
CONTENTS
see page 463)
PART II
INSTRUMENTAL
PIANO
STRINGS
VIOLIN.
Tiethods and Studies.
Collections.
. . . . . .. . ... . . . .. . . . .. . . . .
Collections.
paniment...
. . . . 349
violins..............
Violin Music with Piano Accom

269
274
291
292
3OI
PIANO
VIOL.A ................
. . . . . . . . . . . . . . . . . 362
VIOLONCELLO... . . . . . . . . . . . . . . . . . . . .
DOUBLE-BASS...
.. .. .. .. .. .. .. .
HARP . . . . . . . . . ...-. . . . ..................
Methods....................
............
Flute
ment
GENERAL.
.
.
.
.
.
.
.
.
.
CLARINET.
377
Clarinet Music with Piano Accom

paniment.
378
.
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lethods.
Collections.
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382
383
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-.
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Accompani
Tiethods .......
Collections.
Cornet Solos without
ment.
.
R.EED ORGAN
.
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GENERAL.
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327
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....
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.. . .. ... ... .
Cornet Music with Piano Accom

paniment
Violin, Cornet, and Piano.
...
Tiethods and Exercises.
38o
CORNET.
32I
.
.
... ..... ... .. ... .. .. . ... .. .. .
GENERAL.
379
BRLASS
320
.
.
.
.
.
Treatises................................
FLAGEOLET
. . . . . . . 317
.
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Tiethods and Exercises........
.
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TECHNICAL.
TECHNICAL.
Violin.
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PIPE OR-GAN
376
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37I
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.
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.
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.
313
37o
.
.
.
Flute Music with Piano Accom

paniment.
Duets for Two Flutes, or Flute and
Collections.
366
Solos, without Accompani
...
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. . . . . . . . . . . . . . . . 309
3Io
365
WOOD-WIND
Collections.
Albums (each devoted to composi

tions by a single composer) . . . . . .
General Collections (each contain
ing compositions by many differ
ent composers). . . . . * * * * * * * * * * * * * *
363
. . . . 364
.
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Studies and Exercises..
. . . . . . . . . . . . . . . . . . . . . . . . 353
FLUTE AND PICCOLO.
FOUR -hANDS
TECHNICAL.
35I
Albums (each devoted to composi

tions by a single composer). . . . . .
General Collections (each contain
ing compositions by many differ
ent composers).....................
Operas (arranged for Piano Solo)
Dance Music
.
Beginners. . . . . . . . . . . . . . . . . . . . . . . . . . . .
34I
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
!.
ment...
. . . . . . . . . . . . 265
Duets for Two
Collections.
........
Violin Solos, without Accompani
. . . . . . . . . . . . 254
GENERAL.
Collections.
.. . ... ....
. . . . . . . . . . . . 245
Studies and Exercises. . . . . .

Tiethods. . . . . . . . . . . . . . . . . . . . .
Treatises . . . . . . . . . . . . . . . . . . .
TECHNICAL.
TWO-HANDS
TROMBONE..........................
385
386
CONTENTS.
BRASS. Continued.
E-FLAT ALTO.......................
BARITONE. ..........................
B-FLAT TENOR........... - - - - - - - - - -
B-FLAT BASS......................
E-FLAT BASS OR TUBA .......
BUGLE ........................
........
Continued.
MISCELLANEOUS
387
387
388
388
389
389
BAND AND ORCHESTRA

......................... 390
ORCHESTRAL PARTS OF OP
ERAS, CANTATAS, AND
SACRED CHORUSES........ 401
DULCII 1ER............................
HARMONICA.........................
OCARINA..............................
DRUN1 AND FIFE...................
ACCORDION ..........................
CHARTS ...............................
BALL-ROOT1 BOOKS ..............
COLLECTIONS
CLUB INSTRUMENTS
T1ANDOLIN
Methods ...
Collections.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . 406
... .. .. .. .. .... .. . .
GUITAR
Tiethods and
Collections. .
BANJO
Methods ...
Collections.
. . . . . . . . . 409
Exercises.................
413
. . . . . . . . . . . . . . . . . . . . . . . . . . . . 417
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426
ZITHER................................
429
PART III
THEORETICAL
DICTIONARIES.....................
CATECHISI15, PRIMERS, ETC.
HARTIONY............................
COUNTERPOINT....................
CANON AND FUGUE..............
INSTRUMENTATION..............
GENERAL MUSICAL LITERA

TURE..............................
BIOGRAPHICAL ....................
P A RT I I.
INSTRLUMENTAL
PIANO
STUDIES AND EXERCISES
For sets of Teaching Pieces,
see page 309.)
our Sheet Music Catalog
see
The following 1ist embraces the very best studies and exercises for the piano, by
American, German, French, and Italian authors. The teacher will have no difficulty
n obtaining studies suitable for either the mere beginner or the most advanced
layer, or such exercises as are needed to correct particular faults of pupils.
The most-used Studies are those of Czerny, Kohler, Schmidt, Cramer, Loeschhorn,
or execution, and of He11er for expression; but nearly the whole list is in constant
equisition.
In ordering Studies be sure to mention the Opus and number of each piece.
When these are not indicated in the catalog the full title of the Study should be given.
The fingering, in all cases,
is FOREIGN
Inventions.
. . . . . . . . . . .
...
...
$.60
New school of velocity (op.61).
Five-finger Exercises (Op. 62).
.
.
.
.
.
.
.
I.O.O.
Three books.
*
*
*
*
*
*
*
*
*
*
*
*
245
.
.
.
.
*
*
*
*
*
*
*
do.
Three books.
- -- -- - - - - - - --- -- - - -- -- -- -- -- --
Lessons (Op. 70). Without octaves.

-- - - -- -- - - --Each
Complete.
.
Fifty Piano
Each.......
.6o
.
.
.
do.
Four hands.
.
.
.
Each
Complete
Four books.
.so
HERMANN
- -- --
.
.
.
*
*
*
*
*
*
*
*
*
*
*
~
*
*
*
ERENS,
Complete.
Two and three voices.
.4Q
.75
JOHANN SEBASTIAN
.
.
|ACH,
..|
(For Four-hand Exercises and Studies,
BERTINI, HENRI-JEROME
Twenty-five Studies (Op. 29). Complete .
Twenty-five Studies (Op. 32). Complete .
Twenty-five Studies (Op. 100). Complete
Scales and Arpeggios.
BURGMULLER
JOHANN
. . . . . . . . .
. . . . . . . . . . . . . .
. . . . . .
. .
. . . . .
. . .. . . . . . . . . . . . . . . . . . .
.. . . . . . .. .. .. .. . . .. .. ... . ... . .. . . . . .. . ...
FRIEDRICH FRANZ
Twenty-five Studies (Op. 100).
Two books.
Each . . . . . .
Complete .
do.
Eighteen Etudes de Genre (Op. 109).
Books
II.
and
. . . ..
. . ...
Each
. . .
CLEMENTI, MUZIO
Gradus ad Parnassum.
Selected studies revised and fingered
expression.
with marks
Cloth. Edited by Carl Tausig.
Selections from Gradus ad Parnassum.
Two books. Each
...
of
CONCONE, JOSEPH
246
.
.
.
.
.
.
.
.
.
.
.
.
.
J.
Lang.
.
.
B.
.
.
.
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.
.
.
.
.
.
.
.
.
by
..
.
.
.
.
.
.
.
.
.
.
.
.
.
do.
Four parts.
Von Bulow Edition, translated

Each
Complete. Cloth.
.
.
.
Fifty Studies.
BAPTIST
JOHANN
CRAMER,
.
.
.
.
.
.
Twenty-five Etudes Melodiques (Op. 24). Complete

Twenty Etudes Chantantes (Op. 30). Two books.
Each ....
Expressives
(Op.
Fifteen Etudes
44). Two books.
Each
.. .. ..
CZERNY,
CARL
Toccata in Exercises (Op. 92).

One
. . . . . . . . . . . . - - - - - - - - - - - - - - - - - - - - -
Hundred Easy Studies (Op. 139)
. . .
.. . . .
. . . . . .
..
. . . .
. .
.50
Hundred and Twenty-five Preparatory Studies (Op. 261),

Studies in Velocity (Op. 299). Books I, II, III, and IV. Each,
do.
Four books. Complete . . . . . . . . . . . . . . . . . . . . . . . .
.25
.6o
School of the Virtuoso (Op. 365).
. . . . . .
.6o
Each,
1.25
Each,
.4o
I.OO
..
.30
.50
One
Part I.
. . . . . . . . . . . . . . .
Fifty Grand Finishing Studies (Op. 409).

One
.75
Six books.
Hundred and Ten Exercises (Op. 453).
Six books.
Grand Exercises of the Scales (Op. 5oo).
. . . . . . . . . . . . . . . .. . . . . .
Six Exercises in Octaves (Op. 553)
. . . .
. .
. .
Twenty-four Progressive Studies (Op. 636).
Fifty Studies (Op. 740). Sequel

299.
Six books.
do.
Each . . . . . . . .
Complete * * *
to
Books.
. .
. . . . .
. .
.. . .
..
. .
.
. . .
Studies in Velocity, Op.

..
. . . .
* * ** ** ** * * * * * ** * * ** ** * * * * ** * * **
. . . . . . . . . . . . . . . . . . . . . .
Easy and Progressive Lessons (Op. 823).
Each
. . .
. . . . . . . . . . . . . . . . . . .. . . . .
Practical Five-finger Exercises (Op. 802).

Seventy-two
. . . . . . . .
Practical Time Lessons for Four Hands (Op. 824). Two books.
Each . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Complete * * *
Thirty New Studies (Op. 849).
* * ** * * * ** - - - - - - - - - - - - - - - - - -
Six books.
Daily and Indispensable Exercises.
Each............
Gomplete .
Elementary Principles of Music.

A Special Study for Finger
.50
.4O
.6o
-35
Four books.
. . . . . . . . . . . .
.35
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.5O
. . . . . . . . . . . . . . . . . . . .. . . . . . . . . . .
.2O
. . . . . . . . . . . . .
Development.......................
.3O
ABELLI, ANTON
Twenty-eight Melodious Exercises for Four Hands (Op.

247
149),
*
3.
*
s
.6o
.. . . . . .. .. . . .
*
#
. . . . . . . . . . . . . . . . . . .- - - - - - - - - - -
Velocity................
.6o
.35
One Hundred Easy and Progressive Lessons.

. . . . . . . . . . . .
I.25
Nine Introductory Studies to Czernys

Each . .
do.
.3O
Two
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . .. . . . . . . .
do.
.5o
.50
:
:*
i
Six Studies
do.
do.
do.
do.
do.
do.
248
Part
Part
Part
Part
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Studies.
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of
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Each
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Three books.
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Piano Method, Introductory to the Course
Part
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Each
Phrasing (Op. 509).

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Ecole Primaire (Op. 176). Two books.

Complete.
do.
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Four books.
I.
.
.
.
.
Book I...
Book II.
Book III.
Book IV
Book V
Book VI
Book VII
Book VIII
Book IX.
Book X
Book XI.
Book XII.
Book
Book II
.
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Ecole du Style (Op. 168).
.
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Course of Studies.
do.
do.
do.
do.
do.
do.
do.
do.
do.
do.
do.
Course of Technics.
do.
ERNST
(Op. 120).
Complete.
FRADEL, CHARLES
.
.
.
Ecole du Mechanism
do.
6:
5. 4. 3.
.
.
Each
.
CARL HEINRICH
Twenty-five Easy and Progressive Studies (Op. 8).
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Each
books.
.
EBERHARD,
B.
books.
in
DUVERNOY,
J.
---
|
DORING,
Three
Two
Complete.................
SURLITT,
CORNELIUS
Primary Studies in Velocity (Op. 83).
do.
Books
I and II.
First Steps of the Young Pianist.
II.
IASERT,
Each
. . . .
..
..
. . . . . . .
..
. . . . .
Complete.....
Each
.75
... .. .. . ... ..
.4O
Vols.
New Editon.
.
.. . .. . .. .
. . ..
. .
- - -
. . . . .
and
. .
.75
.75
. .
RUDOLPH
School of Velocity (Op. 50).
Two books.
Each
. .. .. . . ...
. .
ELLER, STEPHEN
Art of Phrasing (Op.
16).
Two books.
Each
I.OO
. . . . . . . . . . . . . . . . .
Twenty-five Studies Introductory to Art of Phrasing (Op. 45),
I.OO
Thirty Progressive Studies (Op. 46.
.. ..
I.OO
Expression (Op. 47),
I.O.O.
Twenty-five
Studies
Twenty-four
. . . . . . . . . .
in Rhythm and
Preludes (Op.
81).
. . . . . . . .
Two books.
. .
Each
. .
. . . . . .
Twenty-four New Studies (Op. 9o). Two books. Each . . . . . . .

Twenty-four Studies of Expression and Rhythm (Op. 125).
Two books.
ERZ,
Each
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.75
I.25
I.OO
HENRI
Gammes.
French and German Text.
JNTEN, FRANCOIS
Twelve Etudes Melodiques (Op. 81).
.50
. . . . . . . ..
I.OO
. . . . . . . . . . . . . . . . . . . . . . . . . .
... .
. . . . . .
. . . . . . .
CKSON, A.
Cadences
Keys
and
Scales
and Chords
in all Major and Minor
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
249
. . . .
. ..
. ..
. .
. .. ..
35
KHLER,
LOUIS
First Studies (Op.
50).
do.
Two books. Each .
Twenty Studies (Op. 60).

Special
Sequel to Op. 50.
Studies (Op. 112).
Two books.
New School of Velocity (Op. 128).

Effective Execution (Op. 135).
Daily Repetition (Op. 150)
. .
. . . .
Twelve Little Studies (Op. 157).

Sonata Studies (Op. 165).
Scale Passages (Op. 180).
Book
.
..
KRAUSE,
. . . .
Each
Each
. . ..
. .
...
. . . . .
...
...
. . . . ..
. . . .
. .
...
. . . . . . . . ....
** * * ** * * * * * * * * * * * * * * * . . . .
. . . . . . . . . . . . . . . . . . . . . ...
. .
. . .
. . ...
. * * * * ** * * * * * * * * - - - - - - - . . . .
I. . . . . .
. . . . . . . . . . . . . . . . . . . . . . ..
... . .. .
. . . . . . . . . . . . . . . .
Very First Studies (Op. 190).

Twelve Studies (Op. 230).
Each
. . . . . . . . . . . . . . . . .
. ....
. . . . . . . . . .
Two books.
Twelve Preparatory Studies (Op. 151).

Elementary Studies (Op. 163).
. . . . . . . . . . . .
Two books.
. . .
.. ..
. . . . . . .. . . . . . .
Complete
. . . . . . . . ...
. . . . . . . . . . . . . . . . . . . . . . . . . .
Two books.
Each
. . . . . ..
. . . . . . . . . . . . .. .
ANTON
Ten Trill Studies (Op. 2).

do.
Two books.
Each . . . .
Complete
Eighteen Easy Progressive Studies (Op. 4)

Ten Etudes (Op. 5).
Two books.
Each
. . . . .
. . . . .
.. ..
. . . . . . . . . .
.. . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . .
Twelve Etudes in Broken Chords (Op. 9).
Each,
Two books.
KULLAK, ADOLPH
Finger Exercises with Stationary
Hand.
. . . . . . . . . . . . . . . . . . . .
KULLAK, TheODOR
School of Octaves (Op. 48).
Book
Book
I. Preparatory Method.
II.
...
Seven Octave Studies.
. . . . . .
Materials for Elementary Piano Instruction.

250
.. . . .
. . . .
. ..
. . . . . .
. .. . . . . . . . . . .. . . . . . . . . . . . . .
Vol.
I.
..
. .
..
..
LEBERT AND STARK

Scale Studies. . . . .
. ** * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
. .
.I.50
- - - - - es
.6c
. .. .
. . . .
LEMOINE, HENRI
Fifty Juvenile Studies (Op.
37)........................
LOESCHHORN, ALBERT
Each
.50
. . . . . . . . . . .
.50
Three books.
Each
. . . . . . . . . . . . .
.50
Three books.
Each
. . . . . . . . . . . . .
.5o
Three books.
Each
. . . . . . . . . . . . .
.5O
Studies in Velocity (Op. 136).
Three books.
Each
. . . . . . . . . . . . .
I.25
Melodious Studies (Op. 159).
Three books.
Each
. . . . . . . . . . . . .
I.OO
Fourteen Trill Studies (Op. 165). Two books.

Pianoforte Technics. English and German Text .
MASON, WM., and

MATHEWS, W. S. B.
Pianoforte
Technics
$2.50
Each......
I.OO
. . . . . . . . . . . . . .
I.OO
A complete manual of William Masons celebrated

system of practice.
The preparation of this im
portant work has engaged his attention and that of
the associate editor, Mr. W. S. B. Mathews, for
several years.
>mpose
It
of
is,
Mason's Technics embraces chapters on the hand, the mind in play

ng, rhythm, accentuation, touch, velocity, and how to use the system.
Also
n practical exercises.
Ten pages of two-finger exercises, invaluable for the touch.
Twenty-five pages of scales. The most complete manual of scale-study
ver published.
Twenty-five pages of arpeggios, including Masons ingenious and inter
unquestionably, the
sting treatment of the diminished chord.
This
reatest arpeggio school ever published.
Also
new school
octaves.
any
may
Masons Technics
used with
instruction book.
con
wins over five hundred exercises, and directions whereby the pupil can
for himself more than ten thousand exercises.
251
Three books.
.75
-.
Progressive Studies (Op. 65).

be
Thirty Progressive Studies (Op. 38). Three books. Each......

Thirty Melodious Studies (Op. 52). Three books. Each......
MEYER,
LOUIS
Preliminary Studies.
. . . . . . . .. . . . . .. . . . . . . . . . . .
Each
Two volumes.
Practice of the Scales. .
. . . . . . . . . . . . . . . .
Eight numbers.
Progressive and Melodious Studies.

do.
. . .. .
..
. . . .
..
Each,
.... ......
. . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . .
MEES, ARTHUR
Eight Daily Studies. . . .
MOSCHELES,
. . . . .
. . . . . . . . . . .. . . . . . . .. . . . . . .
. . . . . ..
IGNAZ
Twenty-four Studies for Pianoforte (Op. 70). With English

Two books. Each . . . . . . . . . . . . . . . . . . . . . . .
..and German text.
PLAIDY, LOUIS
New Technical Studies.
do.
do.
Part
Part
I. . . .
. .
2. .. .
Part 3. .
. . . . . . . . . . . . . . . . .
. .
. . .. .
.. .. .. .. . . .
. . . .
. .
. .
. . . . . . . . . . . . .. . . . . . . . . . . . . . . ..
Part 2, Nos. I and 2. Each

Studies.
Scales (Diatonic, Major, Minor, and Chromatic). . . .
Technical Studies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
New Technical
SCHMITT,
.. ..
. . . . . . . . . .
. . . . .. . . .
. .
.....
. . .
ALOYS
Preparatory Exercises (from Op. 16).
... . . .. .. .. . . . . . . . . . . . ....
SCHUL1, F. A.
Scales and Chords.
. . . . . . . . . . . . . . . . . . . .
...
. . . . . . . . . .
..
. . . . . . . . . .
STREABBOG, JEAN-LOUIS
Twenty-four
Parts.
Etudes Melodiques (Op. 63 and Op. 64).
Each
. . . . .
. .. ..
. . . .
. .
. .... . . ...
252
. . .
.... . ...
Two
..........
CARL
Daily Studies.
TAUSIG,
do.
do.
WOGT,
Part 1. . . . . . . . . . .
Translated by J. C. D. Parker.
Parts 2 and 3. Each . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Complete . . . . . . . . . . . . . . . . . . . . . . . . .
I .50
3.OO
JEAN
Twelve Octave Studies (Op. 145).

WIECK, FRIEDRICH
Paper.
Studies.
WILSON,
. . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . .
---- --
- - - - --
---- ---- -
..
. . . . . .
I.OO
.6o
Each ..
1.59
- -- - - - - - -
G. D.
Material for Early Piano Instruction.

2.OO
Three numbers.
--t
-
BERNARD
Twelve Short Studies in Octave Playing.
WOLFF,
253
Revised by J. A. Hills,
1.oo
METHODS
BECKEL, J. C.
Improved Method for the
Pianoforte
In the preparation of this work simplicity h

been the aim of the author, but in the prese
advanced state of the art of piano-playin

something more is required than the know
edge to be obtained from the many wor
published, to make music easy. The author, therefore, had constantly
view the necessity of preparing the scholar for the study of the works of t
best masters by a judicious selection of examples to that end.
A new and revised edition of this favor

book, which sets forth the rudiments in
concise and plain form. Very simple ex
BELLAK, JAMES
Analytical Method
Foreign and American Fingering

Bach, paper, .75
Boards, $1.00
cises are introduced, interspersed with po

lar melodies, also simply arranged.
Ea
pleasing melodies with simple exercises.

As
book for beginners, this work will not fail
child.
interest the younge
is
of
to
this method
facilitate the stu
consequently
progress
piano,
the
and
furnishes
work
which young pianists may, assisted by
experience
their teachers, find all the elements
The intention
in
of
BERTINI, HENRI
Piano Method
to
to
is
of
in
it.
scale is followed by melodies in the same key, so that the pupil becom
familiar with
No octaves are introduced
the melodies, and the ent
plan and purpose
the book
interest the beginner by combinin
a
of
$2.00
of
of
to
as
of
it
of
so
of
of in
of
great number
elementary works
many
them writte
talent, and very good
too, by men
some respects
have the disadv
popular airs than
tage that they are rather collection
series of lesso
develop
graduated
connected and
the musical knowledge a
beginners. To avoid this fault the author
mechanism
the prese
especially
exercises,
work has written
for
series
melodic
instead
resorting
popular airs, romances, waltzes, etc., which are common
annexed to instruction books.
instruction.
to
Paper, .75
Boards, $1.00
254
BERTINI, HENRI
Piano Method (abridged edition).
BEYER,
FERDINAND
Preliminary School for
the Piano
English and German Text
.75
English text only
. . . . . . . . . . . .
$1.50
This method contains the principles of music and

many studies, examples, exercises, easy pieces,
etc., with illustrations of the position of the
hands and the key-board of the piano.
In addi
tion there is a dictionary of musical terms. This

is one of the standard instruction books for the
piano, and is widely known and extensively used.
BURGMULLER, JOHANN FRIEDRICH FRANZ

Instructor for the Pianoforte. With English and French text.
To which are added Czernys Letters on the Art of Playing
the Piano.
Boards.
. . . . . . . .
. . . ...
. .
. . .
. . . . ...
. . . . . . . . . . .
.. .
$2.00
CARPENTIER, ADOLPHE LE
Elementary School for the
Pianoforte
Translated, revised, and corrected, with

twenty pages of additions, to make a more
gradual progression, by Hermann Daum.
Boards, $1.00
Simple elements, progressive exercises,
scales, thirty-two easy recreations, or pieces
for practice, and five short studies, making a good, easy, and practical
school for beginners. Foreign fingering.
CARPENTIER, ADOLPHE LE
First Method
text.
for the Pianoforte.
Boards. .
Paper. . .
English, French, and German
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . .
. . . . . . . . .
..
. . .
255
.. . . .
. . . . . . . . . . .
..
. . . . .
. . . . . .
$1.00
.8O
CLARKE, HUGH A.
New Method for
the Piano
$3.00
attention is given
improved
system
the modern and
of technics,
there is also an exhaustive analysis of the sca
and chords; hence, the book answers admirably
beginners as well as advanced players.
Anoth
In this New Method much
valuable feature of this work will be found in the fact that it prepares
student for the study of Harmony, a desirable feature, never bef
Among the new features which
attempted in any piano method.
Method contains are the fingering of scales in double thirds, the arp
gios in use in the Leipzig Conservatory, and the introduction of five-fin
The selections embrace a wide range and extensive varie

including some of the happiest morceau.r of composers like Bertini, Cram
Schumann, Heller, Mayer, Concone, and Kullak.
exercises.
EBERHARD,
ERNST
Grand Conservatory T1ethod

for the Piano
Each, $1.50
Two books.
FRIEDRICH,
FERDINAND
Kindergarten
The
Op.
174
.75
Introductory to the Grand Conservato

Course of Studies selected from the wo
of the great masters, by Profs. Otto Hac

and H. Maylath, and edited by Dr. Er
Eberhard.
First instructor in piano-playing, includi

easy and melodious exercises on favorite fo
song and opera melodies.
Translated a
adapted by Theodore Moelling.
HAMILTON
Followed by thirty
preludes and favorite airs, fingered and arranged by Karl
Czerny. From the Fiftieth London edition. . . . . . . . . . . . . . . . . . $1
Modern Instructions for the Pianoforte.
256
HEMY, HENRI F.
Royal Modern Tutor for
the Pianoforte
$1.00
Containing the elements of music illustrated

on an entirely new plan, followed by a popu
lar collection of beautiful airs, with numerous
five-finger exercises, scales, preludes, etc.
It has been the aim of the author in pre

paring this work to explain and illustrate the rudiments of music in a man
ner at once clear and comprehensive, suited equally to the capacity of the
youthful aspirant of seven years and to that of the student of seventeen.
New and revised edition, with English and French

text, containing, in addition to all former editions,
the Modern Minor Scales, diagram of key-board,
Dictionary of Musical Terms, cuts illustrating cor
$1.25
Supplementing the
rect position of the hands.
popular
airs,
arranged
instructions are a series of
in progressive
HUNTEN, FRANZ
Instructions for the
Pianoforte
graded
111a1111er.
HUNTEN, FRANZ
Instruction for the Pianoforte
.75
KOHLER, LOUIS
Practical Method for the Piano
Abridged edition. The same as above in

all essential details, the difference being
merely in the number of recreation pieces
incorporated in the volume.
The object of this Practical Method is
to furnish the student with material for

instruction gathered from the piano
Each, .75
forte literature of all ages and styles,
progressively arranged from the sim
plest to most difficult; the pupil is thus not only kept interested, but is
induced, under proper guidance, to utilize the ability gained by the practice
of modern recreations in the interpretation of classics, both of the past and
of the present. English, French, and German text.
Op.
Three vols.
249
257
|
:
LEBERT, DR. SIGISMUND

STARK, DR. LOUIS,
and
.
Professors in the Stuttgart Conserratory, Germany
Grand Theoretical and Practical

Piano School
Lebert and Stark's School is publishe

in three parts. The price of Parts
II, and III, complete, is $2.00 eac
Part I is also divided into books.
Th
price of Books I, II, III, and IV of Pa
is 75 c. each. We also own and pu

lish Russell's fine engraved edition
I,
complete
Part
in four books, and
in cloth binding. Prices as follows
Books I and II, $1.50 each; Books
and IV, $1.75 each; - complete
cloth, $4.50.
This exhaustive work is the result of many years' experience on the pa
of the authors as instructors at the Stuttgart Conservatory. It is a theore
cal and practical piano school for systematic instruction in all branches
piano playing, from the first elements to the highest proficiency.
Part
Elementary School; Part II, exercises and tudes; Part III, exercises an
tudes; Part IV, thirty-three artistic tudes, four compositions by Liszt, an
eleven tudes especially composed for this work by Bendel, Brahms, Hensel
Hiller, Kirchner, Kullak, Moscheles, Raff, Reinecke, Rheinberger, Rubi
III
stein, and Saint-Sans.
MASON, WILLIAM
This system of technical exercises has grown up

the effort to meet and overcome the various faul
Rhythm was applied
by pupils.
$2.50
manifested
scales by the author many years ago, for the pu
pose of necessitating a great number of repetitions, and rendering the pra
tice interesting to careless pupils. The points of novelty in this system ar
Pianoforte Technics
(1), the directions in regard to touch and the two-finger exercises; (2), th
systematic application of rhythm; (3), the full and complete scale an
arpeggio treatment; (4), the method of velocity, and (5), the school
octaves.
MASON, WM. and HOADLY, E. S.

Method for the Piano
American and Foreign Fingering
Each edition, $3.50
This method retains, indeed, what h

proved of value in previous works, b
adds many new
features
never
befo
published. Some of these have lon

been known to the best teachers, whi
others are quite novel. Of the latter class are the accent exercises, invente
by Mr. Mason, which are believed to be an improvement in pianoforte teac
ing, the value of which can scarcely be overestimated.
The work is divide
258
practical and theoretical. There are import

into two general departments,
plan,
ant advantages in this
for the matter in each can thus be more systema
tically and philosophically arranged, and so will be more perfectly and

readily comprehended, while any subject or explanation is more easily
referred to. The art of fingering is more fully taught than in any previous
work; new modes of overcoming difficulties are introduced, and principles
are elucidated by copious analysis, which enable the learner to understand
them easily. It is shown not only how a passage should be fingered, but
zwhy it should be so done.
The recreations and pieces have been prepared and selected with extraor
dinary care, and form one of the most valuable characteristics of the book.
They are eminently pleasing, not a single composition has been admitted
that is not really attractive, and, it is believed, not one which has not real
merit.
The true mode of accompanying vocal music, both sacred and secular,
is also taught, and instruction in harmony is given for those who wish to
extemporize interludes and short passages.
MASON, WM. and HOADLY, E. S.
System for Beginners

American Fingering, $3.00
Foreign Fingering, $3.00
This excellent System is founded on the

improved system adopted in their suc
cessful Method for the Piano.
It
the scholar along gradually,

through easy and pleasing exercises
and favorite pieces, with the clearest explanations.
The book is the result
large
experience.
though
System,
of
This
it does not progress as far into
artistic difficulties as the author's Method, yet within its range is more
complete and better adapted to the purpose in view.
MAY, A.
Practical Piano School
Part I, complete in one book, $1.25
Nos. 1, 2, and 3, each .60
Part II, complete in
os
Nos.
1, 2, 3,
one book, $2.50

4, 5, an
@
and 6, each,
.60
leads
This Practical Piano School has met

with a large sale and is considered a
standard work. The book contains no
long rules or theorizing, and but few
explanations other than those necessary
-- to guide the pupil in the practice of the
practical, and is used as a practice
different lessons.
It is entirely
book with great success.
PART FIRST contains three numbers: the first of which gives the first
finger exercises; the second number, simple scales; the third number, vari
ous forms of scale exercises, arpeggios, trills, etc.
PART SEcoRD contains six numbers: the first number gives easy duets
259
for teacher and pupil, for five fingers; the second number, easy pieces
pupil alone; the third number, pieces in all the major keys, with sharp
fourth number, the same, with flats; fifth number, pieces in all the min
keys; sixth number, musical ornamentation.
PART THIRD contains fifty piano studies, in three numbers; these
selected and arranged with the particular view of occupying both han
alike.
Each study comprises but one page.
MULLER, A. E.
Method for the Pianoforte

Revised by Julius Knorr
$3.00
With English and German text. Germ

translation by G. A. Schmidt.
The original Mller Pianoforte Method wa
standard work and always deservedly popul

between the edition revised and amplified by Jul
Knorr, however, will appear at a glance. The first part, in addition to
introductory matter, including a short history of the piano, sections on tu
ing the hand, on elementary instruction, on the keys, general rules, etc., c
The great difference
tains the elements of music as applied to the piano, a systematic synopsis

the rules of fingering, explanation of the different modes of musical elo
tion, interwoven in all of which is a useful guide to the teacher.
The second part treats of mechanical matters, or all that belongs
department
the
of fingering exclusively, more fully carried out by Knor
this than in any other of his works.
PETERS, W. C.
revised and enlarged edition of this popu

work,
Eclectic Piano Instructor
based on the true modern principle
teaching the art of playing the piano
Foreign and American Fingering
Boards, each, $3.00
means of melodious exercises, which furn
amusement as well as study. The lessons are thoroughly practical, p
gressive and melodious.
As the title indicates, this Eclectic method is compiled, in part, fr
the works of celebrated authors, such as Bertini, Beyer, Burgmller, Cram
Czerny, Diabelli, Hnten, Schmidt, and others of equal celebrity, thus g
ing in one book a complete course of instruction made up of the best p
of many favorite instruction books.
It commences with the rudiments of music, and progresses gradua
and by easy steps to the more advanced stage of practice. The exercis
illustrating and enforcing the lesson are pleasing and melodious, and t
to make the study of music more of a pleasure than a task
26o
This work is founded upon an origi
RICHARDSON, NATHAN
New Method
nal plan, and illustrated by a series

Revised and Enlarged by w. S. B. Mathews
of plates showing the proper posi
Two Editions. American and Foreign
tion of hands and fingers. It con
Fingering
rudi
tains also the
Harmonyv
the rudiments
of Harmon
Each, $3.00
and Thorough-Bass, besides other
Czernys
Letters,
features, as, for instance,
Schumanns Rules for Young
Musicians, and quotations from the great masters, also, a dictionary of
musical terms.
The enormous demand that has existed for Richardson's Method during
years
past has made the preparation of new plates imperative, and while
the
this has been carried out, a careful revision of the book, by W. S. B.
Mathews, with important additions, has also been made, with the view of
increasing, if such can be possible, its usefulness and adaptability.
Nothing has been changed from the original, excepting part of the rudi
mentary matter at the beginning, which has been rewritten. But some
important additions have been made, noticeable among which are some
new Amusements, which are intended to cultivate freedom and effectiveness
in the pupils playing. The order of a few selections has been modified, and
at the end an appendix has been added, containing the more essential features
of the celebrated system of the distinguished American teacher and virtuoso,
Dr. William Mason. Additional directions have been given throughout the
work in regard to touch, phrasing, etc., points of teaching the importance
of which is very much emphasized at the present day.
The Amusements, illustrative of the exercises, Recreative Studies, etc.,
have always been an important and famous feature in Richardsons New
Method for Piano.
SMITH, SYDNEY
Method for the Pianoforte
tion of
concise, progressive method, containing, in

addition to the clear and simple instructions,
$1.50
a dictionary of musical terms, the rudiments
of music, many exercises, and a large collec
music for recreation and practice.
STANDBRIDGE, J. C. B.
Pianoforte Method
:.
This has long been
a favorite method of instruc

tion with many teachers.
One of them com
$1.50
mends it for its simplicity of arrangement and
order of progression. Mr. B. Carr Cross writes
as follows to Mr. Standbridge:
will say that your Diagrams of the
length of notes, the care taken in explaining them, the treatment of the
subject of fingering, and the arrangement of the scales are well calculated to
facilitate the progress of the student.
261
Abundant material will be found in this large

work, not only for those teachers who advo
cate the use of nothing but technical studies
as a means of acquiring proficiency but for
SUDDS, W. F.
National School
Each Boards, $3.25
those also who teach mostly by the use of melodious pieces.

The work,
however, has been especially prepared to meet the requirements of those
instructors who believe that the study of judiciously selected compositions
Among the special
should be kept abreast of the mechanical attainments.
features not generally found collected in one volume may be mentioned:
musical writing lessons, comprehensive instructions concerning touch,
theory of scales, complete studies in embellishments, thorough treatise on
harmony and thorough-bass, useful instructions on accent, hints of vocal
The success of the complete work created

a demand for a smaller volume, of which
National School
Abridged Edition. American Fingering
this abridged edition is the result. I
Boards, $2.00
is almost superfluous to say that the
complete work
under ordinary circumstances, far more desirable, yet this
edition contains more valuable instructive matter than do many other large
and so-called complete methods."
follows the plan
the complete work
omitting, however, the treatise on harmony, the dictionary
music and
of
the recreation
pieces and tudes.
of
It
This piano instruction
Published in Three Parts. Two Editions

Each, $1.50
Complete, $3.00
book
com
of
prises the first three grades

in
struction given
that famous school
the New England Conservatory o
published
Music, Boston.
is
New England Conservatory Method
It
TOURJEE, EBEN
at
and some
of
musicians,
to
is
to
as
of
of
thorough
three parts, and furnishes
pianoforte,
beginning
instruction for the
with the firs
principles
the art and extending through
course
several years. Pa
interesting and attractiv
ticular care has been taken
make the lessons
the pupil
consistent with thoroughness.
PART FIRST contains forty lessons, being intended
cover two term
progressive system
of
instruction. The first twenty lessons are devoted

the legato touch
The remaining lessons treat
the wrist action, the staccato touch, slur
scales, transposition, and the tremolo.
arpeggios
PART SEcoSD contains forty lessons, treating
the va
to
262
in
of
of
*|
as
to
*|*
is,
SUDDS, W. F.
of
accompaniment and score playing, pronouncing dictionary of music and

musicians, dictionary of musical terms.
major scales in the remote sharp and flat keys, broken octaves,
free and connected sixths, appogiaturas, chromatic scale, minor scales, the
triplet (three notes against two), the turn, the use of the pedals, the canta
bile, or singing style, etc., all of which are illustrated by attractive composi
tions from the works of Beethoven, Schubert, Schumann, Czerny, Weber,
Auber, Burgmller, Henselt, and other celebrated classic composers, under
the head of Studies and Recreations.
.
PART THIRD includes the grand practice of the scales in octaves, sixths,
and thirds, in all the keys, major and minor; grand arpeggios of the com
mon chord, dominant and diminished sevenths, scales in double thirds and
sixths, the study of octaves and skips, single and double trills, etc., with
pieces illustrative of the same from various composers, including selections
from the sonatas of Haydn, Mozart, and Beethoven.
ous keys,
URBACH, KARL
Prize Piano School
$2.00
This book imparts thorough instruction in the

primary principles of piano-playing, the first les
sons embracing notation, rhythm,
mony.
meter, and
har
It is divided into four parts, leading up to

artistic perfection. This Prize Piano School was selected from forty
competitors by the judges, Carl Reinecke, Isidor Seiss, and Theodor Kullak.
WHITE, EDWARD L.
Piano Without a Master
Containing the elements of music, and com

plete instructions for the pianoforte, to which
.75
is added a collection of fifty pieces of popular
music, consisting of marches, waltzes, polkas, dances, etc.
As preliminary exercises for early piano
WILSON, G. D.
instruction, these Materials are among the

very best. Book I begins with the very
Bach,
In three numbers.
$1.50
easiest little exercises for both hands, and
as the practice proceeds, sharps and flats
are introduced.
Book II continues the good work, and carries the learner
point
on to the
where larger studies, technics, etc., should begin. Some of
the studies in both books are arranged for four hands, so that the teacher
and pupil, or two young players, may practise together.
for Early
Instruction
Materials
Piano
263
An easy method, with instructions simply an

clearly given. Containing, in addition, the rud
Paper, .75
ments of music, the scales in full, exercises f
daily practice, with a selection of popular melodies
arranged in progressive order, consisting of opera airs, dances, rondos, son
melodies, etc., arranged for two hands, also a collection of duets.
WINNER,
SEPTIMUS
American Pianist
WINNER SEPTIMUs
Easy System for the Pianoforte
$1.00
WHNNER,
SEPTIMUS
Eureka Method for the Piano
Clear and practical instructions, inte

spersed with selections of pretty me
dies, well adapted for preliminary teac
ing or self-instruction.
This book is gotten up in a manner qui

distinct from all other methods.
The illu
trated scales in all the principal keys a

a notable feature, never having been give
in any other work extant; they are something entirely new, and the youn
est child can comprehend at once the correct fingering, even before th
notation has been acquired.
It contains the scales and chords in the variou
keys, and has a collection of songs for those who wish to sing, with most
the popular melodies arranged as lessons, in incidental keys, to interest, an
at the same time, advance the pupil, along with many progressive exercise
that are indispensable in the study.
Paper, .75
WINNER, SEPTIMUS
Ideal Method for the Piano
.50
#
#
WINNER,
SEPTIMUS
New School for the Piano
.50
Contains simple and clear instructions, an

a large number of operatic and other pop
lar airs, carefully selected and arranged.
A comprehensive system of instruction withi

a small compass, together with a choice co
lection of new and popular melodies of th
day, for practice and amusement.
WINNER,
Containing a complete course of instru

tion, designed to impart a knowledge
.50
the art of piano-playing without the a
of a teacher, together with a large colle
tion of the popular melodies of the day, for practice and recreation.
SEPTIMUS
Perfect Guide for the Piano
264
TREATISES
Containing the rudiments of music,
together with a Guide to Prac
AND GUIDE TO PRACTICE
Adapted either to private
J. F. Burrowes
tice.
Boards, .30
tuition or teaching in classes.
New edition, revised and modern
ized, with important additions by L. H. Southard.
Burrowes Primers are so well known and in such constant demand
that no further words of comment are necessary here. The additions by
Southard make this edition much more complete than the original edition.
BURROWES'
PIANOFORTE
PRIMER
#
BURROWES' PIANO PRIMER

Revised and Edited by
W. C. Peters
Boards, .40
Cloth, .50
A new edition, with Czernys Letters
other valuable matter. It is calcu

lated either for private tuition or teaching
in classes, and is not intended to interfere
and
with any mode
a teacher may have adopted,
but to be used in addition to the regular lessons.

Peters Burrowes
has always contained about twice as much matter as the old edition of
J. F. Burrowes, and we have recently added still more valuable matter,
making it the most perfect primer extant. Over one hundred thousand
copies now in use.
*
PIANOFORTE PRIMER AND GUIDE TO PRACTICE

F. Burrowes. Old Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
BURROWES'
e
J.
CONSTRUCTION, TUNING, AND

CARE OF THE PIANOFORTE
Edward Quincy Norton
. .
.3O
The progress made in the development

of the musical art in this country has
stimulated inquiry and research in all
that pertains to music and musical

especially the pianoforte.
instruments
It has come to be a recognized fact that those who use pianos, as well as
those who make and sell them, are desirous of knowing all about the con
struction, mechanism, tuning, and care of these instruments.
Something that should serve as a reliable guide and instructor for all
thus interested has long been needed. This book is the result of the author's
many years experience in tuning, repairing, and constructing pianos.
It
: seems to cover the entire ground in all that pertains to the care of a piano,
at the same time being very instructive and interesting in its description of
.60
265
the making and use of different parts of the instrument. A11 defects tha
are found in pianos are here fully described and the remedies given. The
action of the piano is well illustrated; the strings, pedals, keys, and other
parts of the instrument are all included in the clear and concise descriptions
and the home care of the piano is admirably set forth, with instructions fo
polishing, etc.
CURTISS'
SIGHT MUSIC-READER
N. P. B. Curtiss
$1.00
A book full of new ideas in the way of sight read

ing. By the use of Curtiss Indicator, which
will accompany the book, the pupil is enabled
to speedily master the art of playing accompan
ments to songs, and to read vocal music readily
A most ingenious contrivance for instruction i

piano or organ playing.
Those who woul
Each, .50
endeavor, by self-instruction, to learn the diffe
ent chords and harmonies in music, and to pla
*
readily,
them
should obtain one of these Indicators. The diagrams can b
readily and conveniently placed upon the keyboard.
INDICATOR
N. P. B. Curtiss
CURTISS
TO PRACTISE
A. M. Pupin
How
to Practise; or,
Hints to Piano Students o

the Method of Practising Finger Exercises, Etudes
.50
and Pieces, is a book written by an eminen
teacher, and plainly shows the importance of ai
ing at perfection in the smallest details, which is the secret of success. Th
author gives the method pursued by him during many years' teaching.
There are a number of excellent features in this work, among which
study
plan, a plan of study for the week, in which the daily exercise
the
are systematically divided and apportioned so as to utilize each study hou
to the very best advantage.
The closing chapter of the book describe
pieces
some selected
suitable for young pianists, and gives directions f
properly performing them. Altogether this little volume is of much valu
to both teacher and student, and we commend it to their notice.
HOW
266
HAND, THE
E. Lefrank, M. D.
HUMAN
To the student endeavoring to grasp the difficulties

of piano technic this treatise will be of much value.
an illustration of the proper

Physiological education of the fingers. The pupil
by
acquire,
use,
will
its
a general conception of the complicated arrange
ment of the muscles, tendons, etc., in the human hand, and their action with
reference to technical exercises on the piano. The anatomical cuts, by way
Paper, $1.00
It is pre-eminently
of illustration, are interesting to look at and to study.
They are large and
plainly described.
A new edition, with Czernys Letters and

other valuable matter.
It is calculated either
PIANO PRIMER
for private tuition or teaching in classes, and is
W. C. Peters
not intended to interfere with any mode a
Boards, .40
teacher may have adopted, but to be used in
Cloth, .50
addition to the regular lessons.
Peters Bur
rowes has always contained about twice as much matter as the old edition
of J. F. Burrowes, and we have recently added still more valuable matter,
making it the most perfect primer extant. Over one hundred thousand
copies now in use.
PETERS
PHRASING,
BURROWES'
Phrasing is the proper rendering of music

with reference to its melodic form. A per
PIANOFORTE PLAYING
former who brings into due prominence
A. W. Marchant
the grouping of sounds into sentences, etc.,
.40
is said to phrase well. Formerly the
phrasing of music was left to the intelligence and taste of the performer;
but there are many things that cannot be explained by written signs, and
hence an analysis of the melodic form of the composition is necessary. This
work will be of value to all earnest piano students.
AS APPLIED TO
PIANO AND SONG.

Friedrich Wieck
Cloth, $1.25
This is an admirable translation of an excellent

work Piano and Song; How to Teach, How to
Learn, and How to Form a Judgment of Musical

Performances by Friedrich Wieck, who was the
father and teacher of the celebrated pianist, Clara Wieck-Schumann, wife of
the renowned composer, Robert Schumann, who was also a pupil of the
author of this book. The views of this celebrated teacher will be no less
valuable in America than in his own country, and the translator, Mary P.
Nichols, has presented them in a readable and attractive style.
267
RULES FOR YOUNG MUSICIANS

Robert Schumann
.12
TUNER'S
.50
GUIDE
Schumann's famous Rules will always

be a source whence much good advice
may be obtained in few words.
Containing a complete treatise on tuning the pianoforte,

reed organ, and pipe organ, together with a specification
of defects and their remedies.
268
COLLECTIONS OF PIANO MUSIC

Beginners.....
.. .. ... ...
. ... .. ... ..... ... .. ... ....
. . . . . . . . . . . . page
301
General Collections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 274

Dance Music... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 292
ALBUMS
BEETHOVEN,
LUDWIG WAN
Sonatas, Nos. I to 17
Faisst; notes translated by
J.
C. D. Parker.
##.
$3.00
New and revised Stuttgart Edition, edited

by Sigmund Lebert, assisted by Immanuel
CHOPIN, FREDERIC
Nocturnes
This and the following volumes of Chopin's com
CHOPIN, FREDERIC
This volume, containing ten Polonaises, was edited

by Hermann Scholtz (see Nocturmes").
positions were edited and fingered by Hermann

.75
Scholtz. The principal difficulty lay, above a11, in
.
establishing the correctness of the text, as the exist
ing French, German, and English editions contained numerous errors, which
for the most part have passed into all the later editions. In the next place
the editor had to compare exactly the above-mentioned original editions
with each other. As is well known, Chopin made many alterations in his
manuscripts at the last moment before their publication, so that there are
sometimes to be found two or even three readings of one passage. In such
places the preference has been given to those distinguished by greater refine
ment either in reference to Melody, Harmony, and Rhythm, or as regards
the clearer development of the parts.
Polonaises
.75
CHOPIN, FREDERIC
Waltzes
This volume, containing
fourteen
edited by Hermann Scholtz (see
.50
269
Waltzes, was
Nocturnes).
CLEMENTI, MUZIO
Clementis Sonatinas are extensiv

used by teachers; they are as admirab
for study as for recreation.
Sonatinas (Op. 36, 37, and 38)

Revised
by Louis
.50
ELSON, LOUIS C.
Compositions
Kohler
Seven Compositions of this well-known
cian, collected in book form.
Boston m
Vocal and instrument
Paper, .50
CONTENTS
1.
2.
3.
GURLITT,
CORNELIUS
Album Leaves for the Young
.50
5.
6.
7.
L'Ancien Rgime, Minuet No. 1 (Pian

L'Ancien Rgime, Minuet No.2(Pian
Echoes of the Surf (Concert Va
(Piano).
This well-known
musician, although
composer of numerous successful ope

and other large works, is perhaps be
known for his instructive and attract

piano pieces for children and beginners, in the writing of which he c
bined a happy gift of melody with sound musical and pedagogic learn
and experience. . This popular work, Albumbltter
die /ugend, c
twenty
arranged
progressive
tains
characteristic numbers
in
order.
fir
i
HADLEY, HENRY K.
Six Tone Pictures
$1.00
No.
No.
No.
1.
Fascination.
2.
Fate (Canon).
3.
Fidelity.
oPUs
-
14
No.
4.
No.
No.
5.
6.
Folly.
Fury.
Festivity.
These six numbers, admirably suggestive, in their working out, of

spirit of their respective titles, are among the most characteristic works
in
27o
of
of
be
is
or
is,
piano by this composer.

Musically interesting, they are also unusu
pleasing and attractive. Fate is a good example of this happy comb
tion of musicianship and musical attractiveness; this number, in s
dry,
notwithstanding, far from being dull
canon form throughout,
pleasing,
melodious and
and this
characteristic
each
the six.
brought
together
numbers
this volume can also
obtained separatel
sheet-music form.
is
4.
Murmuring Voice of the Deep (Song).

The World is Fair (Song).
Morning Song (Quartet, Mixed Voices).
Hope and Doubt (Piano).
IKELER, OTTO
Golden
Thoughts
Paper, .75
Boards, $1.00
Cloth, $1.25
KHLER, LOUIS
Childrens Album
(Kinder Album)
Two Volumes
Each, .75
Thirty-five easy pieces for the pianoforte, grades one,
two, and three, consisting of Marches, Waltzes, Quick

steps, Galops, Schottisches, Polkas, etc.
These two volumes, each containing thirty easy and

attractive pieces, are extensively used by teachers for
pupils just beginning the study of piano playing.
KUHLAU,
FRIEDRICH
Sonatinas
Standard Sonatinas, used by teachers generally.
Edited
by Louis Khler
Foreign Fingering
Paper, .50
MENDELSSOHN,
FELIX
Songs Without Words
(Lieder Ohne Worte)

Edited and Fingered by Theo Kullak
In his Songs Without Words, Mendels
sohn taught the world that the piano, as

well as the voice, could sing, and this idea
is fully carried out, for in each song one
can hear the voice part as distinctly as in
any vocal composition, with the accompa

niment interwoven in the most artistic manner. No composer ever carried
out this idea with such perfection as has Mendelssohn in these songs.
MIGNON, AUGUSTE
Echoes from a Casemate
(Echos d'une Casemate)
Paper, .50
MIGNON, AUGUSTE
Village Reminiscences
Twelve melodious studies for piano, including
L'Ambition, LInconstance, L'Inqui
tude, Le Desir, L'Ennui, La Joie,

La Tristesse, La Tranquillit.
of ten pieces, as follows: The

Brook, At Eventide, Old Homestead,
Paper, .50
In the Chapel, Pond Lily, Reverie,
Deserted Mill, Playground, First Love,
and Gods Acre. The treatment of each theme is artistic and musicianly.
While not exceedingly difficult, the pieces are such as will thoroughly
interest the earnest student and the professional player.
A collection
27I
The following four numbers, contained

Four character Sketches this volume, all in the key of F and all Gra
III, are in the usual happy, melodious vein
In F
.60
this composer's compositions for childre
Each number can also be obtained separately, in sheet-music form, 30 cen
ORTH, L. E.
OPUS
No.
No.
1.
2.
On the Deck.
On the Heather.
|
-
No.
No.
3.
4.
"Mid the Shamrock.

In the Cotton.
A book of seventy easy compositions
for
pianoforte.
In her Foreword, the composer says:
Without Words
Paper, $1.25
While a playful melody finds quick respo
Boards, $1.50
in the child-mind, the notes that symbolize
seem altogether arbitrary and are a great bugbear to the little ones.
In teaching my own and other children piano playing I have found
a great help to give with a melody some familiar words in the same rhyth
No words are so dear to the child as the nursery rhymes. As versi
of Mother Goose vary, I have set down the words, the rhythm of which
music follows exactly. This identity of rhythm, as well as similarity
spirit, will help beginners in music, find response in the home circle, and
of use in the kindergarten, where the words can be repeated aloud w
the music goes on.
What happier way to awaken the musical instinct than to associ
with the nursery rhyme a little melody that expresses the spirit of the rhy
itself in all its childlikeness?
To do this, and to bring to the hearts of children, little and big, m
cal cheer and gladness, is the aim of this little work.
Twenty-four First-Grade Pieces, without a

dentals, for two and four hands.
Op. 18
The feature that gives this work its name is
entire absence of accidentals, incidental mod
An Introduction to the Piano
$1.00
tions being made without their use. The
twelve numbers are for two hands, and in the treble clef only. The
ceeding twelve numbers are duets, using both treble and bass clefs, the
parts being of equal difficulty. The melodies of the latter are identical
the solo pieces; the pupil may, therefore, pass directly, with a compani
from the two-hand piece to
four-hand mate,
272
transition sure
to
ORTH, L. E.
On the White Keys
its
ORTH, L. E.
Mother Goose Songs
I.
quic
Recognition of the great value of

the pupil's interest and intelligence.
early four-hand playing is characteristic of the most modern methods
of teaching. The numerals in every fourth measure in Part
will enable
the players, when interrupted, to find at once their respective places without
being compelled to count the measures or begin again.
The little catch
phrases at the beginning of each number will help the pupil to more quickly
feel the spirit and rhythmic swing of the music.
The progressive scheme of the work is indicated as follows:
1. Whole
Notes. 2. Half-Notes in Right Hand with Whole-Notes in Left. 3. Half
II
Notes in Both Hands. 4. Half- and Quarter-Notes and Quarter-Rests. 5.

Dotted Half-Notes.
6. Eighth-Notes.
7. Dotted Quarter-Notes.
8. Dotted
Eighth-Notes.
9. Slur and Staccato.
Io. Phrasing.
II. Expression. 12.
Steadiness of Rhythm.
To meet the needs of beginners, proper fingering is indicated for every

note in the volume. The phrasing has been carefully marked in recognition
of the great importance of learning to play the simplest piece musically, i.e.,
with due regard to proper accent, character of touch, quality of tone, and
musical articulation the expressional elements in pianoforte playing.
|
*
:
:
PAINE, JOHN KNOWLES

Album of Piano Pieces
As might be expected, this album of pianoforte

pieces contains just such music as the critical
musician and cultivated music-lover will ad
$1.00
mire.
When Mr. Paine puts forth a com
position, be it either a simple piano piece or a grand sonata, it is sure to
claim attention by reason of its artistic merit and scholarly treatment.
In this album are fifteen pieces for the pianoforte, as follows :
Op. 25. Four Characteristic Pieces. (Dedicated to Ernst Perabo.)

Op. 26. In the Country. Ten Sketches. (Dedicated to Madame
Madeline Schiller.)
Op. 39. Romance. (Dedicated to Prof. J. B. Greenough.)
SCHUMANN, ROBERT
Album for the Young
.50
A new edition of this famous work, including

in one volume the Album for the Young
(Album fr die Jugend ), Op. 68, and Scenes
from Childhood (Kinderscenen "), Op. 15.
273
GENERAL COLLECTIONS
Each containing the compositions
different composers
Albums (each devoted to a single composer)...

Beginners... . . . . . . . . . . . . .
Dance
Music
. . . . . . . . . . . . . . . . .. . . . . . . .. . . . . . .
Paper, .50
..........
page 269
. . . . . . . . . . . . . . . . . . . . .----------- page 29
A volume of two hundred and sixteen p

sheet-music size, containing fifty numb
none of them difficult, by well-known
AMERICAN PIANO MUSIC

COLLECTION
By mail, Postpaid,
of many
posers
.65
The contents include marches, waltzes, po

gavottes, a galop, a mazurka, and a quickstep, transcriptions and variat
and sixteen rondos.
CONTENTS
Album Leaf. . . . . . . . . . . . . . . . . . . . Th. Kirchner
April Shower Mazurka. . . . . . . . . . . . . . . Mack
A Winter Night (Morceau Brillante),
G. D. Wilson
Banjo, The... . . . . . . . . . . . . . . . . . . . H. C. Harris
Blaine's Grand March. . . . . . . . . . . . . W. Rab
Carrie's Waltz... . . . . . . . . . . . . . . . . . . . . . . Mack
Chinese Serenade. .
Chop Waltz................ ...Arthur de Lulli
Clevelands Grand March...... E. S. Clark
Convent Bells. . . . . . . . . . . . . . . . . . . . F. Spindler
Danse des Fes. . . . . . . . . . . . . . . Hugh Clendon
Dream Faces.......... Arr. by Aug. Loumey
Early Morning March. . . . . . . . . . . . . . . . Faust
Egyptian March... . . . . . .
.... Strauss
. ... Giese
Farewell (Gavotte)... ....
Farewel1 to the Piano... . . . . . . . . . Beethoven
Margherite (Daisy Polka). Arditi

Flowret Forget-Me-Not............... Giese
Harvard Grande Valse......
Amguera
Heavens Messenger Waltz.......... Jowell
Fior
Les Pierrots
|
|
Hunters Glee...................
Iolanthe Potpourri (Sullivan),
Arr.
La Clochette du Convent........ G. Ludovic
LEntrainante Polka........ ..... Gobboerts
-
|
|
(variations).
C. Kinkel
Louis Meyer
J.
(Valse).............
. G.
May Delights...............
Memories of Paris March............
Mocking-Bird Quickstep.... Aug. Sch
Nearer, My God, to Thee (Transcrip
Serenade a Marie................
Serenade March.... ..
----
...
---
Shepherd's Greeting.
- L.
Stephanie Gavotte...............--- Cz
Waltz............
Sunshine of Love Waltz........

|
W.
Old Folks at Home March........ L.

Old Oaken Bucket............. J. W. T
Patchwork Polka............. B. F. W
Patience Potpourri (Sullivan).... Ma
Pearls of Dew................ Gustave
Pizzicati (Leo Dlibes), Arr, by Leon
Raymond's Kill Galop...Mary D. Th
Remember Me (Nocturne)...... Brinkm
Sunbeam
by Le Baron
M.
Stre
Mandolina............ - - - - - - - - - - - - March des Troubadours............ R
tion)........................ J.
de
Home, Sweet Home
Les Clochettes (Silvery Bells)..... Lu

Le Rve d'Amour (Dream of Love),
Sweet By and By (Variations)...... P

Tendresse Polka........... , , , , , . . Gobb
274
CHOICE COLLECTION OF
PIANO MUSIC
Paper, $1.00
Twenty-seven compositions selected from the

works of twenty composers.
The music is of
difficulty.
moderate
One hundred and twenty
eight pages of music.
CONTENTS
Acacia (Tonstck). . . . . . . . . . . . . Eduard Holst

Alpine Roses (Roses des Alpes), L. Meissomier
Arbutus (Morceau de Salon),
Richard Goerdeler
Brook, The . . . . . . . . . R. Huntington Woodman
Citril (Mazurka Caprice)...... E. S. Phelps
Dancing in the Twilight. . . Fred. T. Baker
Dance of the Sprites. . . . . . . . . . Thos. ONeill
.... Wm. Bendia:

Enchantment. . . . . . . .
Esperanza (Melody). . . . . . . . . B. Cecil Klein
Evening Bel1s (Les Cloches des Soir),
Adam Geibel
Hunting Song. . . . . . . . . . . . . . . . . Adam Geibel

Juanita (Spanish Dance). . . . . Eduard Holst
Kojoka Dance (Village Delight),
John R. Clemons, Jr.
Hope
Hoffnung).
Lost
(Vorlorens
Emil Uller
Minuet Royal. . . . . . . . . . . . . . . . . . . Paul Loring
CLASSICAL PIANIST
Paper, $1.00
Boards, $1.25
Bach,
T. H. Rollinson
Narcissus (Melody)..... Richard Goerdeler

Phy11 is (Caprice)....... ...... Lillian Irish
Rosy Sunset Hour, The (Nocturne)
Chas. V. Cloy
Shadows on the Water (Reverie),
Aug. Loumey
Shower of Spray (Polka)..... Eduard Holst
Sounds at Day-dawn (Summer Idyls).
Op. 30. . . . . - - - - - - - - - - - - - ... ... W. F. Sudds
Summer Birds are Singing (Po11:a
Rondo). . . . . . . . . . . . . . . . . . . . . Chas. V. Cloy
Sunday Harmonies..... .......... Wm. Stone
Twilight Whispers (Reverie).. Adam
Geibel
Visions of Rest (Cradle Song), Theo. Bendix
Forty classical compositions for the piano, selected

from the works of thirty-seven well-known com
posers.
One hundred and forty-three pages of music.

CONTENTS
J.
S.
S. Arr. by Sara Heinze.
Bachmann, G.
Bach,
Moonlight Rhapsody.... Richard Goerdeler

Morning Dreams (Mazurka Caprice),
J.
Bargiel, Woldemar.
Bargiel, Woldemar.
Beethoven, L. Van.
Chovan, Colman.
Couperin, F.
Cui, Caesar.
Delahaye, L. L.
Dupont, A.
Godard, Benjamin.
Grieg, Edward.
Hndel.
Hndel. Transc. by
Henselt, Ad.
Hofmann, Heinrich.
Hollaender, V.
Gavotte (From 2d
Violin Sonata).
Loure (From 3d Suite for 'Cello).

Les Sylphes (Impromptu Valse).
Nocturne.
Piano Piece.
Andante Clbre (From Sonata, Op.
Nocturne.
The Nun (Saeur Monigue). (Rondo.)
Gondoliers Love Song.
Columbine (2d Minuet).
Tocate11.e.
14,
At Morn (Au Matin).
Scherzo.
Largo (From Xerxes).
D. Brocca.
Air
1a Bourre.
Romance.
Gavotte (From Opera Donna Diana).
Canzonetta.
275
No.
2).
CLASSICAL PlNIST
Continued
Merry Wanderer.
Wedding March (Bride's Song).
Jensen, Adolph.
Jensen, Adolph.
Jonas, Ernst.
Kaffenberger, W.
Kienz1, Wilhelm.
Kirchner, Theo. Arr.

Liszt, F.
by
Lied V. Adolf Jensen (Lehn
Con solation.
Mendelssohn, Felix.
Prelude, No. 3.
Olson, Ole.
Nor wegian Serenade.
Roeckel, Jos. L. Arr. by Geo. F. Sauer. Valsette (Valse).
Rheinberger, Josef.
Chasse, La (Die Jagd).
Rubinstein, A.
Bohme (Po11za).
Rubinstein, A.
Romance.
Schuett, Eduard.
Valse Lente.
Seiss, Isidor.
Romance.
Stiehl, Heinrich.
Arabesque.
Stiehl, Heinrich.
Thoma, R.
deine Wang').
(Impromptu.)
Good Evening.
Polish Dance (Polnischer Tanz).
Song Without Words (Simple Aveu).
Thome, Francis.
Wilm, Nicolai Von.
Wilm, Nicolai Von.
Wollenhaupt, H. A.
Intermezzo.
Snowflake Mazurka.
Etu de, Op. 22, No. 1.
cRME DE LA CREME
This collection of two hundred and forty-t
Boards, $2.00
pages, sheet-music size, is for advanced playe

The following pieces are a part of the conten
It will be seen that the book is adapted to the use of good pianists, a
contains selections from some of the most famous composers.
The pie
are of moderate length.
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Ye Merry Birds.
Zither Player...
many more equally well-chosen pieces,
Wil
...
Wild Rose ......................
Oe
Bille
...
Sleep Wel1, Thou Sweet Angel.

Twittering
Birds..................
Westward Ho Galop...
276
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Sul Mare.
G.
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as
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Schuberts Serenade.
Spring Song..
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And about
Ruines d'Athene.................. Rubins

Eggh
S1eep, My Child.
Song.
Stephen
Slumber
H
of
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...
Alpine Horn (Transcription)..... Schirmer

Cujus Animam. . . . . . . . . . . . . . . . . . . . . . . . . . Kuhe
... Schumann
Consolation in Sorrow..
. . . . . . Mattei
Dancing Leaves..
Carlo Mora
Flash Galop. . . . . . . . . . . . . .
Lange
Flower Song.
Thalberg
Puritani (Quatuor)...
Love Song (without words)......... Hemselt
Rubinstein
Marche la Turque.
Sydney
Mountain Stream..
Smith
- - - - - Liebich
Musical Box.
- - - - - - - - - - - - - Lichner
Pearly Cascade..
(Brautgesang.
Love Song (Liebeslied).

Aubade.
Cradle Song (Wiegenliedchen).
FAVORITE
Forty-four compositions for the piano selected

One
from the works of thirty-two composers.
pages
sixty
of music.
hundred and
COLLECTION
PIANO
MUSIC
Paper, .50
Postpaid, .60
CONTENTS
Musical Box (Die Spiel
Air from the Grande Duchesse,
Arr.
Barcaro11e de Weber,
La... Jas. G. Barnett
Beautiful May (Maienlust).

No.
by Leslie
Op.
590,
Franz
1. . . . . . . . . . . . . . . . . . . . . . . . . .
Behn'
Carl
The (Nocturne).........
Jonvent Bells. Op. 116. . . . . . . . . . F. Spindler

Op. 73, No. 3....... St. Heller
Bradle Song.
of Day. (Rve du Jour). Polka

Brillante.... . . . . . . . . . . . . . . . . J. S. Knight
Pream
of the Shepherd Boy,

E. Jullian Gray
*arewell. Op. 126, No. 1... . . . . . . . . . D. Krug
*ior di Margherita (The Daisy
Dream
~.
L. Arditi
Polka). . . . . . . . . . . . . . . . . . . . .
'olk Song (Volkslied)............ Carl JWeber
ipsy Dance (Zigeunertanz).
No. 8. . . . . . . . . . . . . . . . . . . . . . .
Op.
590,
Franz Behr
solden Rain (Nocturne)......... . . . . . . Cloy
sood Luck Reverie.......... Charlie Baker
Op.342,
J.
W.
Op.
67........ Heinrich
--
377. . .
Opening Blossoms..... Clara Mabel Morris

No.
2 . ... . . ... .. .. . .
Remember Me...
Op.
. .. .. . .. .
School
--- --
J.
W.
Behr
Brinkman
G. Andres
. . . . . . . . . . . H.
J.
Scherzo Capriccio............A.
590,
Franz
. . . . . . . . . . . . . . .M.
Romance for Piano.
Goodrich
Girl's Dream.........J. C. Meininger
Shepherd Boy.
Op. 4. .
Sleep in Sweet Repose.
. .. . ... .
G. D. Wilson
Op. 215... D. Krug
Sleep, My Angel (Nocturne). Op, 72,

Karl Wachtmann
Sounds of Normandy (Potpourri),
Charlie Baker
Staccato Polka.
Op.
272............
Star of the North (Meyerbeer),
C. Bohm
J. A.
Pacher
Starlight Through the Mist (Barca

ro11e). . . . . . . . . . . . . . . . . . . L. Gilbert Clifton
Starry Night. (Smith). . . . . . . . . . . . . E. Mack
Summer Morning (Matin D't). Op. 8,
George Fow
Summer Night Serenade.
Op.
16,
G. A. Eisoldt
Those Loving Eyes (Nocturne).
Op.
105. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C. Bohm
Will
Siewert
enlight Zephyrs. . . . . . . . . . . Arr. by Leslie

other's Delight (La Joie d'une Mre),
C P-347. . . . . . . . . . .
Op.
Thee (Transcrip
. . . . . . . . . . J. W. Turner
Turner
ong, Weary Day. . . . . . . . . . Theodore Oesten

[ay
Bells Ringing (Maiglockchen's
Lawten).
tion).
to
...
[unter's Favorite. Op. 120, No. 1, C. Bohm

n the Summer............. Theodore Oesten
erusalem, the Golden.... Brinley Richards
essie Green (Transcription).
Nearer, My God,
Weber
S. Mazurette
19,
Emanuel Liebich
Parting Song (Abschiedslied).
Bright Morning (Schner Morgen)

Brook,
Op.
Dose).
o' the Wisp.
Op.
217,
No.
3,
A. Jungmann
Ye Merry Birds (Olittruch,
Turner
277
liebe Vogelein),
D. Krug
Follo of
MUSIC
No. I
Paper, .50
Postpaid, .65
Revised and enlarged edition of what is proba

the most comprehensive collection of pianofo
music published for the price. It consists of nin
one compositions of a light and popular charac
Two hundred and eight pages, sheet-music size.

CONTENTs
Dream. After the Ball.
Illusioni Valse.
Mountain Stream. . . . . . . . . . . . . . . . . . . .
Mon Rve Waltzes..........
Waldt
Sounds from the Ball". . . . . . . . . . . . . . . . .
Titania .......................... . . . . . . .
Traumerei and Romance. . . . . . . . Schum
Une Petite
. . . . . . . . . . . . . Broustet
.. ... ... .. . .. .. . .. ..
Capitani
Intermezzo (from Cavalleria Rusticana). . . . . . . . . . . - - - - - - - - - - - .... Mascagni

Kiss Waltzes. . . . . . . . . . . . . . . . . . . . . . . . . Strauss
... Rubinstein
Melody in F.........
lAntique.
Menuet
. . . . . . . . . . . . . Paderewski
||
Fleur....
Wedding March.
. . .. . . .. .... . . . . . . .
.. .. . .. .. .. . ...
Mendels
And seventy-eight more of a similar character.
FOLIO OF
MUSIC
No. 2
Paper, .50
Postpaid, .65
Every lover of light musicthe admirer of oper

selections, dance music enthusiast, the martially
clinedwill find enough in this volume to sa
him. There are ninety selections, sheet-music
CONTENTS
Polish Dance. . . . . . . . . . . . . . . . . . . . Scharwenka

Au Rouet. . . . . * * * * * * * * * * * * * * * * * * * * * * * Godard
Bellman March . . . . . . . . . . . . . . . . . . . . . . . Supp
Jakobowski
Erminie. . . . . . . . . . .
La Fontaine. . . . . . - - - - - - - - - - - - - - - - - - - - - - Bohm
Les Sylphes. . . . . . . . . . . . . . . . . . . . . . . Gobb

Marjorie Waltz. . . . . . . . . . . . . . . . . . . Buca
Queens Lace Handkerchief. . . . . . . . St
Serenade.........................
Themea.
. .. ... ... .. .. . .. ... ... .. .
Moszko
Moszko
And eighty more of a similar character.
GOLDEN
CHIMES
A collection of forty bright
compositions, sele
popular composers.
Edited by
from the works of fifteen

hundred and seventy-three pages, sheet-music
Among the contents may be mentioned: An Erran
Salon),
Love (Morceau de
Charles Kinkel; Chimes of Angels (Rever
Charles Kinkel; Fantasie from Oberon, C. M. von Weber ; Loves o
Angels (Reverie), Aug. Pacher; La Pluie des Diamants (Valse K1gan
R. de Roode; Rve Angelique (Fantasie enforme de Marche), H. All
F. L. Norman
278
GOLDEN
TREASURY
CLASSICAL
MUSIC
Paper, $1.00
OF
Forty-two classical compositions of moderate

difficulty, selected from the works of nineteen
celebrated composers.
One
hundred and
twenty-seven pages of music.
CONTENTS
Allegretto. Op. 33, No. 6.

Andante.
Ave Maria.
Mazurka. Op. 67, No. 2.
Andante Pastorale.
Menuet.
Memory.
Menuetto (Overture to Samson ).
Bluette.
B1umen und Dornen. Op. 82.
Deux Prludes. Op. 119.
Feuillet dAlbum. Op. 16, No. 14.
Op. 86.
Forest Song (Im Walde).
Hunting Song.
L. Van.
Beethoven L. Van.
Beethoven,
Billeter, A.
Chopin.
Geibel, Adam.
Geibel, Adam.
Geibel, Adam.
Hndel.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Heller, Stephen.
Henselt, A.
Hummel.
Krause, Anton.
Mayer, Ch.
Mendelssohn, Felix.
Mendelssohn, Felix.
Mendelssohn, Felix.
Mozart, W. A.
Mozart, W. A.
Mozart, W. A.
Mozart, W. A.
Mozart, W. A.
Preissler, A.
Reinecke, C.
Reinsdorf, Otto.
Schubert, Franz.
Schulhoff, Jules.
Schulhoff, Jules.
Schumann, Robert.
Voigt, Jean.
Il Penseroso.
Impromptu Ktude.
Night Song.
Serenade.
Solitary Wanderings.
Spring Morning.
Spring Song.
Op. 46.
Sweet Remembrance.
Song
Love
(Liebeslied).
Andante de Septett Clbre.
Op. 1.
La Capricieuse. Op. 147.
Song Without Words.
Fantasie. Op. 16.
Andante Son and Stranger.
Adagio Favori.
Audante Cantabile (from Sonata in C).
Andante con espressione (from Sonata in D).
Andante Favori.
Andante from Octett (Serenade in C min.).
Morning Song. Op. 123.
Tears (Thranen). Op. 88, No. 8.
Evening Song (Abendlied).
Romanze.
Andante. Op. 12o.

Minuet de Mozart.
Largo (from Haydn's Sinfonie in D).
Curious Story. Op. 15.
Night Song (Nachtgesang).
279
**
HOME CIRCLE
Two hundred and sixteen pages, sheet-music size.

Vol. i
Home Circle is widely known and used. . It seem
Paper, $1.00
have supplied what was needed by players who use m
of the easy and medium grade of difficulty.
The two
pleasing
piano
pieces
umes contain such a varied and
collection of
that t
are nearly always found together in the Home Circle, for those who h
used Vol. I. are ready and anxious to obtain its companion, Vol.
E
book, however, is complete in itself. Vol. I contains, among other g
things, about twenty dances, cotillions, hornpipes, reels, etc., with figu
for home amusement, which are a welcome feature, as such music is in m
demand at evening parties and other social gatherings. Both volumes h
met with enormous sales; not only do players generally admire the boo
but teachers find in them excellent recreation pieces for learners.
H
is a portion of the contents of Vol.
II.
I:
Bellak
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Ang
D'Al
Wallers
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Beeth
Mendelss
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Waltz...
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Woodland
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Iron Boots Quickstep...

Magic Spe11 Schottische.
Louis
.... Smith
.
Quickstep................
Un Premier Amour Redowa.

Viallance Polka.
Wanda Polka Mazurka.....
Websters Funeral March.
Wedding March.
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Beethoven
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Home
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Spanish Retreat.......
Sultans Polka.
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Grand Landler Waltz...

Helen's Dream Waltz...
Mazurka des Traineaux. . . . . . . . . . . . . As

Mollie's Dream Waltz. . . . . . . . . . . . . Reiss
Morning Star Waltz... . . . . . . . . . . . . . . La
Prize Banner Quickstep. . . . . . . . . . . . Ha
Rival Polka. . . . . . . . . . . . . . . .
Leo
Rochester Schottische....
... Rul
Sontag Polka.
DAl
Syracuse Polka.
.... Fo
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Coquette Polka. . . . . . . . . . . . . . . . . . Wallerstein

Dawn Waltz. . . . . . . . . . . . . . . . . . . . . . . . . . . Louell
Deliciosa; or, Leonore Polka. . . . . . . Merz
Beethoven
Dream Waltz...
Labitzky
Elfin Waltz.
Fte des Gondoliers Schottische,
Burgmller
Lothrop
Fredonia March.
Ga11oping Sleigh-Ride Polka...... Ordway
Beethoven
Gertrude's Dream Waltz.
Meyerbeer
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Cotillion, introducing: Campbells are Comin, Girl

L
Me,
Behind
White Cockade, Kinloch
Kinloch.
Dances, Hornpipes, etc.: Ben Lomond
(Scotch Dance), Campbe
are Comin, Camptown Hornpipe, Come, Haste
the Weddin
Jig,
College
Hornpipe,
Cachucha;
or,
Spanish
Chorus
Danc
Fisher's Hornpipe, Girl
Left Behind Me, Herr Cline's Danc
Highland Fling, Irish Washerwoman, Merry Dance, Mon
Musk, Pop Goes the Wease1, Rustic Reel, Roys Wife, S
And about one hundred and twen
Patrick's Day, Soldier's Joy.
to
of
Basket
Coronation March (Le Prophte),
five other pieces equally good.
CIRCLE
Vol. II
HOME
Paper, $1.00
Two hundred and fifty pages, sheet-music size. Com

panion to the foregoing; contains also some brilliant duets,
or four-hand pieces. What we have said of Vol. I will
apply to this second volume as well. We name some of
the excellent pieces:
Hurrah Sturm Gallop... . . . . . . . Helmsmuller
Hu11's Victory (Dance).
Immortellen Waltz... . . . . . . . . . . . . . . . Gung'l
Isidor Waltz (4 hands) . . .
King Pippin Polka. . . . . . . . . . . . . . .
Alarm Clock Polka. . . . . . . . . . . . . . . Spindler

.... Nason
Amesbury Waltz (4 hands).
. . . . Farmer
Angelina Quadrille. . . . . . . . .
Aria alla Scozzese (varied). . . . . . . Valentine
Arkansas Traveller (Dance).
Basket Cotillion.
Brightest Eyes Galop. . . . . . . . . . . . . Schwitze
Battle of Waterloo. . . . . . . . . . . . . . . Anderson
Bobolink Polka. . . . . . . . . . . . . . . . . . . . . . . . . Holz
Cecilia March. . . . . . . . . . . . . . . . . . . . . . . . . Bilse
Clara Waltz............... . . . . . . . . . Beethoven
Cherry Ripe Schottische. . . . . . . . . . . . Munck
Coaxing Polka (4 hands)..
. . . Bellak
Dream March. . . . . . . . . . .
. . . . . . . Smith
En Avant March. . . . . . . . . . . . . . . . . . . . Gung'l
Empress Henrietta Waltz... . . . . . . . . . . Herz
Fleurs des Alpes. . . . . . . . . . . . . . . . . . . . . Barbot
Grand Army March (introducing
G1ory, Hallelujah" and Hail
to the Chief). . . . . . . . . . . . . . . . . . . Grobe
Golden Robin Polka. . . . . . . . . . . . . . . . Bosquet
Last Rose of Summer (4 hands)..

March in Norma (4 hands). . . . . .
Monastery Bel1. . . . . . . . . . .
. . . . Wely
Musket Galop (4 hands). . . . . . . . . . . . . Bellak
Newport Lancers Quadrille.
Oh, Dear, What Can the Matter Be?
(Dance).
Orpheus Waltz Quadrille. . . . . . . . . . Strauss
Peri Waltz...
. . . . . . . . . . . . . . . . . . . . . . . DAlbert
Portland Fancy (Hornpipe).

Sans Souci Polka. . . . . . . . . . . . . . . . . . . Strauss
She 11s of Ocean (Variations). . . . . . . . . Grobe
Sounds from Home Waltz... . . . . . . Gung'l
Speed the Plough (Dance).
Sweet Thought Polka Mazurka... D'Albert
Suavita Polka Mazurka. . . . . . . . . . . . Roubier
Vienna March (4 hands). . . . . . . . . . . Gordon
Violetta Polka Redowa. . . . . . . . . .... Faust
Warblings at Eve. . . . . . . . . . . . . . . . . . Richards
Her Bright Smile Haunts Me Still,
Richards
Home, Sweet Home (4 hands).... Bruguier
And over one hundred other pieces.
The characteristics of a nation are expressed

in its music,-the genuine folk melodies,
Melodies of Ireland Arranged
Organ
for Piano or
and in collecting these Leaves of Shamrock
paper, postpaid, .80
we have taken pains to procure the original
airs of Ireland, without relying to any great extent upon the modern tunes
with Irish names, though we have introduced several of the latter that
Nearly every
seem to have grown into favor among our Irish people.
phase of life in old Erin is illustrated, and very musically, too, in these
melodiesromance, humor, sorrow, pathos, and patriotism, all find expres
LEAVES
OF
SHAMROCK
..sion in the tunes that are so dear to every son of the Emerald Isle.
In this work we believe that we have satisfied what seemed to be a
-
growing demand for the melodies of Ireland, simply arranged for piano,
and with faithfulness to the original construction of the airs.
For conven
ence, we have indexed such extra titles as were given to the melodies by
[relands poet, Thomas Moore, in his adaptation of the same to his famous
Seventy-eight pages,
songs.
One hundred and fifty-two pieces of music.
sheet-music size.
281
a collection of beautiful waltzes, po

galops, marches, quadrilles, nocturnes, trans
tions, variations, etc. There are fifty-two piec
MUSICAL FAVORITE
This is
Paper, $1.00
two hundred and thirty pages, sheet-music size.
medium difficulty,
are as follows
CONTENTS
Harp at Midnight. . . . . . . . . . . . . P. B.
Happy Farmer... . . . . . . . . . . . . . . . . . . Sch
Hancock's (Gen.) Grand March....
Illusioni Grand Waltz... . . . . . . . . . . C
Indian Mail Galop. . . . . . . . . . . . . . . . . L
Kiss Waltz (Merry War). . . . . . . .
La Malles des Indes Galop - - - - - ... La
Alpine Shepherd's Lament........ E.
L. M. Gottschalk
T. D.
.
.
.
.
Minnie Waltzes........
.Miss J.
Pirates of Penzance Quadril1e... Le
Patience Lancers.... Arr. by Chas. d
Old Folks
Home (Variations)....
Olivette Waltz....... Arr. by Chas. d
Raymond's Kill Galop. ... Mary D.
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Secret Love (Gavotte).
Sirenes (Les)
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NE PLUS ULTRA
PIANO COLLECTION
Lee's (Gen.) Quickstep.... . . . . Chas.

Mascot Waltz... . . . . . . . Arr. by H. M
Mascot Quadrille.
Arr. by
figures).....C
Meneut de
Cour (with
Moonlight on the Hudson
G.
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...
--
Waltzes...........
Wal
of
of
is
as
to
is to
a
to
of
of
carefully selected pieces that have

book
the best musicians. They a
the approval
Paper, .50
too severely classic, yet they will give sa
the
the accomplished player and
tion
gressive amateur alike. There
happy blending and pleasing varie
will not fail satisfy the thousands good teac
the collection, such
bright learners, and cultivated pianists. The book
sheet-music size
the most famous pianists and compos
contains compositions by some
Fenimore
282
Fte (La) du Village
Frisky Fiddler
.
.
.
(Kirm esse)...
Comique). T
Gaily Chant the Summer Birds.....
(Po1}<a
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............ Millward
Boat Song.
the Shepherds (Gavotte),
Dance
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Evening Reverie (Twilight whisper
Goerdeler
Belle (La) Parisienne (Gavotte)...
At Parting....................... Rheinbauer
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of
... Meininger
Dance of the Sprites.....

Day (Polka).......
Dream
.Meininger
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Ada (Meditation)............
Alice (Meditation)..
CONTENTS
.
.
.
.......
of
.. . .. ... .. .
Bright as a Button Polka... Charles V. Cloy

Banjo (The)... . . . . . . . . . . . . . . . . . . H. C. Harris
Black Hawk Waltz......... Mary E. Walsh
Charming Waltzes. . . . . . . . . . . . Waldteufel
Clayton's Grand March........ C. D. Blake
Mendelssohn
Consolation... . . . . . . . . . . . . . . .
- Gottschalk
Cradle Song..............
Daisy Polka........................... Arditi
Everybody's Darling Schottische. Linden
Gene
Fatinitza March.
Joy
Galop...........
Fahrbach
Full of
Margherita Polka............ Arditi
Fior
Beethoven
Farewell to the Pianoforte.
Flow'ret, Forget Me Not (Gavotte)... Giese
Fata Morgana (Melody)........... Goerdeler
E. Mack
Grants (Gen.) Grand March.
Grand Medley Lancers........... ... Pound
di
Berceuse.
March..........Arr.
Polka... . . . . . . . . .
la
Bocca
Boccaccio
Bella
Mack
by Konradin
. . . Waldteufel
NE PLUS ULTRA PIANO COLLECTION

Gavotte and
Germany..
Girl
Lullaby (from Erminie),
Latour
. .. .. ... ... .. . .. ... .. ..
I Left Behind
Me
. . . ..... Meyer
Grains of Gold (Morceau). . .

Heart Memories. . . . . . . . . . . . . . . . . . Jungmann
Heidelberg March. . . . . . . . . . . . . . . . Converse
Joys of Spring Waltz................. Geibel
Kirmess . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alberti
Lullaby and Gavotte (from Erminie),
Latour
Maidens Song.. . . . . . . . . . . . . . . . . . Rheinbauer
March of the Demons ............. Strelezki
Massas in the Cold Ground (Variations),
. . .. . .. .
D'Orso
Rve de Jour (Dream of Day)(Polka)
Knight
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Sardinian Shepherd Boy.............. Mack

Starlight Reverie . . . . . . . . . . . . . . . . Goerdeler
Summer Morn Waltz................. Geibel
Summer Morning...................... Foa:
Schleiffarth
Sweet By and By.......
Twilight Whispers....................
Geibel
Unique Galop........... . . . . . . . . . . . Cadmus

Vesper Chimes (Idyl)............ Waldmann
Whip-poor-wills Song...
... Millard
White Rose. . . . . . . . . . ................... Cloy
Woodlawn (Fantasie)............ Goerdeler
Norway's
folk-songs, dances, national airs,

and recent compositions, arranged for piano
forte and for the voice. Edited and furnished
ALBUM
with English text by Auber Forester and Rasmus B. Anderson.

Contains two hundred and fifty-eight pages, sheet-music size, embracing
more than one hundred and sixty pieces, including fifty-six folk-songs, fif
teen hallings, fifteen spring dances, fifteen folk-dances, wedding marches,
etc., ten national songs, and over forty of the more recent compositions,
consisting of eighty pages of music, vocal and instrumental, by Grieg, Nord
raak, Agathe Grndahl, Kjerulf.
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283
J.
J. J.
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Arr. by H. Maylath
Arr. by
Cramer
Freischiitz, Der.
Krug
Arr. by
Fra Diavolo.
Arr. by Sydney Smith
Lohengrin........... Arr.
Fritz Spindler
Lucia di Lammermoor... Arr. by H. Cramer
Lucrezia Borgia.
Arr. by Th. Oesten
Martha.
Arr. by Ferd. Beyer
Arr. by Ch. Lysberg

Leybach
Arr. by
Oberon............... Arr. by Edouard Dorn
Leybach
Puritani.
Arr. by
Sonnambula, La.
Leybach
Arr. by
Tannhuser.
Arr. by Fritz Spindler
Traviata, La...
Trovatore, I1............. Arr. by H. Cramer
William Tel1....... Arr. by Edouard Dorn
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Girl..
.. .. .
...
Aida. . . . . .
Bohemian
Carmen.
Faust.
CONTENTS
Mignon.
Arr. by Charles Wels
... Arr. by
Cramer
Norma.
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Paper, $1.00
Boards, $1.25
Cloth, gilt, $2.00
Selections from nineteen operas, ar

ranged for the piano by twelve well
known composers.
One hundred and
ninety-one pages, sheet-music size.
.
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OPERATIC PIANO COLLECTION
.
.
.
.
.
.
MUSIC
..
Brillant)....... Gobbaerts
Rippling Waves................... Millward
Snow
Boards, $2.50
Parting Hour (Morceau).

"e11-Me11(Galop
Matin d't (Summer Morning)....... Foa:

Merry Birds at Sunrise (Po1ka)..... Meyer
NORWAY
Continued
Merry Hunters................ Schulz-Weida
.Moszkowski
(Variations). Miller
PEARL DROPS
Paper, .50
Eighty pages, sheet-music
waltzes, galops, schottisches,
Containing march
size.
etc., suitable for pupils w
have from six to fifteen months practice. This mus

mostly for small hands, and, as a general thing, comes within the reach
a five-octave
organ.
PEOPLE'S COLLECTION OF
INSTRUMENTAL MUSIC
Paper, .50
A collection of thirty-five waltzes, polk
gavottes, morceaux de salons, opera se

tions, etc., from the works of twenty-n
composers.
One hundred and twentyAmong the contents may be mentioned:
Fond Hearts Must Part........ Gustav

Gavotte de la Princesse... Alphonse Czib
Gipsy Baron Waltzes... . . . Johann Stra
La Belle Parisienne (Gavotte),
Richard Goerdeler
Brook Nocturne................ S. Mazurette

Fauns and Fairies (Po11za)... E. D. Phelps, Jr.
PIANO CLASSICS
Vol. 1
:|
Paper, $1.00
Boards, $1.25
Thirty-nine classical compositions for the piano,

lected from the works of twenty-nine eminent c
posers. One hundred and forty-four
pages, sh
music size.
Beethoven, L. Van.
Beethoven, L. Van.
Bohm, Carl.
Chopin.
Dlibes, Leo.
DeWilm, Nicholas.
Durand, Auguste.
Durand, Auguste.
Durand, Auguste.
Godard, Benjamin.
Grieg, E.
Haydn, J.
Heller, Stephen.
Hoffman, Heinrich.
Jensen, A.
Kiel, F.
Rirchner, Th.
kradolfer, Rudolf.
Loeschhorn.
Merkel, G.
Moszkowski, Moritz.
Moszkowski, Moritz.
Moszkowski, Moritz.
Moszkowski, Moritz.
Neustedt, Ch.
Neustedt, Ch.
CONTENTS
Farewell to the Pianoforte.
Fr Elise.
Love Song (Liebesliedchen).
Nocturne.
Intermezzo et Valse Lente.
A11a Marcia.
Chacone.
Pomponnette.
Valse.
Second Gavotte.
Albumblatt (Album Leaf).

Gipsy Rondo (from Trio No. 5 in G).
Wiegenlied (Cradle Song).
Golden Age, The (Aus Schner Zeit).
Mill, The
Andantino (from the Little Suite, Op.
Album Leaf.
Lied.
Good Night.
Spring Song.
Mazurka.
77).
Serenata.
Thenna.
Waltz.
Carillon
Louis XIV.
Gavotte Favorite (De Marie Antoinette).
de
284
PIANO CLASSICS, Vol.

Pergolese.
Raff, Joachim.
Polish Dance.
Scharwenka, X.
Schumann, Robert.
Schumann, Robert.
Sharpe, Herbert F.
Evening Song.
Slumber Song.
Pavane.
Silas, E.
Thom, Francis.
Thom, Francis.
Tours, Berthold.
Tchaikovsky, Peter.
Tchaikovsky, Peter.
Paper, $1.00
Boards, $1.25
Gavotte.
Papillons Roses.
Under the Leaves.

Gavotte Moderne.
Chanson Triste.
Chant Sans Paroles (Song without Words).
Thirty-one classical compositions for the piano, se

lected from the works of twenty-three eminent com
posers.
One hundred and forty-three pages, sheet
music size.
Bachmann, G.
Bachmann, G.
Bqhm, Carl.
Beaumont, P.
Durand, Auguste.
Gillet, Ernest.
Godard,
Godard,
Godard,
Godard,
Benjamin.
Benjamin.
Benjamin.
Benjamin.
Gregh, Louis.
Hiller, F.
Hofmann, Heinrich.
Jadassohn, S.
Jensen, Adolph.
Jensen, Adolph.
Lichner, Heinrich.
Mayer, Ch.
Meyer-Helmund, Erik.
Moszkowski, Moritz.
Moszkowski, Moritz.
Moszkowski, Moritz.
Paderewski, I.J.
Ravina, H.
Scharwenka, Philipp,
Schubert, Fr,
Schumann, R.
Strelezki, Anton.
Thoma, R.
Thom, Francis.
Zavertal, S.
Continued
Nina (C1bre Siciliana).
Cavatina.
Melody (In F).
Rubinstein, Anton.
PIANO CLASSICS
Vol. II
CONTENTS
Isabella (Grand Valse).
Les Bibelots (Knicknacks).
Impromptu-Mazurka.
Op. 302, No.
Sweetly
Slumber
(Berceuse).
Babilage (Tittle Tattle).
Entr'acte Gavotte.
Gavotte. Op. 16.
Nove11ozza. Op.
Second Mazurka.
4.
47.
Op.
54.
Spinning Wheel (Au Rouet). Op. 85.

Les Joyeux Papillons (Caprice). Op. 8.
Marcia Giocosa. Op. 55.
In the Month of May (Im Mai). Op. 11, No.
A1bum Leaf (Zum Namenstage).
Op. 12.
Berceuse
Quiet Love (Stille Liebe). Op. 2, No. 5.
Garden Song (Gartenlied). Op. 278, No. 6.
Drinking Song.
Op.
121,
Dance (Tanzweise). Op.

Gondoliera. Op. 41.
Bolero (Spanish Dance).
No. 3.
No. 2.
28,
Op.
No.
5.
Op. 14, No. 1.

Menuet a
Style).
Op. 14, No.
Etude (Etudes de
Impromptu. Op. 73, No. 1.
1.
Thema.
Menuetto.
Op. 1o, No.

1Antique.
Op.
Warum (Why)
78.
Op. 12.
Confession (L'Aveu).
Mignonne (Valse). Op.
Agitato. Op. 50.
Al Fresco.
285
12,
2.
48.
2.
PIANO CLASSICS.
Vo1.
III
Paper, $1.00
Twenty-nine compositions, selected from the work

twenty-three composers.
One hundred and twe
eight pages, sheet-music eize.
CONTENTs
Cradle Song (Chanson de Berceau).

Istorietta (Little Story). Op. 15o.
Valse Intime. Op. 121.
Hexentanz (Witches' Dance). Op. 17, No.
Im Wunderschnen Monat Mai (In the Beautiful
of May). Op. 25.
Romanza Appassionata. Op.
No.
Mlodie. Op.
No.
Album Polonais. Op. 33, No.
Lack, Thodore.
2.
Lack, Thodore.
MacDowell, E. A.
Merkel, G.
1.
7,
8,
4.
J.
2.
3.
Gavotte. Op. 41, No.

Op. 28, No.
Romanze.
Op.
Nachtstck (Notturno).
Valse Noble, Op. No.
Bercuese.
Valse Lente. Op. 1o.
Naiade, La.
Berceuse. Op.
No.
9,
Schumann, R.
Schumann, R.
Schytt, Ludwig.
Sieveking, T1artinus.
Thom, Francis.
9,
Zapff, O.
23,
No.
Twenty-six popular piano pieces

moderate difficulty, selected from
compositions
twenty-one compose
One hundred and forty-four pages, sheet-music size.
POPULAR PIANO COLLECTION
of
Paper, $1.00
Boards, $1.25
Bells
Shandon.
Op.
Op.
512,
Francois Behr
W. F. Sudds
.
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.
Rudolf
Charge
the Uhlans (Attaque De
Ulans) (Galop Militaire).... Carl B
Chapel
the Mountains (The). Op.
of
Mack
Caprice
in
Alerte, L'Fanfare Militaire.
E.
Alpine Shepherds Lament (Fantasia),
CONTENTS
71
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|
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Orth, John.
Paderewski, Ignace
Scharwenka, Philipp.
Scharwenka, Xaver.
Schumann, R.
of
*
.
**
...
--
Papillon (Butterfly).
Srnade Badine.
Second Waltz. Op. 56.
Gigue (Danse Antique). Op. 103, No. 3.
Quitude (Romance Without Words). Op. 53.
A11a Menuetto.
From Op. 7.
4.
*:-
#:
Intermezzo (from Naila) (Ballet).

Copplia (Valse Entr'acte).
Waltz in A Major. Op. 54, No. 1.
Cinquantaine, La.
4.
*.
de Ba11et).
41.
3.
Air
2.
|
-
Pas des Amphores (Deuxieme

Pierrette (Air de Ba11et). Op.
Lisonjera, La (The F1 atterer).
Chaminade, C.
Chaminade, C.
Chaminade, C.
Dlibes, Lo.
Dlibes, Lo.
Dvorak, Anton.
Gabriel-Marie.
Gabriel-Tiarie.
Godard, Benjamin.
Godard Benjamin.
Gregh, Louis.
Grieg, Eduard.
Grieg, Eduard.
Hauser, pl.
G. D. W
286
COLLECTION Continued
Ingnue (L). . . . . . . . . . . . . . . . . . . . Luigi Arditi
Lady Betty (Old English Dance),
Lion),
Albert Wimpfheimer
Dancing Girl (The) (La Danseuse). Op. 150,
W. F. Sudds
Erminie (Potpourri),
Ed. Jakobowski, Arr. by Knight
Etta Gavotte. . . . . . . . . . . . . . . . . . . . Rudolf King
Fairy Echo (The) (Romance), S. Schonbrun
Finland Love Song........ Richard Hoffman
First Heart Throbs (Le Premier Revil
Du Coeur). Op. 50.......... R. Eilenberg
Fond Hearts Must Part (Wenn sich Zwei
Herzen Scheiden). Op. 277, Gustav Lange
Forget Me Not (Vergissmeinnicht). Op.
Popp
271 - - - - - - . . . . . . . . . . . . . . . . . . . . . . . Wilh.
Dandelion (Dent
de
Seymour
Smith
Electrique)
Flche
(Po1ka de Concert)...John Francis Gilder
Loin de Ba1 (Echoes of the Ba11), .
Ernest Gillet
Lightning Flash (La
Love's Confession.
Leander Fisher
Secret (Le) (Intermezzo Pizzicato),
Leonard Gautier
Twilight Reverie (Nocturne). Op. 161,
G. D. Wilson
Op.
327,
No. 10,
Victoria (Gavotte).
Happy Shepherd's Dream (Reverie).

. .. ... .. ... .. ... ... .. .
Carl
W. F. Swalds
Paper, $1.00
Boards, $1.25
CONTENTS
Heart Whispers (Paroles
...
Al Fresco. . . . . . . . . . . . . . . . . . . . . . . L. Zavertal
Angelus Reverie (Morceau de Salon),
In the Mill (In
Eduard Holst
of Morn (Morgengruss) (Idy1),
Rich. Eilenberg
E. Dorn
Pas de Quatre (Skirt Dance)... Meyer Lutz

Bachmann
Perles de Madrid (Habanera),
Seguidi11a (Spanish Song), Op. 327,
Carl Bohm
No. 14.
Slumber Sweetly (Berceuse)
Paul Beaumont
Song
(The) Was die Schwalbe
Swallow's
Carl Bohm
Sang). Op. 27o..............
Tripping o'er the Pansies (Po1ka Rondo),
Goerdeler
G.
Fred. L. Hatch
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Dream. After the Ba11. Op. 55, Ed. Broustet

First Violet (La Premire Violette)(Valse
Eduard Holst
Caprice).
Flirtation (Petite Valse),
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Adam Geibel
Dear Loving Heart (Gavotte),
.
.
.
.
.
.
Paul Beaumont
more (Mlodie)
Brillante),
(Caprice
Danse des Petit Fes
.
.
.
.
.
Chimes of the Deep...... Richard
Victor Delacour
der
in
Break
de Caeur),
Mhle).... Ernest Gillet

Love's Dream. After the Ba11 (Inter
mezzo). Op. 356...... Alphonse Czihulka
Mill the Forest (The) (Idy11e). Op. 52,
Richard Goerdeler
Birds in the Morning (Caprice),
Con
Bohm
Twenty-four popular piano pieces, of

moderate difficulty, selected from the
One
works of seventeen composers.
hundred and twenty-seven pages, sheet
music size.
POPULAR PIANO COLLECTION

Vol. II
Eduard Holst
di
Gavotte),
Yellow Jasmine (Tempo
Cowen, Arr. by Leon
F.
P. A. Steck, Arr. by Laurence Knight

Floating Song (Barcarolle)... Adam Geibel
Gipsy Mazurka. Op. 102........ Carl Bohm
287
H.
Op. 33. .
W. Lege
Goerdeler
.. ... .. ... ... .....
Rustic Love (Melody)... Richard

Robin's Return (The) (Caprice),
Keach
POPULAR PIANO
ROYAL COLLECTION
PIANO MUSIC
An attractive volume of thirty-five p

one hundred and sixty pages.
Each pi
protected
by A
music in the collection is
can copyright.
OF
.50
CONTENTS
Adieu (Nocturne).
.. .. ... .. . .. ... ..
Air Castles (Nocturne).
.. ... .. . ... ..
.. .
Staab
.Maylath
Alpine Shepherd's Lament (Fantasia),
Mack
Always Happy (Schottische Elgante),
Merz
Turner
Bright Imaginings (Caprice)..... ... Kinkel
... . Cloy
Calla Lily. . . . . . . . . . . . . . . . . . . . . . .
Chasse (La) (Fantasie). . . . . . . . . . . . . . . .Morgan
Dance of the Haymakers. . . . . . . . . . . Wilson
Day Lily. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cloy
Dreams of the Past (Nocturne). . . . Turner
Evening Bells (Morceau). . . . . . . . . . . . JPinson
Fata Morgana (Melody). . . . . . . . . . . Goerdeler
Banjo Imitation.
*:
#.
.
-* . .
~.
..
..
... .. ... .. . .. .. .
Flash Galop............................ .Mora

Gazelle (Caprice). . . . . . . . . . . . . . . . . . . .Maylath
Glad Tidings (Valse Sentimental)... Muller
Golden Rain (Nocturne). . . . . . . . . . . . . . . Cloy
Home Reveries (Mazurka Brilliant),
SABBATH
DAY MUSIC
For Pianoforte or
Reed organ
Paper, $1.00
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Cloth, gilt, $2.00
Abt.
Bach.
Barnby.
Barri.
Beethoven.
Beethoven.
Beethoven.
Faure.
Flotow.
Wyman
Gounod.
Gounod.
Gounod.
Gounod.
Gounod.
Gounod.
Gounod.
Gounod.
Homeward Bound (Morceau).......

In our Boat (Morceau). . . . . . . . . . . . . .
Merry Huntsmen (Morceau). . . . . . .
Merry Princess (Gavotte).............

Nearer, My God, to Thee (variation
|
|
Old Folks at Home (Variations)....

Old Hundred (Transcription). . . . . .
On the Lawn Dance...................
Picnic Rondo. . . . . . . . . . . . . . . . . . . . . . . . .
Pluie d'Or (Shower of Gold) (Morcea
School Girl's Dream (Reverie).. Me

Scotch Lassie Jean (Transcription),
|
(Idy1). . . . . . . . . . . . . . . . .
..
Solitude (Fantasia). . . . .
Sweetheart (Mlodie). . . .
.......
Shepherdess
Twilight (Nocturne).
Visions of Paradise (Reverie).
... ... .... . . . M

.. ...
Forty-one compositions selected from the

of twenty-one composers.
One hundred
eleven pages, sheet-music
size.
CONTENTS
Ave Maria.
Ave Maria.
Two Hymns.
Beauteous Song. Come Unto Me.
A11egretto from Seventh Symphony.
Andante Con Moto from Fifth Symphony.
Andante from Kreutzer Sonata. Op. 47.
Rameaux (Les). Palm Sunday.
Hail, Blessed Mary. Prayer from Strade 11a.
Ave Maria.
From Thy Love as a Father. Redemption.

Guardian Angel.
Marche Romaine. Pontificale.
Nazareth.
Prelude.
Sanctus.
There is
a Green
288
Hill Far
Away.
-
SABBATH DAY MUSIC

Gounod.
Hndel.
Hndel.
Hndel.
Haydn.
Khler.
Liszt.
Flendelssohn.
Mendelssohn.
Tlendelssohn.
Plason.
Tieyer.
Tieyer.
Rodney.
Rubinstein,
Schubert.
Schubert.
Sullivan.
Sullivan.
Strelezki.
Topliff.
Wagner.
Warren.
SELECTED CLASSICS
For the Pianoforte
Paper, $1.00
Boards, $1.25
Brambach, C. J.
Chaminade, C.
Chaminade, C.
Chaminade, C.
Dreyschock, F.
Dubois, T.
Durand, A.
Godard, C.
Godard, C.
Godard, B.
Gregh, L.
Grieg, E.
Grutzmacher, Fr.
Helmund, E. M.
Hofmann, H.
Jadassohn.
Jensen, A.
Kirchner, F.
Lack, T.
Lack, T.
Lack, T.
Continued
Unfold, Ye Portals. Redemption.
He Sha11 Feed His Flock. Messiah.
I Know That My Redeemer Liveth. Messiah.
Largo from Xerxes.
With Verdure Clad. Creation.
Evening Song to the Virgin.
A11egretto Pastorale.
Consolation.
Lift Thine Eyes. Elijah.
O Rest in the Lord. Elijah.
Nearer, My God, to Thee.
Abide With Me.
Sun of My Soul.
Calvary.
Melody in F.
Entr'acte.
Fragment from unfinished Symphony in B minor.
Hymn of the Homeland.
Lost Chord.
Longing for Home.
Consider the Lilies.
O, Thou Sublime, Sweet Evening Star.
Sweet By-and-by.
Thirty-two compositions, selected from the works of

twenty-six
composers.
One
pages,
three
sheet-music size.
hundred
CONTENTS
Scherzo.
Air de Ballet.
Scarf Dance (Der Scharpentan2).
Serenade.
Gavotte in E.
Intermezzo.
Air de Ballet.
Angelus (Meditation). .
Dancing Stars (Danse dEtoiles).
Scherzo-Caprice.
Joyous Greeting (Joyeuse Awbade).
Anitra's Dance (Amitra's Tanz).
Leaf from an A1bum (Albumblatt).
Mazurka in B minor.
Snowflakes (Schneeflocken).
Air de Ballet.
Serenade.
Wanderer's Song (Wanderlied).

Arietta.
Cabaletta.
Impromptu-Mazurka.
289
and
forty
SELECTED CLASSICS
Lack, T.
Tlascagni.
Tioszkowski, "1.
Paradies.
Paderewski, I.J.
Popper, D.
Rubinstein, A.
Saint-Sans, C.
Thm, F.
Weiss, J.
Wittich, E.
STUDENTS CLASSICS
Paper, $1.00
Boards, $1.25
Continued
Sorrentina.
Intermezzo (Cavalleria Rusticana).
Mlodie, Op. 18, No. 1.
Toccata.
Sarabande.
Gavotte.
Kamennoi-Ostrow.
Une Nuit a Lisbonne (Barcarol1e).
Souvenir.
Menuett.
Chansonnette.
Thirty-seven piano compositions of moderate d

culty, selected from the works of twenty-eight co
posers. One hundred and forty-three pages, she
111u1S1C
S1Ze.
CONTENTS
Bachmann, G.
Bachmann, G.
Bohm, C.
Durand, Aug.
Dussek, J. L.
Geibel, A.
Hummel, J. N.
Jonas, Ernst.
Jungmann, Albert.
Jungmann, A.
Klein, B. Cecil.
Klein, B. Cecil.
Klein, Cecil A.
Lack, Thodore.
Lack, Thodore.
Lange, Gustav.
Lichner, Heinrich.
Log, Henri.
Nicole, Louis.
Nuyens, H.
Oesten, Th.
Phelps, E. S.
Ravina, Henri.
Scharwenka, P.
Schulz-Weida, Jos.
Singer, Fiorence T1.

Sderman, Aug.
Spindler, Fritz.
Spindler, Fritz.
Spindler, Fritz.
Stiehl, Heinrich.
Strelezki, Anton.
Strelezki, Anton.
Strelezki, Anton.
Thoma, Rud.
Wachs, Paul.
Wolff, Bernhard.
An Old Folks' Dance (Chanson de la Grand-maman).

Succs-Mazurka.
A La Valse (Petit Impromptu).
Annette et Lubin (Gavotte Pastorale).
Morning Rondo.
Gavotte A11emande.
Rondo (in C).
Marionette's Wedding.
Gavotte (in A minor).
Three Flower Melodies.

Esperanza (Melody).
Little F1ower Girl (The) (Caprice).
Spring's Return.
Idilio.
Courtly Grace (Petit Minuet).

Albumblatt (A1bum Leaf).
Recollections of Beethoven (Rondo).
La Gracieuse (Capriccio).
"Intermezzo.
Ronde des Archers.
Spinning Song.
Mlodie in C.
Petit Bolro.
Album Leaf.
Love in May (Maienliebe).
Le Ruisseau.
Norwegian Wedding March.
Flowers of the May (Waltzes).
Polonaise.
Song Without Words (Lied ohne Worte).
Album Leaf.
Minuet.
Melody.
Romance.
Hungarian Dance (Csardas).

Mystery (Valse Caprice).
Gipsy Dance (Zigeunertanz).
290
OPERAS
AR-R-ANGED
BELLS OF CORNEVILLE
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.. . . . .. .
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OLIVETTE
(CHIMES OF NORMANDY) Robert
LAMMERMOOR
DI
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acts.
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~~
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Paper.
... . ...
..
. . .
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... .. . . .. . ..
. .
. .. . . . . . . . . . .
.75
I.OO
COLLECTIONS OF
ANC E MUSIC
A collection of ninety-three old, we

known and popular country dance
jigs, reels, strathspeys, cotillons, e
Thirty-two pages, sheet-music size.
ALBUM OF NATIONAL DANCES

Paper, .50
room,
of music
in the form of waltzes, quadrilles, polka

schottisches, mazurkas, etc., that eve
body likes to play and hear. All the be
Paper, .50
By mail, .65
and most popular of this class of pieces are gathered into this book.
Som
bright
array
reputatio
composers
pieces
of the
of the
of
have a world-wide
very
popular
and all are well-known writers of
music.
CONTENTs
WALTZES
GALOPS
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Crowe
Among
comrades...............
shot......................
...
conqueror's..........
. Fau
Fahrbach
............... R
ScHoTTIscHEs
Everybody's Darling................. Lind
Happy Hottentots.
Mundwyl
YORKE DANCE
POLKAS
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One Heart, One Soul.
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Taylor.
Waldteufel
Le Place
Bella Bocca.
Coote
LANCERs, QUADRILLES, Etc.
Colema
Glide or Polacca Quadrille.
Poun
Grand Medley Lancers.
Met
Mascot Quadrille.
Menuet de la Cour.
Coo
Orpheus Quadrille.
Strau
D'Albe
Patience Lancers...
Pirates of Penzance Quadrille... Le Baro
Go
Portland Fancy Quadrille...
Virginia Reel...
..... Go
Herv
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Cloy
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Billee
Bright as Button.
Colonel.
Heel and Toe.
Strau
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Artist's
L.
...
Best
Spe
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Orvetta.
See-Saw
Womans Love.
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Lowthian
Bucalossi
*"
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Meissler
Fahrba
Lamot
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MARCHES
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Fantastics......
Myosotis...
My Queen
W*
. ...
...
.. . .
Dream Faces.
Full of Joy..........................
Indian Mail. . . . . .
Always or Never. . . . . . . . . . . . . . . . . Waldteufel

Annen (Nanon). . . . . . . . . . . . . . . . . . . . . . . . Gene
Bid Me Good-Bye. . . . . . . . . . . . . . . . De Camors
Breeze of Night. . . . . . . . . . . . . . . . . . . . . Lamothe
Charming... . . . . . . . . .
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POLKA MAZURKAS
292
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Stephanie.
Faust
Baldwin
... Ludoric
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Little Dove.
Little Footsteps in the Sand.
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for the ba
consists of bright piano piec
This collection
AMERICAN
DANCE MUSIC COLLECTION
A collection of thirty-one pieces of dance

music, including seven waltzes, seven polkas,
CHOICE COLLECTION OF
DANCE MUSIC
two marches, seven schottisches, and eight

other varieties of dance music, selected from
the compositions of twenty-one composers.
One hundred and twenty-eight
Paper, $1.00
CONTENTS
CAPRICE DANCE
Cosmopolitan.
QUADRILLEs
... .. .. . .. ... ... . . .
Dainty Step....
.Jos. Marks
. . . . . . . . . . . . . . . . . Henry
Lamb
Festivity Quadrille...
Gay Cavalier. . . . . . . . .
ScHot TISCHES
GALOPS
Fly by Night...............
Belle of Los Angeles........ Edwin Christie

Darkie's Serenade. . . . . . . . . . . Falwin Christie
T. H. Rollinson
LANCERS
Globe Lancers.......
Darkie's Shuffle
. .. . ... .. ..
. .. .. . ..
T. H. Rollinson
R. M. Stults
Harry
J.
Frolic of the Clogs. . . . . . . . . . T. H. Rollinson

Golden Trumpet (Military Schottische),
T. H. Rollinson
Impudence......................
Colored Millionaires (Grand March)

Ballow
* * * * * * * * * * * * * Heinrichsohn
Chic...
Happy-Go-Lucky. . . . . . . - - - - - - H. T. Statham
Hilda Helina..... . . . . . . . . . . . W. P. Fenimore
Cloud..................
Softly Gliding (Po1ka Glide),
Chas.
V.
Cloy
T. H. Rollinson
2.
W.
A. Dayton
Marcy-Raymond
.. .. . .. .
----------- --
Arr.
C. Walter
by Launce Knight
Love's Sigh Waltzes (Soupir d'Amour),

Fred. T. Baker
Remembrance of Naples. . . . . C. W. Bennet

Under the Mistletoe. . . . . . . T. H. Rollinson
Visions of Rest.............. Fred. T. Baker
Waltz of Waltzes... . . . . . . . . . . Launce Knight
POLKA REDowA
King Cupid (Yorke).
. .... .
Life in Palermo......
R. M. Stults
. . . . . . . Emma
. ... . ... . .... . .
WALTzes
Darkies Delight (Po1ka Comique),
Willkommen.
Allen Macey
by Rolly King
SKIRT DANCE
POLKAS
Sunset
Arr.
MAZURKAS
Alice Louise......
L'Affrique)
(Schottische
Wm. Bendiac
MARCHES
Advance Guard March.
T. H. Rollinson
. . . . . . . John J. Brahm
.. .. .. .
YoRKE DANCE
T. H. Rollinson
Our
293
Latest...................
Leopold Kessler
CHOICE COLLECTION
OF MARCHES
tions of
twenty-three
well-known writers
march music.
One hundred and twenty-eig
Paper, $1.00
pages, sheet-music size. The book is made
wholly from American copyright music.
CONTENTs
Adjutant Locke's March....T. H. Rollinson
Alpine Hunters March. . . . . . . . M. F. Mullin
American Line March...... Fred. T. Baker
American Patrol March...... JW. F. Sudds
Assembling March. . . . . . . . . . . . . . Chas. Wels
Boston Post March. ... George Lowell Tracy
Boston Press C1ub March... T. H. Rollinson
March............. Frederic
Harry
Darky Musketeers March,

Drum-Beat March...
J. Ballou
Leopold Dressler
R. M. Stults
. . . . .. . . . . . .
Glenham...... . . . . . . . . . . . . . . . . John J. Pound

Jubiloso March... . . . . . . . . . T. H. Rollinson
King of the North March....Fred. T. Baker
Light
as a
Fairy.............
Edwin Christie
FAVORITE COLLECTION OF
DANCE MUSIC
Paper, .50
Postpaid, .60
On Parade
March....
. . . .
Harry C. Jord
Pathfinder................... T.
E. White
Charles bank March . . . . . . . . T. H. Rollinson

Clickety-Click March....... Fred. T. Baker
Colored Four Hundred March,
J. W. Wheeler (Arr. by Launce Knight)
Colored Millionaires Grand March
Ho
Nestor March... . . . . . . . . . . . . . T. H. Rollins

Newsboys March. . . . . . . . . . . . . . . . F. W. R
Old Homestead March....... J. E. Samps
H. Rollins
Pinnacle March. . . . . . . . . . . . . . . . E.
Philedian March. . . . . . . . . . . . T. H.
De Ba
Rollins
Quinobequin March......... T. H. Rollins
Rapid Transit Two-step..... R. L. Brown
Revival March and Salvation Army

Rally. . . . . . . . . . . . . . . . . . John Philip So
Rusland March............... J. V. Allstro
Salute to Boston March.....T. H. Rollins
Scintil 1ation March... . . . . . . T. H. Rollins
Soledad March.... . . . . . . . . . . . . . . . . . . .M. D
Travesty March,
Compiled by John C. Min
A collection of sixty-two easy pieces

dance music, selected from the works
thirty-seven composers. There are twen
four polkas, ten schottisches, fourteen m

zurkas, and fourteen miscellaneous dance
one hundred and fifty-nine pages, sheet-music size.

CONTENTS
POLKAS
Right Polka. . . . . . . . . . . . Victor Andrante

Bella Bocca Polka. . . . . . . . Emile Waldteufel
Bright as a Button Polka. . . . . Chas. V. Cloy
Clarion of the Zouaves (Po11za Mili
taire). . . . . . . . . . . . . . . . . . . . . . Jules Egghard
Cricket Polka. . . . . . . . . . . . . . . Louis 9. Jacoby
Dream of Happy Days (Polka E1
A11
gante).
. .... . .. .. .. ..
Frazier R. Ditmars
Golden Slippers Polka,

Honey-Bee Polka.
Light Step Polka.
Arr.
by W. H. Jar
Louis Me
F. H. Bro
. . John Braha
. .. . . . .. . . . . . .
.. .. . ... . . . . . .
Margretta Polka........ . . . . .
Mineral Springs Polka... Gustavus Dolfu
Peerless Polka.................. J. S. Knig
Phonograph (Polka Francaise). Op. 26
Edward Strau
Fairy Polka...................... F. Spindler

G1 eam of Sunshine Polka..... F. A. Muller
Piccolino Polka. . . . . . . . . . . . . . . . Chas. Fra

Picnic Polka. Op: Io2.... Theo.
La Hac
I.
Cadets
March of the Romans... . . . . . . Edward

Massachusetts Militia March,
Frederic M.
294
FAVORITE COLLECTION OF DANCE MUSIC

C. Faust
Snow-Bell Polka... . . . . . . . . . . . . . . . . . C. Faust

Sweet Kiss Polka......... - - - - - - - - - C. Kinkel
Tender and True Polka. . . . . . . . . . . . C. Faust
Tag Polka. . . . . . . . . . . . . . . . . . . . . . . . . . . E. Mack
Voice of Spring (Po1ka Redowa),
Carlo Mayer
Vale
Atkins
Roses Mazurka.
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Wanda Mazurka.
A. Wallerstein
R.
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Op.
N.
Good
Mack
Mack
Luck Redowa.
Theo. Giese
Charlie Baker
Highland Fling.
E. E.
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Mystic Schottisch ...

Young Ladies Delight.
270.
Fred Wilson's Clog Dance.
A. Wallerstein
Laurel Schottisch...
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Irish Washerwoman.
Scherer
Paddy Carey.
Pre La Victoire March, Le (Father
L. Ganne
of Victory).
Reception March
H. Eckert
Rout.
Speed the Plow.
Stephanie Gavotte.
A. Czibulka
St. Patricks Day.
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J.
Budding Spring Mazurka......

Knight
Dewdrop Mazurka.
F. A. Muller
Favorite Polka Mazurka.. Geo. Schleiffarth
For Thee (Polka Mazurka), Op. 99,
Carl Faust
MARCHES AND GALOPS

Paper, .50
of
Fifty-four most attractive examples

these
lively and graceful styles
music. One
of
FAVORITE COLLECTION OF
hundred and sixty pages, sheet-music size.

Among the contents may be mentioned:
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Faust March...
Galop Militaire.
J. Ascher
Grand Festival March.
Carl Faust
Over Sticks and Stones Galop. Carl Faust
Tannhuser Grand March, Richard Wagner
Carl Faust
Wild Fang Galop.
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G. Michaelis
Amazon March.
Carl Faust
Away Galop.
Galop..........
M. Tittel
Bride of the Wind
Fatinitza March.......
Franz Supp
Chas. Gounod
295
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Jarvis
Campbells Are coming.

Fishers Hornpipe.
Flow'ret Forget-me-not (Gavotte).
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.
84,
Henri Roubier
F. Spindler
MISCELLANEOUS
|
Golden Wedding Schottisch,

Arr. by W.
Laughing Paris Schottisch. Op.
H.
Rollinson
Eilenberg
Darkie's Shuffle.
.*T. H.
Everybodys Darling..........
Op.
. .. ..
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Schottisch
Champion Schottisch.
Charlie Baker
Crystal Lake Schottisch. Op. 70,
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Boarding-House
II.
SCHOTTISCHES
20,
Perlinette Mazurka. . . . . . . . . . . . . . A. Croise:

Success Mazurka. . . . . . . . . . . . Charlie Baker
Summer Flower Mazurka. . . . . . . . . . . . Lcslie
H. Fernald
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A.
Mazurka). Op. 268. . . . . Eduard Strauss

Oscar Mazurka. . . . . . . . . . . . . . . Charlie Baker
Pearly Fountain (Mazurka de Salon),
of
112. . . . . . . . . .
Continued
Glittering Dew Mazurka... . . . . J. S. Knight

Hortensia Polka Mazurka... L. P. Gerville
My Little Love (Trautliebchen) (Po1ka
Polka
des Lanciers.
Sea Foam Polka. Op.
Forty-eight waltzes which several generati

have played or danced to. One hundred
sixty pages, sheet-music size. Among the
FAVORITE COLLECTION
OF WALTZES
Paper, .50
tents may be
Ball Room Echoes.... . . . . . . . . . . . . . . Lumbye

La Chatelaine (Valse Fantaisie)...A. Le Duc
Composer's Waltz...
. .. .. .... .. .
Chas. Baker |
Ecstasy Waltz... . . . . . . . . . . . . . . Luigi Arditt

Faust Waltz... . . . . . . . . . . . . . . . . Chas. Gounod
Heart and Hand. . . . . . . . . . . . . . . . . Carl Faust
FAVORITE WALTZES
Paper, .50
By mail, postpaid, -65
mentioned:
I11usioni Grand Valse------- G. C. Cap

Merry Days in Brazil-------- Joseph G
On the Beautiful Blue Danube,
Johann
St
Over Land and Sea........... Joseph G

Woman's Love... . . . . . . . . . Philip Fah
A collection of twenty-five popular waltzes,

teen of which are by
Emil Waldteufel, making
practically a Waldteufek
Waltz
Album.
others are by Bucalossi, Lowthian, Meissler, and Wallis.

Three of
Waldteufel waltzes are also arranged for violin, with piano accompanime
MUSIC AND STEPS OF THE

ROUND AND SQUARE DANCES
For Piano or
Organ, with Separate

Book for Violin
Prepared
by
Sep. Winner
Piano Solo, paper... . . . . . . . . . . . . . . . . . $1.oo

Violin Part, paper . . . . . . . . . . . . . - - - - -50
Violin and Piano, Two Books, paper, 1.5o
It contains full instructions for perf

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ionable dances, and gives music for
same, consisting of quadrilles, lanc

cotillons, waltzes, country dances, f
dances
(such as polkas, waltzes, sc
-s
ul
tisches, ga. lops,
maz rkas, two
etc.), and everything pertaining to
art of dancing.
More than two
dred pages, sheet-music size.
dances, consis
polkas,
waltzes,
marches,
gavottes,
of
By
arranged for pianoforte.
Two hundred
eight pages, sheet-music size. Among the contents may be mentioned
A collection of seventy-one
NATIONAL DANCE ALBUM

Paper, .50
mail, postpaid, .65
Always or Never Waltzes
Night.........
Devils March..........
Breeze of the
......
.
Gavotte de la
Waldteufel
... Lamothe
... Supp
March................. Supp
Dreamland Waltz..............
First Kiss Waltz.................... Lamothel
Donna Juanita
Cour....................
In the Centre Waltz.......
...
F
St
St
Lu
Merry War Waltzes... .............

Pearls and Laces Waltz... . . . . . . . . .
Qui Vive Galop.................. . . . . . . .
Storchschnabel
296
Galop............
Fahr
The series of books bearing the title Ne Plus

Ultra comprises a Dance Collection (1 Vol.), a
Piano Collection (1 Vol.), a Ballad Collection (I
.50
Vol.), and a Song and Chorus Collection (I Vol.).
By mail, postpaid, .60
This Dance Collection (Piano Music) abounds
Every style of Dance Music is represented.
in variety.
The selections
very
popular
have been made from the
best and most
music of this special
kind. The pieces are not difficult.
Forty-two pieces of dance music for the piano, including music for
nearly all forms of dancing. The selections were made from the composi
tions of twenty-two composers of dance music.
pages of music, sheet-music size.
NE PLUS ULTRA
DANCE COLLECTION
CONTENTS
All Aboard Galop.
. ... .. ... . . .
. Frank Green
As We Sing, We Dance Waltzes.

Op. 266... . . . . . . . . . . . . . . . . . Eduard Strauss
. Julius Becht
Autumn Redowa. . . . . . . . .
Bluebird Polka Redowa. . . . . G. Weingarten
Boston Racquet Galop. . . . . . . . F. JP Summer
Canary Polka. . . . . . . . . . . . . . . . . . . Adam Geibel
Chesney Wold Quadrilles..... Frank Green
. Julius Becht
Chrysanthemum March..
Comrades Waltz . . . . . . . . . . . . Launce Knight
Coquelicot Galop...... . . . . . . . . . . . . . . . Warney
Coquelicot Quickstep.... ........... Warney
Coquelicot Waltz . . . . . . . . . . . . . . . . . . Warney
Dahlia Schottisch. . . . . . . . . . . . . Julius Becht
Dancing Fairies Schottisch, .
J.
Little Fisher Maiden Waltz,
Love's Golden Dream Waltz,
Pierre Latour
Theo. Bonheur
Marigold Waltz... . . . . . . . . . . . . . . Julius Becht

McGinty Quadrilles. . . . . . . . . J. C. Mayseder
Mocking Bird Echo Galop. . . . Adam GeibelMoss Roses Mazurka (Yorke Dance),
Adam Geibel
My
H. Boulanger
Dancing Vienna Polka Francaise.

Op. 265. . . . . . . . . . . . . . . . . . . Eduard Strauss
Doves Carnival Waltz......... Adam Geibel
Drum Major's Daughter Waltz... Le Baron
Dude's March . . . . . . . . . . . . . . . . Launce Knight
Egyptian Waltz. . . . . . . . . . . . . . . . F. T. Baker
Eventide March. . . . . . . . . . . . . . . . Adam Geibel
From Vienna to Berlin Polka. Op. 62,
Richard Eilenberg
olden Rod Polka. . . . . . . . . . . . . . Julius Becht

>ood Luck Galop............ Pierre Latour
4 appy Whistling Coon Schottische,
Love
Polka
Mazurka.
268 . . . . . . . . . . . . . . . . . . . duard
Strauss
New Valse Minuet, (with figures),

William A. Gurney
Pansy Schottische. . . . . . . . . . . . . . Adam Geibel
Pre la Victoire, Le (Father of victory)
(March). . . . . . . . . . . . . . . . . . . . . L. Messonier
Phonograph Polka Francaise. Op. 264,
Eduard Strauss
Pinafore Lancers, H. M. S.,
Charles E. Pratt
St. Albans Grand March. Op. 206,
A. H. RSewig
Up Comes McGinty Schottische,
Harry J. Ballow
We'd Both Been There Before Waltz,
Launce Knight
Life in America Waltzes.
Little
Op.
Yachters March. . . . . . . . . . . . . . . . Louis

Zephiretten Waltz. Op. 170, No. 3,
Meyer
Heinrich Lichner
Launce Knight
Op. 263,
Eduard Strauss
297
FAMILIAR
OLD
(WITH
Compiled
Those who desire a capital volume of

cotillons, hornpipes, fancy dances, lanc
DANCES
FIGURES)
and Arranged
reels, and other good music for the priv

cotillon party or the public dance will
this book to be all that is desired.
It
by
George C. Gott
Paper, .50
tains all the old standards and many

dances, with figures (some of the sets and figures new and pleasing), an
altogether a useful collection. Fifty-two pages, sheet-music size. Am
the contents may be mentioned
Arkansas Traveller,
Campbells Are Coming,
Devil's Dream,
Highland Fling,
Jordan is a Hard Road,
Danish Dance,
and eighty more of a similar character.
--~
POPULAR DANCE
COLLECTION
Twenty-nine pieces of dance music of moder

difficulty; one hundred and forty-four pag
sheet-music
Vol. I
Paper, $1.00
Boards, $1.25
CONTENTs
WALTZES
Confidences.
size.
. .. .. . .. . .. ... ... .. ...
MAZURKAS
Fairy Queen. . . . . . . . . . . . . . . . . . . . . . . . . Chr

Flowret from the Mosel. . . . . . . . . ... R
On the River (Polka Mazurka). ... Str
Waldteufel
Erminie. . . . . . . . . . . . . . . . . . . . . . . . . . Jakobowski
Gitana. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bucalossi
Iris
****
:......
.. . . .. . ... . .
Love's Dreamland..... . . . . . . . . . . . . . . . Roeder

Sweetheart (Gipsy Baron).......... Strauss
Hot Shot.
MARCHES
-- -- -- -- ----- ---
--------
#.
POLKAS
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Armstein
Frisky Fiddler.
Entre Nous.
Oxford
*****
.. ... .. .. . . . .. . .
........ Ro
. . . . . . . .. . . . .. . . . . . . . . . .. . . .. .
Bene
ent
SCHOTTISCHES
.. .. ... ... .. .. .. ... ..
Military. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
YORKE
-
First Yorke Redowa.
DANCE
*
. . . . . . . . . . . . . . C'hee
I.ANCERs
Medley
Grand
. . . . . . . . . . . . . . . . . . . . . . Po
Lenox. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Po
Nanon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Po
QUADRILLES
Elks... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ben
. . . . . C
London Life. . . . . . . . . . . .
Tyndale
Harvest Time. . . . . . . . . . . .
. McKown
Joyous Companions . . . . . . . . . . . . . . . . Stiegler
298
--"
..
Berkeley Hall. . . . . . . . . . . . . . . . . . . . . . . . Ro
. . . . . . . . . . . . . . . . . . . . . . . . . . . Rollinson
On Time. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . agley
St. Botolph. . . . . . . . . . . . . . . . . . . . . . . . . Atherton
Thousand Heroes. . . . . . . . . . . . . . . . . . . Freeman
Clock.
GALOPs
.................... Waldmann
Little Fishermaiden.
As a collection of piano pieces that can be used as

dance music, or as solos for occasional playing, this
COLLECTION
book will deservedly take its place among the very
No. 2
Paper, $1.00
best of its class. The music is not difficult; it is of the
Boards, $1.25
melodious and inspiriting kind that is quickly learned.
Some of the most popular composers are represented in the selections. The
book is of sheet-music size, and contains one hundred and twenty-eight
pages of well-selected dance music, consisting of waltzes, marches, quad
rilles, fancy dances, bright, tuneful piano music.
POPULAR DANCE
ROYAL COLLECTION
DANCE MUSIC
-
Forty-six selections, tastefully arranged and
OF
adapted to the piano.

pages.
Paper, .50
The Royal Collection of Dance Music con

variety of well-chosen pieces, -waltzes, polkas, schottisches, mazur
tains a
kas, and other forms of dance music, none of which are very difficult, and
all making a fine collection of piano music. Each piece protected by Ameri
Among the contents may be mentioned
can copyright.
WALTZES
-
chiming Echoes
- - -- -- - - - - -- -- - - --
GALOPS
bri
Bonbright
Fairy.
Edelweiss Glide. . . . . . . . . . . . . . . . . Vanderbeck

Bonbright
Footprints in the Sand...
Baker
Lifes Happy Hour.
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May Festival.
Military.
.Jarvis
Baker
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Mountain Belle
Golden Wedding..
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Norra
MAZURKA
Rising Star
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Christie
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Sparkling Jewels.
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Merry Princess......
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SCHOTTTSQ-HES
POLKAS
Bud
Goode
REDOWA
Webster-
POLKA MAZURKA
Blue Bird.
PolkA REDOWA
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Bashful.....
Brandeis
Kinkel
QUADRILLE
MARCHES
Baker
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Good
Luck.
Baker
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Right About.
scarlet Runner...
BERLIN
Becht
Berlin Dance.
Becht
299
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American Line.
Mazeppa
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Bud
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wyman
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Lamb
STRAUSS
ALBUM
Paper, .75
A collection of music for the pianoforte, from th

repertoire of the Strauss Imperial Court Orchestra
the only authorized edition.

The captivating music rendered by the celebrated orchestra led b
Eduard Strauss, during a recent tour of the United States, will be found
this book. The collection consists of waltzes, polkas, galops, and mazurka
well arranged and carefully adapted to the requirements of the pianist. A
-
this is the only authorized edition, i.e., compiled and edited with the san
tion and co-operation of Eduard Strauss himself, those who admire th
spirited music of the Strauss family are assured of its correctness an
authenticity, and, in purchasing this book, piano players will have the sat
faction of securing many compositions the copyrights of which are the so
property of Oliver Ditson Company, and cannot be obtained in any oth
collection of similar kind.
WINNER'S
DANCE FOLIO
Paper, .50
containing music for the dance, and oth

selections, comprising marches for wedding
promenades, and schools; round and squa

dances, consisting of plain quadrilles, fancy quadrilles, lancer quadrilles
schottisches, gavottes, hornpipes, Danish dance, five-step waltz, cotillons
waltzes, varsouvienne, polka-waltzes, mazurkas, redowas, etc.; also th
German with figures, and many other fancy dances arranged
easy manner.
300
in
COLLECTIONS FOR
E G IN N E RS
A new edition of this famous work, including
in one volume the Album for the Young
(Album. /#r die /ugend ), Op. 68, and
Scenes from Childhood (A inderscenen '),
ALBUM FOR THE YOUNG

Robert Schumann
.50
Op.
OF MUSIC
BEGINNING
For
A collection of twenty-nine progressive piano
pieces, in the easier major and minor keys, care

fully fingered, and designed especially for the
the Piano
E. Mack
improvement of the youthful student.

.50
15.
Fifty-five
CONTENTS
Air par 1e roi Louis XIII (Amary

Belmont Polka.
Fairy Queen Polka.
Ferndale Rondo.
Five-finger Galop.
Five-finger March.
Five-finger Polka.
Five-finger Waltz.
Funeral March.
Good Evening Schottische.
Happy Rondo.
Holiday Waltz.
Home, Sweet Home.
Hungarian March.
Indian Dance.
ASY PIECES IN EASY KEYS

Vol. I
.50
Jessamine Waltz.
11 is).
Jo11y Brothers (Galop).
Lament, The.
Midnight Hours Waltz.
Mocking Bird, The.
Moonlight March.
No One to Love.
Oxen Waltz.
Playful Waltz.
Rochester Schottische.
Seaside Romance.
Spanish Dance.
Sunbeam Waltz.
Yankee Doodle.
A collection of forty-three easy piano solos

in easy keys, selected from the composi
tions of well-known composers.

Revised
ld fingered by L. E. Orth. Fifty-five pages, sheet-music size; two edi
ons; American or foreign fingering.
CONTENTS
rds of Springtime (Waltz),

M. M.
C. Reardon
Arr.
by E. Mack
acksmiths Song, The... G. N. Boardman

ild and the Star, The (Rondo),
3OI
Cradle Song. . . . . . . . . . . .... G. N. Boardman

Daisy Schottisch........
.... Ed. Mller
Dancing on the Green.. . G. N. Boardman
Dreaming in the Glen........ .... E. Mack:
Fairy Band Mazurka, The....... P. Latour
EASY PIECES IN EASY KEYS

First Violet.
... .. . ... .. ....
.. .. . .. .
Continued
F. Behr
Five-finger Rondo. . . . . . . . . . . . . . . . . E. Mack

Glistening Lights (Waltz)...... C'. Reed Lee
Going to the Races. . . . . . . . . . . . . . . C. V. Cloy
Happy Return March. . . . . . . . . . . . P. Latour
Harvest March....... . . . . . . . . . . . . . P. Latour
Indian Dance . . . . . . . . . . . . . . . . . . . . . P. Lacome
Lightning Flash Galop. . . . . . . Eduard Holst
Lily Polka. . . . . . . . . . . . . . . . . . . . . . . . Ed. Mller
Lily White (Waltz). . . . . . . . . . . . . . E. Mack
Little Birdies Dead March..... ... E. Mack
Little Bo-Peep Rondo. . . . . . . . . . . . . . . E. Mack
Little Fairy March............. L. Streabbog
a Mist (Serenade)... Geo. W. Major

Meadow Brook, The....... G. N. Boardman
Meadow Flowers (March)..... Louis Meyer
Love in
For
Vol.
the Piano.
II
.50
Poet and Peasant
Little Maiden (waltz)........ Eduard Hlst

Little Robin Hood's Barcarol le... P. Latour
EASY PIECES IN EASY KEYS
Meadow Flowers (Polka). . . . . . Loui

Merry Ocean Barcaro11e, The... P
Mist Waltz . . . . . . . . . . . . . . . . . . . . . E. Th
My Friend's Polka... . . . . . . . . . . . . . P
Myrtle. . . . . . . . . . . . * * * * * * * - - - - - - - - - - Nineteen Birds (Po1ka).... Arr. by
Petite Polka. . . . . . . . . . . . . . . . . . . Eduar
Pine Grove Waltz... . . . . . . . . . . . . . . . .
Pinkie March. . . . . . . . . . . . . . . . Geo. W
Waltz. ..........
Poppy Polka . . . . . . . . . . . . . . . . . Geo. W

Song of the Mill Wheel. . . . . . . . . . C.
Spanish
Serenade........ ..........
Starry Night, A (Recreation).... C.

Sunshine Waltz... . . . . . . . . . . . . . . Adam
Travelling Companions. . . . . . . . . C
Trip-Lighthy Waltz... . . . . . . . . G. W
great success of Volume I,

Pieces in Easy Keys, shows the
teacher's appreciation of such an
The
collection. Volume II is similar in character to Volume I, but the co

are entirely different.
The great variety of melodious pieces, car
edited and fingered, will please the player and satisfy the teacher.
CONTENTS.
C
ILittle Hero March............ Eduard Holst
Fernwood Polka. . . . . . . . . . . . . . Pierre Latour
Spanish Dance. . . . . . . . . . - - - - - - - - Franz Behr
Boat Song.
Golden Stars Waltz. . . . . ...... L. St

Golden Rod Polka. . . . . . . . . . . . . Juliu
Five-finger March....
A MINOR
. . . . . . . . . . . . . . . . . . . . . . . . H. Lichner
| A Quaint Old Story
. . . . .- * * * * * * * * *
. .. .. . . .. .
.... F.
Little Romance. . . . . . . . . . . . . . . . . Louis Meyer

Star Schottische.............. Pierre Latour
Butterfly Ga11op...
Golden Spurs.
.. ... .. .. . .
Pierre Latour
|
|
|
Petite Valse. . . . . . . . . . . . . . . . ... Eduar

Midgets Wedding March, W. P. F
Sparkling Dew Polka. . . . . . . . Pierre
E MINOR
. ... ....
........................... ...........
* * * * * * * * ** * * * * * * . . . . .
H.
D
Spring Morning.............. ... Franz
Queen of the Flowers Polka,
Nellie's Party
Alastian Dance. . . . . . . . . . . . ........ F

There was a Crooked Man.........
Easter Eggs
March. . . . . . . . . . . . Loui
-
Behr
Charles LeBbure. Irely

Meyer
waltz........... Louis
302
-For the Piano.
IIContinued
Vol.
| ||||
EASY PIECES IN EASY KEYS.
---
A
Bachelor-buttons
Galop,
George W.
Major
Springtime......
".
.Julius
Becht
... Louis
Meyer
.. .. .. . .. .. ..
F
... Eduard Holst
The Stately Minuet.......

Little Beauty Waltz... . . . . . . . J. V. Allstrom
The Book of Gold Waltz. . . . . . L. Streabbog
Forget-Me-Not...
. .. .. .. .. . ... ... .
The Bob-o-Link Polka.
My First Redowa.
Flora's Waltz.
. .. ..
. . ... ... . .. .
D MINOR
H. Lichner | Meadow Flowers.
Louis Dorn
. M. P. Alexander
. . . . . *... . . . . . . . .
. .
Louis Meyer
. .. . .. . .. ..
Bp
Always Lovely Waltz. . . . .

E. Mack
Fauntleroy March........... Charles Hatton
.
.
.
.".
.
.
.
G MINOR
Wake, Dearest, Wake (Serenade),
H. Maylath
Pietro Lanciani
P.
|*|-
Mack:
---||
.
.
.
.
.
.
.
.
.
.
.
.
.
Little Doggy.
MINOR
||
-.
Cloth, gilt, $2.00
|
..
.
-s
CONTENTS
Polka.
3O3
|
*
2.
--|
Rose Queen
Scarlet Runner March.

Sensation Waltz.
Sunflower Quickstep.
Skylark Waltz.
Tiger Lily Waltz.
Wedding Bells Polka.
White Rose Polka.
May Rose Galop.

Morning-glory Mazurka.
Nightingale Schottisch.
Nosegay Waltz.
Peacock Mazurka.
Redbird Waltz.
Robin Redbreast Polka.
Rock Rose Poka.
Rosebud Quickstep.
Rosebud Schottisch.
Autumn Redowa.
Bella's Delight Waltz.
Belle of the Season Waltz.
Bluebird Schottisch.
Bobolink Schottisch.
Canary Schottisch.
Chaffinch Mazurka.
China Rose Schottisch.
Chrysanthemum March.
Dahlia Schottisch.
Damask Rose Schottisch.
Forget-Me-Not Waltz.
Friendship's Offering Polka.
Golden Rod Polka.
Goldfinch Mazurka.
Honeysuckle Waltz.
Japan Rose Polka.
Loves Chidings Polka.
Boards, $1.00
and Arranged by
Julius Becht
s:
of
Easy Piano Pieces
-->ompiled
of
FAIRY FINGERS
music carefully fingered for

beginner.
variety
schottisches, polkas,
the
waltzes, mazurkas, etc.
One hundred and ten
pieces
Thirty-six
*...*
->
|--|--
Burgmller
-||----
F.
.
.
.
Ballade.
Had
.
.
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.
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Meadow Flowers Redowa.....
Ep
Louis Meyer
.
.
.
.
.
.
.
.
.
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.
.
.
Tarantelle.
.
.
.
.
.
.
.
.
Staccato Minuet. . . . . . . . . . . . Pietro Lanciani

Betty's Waltz........... ... ... Pierre Latour
FIRST STEPS OF THE YOUNG PLANIST

(Die
A new edition of this sta

work, which consists of very
practice-pieces for beginners
ersten Schritte des jungen Clarierspielers)
Op.
82
Cornelius Gurlitt
Two volumes, each, paper, .75
FOUR CHARACTER
SKETCHES
F.
In
L. E. Orth
.60
The following four numbers contained in thi

all in the key of F and all Grade III, are
usual happy, melodious vein of this composer's
positions for children.
Each number can al
separately,
obtained
in sheet-music form, 30 cen
ume,
No.
No.
1.
2.
On the Deck.
On the Heather.
I
No.
No.
3.
4.
"Mid the Shamrock.

In the Cotton.
A new edition, comprising a collection of forty p

including twenty-one of Charles Kinkels most po
Paper, $1.00
compositions.
The music is suitable for those
have had from eighteen months to two years' practice. Just the bo
amateurs; and teachers will find
useful,
contains many delig
recreation pieces. One hundred and seventy-four pages, sheet-m
Love (Morceau de Salon).

Cinnamon Rose Polka.
Congenial Hearts (Polka de Salon).

Fantasie from Oberon.
Father's
Sea (Po1ka Brillante).
Floating Breezes (Valse Sentimentale).
First Smile (Mazurka de Salon).
Golden Chimes (Mazurka).
Golden Chimes (Polka Brillante).
of
of
Thirty-five easy pieces for the pianoforte, Grad

II, and III, consisting
marches, waltzes, q
steps, galops, schottisches, polkas, etc.
3O4
Paper, .75
Boards, $1.00
Cloth, $1.25
Heavenly Thoughts.
Infinite Joy (Religious Meditation
Lottas Favorite Waltz.
Perle de L'Amrique (Valse Brilla
Sweet Memories of the Past.
The Last Rose
Summer (Variatio
Strawberries and Cream March.
Twilight Serenade (Romance).
Whispering Angels (Reverie).
"
GOLDEN THOUGHTS
Otto Ikeler
the contents:
of
An Errand
in
The following are included
size.
it
as
CHIMES
it
GOLDEN
at
OPUs
GURLITT'S ALBUM LEAVES
This well-known musician, although the com

poser of numerous successful operas and other
large works, is perhaps better known for his
instructive and attractive piano pieces for chil
dren and beginners, in the writing of which
of melody with sound musical and pedagogic
FOR THE YOUNG

Cornelius Gurlitt
.50
he combined a happy gift

learning and experience. This popular work, Albumblatter fr die Jugend,
contains twenty characteristic numbers, arranged in progressive order.
KHLER'S CHILDREN's
ALBUM
(Kinder Album)
Louis Khler
Two volumes,
each, .75
KHLER'S SONATINA
ALBUM
These two volumes, each containing thirty easy

and attractive pieces, are extensively used by
teachers for pupils just beginning the study of
piano playing.
Edited by
Louis Khler
Paper, .75
This volume contains sonatinas by Kuhlau, Cle

menti, Haydn,
Mozart,
Beethoven,
and Dussek,
and rondos and other pieces by Bach, Haydn,
Mozart, Beethoven, Schubert, Weber, and Men
delssohn.
Excellent for young players.
a collection of fifty-two easy

by Sep. Winner, J. Harmistoun, and others,
suitable for young players who have had from four to
twelve months practice. The collection includes several cotillons, with
figures over the music. One hundred and eighty-two pages, sheet-music
size.
MAGIC
CIRCLE
Paper, $1.00
A new edition comprising

pieces,
Among the contents may be mentioned:
Beaming Eyes Waltz. . . . . . . . J. Harmistoun

La Belle Marie Mazurka. . . . . . . L. Grannis
Blooming Meadow Polka. . . . . . . . C. V. Cloy
Cecile Polka Mazurka. . . . . . . . . . C. T. Frey
MOTHER GOOSE SONGS

WITHOUT WORDS
L. E. Orth
Paper, $1.25
Boards, $1.50
Heavenward (Pense Religieuse)...G. Wilbre

La Parisienne . . . . . . . . . . . . . . . . . . J. Pinguely
Srnade Marie (Pense Romantique),
C. Kinkel
A book of seventy easy compositions for the
pianoforte.
In her Foreword, the composer says:

While a playful melody finds quick response
in the child-mind,
the notes that symbolize

altogether
arbitrary,
it seem
and are a great
bugbear to the little ones.
In teaching my own and other children piano-playing, I have found it
a great help to give with a melody some familiar words in the same rhythm.
305
*
MOTHER GOOSE SONGS WITHOUT WORDS
Continued
No
words are so dear to the child as the nursery rhymes. As vers

of Mother Goose vary, I have set down the words, the rhythm of which
music follows exactly. This identity of rhythm, as well as similarity of sp
will help beginners in music, find response in the home circle, and be o
in the kindergarten, where the words can be repeated aloud while the m
goes On.
What happier
way to awaken the musical instinct than to assoc

with the nursery rhyme a little melody that expresses the spirit of
Twenty-four First Grade Pieces, without

Op. 18
L. E. Orth
$1.00
twelve numbers are for two hands, and in the treble clef only. The
ceeding twelve numbers are duets, using both treble and bass clefs, the
parts being of equal difficulty.
The melodies of the latter are identical
pupil
pieces;
therefore, pass directly, with a compani
may,
the solo
the
ON THE WHITE KEYS
from the two-hand piece to its four-hand mate, a transition sure to quic
Recognition of the great valu
the pupils interest and intelligence.
early four-hand playing is characteristic of the most modern method
teaching. The numerals in every fourth measure in Part
will enable
players, when interrupted, to find at once their respective places with
being compelled to count the measures or begin again. The little ca
phrases at the beginning of each number will help the pupil to more qui
feel the spirit and rhythmic swing of the music.
The progressive scheme of the work is indicated as follows: 1. Wh
Notes. 2. Half-Notes in Right Hand with Whole-Notes in Left. 3. H
Notes in Both Hands. 4. Half- and Quarter-Notes and Quarter-Rests.
Dotted Half-Notes.
6. Eighth-Notes.
8. Do
Eighth-Notes.
Phrasing.
Expression.
Io.
II.
Rhythm.
Steadiness
beginners, proper fingering
To meet the needs
indicated for e
phrasing
carefully
recognit
note
the volume. The
has been
marked
learning
play the simplest piece musica
the great importance
i.e., with due regard
proper accent, character
touch, quality
t
expressional
pianoforte
play
and musical articulation
the
elements
in
of
of
to
in
to
of
in
is
of
of
II
of
rhyme itself in all its childlikeness?

To do this, and to bring to the hearts of the children, little and
musical cheer and gladness, is the aim of this little work.
306
YOUNG PEOPLE'S CLASSICS

Vol. I
Paper, $1.00
Boards, $1.25
Fifty-one compositions of moderate diffi

culty selected from the works of thirty-five
composers. One hundred and twenty-eight
pages, sheet-music size. Among the con
tents may be mentioned
Beethoven, L. Van.
Beethoven, L. Van.
Heller, S.
Khler, L.
Khler, L.
Sonatina (in G).

Sonatina (in F).
Lange, Gustav.
Leduc, A.
Lichner, H.
|
|
|
naise.
Lichner, H.
Mignonette.
The Little Soldier.
Loeschhorn, A.
Lw,
Petite Tarentelle.
Styrienne.
Gondolier's Song.
Scherzo.
Heather Rose.
La Amthyste.
Family Party Polo-
Kullak, Th.
YOUNG PEOPLE'S
Vol. II
CLASSICS
Paper, $1.00
Boards, $1.25
Blumenthal, J.
Burgmller, F.
Foerster, A.
Giese, Th.
Gounod, C.
J.
Mendelssohn.
Oesten, T.
Oesten, T.
Perabo, Ernst.
Popp, W.
Reinecke, Carl.
Reinecke, Carl.
Schumann, Robert.
Schumann, Robert.
Good-Night.
Mill Wheel.
The Sisters.
Doll's Dream.
A Little Story.
Playing Soldier.
Cuckoos Song.
Gavotte.
Grandmother's Story.
Little Hunting Song.
Wild Rider.
Forty-eight compositions selected from the

works of twenty-six composers.
One hun
twenty-eight
pages,
dred and
sheet-music
size. Among the contents may be men
tioned :
Krug, D.
Rondo Mignon.
B1uette.
Baumfelder, F.
Behr, F.
Behr, F.
Gurlitt, C.
Gurlitt, C.
Gurlitt, C.
Gurlitt, C.
Jullig, F.
Rhler, L.
Loeschhorn, A.
Lange, G.
Lichner, H.
Loeschhorn, A.
Merkel, G.
Wonnig Maienzeit.
Valse Gracieuse.
Rondo alla Turca.
Abendfrieden.
Immer Gemuthlich.
Pipers (Les Pifferari).
Jadstuck.
Loss.
Slumber Song.
Verlust.
Cradle Song.
Parade March.
Rondo de Valse.
Schelmerei.
Favorite Rondo in F.
Tarantelle.
Frohlicher Jagers
in a 1111.
Reinecke, C.
Schumann, R.
Schumann, R.
Schumann, R.
Smith, S.
Menuetto.
Cradle Song.
Rondo Song.
Streabbog, L.
March Militaire.
Wiegenliedchen.
Lady Betty (Old Eng
1ish Dance).
dance pieces, suitable for play

ers who have had from nine to fifteen months prac
tice. The music is easy, and composed by favorite
writers, such as Kinkel, Mack, Dressler, Geibel, Cloy, Becht, and others.
One hundred and eighty-four pages, sheet-music size. Among the contents
may be mentioned:
La Belle Hlne Polka. . . . . . . . . . L. Grannis | Fleur de Th Galop. ...... William Dressler
Happy Birds Waltz........... Eduard Holst
christmas Gifts (Valse Joyeuse) (6 hands),
C. Kinkel
Grande Duchesse (Selection)..... Offenbach
YOUNG
PIANIST
Paper, $1.00
A collection of favorite
307
Fifty-one pieces selected from
YOUNG PLAYERS' POPULAR

COLLECTION
size.
the co
positions of twenty-seven composers.
good variety of easy pieces for the pian
Paper, $1.00
Boards, $1.25
including ten four-hand pieces. One hu
Cloth, gilt, $2.00
dred and forty-three pages, sheet-mus
Among the contents may be mentioned :
Ballad (4 hands).
Ballet Sylvia
Op.
Dodelinette (Lullaby)
218,
No.
6,
Josef Lw
Waltz..............
Arr.
(4
by Le Baron
hands),
Charles F. Gounod
Grace (La Gracieuse) (Waltz) (4 hands).
Op. 207. . . . . . . . . . . . . . . . . . . . . . . . Carl Bohm
Happy Birdling Waltz (4 hands). Op.
139. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D. Krug
Il Trovatore (4 hands)...... Giuseppe Verdi
Arr. by J. Bellak
Rigoletto,
La Donna E Mobile
Giuseppe Verdi (Arr. by F. Berger)
Le Petit Carnaval Polka (4 hands),
L.
Streabbog
L.
Streabbog
Le Petit Carnaval (Waltz) (4 hands),
Little Wanderer, The (Der Kleine Wan

dersmann). Op.
No. 12.... C. Gurlitt

M'Appari Tutti Amor (Martha), Flotow
Arr. by F. Berger
101,
March from Norma ".
Dlibes
.. . . .
Vincent Bell
Arr.
F.
by
Merriment Waltz (La Rieuse), G.

Merry War (Waltz)..............
Arr.
Berg
Bachma
Strau
J.
by Le Bar
Morning-glory March. . . . . . . . . .M. Giovan
Old Soldier, The. Op. 20... . . . . .Maac Frit
On Horseback. . . . . . . . . . . . . . . . . . . Maac Frit
Pizzicati. From Ballet Sylvia, by

Lo Dlibes............ Arr. by Le Bar
Rataplan (La Figlia). . . . . . . . . . . G. Donize
Arr. by F. Berg
Redowa (4 hands)................ Wm. Inc

Secret Love Waltz.......... Jas. J. Freema
Soldier's March. Op. 243, No. 10,
Springs Coming.
Op.
Gustav
243,
No.
Lan
5,
Gustav
Lan
Waltz of Camelias (Camelien-Walzer).

Op. 576, No. 15. . . . . . . . . . . . . . . . . . . . F. Be
FOUR HANDS
STUDIES AND EXERCISES
BERENS,
HERMANN
Five-finger Exercises (Op. 62).
books.
do.
Each . . . . .
Complete .
Foreign
fingering.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . .
..
.. . . . . . . .
... .
Three
.
. . ... .
. . . . . . .
.... .
I.OO
CZERNY,
CARL
Practical Time Lessons. (Op. 824).
books.
Each
. . . . . . . . . .
...
. . . . . .
Practical Time Lessons (Op. 824).

plete
Foreign
.
fingering.
. . . . . . . . . . . .
Two
... . .. .. . . . .. ..
Foreign fingering.
.4O
Com
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ~*
)IABELLI, ANTON
Twenty-eight Melodiotis Exercises (Op. 149).

ing.
Complete.
Paper.
. .... . . .
. . . . . . . . . .
Foreign finger
. .
.. . ..... . . .
c o
.5C
MOSCHELES, IGNAZ
Daily Rhythmical Scale Studies (Op. 107). Revised by Joseph

A. Hills. Books I and II. Each . . . . . . . . . . . . . . . . . . . . . . . . - - -
309
3.OO
ALBUMS
BOHM,
CARL
Birthday Music
Four delightful pianoforte duets, making in all thir
seven pages, sheet-music size, are bound together

this book. The music is of medium grade of difficu
(some of the pieces, perhaps, a trifle more difficu
and secondo parts are about equal in difficulty.
Paper, $1.00
The primo
BRAHMS, JOHANNES
Hungarian Dances
$2.00
GURLITT,
Numbers 1 to 10, inclusive, of these well-know

and popular compositions, arranged for four han
in one volume.
CORNELIUS
Thirty Duets for the Piano

Paper, .75
A collection of twenty-eight piano duets, w
out octaves, for two equal performers, arrang

in progressive order, edited and fully finger
by Heinrich Kiehl.
CONTENTS
Dancing Lesson (In der Tanzstunde).

Daring Boy, The (Der Kecke Knabe).
Evening Hymn (Abendgebet).
Evening Song (Abendliedchen).
Galop.
Gentle Girl, The (Das Zarte Mdchen).
Glad Beginning (Zum frhlichen Anfang).
Good Morning (Morgengruss).
Happy Ending (Zum frhlichen Ende).
Hurrying to School.
Impatience.
Lonely Cinderella.
Lullaby.
Merry Folks (Lustige
Gesellschaft).
Morning Light, The (Das Morgenlicht).

On the Lake (Auf Dem See).
Prayer.
Regret.
|
Romance (Romanze).
Sailor's Song (Matrosenlied).
Slumber Song (Schlummerlied).
Stranger, The (Fremder Mann).
Sunday Morning.
Tarantella.
Three Little Duets in C.
vacation is over.
Viennese Waltz (Wiener Walzer).
Wee Cradle Song, A (Ein Wiegenliedlein).
LW, JOSEF
Tone Pictures for Four Hands
Op. 191. Books I and II combined
Postpaid,
on five
$1.00
A collection of twenty-three delight
ful characteristic compositions for the

piano, four hands, by Josef Lw. Writ
ten for teacher and pupil. Primo part
keys, with special regard to rhythm.

CONTENTs
Little Prelude.
Little Slumber Song.
Alone in the Woods.

Blacksmith Song.
Cheerful and Contented.
Cuckoo, Cuckoo.
Morning Sounds.
On Flowery Meadow.
Polka.
Pretty Secret, A.
Quail Call.
Ready for Work.
Roundelay.
Sudden Resolution.
Waltz.
Dance on the Green.

Earnest Day, An.
Foresters Song.
Gathering Roses.
Gipsy Life.
Good Natured.
In a Gondola.
Little Hans Out of Doors.
LW, JOSEF
Practical Course
in Four-hand Playing
This practical course in piano-duet playing has

become a standard work for teacher and pupil.
Part I begins with very easy pieces, and con
parts,
each,
tinues
the series of studies and recreations until
In two
.75
the second grade is reached.
Part II begins
with pieces of the third grade, and carries the pupil up to the more difficult
selections. Each part or book is progressive, every piece has the proper
fingering indicated. The contents of the course are very pleasing, being
really a collection of delightful pianoforte recreations arranged as duets.
The pupil plays the primo or melodious part, while the teacher plays the
secondo or accompaniment
Two pupils, one a little more advanced than
the other, may also use the books to good advantage.
MOSZKOWSKI
Spanish
Dances
Pianoforte Duets
$1.00
The admired and charming Spanish dances by the

famous composer Moszkowski are arranged in this
book-collection as four-hand pieces for the piano.
3II
Twenty-four First Grade Pieces,

L. E. ORTH
Op. 18
without a

On the White Keys
$1.00
twelve numbers are for two hands, and in the treble clef only. The succ
ing twelve numbers are duets, using both treble and bass clefs, the two p
being of equal difficulty. The melodies of the latter are identical with
solo pieces; the pupil may, therefore, pass directly, with a companion, f
the two-hand piece to its four-hand mate, a transition sure to quicken

pupils interest and intelligence. Recognition of the great value of e
four-hand playing is characteristic of the 1nost modern methods of teachi
The numerals in every fourth measure in Part
will enable the playe
when interrupted, to find at once their respective places without being c
pelled to count the measures or begin again. The little catch-phrases at

beginning of each number will help the pupil to more quickly feel the sp
and rhythmic swing of the music.
The progressive scheme of the work is indicated as follows: 1. Wh
Half-Notes in Right Hand with Whole-Notes in Left. 3. H

Notes in Both Hands. 4. Half- and Quarter-Notes and Quarter-Rests.
Dotted Half-Notes. 6. Eighth-Notes.
8. Dot
Eighth-Notes.
Io. Phrasing.
II. Expression.
Rhythm.
Steadiness
beginners, proper fingering
To meet the needs
indicated for ev
recognit
note
the volume. The phrasing has been carefully marked
great
importance
learning
play
simplest
piece
musica
the
the
i.e., with due regard
proper accent, character
touch, quality
to
pianoforte playi
and musical articulation
the expressional elements
2.
in
of
of
to
to
of
in
in
is
of
of
Notes.
of
II
512
GENERAL COLLECTIONS
Each containing the compositions of many
different composers.
nineteen four-hand piano com

positions, selected from the works of celebrated
composers.
A collection of
CLASSIC
FOUR-HAND COLLECTION
Postpaid, $1.00
CONTENTS
Minstrel's Serenade..... . . . . . . . . . . Jos. Lw
Polish Dance. . . . . . . . . . . . . .Waver Scharwenkat
Benjamin Godard
Canzonetta.
Charge of the Uhlans. . . . . . . . . . . . Carl Bohm
Dance Queen (Polonaise)........ Carl Bohm
Dragon Fighter (Polonaise). . . . . B. Hoffman
Hungarian Dance, No. 3...Johannes Brahms
Intermezzo et Valse, from Sylvia,
. . . . . .. . ---- -- -
Lo Dlibes (Arr.
Lohengrin March. . . . . . . . .
Serenade, Op.
Lion
Wagner
do.
do.
do.
Arr. by Fr. Brissler

de Ba1 (Echoes of the Ba11),
Ernest Gillet (Arr. by Leon Keach)
Marche Clbre...
... . . .. . ... ...
Arr.
Sylphes Valse.
Fr. Lachner
van Beethoven
First Movement,
Anton Krause
1.. Moritz Moszkowski
No. 2.
No. 4. .
do.
do.
. . . . . . . . . . . G. Bachmann
Arr. by Leopold Kessler
No.
. ....
do.
5.
A collection of forty-two popular piano duets
selected from the works of more than thirty.

different composers; sheet-music size.
.60
CONTENTS
A Rainy Day Reverie.
.. ... . . .. ..
Westendorf
Berceuse. . . . . . . . . . . . . . . . . . . . . . . . . . D'Ourville
Bluebird Galop ........................ Mack
Bounding Ba11 Polka. . . . . . . . . . . . Westendorf
Charge of the Amazons. . . . . . . . . . . Spindler
Children's Party Rondino. . . . . . . . . . Maylath
Crystal Schottische. . . . . . . . . . . . . . . . . . Latour
Fanfare Rondo Militaire. . . . . . . . . . . . . Bohm
Galop Brillante........... . . . . . . . . Sponholtz
Gen. Boulanger's March. . . . . . . . . . . Desorms
Golden Ringlet Waltz. . . . . . . . . . . . . . . Latour
Gondoliers . . . . . . . . . . . . . . . . . . . . . . . . . . Sullivan
Grand Valse Brillante (A2). . . . . . . . Schulboff
In the Smithy..................... D'Ourville
Jolly Brothers Galop.... . . . . . . . . . . . . . Budik
Jumping Jack March. . . . . . . . . . . Westendorf
La Baladine. . . . . . . . . . . . . . . . . . . . . . . . . . Lysberg
La
by Hermann
Witches Frolic (Caprice)....... Franz Behr
by Ch. Wachtmann
FOLIO OF PIANO DUETS

.50
Postpaid,
6.
Spanish Dances, No.
by Renaud de Vilbac)
... . .... . .
Arr.
Polonaise, Op. 42..... Ludwig
Chtelaine........................
I.es Coursiers Galop. . . . . . . . . . . . . . Gobbaerts

Maid of Beauty Waltz. . . . . . . . . . . . . . . Latour
Mia Bella Waltz...................... Roeder

Mignon Gavotte . . . . . . . . . . . . . . . . . . . . . Thomas "
Over the Waves Waltz. . . . . . . . . . . . . . . . Rosas
Polonaise.............................
|
|
Sonate.
|
|
Le Duc
Largo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hndel
Le Mardi Gras Aux Enfers Quadril1e,
Schubert
Petit Carnaval Polka. . . . . . . . . . Streabbog

Le Petit Carnaval Schottische... Streabbog
Le
3I3
Lichner
Postillon d'Amour...................... Behr

Proud Little Soldier March. . . . . . . . Maylath
Queen of My Heart Gavotte. . . . . . . . .Maylath
Return of the Spring Polka. . . . . . . Moelling
Silvery Waves. . . . . . . . . . . . . . . . . . . . . . . Wyman
Op. 6...
.. . . ... . .. .. . ... .. .
Beethoven
Tarantelle (Ab). Op. 85. . . . . . . . . . . . . . . Heller

Trot du Cavalier. . . . . . . . . . . . . . . . . . . . Spindler
Village Fair Styrienne. . . . . . . . . . . . . .Maylath
Waltz. Op. 63. . . . . . . . . . . . . . . . . . . . . Jolkmann
Waltz Medley (introducing Little
Annie Rooney and Little Fisher
Maiden). . . . . . . . . . . . . . . . . . . . . . . . . Cramer
Wandering Jew Valse.......... Burgmller
Waves of the Ocean Galop. . . . . . . . . . . . Blake
Whippoorwill Waltz... . . . . . . . . . . . . . Rinkel
A collection of thirty-six choice pieces arra

for two performers on one piano. The
cannot fail to please, as its contents are v
FOUR-HAND TREASURE
Boards, $2.00
enough to suit all tastes, and the pieces are not too difficult for ord
players, many of them being easy enough for young learners.
The bo
substantially bound, clearly printed, of convenient size, and very attra
both in makeup and contents. Two hundred and fifty pages, sheet-m
size. It contains such gems as the following:
Jolly Youth Galop.
Ballad. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Josef Lw
Bride's Song. . . . . . . . . . . . . . . . . . . . . Adolf Jensen
Chop Waltz... . . . . . . . . . . . . . . . . . . . . . . .... Lulli
Chick Waltz... . . . . . . . . . . . . . . . . . . . . . . E. Mack
Chinese Serenade....
... H. Fliege
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Loesc
.M. Moszk
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------. *A.
Sparkling Jewels Polka.

E. C
Trout Polka.......................... J
Turtle Dove Polka.................. F
Under the Linden.
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Repose.
Serenade
R.
Polk
Carpenters Song (Hobellied),

Conradin Kreutzer
Chansonnette (Liedchen)...... Carl Reinecke
Congratulation March (Der Gratulant),
.
.
.
.
.
.
.
.
.
(Tyrolienne)...
...A. Kchenme
Peasant Song.
Heinrich Woh
Remembrance (Erinnerung)... Franz
Silent Night, Holy Night (Stille Nach

heilige Nacht)(Christmas Song) (Ge
man Folk-song).
Silent Wishes (Stille Wnsche)... Paul
Song of the Shepherdess (Wer hat d
schnsten Schfchen)....... Carl Rein
Spring Greeting (Frhlingsgruss),
Franz
Through Field and Forest (Durch Fel
A. Kchenmeister
Dance
the Toys (Po1ka)..... Franz Behr
Evening Song (Abendliedchen)....
Gurlitt
First Rose, The (Die erste Rose),
A. Kchenmeister
Friendly Shelter (Freundliche Herberge),
Moritz Vogel
Good Night (Gute Nacht)........ Paul Hiller
C.
Hongroise...............
H. Enke
Lorelei, The (Die Loreley) (German

Folk-song).
Lovely Minka (Schne Minka) (Russian
Folk-song).
in
of
HANDS.
of
fifty-eight first and second g

collection
$1.00
piano duets, without octaves, for equal play
many well-kn
selected from the works
-composers, arranged
progressive order, edited and fingered by Hein
Kiehl. Among the contents may be mentioned
Aubade (Serenade)............ G. Bachmann
On the Mountains (Auf den Berge
FOUR
of
LITTLE
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Keler Bela
C. JPels
Corricolo Galop.
Loeschhorn
Danse Hongroise.
Devil's Call Galop.
.4. M. Schnact
Dodelinette
... C. Gounod
--- --Fanfani March.
Von Supp
Fanfare Militaire...
C. Bohm
Fatinitza March.....
Von Supp
First Kiss Waltz.............
G. Lamothe
Happy Birdling Waltz....
... D. Krug
Imperial Guards March........
Egghard
.
.
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.
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.
.
Overture......
...
Comedy
R. H. Cl
King's Hussars March.
R. L
March aux Flambeaux.
My Queen Waltzes.
C
Old Folks at Home.
.A. E. J
Orange Blossom...........
M. A
-----Oxen Waltz (Mozart
E
Patineurs Waltzes.
C
Pizzicati
Lo
Puck Polka
F
und
Wald)...................
.Moritz
To the Guitar (Zur Guitarre), Carl

Welcome March (Willkommen),
A.
3I4
Rein
Kchenme
Four-hand pieces for two performers on one piano.

A book of the greatest value to teachers and pupils;
the former do not need to be told of the excellent
Two hundred and fifty pages,
effect on time of practice with four hands.
sheet-music size. The following are among the numbers to be found in its
pages:
PIANO AT HOME
Boards, $2.00
There
POPULAR
FOUR-HAND COLLECTION
...
great beauty.
afforded
more delightful recreation

the vast and varied realm
musi
not
of
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
And about fifty other duets
Galop.
Rudik
by
3
a
Generated for student (University
of British Columbia)
on 2015-09-27 19:22 GMT / http://hdl.handle.net/2027/iau.31858047149863
Desiderio. . . . . . . . . . . . . . . . . . .
Jo11y Brothers
Boscovitz
Bellak
Cramer
. ..
.. .. . ... .. ..
...
Il
. . .. .. .. .
on the Piano.
is
First Steps
of
Fanfare des Dragons.
B1uebird Polka Redowa. . .

. Weingarten
Fairy Wedding Waltz.............. Turner
Lucia di Lammermoor. . . . . . . . . . . . Brummer

. ... Viereck
March in Norma. . . . . . .
March of Men of Harlech. . . . . . . . . Richards
Monastery Bells....... - - - - - - - - - - - - - - - - - Wly
Overture, Poet and Peasant. . . . . . . . . . Supp
Shepherd Boy..... - - - - - - - - - - - - - - - - - - - Wilson
Signal March. . . . . . . . . . . . . . . . . . . . . . . . . A leber
Mendelssohn
Wedding March
- - - Faust
Wildfang Galop.
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Air du Roi Louis XIII. . . . . . . . . . . Jungmann

Alpine Bells. . . . . . . . . . . . . . . . . . . . . . . . . . Oestem
Birthday Ba11 Waltz... . . . . . . . . . . . . . . . Iucho
to
of
to
of
of
of
of
if
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... Baumfelder
Lebach
Premire Saltare 11a.
Bela
St. Quentin Marsch..............
Meyer)
Swing Song..... Fontaine (Arr. by
Oesten
Tower Keepers Daughter....
....Jungmann
Will-o'-the-Wisp.........
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L.
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|
|
3I5
Ludovic
Ludovic
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Saint-Sans
Impriale..............
olden Star Galop.

Goerdeler
Impriale Gavotte.............. Saint-Sans
in the Valley (Polka Franaise)..... Pehel
Loves Dreamland Waltzes.......... Roeder
Gavotte
Peasant Dance.
Fleurs dOranges (Valse Brillante), Ludovic
Pearls and Lace Valse.
*
*
*
*
*
*
.
Jungmann
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Firefly...
Merry Princess Polka................ Baker

Orange Blossoms (Valse Brillante),
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Grieg
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Dance...
nitras
31ickety Click March. ............... Baker

Baker
Danse Ecossaise...............
Jakobowski
Erminie Gavotte...
mentioned:
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.
5e
of
cal composition than that

duet playing.
With this book
excellent pianoforte duets,
enjoy good
two performers are enabled
music, each contributing
gratification
the other's
and amusement.
Among the pages
carefully
compiled
this
book many excellent com
posers are represented, the names
Grieg, Ludovic, Leybach, Saint-Sans,
being
and Goerdeler
sufficient evidence
the artistic merit
the music,
Among the contents may
>ven
there were no other authors represented.
Paper, $1.00
Boards, $1.25
OF
ROYAL COLLECTION
MUSIC
For the Piano

.50
CONTENTS
Galop......................
Sheep.............
Rose Schottisch...
||
..
Waltz.................
March..........-
....Supp
.....Supp
.
.
.
Boccaccio
Boccaccio
Cinnamon
Clear the
...
Black Hawk Waltz............... ...

Blooming Meadow Polka--------. ... Cloy
Kinkel
.
.
.
.
.
.
.
.
...
Track Galop........... ...strauss

Congenial Hearts Mazurka.......--- Kinkel
Fairy Wedding Waltz............. Russell
... Kinkel
Floating Breezes Waltz...
Mazurka...........
March Violets.........................
Pac
Fa
Mermaid's Song from Oberon...
Kin
Mocking Bird Quickstep........... Dela

Musical Echoes (Pense Mlodique)...
Home (Transcription),
Old Folks
orange Blossom...................... W
Pizzicato Polka..... ................ Stra
Pizzicati (Sylvia Ba11et).......... D
Praise of Women Polka Mazurka. Stra
Rve Anglique (Fantaisie Marche),
Al
See-Saw, Margery
..
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Daw............
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Seraphine Waltz...
Shepherd Boy.
Shower of Roses
L.
.......... Lam
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|
|
of
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Fragrant Heather Polka.............. Cloy

.Allard
Good Humor March...........
Watson
Happy New Year March........
Jolly Brothers Galop................. Budik
Jolly Sisters Galop........ ...... ... Zikoff
Le Petit Carnaval Polka.......... Streabbog
Lily the Valley March............ Kinkel
L. W. T.
Little Jack Horner...
Love's Chidings
War
Baa, Baa, Black
. . . . Aikoff I
L. W. T. |
Walsh
Attack
at
Postpaid, .60
FOUR-HAND
A collection of thirty-six popular four-han

compositions selected from the works of abo
twenty-five composers; sheet-music size.
Schottisch.........
JW
Sparkling Jewels Polka........... Chr

Visions of Paradise Mazurka....... Pa
316
PIPE ORGAN
...
Treatises on the Organ................................................... page 320

page 321
Collections of Pipe Organ Music.........
Organ...................................................
page
Reed or Cabinet
327
$3.00
the pipe
reed organ who desire
become thorough organists.
in
of
Fifteen
G.
FISCHER,
M.
of
to
of
of
in
of
It
of
harmony
inculcates the principles
from the beginning
musical instruction,
connection with an advanced
and progressive system
manual practice, giving the most correct exam
ples for imitation, with the view
cultivating the faculty for improvisation,
composing
and forms practical guide
the art
the organ and church
style
musical composition.
Fifteen Selections for the Organ

Selected
and Arranged by
N. H. Allen
the works
of
for the use of students.

Students will
find in this collection such studies as
prepare the way
are best calculated
to
$1.60
selections from
M. G. Fischer for the organ. Arranged
to
of
for the most difficult organ music and for the works
Bach.
Michael Gotthardt Fischer was one of the most remarkable German
organists. His compositions are not limited
the organ alone, but extend
over
wide field, including several symphonies, quartets, sonatas for the
to
piano, and many smaller works. These fifteen selections are made from his
Op. and Io, and are highly recommended
students.
9
$1.00
Paper, complete, $1.25
in
in in
in
in
of
Consisting
exercises,
true organ style,
two
parts
whole, half, and quarter notes;
three
parts
quarter, eighth, and sixteenth notes with
slurs. The second division contains exercises in
pedal playing, and four parts
whole, half,
quarter, and eighth notes.
in
Part
H.
C.
RINK,
First Three Months
at the Organ
1,
to of
work prepared for earnest students

or
H.
CLARKE, WILLIAM
Harmonic School for the Organ
METHODS AND EXERCISES
317
With the German directions and terms tra

lated into English and the pedal part print
RINK, C. H.
Organ School
Revised
on a separate staff, the whole edited

Best.
and Edited by
W. T. Best
by W.
Six Books. Paper, each, $1.00

Complete, Cloth, $4.80
Book I. Contains twelve short and easy piec

in two parts, twelve in three parts, and twel
in four parts as introductory exercises. These are followed by twenty-fo
preludes in the twelve major and twelve minor keys, with six on the l
usual keys, the whole calculated to be used before the giving out of
psalm tune or choral.
Book II. Contains pedal exercises and twelve chorals with variation
Book III. Contains a collection of easy postludes or concluding volu
taries in fugue style.
Book IV. Contains a collection of similar pieces for more advanc
performers.
Book V. Contains various organ pieces in the free style.

Book VI. Contains miscellaneous organ pieces, grand fugues, prelude
and variations for accomplished performers.
This celebrated work is a standard organ school in Europe a
America.
Exercises in the use of the pedals. Select

and arranged by N. H. Allen.
Excelle
young
pipe
organ.
for
students of the
SCHNEIDER, FREDERICK
Themes with Varied Basses
.60
THAYER, EUGENE
The Art of Organ Playing
Price,
Part I.
Part 2.
Part 3.
Part 4.
Part 5.
by mail, postpaid, as follows:

Manual Studies. . . . . . . . . . . . . . $1.5o
. . . . 2.OO
Pedal Studies.........
Registration.
Art of
. . . . . . . . . 1.5o
Church or Service Playing... 2.oo
Solo or Concert Playing. . . . . 2.50
Supplement,
Music for Church Ser-
V1C. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
complete organ school, in five par

with supplement, each part full she
music size.
The plan of the work is as follows :
Part I. Manual playing
is treated s
y
th pedals
d # not being
arately, the
1.25
'
introduc
although they may be used in many
the pieces after a moderate degree

pedal execution is acquired.
At fir
the manual only is treated,

the attention not distracted with pedal pla
ing, as it is fully believed that if a sure foundation is not laid in manu
playing at the commencement of study all future progress or the atta
ment of any good or desirable proficiency will be simply impossible.
-
Part 2. Pedal playing is treated from the rudiments to an advanc

degree of difficulty, including a continued advancement in manual executio
Part 3. The art of registration (making combinations) is presente
318
in what we believe to be a new and complete system, so simple that all may
understand, easily remember, and make practically useful.
Part 4 presents the art of service playing in its various forms, that the
students may be able to play church compositions, from the plain chant to
the Te Deum, or from the simple congregational service to the grand mass.
Part 5 is devoted to solo playing, and contains a course of study and
suggestions for those desiring to become public performers.
This leads the
student through the master works of Bach, Handel, Mendelssohn, Thiele,
and other great composers for the organ, thus completing the work.
THAYER, EUGENE
Pedal Studies for the Organ

.75
Fifty-six studies for acquiring
correct and
complete method of pedal playing. The
author's reputation as organist and teacher
is a guarantee of the value of this book.
WHITING, GEORGE E.
First Six Months at the Organ
Twenty-five studies or organ pieces by

a distinguished player.
Not for begin
ners,
$2.00
but for those who are spending
their first six months in learning pedal
in connection with manual playing.
319
TREATISES
OUTLINE OF PIPE ORGAN
W. H. Clarke
This is an outline of the structure of
pipe organ, and is of value to all organ

and also to church committees, in the
lection of a pipe organ. It is practical
fully comprehensive, and contains numerous engravings. In addition
the information concerning the mechanism of a large organ there is a
of organ pieces which have been performed at public recitals in Eur
and in this country, which will be of interest to the organist in selecting
repertoire.
Cloth, $1.50
ORGAN
MANUAL
Rev. Henry D. Nicholson, M. A.

Cloth, .75
For the
use
committees,
of amateurs and chu

containing directions
information to persons desirous of

chasing an organ, and to enable or
ists to rectify ciphering and other simple casualties without sending fo
organ builder; to which is added a brief History and Construction of
Organ, with an appendix containing a few remarks on reed organs
substitute for the organ.
This is a convenient little book, which should be in the possessio
every organist. Organs are continually getting slightly out of order,
one cannot, without delay and expense, summon the organ builder for ev
small repair. The directions given in the Manual may save much v
tion and expense.
COLLECTIONS
Fourteen numbers, with registering and
pedaling marked by Eugene Thayer.
CHORAL VARIATIONS
AND OTHER PIECES
BACH'S
$1.25
BACH'S EIGHT LITTLE

PRELUDES AND FUGUES
Registering and pedaling marked by Eugene

Thayer.
Boards, $2.00
one is marked with the stops to be used
formance.
in
its
Op. 24 and 25. Not difficult and carefully fingered.

Consisting of offertoires, elevations, communions,
versets, sorties, preludes, etc.
There are sixty voluntaries in this book, and each
BATISTE'S ORGAN
VOLUNTARIES
Edouard Batiste
per
organ pieces,
Comprising his second set
Op.
this
and 43. The first collection
proved
attractive and
celebrated author
Edouard Batiste
great
popular
interest
that there will be
Boards, $2.00
this, his last book. Like the first,
con
moderate difficulty.
tains offertoires, communions, etc.,
of
it
in
so
42
of
of
BATISTE'S LAST SERIES OF

ORGAN VOLUNTARIES
BEAUTIES FOR THE ORGAN
The whole selected and arranged for the
organ.
taries, from the works

Weber, and other great masters.
321
as
of
pieces adapted
intro
collection
ductory, middle, and concluding volun
Handel, Sebastian Bach, Haydn, Mozart, Beethoven,
Two Numbers, each, .50
Joseph Warren
of
$1.00
A collection of organ pieces,
CLARKE'S ORGAN COLLECTION

William H. Clarke
of which may be performed
$2.00
reed
organ
as
well
as
ma
on
upon
church organ.
The compiler
drawn largely from the works of Beethoven, Haydn, Mozart, Spohr, and
more modern masters, such as Heller, Guilmant, Lemmens, and others.
this volume are voluntaries, preludes, responses, offertoires, marches, w
ding music, funeral music, and other selections.
CLARKES TEMPLE
This work of Mr. Clarke's is a b

of sixty-four full-sized music, pag
COLLECTION
OF NEW WOLUNTARIES,
PRELUDES, ETC.
H. A. Clarke
and contains seventy-three numbe
$1.00
CONCERT PIECES FOR

THE ORGAN
Arranged and Edited by-
Clarence Eddy
Flexible Cloth, $2.00
No volume published in recent years surpass

in general excellence this collection of compo
tions, which have been gathered together by

eminent musician and organist, Clarence Ed
One hundred and twenty pages, sheet-music s
CONTENTS
Bridal Chorus (Lohengrin"),

Concert Fugue in C.
Concert Fugue in G
Richard
Rusticana),
Pietro Masca
Country
Wedding)
In the Garden (A
Carl Goldm
Op.
Pastorale in A.
5....... Henri Desha
Pilgrims Chorus (Tannhuser),
Richard Wag
Prayer in E. . . . . . . . . . . . . . . Edmond Lema
Prelude to Lohengrin "... Richard Wag
Spring Song. . . . . . . . . . . . . . Feliac Mendelss
Wedding March (Midsummer Night's
Dream). . . . . . . . . . . . . Felix Mendelss
Intermezzo (Cavalleria
Wagner
. . . . . . . . . . August
Haupt
major...... J. L. Krebs
Etude in C: minor..... . . . . . Frederic Chopin
Arr. by August Haupt
(Faust),
Organ
Fantasia for the
Charles Gounod
Fantasia in E minor. . . . . . . . . Gustav Merkel

Grand Processional March (Queen
of Sheba ). . . . . . . . . . . . . . Charles Gounod
MODERN FRENCH ORGANIST

Edited by
In preparing the Modern French Orga
ist
publication,
the purpose
been to select a series of compositio
$1.00
representing the best thought of the m
prominent French writers for the organ in later years, and to publish
same without change from the original edition of registration, phrasing,
Henry M. Dunham
for
322
marks.
All markings are, therefore, simply translations, and
further adaptation to American organs is left to the good judgment of the
dynamic
player.
The fingering and pedaling have been added, and with considerable
attention to detail, as
it is hoped that the pieces in these volumes may also

teaching
be found useful in
the art of organ playing, particularly in the
middle and upper grades.
Each selection in this volume is also published separately.
Verset de Procession.
Grand Choeur in D.
Cantilne Nuptia1e.
Grand Choeur in Bo.
March of the Magi Kings.
Andantino in G minor.
Rhapsodie on Christmas Themes.
Communion upon Ecce Panis Angelorum.
O Salutaris Hostia (Elevation).
Marche Solennelle.
Mlodie in Ep.
Absoute in D minor.
Mlodie in C.
Adagio from 2d Organ Symphony.
Finale from 2d Organ Symphony.
Boeilmann, L.
Deshayes, Henri.
Dubois, Thodore.
Dubois, Thodore.
Dubois, Thodore.
Franck, Csar.
Gigout, Eugne.
Guilmant, Alexandre.
Lennaigre, Edmond.
Lennaigre, Edmond.
Salom, Thodore.
Salom, Thodore.
Widor, Charles Marie.

Widor, Charles Marie.
It
comprises an admirable collection

Composed, Arranged, and Edited by
of voluntaries, studies, transcrip
tions, preludes, postludes, and other
L. H. Southard and G. E. Whiting
Cloth, $2.00
pieces of moderate difficulty, adapted
practice.
3r church and concert use and for
All the pieces are on three
taves, with registration carefully marked for moderate-sized organs. Also
ORGANIST
n essay on registration, explaining the best and most effective method of

in ploying and combining the stops in the most thorough and exhaustive
lanner. Among the contents may be mentioned :
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
323
Romanza
Whiting
Whiting
... Freyer
... Southard
.... Petrali
. . . . . . . . . . . . * ** * * * * * * *
Pastorale in F. . . .
Prelude in C. ..........
Prelude
in
A
.
.
.
.
.
.
in
E
.
.
.
.
.
.
*
*
*
*
*
*
*
*
*
*
*
>
.
.
.
...
in
Romance in A.
|
...
... Gade
ost1ude. . . . . . . . . . . . . . . . . . . . . . . . . . . . Southard
Bach
re1ude and Fugue
minor.
dagio Cantabile
Haydn
B5.
Petrali
Ep.
arch
.
.
.
.
.
.
.
.
.
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
.. .. . .. . .. ... .. ... .. .
nd antino in F.
in
CONTENTS
Easy arrangements from the works

thoven, Hndel, Haydn, Mozart, Sch
Batiste, Guilmant, and others, inclu
four numbers for pipe organ.
ORGANIST'S RELIANCE
Eugene Thayer
Ten numbers, each, .60
volumes,
boards, each, $1.50
Two
volume,
complete,
cloth, $3.00
One
to Art
is
in
Supplement
of Organ Playing
Boards, $2.00
Containing selections from the works of the

Arranged, adapted, and edited
masters.
pedaling, fingering, registrations, and metro
of
in
of
indications by Albert G. Emerick.

These voluntaries have been prepared with a view to practical
However, some of the selections may be heard accep
church services.
in concert performances, or may be found useful at organ exhibitions.
. It has been thought desirable, in order to procure an entirely sa
tory and intelligent interpretation of the many beautiful composition
tained in the book, to indicate the minutest details as to their executio
is, in reference to fingering, pedaling, registration, and time.
Only difficult passages are fingered. The numbers according to
zel's Metronome are given as guides to the correct time to be observed.
Extreme care has been taken with the registration, and the ch
have been arranged so as to offer the least possible trouble and delay
performer.
The registration has been marked for an organ
moderate size,
for one
that class frequently found
our churches.
of of
as
the
in
of
is
is
FOR
In
extensive development
m
organ literature, the proportion
com
postludes
tions written for use
surprisingly
William C. Carl
church service
small.
abundant material for all other nee
Flexible Cloth, $2.00
scarcity
the organ profession, but
filling this want has prompted the
important particular. The need
this volume, and
his search for the very best material the compile
THIRTY POSTLUDES
THE ORGAN
of
$1.25
PRACTICAL ORGANIST
Albert G. Emerick
collection
of
twenty-two easy pre

postludes,
etc., with full registra
indicated,
While the pedal part
numbers
this collection can be
without pedal.
ORGAN MUSIC FOR CHURCH

SERVICE
Eugene Thayer
324
carefully examined the available organ literature of recent years to be found

in London, Paris, Antwerp, Brussels, and Copenhagen, as well as New York
and Boston.
to the music listed below there are concise biographical

notes of each composer represented, and in addition to the regular table of
contents an index by keys, which will be found of great convenience.
One
hundred and fifty pages of music. The volume is modern in every detail.
In addition
CONTENTS
Best, William Thomas.

Best, William Thomas.
Calkin, George.
Calkin, J. Baptiste.
Callaerts, Joseph.
Callaerts, Joseph.
Cappelen, Christian.
Chauvet, Charles Alexis.
Duncan, Edmondstoune.
Duncan, Edmondstoune.
Frost, Dr. Charles Joseph.
Lemmens, Jacques.
Loret, Clement.
Malling, Otto.
Merkel, Gustav.
Polieri, E. B.
Roberts, Dr. J. Varley.
Ropartz, J. Guy.
Salom, Thodore.
Salom, Thodore.
Salom, Thodore.
Smart, Henry.
Tours, Berthold.
Volckmar, Dr. W.
Volckmar, Dr. W.
West, John E.
TRUETTE'S
ORGAN VOLUNTARIES
Edited by
Everett E. Truette
Christmas Postlude (Sit Laus plena, sit sonora.).

March for a Church Festival.
Postlude in A minor.
Festal March in C. Op. 80.
Marche Solen ne11e in Ep. Op. 20, No. 3.
Marche Triomphale in E. Op. 30, No. 3.
Postlude in F. Op. 28, No. 7.
Postlude in C. Op. 28, No. 8.
Postlude in G. Op. 28, No. 11.
Grand Choeur in C.
March in B5. Op. 42, No. 3.
Postlude in C minor. Op. 20, No. 6.
Postlude in Ap.
Grand Triumphal Chorus in A. Op. 47, No. 2.
Postlude in F. Op. 46, No. 2.
Postlude in D.
Postlude, A11 eluia, in Ep.
* Easter Morning (Postlude in F). Op. 54, No. 3.
Postlude in G. Op. 134, No. 6.
Fantasia in F.
Post1ude in F.
Postlude in Bp.
Grand Choeur in G. Op. 68, No. 2.
Grand Choeur in C. Op. 68, No. 4.
Grand Choeur in F. Op. 68, No. 5.
Postlude in C.
Postlude in D.
Op.
368, No. 2.
Postlude in D.
Postlude in B9. Op. 368, No. 8.
Postlude in Bb.
A collection of short and easy compositions for
the organ, especially arranged for church

vices, with registration carefully indicated.
ser
Among the thirty-two numbers which make up

Flexible Cover, $2.00
the contents of this work are compositions by
Guilmant, Edouard Batiste, Th. Dubois, Tho.
Salom, Felix Mendelssohn, Richard Wagner, and others.
325
A collection for pipe organ, carefully ed

ited, with registration and pedaling.
Every piece in th
S. B. Whitney
SPECIAL FEATURE.
Cloth, $2.00
book can be played on either a two- o
three-manual organ.
In issuing this collection of organ music Mr. Whitney has thought
hardly necessary to offer any excuse for its appearance, considering ho
great and constant is the demand for new organ music suitable for churc
and concert use, as well as for teaching purposes.
It is hoped that this co
supply
part
Few,
lection will
in
this demand.
if any, of the pieces hav
appeared in any other book. One feature, it is hoped, will commend itself
young organists, who are oftentimes at a loss to know how properly to regi
trate and play on a two-manual organ a piece which was originally intende
to be played on an instrument with three manuals. By following the reg
tration in parentheses (which is to be observed only when the two-manua
organ is used), it will be found that every piece in the book can be played
either a two- or a three-manual organ.
It is a decidedly practical book; a book for church and concert use;
book for teacher and for organists generally.
WHITNEY'S
ORGAN ALBUM
Edited by
ZUNDELS ORIGINAL
ORGAN
COMPOSITIONS
$1.25
A collection of selected pieces for
advance
Players and of voluntaries for all occasions

church service.
326
R_EED ORGAN
(Pipe Organ.
. . . . . . . . . . . . . . . . . . *- - -
- - - - - - - - - - - - - - - - - page
317)
The reed or cabinet organ has been improved and developed of late years to such
that good effects can be produced with the various combinations of stops, and
in some of the 1arger reed organs a very close imitation of the pipe organ is reached.
Nearly a11 of the following named books are the production of teachers who have
given much study to this branch of the musical art. Not a few of these books have
reached enormous sales, and are to be found wherever the reed organ is used. Besides
the instruction given, almost every book has a number of pleasing pieces, both vocal
and instrumental, for the learner's recreation.
an extent
METHODS
AND EXERCISES
BARNETT, JAMES G.
Eclectic Teacher
An excellent text-book and guide in the principles

of music and organ playing. It is practically and
Boards, $2.00
theoretically arranged, and the lessons are well
supplied with examples from some of the best
composers. In addition to the rudimentary and instructive part of the book,
there are some very attractive organ pieces and some appropriate songs
with organ accompaniment; one hundred and sixty-eight pages.
BECKEL, JAMES
Method for the Parlor Organ
In the preparation of this work simplicity
has been the aim of the author; but in the

present advanced state of the art of organ
playing something more is required than
the knowledge to be obtained from the many works published to make
music easy. The author, therefore, had constantly in view the necessity of
preparing the scholar for the study of the works of the best masters by a
iudicious selection of examples to that end.
Paper, .75
Boards, $1.00
327
BELLAK,
J.
The reputation of the author of this work ad

Method for the organ
much to the confidence with which it is receive
Paper, .75
It is especially adapted to the needs of beginners
Boards, $1.00
and, besides the progressive lessons, contains mo
than sixty beautiful pieces, all easy and sure to please the young learne
The book has had a large sale.
Among the choice selections arranged for the reed organ we find o
ratic airs, dance pieces, melodies of famous songs, marches, polkas; hymn
organ voluntaries, etc.
BELLAK, J,
Same as above, translated into German
Methode fr die Orgel
dore
text.
CLARKE, WILLIAM H.
Dollar instructor for the
Moelling.
Good edition,
with full
Germ
A capital self-instructor as well as a use

book for teachers.
The course of instructio
given is thorough and progressive, while

easy and beautiful voluntaries interspers
$1.00
make the book unusually attractive.
A f
popular
day
among
collection of
melodies of the
is also to be found
Reed Organ
pages.
CLARKE, WILLIAM
Harmonic School for the Organ
of
of
Arranged
expressly for reed organs

every kind and
all makers,
whi
are added instructions in the use and co
to
H.
by
in
of
$2.50
of
in
of
CLARKE, WILLIAM
New Method for Reed Organs
or
of
It
For earnest students

of
H.
the pipe
re
organ who desire to become thorou
organists.
$3.00
inculcates the principle
harmony from the beginning
mu
instruction,
progressive
system
cal
connection with an advanced and
manual practice, giving the most correct examples for imitation, with
cultivating the faculty
improvisation, and forms practical gu
view
composing
organ
the art
the
and church style
musical compositio
to
is
It
in
by
of
draw-stops
binations
reed and p
entirely distinct from any previous work
organs.
the same auth
rapidly
superseded most other methods amo
Since
introduction
has
accomplished
players.
those who seek
become the most
to
it
its
Paper, .75
Boards, $1.00
by Th
328
EMERSON, L. O., and

MATHEWS, W. S. B.
Method for Reed Organ
$2.50
The names of the two well-known writers

and teachers who have made this excellent
44
guarantee of the
Method are sufficient
qualities of the book, which contains easy
and progressive lessons, scales, and studies,

voluntaries, interludes, songs, and quartets, and a large number of attractive
pieces of various styles, both selected and original, prepared with reference
to the advancement of learners, both in technical ability and taste.

The authors have given their best thoughts to the compilation of this
Method, and only a glance at the contents will be needed to prove that
their efforts have been crowned with success, and that they have managed
to make a good, instructive course. The work commences with a few simple
directions, followed by a short statement of the elements of notation, etc.
Either as an instruction book or as a collection of musical recreations it is a
first-class book and will not disappoint the purchaser.
GETZE, J. A.
School for the Parlor Organ
$1.50
mental exercises,
This method has had an enormous sale,
more than 150,000 copies,

and is one of
the most popular of organ instruction
books. It contains full primary and rudi
lessons, studies, scales, favorite melodies,
progressive
waltzes, songs, hymn-tunes, etc.
marches,
of learners.
KINKEL, CHARLES
Ideal School for the Reed
Organ
$1.00
Arranged for the advancement

-
Besides the rudiments and easy lessons, there
is a collection of vocal and instrumental

music, and some pieces for violin and organ
together.
There are also a dictionary of
musical terms and illustrations of the key
board and the position of the hands.
LORRILLIERE, F. A.
New American School for the
Parlor Organ
A work containing full primary and rudi
mental exercises, progressive lessons, stud

ies, scales, voluntaries, offertories, preludes,
$1.50
hymn-tunes, popular
marches,
waltzes,
melodies, etc. A thorough school for the
beginner and the inexperienced performer, as it treats upon all the valuable
principles involved in forming a successful organist. It further contains a
329
fund of well-selected voluntaries, of different movements, adapted to all

necessities of church service and for special occasions.
The volume cl
with a miscellaneous department, with contributions from leading writ
these are so diversified as to please the many individual tastes. The ai
the author has been to overcome some of the deficiencies existing in m
of the works previously introduced,
if the result of a considerable exp
practical
organist
ence both as a writer and
tends to that end.
*
l
LYONS, RICHARD
Eclectic Organist
a progressive
series of stu
recreations, and instruction, and is replete with ch

selections from the works of the great masters, arran
and adapted for the cabinet organ.
It also cont
popular
specially
arranged
a varied selection of
music
for the organ (inc
ing the most popular of the favorite Gospel Tunes), suitable fo
occasions.
Another useful feature is a collection of three hundred
twenty-two interludes, arranged in different keys and for hymns of all me
Boards, $1.50
This work consists of
MACK,
There is in this book not only a co

Dollar Analytical Method for tion of easy pieces fingered for the u
beginners, but also quite a thorough co
the Cabinet Organ
$1.00
in the rudiments of music, and an
method of learning to play upon the
nearly
organ.
It is a book of
one hundred pages, containing illustration
the keyboard, position of the hands, etc. There is also a dictionary of m
cal terms, and the valuable hints to beginners will be read with prof
New
E.
MACK, E.
and Improved School
for Parlor Organ
Boards, $2.00
Containing full primary
and rudime
exercises,
progressive
lessons,
stu
scales, favorite melodies, marches, wal
songs, hymn-tunes, and a full descrip

of the stops, swells, etc., arranged fo
advancement of learners.
In preparing this work the aim has bee
amusement;
combine instruction and
while the selections are pleasing,
one has its particular mission in the advancement of the scholar.
scales and pieces have been carefully fingered and arranged in progres
order; the vocal section has been made up of numbers appropriate
work of this kind; the voluntaries are of the best class and worthy
attention of all students.
Not the least important feature is the descrip
of the stops, swells, etc.
33O
MASON
A complete,
comprehensive method,
founded on the best systems of instruction,
and containing a large and choice collec
tion of music from the works of ancient
& HAMLIN'S ORGAN

INSTRUCTOR
Compiled
by
J. E. Trowbridge
modern composers.
A varied and
unusually fine selection of waltzes, galops,
marches, melodies, arrangements, offertories, voluntaries, preludes, inter
ludes, fugues, etc. There are nearly one hundred organ pieces, besides the
$2.00
'a
and
lessons.
Selected and arranged for cabinet organ.
MEYER, L.
Progressive Melodious Studies
Ranging from
Grade IV, both
fingering.
These studies have been selected with great
beauty and instructive qualities, and will fill a void
ing aid in the study of the cabinet organ.
the first beginning to

in American and foreign
care in regard to their
long felt by those seek
ROOT, GEO. F.
school for the Cabinet Organ
$2.50
the learner forward with
and affording pleasure as
the progressive
studies,
interludes, and recreative
More than one hundred thousand copies of

this popular book have been sold. It is
written in the author's well-known style,
plainly and effectively; in short, it carries
ease, at the same time teaching the lessons well,
well as study. This popular work contains, besides
many songs, duets, trios, quartets, voluntaries,
pieces, carefully arranged for the reed organ.
SCHNEIDER, F.
Practical Organ School
Containing all necessary instructions in finger

ing, management of stops, pedals, etc., together
$3.00
.
with a great variety of exercises, interludes, easy
and difficult voluntaries, etc., to which is added a
complete treatise on harmony and thorough-bass. Translated and adapted
to the wants of young organists.
American Organ
Paper, $1.00
to
Tutor for
speak, classical,
Dr. Stainer's Tutor
and those who learn
will be introduced to
something like the Rink
music for pipe
so
STAINER, DR. J.
it is,
Vols. I and II, each, $1.50
organs.
33L
SUDDS, W.
F.
Easy Method
Boards, $2.00
Part 1 of this method consists of the rudiments of music

and a large number of exercises, scale studies, arpeggios,
etc., interspersed with a number of recreation pieces.
contains eighteen selections from Haydn, Handel,

Mozart, etc. Part 3 is made up of voluntaries, preludes, and other numbers
of similar character, preceded by a short treatise on playing church music.
Part
SUDDS, W. F.
National Guide to
Reed Organ Playing
With instruction in score playing, choir accompani
ment, fugue playing, etc., on the system so success
fully carried out in the National School for the

Piano, by the same author (see page 262). Part 1
$2.50
leads the pupil very gradually, by means of easy
melodious and technical exercises, through all the keys. Part 2 introduces
music of more decided organ character, giving simple and comprehensive
instruction in part playing, choir accompaniment, adaptation of pipe-organ
Boards,
registration and present value of thorough-bass, musical form, etc.,

finally initiates the student into fugue playing.
and
teacher of experience.
Its sim
ple system of notation, graded exercises, and
valuable studies make a most popular school.
Contains, also, a treatise on choir accompani
$1.25
ment and interludes, explains the true use and
value of thorough-bass, and provides a sufficient amount of good music for
practice.
SUDDS, W. F.
National School for the
Reed Organ
WINNER, SEP.
American Organist
The work of
A method
by which
the learner can make rapid

progress, the instructions being so simple and clearly
given that proficiency can be readily attained. This
Paper, .75
work also includes the rudiments of music, the scales
full,
daily
practice, with a full selection of popular melodies
in
exercises for
arranged in progressive order, consisting of opera airs, dances, rondos, song
melodies, etc.; also a collection of duets.
332
WINNER, SEP.
Much care has been taken to make this
Method for the Organ
book acceptable to the teacher as well

as the learner.
It has a description of
the various stops, and the manner of
Altogether, it is
using them to the best advantage is correctly explained.
beginners.
the most desirable book of all for
Fifty-one choice melodies are in this book, so that, besides its value as
an instruction book, it is worth considerable as an interesting collection
of well-chosen pieces for the organ.
Send for descriptive circulars and list of
Eureka
Paper, .75
Contents.
WINNER, SEP.
Wew School for the
Cabinet Organ
.50
The instructions are so clearly and simply treated

as to make it unnecessary to have a teacher.
For
practice more than one hundred and fifty operatic
and popular airs are added, forming a complete col
lection of the best melodies of the day.
WINNER, SEP.
'erfect Guide for the
Cabinet Organ
.50
The instructions are clearly and simply treated,

so as to enable the pupil to get along without a
teacher. More than one hundred and fifty popu
lar airs and choice melodies are added, forming
a
WINNER, SEP.
abinet Organ Tutor
.50
collection of the best tunes of the day.
Belongs to the class of easy and very entertaining

instruction books for beginners.
It contains a
fine collection of the choicest melodies.
INNER, SEP.
Easy System for Reed Organ or Melodeon.
WINNER, SEP.
eal Method for the
Cabinet Organ
.50
. . . . . . . . .
....
. . . .
$1.00
Contains simple and clear instructions and a

large number of operatic and popular airs care
fully selected and arranged with special refer
ence to the instrument.
333
COLLECTIONS
"'.
BARNETT'S SELECTIONS AND

VOLUNTARIES FOR CHURCH
o:
es
G. Barnett,
Musical Doctor, Yale College

Boards, $1.50
BATISTE'S ORGAN
VOLUNTARIES
Boards, $2.00
Op. 24 and 25. Not difficult, and carefully finge

Consisting of offertoires, elevations, communi
versets, sorties, preludes, etc.
There are sixty voluntaries in this book, and

one is marked with the stops to be used i
performance.
as
or
to
of
in
in
Designed chiefly
as
opening volunta
Wm. H. Clarke
and responses.
Thousands who
churches,
$1.00
reed organs
well
the home circle, will rejoice
ob
ing this book
voluntaries. They are not too difficult for ordinary pla
yet
music, suitable fo
sufficient interest
be considered good
church, chapel,
home.
CLARKE'S SHORT VOLUNTARIES
of
of
of
.50
to
Paper,
be
ORGAN VOLUNTARIES
fifty voluntaries, thirty-four

collection
able for preludes, and sixteen for postlu
These numbers are
the simplest and e
grades, and will
found helpful, interes
beginners.
and instructive
CROWN FOLIO OF
One hundred and twenty-eight pages

s
high-class
organ
popular
.50
ard
music
Suitable for home
church use. Fifty-e
compositions
selections from the best
ever written for organ, includ
Mozart, Beethoven, Handel, Haydn, Men
numbers from the works
sohn, Batiste, Gounod, etc.
or
at
of
FOLIO OF ORGAN MUSIC
of
Edouard Batiste
Among the two hundred and fortyshort selections which make up

book are excerpts from the work
Beethoven, Mendelssohn, Raff, Sp
Schumann, Haydn, Rubinstein, Cho
Gounod, Rossini, Meyerbeer, Czibu
Donizetti, Verdi, and others.
334
Over eighty short voluntaries for the organ. A col

lection of gems from the works of standard writers.
As the book is intended for general use, the selections
are only of a medium grade of difficulty.
MODERN GEMS
Arranged by
A'Becket
Thomas
Boards, $1.00
This book of organ music brings within reach

of all players a collection of pieces that have
the recommendation of freshness, appropriate
ness, and utility. The variety is sufficient to
ORGAN AT CHURCH AND
IN CONCERT
and Arranged by
Compiled
J. W.
Simpson
satisfy the most exacting organist.

The book is in that form which the organist
always finds so convenient, the large, wide sheets being specially adapted to
the rack or desk of the organ and easily kept flat and in place.
The selections vary as to difficulty, but none of the pieces are very diffi
cult, and most of them are within the acquirements of the average organist.
One of the best and most popular collections of reed

organ music ever published. There are two hundred
Boards, $2.00
pieces, well selected and arranged, suitable for nearly
few of the
players, and varied enough
suit all tastes. We name
a
to
March (Moses in Egypt)........ Rossini

New Vienna Waltz...
... Strauss
Night Shades (Moses in Egypt).
Nocturne (Midsummer Night's
Dream).
JJ
...
in
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Lysberg
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.... Strauss
Hndel
Battman
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inst1er Leben Waltz..

ave Me to Languish.
arch Religieuse.
...
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Bishop
Cramer
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y11e
Home.
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Dme, Sweet
"Desiderio.
Mendelssohn
Offertoire ........................... Battman

Overture (Caliph of Bagdad). Boieldieu
Pilgrims' Chorus (Tannhuser), Wagner
Egypt)........ Rossini
Prayer (Moses
Prayer (from Der Freischtz).... Weber
... Batiste
Prelude
Rest, Spirit, Rest.....................
milie
Schumann
Reverie (Traumerie).
Serenade (Don Pasquale).
Donizetti
Sleeping, Dream, Love.
Wallace
Transcription (Midsummer Night's
...... Mendelssohn
Dream)...
Transcription (Poet and Peasant), Supp
Beethoven
Voluntary.
Winding Stream....
Lysberg
Richards
Warblings at Eve.
.... Mendelssohn
Wedding March.
.
.
.
.
.rtists Life Waltz...

Ever Bright and Fair. .....
ngels Trio (Elijah")...... Mendelssohn
eber
arcaro11e (from Oberon).
...
Strauss
eautiful Blue Danube.
omin thro the Rye.
Blumenthal
eux Anges, Les.
Hndel
ead March in Saul "..
vening Reverie.
W. H. Clarke
lee as
Bird.
Lothrop
redonia March...
Reissiger
owers of Spring.
Beethoven
uneral March
arp That Once through Tara's Halls.
.nge1s
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Rossini
Krug
Strauss
Hndel
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.
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vir (from William Tell)...

che la morte (Trovatore).
nearly one hundred and fifty more

335
of
Pieces
ill
ORGAN AT HOME
.h
$2.00
similar character.
A collection of offertoires, elevations,
GEMS
Frederic
S. Davenport
Boards, $2.00
cal for pipe organ.

of the work :
The following named selections indicate the
COMPANION
Vols. I and II
Compiled by
Rev. F. F. Hagen
Boards, each, $1.60
PORTFOLIO
Cloth, $2.50
Boards, $2.00
.50
ORGAN SELECTIONS
of
pieces arranged for pipe

collection
r
organ, consisting
compositions selected from
Handel,
Haydn,
Mozart, Rossini, B
works
of
Boards, $1.50
popular songs, melodies, dances,

collection
other compositions, arranged
an easy manner
the cabinet organ. One hundred and eighteen c
positions.
in
Julian Cramer
thoven,
selectio
A series of voluntaries, selected from
of
Arranged by
Schm
of voluntaries, consisting of anthems, reve

ies, transcriptions of well-known hymn-tunes
prayers, marches, etc. Arranged for pipe
reed organ.
PEARLS
..........
. . . . . . . . . . . . Hayd
works
the classic and modern composer
They are nicely adapted for reed organs, a
desirable for the young organist.
E. F. Rimbault
ORGAN
Prayer . . . . . . . . . . . . . .
Chorus from First Mass.
of
Compiled by
characte
Communion in G. . . . . . . . . . . . . . . . . . . . ... We
Postlude . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bros
of
ORGANIST's
Two excellent volumes of choice
Offertoire in C. . . . . . . . . . . . . . . . . . . . . . . . Batiste
Prelude and Fugue. . . . . . . . . . . . . . . . . . . . Rink
Postlude . . . . . . . . . . . . . . . . . . . - - - - - - - - - - - - Hesse
Adorabunt Nationes. . . . . . . . . . . . . . . . H7mmel
ORGANISTS'
commun
ions, preludes, fugues, etc., by Andre, Batiste

Brosig, Hesse, Freyer, and others. An added
pedal part ad lib. makes these numbers pract
Arranged and Edited by
or
ORGAN
Gounod, Batiste, etc.
336
ORGANIST'S RELIANCE
Eugene Thayer
Ten numbers, each, .60
Two volumes, Boards,

One
each $1.50
volume, complete, Cloth, $3.00
PARISH HARMONIES
Arranged by
J. W.
Simpson
Flexible cloth,
Easy arrangements from the works of Bee

thoven, Handel, Haydn, Mozart, Schubert,
Including
Batiste, Guilmant, and others.
four numbers for pipe organ.
Seventy-eight pieces for church or parlor organ.

An extensive variety of selections from the best
sources.
The excellent table of contents and hand
$2.00
some appearance combine to make this one of the

best volumes of organ music for general use recently published.
PARLOR ORGAN GALAXY

Vol. I.
Compiled by
W. F. Sudds
Heavy paper, .50
A collection of vocal and instrumental pieces

for the reed organ. The music is of a good
grade, the songs and instrumental selections
have been well chosen, with the view of suit
ing all tastes, and at the same time coming
within the ability of young performers.
Some of the best authors are
repre
Gounod, Flotow, Scharwenka, Crowe, Brahms, Smith,

sented in its pages,
Mack, Sudds, Tosti, Danks, Hays, Bishop, Balfe, Cramer, and many other
well-known composers.
PARLOR ORGAN GALAXY

Vol. II
Compiled by
W. F. Sudds
Heavy paper, .50
PARLOR
oRGAN
TREASURY
Arranged by
W. F. Sudds
Boards, $1.50
The success of Vol. I of the Galaxy has

encouraged compiler and publishers in pro
ducing this second collection of choice pieces
arranged for the reed organ. The good taste,
adaptability, pleasing variety, and abundance
of music, which characterize the first volume,
are also apparent in this.
Nearly ninety marches, waltzes, polkas,

mazurkas, quicksteps, gavottes, minuets,
and old-time jigs, clogs, reels, and horn
pipes arranged in an easy and attractive
manner for reed organ.
337
A collection of one hundred short voluntar

preludes, and interludes. Easy numbers, s
RINK'S ONE HUNDRED

VOLUNTARIES
-
able for many occasions.
c. H. Rink
.75
Selected pieces by well-known composers.

The latest addition to the popular b
REED ORGAN MUSIC
known as the Royal series or collectio
.50
this new volume of carefully selected o
music,
music.
It is not church
but a collection of bright pieces spec
adapted to the parlor organ, or, as it is generally termed, the reed or
ROYAL COLLECTION
OF
The music is not difficult.

more than fifty pieces.
SELECTED
AND MODERN
J.
The book is large, sheet-music
GEMS
FAVORITES
Edited by
C. Macy
Boards, $1.50
size, cont
Recognizing the demand for a better g

of organ pieces for general use among yo
organists, and especially those who are
paring to take positions in churches,
editor has taken pains to gather into
volume only such pieces as shall ten
elevate musical taste, and these are well adapted to either reed or
organs, so that the player will find no difficulty in using all the pieces.
The book is divided into four parts. The first part contains a
Beethov
number of miscellaneous selections from the best authors,
Schumann, Mendelssohn, Wagner, Gunod, Rubinstein, Heller, B
--
Nourney, Wely, Rossini, Volkmar, Dudley Buck, Eugene Thayer, Bar

Merkel, Meyer, and many others.
Many beautiful gems, never be
printed in any organ book, will be found in this part of the book.
Part Second consists of preludes, postludes, voluntaries, etc., compo
by the best writers, old and modern. Many of the preludes, etc., are
and have never before appeared in this form. There is as much good m
in this one section of the book as is usually found in the entire content
some collections.
Part Third gives wedding and festival music, marches, etc., of a br
and pleasing character, all tastefully arranged and selected from the
best sources.
There are marches by Scotson Clarke, Gounod, and o
well-known authors.
Part Fourth has a few selections of funeral music, dirges, etc., alway
use to the church organist. There is also in the book a number of favo
hymn-tunes of the more popular style, such as the organist is often ca
upon to perform in large assemblies, conventions, and like gatherin
also some national and patriotic music.
338
SHORT VOLUNTARIES FOR THE

PIPE OR REED ORGAN
Wm. H. Clarke
Designed chiefly as opening voluntaries

and responses for delicate and expres
sive stops.
In the arrangement of this work care
$1.00
has been taken to adapt it to meet the

requirements of players who are unaccustomed to the management of a sep
arate pedal part, and every piece may be performed upon the manuals within
Organists who play the pedals with facility will
the reach of both hands.
not need directions in regard to the introduction of the pedal bass in the
most effective places.
-
SUDDS
ORGAN GEMS
A collection of seventy-two compositions,
ar
ranged for organ. Of medium difficulty. The

W. F. Sudds
contents of this volume are varied and compre
Boards, $1.50
hensive, including overtures, excerpts from sym
phonies, selections, voluntaries, preludes, etc., representing such writers as
Beethoven, Mozart, Heller, Bellini, Concone, Gounod, Wagner, Rubinstein,
Mendelssohn, Schumann, Rossini, Schubert, Pleyel, Rink, Batiste, etc.
Compiled by
A capital collection of pieces suit
TWO HUNDRED AND FIFTY EASY
able for either pipe or reed organ.

We recommend the book to young
layers who wish to acquire good
and
and taste in organ
especially to those who are playing
VOLUNTARIES AND INTERLUDES

FOR THE ORGAN
John Zundel
$1.00
the organ in church. The book contains many beautiful voluntaries and a
variety of interludes in all the keys.
THAYER, EUGENE
)rgan Music for Church Service
Supplement
to
Art of Organ Playing

$1.25
A collection of twenty-two easy pre

ludes, postludes, etc., with full regis
tration. While the pedal part is indi
cated, all the numbers in this collection
can be played without pedal.
339
YOUNG
ORGANIST'S
Compiled
by
G. Blessner
ALBUM
Easy and progressive pieces for the you

organ student, containing interludes,
untaries, and much other music in gr

variety, suitable for either reed organ
large church organ.
There are selections from the works of Beethov
Haydn, Mozart, Schubert, Donizetti, Flotow, Curschman, Blessner,
$1.00
others. The book will be acceptable to all students of the organ, and
interludes and voluntaries will be welcome to those who play in church.
34o
VIOLIN
Violin Solos.......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 349
Two Violins........ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 351
Violin and Piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 353
METHODS AND STUDIES

CAMPAGNOLI, B.
Violin Method
Part 1, $1.50
Complete, $3.00
A progessive method on the mechanism of violin play

ing, divided into four parts, with the requisite explana
tory remarks, consisting of one hundred and thirty-two

progressive lessons for two violins, and one hundred
-
DANCLA, C.
Elementary and Progressive
Method for Violin
Op. 52
DANCLA, C.
Fifty Daily Exercises
for the Violin
Op. 74
.50
DAVID, FERDINAND
Violin School
a Pupil of David
The Beginner............
The Advanced Pupil ..
:ormplete, Paper..................
The
object of the author in writing this method

was to produce a book in which the mate
be
--
expressly for the exercise of the left

hand, and to give to the right independence,
equality, and agility.
Composed
This school is not intended to be an ency

clopaedia of violin-playing, but simply
**
2.oo
gives the method pursued for a number of

years by the author. As it is impossible,
by merely having a grammar, to gain a
knowledge of a foreign language,
like
-
--
wise, no one can learn violin-playing by

simply studying an instruction book. Good
required, not only that the complicated mechanism
the instru
3.co
of
is
uition
stand
placed in such a progressive

order that the student should feel it rather
a pleasure than a labor to surmount the
technical difficulties of the violin.
Edited by
1.
new and attractive edition of this

ard work, with entirely new plates.
rial should
Bernhard Listemann,
>art
>art
so,
ou':
Edited and Translated by
2.
and eighteen studies for one violin only.

Campagnolis Method is a standard one both in Europe and America.
34I
ment shall be thoroughly understood but that directions respecting st

and execution shall be more varied and explicit than it is possible for a bo
to render them. This school is intended to furnish technics of violin-pla
ing. English and German text.
DE BERIOT, CH.
Method for the Violin
Vol. I
$1.25
This edition of the famous virtuoso and

method has the English text, carefully
and edited by Paul Lring.
The results obtained by De Beriot
teache
prepar
during thi
years' application of his method and the fruits of experience and meditati
are here placed before the pupil in progressive order. Eccentricities, thou
fascinating, have not the charm of simple melody. The intention of
author has been to preserve the true character of the violin, at the sa
time developing the proper mechanism and overcoming technical difficultie
The lessons, etc., contained in this method are presented in the form o
schedule to suit the requirements of the advancing pupil, and it is hop
that the student may here obtain such instruction as will lead to the high
standard of execution and to the cultivation.of all that is best and truest
violin-playing.
DONT, JACQUES
Violin Studies
Twenty-four
Preparatory Exercises (Op.
37) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
Twenty
Progressive Exercises (Op. 38).
For two violins.
.. .. ... ... .. .. .. .. .. ..
FESSENDEN,
L. G.
Modern School for the Violin

$2.00
The above two opuses comprise

famous Gradus ad Parnassam, wh
is rather difficult study for the learn
but which all should master.
.65
A thorough and systematic arrangement

easy and progressive studies, adapted
the wants of scholars in every degree
advancement, added to which is a la
collection of popular polkas, waltzes, dances, marches, quicksteps, e

most of them arranged for two violins, so that the teacher can play one p
and the pupil the other.
HENNING,
CHAS.
Practical School for the Violin
Book I. . . . . . . . . . . . . . . . . . . . . . $ 8o
Book
Book
II. . . . . . . . . . . . . . . . . . . . .
III. . . . . . . . . . . . . . . . . . . . .
Complete.
Boards.
. .. .. .. ..
instruction for the violin

scientific principles; German and E
lish text.
Practical
.8o
.8o
1.6o
342
HOWE, ELIAS
School for the Violin
instructions for the violin, with over

one hundred and fifty pieces of music.
Containing
.50
Containing instructions and a large collec

tion of popular music.
HOWE, ELIAS
Self-Instructor for the Violin
.50
HOWE, ELIAS
Violin Without
Master
.50
Containing
rules and exercises, with full

directions in bowing and all necessary in
structions, together with a selection of popular
tuneS.
KAYSER, H. E.
Thirty-six Violin Studies
Op. 20
Numbers,
each, .50
In Three
These standard exercises composed to pre

cede the celebrated studies by Kreutzer.
KREUTZER, RUDOLPHE
Forty-two studies for the Violin
A new edition of these celebrated studies,
based on the revision of Edmund Singer,

-with additional bow variants by Emil
Benjamin Cutter
Massart;
Kross and Lambert-Joseph
.50
edited by Benjamin Cutter, who was a
pupil of Edmund Singer, and has been for some years an instructor at the
New England Conservatory of Music.
In preparing this, the best and most complete edition, the editor has
striven to exclude needless detail and yet present those variants which,
studied rightly, will give the student command of the light, typically mod
ern bowings. Hence he has employed not only the two leading German
revisions but has also drawn from LArt de travailler les Etudes de Kreutzer
of L. Massart, who, as a favorite pupil of Kreutzer, has transmitted to the
violin world from Kreutzer himself these four hundred and twelve variants.
Edited by
343
LISTEMANN,
Method
BERNHARD
Violin
of
Playing
$3.00
The author, a pupil of David, Joachim

Vieuxtemps, endeavors to carry the
as far forward as possible on a simple
dation, in order that the complicated
nique of violin playing may be indicated and more or less understood b

both the mechanical and intellectual difficulties present themselves toge
Therefore, his work is chiefly occupied with the first position, but, a
same time, presents so extended and so varied exercises and examples
it may, indeed, be called a new method. Examples are given in a
major and in the easier in inor keys, varying more or less from the
The importance of proper bowing is also carefully shown.
-:
MAY, D. M. H.
New Violin School
$1.25
Exercises in the different keys, with bowing

fingering marked, and a collection of practice
recreation melodies.
The object of this work is to give the principl

Violin Instructor
the art of playing the violin in the least pos
space; and, without entering into the exhau
Including Pleyel's Duets
.75
details of a complete method, the author inst
pupil
progressively, and enables him to study with advantage the
the
elaborate works of those great masters who have written for the violin.
MAZAS,
F.
new and thoroughly revised edition of

standard method, with entirely new plates.
Part 1
man and English text throughout.
From
For Preliminary Instruction
author's preface we quote the following:
$2.50
In placing this work before the public it is
essary that
should make plain the standpoint from which it shou
viewed.
During the past seventeen years devoted by me to teaching the v
have seen, in common with many other teachers, the necessity for a
RIES,
HUBERT
Violin School
that should give the first principles or fundamental rules for properly ac
ing the art of violin playing. The need was supplied at first by Louis S
who, however, admitted that he himself had found little opportunity
giving instructions in the rudimentary part of the art, and, conseque
could not add his own experience to his work on the subject of instruc
As I received, happily, my own instructions from him as regards the a
general, I have further augmented my knowledge thus obtained b
344
in the instruction of beginners, thus completing the substance

of this method. It embodies, therefore, easy duets and exercises arranged
in progressive order, thereby enabling the pupil to avoid the purchase of
suitable pieces for beginners and the necessity of selecting inferior dance
music and opera airs, which might please the ear but which would not tend
to the cultivation of good taste or the laying of a proper foundation.
I urge
necessity
elementary
instruction,
the
of the soundest
whether the pupil
lesires to be a professional or not.
During the compilation of this work I had both the child and the
5eginner in consideration, for the lessons must be a source of pleasure rather
:han an infliction of uninteresting study.
As this method has, in my experience of many years, seemed to be the
most satisfactory, I take pleasure in giving it to the public, also hoping that
it may find a wide field of usefulness.
experience
SAUNDERS, GEORGE
Self-Instructing School
for the Violin
A scientific Self-Instructing School, on an
entirely different method from any work of the

kind heretofore offered to the public in this
country, containing over one hundred and fifty
$1.00
pieces, among them a fine collection of quadrilles
figures
dances,
and
with the
suitable for dancing.
A Self-Instructing School, it is to be understood, is one by which a
person can learn without a teacher.
It is not, however, pretended that this
Self-Instructor,
way,
is the best
and the
used under the direction of a
..eacher, will have an additional value.
SCHRADIECK, HENRY
Technical Violin School
Book I, .75
II,
Books
III (combined), .75
Book
III,
A standard work, introduced in the Academy

of Music at Leipzig. Book I consists of exer
cises to increase firmness in the different posi
tions; Book II, exercises in double-stopping,
-
exercises in the different modes of bowing.
SCHUBERT, LOUIS
Violin School
I
In its modern treatment of the subject of violin play

ing this work places before the pupil studies that
attractively combine those that

agreeable to the ear with others
more strict or classical school, and attempts simply to
instead of burdening the pupils mind, as formerly,
Vo1.
.75
345
pleasing and
pertaining to the
make a beginning
with many rules,
are
to reserve extended explanations unt

learner's progress seems to require them. Therefore, the embodime
these elemental principles has been the author's purpose.
It is not the aim of this book to push the student to the very ac
technic, involving the greatest difficulties. It simply endeavors to l
proper foundation, with which the pupil must become thoroughly fam
and from which he may accurately reach toward the highest proficienc
theories,
systems,
etc.,
and
Edited by U. C. Hill. Newly revised from the

German and English editions.
$1.50
This great work embraces the system of Spoh
self, in his own unrivalled management o
instrument, and by means of which he produced a greater number
tinguished pupils than any other master in Europe. The manageme
the bowso important to the violinistis treated in a more precis
SPOHR, LOUIS
Grand Violin School
##-
clear manner than has elsewhere ever been attempted.

SPOHR, LOUIS
Violin School
Edited by U. C. Hill. Abridged edition of the above

taining ample instructions and a comprehensive tr
on the general management of the violin and bo
which is added a collection of operatic airs, p
Abridged Edition
$1.25
waltzes, etc.
TOURS,
Every student of the violin will find this a

valuable instructor and guide in acquiring
tery of the instrument. The work begins w
.75
description of the violin, its separate parts
then follow the rudimental or first lessons, and by easy and plain l
the learner is carried forward to proficiency. There is at the close
of studies recommended to the advanced player. The work is edit
Dr. Stainer, the eminent English writer and composer of music. The
one hundred exercises and pieces for practice.
BERTHOLD
The Violin
WICHTL,
This consists of melodious duets arrang
G.
Practical Violin School
for Amateurs
Op.
Paper, $1.00
Second Course.
11
They include all the

order.
positions,
ent
and will be found agreeab
Design
at the same time useful studies.
En
a sequel to the Young Violinist.
French, and German text.
progressive
346
WICHTL, G.
Young
Violinist
First instructions in violin playing, containing, besides
instructions, one hundred progressive exercises in the

first position, through the intervals and keys, with a
second violin part for the teacher, and, in addition,
Pleyel's celebrated duets. Notwithstanding the numerous instruction books.
already published, our musical literature has hitherto lacked a work which,
while presenting the rudiments of violin playing to the pupil in a clear and
comprehensive manner, should, at the same time, by a series of progressive
exercises, gradually instruct him in the mechanical treatment of his instru
ment, and thus, if it is desired,
him for the highest artistic development.
supply this deficiency, and success
The author has sought
this work
fully,
being
by
his work
endorsed
no less an authority than Louis Spohr.
English, French, and German text.
in
to
so
concise
it
Paper, .75
and practical method,

which the
simply
instructions are
treated and clearly ex
pressed that students will find
short course
WINNER, SEPTIMUS
American Violinist
.
of
of
in
of
of
proficiency on this favorite instrument.

The vol
music,
ume includes the elements
varied collection
the latest songs
and other compositions, together with selections from the most popular
operas, an excellent collection
duets for teacher and pupil arranged
an
easy and progressive manner, with all the characteristics
the instrument
fully explained.
concise method for the violin containing

instructions in the rudiments of music and
large
the details
violin playing and
collection of attractive melodies.
a
.50
of
SEPTIMUS
Easy System for the Violin
WINNER,
The Eureka Method for the Violin

of
Eureka Method for the Violin
in
or
of
of
to
347
are
in
ing
of
contains the Rudiments

music
full, Dictionary
musical terms, full
and explicit directions for Transposing,
everything pertaining
study
the
the instrument. The scales
all
principal keys are illustrated with
diagram
fingerboard,
the
show
the flats and sharps
all their correct places. The positions
shifts
studied
clearly defined, with the fingering indicated
careful and
Paper, .75
and
the
in
WINNER, SEPTIMUS
in
in
to
fit
(Junge Geiger)
Paper, $1.25
-]
manner, giving examples of all characteristic features in the style of

fessional playing.
A fine collection of most of the popular and standard melodies of
day and many classic themes are given for practice and pastime.
More t
one hundred melodies are in this book, so that, besides its value as an inst
tion book, it is worth considerable as an interesting collection of well-cho
pieces for the violin. This is the newest of Mr. Winner's popular metho
Contains simple and clear instructio

and a large number of operatic and o
popular airs, carefully selected and
ranged, with special reference
the
Strument.
WINNER, SEPTIMUS
Ideal Method for the Violin
.50
in
of
of
Containing the necessary instructio

complete explanation
also
the
shifting
positi
the several
WINNER, SEPTIMUS
Improved Method for the Violin
of
large selection
dies, etc.
with
popular
Containing instructions designed

enab
pupil
knowledge
obtain
violin play
.50
which are added nearly
hundred
fifty pieces
popular music admirably
ranged for the violin, comprising the popular melodies
the day.
a of
to
to
WINNER, SEPTIMUS
New School for the Violin
of
of
to
best melodies
348
of
.50
which the instructions are clearly

simply treated. For practice, more
hundred and fifty operatic and pop
airs are added, forming
collection
In
WINNER, SEPTIMUS
Perfect Guide for the Violin
to
.50
the day.
COLLECTIONS
Violin Duets......................... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
Violin and Piano .................................... - - - - - - - - - - - - - - - - - - - - page
351
353
VIOLIN SOLOS
WITHOUT ACCOMPANIMENT
Containing all the first violin parts of Oliver Dit
son Companys Standard Edition for Orchestra.
Nos.
Each .50
Each volume comprising about one hundred twenty
six pages of the most popular dance music. This book will be a valuable
guide to musicians in making selections for orchestra from our catalog.
BALL ROOM
GEMS
1, 2, 3, 4, 5
CONCERT GEMS
Three volumes, each
tasias,
$1.00
Consisting of first violin parts of Oliver Ditson

Companys Concert Edition for Orchestra,
comprising standard overtures, gavottes, fan
selections, serenades, characteristic pieces, etc.
taining about thirty selections.
Each volume con
DANCE MUSIC FOR ONE

OR TWO VIOLINS
A collection of melodious dance music, com
HIBERNIA
COLLECTION
FOR WIOLIN
Contains about two hundred Irish jigs, reels,

hornpipes, songs, etc., including all the fa
mous national songs of Ireland, ancient and
prising waltzes, hornpipes, country dances,

marches, polkas, etc.
As the music is not
.50
difficult, and is well suited to home recrea
tion, as well as public dances, the book will be acceptable in all quarters.
.50
modern.
349
AND STEPS OF THE

AND SQUARE
ROUND
A large and well prepared book
teacher, dancer, and player.

tains full instructions for perform
the proper steps
all the dances,
gives music for the same.
La
It
MUSIC
DANCES
Prepared by
of
Sep. Winner
Piano Solo, paper, $1.00

Violin Solo, paper, .50
Two Volumes
Each, $1.00
violin solos.
Consisting
first violin parts from Oliver

son Companys Concert Edition for Orchestr
comprising overtures, gavottes, fantasias,
nades, selections, characteristic pieces, etc.
Comprising twenty-two numbers, being

orchestral violin part
celebrated overtu
These violin parts are issued for the purp
affording the young player chance
study the style and general c
opera overture music.
good book for violin teacher
acteristics
Morning, N
place before their pupils.
includes the overtures
Vienna, Supp; Pique Dame, Supp; Orpheus, O
and Night
Rossini; Libella, Reissiger; Le Philt
bach; Semiramide,
Auber; Le Cheval de Bronze, Auber; Mons. Choufleuri, Offenba
Martha, Flotow; Poet and Peasant, Supp; Romantic, Ke
Bela; The Smuggler's Bride, Bohm; Maritana, Wallace; R
mond, Thomas; Zampa, Herold; William Tell, Rossini;
Figa
Essex, Mercadante; Oberon, Weber; Marriage
Count
Mozart; Spring's Awakening, Saint George; The Devils Portio
Meyerbeer; Norma, Bellini.
OVERTURES
of
STANDARD
DANCE FOLIO
Arranged by
Sep. Winner
collection
violin.
Paper, .50
350
of
WINNER'S
of
of
in
It
to
of
to
$1.00
pol
of
STUDIES
FOR VIOLIN
waltzes,
Paper, .75
ORCHESTRAL
mazurkas,
as
Walbridge
galops,
collection
reels, jigs, etc., arranged
of
A.
F.
Arranged by
of
NEW DANCES
is
in
be
as
a
size; more than

sheet-music
piano
pages.
book,
hundred
Published
violin solo
solo book (with
piano
part
played toget
steps).
structions and
The violin and
can
complete
but each
itself.
seventy-seven dances, etc.,
DUETS
FOR TWO VIOLINS
As the music is not
marches, polkas, etc.
.50
well as public dances, the book will be acceptable in all quarters.
DANCE MUSIC FOR ONE

OR TWO WIOLINS
tion, as
DE BERIOTS TWELVE
ITALIAN MELODIES
For two violins;

W. Weiss.
bowing
and
fingering
by
Arranged by
Chas. DeBeriot
$1.00
GRAND OPERA MELODIES FOR

TWO WIOLINS
With Piano
and Guitar Accompaniment
Arranged by
Sep. Winner
First Violin Part. . . . . . . . . . . . . . . . . . . . $ .75

Second Violin Part...
.75
I.O.O.
Guitar Part. . . . . . . . . . .
Piano Part, Boards. . . . . . . . . . . . . . . . I.25
First Violin and Guitar. . . . . . . . . . . . 1.35
First and Second Violin and Guitar... 1.75
First Violin and Piano. . . . . . . . . . . . . . 1.5o
First and Second Violin and Piano. 2.oo
Complete, First and Second Violins,
Guitar, and Piano. . . . . . . . . . . . . . . 2.75
An excellent collection of favorite num

bers from standard operas.
The melo
dies are not difficult, and the piano,

second violin and guitar accompani
ments are tasteful and easy, and allow
of a great variety of combinations.
following named
sented
operas
are
The
repre
Aida, Anna Bolena, L'Africaine, Beli

sario, Bohemian Girl, Cavalleria Rus
ticana, Carmen, Ernani, Fille du Regi
ment, Freischtz, Faust, Fra Diavolo,
Gioconda, Don Giovanni, Les Hugue
nots, L'Amico Fritz, Lohengrin, Lucia
di Lammermoor, Lucrezia Borgia, Martha, The Masked Ball, Mignon,
Maritana, Norma, Orphee, Oberon, Preciosa, Rigoletti, Satanella, Sonnam
bula, Traviata, Trovatore, Tannhuser, The Talisman, William Tell.
HARVEST
OF
FLOWERS
(Blumenlese)
Arranged by
Julius Weiss
First Violin Part, $1.25
second Violin Part, $1.25
A collection of beautiful German and Italian

operatic melodies, arranged in progressive
order, commencing with short, simple melo
dies and ending with attractive selections
from the operas.
35I
LIGHT
This collection of melodies, selec

from the most popular light oper
will be enjoyed by all players who
OPERA MELODIES
FOR TWO WIOLINS
Piano and Guitar Accompaniment

Arranged by
t
-
Septimus Winner
Part............... . . . . .
second violin Part..................
Guitar Part. . . . . . . . . . . . . . . . . . . . . . . . .
First Vioiin
Piano Part, Boards. . . . . . . . . . . . . . . . . .

First Violin and Guitar.............
First and Second Violin and Guitar...
First Violin and Piano..............
First and Second Violin and Piano.
Guitar, and Piano. . . . . . . . . . . . . . .
$.75
**
I.Oo
1.25
1.35
1.75
1.5o
2.oo
2.75
the instruments above named.

The music is not difficult of executi
The piano, second violin, and gu
accompaniments to each solo are s
di
Carl p
per f
as an ordinary
ormer
Therefore, the collection meets the
quirements of the average amate
and,* altogether,
the books are m
g
*
satisfactory,
combinations.
are
affording great variety

The
following
ope
represented:
Apajune, Beggar Student, Bellman, Bells of Corneville, Billee Tay

Captain Therese, Chimes of Normandy, La Cigale, Clover, Dorot
Erminie, Falka, Fille de Madame Angot, Fledermaus, Gasparone, Gi
Baron, Gondoliers, Hunting for Luck, Iolanthe, Ivanhoe, Madame Fav
Marriage by Lanterns, La Mascotte, Merry War, Mikado, Miss Helye
Nanon, Nell Gwynne, Olivette, Patience, Paul Jones, Pinafore, Pirates
Penzance, Poor Jonathan, Princesse de Trebizonde, Queens Lace Handk
chief, Rip Van Winkle, Trip to Africa, Tyrolean.
The music of this collection is

difficult, and the book will be w
AND PROGRESSIVE DUETS
comed wherever violin music is
FOR
tivated, and especially in the ho
Twocircle where an evening may
pleasantly spent in the delightful pastime which is afforded by the violin
MODERN
COLLECTION
OF EASY
you"
PLEYEL'S CELEBRATED
VIOLIN DUETS
A standard classic used by the leading pro
sional players and teachers.
.50
TWENTY LITTLE PIECES

FOR THE VIOLIN
Carl C. Mller
First
Op. 72
and Second
Violin,
.75
A collection of twenty very melodious

musically attractive pieces for the violin
the first position. There is an accomp

ment for second violin, also in the
position (and also for piano if desired.
page 360).
352
VIOLIN MUSIC
wiTH PIANo AccompaniMENT
This collection of fifty numbers contains many
of the popular melodies of the day, comprising
BANNER FOLIO
FOR VIOLIN AND PIANO
songs, medleys,
Sep. Winner
quadrilles, marches,
polkas, variations, etc. All are easy and effec

tively arranged. It will be a welcome guest
in the home circle.
Piano Part, .75

Violin Part, .50
Complete, $1.00
CLASSICAL COLLECTION
A classical collection is
not,
necessarily,
For Violin and Piano. Vol. I

collection of difficult music; but it must con
tain music that satisfies a cultivated taste,
part, so
violin Part,
Piano
.75
player.
and music that is acceptable to a good
Complete,
omplete, $1.00
$
Judged by these standards, the music of this
book is classical, without being difficult.
CONTENTS
Abendlied (Evening Song).
Mlodie... . . . . . . . . . . . . . . . . . . . . .... Rubinstein

Moment Musical. . . . . . . . . . . . . . . . . . . Schubert
Ox Minuet . . . . . . . . . . . . . . . . . . . . . . . . . . . . Haydn
Prayer and Air from Der Freischtz,
. . . . . . Schumann
. . . . . . . . Kirchner
A1bum Leaf (Albumblatt). .

Berceuse (Cradle Song). . . . . . . . . . . . . . . Reber
Canzonetta. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bohm
Jjeber
Becker
... David
Cavatine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Schmidt
Cavatina. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Raff
Chant Sans Paroles. . . . . . . . . . Tchaikovsky
. . .. .. .. . .. ... .. ... ... .. .
Larghetto
. . . ..
Serenade.
Bohm
Tartini
...
L'Inquitude...
...
Schulhoff
. . . .. . .. . .. .. . .. .. . ... . . ... .. . ..
La Serenata .
Liebeslied...
. . ..
||
Braga
Booth
Gounod
Eberhardt
. ... .... . ... . . ... .. .. . .. ... .
Spinning Song....................
Venetian Boat Song........... Mendelssohn
.
Confidence
Lndler
Henselt
Eberhardt
The very rapid sale

Classical Collection
For Violin and Piano. Vol.II
Vol.
induced the publication
second
Violin Part, .50
grade
book
the some
and character. The
Piano Part, .75
style
pure
contents
are
and very pleas
Complete, $1.00
- ing dry compositions having been carefully
They
avoided.
are valuable for concert and parlor use, and also
studies
a
of
of
COLLECTION
as
in
of
CLASSICAL
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
waltzes,
353
in phrasing.
teachers.
We recommend
them to every
violinist,
and especially
CONTENTS
Air Mlodieux . . . . . . . . . . . . . . . . . . . . . . . .
Barcarolle
.. ... .. . .. ... .. ... ... .. .... .
Bohm
Nicode
Believe Me. . . . . . . . . . . . . . . . . . . . . . . . . . . . Ascher

Berceuse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Allard
Canzonetta . . . . . . . . . . . . . . . . . . . . . . . . . Eichberg
Chanson. . . . . . . . . . . . . . . . . - - - - - - - - - - - - - Beazley
Chant d'Amour. . . . . . . . . . . . . . . . . . . . . Reinecke
Chansonnette . . . . . . . . . . . . . . . . . . . . . . . Brooks
Dorflied . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Haztser
Gondellied. . . . . . . . . . . . . . . . . . . . . . . . . . . David
Idylle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gurlitt
Kinderlied. . . . . . . . . . . . . . - - - - - - - - - - - - - - David
|
|
|
|
Kobold tanz . . . . . . . . . . . - - - - - - - - - - - Eberha

Kujawiak (Polish Dance). . . . . . . Wieniaw
Le Hamac (Mlodie Potique)...... Da
Les Songes Funestes d'Atys.......... L
Mlodie. . . . . . . . . . . . . . . . . . . . . . . . . . .Moszkow
On the Lake. . . . . . . . . . . . . . . . . . . . . . . . Volk
Religious Meditation. . . . . . . . . . . . . . . Eichb
Reinzi's Prayer. . . . . . . . . . . . . ......... Wa
Romanze in E2. . . . . . . . . . . . . . . . . . . . . . . Sa
Slumber Song. . . . . . . . . . . . . .............
Song Without Words. . . . . . . . . . Mendelss
Spring Flowers.............. - - - - - - - - -
A collection of eighteen compositio

selected from the works of eleven c
CLASSICAL COLLECTION FOR

VIOLIN AND PIANO
edited by Gus
Strube, of the Boston Symphony
Violin Part, .50
chestra.
An unusually good and va
Complete, $1.00
collection for violinists of average
tainments. The violin part is bound separately, and also appears in
piano part in small notes.
composers,
brated
Vol. 3
Piano Part, .75
CONTENTS
Album Leaf. . . . . . . . . . . . . . . . . . Gerald Walenn
Bee, The ( LAbeille.) Op. 13, No. 9,
Francois Schu bert

Boat Song. (Le Roulis.) Op. 202,
No. 4. . . . . . . . . . . . . . . . . . . . . . Charles Dancla
(Miniature-picture,
Cantaline.
No. 4). . . . . . . . . . . . . . . . . . . . . . . . . Carl Bohm
Eglantine.
Op.
(Petite Polka.)
Daucla.
177, No. 1 . . . . . . . . . . . . . . . . . Charles
Carl
Bohm
Op.
314,
Gavotte.
No. 3. . . . . . . . .
(Bagatelle,
Intermezzo.
No. 3.) Carl Bohm
Invitation to the Waltz. Op. 22.
Carl Maria von Weber.(Trans, by J. Danbe)
Invocation.(From St. Cecilia Mass.)
Charles-Franois Gounod.
Arr. by Geo. L. Tracy
Lndler. (Album Leaf, No. 8). Carl

Last Sleep of the Holy Virgin, The
(Prelude). . . . . . . . . . . . . . . . . . . . ..J. Mas
Last Souvenir, The (Pense Potique).
Op. 31 . . . . . . . . . . . . . . . . . . . . . . . . . . H. R
d'Amour..... Niccolo van Weste

Arr. by Karl Erdm
(Bagate11e,
Scherzoso.
No. 2.). Carl
Serenade. . . . . . . . . . . . . . . . . . . . . . . . . . Carl
Ronde
(Romance sans Pa
Op. 25 . . . . . . . . . . . . Franc's T
Solitude. Op. 36, No. 2. . . . . . . . . . F. De
Simple Aveu.
roles.)
Vision
354
de
Jeanne D'Arc,
Charles- Franois Go
'''.
marches, quadrilles, lan

cers, waltzes, galops, schottisches,
polkas, polka-redowas, all easy and
every respect,
very
first-class in
and
effectively arranged for these instru
CRITERION DANCE COLLECTION

For Violin and Piano. Books I, II,
Book, complete, $1.00
Each
Contains
III
ments. Just the thing for an evening party, as the contents of each volume
constitute a four-hour dance program of the latest music.
These twenty-four easy, useful, and attrac

tive melodies comprise the scale, common
chord, and a beautiful melody, in all the
Bowed and Fingered by
keys. Each melody is preceded by the
W. Weiss
Part,
Violin
$1.00
scale in major or minor, and the common
Part,
Piano
$1.50
chord in successive tones. This group of
complete (each part separate) $2.00
melodies is peculiarly adapted
the ad
pupils
highest
grades
vancement
the
studies.
for
of
at
of
Complete, $1.00
DE BERIOTS TWELVE
For the violin with an accompaniment for the

Also for two violins and piano. Violin
Bow-marked and
John
Philip Sousa
Violin Part,
Piano Part,
Complete,
Paper, .75
Boards, $1.50
Boards, $2.00
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fin
of
eighty-eight popular duets for piano

collection
piano
and violin or
and flute, selected from favor
ite waltzes, polkas, etc., also selections from the
operas.
*
PASTIME
Arranged by
EVENING
.
.
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.
Part
Second Violin Part.
Piano Part
First Violin
.
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.
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.
.
.
.
.
book.
gered by W. Weiss.
Violin and Piano. Complete. (Each part separate).
Two Violins and Piano. Complete. (Each part separate).
separate
MELODIES
Charles de Beriot
piano.
part
in
ITALIAN
of
of
AIRS WARIE
Violin Part, .50

Piano Part, .75
of
to
Easy and progressive airs (Op. 89) for violin and

piano, by Charles Dancla, professor
the Con
servatory
Music, Paris, and member
the
Legion
Honor.
DANCLA'S SIX PETITES
DANCLAS TWENTY-FOUR
SCALES AND MELODIES
355
FAVORITE COLLECTION
OF DUETS
.50
A collection of thirty-one pieces for
vio
and piano, including selections from L

crezia Borgia, La Sonnambula, M
tha, Il Trovatore, Rigoletti, Bo
mian Girl, and a number of waltzes, marches, etc.
FIDDLER'S
FANCIES
pi
They bear the stamp of

They
standing alone,
artist.
are unique
tinctly characteristic, and differing from the usual run of such composition
There are six of these pieces, each peculiar in melody and in the adaptat
They are of medium difficulty
of the piano accompaniment.
not at
young players, and not beneath the notice
beyond the ability
experienced professional.
playing your du
Mr. Berthold Tours says, I had the pleasure
through, and must tell you that think they are most deserving
pra
They are all easy, but are well written for the violin, and the piano ma
them interesting
music.
accompaniment.
as
of
of
of
of
Violin and Piano

$1.00

WIOLIN AND PIANO
Arranged by
Guitar
Piano Part, Boards............
...
First Violin and Guitar..............
First and Second Violin and Guitar...
First Violin and Piano........
First
and Second Violin and Piano.

Guitar and Piano................
.75
I.OO
1.25
1.35
1.75
1.5o
2.oo
2.75
tasteful and easy, and
variety
g
allow
combinations. The follow
of
a
$.75
of
Second
bers from standard operas. The melo

are not difficult, and the second vio
piano, and guitar accompaniments
Sep. Winner
Part....................
Violin Part..................
Part.........................
First Violin
An excellent collection of favorite n
named operas are represented:

Aida, Anna Bolena, L'Africaine,
sario, Bohemian Girl, Cavalleria
ticana, Carmen, Ernani, Fille du R

ment, Freischutz, Faust, Fra Diav
Gioconda, Don Giovanni, Les Hu
L'Amico Fritz, Lohengrin, L

Lammermoor, Lucrezia Borgia, Martha, The Masked Ball, Mign
Maritana, Norma, Orphee, Oberon, Preciosa, Rigoletti, Satanella, Sonn
bula, Traviata, Trovatore, Tannhuser, The Talisman, William Tel1.
nots,
di
A delightful collection of violin pieces with
356
A collection of beautiful German and Italian
OF FLOWERS
HARVEST
operatic melodies, arranged in progressive order,

commencing with short, simple melodies, and
(Blumentese)
with attractive selections from the operas.

First Violin Part. In separate books . . . . . . . .
ending
Second
Violin, in separate book .
- - - - - - - - - - - - - - - - -
Piano Part (accompaniment to the above) in separate book. . . .

Two Violins and Piano. Complete, in separate books. . . . . . . . . .
Twelve Numbers. Sheet Music.
Each . . . . . . . . . . . . . . . . . . . . . . . .
I.25
. .
2.OO
4.OO
. .
I.25
easy pieces for the
violin,
with piano accompaniment.

A book that cannot
Lebas
fail to please the young violinist and win the admi
$1.00
ration of every teacher of that instrument.
The six charming pieces are in the first position,
and, therefore, are adapted to the use of the young learner.
Each piece has
accompaniment
piano.
tastefully
a
harmonized
for the
Like all of Lebas' violin pieces, they are noticeable for freshness of
melody, interesting style, and thorough good taste.
Six
A delightful collection of
JUST ONE DAY
is
$1.25
. . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . .
Scenes of Childhood
The book is sheet-music size, and contains the following Scenes of

Shildhood : Good Morning, in G.; A Merry Departure, in C; A
Woodland Hunt, in F; Lost, in D minor; Found, in C; Good
Night, in G.
The pieces may be procured separately if so desired.

LIGHT
With
OPERA MELODIES
FOR WIOLIN
Second Violin, Guitar, and
Piano Accompaniment
Arranged by
Sep. Winner
irst Violin Part. . . .

econd Violin Part. .
uitar Part.
.. ... ... . .. ... .

.. .. ... . .
.. ... ... . . .
.75
.. .. ..
.75
. .. .. . ... .. ..
I.O.O
iano Part, Boards. . . . . .

irst Violin and Guitar. . . . .
of melodies, selected
light operas,
popular
from the most
will be enjoyed by all players who use
The music is not difficult of execution.
The piano, second violin, and guitar
accompaniments to each solo are such
as an ordinary performer can play.
Therefore, the collection meets the re
quirements of the average amateur;
and, altogether, the books are most
satisfactory, affording great variety in
This collection
-----
1.25
. .. . .. .. .
I.35
rst and Second Violin and Guitar...

rst Violin and Piano. . . . . . . . . . . . . .
rst and Second Violin and Piano.
implete, First and Second Violins,
Guitar, and Piano. . . . . . . . . . . . . . .
1.75
I.5o
2.oo
combinations.
The following operas
2.75
are represented:
Apajune, Beggar Student, Bellman,
Corneville,
Taylor,
Captain
Therese, Chimes of Normandy,
ells of
Billee
357
La Cigale, Clover, Dorothy, Erminie, Falka, Fille de Madame A

Fledermaus,
Gasparone, Gipsy Baron, Gondoliers, Hunting for
Iolanthe, Ivanhoe, Madame Favart, Marriage by Lanterns, La Masc
Merry War, Mikado, Miss Helyett, Nanon, Nell Gwynne, Olivette, Pati
Paul Jones, Pinafore, Pirates of Penzance, Poor Jonathan, Princess
Trebizonde, Queen's Lace Handkerchief, Rip Van Winkle, Trip to A
Tyrolean.
Attractive and easy solos, with piano accom

ment. This collection comprises such piec
$1.00
are free from difficulty in the matter of key,
ing, unusual fingering, etc. They are as fol
Melody, in G.; Water Trip, in F; Sad News, A minor; Mi
in D; Welcome, in A; Guitar, in G : Chanson, in F; A
Gavotte, in D; The Wanderer, D minor; Love Letter, EP;
mance, G.; Alla Militaire, D.
MELODIOUS PASTIMES
J. J. Beazley
The pieces may be procured separately if so desired.
MUSICAL GARLAND
Sep. Winner
***
Piano Part, .75

Violin Part, .50
**"
MUSICAL PASTIME
Sep. Winner
Piano, $1.50
Violin, .75
Boards, complete, $2.00

|
A collection of first-class
piano. Full sheet-music
This
numbers for the violi

size.
admirable work contains some of the ch
operatic and other airs so often performed by o

tras, as well as some of the finest dance music.
A large collection (two hundred and twenty

full sheet-music size) of the latest and
popular melodies, arranged for the violin, with
pages,
accompaniment, in a pleasing and easy mann

amateurs of ordinary ability.
The music consists of standard marches, wa

galops, quadrilles, and other styles of dances; also, a splendid selecti
opera airs and other melodies, arranged as violin solos, introducing
monics and various embellishments
pertaining to the instrument.

358
OSGOOD'S SIX EASY AND CHAR

ACTERISTIC MELODIES FOR
VIOLIN AND PIANO
With Fingering
.60
The book
selections:
following
Walk in the
contains the
(1)
Evening, (2) Playing Soldiers,

(3) Under the Acacia Bough, (4)
Round and Round (Spinning
Song), (5) Come with Me, Dear,
The pieces can be procured separately, if
and Bowing
(6) Playing on the Beach.

desired.
Consisting of the most popular cotillons, polka

quadrilles, lancers, fancy dances, waltzes, schottisches,
reels, hornpipes, jigs, etc., with the figures or steps for
.75
dancing. Arranged in a light and easy manner.
An
admirable book for social assemblies.
This collection has been carefully compiled
POPULAR COLLECTION FOR

VIOLIN AND PIANO
and well arranged.
The melodies are of a

pleasing
variety,
comprise some of our
and
Arranged by
publications.
most successful
All are com
T. H. Rollinson
positions of great merit, and so easily
Violin Part, .50
Piano Part, .75
arranged that they may be creditably per
Violin and Piano, complete, $1.00
formed by amateur musicians, and we feel
assured they will meet with due appreciation.
Osgood
separate book.
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Town's
Nessmuller
Raeburn
Marriott
Perazki
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359
paper.
Lyle
.Mitchell
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The Gate of Heaven.

The Tyrolese and His Child.
The Whistling Coon
Thy Face.
True Love Cannot Forget..
Two Marionettes
Whats A* the Steer, Kimmer...
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Bound
Denza
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The Better By-and-By..............
in
Each part
Becker
Gottschalk
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Raff
. . . . . . . . . . . . . . Abt
Last Night. . . . . . . . . . . . . . . . . . . . . . . . . . . . Kjerulf

Love's Golden Dream............... Lennoa.
... Molloy
Love's Old, Sweet Song........
in
...
the Merry Postilion.
Spring.
Star of My Heart.
Slumber On, Baby Dear.
Tender and True, Adieu.
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Entreaty... . . . . . . . . . . . - - - - - - - - - - - - - - Forget Me Not. . . . . . . . . . . . . . . . ... . . . Hoffman

Good Night, My Love, Good Night..... Abt
Happy Birds... . . . . . . . . . . . . . . . . . . . . . . . . . Holst
Happy Days of Yore... . . . . . . . . . . . . . . . . . Foac
He Who Heaven and Earth is Keeping,
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So Shy.
Osgood
- - - Bohm
I Am
Kjerulf
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Dem Golden Wings............... Rollinson

Down the Shadowed Lane She Goes,
---
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My Sweetheart.
Of Thee Am Thinking.
Only To-night...
Queen of My Heart.
Across the Far Blue Hills, Marie... Marston

Brown Eyes Has That Little Maiden,
CONTENTS
PARTY DANCES
Septimus Winner
Cooke
Old Scotch
RUSSELLS MUSIC OF THE DANCE

Piano Part, .75
Violin Part, .50
Violin and Piano (two books), $1.00
tions in this book, which makes

violin and piano music.
SIX ALBUM LEAVES

For Violin and Piano
Lebas
$1.00
Six violin pieces, with accompaniment for p

They are quite original, and peculi
forte.
style, of medium difficulty, and varied as to
ment and execution.

Each piece has the b
and fingering indicated.
A collection of popular waltzes, marches, p
SOCIAL HOURS
Complete, Boards, $2.00
Violin Part, Paper, .75
Piano Part, Boards, $1.50
SOCIAL PASTIME
Compiled by
Septimus Winner
A choice collection of waltzes, ga

quadrilles, and other dance musi
difficult, and sure to please amat
There are about thirty beautiful
pleasant addition to any collecti
galops, schottisches, overtures, together wi
sirable selections from the most popular o

arranged for violin and piano.
of popular and standard melodies

ranged for the violin, with piano accompanimen
A collection
Violin, Boards, .75

Piano, Boards, $1.50
Consisting of the most popular wa

polkas, galops, mazurkas, quadrilles,
Septimus Winner
carefully selected from Strauss composi
.75
judiciously abridged and arranged in an
manner for the violin and piano.
STRAUSS
DANCE MUSIC
Arranged by
LITTLE PIECES
FOR THE WIOLIN
Carl Mller
TWENTY
Op. 72
Violin and Piano, $1.00

Two Violins, .75
A collection of twenty very melo

and musically attractive pieces f
violin in the first position. There
accompaniment for second violin
in the first position, and for piano
Complete (two Violins and Piano), $1.25
36o
UNION
COLLECTION
Arranged by
Septimus Winner
.75
Here is capital material for a musical evening, in

which no great skill is required, but in which the
popular taste is skilfully catered to.
An admi
Every piece is
rable collection for beginners.
attractive and well arranged.
361
VIOLA
METHODS
BRUNI, B.
New Method for the Viola
A complete course of instruction, to which
added twenty-five studies.
.60
WINNER, SEPTIMUS
Eureka Method for the Viola
.75
The series of instruction books rece

compiled and edited by Septimus Wi
seems to contain just what the learner
amateur performer on the instrum
represented stands most in need of.

This new one of the Eureka
series
an instruction book for
primary
instructions, exerc
music,
viola
contains the rudiments of
and full descriptions necessary to a perfect mastery of the instrum
Many choice and popular melodies are also given, so that, besides its
as an instruction book, it is worth considerable as an interesting collec
of well-chosen pieces for the viola.
362
VIOLONCELLO
METHODS
Carefully selected from the best authors, and
arranged in an easy and progressive manner.
$3.00
The names of the authors, who are celebrated
violoncellists, are sufficient guarantees for thor
ough work in the making of the book, which includes the best ideas of
the best German composers for the instrument. In the opinion of experi
enced teachers, this is the best and first really practical Violoncello
Instructor published in this country.
FRIES AND SUCK

Violoncello
Instructor
ROMBERG, BERNARD
Violoncello School
A complete theoretical
and practical School for
the Violoncello, with illustrations of the posi

tion
in which the violoncello should be held in
$3.00
order to facilitate performance.
This is a standard work, reprinted from the most recent European copy,
and, having passed through a careful revision in all its parts, is recom
mended as containing a most thorough and useful course of study for the
violoncello.
WINNER,
SEPTIMUS
Easy System for the Violoncello
.50
Arranged
self-instructor, contain
ing the rudiments of music and com
plete directions for performing upon
this instrument in the various positions,
as a
with a full explanation of the numerous clefs, ancient and modern. Also a
large collection of the most popular melodies, best adapted to the instru
ment, arranged as solos and duets.
WINNER,
SEPTIMUS.
Eureka Method
for the Violoncello
.75
It contains all the features which have made the

earlier volumes of the Eureka series so widely
popular.
Every point necessary to the pupils
thorough mastery of the 'cello is clearly and care
fully covered the rudiments of music, transposi

tion, fingering, tuning, pictorial illustrations of holding the instrument and
bow, exercises, etc.
The book contains also an excellent collection of music from the best
SourceS.
363
DO, U B L E - BASS
METHODS AND STUDIES
FLOCKTON, JOHN M.
Practical
Latest, most complete, progressive, and

This work is a complete and concise tre
with progressive exercises in every po
and half position.
All exercises have
Method for the
Double=Bass
$2.00
carefully marked in accord

living
with the systems of the best
authorities. None of the mater
superfluous, and all is of vital importance.
In addition to a complete c
of technical study will be found a set of orchestral studies, embracing
fingering
most important and difficult passages from standard overtures, each

marked with the best improved modern fingering, thus enabling the st
to attain more familiarity with them in a few weeks than he would by
of ordinary orchestral rehearsal. The compiler, Mr. John M. Flockton
proficient performer upon this instrument, also a thorough musician
teacher.
He has filled many important positions, including that of co
bassist in the Boston Symphony Orchestra and Listemann Concert Comp
and has made a careful study of the capabilities of this important instrum
FRIEDHEIM,
JOHN
Instructor for the Double-Bass
With examples of every prevailing

of performance, including direc
for recitative accompaniments, tog

with progressive lessons, exercises
studies, comprehending the various powers of this important instrumen
$2.00
SCALE FOR FOUR STRING

DOUBLE-BASS
.25
WINNER, SEPTIMUS
Eureka Method for Double-Bass
.75
duets
A diagram or chart which can be p

on the fingerboard and which show
fingering for all notes in a11 positions
Consisting of the rudiments of

and instruction in holding and pl
the double-bass, together with
exercises for practice, and melodie
(violin and double-bass) for recreation and practice.

364
HARLP
BOCHSA, N. CHARLES
Instructions for the Harp
An improved method of instruction for the
harp, in which the principles of fingering and

the various means of attaining a finished exe
$3.50
cution on that instrument are clearly ex
plained and illustrated by numerous examples and exercises.
In this work the author has brought the common harp and the harp
with double movement into a comparative point of view and united all their
relations, constantly treating the latter as a sequel to the former, and clearly
proving that whoever understands the one will, in a short time, be perfectly
acquainted with the other. The general principles of fingering and the
various means of attaining expression are completely developed and illus
trated by numerous examples.
365
WOOD-WIND
FLUTE AND PICCOLO
METHODS
By which the art of playing is rendered so easy

be obtained by the learner, independent of any o
assistance, for a one-, four-, six-, or an eight-keyed f
To which are added forty easy duets, as progres
ALEXANDER
Flute Instructor
$2.00
added Drouet's Twenty-f

Studies, in all the keys.
$2.00
This is the most popular method of instruc
for the flute in Europe, where it has pa
through many editions, from the latest and most correctly revised of w
this is a reprint. It has become a standard work already in the Un
States among the ablest teachers.
BERBIGUIER, M.
Method for the Flute
HASLAM, E.
New Method
for the Boehm Flute
To which
are
A new edition of this very complete method, w

contains, in addition to a very large number of
gressive scales and exercises, a chapter on the

$5.00
ments of music; a technical description o
Boehm flute, with full directions for putting
proper
position of the body and fingers; tables of a
gether, and for the
natural and exceptional fingerings of all the notes, with particular ins
KUMMER, C.
Flute School
A comprehensive work, with
366
is
in
by
be
to
its
cuts of the different kin

flutes and of the way of playing them, explanation
Op. 146
three languages, abundance of exercises, and pieces en
ample space. The music
ge
Boards, $3.00
to fill the rest of
English,
flutes,
played
for two
one
which
the teacher.
man, and French text.
is
f>
tions and illustrations of the important part which the thumb plays in
gering; also, directions and suggestions for overcoming every diffic
It is the most modern of Boehm Flute Instructors, and is a most desir
carefully graded, and comprehensive method.
of
lessons, for one or two flutes ad lib., together with a selection of the
favorite airs, in which are introduced specimens of the style of embel
ment of Nicholson, Ashe, and Weidner. Tenth American edition.
containing the
rudiments of music, followed by con
cise instructions in all the principles
and details of playing the instrument
and supplemented by numerous exer
cises and pleasing melodies for practice
and recreation.
A progressive
SELF-INSTRUCTOR
NATIONAL
FOR PICCOLO OREIGHT-
KEYED FLUTE
Harry Prendiville
.50
NICHOLSON,
method,
One of the oldest and, at the same time, one of the
C.
largest and most complete methods.

So large a
quantity
practice
given
each, $2.25
Vois. I and
music for
that the
pupil will have abundant occupation till he
fully equipped flute player.
complete
in
cises and
is
of
$3.00
It
or
new and complete
of
instructor, with
table
the
sounds and trills for the flute, adapted for either the
old
new (Boehm) construction.
contains
complement
progressive
full
brilliant and
exer
every particular.
POPP, WILLIAM
School for the Flute
For the flute, both old style and Boehm
POPP'S TABLE OF SOUNDS

AND TRILLS
system.
.40
It
of
of
to
it
so
in
concise and practical method

which the in
simply treated and clearly ex
structions are
admirably suited
Paper, .75
acquirement
proficiency
the
on this instru
complete and varied collection
music,
ment.
contains the rudiments
popular melodies and selections from operas, together with many duets
or teacher and pupil. All the characteristics
the instrument are fully
WINNER, SEPTIMUS
American Flutist
of
if
'Xplained.
asy System for the Flute

.50
simple method, containing the rudiments

music, instructions for playing the flute,
and many melodies and exercises for practice
and recreation.
367
WINNER, SEPTIMUS
of A
is
is
of
II,
Flute School
This Method for the Flute is
WINNER, SEPTIMUS
Eureka Method for the Flute
one that
by those desiring to
will
perform upon this instrument.
.75
The natu
given,
ral scale is first
and in each subse.
quent scale the sharps and flats that are introduced are illustrated in the
plainest manner by a cut of the instrument showing the open and closed
notes and the keys required for the making of them. The directions
acquiring good articulation, with double-tonguing, tremolo, and embellish
ments are made clear by exercises pertaining
these accomplishments.
More than one hundred melodies are
this book, so that, besides
value
an instruction book,
an interesting collection
well-chosen
its
of
is
it
as
in
to
for
be appreciated
as
Practically the same

the piccolo.
the above,
adapted
to
WINNER, SEPTIMUS
Eureka Method for the Piccolo
.75
.50
WINNER, SEPTIMUS
New School for the Piccolo
and Boehm Flute
of
Contains simple and clear instructions and

large number
operatic and other airs
carefully selected and arranged with special
reference to the instrument.
Containing instructions and well selected

collection
tunes expressly arranged
a
WINNER, SEPTIMUS
Ideal Method for the Piccolo
and Boehm Flute
of
.50
Contains simple and clear instructions, and

operatic and other popular
large number
airs, carefully selected and arranged.
of
WINNER, SEPTIMUS
Ideal Method for the Flute
pieces for the flute.
the instrument.
.50
368
The whole art of playing the German

flute rendered easy to every capacity on
principles entirely new, to which are
progressive
added a set of
lessons and sixty-four original duets, arranged in
the most useful keys, each of which is preceded by an easy prelude and an
explanatory note, by which the student is enabled to proceed by progressive
steps from the easiest to the most difficult key, and a pleasing collection of
Scottish and other airs, a set of preludes in the various major and minor
WRAGG'S
FLUTE
PRECEPTOR.
$2.00
ample instructions for an eight-keyed flute, together with a choice

collection of finishing exercises, consisting of extracts from celebrated
authors, with many embellishments. From the fortieth London edition.
keys, and
369
COLLECTIONS
FLUTE SOLOS
WITHOUT ACCOMPANIMENT
CALEDONIA COLLECTION
Compiled by
Elias Howe
etc
Scotland, ancient and modern.
Containing about two hundred Irish jigs

reels, hornpipes, songs, etc., including
.50
Ireland, ancient an
the national airs
Arranged for the flute, cornet or clarinet.
of
COLLECTION
Arranged by
A. F. Walbridge
galops, mazurkas, waltzes, polkas,

collection
jigs, etc., arranged
flute solos.
reels
as
NEW DANCES
of
modern.
.75
.50
or
OF THE DANCE
light and easy manner for the flute

Arranged
Consisting
the most popular cotillons, polka la
cers, quadrilles, fancy dances, waltzes, schottisches
reels, hornpipes, jigs, etc., with the figures
steps f
dancing.
a
MUSIC
in
WINNER'S
of
reels
including all the famous national airs
.50
HIBERNIA
Containing about two hundred Scotch

hornpipes, songs, strathspeys, dances,
37e
FLUTE MUSIC
-*
WITH PIANO ACCOMPANIMENT

A classical collection is not, necessarily, a
COLLECTION
CLASSICAL
collection of difficult music, but it must con

tain music that satisfies a cultivated taste,
and music that is acceptable to a good player.
Judged by these standards, the music of this
book is classical, without being difficult.
For Flute and Piano. Vol.
Flute Part, .50
Piano Part, .75
Complete, $1.00
CONTENTS
Mlodie. . . . . . . . . . . . . . . . .......... Rubinstein
Abendlied (Evening Song). . . . .
Kirchner
|
Moment Musical... . . . . . . . . . . . . . . . ..Schubert
Album Leaf (Albumblatt). . . . . . . . . .
Haydn
Reber
Ox
Minuet.
Berceuse (Cradle Song). . . . . . . . .
Prayer
Freischtz,
Canzonetta.
Bohm
and Air from Der
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- Braga
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Henselt
Hauser
*
*
*
*
*
*
*
*
*
Eberhardt
The very rapid sale

Classical Collection
Vol. I induced the publication
second
grade
book
the same
and character. The
style and very pleas
contents are pure
ing dry compositions having been carefully
a
of
II
in
of
phrasing
We recommend
to
them
as
They are valuable for concert and parlor use, and also
studies
every flutist, and especially
to
For Flute and Piano. Vol.

Flute Part, .50
Piano Part, .75
Complete, $1.00
of
COLLECTION
CLASSICAL
avoided.
Gounod
Eberhardt
Mendelssohn
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Spinning Song.
Venetian Boat Song.
Wiegenlied (Cradle Song).
Tartini
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Romance...
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Scherzo...
Schlummer lied.
Schulhoff
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Raff
Tchaikovsky
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Larghetto.
La Serenata.
Liebeslied
Weber
Becker
Schmidt
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Paroles.......
Confidence.....
Lndler. ...
in
teachers.
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Volkman
Eichberg
Wagner
Savori
Ries
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Mendelssohn
Gade
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Gurlitt
David
Lake....
Religious Meditation.
Rienzi's Prayer.
Romanze in Eb......
Slumber Song.
Song Without Words.
Spring Flowers.
37
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Kinderlied............................
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On the
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... Ascher
Believe Me......
Berceuse. ......................
Allard
Canzonetta ......................... Eichberg
Chanson
....... ".... Beazley
Chant d'Amour..................... Reinecke
Chansonnette ........................ Brooks
Dorflied.............................. Hauser
Gondellied.
David
Idylle......
...... Eberhardt
Koboldtanz
Kujawiak (Polish Dance).
Wieniawski
Dancla
Potique)......
Le Hamac (Mlodie
Lully
dAtys.
Songes
Les
Funestes
Moszkowski
Mlodie
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CoNTENTS
Air Mlodieux.
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Cavatine
Cavatina
Chant Sans
.
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...
. . Schumann
CLASSICAL COLLECTION
FLUTE AND PIANO
A collection of eighteen composition
FOR
of eleven c
selected from the works
composers, edited by Gus

Strube, of the Boston Symphony
chestra.
An unusually good and var
collection for flutists of average atta
ments. The flute part is bound separately, and also appears in the pia
part in small notes.
Vol. III
Piano Part, .75
Flute Part, .50
Complete, $1.00
brated
CONTENTs
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Franois Schubert
Op. 202,
Boat Song (Le Roulis).
No. 4. . . . . . . . . . . . . . . . . . . . . Charles Dancla
Cantaline. (Miniature-picture,
No. 4). . . . . . . . . - - - - - - - - - - - - - - - - - Carl Bohm
Eglantine (Petite Polka). Op. 177,
No. 1 . . . . . . . . . . . . . . . . . . . . Charles Dancla
Carl Bohm
Gavotte. Op. 3I4, No.
(Bagate11e,
Intermezzo
No. 3)...Carl Bohm
Invitation
the Waltz. Op. 22.
Carl Maria von Weber. (Trans. by Danbe)
Invocation (from St. Cecilia Mass),
.
.
.
Lndler (A1bum Leaf, No. 8)..... Carl B

Last Sleep of the Holy Virgin, The
J. Masse
(Prelude).
Last Souvenir, The (Pense Potique).
Op. 31.
H. Ra
Ronde dAmour..... Niccolo van Westerh
Walenn
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2.
J.
Vision
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3.
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...
Arr. by Karl Erdm

Scherzoso (Bagate11e, No. 2). ... Carl B
Serenade.
Carl B
Simple Aveu (Romance sans Pa
Op. 25.
Francis Th
roles).
Op.
36,
F. Devr
Solitude.
No.
to
Jeanne D'Arc,
Charles-Franois
de
Gou
L.
Charles-Franois Gounod
Tracy
Arr. by Geo.
DE BERIOT'S
For the flute, with an accompaniment

the piano,
for flute, violin, and piano
or
TWELVE
ITALIAN MELODIES
Arranged by
John
Philip
Sousa
Flute Part, Paper, .75

Piano Part, Boards, $1.50
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*
*
*
*
*
*
*
*
*
*
*
*
*
.
.
.
$1
collection
eighty-eight popular duets for pia
and flute, selected from favorite waltzes,

etc., also selections from the operas.
372
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of
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PASTIME
Arranged by
EVENING
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Piano part.
Violin part.
Flute and Piano. Complete.

Each part separate
Flute, Violin, and Piano. Complete. Each part separate.
Flute part.
Charles De Beriot
Album Leaf. . . . . . . . . . . . . . . . . . Gerald

Bee, The (LAbeille). Op. 13, No. 9,
polk
FLUTE AND PIANO DUETS
A collection of operatic airs, dance music,

arranged in an easy manner.
An
Arranged by
etc.,
Septimus Winner
admirable collection.
.75
uitar Part...
Piano Part, Boards......
First Flute
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I.O.O
and
I.25
Guitar..............
ments are tasteful and easy, and
great
variety
The following named
allow
combinations.
operas
are
rep
resented:
Aida, Anna Bolena, L'Africaine, Beli

sario, Bohemian Girl, Cavalleria Rus
ticana, Carmen, Ernani, Fille du Rgi
Complete, First and Second Flutes,
ment, Freischtz, Faust, Fra Diavalo,
Guitar, and Piano............... 2.75
nots, L'Amico Fritz, Lohengrin, Lucia
Lammermoor, Lucrezia Borgia,
Martha, The Masked Ba11, Mignon, Maritana, Norma, Orphe, Oberon,
Preciosa, Rigoletto, Satanella, Sonnambula, Traviata, Trovatore, Tann
hauser, The Talisman, William Tell.
First
and second Flutes and Guitar.

First Flute and Piano...............
First and Second Flutes and Piano...
1.75
di
1.50
2.oo
With
Guitar, and
Piano...............
1.75
1.5o
2.oo
2.75
in
I.25
I-35
to
.75
I.O.O.
of
Boards........
Piano Part,
First Flute and Guitar..............

First and Second Flutes and Guitar...
First Flute and Piano...............
First and Second Flutes and Piano.
Complete, First and Second Flutes,
.75
as
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Guitar Part.
is
Second Flute, Guitar, and

Piano Accompaniment
Arranged by
Septimus Winner
First Flute Part.
Second Flute Part.......
melodies, selected
from the most popular light operas,
The music
not difficult of execution.
piano,
The
second flute, and guitar
accompaniments
each solo are such
an ordinary performer can play.
quirements
the average amateur;
and, altogether, the books are most
satisfactory, affording great variety
combinations.
This collection
of
LIGHT OPERA MELODIES

FOR FLUTE
are
represented:
Apajune, Beggar Student, Bellman,

Corneville, Billee Taylor, Captain Therese, Chimes
Normandy,
Bells
Cigale,
Clover,
Dorothy,
Erminie,
Falka,
La
Fille de Madame Angot,
of
of
excellent collection of favorite

numbers from standard operas.
The
melodies are not difficult, and the sec
ond flute, piano, and guitar accompani
of
Arranged by
Septimus Winner
First Flute Part..................... $.75
Part...................
An

FLUTE AND PIANO
of
.75
373
Fledermaus, Gasparone, Gipsy Baron, Gondoliers, Hunting for Luc

Iolanthe, Ivanhoe, Madame Favart, Marriage by Lanterns, La Mascott
Merry War, Mikado, Miss Helyett, Nanon, Nell Gwynne, Olivette, Patienc
Paul Jones, Pinafore, Pirates of Penzance, Poor Jonathan, Princesse
Trebizonde, Queen's Lace Handkerchief, Rip Van Winkle, Trip to Afric
Tyrolean.
MUSICAL
A collection of forty-two solos for flute with pia

accompaniment ; each part of only medium di
culty; including opera selections, waltzes, a
other interesting numbers. One hundred and six
FLOWERS
Arranged by
Septimus Winner
$2.00
A large collection (two hundred and twenty-fo

pages, full sheet-music size) of the latest and mo
popular melodies, arranged for the flute, with pian
MUSICAL
PASTIME
Septimus Winner
Piano, $1.50
Flute, .75
in a pleasing and easy manner f

ordinary
ability.
amateurs of
The music consists of standard marches, waltzes, galops, quadrilles, an
other styles of dances; also a splendid selection of opera airs and oth
accompaniment,
melodies.
COLLECTION FOR
FLUTE AND PIANO
POPULAR
Arranged by
All are compositions of great merit, and

easily arranged that they may be cred
ably performed by amateur musicians, an
we feel assured they will meet with due appreciation.
CONTENTS
I am
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374
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Entreaty
Bohm
Forget Me Not
Hoffman
Good-Night, My Love, Good Night..... Abt
Happy Birds ...................... .....Holst
Happy Days of Yore ......
Foo:
He Who Heaven and Earth Keeping, Raff
Down the Shadowed Lane She Goes, Osgood
the Merry Postilion ............... ...

Last Night. . . . . . . . . . . . . . . . . . . . . . . . . . . Kjerse
Lenno
Love's Golden Dream. . . . . . . . .
Mollo
Love's Old, Sweet Song.
My Sweetheart.
Kjeru
.......
Of Thee am Thinking....
Strelez
Only To-night ........
Mollo
My Heart.
... Celli
Queen
... Bar
So Shy.
Spring
......... Beck
...
Across the Far Blue Hills, Marie. . Marston

Brown Eyes Has That Little Maiden Osgood
IDem Golden Wings . . . . . . . . . . . . . . . Rollinson
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T. H. Rollinson
This collection has been carefully co

piled and well arranged.
The melodie
are of a pleasing variety and compris
some of our most successful publication
Flute and Piano, complete, $1.00

Piano Part, separate, .75
Flute Part, separate, .50
.
.
.
*-
POPULAR COLLECTION
FOR FLUTE AND PIANO
Star of My Heart . . . . . . . . . . . . . . . . . . . . . Denza

Slumber On, Baby Dear ......... Gottschalk
Tender and True, Adieu . . . . . . . . . . . . . . . Lyle
... Mitchell
The Better By-and-By.......
The Gate of Heaven . . . . . . . . . . . . . . . . . Tours
The Tyrolese and His Child .... Nessmuller
Each part in separate book.
SOCIAL
Boards,
|
|
Continued
The Whistling Coon. . . . . . . . . . . . . . . . Raeburn

Thy Face. . . . . . . . . . . . . . . . . . . . . . . . . . . . AMarriott
True Love Cannot Forget........... Perazki
Two Marionettes . . . . . . . . . . . . . . . . . . . . Cooke
Whats A the Steer, Kimmer... Old Scotch
Bound in paper.
A collection of popular waltzes, marches, polkas,
HOURS

Flute Part, Paper, .75
Piano Part
*.so
galops, schottisches, overtures, together with de

sirable selections from the most popular operas
arranged for flute and piano.
Consisting of the most popular and fashion

able waltzes, polkas, galops, mazurkas, qua
Septimus Winner
drilles, etc., carefully selected from Strauss'
Boards, .75
compositions, judiciously abridged, and ar
ranged in an easy manner for the flute and piano.
STRAUSS
DANCE
MUSIC
Arranged by
Consisting
popular
cotillons,
polka
quadrilles,
of
lan
cers, fancy dances, waltzes, schottisches, reels,
hornpipes, jigs, etc., with the figures or steps for dancing. Arranged in a
light and easy manner.
WINNER'S DANCE
MUSIC
For flute and piano or reed organ.
.75
375
DUETS
FOR TWO FLUTES OR FLUTE AND VIOLIN
DANCE MUSIC FOR ONE

OR TWO FLUTES
polkas, etc. As the music is not

tion, as well as public dances, the book will be acceptable in all quarters.
marches,
.50
DE BERIOTS TWELVE ITALIAN MELODIES

Arranged by Chas. De Beriot. For two flutes.
HARVEST OF FLOWERS
(Blumenlese)
Arranged by
Julius Weiss
First Flute Part, $1.25
. . . . . . . . . . . . .
. ..
. .
$1.00
of beautiful German and Italian

operatic melodies, arranged in progressive order,
commencing with short, simple melodies and
ending with attractive selections from the operas.
A collection
Second Flute Part, $1.25
The music of this collection is not

difficult, and the book will be wel
AND PROGRESSIVE DUETS
comed wherever flute music is cul
FOR TWO FLUTES
tivated, and especially in the home
$1.00
circle, where an evening may be
pleasantly spent in the delightful pastime which is afforded by the flute.
MODERN
COLLECTION
PLEYEL's CELEBRATED
DUETS
OF EASY
classic used by the leading

sional players and teachers.
standard
profes
.50
WINNER'S VIOLIN AND

FLUTE DUETS
.75
Containing a choice selection of the most popu

lar dances, ballads, airs, and song tunes, ar
ranged in an easy and plain manner for two vio
lins, two flutes, or flute and violin. This is
a most admirable collection.
376
CLARLINET
METHODS
A progressive method, containing the
.50
pleasing
practice
cises and
melodies for
and recreation.
NATIONAL SELF-INSTRUCTOR
FOR CLARINET
Harry Prendiville
WINNER, SEPTIMUS
Eureka Method for the Clarinet

Paper, .75
and complete instructor for

the clarinet this work has no equal.
The scales are fully illustrated by care
fully prepared diagrams showing every
For
full
note upon the instrument, complete with studies and melodic exercises for
Articulation, embellishment, the shake, etc., are carefully
explained.
Matters relating to the various clarinets in A, BP, and C are dis
cussed in such a manner as to enable the learner to play with other instru
ments. There is nothing omitted that is necessary to give the learner a
comprehensive idea of all matters relating to the study. It is replete with
new and popular melodies of every character.
daily practice.
More than one hundred melodies are in this book, so that, besides its
value as an instruction book, it is worth considerable as an interesting col
lection of well-chosen pieces for the clarinet.
WINNER,
SEPTIMUS
Ideal Method for the Clarinet
.50

a large number of operatic and popular
airs, carefully selected and arranged with
special reference to the instrument.
377
CLARINET MUSIC
CLARINET AND PIANO

Arranged by
T. H. Rollinson
Clarinet and Piano, complete, $1.00
Piano part, separate, .75
Clarinet part, separate, .50
This collection has been carefully com

piled and well arranged. The melodie
are of a pleasing variety, and comprise

some of our most successful publications.
All are compositions of great merit, and s
easily arranged as to be creditably pe
formed by amateur musicians, and we fee
meet with due appreciation. For list of contents see Pop

ular Collection for Flute and Piano, page 374, the selections in both these
volumes being the same.
assured they
will
378
FLAGEOLET
WINNER, SEPTIMUS
Eureka Method for the Flageolet
This Method for the flageolet is one
that will be appreciated by those

desiring to perform upon this in
strument. The natural scale is first
given, and in each subsequent scale the sharps and flats that are introduced
are illustrated in the plainest manner by a cut of the instrument, showing
the open and closed notes and the keys required for the making of them.
The directions for acquiring a good articulation, with double-tonguing,
tremolo, and embellishments are clearly made by exercises pertaining to
these accomplishments.
lection of well-chosen pieces for the flageolet.
.75
WINNER, SEPTIMUS
Ideal Method for the Flageolet
.50
Contains simple and clear instructions

and a large number of operatic and
other popular airs, carefully selected
and arranged with special reference to
the instrument.
379
BRASS
CORNET
M
ARBAN'S
ET HO DS
CORNET METHOD
New Edition
Complete, $3.00
Abridged, $1.00
This new edition of a method acknow

edged to be the standard is the most co
plete and perfect ever issued.
Thre
beautifully
engrave
hundred and ten
pages, sheet-music size, including exhaustive and comprehensive instruc

tions in all the details of cornet playing, hundreds of exercises, togethe
with Arbans Art of Phrasing and Sixty Duets. The abridged edition
consisting of one hundred and forty pages of extracts from the above, co
tains the instructions complete, most of the exercises, and a large numb
of the duets and recreation pieces, and the Art of Phrasing.
NATIONAL
SELF-INSTRUCTOR
FOR CORNET
Harry Prendiville
.50
containing t
rudiments of music, followed by co
cise instructions in all the principle
A progressive
method,
and details of playing the instrume

and supplemented by numerous exe
cises and pleasing melodies for practice and recreation.
ROLLINSON, T. H.
Modern School for the Cornet
Paper, $1.00
and systemat
method ever published, edited by T.
Rollinson, in itself a guarantee of mer
The most
progressive
The elementary
studies are more

teresting and less fatiguing than those of other methods.
In addition to its technical exercises, it contains a set of military ba
studies, gleaned from military band editions of standard overtures a
selections, and also a number of carefully selected recreative pieces, co
sisting of standard songs, concert polkas, fantasias, etc.
38o
WINNER,
SEPTIMUS
American Cornetist
A concise and practical method in which the
in
structions are so simply treated and clearly ex

pressed that students will find it admirably suited
.75
to the acquirement of proficiency on this instru
ment.
It contains the rudiments of music, a complete and varied collection
of popular melodies and selections from operas, together with many duets
for teacher and pupil.
All the characteristics of the instrument are fully
explained.
WINNER, SEPTIMUS
Eureka Method for the Cornet
No book could be more complete as an

instructor than this method for the
.75
cornet. In the first place, the scale is
fully illustrated, so that no one can
Possibly go astray; the manner of tuning and playing with other instru
ments is carefully laid down in the plainest of terms, so that the learner can
irrange his own music without the aid of a teacher. Particular attention is
fiven to double and triple tonguing, with examples and exercises to accom
lish the same.
It also contains duets for two cornets and duets for the
piano,
ornet and
besides a great amount of information necessary to advance
And instruct the learner.
alue as an instruction book, it is worth considerable as an interesting col
ection of well-chosen pieces for the cornet.
WINNER,
SEPTIMUS
deal Metfiod for the Cornet
.50
WINNER, SEPTIMUS
Iew School for the Cornet
.50
Contains simple and clear instructions,

and a large number of operatic and other
popular airs, carefully selected and ar
ranged with special reference
to the
instrument.
In which the instructions are clearly and

simply treated.
For practice, more than one
hundred and fifty operatic melodies and pop

ular airs are added, forming a complete col
lection of the best melodies of the day.
381
COLLECTIONS
CORLNET SOLOS
WITHOUT PIANO ACCOMPANIMENT
ARTISTS' CORNET ALBUM
Complete, $2.50
Nos. 1, 2, 3, each, $1.00
Fourteen dollars worth of music for

This collection contains the celebrated
performed
solos
by the great soloists of the world

Arban,
Hartmann,
Levy, Bonnisseau, Cox
The list of composers includes
Rollinson, Legendre, Godfrey, Demare, Chapelle, and others. As a course
of finishing study this work is of incalculable value, for its contents include
thirty
nearly every variety of technical form. There are sixty-nine solos
Every ambitious cornetist and advanced
two of which are grand fantasias.
student should have a copy, for its contents are all standard, and every solo
ist is supposed to have studied them as a part of his musical course. It i
published in a complete form, and also in three separate numbers.
$2.50.
382
CORLNET MUSIC
ARTISTS' IDEAL
arranged for cornet and piano.

Following are the contents: The Lotus Flower,
Schumann; T is Known to Me Alone, Riegg;
Hark! Hark! the Lark! Schubert; The Unforgotten Song, Barri;
Home So Blest, Abt; Spring Song, Mendelssohn; The First Violet,
Mendelssohn ; Cradle Song, Brahms; Angles Ever Bright and Fair,
Hndel; Forget Me Not, Graben-Hoffmann; Birds in the Night, Sul
livan; Evening Song, Mendelssohn ; The Palms, Faure; Evening
Song, Schumann; To a Mind Weary and Worn, Tosti; Intermezzo,
Mascagni; The Beauteous Song, Barri; Ring Out, Wild Bells, Gounod;
The Good Shepherd, Barri.
Cornet Part, .50
complete, two books, $1.00
A collection of nineteen standard songs by emi
EVENING
John
HOURS
Arranged by
Philip Sousa
Paper, .75
nent composers,
A collection of twenty-eight familiar songs, marches,
waltzes, together with a few hymns, arranged by

John Philip Sousa for cornet and piano.
383
This collection has been carefully
com
piled and well arranged. The melodie
CORNET AND PIANO
are of a pleasing variety, and compris
Arranged by
T. H. Rollinson
some of our most successful publications
Cornet and Piano, complete, $1.00
All are compositions of great merit, and
Piano Part, separate, .75
easily arranged as to be creditably pe
Cornet Part, separate, .50
formed by amateur musicians, and we fe
assured they will meet with due appreciation.
WINNER'S DUETS FOR CORNET

AND PIANO
Septimus Winner
Choice selection of popular airs, dances

etc., arranged
plano.
.75
384.
as duets
for cornet
an
VIOLIN, CORNET. AND PIANO

(Can also be used for Violin and Piano without Cornet.)
A collection of sixty-two attractive

dance numbers arranged for violin,
cornet, and piano. Vol. I contains
CRITERION DANCE COLLECTION

Vols. I,
Violin Part, each.
II, III
. .. ... . ... . .. . .. ... ...
cornet Part, each........................

Piano Part, each . . . . . . . . . . . . . . . . . . . . . . . .
Complete (each vol., three parts)........
.5o
four quadrilles, three waltzes, two

marches, two galops, tWo polkas,
1.25
three mazurkas, and three schot
quadrilles,
tisches.
Vol. II contains four
five waltzes, two marches, three
galops, two polkas, two polka-redowas, and four schottisches; and Vol.
contains four quadrilles, four waltzes, three marches, two galops, three
polkas, three schottisches, one caprice, and one mazurka.
.75
A collection of
HAPPY HOURS
-50
RUSSELLS MUSIC OF THE DANCE

Piano Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ 75
--- - ------Violin
any collection
collection
eleven standard numbers, full
including, Priests March
size,
sheet-music
from Athalia, Mendelssohn
La Souver
Hermann;
aine, Overture,
Olla Podrida,
A
50
-50
selec
......
cornet Part
thirty
There are about

beautiful
tions
this book, which makes
violin, cornet, and piano music.
of
*:
SUPERBA COLLECTION
Violin Part.
of
pleasant addition
three books.
to
and Piano
A choice collection of waltzes, galops,

quadrilles, and other dance music, not
difficult, and sure
please amateurs.
a
$: :
.75
1.5o
to
Complete (three books)...
50
''
in
Violin Part. . . . . . . . . . . . . .
$
Cornet Part...
Piano Part... . . . . . . . . . . . .
easy pieces for home recreation
or the ballroom. The violin part is written in

the first position. The contents include three
marches, three galops, three schottisches, one
quadrille, two mazurkas, two polkas, four con
cert pieces, and six waltzes.
Arranged by
Harry Prendiville
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Rollinson; Village Bells, Rollinson; Fes

tival March, Mendelssohn Entertainment, Overture, Kerssen; La
Carezze, Characteristic Dance, Cox; A Maidens Caprice, Rollinson;
March-Polonaise, Rollinson; Zephyrette Gavotte, Martinot; Pris
matic Polka, Cornet or Trombone Solo, Rollinson,
;
III
385
TROMBONE
METHODS
by numerous exer
and supplemented
cises and pleasing melodies for practice
and recreation.
NATIONAL
SELF-INSTRUCTOR
FOR SLIDE TROMBONE
IN TREBLE CLEF
Harry Prendiville
.50
ROLLINSON,
American trombone players have been compelled

heretofore to depend upon foreign editions or
reprints of the same for text-books.
Slide Trombone
These
progressive
systematic
$1.00
editions were neither
nor
in general features and the elementary exercises
were difficult for a beginner.
We present in the above a work which embraces every desirable feature
and contains a complete course of study. In addition to its course of tech
nical exercises, studies, etc., it contains a set of military band studies, con
sisting of extracts from military band arrangements of overtures, selections,
and concert pieces, and also a carefully selected series of recreations, which
include standard songs, fantasias, etc.
Published in the bass clef only.
ROLLINSON, T. H.
Modern school for the Valve
Trombone or Bb Tenor
$1.00
A thoroughly progressive work, containing
course of elementary exercises, a

complete system of technical studies, a
series of recreations, consisting of beautiful
a fine
and characteristic standard melodies, and a

military
consisting
studies,
set of
band
of extracts of important and diffi
cult passages from military band arrangements of standard overtures,
selections, etc.
Published in both bass and treble clefs.
WOBARON'S THIRTY-FOURSTUDIES
FOR TROMBONE OR BARTONE

Followed by Three Duets
F. Vobaron
One of the best collections ever pub

lished, and adapted especially
the slide trombone, but equally avail.
able for valve trombone or baritone.
for
T. H.
Modern School for the
$1.00
386
Eb ALTO
FOR Eb ALTO
Harry Prendiville
.50

cise instructions in a11 the principles
and details of playing the instrument,
and
supplemented
ROLLINSON,
T. H.
Modern School for the Eb AIto
by numerous
exer
A complete, thorough, and progressive
work, consisting of rudiments of music,

$1.00
a systematic course of elementary study,
a complete series of technical studies,
etc., and also a fine set of recreations, consisting of a carefully selected
series of beautiful melodies.
It is by far the best work of its kind ever presented and offered at a
popular price.
BARLITONE

Each, .50
Bb
BARTONE,
BOTH CLEFS
Harry Prendiville
ROLLINSON,
T. H.
Modern School for the
Baritone
$1.00
A thorough, systematic, and progressive method,
which, in addition to a fine course of technical

study, contains a set of military band studies,
consisting of extracts of important passages from
military band editions of standard overtures,

selections, etc. It also contains a carefully selected series of recreations, con
sisting of choice melodies by standard composers. This work is published
in both bass and treble clefs, the book in the bass clefs also containing a few
fantasias.
387
One of the best collections ever pub

lished, and adapted especially for
the slide trombone,
but equally
available for valve trombone or
baritone.
WOBARON'S THIRTY-FOURSTUDIES
AND THREE DUETS FOR
BARI
TONE, SLIDE TROMBONE,

AND WALWE TROMBONE
$1.00
Bb TENORL
method, containing the

music,
rudiments of
followed by con
.50
by numerous exer
and supplemented
SELF-INSTRUCTOR
Bb TENOR, BOTH CLEFS
Harry Prendiville
NATIONAL
progressive work, con

taining a fine course of elementary
exercises, a complete system of tech
$1.00
nical studies, a good series of recrea
tions, consisting of beautiful and char
acteristic standard melodies and a set of military band studies consisting of
extracts of important and difficult passages from military band arrange
ments of standard overtures, selections, etc. Published in both bass and
treble clefs.
ROLLINSON, T. H.
Modern School for the Bb Tenor
or Valve Trombone
**
A progressive
A thoroughly
Bb BASS
NATIONAL
SELF-INSTRUCTOR
Bb BASS, BOTH CLEFS
Harry Prendiville
50
containing the
progressive
method,

388
Eb BASS OR TUBA
FOR THE TUBA
Harry Prendiville

.50
ROLLINSON, T. H.
Modern School for Eb Bass
A progressive, comprehensive, and system
atic instructor.
$1.00
The elementary and preparatory studies
and exercises are so arranged that the
fatigue heretofore necessarily experienced by the student in following the
regular course of study as laid out will be avoided.
In addition to a superior course of technical study, this work contains a
set of military band studies, gleaned from military band editions of standard
overtures, selections, etc., and contains a number of recreative pieces.
BUGLE
BUGLE, FIFE, AND DRUM
SIGNALS AND CALLS
As used in the regular army and milita of the

United States.
.25
389
BAND AND ORCHESTRA
MUSIC
This department of our business has now assumed proportions whic

we think will sustain us in the assumption that we are considered by th
musical profession as one of the leaders in this line of publication.
Mr. T. H. Rollinson is and has been for many years the manager of th
He is an elucated, experienced, and practical musician, an

has been for many years a successful director of band and orchestra, as we
as teacher.
As a composer his name is familiar to nearly every instrumen
talist in the United States and Canada. As of yore, his compositions
Europe.
still standard and popular and several have been published
musician,
composer
thoroug
addition
his abilities
and
he
also
business, and we feel assured that, knowing the requirements
man
American musicians, he will continue
increase the importance and valu
publication.
this branch
We shall avoid the publication
crude and trashy compositions, an
unworthy
publication. We shall, ho
therefore, issue nothing that
ever, issue some editions
easy grades, but not without merit.
In fact,
publish everything, from exercises for teaching purposes
magnificen
largest
editions suitable for the
concert bands and orchestras.
our aim
issue publications that will sell for many years, rathe
than so-called popular music, which lives for one season only.
in
is
as
to
to
is
It
to
of
is
of
of
of
to
of
of
STANDARD
EDITION FOR ORCHESTRA
polkas, schottisches
early
the
numbers
few concer
octavo form.
printed
in
The music
is
and other forms

pieces, solos, etc.
dance music, and
in
This edition includes marches, waltzes, galops,

of
CONCERT EDITION FOR ORCHESTRA
by
is
It
12
to
in
39C
in
fact all grades

suitable for concert an
inches, from finely engraved
Overtures, selections, solos, gavottes, novelties, and
concert music are included

this edition.
page
theatrical use, and printed
plates. The music varies from an easy grade
on
department.
very
difficult composition
POPULAR EDITION FOR ORCHESTRA

*
This edition is specially intended for amateurs, but the compositions are
all good and many of them are favorites with professional musicians.
The
first-violin parts are in the first position. The edition includes both concert
and dance music and is issued in the same form as our Standard Edition for
Orchestra.
STANDARD EDITION FOR BAND
Marches, galops, short polkas, schottisches, and other short numbers

constitute the contents of this edition. The grade varies from easy to diffi
cult and all numbers are listed at the uniform price of fifty cents each.
This edition is printed in what is termed Quickstep size.
POPULAR EDITION FOR BAND

This is the same in form and general character as the Standard Edition
but of an easy grade. All numbers may be performed without the aid of
clarinets.
AMATEUR CONCERT EDITION FOR BAND

of the numbers from this edition may be performed by bands without
clarinets, and an EP bass part in the treble clef will be sent if specially
ordered. It is an ideal amateur edition, and we shall always endeavor to
maintain its excellence. It is printed in octavo form.
A11
CONCERT EDITION FOR BAND

An edition of various grades of difficulty. It includes light overtures,
solos, waltzes, quadrilles, lancers, medleys, characteristic pieces, etc. It is
a fine edition for ordinary sized military bands of all grades of ability. It
is issued in
octavo form.
OLIVER DITSON COMPANY'S
MILITARY BAND JOURNAL

This is our edition par
We claim
earcellence.
it
to be the best in the
world, judging from points of arrangement, instrumentation, freedom from

errors, style, etc. It is specially edited by Mr. T. H. Rollinson, and each
number is performed by
a first-class
military band, under Mr. Rollinson's
39I
supervision, both from the manuscript and final proofs, before being pub
lished.
-
This edition is intended for large concert bands, but is equally available
for bands of twenty or more pieces, providing the instrumentation includes

three B2 clarinets. While the numbers are available for ordinary ree
bands, the proper instrumentation for large organizations is maintained.
It is printed from 8 by 11 inch plates on sheet 1o by 13 inches in size.
COLLECTIONS
FOR BAND AND ORCHESTRA
Besides these various editions, we also publish many collections for ban
and orchestra, each part in a separate book.
None of these collections ar
of a difficult grade. Upon application, we will send you, /ree of charge
a booklet giving a synopsis and price of each set. These collections includ
those formerly published by E. A. Samuels.
SAMPLE
PARTS
We will send you free of charge sample solo BP cornet parts complete o
our Standard and Popular Editions for Band and first violin of our Popula
Edition for Orchestra. We also will send selected sample solo Bb corne
parts of Concert Edition for Band and first-violin parts of Standard Edition
for Orchestra.
Send for Catalog and Bulletins
of New Publications.
Consisting of a set of twenty-two books

one for each instrument, written esp
cially for beginners, to be used eithe
with or without a teacher. The instrumentation is as follows, viz.: Piccolo
EP Clarinet; 1st and 2d B9 Clarinets; EP Cornet; Solo, 1st, 2d and 3d B, Co
nets; 1st, 2d and 3d EP Altos; 1st, 2d and 3d Trombones (or Bo Tenors an
Bo Bass) in Bass and Treble Clefs; Baritone in Bass and Treble Clefs; EP Bas
and Drums; each part in a separate book.
The Teacher or Leader may use Solo B9Cornet, EP Cornet or 1st B9 Clar
net as a Conductors Part.
The contents consist of Elements of Music, Nine Elementary Exercise
and Scale Exercises for the whole band, and twenty-eight compositions o
various styles. This is by far the best set of books ever issued for teaching
AMERICAN BAND INSTRUCTOR

T. H. Rollinson
purposes,
Per book.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Io books in one order.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
books in one order. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

20 or more books in one order, each . . . . . . . . . . . . . . . . . .
A sample solo BP or Eb Cornet book mailed for . . . . . . .
15
392
. . . .
. . . .
. . .. .. .
.......
. . . . . . . . .. ..
. . . . . . . . .. ..
$ -5
3-20
4-50
-
.2
COLLECTIONS FOR MILITARY BAND

The principal mission of these collections is that of supplying musical
organizations with a musical library in a convenient form and at an economic
cost. The majority are of an easy grade, and none are difficult.
A11 of the
organizations,
adapted
but,
collections for band are
for small
unless otherwise
specified, have instrumentation for EP Piccolo, E Clarinet, two B2 Clarinets,
Solo, 1st, 2d and 3d B9 Cornets, E5 Cornet, Solo, 1st and 2d (or 1st, 2d and
; 3d) EP Altos,
1st and 2d Bo Tenors and BP Bass (or 1st, 2d and 3d Trom
bones), in Bass and Treble Clef, Baritone in Bass and Treble Clef, EP Bass
and Drums.
Either EP or Solo
BP
Cornet may be used as the Conductors Part.
Price for the following collections:

Per book, 50 cts. ; 10 books, $3.20; 20 books, $5.00.
THE FESTIVAL BAND BOOK

Grade
Will A. Barrington
An easy collection of original composi

tions. The contents consist of marches,
waltzes, polkas, galops, schottisches, easy
solos and reels.
THE
GOLDEN CROWN
BAND BOOK
Grade
to
Francis Goetz
Thirty-five pieces in
a11.
A very popular collection of thirty-three origi

nal compositions, including marches, waltzes,
galops, schottisches, chorals, arias, etc.
of twenty-seven
compositions and arrangements by various
Grade 2 to 3
well known American composers. There
are nine songs and arias, the balance of the numbers being marches, galops,
polkas, etc.
THE HARMONIC TREASURE
THE IDEAL BAND BOOK

Grade
to 3
F. R. Webb
This collection
consists
a popular composer.
baritone,
quicksteps, sere
There are solos for
nades, waltzes, one aria for basses, galops,
and polkas.
An easy collection by
393
~
THE PROFESSIONAL
BAND BOOK
Grade 3
F. R. Webb
one requiem march, one

polacca, one fantasia, and several marches, polkas,
and schottisches, also an easy, short overture.
Twenty-seven numbers in a11.
The contents
THE LEADER'S JOY BAND BOOK
include
includes sixty-one
popular
Grade 2 to 3
and patriotic airs of eight
Arranged by
different countries. They are useful
Harry Prendiville
for flag raisings, campaign work,
Also published for Fife, Cornet and Drum Corps
banquets, etc.
Over one hundred
thousand of these books have been sold and we still sell several thousand
This collection
each year.
THE GOOD LUCK BAND BOOK

Grade
J.
Robt.
to
Herndon
A collection of twenty-seven numbers,

including marches, waltzes, galops,
one schottische, and three concert num
bers.
THE PERFECTION BAND BOOK
forms of composition; in
Grade 2
F. R. Webb
The CELEBRATION ALBUM
For Band
and also for Drum Corps
Grade
J.
to
Keller
This collection includes sixty-one jigs, reels

and lilts, also patriotic and popular airs
When ordering cornet or drum parts always

state whether they are wanted for band or
drum corps
The EXCELSIOR BAND BOOK

F.
forty-five
Twenty-four marches and quicksteps by

ten different composers.
Grade 2 to 3
Harry Prendiville
a11,
easy numbers.
THE PEERLESS BAND BOOK
Grade 2 to 4
Arranged by
A collection including ten different
Fifty numbers adapted for amateur bands.
The collection includes quicksteps, schot

tisches, operatic selections, one hymn,
dirges, polkas, waltzes, etc.
394
Twenty-four original, easy compositions

are contained in this collection. There are
marches, polkas, one alto solo, two bari
tone solos, waltzes and galops.
THE WELCOME BAND BOOK

Grade
to 3
F. R. Webb
THE MODEL BAND BOOK

Grade
2 to 3
F. R. Webb
Grade
J.
to 3
Keller
E9
alto,
one baritone solo, one polonaise, marches,

waltzes, galops, etc. Twenty-four numbers
THE PRIZE BAND BOOK
F.
This collection includes one aria for

in all.
A good collection by a very popular writer.

The contents
include dirges, fantasias,
marches, waltzes, galops, etc., with a total of
twenty-four numbers.
THE NEW ERA BAND BOOK

Grade
Robt.
J.
Herndon
THE SELECTION ALBUM
Twenty-nine original, easy compositions

are included in this collection, such as
marches, schottisches,
serenades, one med

ley, one grand march, polkas, waltzes, etc.
This is the greatest collection published at the
The contents include overtures, operatic

fantasias, baritone solos, serenades,
sets of waltzes, etc. Some of the numbers would cost $1.oo if published sepa
rately. There are twenty-six numbers in a11.
Grade 3 to 4
price.
selections,
THE COMPLETE BAND BOOK

Harry Prendiville
THE
BOSS BAND BOOK

Grade
F.
J.
to
Keller
A set of books for teaching purposes.
The contents include rudiments of music,

exercises, and thirty-two compositions.
A collection of twenty-four numbers of the
same style as
395
The Prize
Band Book.
The contents consist of thirty-two easy compo

For a Band of Six
tions by various composers, and include marche
waltzes, galops, one schottische, and one reel.
good collection for picnics, excursions, etc.
Instrumentation:
First and second Bh cornets, EP alto, BP tenor, ba
tone, and EP bass. When ordering tenor or baritone always state wheth
bass or treble clef is desired.
THE
NEW
ALBUM
396
TWENTY-FIVE AND THIRTY-CENT

-
COLLECTIONS
FOR MILITARY BAND
Instrumentation:
Same as that of the Fifty-Cent Collections (22 Books)
THE NEW DELIGHT BAND BOOK

Grade
20 books, $4.00
Single book, .25
A collection
of eighteen
numbers
by different composers, including
marches, serenades, polkas, waltzes,
fantasias, etc.
THE STERLING BAND BOOK

Grades 2 and 3
Arranged by
a collection of twenty-one marches

by various composers.
This is
-
Harry Prendiville
Single book, .25
20 books, $4.00
JEWELS FOR THE PROGRAMME
This collection includes three overtures,
two fantasias, one set of waltzes, and

two selections.
Besides arrangement for full band a
piano part is published, which can be used as an accompaniment to any
melody part.
Grade 3
Piano book, .75

Other books, .25 each
THE TRIUMPH
BAND BOOK
Grade 2 to 3
Single book, .30
10 books, $2.75
15 books.
20 books, $4.00
***
A collection of fifteen numbers, by W. H.

Thomas, J. H. Taylor, Robt. J. Herndon,
Adam Itzel, Jr., Harry Prendiville and
others. The contents consist of marches,
galops, baritone solos, one serenade, one Ethiopian dance, one jig, polkas,
one schottische, and one waltz.
397
COLLECTIONS FOR ORCHESTRA
The contents include six quadrilles

Grades 2 and 3
three galops, two waltzes, two scho
Harry Prendiville
tisches, three contra dances, thre
polkas, and two marches.
Piano book, $1.00
other books, .50 each
Instrumentation:
First and second violin, bass, cornet, clarinet, an
piano.
THE BON TON DANCE JOURNAL
The contents include four quadrilles

two galops, two marches, two reels, tw
ALBUM
contra dances, three waltzes, two polkas
Grades 2 and 3
Arranged by
two schottisches, three overtures, on
Harry Prendiville
lancers, one solo, and one lullaby. ,
book,
Piano
$1.00
Instrumentation : First and secon
violin, viola, bass, cornet, clarinet
flute, trombone (in F or G clef), and piano.
NEW
CONCERT
AND DANCE
This collection contains nine quadrilles,
THE PEERLESS QUADRILLE

JOURNAL
Grades 3 and 4
Piano book, $1.00

BEGINNERS
ORCHESTRA
Grades
This
ALBUM
including qu
compositions,
drilles, marches, galops, and othe
dance music, also overtures, an
other concert numbers.
Harry Prendiville
Piano book, $1.00 Other books, .50 each
Same as
The
THE PARLOR AND BALLROOM

ALBUM
Grades 2 and 3
Arranged by
Francis Goetz
collection contains twenty-fiv
easy
and 2
Arranged by
Instrumentation:
Strauss, Faust, and other noted composers

one lancers, and two waltzes.
Instrumentation:
First and second violin
viola, bass, clarinet, cornet, flute, and trom
bone (in F or G clef), and piano.
Peerless Quadrille
Journal.
A collection containing thirty-five
num
bers, including quadrilles, waltzes, ga

ops, and other dance music, also solo
for cornet, and one aria by Abt.
very popular collection.

Instrumentation:
First and secon
violin, viola, third violin (ad lib
which may be substituted for the viola), bass, cornet, clarinet, flute, trom
bone (in F or G clef), and piano.
Piano book, $1.00
398
THE
EXCELSIOR ALBUM
Grade 2 to 4
Arranged by .
Harry Pendiville
Piano book, $1.00

Other books,? .50 each
There are twenty-six numbers contained in

this collection, as follows: One overture, one
Spanish dance, two Tyroliennes, one polonaise,
galops, polkas, song for cornet solo, schot
-
tisches, etc.
Instrumentation
Same
as
The
Peerless
Quadrille Journal.
CHRISTIE'S
DANCE
ALBUM
This collection contains one march, Sicil
ian circle, waltzes, galops, schottisches,

polkas, one plain quadrille, one Caledonian
Edwin Christie
quadrille, one Yorke, one medley Virginia
reel, in all nineteen numbers, just enough for an evening hop.
Price and instrumentation same as The Peerless Quadrille Journal.
Grades 2 and 3
Arranged by
Note.
When ordering trombone part from any of these collections
always state which clef you desire.
Send for booklet giving complete synopsis

band and orchestra published by us.
of all collections for
This collection consists of old popu
POPULAR BRASS QUARTET ALBUM
lar melodies effectively arranged.

When ordering always state the
Parts,
Parts,
Single
Four
$1.00
.25 each
combination and clefs desired.
Instrumentation:
First BP cornet (or EP cornet), second Bb cornet,
trombone),
EP alto (or
and baritone.
Trombone and baritone published in both clefs.
Arranged by
Harry Prendiville
When ordering always mention the

combination and clefs desired.
Instrumentation:
First B cornet
(or E9 cornet), second B2 cornet,
ELITE BRASS QUARTET ALBUM

Arranged by
Harry Prendiville
Four Parts, $1.00
Single Parts, .25 each
EP alto (or trombone), and baritone.

Baritone and trombone published in both clefs.
399
Nos.
2,
3,
1,
EXERCISES
T. H. Rollinson
and
4
FIRST
FOR BANDS.
Each number, .50
These exercises are very desirable

teaching purposes, and include instru.
mentation for twenty-four players.
4OO
oRCHESTRAL PARTs
O P E R A S,
OF
CANTATAS, AND
SACRLED CHORLUSES
For rent only; rental, per month, is indicated
BARBARA
FRIETCHIE
Jules Jordan
$5.00
BELLS OF CORNEVILLE
Robert Planquette
$10.00
BOHEMIAN
W. M.
GIRL
Balfe
$10.00
ESTHER
W. B. Bradbury
$5.00
First violin, second violin, viola, violoncello,
double-bass,
first and second cornets, flute,

first and second clarinets, trombone, oboe,
tympani, drums (with bells and chimes).
First and second violins, viola, 'cello, bass,

flute, oboe, two clarinets, two cornets, two
horns, trombone, drums, and tympani.
First and second violins, viola, 'cello, bass, flute, oboe,
two clarinets, bassoon, two horns, two cornets, trom
bone, drums.
DOCTOR OF ALCANTARA
Julius Eichberg
$10.00
cor
bone, tympani, and drums.
$5.00
$5.00
oboe, two clarinets, bassoon, two horns, two

nets, trombone, tympani.

BUILDING OF THE SHIP

Henry Lahee
CHRISTMAS IDYL
W. W. Gilchrist
First and second violins, viola, 'cello, bass, flute,
First violin, second violin, viola, violoncello,
flute, clarinet, trombone, first

and second cornets, oboe, drums, and horns.
double-bass,

bone, drums.
4oD
FATINITZA
Franz von Supp
$10.00
First violin, second violin, viola, violoncello, doub

bass, clarinet, first cornet, second cornet, trombone, an
tympani.
FORTY-SIXTH
PSALM
Dudley Buck
$5.00
First and second violins, viola, 'cello, bass, flut

oboe, two clarinets, bassoon, two horns, two c
nets, trombone, drums.
First and second violins, viola, 'cello, bass, flute, tw

clarinets, two horns, two cornets, trombone, drums.
HAYMAKERS
G. F. Root
$5.00
First and second violins, viola, 'cello, bass, two flutes, tw
HOLY CITY
Alfred Gaul
two clarinets, two bassoons, four horns, two cornets

three trombones, tuba, harp, tympani.
oboes,
$10.00
HOUR
FAIRYLAND
Schoeller
IN
$5.00
iN MUSIC'S PRAISE
Henry K. Hadley
$10.00
JOAN OF ARC
Alfred Gaul
$10.00
LEONARD'S
clarinet,
drums.
two
horns,
two
cornets,
trombone

oboe, two clarinets, bassoon, two horns, two cornets
trombone, drums.
oboe
First and second violins, viola, 'cello,
bass

bone, drums.
MASS IN Eb
W. A. Leonard
flute, clarinet, two cornets, trombone, drums
$5.00
402
LOVE AND WHIST

Henry Housely
$5.00
MERRY
J.
COMPANY
C. Macy
bass,
flute,

First and
cornet.
second
violins,
bass,
cor
clarinet,
flute,
$3.00
NAZARETH
W. W. Gilchrist
two flutes,
two oboes, two clarinets, two bassoons, four horns,
two cornets, three trombones, tuba, tympani, harp.
$5.00
bass,
First violin, second violin, viola, violoncello and bass,

first and second flutes, first and second cornets, trom
OLIVETTE
Edmund Audran
$10.00
bone, clarinet, first and second horns, and tympani.
First and second violins, viola,
bass, flute,
clarinet,
bass, flute,
two clar
PATIENCE
Arthur S. Sullivan
two cornets, trombone, drums.
$10.00
PAULINE
H.
P.
Danks
inets, two horns, two cornets, trombone, drums.
$5.00
PINAFORE
Arthur S. Sullivan
bass,
flute,
clarinet, two horns, two cornets, trombone, drums.
$5.00
PIRATES
OF
PENZANCE
Arthur S. Sullivan
$10.00
Orchestral parts for first violin, second vio

lin, violoncello, double-bass, viola, clarinet,
flute, first and second cornets, first and second
horns, trombone, and tympani.
403
REDEMPTION
HYMN
J. C. D. Parker
$2.50

flutes, two clarinets, two oboes, two
bass,
four horns, two cornets, three trombones,
tympan
RUTH
Alfred Gaul
bassoon
oboe,
clarinets, bassoon, two horns, two cornets, trombone,
drum
$5.00
AND NAOMI
RUTH
L. Damrosch
flut
cornet
second violin, viola, violoncello

double-bass, oboe, bassoon, horns, first flute, seco
First
SORCERER
Arthur S. Sullivan
$10.00
STRANGE VISITORS
J.
C. Macy
violin,
flute and piccolo, first clarinet, second clarin

first cornet, second cornet, trombone, tympani, si
drum, and bass drum.
First and second violins, bass, flute, clarinet,
corne
trombone.
$3.00
THEE,
J.
COUNTRY
Eichberg
O
TO
$2.50
TRIAL BY JURY
Arthur
Sullivan
S.
bass,
trombone, tympani.
$5.00
$5.00
TWIN SISTERS
H. S. Saroni
ba
flute, oboe, two clarinets, bassoon, two horn

two cornets, trombone, tympani.
bass, flut
two clarinets, two cornets, two horns, trombon

tympani.
First and second violins, viola, 'cello, bass, flute, clarine
two cornets, trombone, drums.
$5.00
4O4.
VILLAGE BLACKSMITH
Charles F. Noyes
$5.00

oboe, two clarinets, bassoon, two horns, two cor
405
*|-
cLUB INSTRUMENTs
Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 413
Banjo ...
... page 423
Zither... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 429
MANDOLIN
METHODS
BRANZOLl,
GlSEPPE
Late of the Royal Academy of

St. Cecilia, in Rome
Practical Method
for the Mandolin
Theoretical
and
$1.25
Consisting of one hundred and twen

five progressive lessons, to which
added a choice collection of sol

duets, and other pieces for practi
and recreation.
It
is no easy task to prepare a n

method for so ancient an instrument as the mandolin; yet the auth
recognizing the fact that progress is the modern watchword and that it
especially applicable to art, puts forth a few suggestions, and indicat
numerous improvements in this method of teaching the use of that delig
ful little instrument, which has become so universally popular.
This book is not a self-instructor, so called. No one can becom
proficient player upon any instrument without the aid of a compete
master.
But the best results of the author's extended and comprehensi
experience will be found among these instructions, and it is his belief t
pupils, amateurs, and even teachers will be properly guided and benefit
by the careful use of this method.
CRISTOFARO, F. DE
The Mandolin
The remarkable success which has been attain

by this comprehensive instruction book for
Two volumes, each, $1.00
mandolin has induced the publishers to issue
two volumes in a revised, enlarged, and otherwi
much improved form. A considerable amount of new music, both solos a
duets, has been added to the new edition, making its repertory of studies a
recreations unusually full and varied.
The chief features of the Cristofaro Method are the simplicity and dire
ness of its rudimentary instruction, its use of the better sort of mando
music to illustrate the lessons, and its assistance to teacher as well as pup
In thoroughness this method has few equals. Every detail of the inst
ment and its music is carefully covered, from the first rudiments of mu
and the construction, compass, and tuning of the mandolin to its large
possibilities.
406
TIPALDI, DOMENICO
Complete Method for the Mandolin
The preliminary instruction is simple

and comprehensive. The exercises
and in progressive
order, introducing the second, third,
and fourth positions, and thorough minor and major scale practice. There
is a diagram showing frets and each note on the finger-board, and table giv
Two-volumes,
are melodious
each, $1.00
ing all the minor and major chords for accompaniment playing.
The
Method is so carefully compiled that the student who may not have the
advantage of a professional tutor will have but little trouble in self
instruction.
Volume II of the above contains a choice selection of solos and duets of
the standard and popular music, arranged for one and two mandolins, and
duets for mandolin and guitar.
WINNER, SEPTIMUS
American Mandolinist
A concise and practical method, in which the
instructions are so simply treated and clearly

expressed that students will find it a short course
to proficiency on this favorite instrument. The
volume includes the elements of music, a varied collection of the latest
songs and other compositions, together with selections from the most popu
1ar operas, an excellent collection of duets for teacher and pupil, arranged
in an easy and progressive manner, with all the characteristics of the
instrument fully explained.
Paper, .75
WINNER, SEPTIMUS
Complete Method for the
Spanish Mandolin
This new book contains simple and clear
in
structions, and a large number of operatic

and other popular airs, carefully selected
.50
from the latest publications, and arranged
especially for the mandolin. This popular
1ittle instrument is not more difficult to learn than the guitar. Its tone is
very sweet and penetrating. Several choice pieces, arranged for the man
dolin, with an accompaniment for the piano, have been added in the new
edition of the book.
Eureka
taining
WINNER,
SEPTIMUS
Method for the Mandolin
.75
This method contains the rudiments

of music in full, a dictionary of musi
cal terms, full and explicit directions
for transposing, and everything per

to the study of the instrument. The scales in a11 the principal
407
keys are illustrated with a diagram of the finger-board, showing the flats an
sharps in all their correct places. The positions or shifts are clearly defined
with the fingering indicated in a careful and studied manner, giving exam
ples of all characteristic features in the style of professional playing.
A fine collection of most of the popular and standard melodies of th
day and many classic themes are given for practice and pastime, comprising
all that is needful to advance the learner in the correct and universal
styl
as
it
is
of
as
of performance.
More than one hundred melodies are in this book, so that, besides
value
an instruction book,
worth considerable
an interesting co
lection
well-chosen pieces for the mandolin.
408
COLLECTIONS
BAY STATE MANDOLIN
COLLECTION
choice popular melo

arranged as mandolin solos,
with guitar or piano accompaniment.
There has been a growing demand
among mandolin players for a col
A collection of
dies,
Price, postpaid
Mandolin and Piano (two books). . . . . . . . $1.oo
Mandolin and Guitar (two books). . . . . . . I.oO
Mandolin, Guitar, and Piano (three books) 1.5o
lection of music made up of well

known popular melodies.
The Bay
.75
.. .. . . . . . . .. .. . . . . .
State collection has been issued to
.75
supply this demand. In it will be
popular
compositions
found twelve
of recent publication, arranged for the
mandolin, with guitar and piano accompaniment. It is receiving the high
est praise for well-known mandolin soloists, and we commend it to the atten
tion of all players on this popular instrument.
.. . .. .. .. . ... .. .. . .
.5o
CONTENTS
Boston Post March,
Danse Ecossaise. . .
Life in Palermo Waltz... .
The... . . . . . . . . . . . Tracy
... .. . .. .. . .. .....
. Baker
Darkies Delight, The . . . . . . . . . . . . . . . . Stults

Dreaming as She Sleeps. . . . . . . . . . . Josselyn
Garden of Love Waltzes.... Wheeler-Knight
Happy Bird Waltz... . . . . . . * * * * * * * * * * * * Holst
|
|
Walter
Leon
Ole Missisip Schottisch. . . . . . . . . . . Tracy
Rippling Waves Waltz... . . . . . . . . . . . . Rosas
Sweetest Story Ever Told. . . . . . . . . . . . Stults
Vision of Rest Waltzes. . . . . . . . . . . . . . . Baker
March
... ... . . ...
Romaine........................
The compiler of this collection selected

from the works of twenty-two cele
brated composers twenty-four composi
Complete, $1.00
Piano Part, .75
tions suitable for mandolin and piano
Tiandolin Part, .50
duets.
The result is a splendid and
varied compilation of music, not too difficult for the average player and
pleasing to advanced musicians. The book is folio size. A separate man
iolin part is supplied with the book. The piano part carries the mandolin
music in small type for the convenience of the pianist.
CLASSICAL COLLECTION FOR

MANDOLIN AND PIANO
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Intermezzo...
Wieniawski
Mascagni
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Kuiawiak.
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Mlodie.
Mir Mlodieux.
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CONTENTS
Savatine . . . . . . . . . . . . . . . . . . . . . . . . . Schmidt
Romanze in Ep ... . . . . . . . . . - - - - - - - - ... Sivori
Scherzo............................... . David
M1odie... . . . . . . . . . . . . . . . . . . . . . ... Rubinstein
Schlummer lied. . . . . . . . . . . . . . . . . . . . . . . . Booth
Ox Minuet. . . . . . . .
Haydn
Mendelssohn
Cavatina...
..................... Raff
Venetian Boat Song.
Bonfidence.
Gounod
Schulhoff'
Serenade.
Wiegenlied.
Braga
Hauser
La Serenata.
LIngnue Gavotte.
Angels
Arditi
Dream..
....... Lagye
LInquitude.
Eberhardt
Intermezzo...
Bohm
Songs Without Words.
Czibulka
avotte de la Princesse.
Mendelssohn
Herrmann
Ascher
*etite Berceuse.
Believe Me.
Mandolin Part. . . . . . . .
Guitar Part.....
Piano Part. . . . . . . . . . .
An
AND OPERA MELODIES FOR

MANDOLIN AND PIANO
numbers from standard

Th
melodies are not difficult, and the se
ond mandolin, piano, and guitar a
companiments are tasteful and easy
and allow of a great variety of combina
$.75
-
Guitar Part..........................
Piano Part, Boards..................
First Mandolin and Guitar..........
First and Second Mandolins and
Guitar.... ----------------------First Mandolin and Piano..........

Piano............................
Complete,
First
and Second
lins, Guitar, and
.75
tions. The following named operas

represented:
Aida, Anna Bolena, L'Africaine, Be
sario, Bohemian Girl, Cavalleria Ru
ticana, Carmen, Ernani, Fille
Rg
ment, Freischtz, Faust, Fra Diavalo
I.O.O.
1.25
I-35
I-75
1.50
2.00
Mando
Piano..........
favorite
du
Part............
of
Second Mandolin
collection
operas.
Arranged by
Septimus Winner
First Mandolin Part.................
excellent
nots,
2.75
L'Amico Fritz, Lohengrin,
Luc
new collection of music for

mandolin, with guitar and pianofor
HAPPY EVENING HOURS

Arranged by
Septimus Winner
accompaniment.
Guitar Part... ......

Piano Part.........
1.25
attention
of
books).-----------------------------Mandolin Part.......
Twenty-five
every
mandolin
.5o
.6o
pop
lar compositions skilfully arrange

valuable volume well worth
.
.
.
.
.
- ---
$1.00
I.CO
Mandolin and Piano (two books)........

Mandolin and Guitar (two books).
Mandolin, Guitar, and Piano (three
.75
CONTENTS
Manola, La.
Miserere.
Mocking Bird Quickstep.
Paul and Virginia Galop.
Pesta1 or Maniac Waltz.
Poliuto Galop.
Spring Flower Galop.
Storm March Galop.
Then You '11 Remember Me.
Trab Trab Galop.
Valliance Polka Militaire.
Wedding March.
Bird of Paradise Waltz.

Blue Bells of Scotland.
Carnival of Venice.
Clara Polka.
Congress Grand March.
Danish Dance.
Do They Think of Me at Home.
Faust March.
Heidelburg March.
Her Bright Smile Haunts Me Still.
How Can Leave Thee,
Kiss Waltz.
di
Lammermoor, Lucrezia Borgia, Ma

tha, The Masked Ball, Mignon, Maritana, Norma, Orphe, Oberon, Prec
osa, Rigoletto, Satanella, Sonnambula, Traviata, Trovatore,
Tannhuser
Talisman,
The
William Tel1.
4IO
play
LIGHT OPERA MELODIES

FOR MANDOLIN
With
This collection
of melodies, selected
from the most popular light operas,

the instruments named.
The music is not difficult of execution.
The piano, second mandolin, and guitar
accompaniments to each solo are such
as an ordinary performer can play.
quirements of the average amateur;
and, altogether, the books are
most
satisfactory, affording great variety in
combinations.
Mandolin, Guitar, and

Piano Accompaniment
Arranged by
Second
Septimus Winner
First Mandolin Part. . . . . . . . . . . . . . .

Second Mandolin Part...
..
Guitar Part.... . . . . . . . . . . . . . . . . . . . . . .
Piano Part, Boards. . . . . . . . . . . . . . . . . .
First Mandolin and Guitar..........
Guitar... . . . . . . . . . . . . . . . . . . . . . . . .
First Mandolin and Piano...........
Piano.
.. .. .
.75
I.O.O.
1.25
1.35
1.75
1.5o
. . . . . .. *- - - - - - - - - -
2.00
and Second Mando

lins, Guitar, and Piano..........
2.75
Complete,
. ...
$ .75
are
First
represented:
Apajune, Beggar Student, Bellman, Bells

of Corneville, Billee Taylor, Captain
Therese, Chimes of Normandy, La Cigale, Clover, Dorothy,
Erminie, Falka,
Fille de Madame Angot, Fledermaus, Gasparone, Gipsy Baron, Gondoliers,
Hunting for Luck, Iolanthe, Ivanhoe,
Madame Favart, Marriage by Lan
terns, La Mascotte, Merry War, Mikado,
Miss Helyett, Nanon, Nell Gwynne,
Olivette, Patience, Paul Jones, Pinafore,
Pirates of Penzance, Poor Jonathan,
Princesse de Trebizonde, Queen's Lace Handkerchief, Rip
Van Winkle,
Trip to Africa, Tyrolean.
MANDOLIN
AND
PIANO
DUETS
Arranged by
Septimus Winner
teurs,
but containing many pieces

suitable for concert purposes. It will
be found of great value for parlor
entertainments and prove a popular
favorite without doubt.
Complete, $1.00
Piano Part, .75
Mandolin, .50
[IPALDI'S
MANDOLIN
COLLECTION
Compiled and Arranged by
Domenico Tipaldi
In Two Volumes
animent.
This collection consists of popular

melodies, intended chiefly for ama
This eminent player and teacher of the mandolin

has provided in this book a very excellent col
lection of instrumental selections, consisting of
the melodies of some of the most popular songs
and piano pieces, arranged as instrumental solos
for the mandolin, with guitar and piano accom

The mandolin solo part is in one book, the guitar part
in an
4II
other; and the book containing the piano part has the mandolin part also
placed on a separate staff above the accompaniment.
Those desiring the piano and mandolin parts in one book can thus pr
cure them so arranged. Those desiring the guitar and mandolin parts
separate books are also provided for. But it will be better, as a matter
convenience for the two or three players, to obtain three separate books.
The guitar book, as also the piano book, it will be remembered, has th
mandolin solo part placed in small notes above the accompaniment, on
separate staff, so that the accompanist has no difficulty in following.
The prices of each volume are as follows:
Mandolin and Piano. Heavy paper. Two books. . . . . . . . . . . . $1.oo
I.OO
Mandolin and Guitar. Heavy paper. Two books. . . . . . . . . . . .
Mandolin, Guitar, and Piano. Heavy paper. Three books...
1.5o
** - - - - - - - - Heavy
paper.
Mandolin Part.
. . . . . . . . . . . . . . . .. . . .
.50
Guitar Part. Heavy paper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.75
Heavy
paper
Piano Part.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.75
412
GUITAR
METHODS AND EXERCISES
CARCASSi, M.
These excellent exercises are recom

guitarists. They
mended by eminent
are progressive and instructive, com
bining the elements of taste and style
with the most approved technic.
Fifty Recreations for the Guitar

.60
CARCASSI, M.
Method for the Guitar
Complete, $1.50
Abridged, $1.25
CARULLl, FERD.
Complete, $3.50
Abridged, $2.00
This is
new edition of this celebrated work,

embracing much valuable matter not contained
in those previously issued, including choice
pieces, and a number of songs in each of the dif
ferent keys.
a
Directions for learning to play by the simplest

and easiest means, followed by forty-four gradu
ally progressive pieces and six studies. This
book is very popular, and is a standard work.
CURTISS, N. P. B.
Diagram Scales and Chords for the Guitar.
CURTISS, N. P. B.
. . . . . . .
. .... .. .. .. ..
$.25
A new and improved edition of this celebrated

and popular work. A progressive and complete
Method for the Spanish guitar, containing the

elementary principles of music, and examples
and lessons necessary to facilitate the acquirement of a perfect knowl
edge of the instrument, to which is added a choice collection of admired
songs, composed and arranged expressly for this work.
$3.00
DOBSON,
GEORGE C.
Simplified Method for Guitar
.50
An easy and comprehensive Method for

learning to play the guitar, enabling the
beginner at once to learn sufficient for
home amusement. The scales and chords
are given, and a number of pieces, both vocal and instrumental.

413
HAYDEN,
W.
Containing
L.
progressive and
complete
system of imparting the elementary prin

New Method for the Guitar
ciples of music with recreative lessons,
$2.50
to which is added a large selection of the
most popular songs, ballads, instrumental pieces, etc.
An invaluable work for teacher and
HOLLAND
Comprehensive
Method
for the Guitar
pupil
and worth many times its price to the ama

teur on account of its melodious contents
The work contains over one hundred beautifu
melodies, introduced as examples, studies
$2.00
Several plates are given, showing the manner of holding

the guitar, natural scale, and harmonic tones; and particular attention i
called to the treatment of arpeggios, equality of tone, slurs, appoggiaturas
the mordante, the positions, legato and staccato, the glide, the vibration o
tremolo, intervals, continuous open notes, muffled sounds, harmonic sounds
different tunings, quality of tone, special studies, keys little used, an
accompaniments.
Containing instructions and selections of cel

brated waltzes, polkas, and popular songs.
HOWE, ELIAS
Instructor for the Guitar
.50
KUFFNER,
For the use of beginners.
J.
Sixty Lessons for Two Guitars

$1.50
and practical method in which the

simply treated and clearly e
Guitarist
structions are
admirably suite
Paper, .75
proficiency on this instr
the acquirement
music,
complete
ment.
contains the rudiments
and varied collectio
popular melodies and selections from operas, together with many due
concise
It
of
of
to
it
SEPTIMUS
so
WINNER,
American
A11
the characteristics
WINNER, SEPTIMUS
Easy System for the Guitar
the instrument
are ful
Containing elementary instruction and

collection
standard pieces and songs.
of

explained.
of
of
and exercises.
.50
4I4
WINNER,
All
in
Eureka Method for the Guitar every key by a plan of the finger-board,
designating the fingering in all available
.75
positions. It contains the latest and most
popular songs of the day, arranged in an easy and playable manner, also
guitar duets, duets for the violin and guitar, and an endless variety of fan
dangos, guitar solos, and characteristic compositions, making the most
attractive and interesting collection of guitar compositions ever offered to
SEPTIMUS
the scales and chords are illustrated
1earners.
More than sixty melodies are in this book, so that, besides its value as
an instruction book, it is worth considerable as an interesting selection of
well-chosen pieces for the guitar.
WINNER, SEPTIMUS.
Guitar Primer
.50
In this work the rudiments of music are explained

in a new and simple manner, while melodious
scales and exercises
are introduced, which are
cal
culated to interest and advance the pupil, to which

are added arrangements of popular songs, polkas, marches, waltzes, etc.

a large number of operatic and other popu
.50
lar airs, carefully selected and arranged
with special reference to the instrument.
A method which can be used without a teacher, and is intended as a help to
those who desire to gain a fair knowledge of the guitar easily and quickly.
WINNER, SEPTIMUS
Ideal Method for the Guitar
WINNER, SEPTIMUS
New School for the Guitar
.50
In which
the instructions are clearly and
sim
ply treated.
For practice more than one hun
fifty
operatic and popular airs are
dred and
added, forming a complete collection of the
best melodies of the day.
WINNER, SEPTIMUS
Perfect Guide for the Guitar
.50
Designed
to lead to a knowledge of the
art of performing on the guitar, and con

taining a collection of popular melodies.
415
WORRALL, H.
Guitar School
Full directions
are given for
stringing and tunin
guitar; also rules for holding the instrument, man

striking the strings, playing the chords, arpeggios,
$1.00
notes, harmonics, etc. Worralls Guitar is adm
suited to the wants of amateurs and scholars desirous of making rapi
ress. It contains a choice collection of songs and instrumental mu
addition to the elementary and instructive matter.
416
COLLECTIONS
AMATEUR
GUITARIST
Boards, $2.00
The collection
A splendid
collection of songs, choruses with

guitar accompaniment, and instrumental pieces,
by Hayden, Worrall, Danks, Hays, Stewart, etc.
embraces some of the best songs and pieces in our catalog,

recommended as being indispensable to lovers of guitar music.
and is
BIJOU
ALBUM OF SONGS.
AND DUETS
VVith Guitar Accompaniments
Twenty-four new and popular songs and duets

with guitar accompaniments. Recommended
to the attention of all guitarists.
Arranged by
T. P. Trinkaus
Paper, $1.00
Fifty
CARCASSI, M.
Recreations for the Guitar
.60
These excellent compositions are recom

mended by eminent guitarists. They are
progressive and instructive, combining
the elements of taste and style with the
most approved technic.
We have found it necessary to comply with the

with
demands of hundreds of guitarists throughout
the country, who desire a book collection of Col
lege Songs and other popular compositions, with accompaniment for the
guitar. The book is large, sheet-music size, one hundred and twenty pages,
and contains all the popular College Songs of the day, including all the old
favorites, such as My Darling Clementine, Jingle, Bells, Paddy
Duffy's Cart, Seeing Nellie Home, Solomon Levi, etc.
COLLEGE SONGS
Guitar Accompaniments
Paper, $1.00
The eminent Spanish author of this

book says: In presenting this vol
ume to guitarists-amateur and pro
fessionalI have been actuated by
the fact that during my long experi
FERRER'S COMPOSITIONS AND
ARRANGEMENTS FOR THE GUITAR

Composed
and Arranged by
Manuel Y. Ferrer
$4.00
ence as a teacher
have observed
that amateur performers find it difficult to procure good music suitably

417
for the guitar, and that it is next to impossible to procure a co

lection so varied as this which I now have the honor of offering. Th
instrumental pieces are here arranged in the order of their difficultythe
first part containing easy pieces, the second having pieces of moderate dif
culty, and the third part providing pieces of such difficulty as to requir
thorough study.
The proper positions and fingering for each piece have been careful
marked, and directions are given for producing the various effects in th
easiest manner, also instructions as to acquiring brilliant execution.
arranged
As the
music size.
FOLIO
In this collection the guitarist will
OF INSTRUMENTAL
GUITAR MUSIC
fin
will make
many favorites which
the boo
fifty compo
a valuable companion. The

tions which are included have been c
sources,
lected f om the best
our aim being to present a volume which wou
surpass anything published in this line at the popular price of fifty cent
The handsome cover, substantial binding, and clear printing all combin
with the careful compilation to make it a most desirable volume for
.50
guitarists.
CONTENTS
Harp Quickstep (Duet)....................

Hayd
Heart and Hand (Potpourri).
Heidelberg March.
--Hayd
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Home, Sweet Home (Var.).

Iolan the (Potpourri).
Hayd
Hayd
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to
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Jenny Lind Polka.

.......
Listen
the Mocking Bird (Var.)... Rus
Lycoming Waltz
..............
Hayd
Mascot (Potpourri).
Mountain Maid's Invitation........... .
My Lodging
on the Cold Ground..
National Schottische......
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- - - - - - - - - Hayden
Amary 11is........
Aurora Waltz...
- Baden Baden Polka
Bal Par Waltz (Duet).....
Banjo Imitation.
Carlotta Grisi's Favorite Polka.
Charming Waltzes.
Hayden
Come,
Come with Me (Waltz)...... - - Eleanor Waltz............ ..................
Fairy Wedding Waltz.
Hayden
Frolic of the Frogs (Waltz)..... .... Hayden
Grand March from Norma.
Harmonic Galop (Duet).
Harmonic March (Duet).
Olivette (Potpourri).
Pirates
Penzance (Potpourri)...
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Old Rosin, the Beau.
418
of
Air from Norma.
book would be incomplete without a number of standard an

meritorious songs and duets, such as are well adapted to the guitar, nume
ous choice selections are included in this volume.
Selections made from the works of Beethoven, Mozart, Schubert, Me
delssohn, Rossini, Chopin, Donizetti, Verdi, and Y radier need no commen
The list of contents embraces many selections from many composers, an
the music abounds in variety; two hundred and twenty-five pages, shee
...
Hayd
Hayd
Continued
FOLIO OF INSTRUMENTAL GUITAR
MUSIC
Patience (Potpourri).
Slide Waltz . . . . . . . . . . . . . . . . . . . . . . . . . . . - - - - - - Spanish Quickstep... . . . . . . . . . . . . . . . . . . . . . . .

Spanish Retreat..... . . . . . . . . . . . . . . . . . . . . . . . . .
Susanna Polka. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Swiss Air, with Variations . . . . . . . . . . . . . . . . .
. .... .. .. . .. ...
Hayden
Prussian March.............................
Racquet Galop.
.. .. .. .. .. .. .. .. .. ..
Simmons
Rainers Grand March......................

Red Gauntlet Galop (Duet). . . . . . . . . . . . . . . . .
Rosa Lee (Galop). . . . . . . . . . . . . . . . . . . . . . . . . . . .
Sebastopol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Shepherd Boy. . . . . . . . . . . . . . . . . . . . . . . Hayden
Silver
Lake Waltz
Tedesco
WOCAL GUITAR
MUSIC
--- -- -- -- --- -- ---- -- -- --
To Thee (Waltzes) . . . . . . . . . . . . . . . . . Hayden

We Have Lived and Loved Together. . . . . .
Womans Lo ye (Waltzes) . . . . . . . . . . . Hayden
.. ... . . ... ... . . ... .. .. . ...
FOLIO OF
*olka.......
In adding this volume to the celebrated Folio

series it was necessary to keep in mind the
extraordinary values given in the preceding

Folio publications.
The compiler of the
Folio of Vocal Guitar Music, however, seems to have endeavored to go
beyond anything published even in this series, for we do not know of any
book which offers greater value for the sum of fifty cents. Altogether, this
is a volume which every guitarist will be glad to possess.
.50
CONTENTS
Above the Stars is Rest.......... . . . . . . . . . . .

Bridge, The . . . . . . . . . . . . . . . . . . . . . . . . . . Hayden
Brook, The... . . . . . . . . . . . . . . . . . . . . . . . . Hayden
Christmas Carol (Instrumental). . . . . . . . . . .
Cradle Song. . . . . . . . . . . . . . . . . . . . . . . . Wallace
IDanube River, The . . . . . . . . . . . . . . . . . . . . . . . . .

Dars a Meetin Here To-Night.... Hayden
Day When You'11 Forget Me........ Hayden
Dearest Image of My Heart........ Hayden
Dont be Sorrowful, Darling. . . . . . . Webster
Dont Let the Old Folks Suffer. . . . . Hayden
Down South, Whar de Sugar Cane Grows,
Hays
and Home.... ......................
Happy be Thy Dreams................ Flint
How Can I? (March, Instrumental). . . . . . .
Friend
Hunting Tower.
. ... ... .. ...
Music in the Air (Instrumental)...........

My Mother Dear. . . . . . . . . . . . . . . . . . . . . . . . . . . .
My Old Kentucky Home, Good Night,
Foster
|
|
|
|
Serenade to
Ida................ . . . . . . . . . . . . . .
Love............ Wallace
Sleeping,
Speak to
Sweet Roses of Spring..... . . . . . . . . . Hayden

Sweet Spirit, Hear My Prayer. Sebastian
.................
In the Starlight (Duet)......................
Kaloolah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hayden
Kathleen, the Rose of My Heart... Hayden
Led Astray. . . . . . . . . . . . . . . . . . . . . . . . . . . Violetta
Listen to the Mocking Bird. . . . . Hawthorne
Love Not. . . . . . . . . . . . . . . . . . . . . . . . . . . . . ........
Massas in de Cold Ground.......... Foster
Melodies of Many Lands. . . . . . . . . . . . . . . . . . . .
No Home But Has a Darling There, Hayden

Now the Swallows are Returning. . . . . . . . . .
Oft in the Stilly Night......... . . . . . . . . . . . .
O Let Me be a Child Again. . . . . . . . . Hayden
Over the Garden Wa11. . . . . . . . . . . . . . . . . . . . . .
Poor Little Lost One............. . . . Hayden
Rocked in the Cradle of the Deep..........
Scenes That are Brightest......... Wallace
|
|
419
Dream,
Me.................................
Sweet By and By... . . . . . . . . . . . . . . . . . . Harris

Sweet Face at the Window... . . . . . . . . Danks
Teddy O'Neale. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
There's Nothing Like a Fresh'ning Breeze.
Thrown on the World.............. Hayden
We Never Speak as We Pass By... Hayden
You Never Miss the Water Till the
We11 Runs Dry. . . . . . . . . . . . . . . . . Howland
GUITAR AT
HOME
--
A collection of the most popular vocal and instr
mental music of the day. All the songs have we

arranged accompaniments for the guitar, and th
instrumental pieces are very fine and sufficiently varied to afford excellen
recreation for those who like the sweet music of the guitar. The book
large, sheet-music size and shape, has one hundred and seventy-five page
containing about one hundred pieces, part vocal, part instrumental. Th
music is not difficult. The following pieces, with many others, will b
found among its pages:
Boards, $2.00
INSTRUMENTAL
|
--
---
Carnival of Venice.
Charming Waltzes.
Flower of the Flock March.
Frolic of the Frogs Waltz.
Heart and Hand (Potpourri).
Heidelberg March.
Home, Sweet Home (Variations).
--
Iolanthe (Potpourri).
Mascot (Potpourri).
Old Folks at Home.
Olivette (Potpourri).
Patience (Potpourri).
Pirates of Penzance (Potpourri).
Racquet Galop.
Sebastopol.
Shepherd Boy.
VOCAL
Danube River.
Hunting Tower.
In the Starlight (Duet).
Mollie, the Rose of Glendea.
My Dear Old Sunny Home.
My Poor Heart is Sad, etc.
No, Sir!
Scotch Lassie Jean.
Some Day.
Sweet By and By.
Sweet
Spirit, Hear My Prayer.
Take Me Home.
Take This Letter to My Mother.

There's Nothing Like a Fresh'ning Breez
we Never Speak as We Pass By.
write Me a Letter from Home.
Spanish Fandango.
To Thee Waltzes.
Woman's Love Waltzes.
The thirty-two compositions contained

this collection are selected from the mo
popular, melodious, and sparkling favo
ites of the day. They are all by musicians of note, and form one of the mo
Any three pieces are worth th
attractive books of guitar music issued.
price asked for the whole, and we are confident that guitarists will receiv
Ninety-six pages
the Instrumental Guitarist with due appreciation.
INSTRUMENTAL
GUITARIST
$1.00
sheet-music size.
42O
MINSTREL
A collection of forty-nine favorite minstrel
SONGS OLD
AND NEW
With Guitar Accompaniments
$1.00
ROYAL COLLECTION INSTRU

MENTAL GUITAR MUSIC
.50
COLLECTION WOCAL
GUITAR MUSIC
Arranged by a well-known guitarist and

arranger. A book of eighty pages, in
cluding eighty-two pieces. The list of
authors contains such names as Strauss,
Kinkel, Merz, Coupa, etc.
A book of eighty pages, including vocal
VOCAL GUITAR ALBUM
guitar accompaniment by
Shattuck, Stewart, Hays, Coe, May,
Foster, Thomas, etc.
gems with
.50
A new and varied collection of songs with accom
paniment for guitar, selected with the view of

pleasing refined tastes and requirements. The
following contents of the book will show the style and scope of the collec
tion, which should be in the hands of all guitarists :
to Ole Virginny..... Bland
Chiming Bells of Long Ago. . . . . . . Shattuck
Day when You'11 Forget..... J. R. Thomas
Dreaming. . . . . . . . . . . . . . . . . . . Milton Wellings
T.
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J.P. Crowe
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Scotch Lassie Jean.

Some Day.
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in
See-Saw.
Miller
M. Wellings
Summer Shower...
T. Marzials
Take Me Home.
Armand
My Mother...... Hays
Take this Letter
Troubadour Song (Nanon)........ Gene
Visions of Twilight.
Van Slyke
to
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Merry Heart.
Bucalossi
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Paolo Tosti
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Love You Ever.
Hays
W.
Wakefield
Oft
the Stilly Night.
Old Aunt Jemima............... ... ... Grace
Pretty as
Bishop
Picture
Rosalie.
Knight
Sailing.
Godfrey Marks
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Will
Mary of Argyle.
Wrong?....
'he Ma-ma.
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Now Was
Golden Slippers.................. .... Bland

Huckleberry Picnic......... Frank Dumont
In the Morning by the Bright Light... Bland
}%radier
La Paloma.
Last Night.
Halfdan Kjerulf
Arthur Sullivan
Let Me Dream Again
Love,
Sir!.
Bishop
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No,
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Dream Faces... . . . . . . . - - - - - - - - - - - Hutchinson

Drifting Apart. . . . . . . . . . . . . . . .......... Keens
Ehren on the Rhine. . . . . . ... .... Hutchinson
Paolo Tosti
Forever and Forever. . . . . . .
.... Diehl
Going to Market.
Golden Love.
... Milton Wellings
My Poor Heart
Sad, etc.
My Southern Sunny Home......
B.
carry Me Back
B.
Paper, $1.00
Denza
Mo11ie, the Rose of Glendea
Challomer
My Dear Savannah Home..... H. P. Danks
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... ..
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ROYAL
songs,
many with chorus, arranged with guitar accom

paniment, selected from the compositions of
thirteen-well-known minstrel song writers. One
hundred and thirty-three pages, sheet-music size.
42I
When Leaflets from the Roses Fa11,

H. P. Danks
A collection of seventy-seven compositions,

consisting of fifty-three popular and stand
ard melodies arranged as guitar solos, in
progressive order, five duets and trios, together with nineteen operatic airs
and popular songs with guitar accompaniment.
WINNER'S GUITAR PRACTICE
Paper, .75
422
BANJO
METHODS
ARMSTRONG, THOMAS J.
Crown Banjo Method
written by one of America's

leading banjo instructors, is suited to the re
quirements of teachers who desire to make
.75
rapid progress with their pupils. Persons
not having the convenience of professional assistance will with little pa
tience soon master this famous instrument. The method is simple, pro
gressive, practical, thorough in every detail, and contains many new and
important features: introducing the study of chord or accompaniment play
ing by the diagram system, how to tune the banjo and guitar, banjo and
piano with other instruments, a dissertation on the banjeaurine, also letters
to young banjoists on expression in banjo playing, the banjo and piano, the
banjeaurine, fretted and unfretted banjos, noted banjoists, and various styles
of playing the instrument. Independent of the rudimental exercises, there
are twenty-seven vocal and instrumental compositions, worth four times the
price asked for the complete book.
CURTISS, N. P. B.
Acme Banjo Method
$1.25
full
This method,
A book by this well-known author
(whose guitar
method has become so celebrated), and one in which

all banjoists will be interested.
It contains the
rudiments of music, and a very novel idea, viz., a
set of diagrams, showing every key, chord, and scale on the banjo.
Also a fine collection of progressive instrumental and vocal pieces, selected
and arranged expressly for this work. This banjo book will find a welcome
among teachers of the instrument, as it makes the lessons easy for both
teacher and pupil.
DOBSON, GEORGE C.
New System for the Banjo
Boards, $1.00
Containing a course of complete instruction,

together with practical exercises, selections,
and arrangements, and a fine collection of jigs,
hornpipes, walk-arounds, reels, etc., com
posed and selected expressly for this work.

423
DOBSON, GEORGE C.
simplified Method for the Banjo
the stu
as valu.
able knowledge concerning the banjo

from beginning to end. There are more
than one hundred pages well filled with exercises and good music, vocal and
instrumental.
The author, during his experience as a teacher, conceived the idea
which he has so happily embodied in this book, viz., that of a simplified
method for the banjo, written on five lines, and the tones represented by
two kinds of notes,
a black dot for a tone required to be stopped by the
finger of the left hand, a round ring to represent the open "string. The
success of the system led the author to publish it in this form, and we take
pleasure in calling the attention of all banjoists to this book, which is the
work of a celebrated player and teacher.
.50
progressive instructor, edited

compiled
by
and
famous banjoists, and pre
and G. CLIFTON
pared expressly for use by students who wish
Universal Banjo Instructor
to make real progress, and at the same time
$1.00
find plenty of pleasing and melodious recrea
tion along the way. Besides the thorough rudimentary department, the
book contains more than fifty beautiful instrumental pieces and twenty-two
songs with banjo accompaniment.
DOBSON, HENRY C.
A wide-awake,
One of the most complete works published

for this favorite instrument.
It is based
upon sound theoretical principles, an
occupies a prominent position among instruction books of this nature. Al
chords possible to be played are given and thoroughly analyzed, togethe
with numerous examples.
BANJO METHOD
HUNTLEY'S
$1.50
COLE
Progressive International
Banjo Instructor
FAIRBANKS
and
A complete and comprehensive guide for
424
C.
E.
A.
by
E.
J.
C.
C. in
of
of
students
ing
of
the instrument, and also contain.

large and carefully selected collection
$1.00
music from many
the best arrangers and
America, includ.
composers for the banjo
ing John M. Turner, A. Baur,
Blackmar,
E. Latshaw, H.
Lefavour, Ike Brown, Gad Robinson,
Henning, Ed. Hulse,
Pique,
and many others, the entire work carefully compiled
W.
Cole.
This book is so arranged that

finds amusement as well
dent
WINNER'S AMERICAN BANJOIST
A concise and practical method in which
the instructions are so simply treated

and clearly expressed that students will
find it admirably suited to the acquirement of proficiency on this instru
ment. It contains the rudiments of music, a complete and varied collection
Paper, .75
explained.
All
the characteristics of the instrument are
fully
Containing the rudiments of music and a

collection of the most popular dances,
tunes, reels, hornpipes, jigs, etc.
.50
Also
playing
guitar
style,
directions for
in
with
easy accompaniments to some of the most popular ballads of the day.
WINNER, SEPTIMUS
Easy System for the . Banjo
WINNER,
SEPTIMUS
Eureka Method for the Banjo
For the banjo this book is really the plain

est and most desirable of all instructors
ever offered to learners. Everything per

taining to the instrument is fully explained.
The scales and chords in every key are illustrated by a plan of the finger
board designating the correct position of the fingers, in all positions. It
contains the latest and most popular songs and dances of the day arranged
in an easy and playable manner, avoiding all difficult and heavy chords that
are unnecessary in simple melodies for the pupil. It is a self-instructor in
the fullest sense, and to those who cannot easily obtain a teacher it is all
that is needed, giving all particulars in a concise and careful manner.
.75
WINNER,
Ideal
SEPTIMUS
Method for the Banjo
.50
Contains simple and

and a large number of
popular airs carefully
ranged
with special
instrument.
WINNER, SEPTIMUS
New School for the Banjo
.50
a large collection
instrument.
clear instructions
operatic and other
selected and ar
reference
to
the
Containing the rudiments of music and

complete directions for performing in the
various positions, with a full explanation
of the chords and accompaniments.
Also
popular
adapted
of the most
melodies best
to the
425
COLLECTIONS
The following table of contents will, we think, prove

Arranged by
sufficient recommendation for this book, showing
Rafael de Soria
collection of popular and pleasing airs by eminen
.75
composers, the whole being carefully arranged by
celebrated artist, and not beyond the ability of amateurs.
BANJO
GEMS
One GlanceMy Heart Has Gone, Liberat

Secret Love Gavotte. . . . . . . . . . . . ...... *es
Selection from Patience.
Sullivan
Some Day
FOR BANJO
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fine, large book
Czibulk
Fahrbac
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.
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.
.
.
.
Janoni
Left........ Miller
delightful
banjo
of
music, containing many

the favorite
college
songs
Paper, $1.00
and
brilliant collec
Cloth, $1.50
popular
gems
tion
other
with words
music, and banjo accompaniment, beautifully harmonized by well-known
of
Bauer, Cole, and others
THE BANJO
.50
of
collection
forty old-time melodies arranged
banjo solos, and thirty-three songs with banj

accompaniment, sheet-music size.
as
GOOD OLD TUNES FOR
banjoists.
in
BANJOIST
of
banjo pieces
well-selected collection
$1.00
some for two banjos (duets), three banjo
(trios), banjo and piano, etc., and all
Among the favorite
them well arranged for this popular instrument.
are: Bella Bocca Polka, Charming Gavotte, Chinese Serenade,
La Paloma, Medley from Mikado, Plantation Medley, Racque
Galop, Woman's Love Waltzes, and many more excellent pieces, man
banjo book. All the solos ar
them having never before appeared
good, and the pieces for two and three banjos, and for banjo and piano ar
pleasingly arranged.
INSTRUMENTAL
of
COLLEGE SONGS
Supp
Vanon
Stephanie Gavotte.
Womans Love Waltz...
I'anoni
Dance)...
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Oh! You Little Darling

I'm the Only One That's
Welling
of
Little Sunbeam (Song and
Fatinitza March.....
Spanish Song........
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Langtry Polka
.Maylath
Laughing Little Diamond Eyes.... Sawyer
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...
Chorus of Pirates. . . . . . . . . . . . . . . . . . . Sullivan

Duchess of Albany Gavotte. . . . . . . . Abecasis
Audran
>ems from Olivette ...
Kiss Waltz.
... Strauss
CONTENTS
426
MINSTREL SONGS
AND NEW
A collection of forty-nine favorite minstrel songs,

many with chorus, arranged with banjo accom
paniment, selected from the compositions of
thirteen well-known minstrel song writers. One
hundred and thirty-three pages, sheet-music size.
OLD
and Banjo
For Voice
$1.00
ROYAL COLLECTION OF
INSTRUMENTAL
For
MUSIC
the Banjo
.50
A collection of more than one hundred pieces

for the banjo, including all the old popular
variety of all kinds
tunes.
A pleasing
of
banjo music, well gotten up and bound in

an attractive and serviceable cover.
CONTENTS
Do They
Account of Eliza.
Anna Polka.
Annie Put Polka.
Think of Me at Home?
Electric Light Waltz.
A11 on
E1 fin
Waltz.
Arbor Schottische.
Fandango.
Arkansas Traveller.
Beach at Long Branch Schottische.
Bisbee Jig.
Blue Alsatian Mountains.
Fatinitza.
First Love Redowa.

Flat Boat Dance.
Footsteps in the Sand.
Funeral March,
German Waltz.
Grand March.
Blue Danube Waltzes.

B1ue Eyes Polka.
Boccaccio March.
Boccaccio Duet.
Bold Privateer.
Bonanza Polka.
Brilliant Polka. .
Bu11y
Grandmother's Armchair.
Hard Times.
Heel and Toe Polka.
Here I Am Galop.
Highland F1ing.
Jig.
Carnival of Venice.
Home, Sweet Home.
Jig.
Circus Jig.
Hot Corn.
Hun kidori.
Hunter's Chorus.
I'm Getting a Big Boy Now.
Jig Cotillon.
Johnny Schmoker.
Jolly Brothers' Galop.
Chorus
College Hornpipe.
Daisy Schottische.
Dance to Doll's Dream.
Dandy Jim.
IDecoration
Day.
Together with seventy-three others of
427
similar character.
A collection of popular and favorite songs, with ban

accompaniment. The compilers have omitted eve
thing that tends to coarseness or vulgarity, and hav
succeeded in producing a book that lady banjoists, as well as others wh
play upon the instrument, will take pleasure in. The pages, nearly o
hundred, are large, sheet-music size, the music is clearly printed, and t
whole tastefully bound. The following choice variety of songs will be foun
VOCAL BANJOIST
$1.00
in the Vocal Banjoist:
to
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Pierre
.Ma
Bont
------------See-Saw
Speak
Me..
----Tit for Tat.....

Troubadour Song...................... G
Whippoorwills Song............. Milla
.
Cushman
Bland
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* .
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And other beautiful songs,

this catalog.
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... Tully
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Denza
Levey
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Rosalie (College Song).
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Sailing....
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Enoch Arden.
Funiculi-Funicula
Geraldine
Gipsy Maiden.
Golden Wedding.
I11 Love My Love.
My Pretty Jane....................... Bish

... Fos
Old Folks at Home.
Only
Campa
See Thee, Darling..
Pretty
... Bish
Picture.
Hutchinson
Winner
Winner
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Dream Faces.
E11ie Rhea
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...
Crosby
to
. . ... ..
Dear Little Shamrock. . . . . . . . . . . . . . Cheeney

Dem Golden S1ippers. . . . . . . . . . . . . . . . . Bland
Molloy
Dinah Doe......................
Dont Let the Old Folks Suffer.
Cooper
.
.
.
.
.
-
. . .. .. .. ... .. . . .
In the Gloaming. . . . . . . . . . . . . . . . . . . Harris

In the Morning by the Bright Light... Bla
Kerry Dance.......................... Mol
Love, I Will Love You Ever. . . . . . Bucalos
Little Old Log Cabin in the Lane..... Ha
Listen to the Mocking Bird. . . . . Hawthorn
to
Dearest Mae.
as
a
Bid Me Good-Bye. . . . . . . . . . . . . - - - - - - - - Tosti

Broken Picture. . . . . . . . . . . . . . . . . . . . . . . Pontet
Carry Me Back to Ole Virginny..... Bland
... Evans
Days When I Was Young......
add which would require too much space
428
ZITHER.
METHODS
HAMILTON, C. K.
Perfect Method for the Zither
This is a more complete method than

appears from its size and price. The
zither is a sort of guitar, with from

twenty to thirty additional strings in
the bass. It is here well described, and particular directions for playing
are appended. Also cuts, diagrams, exercises, elements of music, and sixty
seven melodious pieces.
.75
Containing a short, universal grammar of

music, guide for zither players and for
With
Edward Heindl
tuning the instrument, together with prac
$1.50
tical exercises and tunes in the more gen
erally used major and minor keys, the whole intended for a zither with
twenty to thirty strings.
MORALT'S ZITHER METHOD
WINNER'S
COMPLETE METHOD
FOR ZITHER
.50
It gives
of easy instruction
bright
and a number of
melodies for
the sweet-toned zither. The following
pieces with many others are to be found
among its pages:
Annie Laurie.
Heel and Toe Polka.
course
Old Oaken Bucket (Song).

Racquet Galop.
Scotch Lassie Jean (Song).
Sweet By and By.
Swiss Yodle.
Write Me a Letter from Home.
Home, Sweet Home.

Japanese Young Man.
Listen to the Mocking Bird.
Old Folks at Home.
WINNER, SEPTIMUS
Eureka Method for the Zither
This volume of Mr. Winner's remark

able series of self-instruction books fully
sustains the high order of excellence

which has marked the series from its
beginning.
The method of instruction is exactly suited to the needs of the
beginner.
The text is fully illustrated, the style simple and direct, and
every point is carefully covered.
Beginning with the first rudiments of
music, the pupil is led, step by step, by means of explanations, illustrations,
and progressive exercises, to a well-grounded mastery of the instrument.
large, well-chosen collection
besides,
There
music from the best
pupil.
sources, especially adapted
growing
the
needs
the
to
of
of
English and German Text

.75
is,
Revisions and Additions by
429
DULCIMER
DULCIMER
Comprising a full course of instruction for t

dulcimer, and a collection of marches, waltze
schottisches, hornpipes, etc. Also direction
for tuning.
INSTRUCTOR
J. Low
.50
HARMONICA
HARMONICA
INSTRUCTOR
To which is added
MOUTH
a collection of music.
Fro
simple
this
instrument the most tasteful and b
liant music has been produced. The way to pr
tice may be learned in the Instructor.
.25
OCARINA
SPECIAL METHOD
OF
INSTRUCTION FOR
THE OCARINA
W. *H.
R - Seabur y
The ocarina one would think is a lineal descen
ant of the conch-shell, for its construction w

probablv suggested by blowing on that noi
instrument. It is an Italian invention, easy
learn, and produces very pretty music.
.50
DRUM AND
FIFE
ARMY DRUM AND

FIFE BOOK
Containing full instructions, the reveill

the tattoo, the various calls and beats us
Edited by Keach, Burditt, and cassidy

.75
in the service, and a choice collection

music. To which is added the bugle
ca11 book, containing all the infantry ca
and calls for skirmishers used in the United States Army.
McCARTHY'S
DRUM
.50
BOOK
view to the requi

ments of drum and fife corps, giving
A book written with
struction, and containing a fine selectio

of marches, quicksteps, army calls, etc.
-
430
McCARTHY'S
FIFE BOOK
A book written with
view to the require
ments of drum and fife corps, giving instruc

tion, and containing a fine selection of
marches, quicksteps, army calls, etc.
.50
WINNER, SEPTIMUS
American Fifer
A concise and practical method in which the
in
structions are so simply treated and clearly ex

pressed that students will find it admirably suited
.75
to the acquirement of proficiency on this instru
ment. It contains the rudiments of music, a complete and varied collection
for teacher and pupil. All the characteristics of the instrument are fully
explained.
WINNER, SEPTIMUS
Drum Book
Containing full instructions for the various move
ments in the art of drumming.
.25
WINNER, SEPTIMUS
Eureka Method for the Fife
This method for the fife is compiled and
enlarged upon from the latest and best

acknowledged authorities. The music is
.75
just such as is best suited to the require
ments of a fife and drum corps. The melodies are written in the easiest and
most available manner so that ordinary performers can readily learn them
with but little practice. The directions for acquiring a good articulation,
with double tonguing, tremolo, and embellishments, are clearly made by
exercises pertaining to these accomplishments.
lection of well-chosen pieces for the fife.
WINNER, SEPTIMUS
Ideal
Method for the Fife

.50
Contains simple and clear instructions and a

large number of operatic and other popular
airs, carefully selected from the latest pub
lications and arranged with special reference
to the instrument.
43 I
Accordion
HOWE, ELIAS
Containing a scale for the common
complete Accordion Preceptor

Paper, .30
whole-toned and also for the semi-toned

or perfect accordion, together with
large collection of popular and fashio
able music, arranged for French accordion.
WINNER, SEPTIMUS
American Accordion
A concise and practical method in which the i

structions are so simply treated and clearly e
pressed that students will find it admirably suite
.75
to the acquirement of proficiency on this instr
ment.
It contains the rudiments of music, a complete and varied collectio
of popular melodies and selections from operas, together with many due
for teacher and pupil. All the characteristics of the instrument are ful
explained.
WINNER, SEPTIMUS
Eureka Method for the
German Accordion
.75
For the accordion this book is about the
ve
Every tun
best that has ever been compiled.
is marked with figures indicating the keys to
used. The scales in all the principal keys wi
flats and sharps are fully explained so th
learner may be enabled to arrange other music for his own u

Examples a
without the tedious task of transposing the same.
given in a11 keys of just how to do it so plainly demonstrated that it m
be understood by a child.
Most of the popular tunes of the day are foun
among its contents.
Full instructions in all particulars will be found
pages;
its
the rudiments of music are fully explained so that the learne
who wishes to play correctly will find it full and comprehensive.
the
WINNER, SEPTIMUS
Ideal Method for
the German Accordion
50
Contains simple and clear instructions and

large number of operatic and other popular air
carefully selected, and arranged with speci
reference to the instrument.
432
WINNER'S PERFECT GUIDE

FOR THE GERMAN
CONCERTINA
By Septimus Winner
.50
In which the instructions are so clearly

and simply treated that it is possible to
learn to play without a teacher.
For prac
tice more than one hundred and fifty mel

odies and operatic airs are added, forming
a complete collection of the best melodies
of the day.
CHARTS
book contains fifty popular
selections, etc.
Curtiss
Each
Postpaid, $1.00
song has the music upon the vocal
staff with the words beneath as in ordinary musical publications. The accom
paniment is upon an entirely new principle and is formed by the Indicator.
It is so simple that the youngest child can readily understand
The Indi
cator also has the music staffs upon
and enables any one
learn
read
note, indicating the notes upon the music and upon the piano
the same
Anybody
sing
play
accompaniment
songs
time.
who can
one
the
can
the
once and with very little practice. Upon becoming familiar with the
any piece
licator one can play the accompaniment
music written,
either for the voice
an accompaniment
instrumental music,
SIGHT
This
MUSIC-READER
songs, opera
to
of
at
by
it
to
it.
Indicator and Book sent by mail
of
to
INSTRUMENTAL MUSIC
Leopold Engelke
.
.
.
.
.
.
.
.
the
.50
or
map
chart showing the compass and
scales of different instruments.
SUIDE FOR COMPOSERS OF
the Scales and Modulator.
accompanies
Indicator
Small
.
.
.
Jurtiss Harmony
or
to
as
or
for other musical instruments.
of
solos
Book.
to
In
at
CURTISS
.50
433
BALLROOM BOOKS
-
DANCING AT HOME
AND ABROAD
C. H. Cleveland, Jr.
Cloth, $1.00
gracefully written and timely boo

considerably
which is
more than a mere hand
dancing.
book for
The author treats the art o
being a gentleman and that of being a la
This is
with considerable skill, defends his profes

sion against the assaults of the prejudiced an
over-critical, cleverly turns the tables on them in some places, and holds
own well in the argument. He also gives numerous rules and suggestions
good society
for the benefit
those who wish
conform
the etiquette
good manners.
and there are suitable remarks with reference
they
dance,
prefaced
by
As
the directions for the
are
treatise
th
arrangement
dancing
plans
best
hall. Then there are illustrated
the figures and positions
the dancers, with the steps and all else that
of
to
of on
needed.
.25
of
Containing the figures

dances
deportment an
use, with rules
of
ETIQUETTE OF THE BALLROOM,

OR THE DANCER'S COMPANION
etiquette.
of
Containing the figures

upwards
three hundred dances, including th
Paper, .30
latest and most fashionable dances
waltzes, polkas, mazurkas, scho
tisches, gallopades, common and polka redowas, quadrilles
cotillions
varsovienna, gorlitza, madrilianne, espagnola, two-, three-, and five-ste
waltzes, etc.; also common waltz and polka, contra dances, May Day an
Christmas and New Year's dances, with illustrations, and full explanatio
every variety
the latest and most approved figures, and calls
th
deportment
changes,
etiquet
different
and rules on
and the toilet and the
dancing.
BALLROOM HANDBOOK
Elias Howe
for
of
of
or
HOWE'S
of
12
Containing calls for the different changes an

figures
all the principal quadrilles, cot
lions, country dances, and fancy dances th
day.
of
POCKET BALLROOM PROMPTER
HOWE'S
to
of
of
to
to
of
to
Paper, .60
434
PROMPTER'S HANDBOOK
By J. A. French
.50
practical and sys

tematic method. The calls or changes given
are in many instances original, and all fea
This work is presented
as a
tures of the work will be presented so plainly

and concisely that they will not be difficult of interpretation.
If this treatise is faithfully studied and its theories fully understood it
will enable the newly-fledged prompter to enter the ballroom and assume
his position with confidence, and perform his duties intelligently.
The ideas of the leading prompters and dancing-school teachers of New
England are incorporated in the work, thus enabling the reader to compare
the different schools and theories.
435
PART III
THEORETICAL
Catechisms, Primers, etc.
Harmony . . . . . . . . . . . . . . . .
Biographical... . . . . . .
............ page
439
. . . . . . . . . . . . . . . page
457
. .. . .. ... .. . .. .. . . ... ... . ... ..
.. . .. .. . ... .. ... .. .. . .. . .... ... .
... page 443
DICTIONARIES
ADAMS, JOHN S.
of Latin, Greek,
Italian,
Hebrew,
French,
German, Span
Five Thousand Musical Terms
English,
ish,
and
such
other words,
.75
phrases, abbreviations, and signs as are
to be found in the works of Beethoven, Bertini, Cramer, Czerny, Haydn,
Handel, Hnten, Liszt, Meyerbeer, Mendelssohn, Mozart, Rink, Thalberg,
Weber, and other eminent musical composers. The whole including the
celebrated dictionaries of Dr. Busby, Czerny, Grassineau, and Hamilton.
Arranged, revised, and corrected by John S. Adams. To which is added a
treatise on playing the organ or pianoforte by figures, etc.
This work is very popular. Over one hundred thousand copies have
been sold.
BUCK, DUDLEY
A complete dictionary
To furnish
musical
dictionary
which
should be full and complete, and at the

Dictionary of Musical Terms
same time of moderate dimensions, has
.40
been the aim of the compiler, and he has
admirably accomplished his purpose in this handy and serviceable book.
A very attractive feature of the Dictionary is the appended Home and
Life Rules for Musicians, by Robert Schumann, translated by C. Jays.
LUDDEN, W.
This valuable work gives the proper spelling
of the various words or musical terms, and

the proper pronunciation is then indicated
Boards, $1.00
by means of phonetic spelling and a key,
Cloth, $1.25
which is added at the top of each page.
The work is far more complete than anything heretofore published, and
gives the proper pronunciation of the various musical terms as used in the
German, French, Italian, Latin, Russian, Spanish, and other languages,
care being taken to discard the thousands of useless and meaningless words
and sentences usually put in such works.
Mr. Ludden does not pretend to interpret all musical terms, but the
1arge number he so ably defines and pronounces are all probably that
one will ever meet with. The terms in use in every country where music is
a science are here given.
Pronouncing Dictionary of
Musical Terms
437
MACY,
J.
C.
Pronouncing Pocket Dictionary of Over Five Hundred Musi

cal Terms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
A complete encyclopaedia of music, -elementar

technical, historical, biographical, vocal, a
instrumental. To which is added an append
MOORE, J. W.
Encyclopaedia of Music
introducing later musical events.

This new edition of a favorite work contains definitions and explan
tions of more than five thousand technical terms, in connection with mu
historical and other valuable information; a history of music from
earliest times to the present; a memoir of more than four thousand dis
guished musical celebrities and composers; directions concerning the us
musical instruments, and more than two hundred short essays on vari
subjects connected with the musical art.
POCKET
NORTH'S
DICTIONARY
Compiled by
Thomas ONeill
.12
A pronouncing dictionary
conta
ing over five hundred definitions

Small, con
musical terms, etc.
nient, pocket size.
These two Oxonians have been

cessful in putting together a b
Edited by J. stainer, Mus. Doc., Magdalen
which is not only a dictionary, b
College, Oxford, and W. A. Barrett,
fine musical encyclopaedia, wh
Mus. Bach., St. Mary Hall, Oxford
takes a place held by no other p
111ustrated, Cloth, $3.00
lication. The greater part of
Terms are briefly and clearly explained, but where there is necessity
amplification the article
extended even
the length
an essay. Th
what
said
the Larynx fills fifteen pages, and there are twentycuts
the larynx and vocal chords
various aspects and positions;
plain S
occupies
treatise
Oratorios
three pages; the subject
brings
quantity
very interesting history, with
description
Lydian
any
important
modes; and
subj
ancient Greek and
other
illustrations,
pictorial
musical,
greatly
The numerous
and
add
the att
tions of the volume.
of
of
to
of
so
of
a on
in
of is
of
is
to
STAINER AND BARRETT

Dictionary of Musical Terms
in
Cloth, $5.00
438
CATECHISMS, PRIMERS, ETC.

Dictionaries.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
This useful book is designed expressly for the young
Pupils First Primer
student in music and is arranged in the form of

questions and answers, thus forming an elementary
a
in
of
seems
to of
Containing the rudiments

together with
Guide
BURROWEs PIANOFORTE PRIMER

AND GUIDE TO PRACTICE
J. F. Burrowes
music,
Prac
L.
in
or
to
private
Adapted either
tice.
teaching
tuition
classes. New
edition, revised and modernized,
Boards, .30
with important additions by
addition,
pronouncing
meet the requirements
both
There
to
musical terms.
teachers and pupils.
It
of
vocabulary
catechism.
is,
BROWN, F. H.
.50
of
H. Southard.
Burrowes Primers are so well known and in such constant demand
that no further words
comment are necessary here. The additions by
Southard make this edition much more complete than the original edition.
new edition, with Czernys

and other valuable matter.
calcu
teaching
lated either for private tuition
in classes, and
not intended
interfere
with any mode teacher may have adopted,
the regular lessons. Peters Burrowes
matter
of
much
the old edition

more valuable matter,
as
as
to
but to be used
addition
has always contained about twice
*
*
*
is
Boards, .40
Cloth, .50
is
It
W. C. Peters
to or
in
Letters
PIANO PRIMER
BURROWES'
in
making
it
F.
Burrowes, and we have recently added still

the most perfect primer extant. Over one hundred thousand
copies now
use.
J.
439
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
BURROWES' PIANOFORTE PRIMER AND GUIDE TO PRACTICE

F. Burrowes. Old Edition
J.
437
.30
The rudiments of music explained in a concise

and novel manner, easily understood by begin
ners, and designed to be a guide and assistant t
private teachers, schools, classes, and to music
students generally.
ROBERT
Music Made Easy

.40
CLARKE, JAMES
Catechism of the
Rudiments of Music
This enlarged edition of a very useful work

of
C.
.38
EDWARDS,
is i
the form of questions and answers, asked and give

by teacher and pupil, and the whole designed
the use and assistance
teachers
the pianoforte.
of
CHALLONER,
to
to
of
of
of
G.
FITHIAN, POWELL
Writing Lessons and
is
of
is
in
catechism in the rudiments of
musi
Paper, .25
with many accompanying pages carr

ing blank music-staves for exercis
writing.
JOUSSE'S MUSICAL CATECHISM
With an appendix containing modul
Music Catechism
struction of chords.
tions from the various major and mino

syllables; the co
keys; the use
of
Paper, .20
Boards, .30
new edition.
KINKEL'S COPY BOOK
This useful book
.75
veritable Manual
sons, embracing
primary musical lessons

thirty-five progressive le
explanations and valuable
Lessons that enable the youn
notes. There are blank page
in of
National
of
Writing
formation, together with series
beginner
quickly understand the different
ruled, for use
copying the lessons.
private instruction.
adapted
The book
either class
or
to
is in
to
as
in
to
of
H.
learning
An easy method
rea
Drawing,
Spelling,
examples
drawing
Musical
and
music.
There are
applied
and writing
the illustra
Exercise Book
.25
tion
the notes, etc., and the pupil
enabled
memorize more perfectly
the use
this little book. There are blank leaves and ruled paper (musi
staffs) for the use
the pupil.
quite
This
novel idea, and will find favor with many who have diff
culty
teaching some
prominen
the younger pupils. The author
organist.
440
LOBE, J. C.
Catechism of Music
Boards, .50
Paper, .40
A fine edition of an excellent work. Translated by

Fanny Raymond Ritter. The author has the fac
ulty of explaining the matter in question in a logi
cal manner and with few words. This work pos
sesses clearness, correctness,
precision, and brevity.
MARX, DR. ADOLPH BERNARD

General Musical Instructions
Cloth, $2.50
Dedicated
to parents,
conscientious
teachers, and others concerned in edu
These, and all others who
cation.
music, and all
wish to understand
teachers who wish to review and make clear to their own minds what they
have themselves been over will be greatly benefitted by attentively reading
and mastering the contents of this masterly work. It is a continued talk
by one who understands and knows how to explain the details connected
with the science and the study of music. Read carefully, slowly, and with
intervals for reflection and assimilation of its truth, it is as profitable as an
average course of lessons on the same subjects.
Translated by George Macoroni from the original German.
MUSIC
TEACHER'S
pOCKET RECORD
Paper, .25
price; forty
pages,
Consisting of conveniently-arranged pages covering

each day of the year, providing blanks for such
details as lessons given and music furnished, num
ber of lessons a week, days for lessons, hour and
one for each pupil; and blank pages for memoranda.
MASON, DR. LOWELL
An excellent book on the rudiments of
How Shall I Teach; or, Hints to
music for teachers of singing classes

and for those who have private pupils.
The book is an explanation and illus
Teachers as to the Use of

Music and its Notation
tration of Dr. Lowell Masons system of

imparting instruction in music, and
directs the teacher in a course that, if followed, qualifies him for the very
best class work.
.38
44I
PAUER, ERNST
Musical
Forms
A musical primer that describes the form and gen

arrangement of all sorts of pieces, vocal and ins
mental, and enables one to recognize the distinct

between rondos, fugues, canons, sonata and symph
movements, and also between all the smaller forms of musical composit
etc., and between all varieties of church and other vocal music.
The students of musical form, and especially those who are composi
will find this a very valuable and thorough work. The different subj
are treated in a scholarly manner, yet with a degree of familiarity
pleasantness that makes the book interesting to all students of artistic
and culture.
.75
442
HARMONY
Dictionaries and Encyclopaedias. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
Catechisms, Primers, etc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
Counterpoint. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
Canon and Fugue. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
Instrumentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
General Musical Literature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
Biographical... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
BURROWES,
J.
437
439
447
447
448
449
457
Containing
explanations and examples of the

Thorough-Bass Primer
rudiments of harmony, comprising the fifty pre
liminary exercises from the Companion to the
.50
Thorough-Bass Primer, in addition to the orig
inal fifty exercises appertaining to the Primer. (See Peters Burrowes
Thorough-Bass Primer, page
such
diminished sevenths, etc.,
to
in of
in
is
intervals,
common
is as
of
Cloth, $1.00
It often noticeable how deficient musi

cians are
their knowledge
their art, and
how untrained their ears are
the power
follow intelligently harmonic progressions.
Even an accurate knowledge
the more
major and minor thirds, augumented fifths,
by no means common. Nothing
more valu
is
BROWN, JEAN PARKMAN

Intervals, Chords, and
Ear Training
or
be
to
of
of
in
443
of
R.
at
so
of
in
of
of
to
of
in
to
of
so is
or
if
so
to
of
to
or
executant, than some

able
the musician, be he composer, teacher,
i.e.,
degree
hearing,
power
inner
the
feel accurately the corres
pondence between the note, the written symbol, and the outward effect,
sing
major seventh,
the sound;
that
one
asked
minor third
recog
easily
done;
instantly
may
can be
that the same intervals
nized when played.
The author
this little book, feeling that children cannot begin too
early
simple and yet
have their ears properly trained, has compiled
thorough set
rudimentary harmony. Far too
exercises and examples
given
music,
much attention has hitherto been
the mere playing
simple
study
harmony
whereas
and the cultivation
the ear should
always go hand
hand with the training
the fingers.
faithful use
young
very
this book with even
children who have
natural love for music
greatly
knowledge,
will
broaden their
and
will raise the standard
large.
Spalding,
musical intelligence among the public
W.
Harmony
August,
University,
Cambridge,
Instructor of
Harvard
1897.
it
..)
F.
No new theory is promulgated in this work,

but merely a new system of teaching har
CLARKE, HUGH A.
'" *
Professor of Music,
University of Pennsylvania
mony by what is recognized as the inductive

Harmony
method.
Founded on the
Many departures from the usual method of
$1.00
teaching will be found in the booknotably,
with regard to the formation of the minor scale, referring all dissonant
formulating of
chords to two roots, the discarding of figured bass, and the
simple rules for modulation.
Practical instruction in harmony upon the Pes

talozzian or inductive system; teaching musical
extemporizing
composition and
the art of
$1.25
Those who study
interludes and voluntaries.
through the book will be rewarded by the feeling that they have done
thorough work.
JOHNSON, A. N.
Pestalozzian Harmony
JOHNSON, A. N.
New Method for Thorough-Bass
$1.00
This method explains in the
plainest
and simplest manner the construction

of all chords and all the ways of reading
and of playing them. As chords are

constantly used in the accompaniments to songs and in all instrumental
music, those learning to play the piano should study this work, while those
study
who wish to play glee music or part-song music or church music must
thorough-bass to be competent performers.
the easy"
The author's former Harmony,"
methods.
above,
was designed for those who
$1.00
described
wish to take a complete course. Those who
arrange easy
would learn to make easy accompaniments to songs or wish to
piano or organ pieces, and those who desire to prepare school, Sabbath.
school, or church-music books will find this New Method of grea:
JOHNSON, A. N.
New Method for Harmony
This
may
be
classed
among
assistance.
444
This work contains all of Burrowes'

Thorough-Bass" and Burrowes'
Companion to Thorough-Bass,
THOROUGH.
BASS PRIMER AND COMPANION
PETERS'
BURROWES
Two Books
in One
together with a large amount of se

lected matter explanatory of the
subjects
various
treated.
This is believed to be a most compact and service
able treatise on thorough-bass. The various examples, as introduced in the
Companion, are of great advantage in the study of this important
branch of musical knowledge. (See Burrowes' Thorough-Bass Primer,
.60
..)
page
of
to
of
D.
C.
in
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Translated by
.
.
.
of
Harmony.
.
.
.
.
.
.
.
.
.
.
.
.
.
C.
J.
to
RICHTER, ERNST FRIEDRICH

Additional Exercises
Manual
D. Parker.
to
The essential qualities

none, are authoritive
in of
J.
$2.00
.50
is
of
445
.
.
.
.
preparation
.
.
.
.
.
.
.
.
.
as
a
.
.
.
.
.
.
used
.
To
.
.
harmony.
.
.
for the study
of
P.
MARY
Exercises on Scales and Chords.
be
WEBSTER,
.
.
.
the most
.
.
cises
of
Boards, .60
Paper, .50
of
Doc.,
Mus.
Harmony
The eminent English organist, composer, and writer

very comprehen
Oxon
on musical topics has provided
system
sive
this little work on harmony. The
naming intervals
retained, and
German system
examples and exer
the student will find plenty
throughout
useful kind
the book.
in
A.
STAINER, JOHN
M.
Manual
practical guide
harmony,
the study
expressly prepared for the Conservatory
Leipsic.
Music
Translated from the
eighth German edition, by
Parker.
work,
department
this
which
its
stands second
Germany, England, and the United States.
FRIEDRICH
Harmony
at
of
RICHTER, ERNST
.30
For those who wish, in
short time
teacher,
and without the aid of a
to
acquire the power of inventing melo
$1.25
dies, and of providing them with suit
able accompaniments, especially of composing the easier kind of musical
pieces, this is an exceedingly valuable book. Translated by J. S. Dwight.
WOHLFAHRT,
HEINRICH
Guide to Musical Composition
WOHLFAHRT,
It
the study of
modulation to the music student, for if he has
only in a measure advanced in his art, he him
Boards, .50
self feels the need of it. This want is met in a
very sensible way by the author, who gives a multitude of examples, with
plain explanations. Translated by Clara Ayers.
is not necessary to recommend
Harmony Simplified presents to the

student the rudimentary principles of
harmony in a concise and entertaining
Composition
A Practical Introduction to
$1.00
manner, and I am sure that any one
examining the work will agree with me when I say that it is of practical
value as a text-book, reflecting much credit upon the author's musician
YORK, FRANCIS L., M.A.
Harmony Simplified
its
it.
on
an
is
It
of
ship.
Wilson G. Smith.
We are using Harmony Simplified in our harmony classes in the
State Normal College.
The book is simple, yet direct, explicit and com
plete so far as intended, and, together with the choice selections used as
illustrations, is altogether commendable.
sincerely recommend
Prederic H. Pease.
Harmony Simplified
congratulate you
was duly received.
general lucidity
statement, remarkable conciseness, its choice illustra
tions from the best sources, and its handsome typographical dress.
excellent manual. Albert Ross Parsons.
CONTENTS
II.
III.
IV.
I.
of
Definition of Harmony, Chord, Triad; Tonic and Dominant Chords; Character

the Tones
the Scale; Four-voiced Composition; Doubling; Open and
Close Position.
Harmony and Melody; Voice Progression; Parallel Fifths and Octaves; Lead.
ing Tone; The Sub-Dominant; Normal Progression.
Intervals, Normal; Major, Minor, Augmented, and Diminished.
Authentic Cadences; Parallel, Contrary, and Oblique Motion; Inversions;
of
CHAPTER
I.
HEINRICH
Manual of Modulation
446
York. FRANCIS,
L., M. A.
Continued
V. Dissonance; Resolution; Preparation; Dominant Seventh; Method of Writing
Exercises.
VI. Use of Chords in Various Positions (Inversions).
VII.
VIII.
Review.
XV.
Review.
Major and Minor Chords; Super-Tonic.

IX. Relation of Minor Chords; Mediant and Sub-Mediant.
X. Half, Imperfect, Plaga1, and Surprise Cadences; Concealed Fifths and Octaves.
XI. The Diminished Triad; The b and c Positions of Minor Chords.
XII. Minor and Diminished Chords with Minor Seventh.
XIII. Major Chords with Major Seventh; Chords of the Ninth, Eleventh, and
Thirteenth.
XIV. Irregular and Passive Progressions; By-Tones.
XVI. Minor Mode; I,
XVII.
XVIII.
XIX.
XX.
XXI.
YXII.
XXIII.
V,
IV, and
V7.
Minor Mode Continued. Secondary Chords.

Minor Mode Concluded. Seventh Chords.
Transition or Modulation; Passing, Complete. Bridge Chord.
Use of Tones Foreign to the Key; Altered Chords.
Chromatic Chords; Distinction between Transitional, Altered, and Chromatic
Chords.
Mixed Chords; the French, Italian, and German Chords of the Sixth; Forms
of the Diminished Seventh.
The F1atted VI and Flatted II; Explanation of Some Irregular Progressions.
XXIV. Non-Harmonic Tones; Passing, Changing, Appoggiaturas.
XXV. Anticipatory Tones; Pedal Point.
XXVI. Suspensions of Retardations. Conclusion.
Appendix A. Characteristic Effect of Each Tone.
Appendix B. Additional Exercises.
COUNTERPOINT
BRIDGE, J. FREDERICK
Counterpoint
This new work contains original examples, the
old, hackneyed examples and exercises having

been, to a great extent, discarded by the author.
The book has freshness and plainness, combined
with thoroughness, that must commend it to young students and to teachers.
It has also been the author's aim to reconcile the spirit of ancient counter
point with the feeling for modern tonality, and to place before students
examples which they may readily understand and imitate.
.75
CANON AND FUGUE

RICHTER, ERNST FRIEDRICH
Treatise on Fugue
$2.00
Including the study of Imitation and Canon.

Translated from the third German edition
by Arthur W. Foote, A.M.
This Treatise on Fugue will be of great
interest to students, and especially so to organists. It takes a place at once

among the rest of Richter's works in English translations.
447
INSTRUMENTATION
PROUT, EBENEZER
Instrumentation
A valuable guide and assistant to the musical stu

dent who wishes to gain a knowledge of the proper
blending of orchestral instruments, their compass,
.75
to
to
of
or
448
is
it
as
as
is
of
in
of
or
it.
capability, etc., and of everything connected with

this important branch of the musical art. The work is well written and
singularly free from obtuse technicalities, so that young students have no
difficulty in understanding
Many examples, short musical phrases,
passages from the works
the great masters are given
illustrate par
ticular points
the methods
instrumentation
treatment
certain
interesting
scores.
The book
valuable
the musician. The
high
English
occupies
position
among
author
musicians.
GENERAL MUSICAL
LITE RATURLEC
Dictionaries and Encyclopaedias. . . . . . . . . . . . . . . . . . - - - - - - - - - - - - - - - - - - - page
Catechisms, Primers, etc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
Counterpoint. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
Canon and Fugue. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
Harmony ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
Instrumentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page
Biographical...
.. .. .. ....... .. .. .. .. .. .. .. .. .. . .... .. .. .. .. .. .. .. .. ....
437
439
447
447
443
448
page 457
TREATISES, ETC.
ADVICE
TO SINGERS
interest the vocalist, even to daily habits and

.60
their effect upon the voice; in fact, the book
would benefit many who are not singers. But
the principal part of the book treats ably and thoroughly the following
subjects: Pronunciation and Study of Words; Voices and Their Various
Qualities; Instruction Books and Masters; Practice; Chorus Singing; Imi
tation and General Music Study.
F. Crowest
A book that treats of everything that should
ART
A translation of Katechism
us der Gesangs Kunst.

translator,
Dohn,
presents the work in a
The
A. W.
Cloth, .50
connected form, rather than in the original form
of questions and answers, which makes the book
more readable and more useful to American students.
It is full of practical
hints, never losing sight of the fact that singing is not a mechanical accom
plishment, but an art.
General Elementary Knowledge, Formation
Tones,
and Connection of
Pronunciation and Accentuation, Flexibility
of Voice, and Declamation are the principal heads under which a great
variety of points are treated and discussed. Two Appendices treat of
different forms of vocal composition and a definition of terms (Italian)
used in vocal composition. This is one of the best of the modern books on
vocal culture.
OF SINGING
Ferd. Sieber
BIRTHDAY BOOK OF MUSICIANS

AND COMPOSERS
Gertrude H. Churchill
Cloth, $1.00
A unique and dainty little volume is

this Birthday Book of Musicians
and Composers. Blank leaves for
making memoranda or other written
comment are placed opposite each

page of birthday dates, and the two pages correspond as to the dating of the
449
day of the month. The names of all the great musicians are given in con
nection with the date of their birth, and with well-chosen quotations from
their own writings or from the sayings of others. It makes a very accept
able gift-book.
The object of this interesting book
CHILD'S VOICE
Emil Behnke and Lennox Browne
its
is
It
of
as
to
of
to
of
of
of
in
of
of a
to
of
to
EHLERT'S LETTERS ON MUSIC.

L. Ehlert
This work consists
of
is
to
in
is
of
of
OF MUSIC.
L. C. Elson
of
facts, not generally known,

collection
regarding the music
ancient and savage
nations.
Cloth, $1.00
There are
thousand and one curious items
concerning music scattered through the three hundred and sixty pages
put
this book, which will not only please but instruct.
The matter
together
style,
many
points
pre
good
attractive
covers
not hitherto
sented
musical readers, and
most readable, entertaining, and instructive.
CURIOSITIES
at
an
as
in
of
to
of
in
to
letters on Music
Lady. Translated by Fanny Ray
mond-Ritter.
Cloth, $1.25
The topics treated
these Letters
questions
are selected from the most attractive
modern musical culture.
insight
sympathetic
feeling
With rare critical
and
the author enters into the
meaning
the works which he introduces
the reader,
the same time
creating
new interest
the composer.
Mme. Raymond-Ritter,
artist
and poet, has well fulfilled her task
translator.
450
to
of
in
of
of
in
of
of of
a
is
to advise concerning the treatment

Cloth, .60
of the child's voice with regard to
after development.
the result
inquiries made
and answers received from all sources, and from many
distinguished
Europe.
the most
teachers
The subjects treated are:
Girls; At What Age Should
Boys and
Difference Between the Voices
Singing?
Child Begin
Learn
Cultivation
the Childs Voice
Rela
Health;
Singing
Education;
Same,
tion
Matter
Musical
The
from
View;
Comparison
the Voice-Trainer's Point
the Girls Voice with
That
the Woman; Causes Underlying the Change
Voice
Both Sexes;
Singing
During
Puberty;
Boys
The Question
Actual Results
Such
Girl;
Singing; The Same Question with Regard
the
When Should Girl
Begin
Make Singing Study? List
Contributors
the Book.
FORMATION
OF
THE
VOICE
IN SINGING (THE)
Edward Frankel, M. D.
.25
This lecture was delivered before the
students of the Grand Conservatory of

Music, New York, by Dr. Frankel, sur
geon and member of the Academy of
as
as
to
or
in
in
is
of
MUSIC
This valuable work was translated from
EXPLAINED TO
of
the French for the Boston Academy

Music, which was induced
How
Understand Music and
offer
trans
per
Enjoy its Performance
consequence
lation
the work
Francis James Fetis
ceiving,
thought,
was
its remarkable
Cloth, $1.50
adaptation
the state
musical knowl
edge among us, and the probability that its perspicuous and lively style, its
scientific accuracy, and its just criticisms, founded on the surest principles
art, would attract numerous readers, both
and out
the profession.
of
prove that what
passionate and
singing, speaking, and per
is
attempt
of
pleading
the art
forming upon musical instruments
is
Cloth, $2.00
An
in
MUSIC OF NATURE
William Gardiner
to
in
of
of
of
to
as
in
of
to
THE WORLD
to
or,
derived from
is
in
of
to
in
the sounds of the animated world.

This work will be read with interest by all who delight
scientific
experimenting with regard
research and
sound phenomena, acoustics,
quite
etc. The volume
exhaustive
its treatment
the subject, and
in
touched upon will suggest

and instructive.
of
of
of
is
it
of
particularly interesting where

describes the characteristics
some
the
worlds greatest singers. Nearly every known instrument also mentioned,
in comparison with Nature's music, and the novelty
some
the subjects
to
of
of
of
of
is
it
of
to
it,
Medicine, Pathological Society, etc. In

comparing the acquirement of the knowledge of musical instruments with
that grandest instrument, the human voice, the Doctor says: Every
musician strives to acquire a most perfect and complete instrument, to
improve it by constant and careful practice, and to preserve
much
possible, from injury. The singer alone devotes the least care
thor
ough, careful, and beautiful cultivation
instrument,
voice;
his
the human
obey all dietetic
he alone, among the musicians, who often scorns
indestructibility
organ
instrument,
boasting
rules while
the
his
because he has frequently observed
disobedience
the necessary dietetic
rules by some great singer (an exception among thousands). He does not
reflect that the health
his vocal organs
close sympathy with the
proportion
health
his entire organism, and that the latter must suffer
to the affection of the former.
the reader many facts, curious, entertaining,

45I
This book
presents, in a concise and

intelligible form, the result of scientific
MODERN SINGING METHODS:

THEIR USE AND ABUSE
as
D.
ORGAN MANUAL
Henry
Nicholson,
Rev.
For the use of amateurs and church

committees, containing directions and
M.A.
as
is
to
to
to
to
of
pur
persons desirous
information
organ
chasing an organ, and
enable
rectify
ciphering
simple
sending
ists
and other
casualties without
for an
organ builder;
which
added
brief History and Construction of the
Organ, with an appendix containing
few remarks on the reed organ
substitute for the pipe organ.
This
convenient little book, which should
the possession
every organist. Organs are continually getting slightly out
order, and
one cannot, without delay and expense, summon the organ builder for every
small repair. The directions given
the Manual may save much vexa
expense.
tion and
Cloth, .75
in
of
of
in
be
is
Designed for musical students, both

amateur and special. Giving the struc
.60
ture of the different kinds of musical
composition,
such
melodic form,
song form, rondo, sonata, ecclesiastical form, etc.
This, like other works
help
composition,
the technic
the
understanding
only
young
intellectual
music. Not
amateurs and
stu
dents, but advanced pupils will do well
thoroughly study this valuable
book.
to
is
of
to
452
as
OF MUSICAL FORM
W. S. B. Mathews
OUTLINE
of on
to
is
of
in
to
to
it
of
is,
investigations into vocal problems, in

cluding Respiration, Registers, Power
Cloth, .50
and Resonance, Timbres, Articulation,
etc. It also gives a brief and interesting account of the old Italian school
Comparison is made
as exemplified by the best Neapolitan traditions.
between the methods of the early and modern schools, and the whole book is
one of incalculable value to those who aim to develop the voice intelligently.
while the subject-matter of this book
the title indicates,
brief
gives some general rules and timely sugges
review
different methods,
tions
the young vocalist, who will profit greatly by reading them. The
point out the true
author endeavors
each method, without offering any
of his own.
enlarged one half with new matter
The edition now published
interest and value
advanced singers.
OUTLINE
OF
PIPE
This is an outline of the structure of the

pipe organ, and is of value to all organists,
Cloth, $1.50
and also to church committees, in the se
lection of a pipe organ. It is practical and
fully comprehensive, and contains numerous engravings. In addition to
the information concerning the mechanism of a large organ there is a list
of organ pieces which have been performed at public recitals in Europe
and in this country, which will be of interest to the organist in selecting his
repertoire.
W. H. Clarke
ORGAN
MUSICAL SKETCHES
Elise Polko
Cloth, $1.25
Translated from
Fanny Fuller.
the
Sixth
A charming book, containing
German Edition, by
gems from the pen of
one of the most felicitous of writers.
Sweetly, sim
ply, and, at times, pathetically, are the dreams of artists such

Glck, Handel, Haydn, and other composers of note, described.
RESPIRATION
FOR ADVANCED
as
Bach,
This work has been written to show the
advanced singer how he may become

the master of many methods, instead of
being, as is usually the case, the slave
50.
of one. The time has gone by for the
exclusive practice, by advanced students, of any one narrow system, even
when recommended by a great artist or a learned physiologist.
SINGERS
RHEINGOLD
TRILOGY
Octavia Hensel
Cloth, .50
Guide Through the Trilogy of Richard Wag

ner is what this timely little book is intended
to be, and it is written in Octavia Hensels
attractive and readable style. Wagner's great
Trilogy, comprising the three operas Rheingold, Walkre, and
Got
terdmmerung, is well and practically described, and those who wish to

learn the story of the Nibelungen will be pleased with the manner in
which it is here told, and interested both in the story and the synopsis
of the three great works.
453
Professor Ritter has had the patience to

consult many hundreds of books con
Frederic Louis Ritter
taining items of musical history, and
Two Vols., each, $1.25
has most skilfully condensed them into
this very entertaining printed course of lectures. This would be impossible
were not the science of music of such a modern growth.
Ancient music
is sufficiently described in a few pages. It would seem that this book is one
of the indispensable ones in a musicians library.
RITTERS HISTORY OF MUSIC
RITTER'S STUDENT's HISTORY
A Student's History of Music from
the Christian era to the present time.

Dr. Ritters History of Music in the
Frederic Louis Ritter
Form of Lectures is well known, and
Cloth, $2.50
has had good success.
This new book
field,
enlarged
adapted
covers the same
but is
and better
to the needs of
musical students in general. Dr. Ritter treats very fully and satisfactorily
of the progress for the last two thousand years.
This is a standard work by a well-known writer on musical topics. The
lectures should be read by students and teachers everywhere.
Professor
Ritter was for many years Professor of Music at Vassar College. The volume
begins with the early forms of musical composition, and follows on from the
Christian era through the fourteenth century up to the times of Beethoven,
Haydn, and Mozart; and treats of Catholic Church music from the death of
Palestrina to our own time; the comic opera; the opera from Mozart to
Wagner; instrumental music (the epoch of Bach, Haydn, Mozart, and
Beethoven); some of Beethoven's successors and contemporaries, up to
Liszt; and ending with musical literature.
OF MUSIC
THE SCIENCE AND ART

OF MUSIC
Robert Challoner
A text-book for the use of academies,
semi
naries, common schools, and teachers of

private classes.
Important matter, especially in that portion
Cloth, $1.50
of the volume devoted to the history of music,
compiled
has been
from reliable sources. The greater part of the book,
however, consists of varied and abundant chronological and biographical
data, together with treatises on acoustics, harmony, musical instruments,
etc. There is a store of general information seldom found in a single volume.
454
A physician and specialist has here given
SINGING VOICE AND ITS
clear and concise presentation of

everything that is of interest to the singer
with reference to the vocal apparatus and
- co
its physical workings. The author's long
experience as a specialist in this branch of medical science enables him to
say: I have seen hundreds of throats utterly ruined through ignorance
of the simplest laws of vocal hygiene.
us
PRESERVATION
Whitfield ward, A. M.
* M. D.
SOPRANO,
THE
Writers of them are tempted
STORY
to make them too

average reader.
musical
or
too
sentimental
for
the
Jane Kingsford
The Soprano is a manifest exception to this rule,
Cloth, $1.00
being interesting and useful throughout, with many
suggestions to the musical student as to what true singing
story which
makes one feel better and purer
have read.
to
sound, velocity, sonorous
voice, organs
of
tion, vibrating
musical
hearing.
of
of to
of
vibrations and their numerical valua

instruments, wind instruments,
acoustics, echo,
-
STRAY NOTES
very dainty
little souvenir, bound
in
mission
of
of
it
$1.25
well-written and interesting book,

great value
which must be
the
student,
scientific
as
treats
the
qualities
sound,
sound,
cause
trans
SOUND AND ITS PHENOMENA

E. Cobham Brewer, D. D.
thick
cardboard, tied with ribbon, and containing

twenty-five pages
quotations from the
writings and sayings
famous musical mas
ters.
No prettier gift could be conceived
than this for
musical friend.
of
FROM FAMOUS MUSICIANS

Selected by
of
G. H. C.
.25
of
of
of as
to
treatise
able hints
in
which the author gives some valu

the proper understanding and
application
.80
the scientific principles
vocal
culture, or, more properly speaking, mechanical
voice training. The book (ninety-five pages) treats
the following sub
jects: Definition
the word method, vocal intelligence, voices and
violins, registers, teachers, vocal mechanics, ignorance
intelligence, pitch
leading factor,
language and
sound, language
and vibration, organs
the Streeter method, hard palate, and general hints
learner and teacher.
VOCAL SCIENCE
Agnes Goodrich Vaille
as
a
to
of
of
z's
of
is.
MUSICAL
novels worth reading are not numerous.
Musical
455
These medical hints as to the proper

training and culture of the voice are the
.40
result of a somewhat extensive experience
with the laryngoscope and the treatment
of diseases of the throat, and the hygienic, dietetic, and medical manage
ment of the singing voice. The throat, larynx, etc., are illustrated by
engravings.
C. H. Stanley Davis, M.D.
YOUNG PEOPLE'S
book
for
young
people, and a work that older per

will enjoy as well. It briefly
With
states the facts relative to the his
James C. Macy
tory of music, from the earliest times
$1.00
to the present era, and gives, in addi
tion, short biographical sketches of famous musicians, including Bach,
Hndel, Haydn, Beethoven, Mozart, Mendelssohn, Schubert, Schumann, and
other masters; and there is a chronological list of great composers. The
language used is such that all young readers will understand, and the book
will be found less tiresome than most of the larger histories, dictionaries,
etc. Portraits of each of the greatest masters are given, and the historical
part of the book has illustrative music.
ILLUSTRATED HISTORY OF MUSIC

Biographies of Famous Musicians
An entertaining
sons
456
BIOGRAPHICAL
General Musical Literature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 449
Harmony . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 443
BEETHOVEN
H. Rau
A biographical
romance,
translated from the German.

story
The
of the home life of Beethoven has all the charm
Cloth, $1.50
of a delightful romance.
In this truthful narrative, written
peculiar
style
in the
and grace of its author, are revealed
many little incidents of his daily intercourse with friends and men of the
world, which make not only very pleasant reading, but give a most graphic
picture of the every-day life of this remarkable man.
BEETHOVEN, LIFE OF
Including the Biography by Schindler, Beetho
ven's correspondence with his friends, numerous

characteristic traits, and remarks on his musical
Cloth, $1.50
works. To which is added the Life and Char
acteristics of Beethoven, from the German of Dr. H. Doring.
Edited by
I. Moschelles
From the collection of Dr. L. Nohl. Also his

letters to the Archduke Rudolph, Cardinal
(1790 to 1826)
Archbishop of Olmutz, K. W., from the col
Two vols. in one, cloth, $1.50
lection of Dr. L. R. Von Kochel. Translated by Lady Wallace, with a por
trait and facsimile.
This collection of his private correspondence shows us the man in the
great composer; what he was, what he did, what he suffered, and what was
the point of view from which he surveyed art and life. Among the thou
sands who have been charmed, thrilled, and exalted by Beethovens won
derful music, and who really appreciate the originality, creativeness, and
might of his genius, these letters cannot fail to find delighted readers.
BEETHOVEN'S LETTERS
BIOGRAPHICAL
SKETCHES
EMINENT COMPOSERS
Mme. L. B. Urbino
OF
A compact and valuable work, contain

ing the briefly-told story of important
events in the lives of about one
hun
dred celebrated musicians; nearly a11,

Cloth, $1.50
in fact, who have made the music of
the world since the year 1510. As the life of nearly every great composer
has something of more than ordinary interest and is often tinged with the
hue of romance, a collection of sketches like these is as entertaining to the
general reader as it is profitable to the musician.
457
CHOPIN, LIFE OF
Franz Liszt
Translated from the French by Martha Walter

Cook. Tenth edition. This interesting work not
Cloth, $1.25
only gives an insight into one of the most peculiar
geniuses of modern times, and into his music, but it
perhaps,
more,
us,
also shows
than anything else, the high imaginative
powers of Liszt, the poet, composer, and pianist.
GERMANY'S
FAMOUS
COMPOSERS
Alice Maude Allen
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GOTTSCHALK, LIFE AND

LETTERS
Octavia Hensel
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LIFE
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LISZT
Raphael Ledos de Beaufort
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18331847
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MENDELSSOHN,
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461
IND E X
PART II
INS T R U M ENTAL
Accordion.
PAGE
Albums (Piano, Two Hands).

Albums (Piano, Four Hands).
Bo Bass. . . . . . .
Bb Tenor.
. . . . . . . . . . . 269
. . . . . . . . . . 310
. . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Ballroom Books
PAGE
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 432
Band Music.
. . . . . . . . . . . . . . . . . . . . . . . . . 434
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390
Banjo.
Dance Music for Piano.

Double-Bass.
. . . . . . . . . . . . . . . . . 292
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Drum and Fife.
. . . . . . . . . . . . . . . . . . . . . . . . . . 430
Duets (see under various Instruments).
Dulcimer.
EP Alto
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430
. ... .... .... ...
EP Bass or Tuba.
. . . . . . . . . . . . . . . . . . . 387
. . . . . . . . . . . . . . . . . . . . . . . . 389
Exercises (see under various Instru
Methods.
.. .. .. . .. .. .. .. .. .
Collections.
Baritone.
. . . . . . . . . . 423
. . . . . . . . . . . . . . . . . . . . . . . . . . 426
.. ... .. .
. . . . . . . . . . . . . . . . . . . . . . . . 387
Bass (Double-Bass).
. . . . . . . . . . . . . . . . . . . . . 364
Bass Tuba.
... .. ... .. ..
Beginners.
. .. .. .. .. .. .. .. .. .. .... . .. .. .. .
. . . . . . . . . . . . . . . . . . 389
30I
Bugle
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389
'Cello
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363
Charts
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433
Fife and Drum
. . . . . . . . . . . . . . . . . . . -- * * * * * 430
Flageolet......
- - - - - - - - - - - - - - - - - - - - - - - - - - - 379
Flute.
Methods.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366
Flute Solos, without Accompani

ment
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Flute Music, with Piano Accom

paniment.
. . . . . . . . . . . . . . . . . . . . . . . . . . 371
Duets for two Flutes or F1ute and
Clarinet.
Methods.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377
Clarinet Music, with Piano Accom

paniment.
. . . . . . . . . . . . . . . . . . . . . . . . . . 378
Club Instruments.
Contra-Bass
. . . . . . . . . . . . . . . . . . . . . . . 406
... .. . ... ... . ...
... .
. . . . . . . . 364
Violin
Methods.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38o
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
Violin, Cornet, and Piano. . . . . . . . . . .
. .. . .
. . . . . . . . . 309
Guitar.
Methods and Exercises.
Collections.
Harp.
. . . . . . . . . . . . 413
. . . . . . . . . . . . . . . . . . . . . . . . . . 417
. . . . . . . . . . . . . . . . . . . . . * * * * * . . . 430
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365
Mandolin.
Cornet Solos, without Accompani

Cornet Music, with Piano Accom
paniment. . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
Four-Hand Piano Music.
Harmonica.
Cornet.
ment.
ments).
Methods. . . . . . . . . . . .
Collections.
383
385
463
Methods
ments).
. . . . . . . . . . . . . . . . . . 406
... .... ...
................
(see under various
Instru
409
INDEX
Continued.
PAGE
PAGE
Ocarina. . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . 43o
Operas (arranged for Piano Solo)......

Orchestra Music...
Treatises.
Collections...
291
. . ... .. ... .. . .. .. . .. ..
. .. ... .. . . .. .
. . . . . . . . . . 321
Reed Organ.
. . . . . . . . . . . . . . . . . . . . . . 390
Methods and
Orchestra Parts (Operas, Cantatas, and

Sacred Choruses)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . 320
Exercises.............
Collections..... . . . . . . . . . . . ...........
4ol
Studies (see under
Piano (Two Hands).

Studies and Exercises. . . . . . . . . . . . . . . 245
Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Treatises. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265
Treatises (see under various
ments).
Collections.
Albums. . . . . . . . . . . . . . . . . . . . . . . . . . .
General Collections. . . . . . . . . . . . .
Dance
Music.....................
Trombone.........
Tuba or EP Bass
Viola.
269
292
. . . . . . . . . . . . . . . . . . . . . . . . . 389
Studies................
341
Violin Solos, without Accompa

niment
. . . . . . . . . . . . . . . . . . . . . . . . . 349
Violins. . . . . . . . . . .
Violin Music, with Piano Ac
companiment..................
Duets for two
violin, cornet, and Piano....
366
Violoncello
Pipe Organ.
Methods and Exercises.
386
Collections.
. . . . . . . . . . . . . 309
.. .. .. .. .. .. .. .... . .. .. .. .. .. .. .. .
.......
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362
Methods and
Collections.
Albums. . . . . . . . . . . . . . . . . . . . . . . . . . . 3Io
General Collections. . . . . . . . . . . . . 313
Piccolo
... .......... .. .
Violin.
274
. . . . . . . . . . . . . . . . . . . . . . . 301
Piano (Four Hands).

Studies and Exercises.
Instru
ments).
. . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Beginners.
334
various Instru
Organ (see under Pipe Organ and Reed

Organ).
Operas.
327
. . . . . . . . . . . . 317
Zither...
..........
351
353
385
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429
PART III
THE ORE TICAL

PAGE
PAGE
Biographical...
Canon and Fugue..............

Catechisms, Primers, etc. . . . .
Counterpoint.
Harmony.
. . . . . . . . . . . . . . . . . . . . . . . . . . 457
.........
Instrumentation.........................
447
437
Literature on Music (Treatises, etc.)...

Musical Literature (Treatises etc.)....
Primers, Catechisms, etc . . . . . . . . . . . . . . .
447
Treatises.
. . . . . . . . . . 439
. . . . . . . . . . . . . . . . . . . . . . . . . . . . 447
Dictionaries..............................
Fugue and Canon................ .......
General Musical Literature(Treatises,
etc.).
.. . . . . . . .. . . ..
......................
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 443
449
464
. .
. . . .. . . . .. . . . . . . . .
...........
448
449
449
439
449
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PIANO TWO HAND S.

..CH,
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Two and Three part Inventions.
..... . . .. .
....
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. . Complete
RENS, HERMANN
New School of Velocity. Four Books. . . . . . . . . . . . .
Fifty Piano Lessons (without octaves).
Three Books.
Op. 61.
Op. 70.
Do. . . .
. . . . . . . . . Each
50
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4o
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75
RTINI, HENRI
Twenty-Five Studies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Complete

Op. 29.
Op. 32.
Op. 10o.
40
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Twenty-Five
-Op. 10o.
Do.
Op. 109.
. .
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Studies.
Two Books.
. .... . .. ... . . . ... ...
. .
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DPIN, FREDERIC
Nocturnes. . . . . . . . . . . . . . .
Polonaises . . . . . . . . . . . . . .
Waltzes. . . . . . . . . . . . . . . . .
. .
. .
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. .
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Books
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. .. . . . . .... .. .
I and II. . . .
. . .. . ..
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..
. Each
. . . . . . . . . . . . Each
. .
. .
.....
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5o
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Two Books: . . . . . . . . . . . . . . . . . . Each
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..
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. . .. . .. .
65
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EMENTI, MUZIO
Op. 36, 37, 38.
Sonatinas.
ICONE, JOSEPH
Op. 24.
Op. 30.
Op. 44.
MER, JOHANN
B.
5o
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Four Parts. ... Each

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3.
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I
I
6o
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4o
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50
CZERNY, CARL(Continued)
Op. 740.
Op. 740.
Fifty Studies.
Op.
Op.
Practical Finger Exercises.

Book I. . . . . . . . . . . . . . . . . . . . . . .
Seventy-Two Easy and Progressive Lessons. Two Books.
Velocity, Op. 299.... Complete 1:

to Studies in Velocity, Op. 299.
Six Books,
Sequel to Studies in
Fifty Studies.
Sequel
Each
#.
#.
50
...
.
.
Each
Complete
.....
35
.
.
.
.
.
.
.
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.
.
*
*
*
*
*
*
.
.
.
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.
.
.
Complete
.
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in
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in
to
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Do.
...
Each
Op. 849. Thirty New Studies

Mechanism.
Daily and Indispensable Exercises.
Velocity.
Czernys Studies
Nine Introductory Studies
One Hundred Easy and Progressive Lessons. Four Books.
823.
.
.
802.
DRING, CARL H.
Books.... Each
Three
7,
8.
Twenty-Five Easy and Progressive Studies.
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Each
- Complete
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Complete
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Phrasing.
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Six Studies
in
509.
Four Books.
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176.
Ecole du Style.
Ecole Primaire.
168.
FRADEL, CHARLES
Op.
Three Books.
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.
Op.
Op.
Ecole du Mcanism.
12o.
Do.
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Op.
DUVERNOY, JEAN BAPTISTE
FRIEDRICH. FERDINAND
174.
The Kindergarten
(First Instructor
in
Op.
Playing)..............
Piano
GURLITT, CORNELIUS
*
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if
Complete
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Two Books.
Each
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Velocity.
Books.............
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in
School
.
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.
5o.
of
HASERT, RUDOLPH
Op.
Two
the Young Pianist.

Primary Studies
Velocity.
Album Leaves for the Young.
First Steps
of
Op. 82.
Op. 83.
Op. 101.
Each
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...................
Each
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Gammes
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HERZ, HENRI
125.
Op.
47.
90.
Op.
Op.
45.
Op. 46.
Op.
Phrasing. Two Books.

Each
Phrasing......
Twenty-Five Studies Introductory
Art
Thirty Progressive Studies.
Twenty-Five Studies on Rhythm and Expression. ........--.
Twenty-Four Nouvelle Etudes. Two Books..
Each
Twenty-Four Studies
Expression and Rhythm. Two Books.
Art
of
16.
of
Op.
HELLER, STEPHEN
Op.
5HLER, LOUIS
Op. 50. First Studies.
Do.
Twenty Studies.
Sequel to Op. 5o. . . . . . .
. . . . . . . . Complete
.. ... . .. .. . ... .. . ...

. . . . . . . . . . . . . . . . . . . . Each
. . . . . . . . . . . . . . . . . . . . Each
. .. . . .. ... . .. . . . . .. . .. . . . . . .. - - --- - - -- --
Op. 150.
Daily Repetitions.
Twelve Preparatory
Studies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Twelve Little Studies. . . . . . . . . . . . . . . . - - - - - - - - - - - - - - - - - - - - - - Elementary Studies. . . . . . . . . . . . . . . . . . . . . . . . - - - - - - - - - - - Scale Passages. . . . . . . . . . . . . . . . . . * * * * * * * * * * * * * * * * * * * * * * * * *
Very First Studies. . . . . . . . . . . . . . . * * * * * * * * * * * * *
163.
...
Op. 180.
Op. 190.
Twelve Studies. Two Books.....

Practical Method. Three Volumes.
Children's (Kinder) Album. Volumes
and II.
35
5o
6o
Each
Each
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5o
5o
5o
6o
OO
50
Each
*
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*
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*
*
*
Op. 230.
Op. 249.
57
75
HLER, LOUIS (Editor)

Sonatina Album
Pieces).........
(seventeen Sonatinas, thirteen Rondos, and other
75
5o
- - Complete
OO
75
go
Each
75
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Each
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in
Eighteen Easy Progressive Studies (Uebungstcke).........

Ten Etudes. Two Books.
Twelve Etudes
Broken Chords.
Two Books....
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Each
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Books
Two
2.
Do
Op.
Op.
Op.
Ten Trill Studies.

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Op.
AUSE, ANTON
9. 5. 4.
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5o
25
75
5o
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I.
Book
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Sonatinas.
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HLAU, FRIEDRICH
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Volume
I.
.
Materials for Elementary Piano Instruction.
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Seven Octave Studies.
Preparatory Method.
I.
Book
.
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II.
Octaves.
Book
School
.
.
Op. 48.
of
LLAK, THEODOR
5o
6o
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... Each
75
Each
5o
Each
50
Each
5o
Each
5o
Each
5o
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Scale Studies.
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3ERT and STARK

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Pp.
Dp.
Dp.
Books....
Progressive Studies.
For Beginners.
Three Books.
Intermediate.
Three Books.
Advanced.
Three Books.
Sixty Melodious Practice Pieces. Three Books.
65.
66.
67.
84.
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Dp.
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52.
Thirty Melodious Studies.
Op.
Three
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Three Books....
}SCHHORN, ALBERT
Thirty Progressive Studies.
Op. 38.
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Fifty Juvenile Studies.
Op. 37.
MOINE, HENRI
.
Special Studies. Two Books. . . . . . . . .

New School in Velocity. Two Books.
Op. 151.
Op. 157.
Op.
. . . . . . . . . . . . . . Each
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128.
..
. . . . . . . . . .
112.
Op.
.. .
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60.
Op.
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Op.
Two Books.
*
*
LOESCHHORN, ALBERT
Op.
Op.
136.
(Continued)
Velocity.
Studies in
Three Books.
165.
Fourteen
Trill Studies.
Pianoforte Technics.
. . . . . . . .
. . . . . . . . . . . .
Two Books.
. . . . . .
. . . . . Each
. . . ..... Each I
. . . . . . . . . . ...... I
. . . . . . . . . . . . . .
. . . . . . .. . . . . . . . . . . . .. . .
MENDELSSOHN, FELIX
Songs Without Words. . .
--
. . . . .. . . . . - - - - - - - - -
- - - - - - - - - - - - - - - - - . . . .
MOSCHELES, IGNAZ
Op. 70.
Twenty-Four Studies for Pianoforte.
Two Books.
. . . .
.. .
. .
. . .
. ..
. . . .
. .
. . .
MEES, ARTHUR
With English
.. .
. .
. .
..
and German Text.
. . . .
. .
...... Each *
Eight Daily Studies.
. .
.. .. .. .. .. .. .. .... .. ..
* * * * * * * * * * * * * * * ***
7.
New Technical Studies. Part I. . . . . . . . - - - - - - - - - - - - - - - - - - - . . . . . . . . . . I C4

Do
Part II. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .... I
Do. Part III. . . . . . . . . . - - - - - - - - - - - - - - - - - - - - - * * * * * * * * * * * * * * * * * * * * *
New Technical Studies. . . . . . . . * * * * * * * * * * * * * * * * - - - - - - - - - Complete
SCHMITT, ALOYS
Preparatory
16......
Exercises from Op.
SCHULZ, F. A.
- -
Scales and Chords.
** * * * * * * * * * * * * * * * * * * * ****
- -
. . . . . . . . . . . . . . . . . . . . * ~* - - - - - - - - - - - -
SCHUMANN, ROBERT
Op. 68.
Album for the Young, and Op.
SONATINA ALBUM
by Louis Khler).
. .
15,
Scenes of Childhood.
Complete,
Sonatinas, thirteen Rondos, and other Pieces).

(Edited
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...
(seventeen
..
STREABBOG, L.
Op. 63.
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Twelve Octave Studies.
145.
---- -
...
ri
Each
VOGT, JEAN
Op.
...
. . . . . . . . . . . . .. .
I. . . . .
Part
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C. D. Parker.
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J.
.
III.
Translated by
and
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Parts
Do
II
Daily Studies.
.. .. . . . . . . . . .. .. ....
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TAUSIG, CARL
. .
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.
. . .. . ...
Twelve Melodic Studies. . . .
Twelve Melodic studies...
Op. 64.
First Studies of the Young Pianist.
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Maria Wieck.
WOLFF, BERNHARD
Revised
by
Octave Playing.
6
in
Twelve Short Studies
Joseph
A. Hills. ......
Edited
Studies.
WIECK, FRIEDRICH
by
PLAIDY, LOUIS
PIANO F O U R
BOHM, CARL
* Op. 25oa.
Birthday Music.
H AND S.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . .
Oo
CZERNY, KARL
Op.
Practical Time Lessons.
824.
Do.
. . . . . . . . .
Two Books.
Each
40
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Complete
6o
. . . . . . .
. .
. . . . . . . . . . .
DIABELLI, ANTON
Op.
149.
Twenty-Eight
191.
.. . .
. . . . . . . . . . . . . . .
Melodious Exercises.
Lw, Jose F
Op.
II
Tone Pictures (Bilder in
Do.
Parts
MOSCHELES, IGNAZ
Op. 107.
(Teacher
. .
. . .
I and II.
.. .. . . ..
.. . .. .. .
. .
. . . . . Complete
5o
and Pupil.)
Books
and
. . . . . . . . . . . . Combined
..
Playing.
Course in Four-hand Pianoforte
Practical
and Pupil).
Tnen).
. ..... . . . . .. . . . .
Paper. .
.. . .. . .. .
oo
(Teacher
. . . . . . . . Each
75
Daily Rhythmical Scale Studies. Revised by Joseph A. Hills. Books

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . - - - - - - - Each
I and II.
MOSZKOWSKI, MORITZ
Op.
12.
Spanish Dances
(Spanische
Tanze). .
. . . . . . . . . .
OO
. . . . . . . . . . . . . . . . . . . .
5o
. . . . . . . . . . .. . . . . .
VIO L I N.
DANCLA, CHARLES
Op. 74.
Fifty Daily Exercises.
School
of Mechanism.
DANCLA, CHARLES
* Op. 52.
PE
Elementary and Progressive
BERIOT, CHARLES
* Method for the Violin.
Volume
yonT, JACQUES
Op.
37.
Twenty-Four
Studies.
Do.
Exercises
I.
Oo
. . . . . . . . . . . . . . . . . . . . . . . . . . . .
OO
Method for the Violin.
. . . . . .
..
Volume
Preparatory to Kreutzer and Rode's
. . . . . . . .. . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . .. .. . . .. . . . .
Op. 38.
Twenty Progressive Exercises for Two Violins.
50
. . . . .
|ENNING, CHARLES
Practical Instruction for the Violin. Volumes I, II, and III. . . . . . . . . . . . Each
Do . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Complete
AYSER, HEINRICH E.
Op. 20.
Elementary Studies.
REUTZER, RODOLPHE
Books............
Three
Forty-Two Studies for the Violin. Edited by Benjamin

F.
Complete Violin Method with Pleyel's Duets. . . . . . .
. AZAS,
............ Each
Cutler.
6o
50
. . .
50
. . . . . . . . . . . . . . . . . . .
75
. . . . . . . . .
RIES, HUBERT
* Violin School.
Part
I.
. . .. . . .. .
SCHRADIECK, HENRY
Technical Violin School (Dir Schule

Do. Books II and III. . . . . . . . . . . . . .
SCHUBERT,
Op. 50.
. . ..
. .
. . ..
. .
. . .. . . . . . . . . . .
..
. .
. .
2 50
. . . . . ....
75
. . Combined
75
der Piolintechnik).
I. . . .
Book
. . .. . . . . . . .. . . . . . . . . . . . . . .
LOUIS
Violin School.
Book
-.
. .
..
.. ... . .
. . . . . . . . .
. ..
. . -
* * * **
75
TOURS, BERTHOLD
* The Violin.
. . . . . . . . . . . . .. . . . . . . . . .. . .
..
. . . . . . .
. . . . . . .
.. ....
. .
..
....
75
VOCAL EXERCISES AND METHODS.

ABT, FRANZ
Singing Tutor.
Do. .
For Soprano or Tenor.
. . . . . . .
.. .. .. .
.. . . ..
Four Parts.
. . . . . . . . . . . . .
Each
Complete
1 50
. . Each
60
. . . . . . . . . . . . . . . . . . . .
. . ... .. .
. . . . . . . . . .
50
BONALDI, FR.
Six Studies in Vocalization.
Soprano and Contralto.
. . .
..
. . . . .
. .
concoNE, JOSEPH
Op. 9.
Op. 9.
Book
I. .
Do.
Op.
T.
Fifty Lessons in Singing, for Middle Register.

Octavo Edition. ...
Fifty Lessons for Middle Register. English Words by Theo. T. Barker.
. . . . . . . . . . . . .. . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . .
Do.
11.
Edition.
. Complete
I, Parts I and II. . . . . . . . . . . . . . . . . . . . . . . . * * * * * * * * Each

Fifty Lessons for Baritone or Bass Voice. English Words by Theo.
1 25 |
Book
9.
Barker.
Op.
..
50
Book
Books I,
I. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Complete
Parts I and II. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Each
Thirty Exercises of Medium Difficulty for Soprano.

Paper.
. . . .
. . .
. .
. . . .
. . . .. .
75
1 25
75
Octavo
* ** * * * * * ** * ** * * * * * * * * * * * * * * . . . .
50
LAMPERTI, FRANCESCO
First Lessons in Singing.
Part
I. . . . . .
...... ....
. . . . . . . Each
.. . . .. . . .. .. ... . . . . . . .
Studies in Bravura Singing, for Soprano.
Books
I,
II,
and
III.
1.
Exercises for the Voice.
Translated
by Theo.
T.
Barker. .
. . .
....
Op. 2. Vocalizes for Soprano or Mezzo-Soprano. . . . . . . . * * * * * * * * * * * *

Op. 5. Art of Singing. Twenty-Four Vocalizes for Mezzo-Soprano or Contralto. .
Op 12. Eighteen Vocalizes for Two Voices. Mezzo-Soprano and Contralto.
Two Numbers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Each
Op.
60
MARCHESI, MATHILDE DE CASTRONE

Op.
2 00
OC
oo.
2 oo
1 50
Method. The Art of Singing. .... * * * * * * * * * * * * * * * * * Complete 350

Do. Part I. Elementary and Graded Exercises..... . . . . . . . . . . . . . . . . . . . . . . I oft
Do, Part II. Thirty Vocalizes for Mezzo-Soprano. . . . . . . . . . . . . . . . . . . . . . . . I oc
21.
Do
Do.
Part
Part
III.
IV.
Twelve Vocalizes for Two Voices, Contralto and Mezzo-Soprano,

Six Melodies with Words for Mezzo-Soprano. . . . . . . . . . . . . . . .
8
MARCHESI, MATHILDE DE CASTRONE (Continued).

Op. 30.
Op. 31.
L'Art du Chant.
Thirty Vocalizes for Mezzo-Soprano
Method of Singing.
School.
Soprano......
or
Theoretical and Practical.
Part
Part
2 OO
15.
of
Elementary Exercises in the Form

One,
Articulation with Vocalization.
and
III.
Two,
of Vocalizes...
250
and Three Voices. .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Combined
SALVATORE C.
Twenty Vocalizes with Italian and English Words, for Soprano.
15.
Translated
Op.
Continuation
III.
I, II,
MARCHES1,
Op.
II.
by Theo.
T.
Barker. . .
- - - - - - - - - -
. .. . . . . .. . . . . . . . . . . . . . . . . . .
Twenty Vocalizes with Italian and English Words, for Con
tralto or Baritone.
by Theo.
Translated
T.
Barker. .
. .
. .
..
* - - - - - - - - - - -
NAVA, GAETANO
Op. 21.
II
I.
... .. ..
Elementary and Progressive Exercises. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Do.
Do.
Do.
Part
Repertoire di Solfeggi.
For Soprano or Mezzo-Soprano.
Books
Do. Books
and V (Books I and IV
Op. 22. Sixty Solfeggi for Alto. In Four Books.
Book
IV of the
Words).......
have English
above has English
oo
5 oo
OO
Oo
50
and
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Each
III, IV,
2 50
Each
75
. . . . . . . . . . . . . . . . . . . . Each
oo
Words.
PANOFKA, HENRI
Op.
81.
Twenty-Four Vocalizes for Soprano, Mezzo-Soprano, or Tenor.
In Two Books.
Do.
Op.
81.
Do.
Op. 85.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
. . . . . . .
. . . . . . . . . . Complete
Twenty-Four Vocalizes for Contralto or Baritone.

. . . . . . . . . . . . . . .
Twenty-Four
Two Books.
. .....
. . . . . . . . . . . . . .
Vocalizes for
. . . . . . . . . . . . - - -- - - -
RANDEGGER, ALBERTO
* Singing. . . . . . . . . . . . . . . .
---
..
Soprano
- - -
. .
. Each
.. .. . . ..
Two
. . . . . . .
--
Books.
Each
Complete
or Mezzo-Soprano.
- - - - - -
75
75
1
5o
In
- - - - - - - - - - - - - - - Each
. . . . . . . . . . . . . - - - - - - - - - - - --
50
- - - d- - - - - - - - - - - -
75
50
SIEBER, FERDINAND
Op.
Op.
Op.
Op.
Op.
42.
Op.
93.
78.
79.
80.
92.
Op. 94.
Op. 95.
Op. 96.
Op. 97.
All Voices. . . . . . . . . . . . . . . . . . . . . . . . . I 75
High
Soprano.
Ten Vocalizes for
. . . . . . . . . . . . . . . . . . . . . . . . . . 2 OO
Ten Vocalizes for Mezzo-Soprano. . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Oo
Ten Vocalizes for Alto. . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . 2 OO
Thirty-Six Eight-Measure Elementary Vocalizes. Soprano. ...
50
Exercises
do.
do.
do.
do.
do.
in Velocity for
Mezzo-Soprano .
. . . . . . . . . .. . . .. . . . . . . . . . . . . . . . . . . . . .. . . . .
Alto
. . . . . . . ..
. .
. .. ..
5o
. . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . .
5o
. . .. .
Tenor .
5o
....
.. . .. .. .. .. . . .. ..
...
..
5o
. .. . . . . . . . . . . .. . . . . . . . . . . .. . . . . . . . . . . . . . .
5o
Baritone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Bass. . . . . . . . .
. .
.... .. .
. . .
. . .
SIEBER, FERDINAND
Op.
Op.
Op.
129.
130.
131.
(Continued)
Ten Vocalizes for High Soprano... . . . . . * - - - - - - - - - - Ten Vocalizes for Mezzo-Soprano. . . . . . . . . . . . . . . . . . .

Ten Vocalizes for Alto. . . . . . . . . . . . . . * * * * * * - - - - - -
- -
- - - - -
2 50
. . . . . . . .
2 50
- - - - - - - -
2 50
VACCAI, NIccoL
Practical Method. Soprano

Do. Contralto or Bass.
or Tenor.
Translated
Translated by Theo.
by Theo.
10
T.
Barker.
T.
Barker. . .
. . .
..
- - -
. . . . . .
- - - - - -
75
75
SUPPLEMENT.
The volumes listed under this head, while not in the STANDARD EDITION,
are of a kindred character, and, therefore, of interest to teachers.
PIANO TWO HAND S.

CLEMENTI, MUZIO
Gradus ad Parnassum.
Studies,
Selected
by Carl Tausig.
expression
Cloth.
and fingered with marks of

. . . . . . . . . . . . . . . . . 2 50
revised
. . . . . . . . . . . . . . . . . . . . .
JACKSON, A.
Cadences, Scales, and Chords.
. . ... .. ... . .. .. . . .. . . . . .. .-
- -
- - - - -- - - -
35
KULLAK, ADOLPH
Finger Exercises.
. . . . .
. .
-- ----
- -
- - -
- ---
- -
- -
--
----
- - - - -
I5
Each
5o
- - - -
ORTH, L. E. (Edited by)
* Easy Pieces in Easy Keys.
ORTH, L E.
* Op.
18.
Two Volumes.
On the White Keys.
An
... . . . ..
Introduction
(Twenty-four First Grade Pieces without Accidentals,
- - - - - - - - - - - - - - - -
to the Piano. . . . . . . . . . . . . .
for two and four hands.)
oo
PIANO F OUR HAND S.

GURLITT, CORNELIUS
* Thirty Duets Without Octaves.
(For two
performers)..............
equal
75
KIEHL, HEINRICH
(Edited by)
* Four Little Hands. First and
performers. . . . . .
ORTH, L. E.
* Op.
18.
. .
Second Grade Piano Duets without octaves for equal
.. . . . .. . . .. . . .. .. . . .. . . .
On the White Keys.
An
. . .
Introduction
- - - - - - - - - - - - - - - - - - - - - - -
to the Piano...
(Twenty-four First Grade Pieces without Accidentals, for two
* Twenty Little Pieces for the Violin.

Violin
. . . .
... .
Oo
OO
and four hands.)
VIO L IN.
MLLER, CARL c.
. . .
First Violin and Piano.
. . . . . . . . . . . .
. . .. ...
.. . .
In
the first position.

First and Second
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
- - - - -
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Complete
- - - -
First and Second Violin and Piano.
--
- -- - - - - - - - - - - - - - - - - - - -- - -
11
- - - -
--
75
oo
25
VOCAL EXERCISES.
BEHNKE, EMILE
PEARCE, CHAS. W.
and
Voice Training Exercises.

tone, and Bass.
For Soprano,
Six Books. . . .
Mezzo-Soprano,
. . . . . . . . . . . . . . .
....
. .
. . . . . . . . . . . . . .
Each
75
25
concoNE, Jose PH
Eighteen Solfeggi for Two Women's Voices.
Bari
Tenor,
Contralto,
...
. . . . . . . . . . . . . . . . . .
DEEMS, JAMES F.
Solfeggi.
OSGOOD, GEORGE L.
Singer's Daily Exercises.
- - - - - - - -
. . . . . . . . . . . . . . . . . . . . .
. . .
5o
Shakespeare. . . . . . . . . . . . . . . . . . .
Oo
50
. . . . . . . - - - - - - - - - - - - - - - - - -
Boards.
For Soprano and Alto.
- - - - - - - - -
- -
75
RIGHINI, VINCENZO
Celebrated Vocal Studies.
Edited by William
ROEDER, MARTIN
Fundamental Vocal Exercises.
..
. . . . .
. . . .
..
* * * * * * * * * * * * * * * *
. . . . .
. .
. . . . . .
. .
SEILER, EMMA
Exercises for the Voice. New and
Exercises.
Men's Voices. . . . . . . . .
Do. Women's Voices. . . . . . . . .
Revised Edition. .
. .
. .
. .
. . . . . . . .
.
* * * ** * * * * * * * * * * ** * * ** ** ** - - - - - - . . . .
. . . . . . . . . . . . . . . . . .. . . . . . . . .
. - - - - - - - -
2 Oo
25
26
VOCAL METHODS.
BASSINI, CARLO
Art of Singing
. . . . .
. .. .
. . . . . . . . . .
. . . .
.... . . .. .. .
. . . Complete 3 oo
. . . . . . . . . . . . . . . . . . . . . . . . 2 50
. . . . . . . . . .
Do.
. . . . . . . . . . . . . . . . . . . . . . . .
Method for Baritone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Method for Tenor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Method for Soprano or Mezzo-Soprano. . . . . . . . . . . . . .
Abridged. . . . .
DUPREZ,
G.
Art of Singing.
Do
Part
EMERSON, L.
Part
II. . . . . . . . . .
.. . . .. . . ..
. . . .
3 oo
3 oo
. . .
2 Oo
. . . . . .
2 Oo
. .
. . . . .
.. . . .... . . .. .. . . . . . . .
Soprano or Mezzo-Soprano. . . . . . . . . .
Contralto,
Baritone, and
. . .
. . . . ..
Bass....................
. .
* * * * * * * * * *
. .. . . .
. . . .
. . . . . .
. .
GARCIA, MANUEL
School of Singing.
Po.
oo
. . .. . .
.. .. . . . .
. . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . .
. .
. . . . . . . . . .
O.
Vocal Method.
Do.
I. . . .
. . . . .
.. . . . . . . . . . . . . . . . .
Part
I.
New Edition.
Cloth.
. . . . . . . . . . . . . . . *** * * * * * * - - - . . . .
Boards..................................
-
12
. . . . . .
.. . .
. . .
I.50
50
oo
50
LABLACHE, LUIGI
Method of Singing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I 50
Method for the Bass Voice...... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 oo
Do Parts I, II, IV. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Each 1 50
Do Part III. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I OO
PANSERON, A.
A B C of Music.
Abridged.
. . . . . . . .. . . .. . . . . . . . . . . . . . . . . . . . . .
RAND, JOSEPHINE
Practical Method of Singing.

Do. Cloth . . . . . . . . . . . . . .
Paper....
SHAKESPEARE, WILLIAM
Art of Singing. Parts I, II, and III.
. .
..
. .
.. . .. .. .
. . . . . .. . .. . . . . . . . . . . . . . . . . . .
. . . .
....
. . . . . . . .
..
. .
.. .. .. .
.... .
. . . .
OO
. . . .
OO
........ I
.......... - - - - - - Each
50
oo
TREAT I SES ON THE VOICE.

ART OF SINGING
Ferdinand Sieber.
Cloth. .
. . . . . . . . . . . . . .
. . . . .
........................
50
CHILDS VOICE, THE
Emile Behnke and Lennox Brown.
. . . . .. . . . . . . . .
6o
. . . . . . . . . . . . . . . . . . . .
FORMATION OF THE VOICE IN SINGING
M.D. . . . . . . .
MODERN SINGING METHODS
Edward Frankel,
.. . . . .. .... . . . .. . . . .
.. . . ....
..
. . . .
25
..
. .
5o
6o
- - - - - - . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
8o
. . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
4o
John Franklin Botume.
. .
THEIR USE AND ABUSE
.. . .... . ... .... .. .. . ... .. ... . . .. .. .. .. .. .
SINGING VOICE AND ITS PRESERVATION

Whitfield Ward, M.D. . . . . . . . . . . . . . . . . . . . . . . .
.. .. . . .. .
. . .. . . .. .. . .
VOCAL SCIENCE
Agnes G. Vaille.
C. H. Stanley Davis, M.D. . . . .
RESPIRATION FOR ADVANCED SINGER

John Franklin Botume.
5o
... .... . ... .. .. . ... .... .. .. . . .. . . .... .... . ... .
P IP E ORGAN.
FISCHER,
M. G.
* Fifteen Selections from Op.
9 and 1o.
13
Edited by
N. H.
Allen............
oo
THAYER, EUGENE
-
- -
.
.
. . . . .
. . . . .
50
2 Oo
- - -
50
OO
60
oo
oo
.
.
.
.
.
.
.
25
2 50
- - - - - -
2 Oo
. . . . .
.
.
.
.
.
.
or
The Art of Organ Playing. Part I. Manual Studies. . . . . .

* Part II. Pedal Studies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
* Part III. Art of Registration. . . . . . . . . . . . . . . . . . . - - - - - - - - - - - - - - - * Part IV. Church or Service Playing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
* Part V. Solo or Concert Playing......... - - - - - - - - - - - - - - - - - - - - - - - - - * (Supplement) Music
Church Service (with
without pedals).
for
* Op. 20.
(Twenty-five Progressive Studies).
First Six Months on the Organ
...
.
.
.
.
.
WHITING, GEORGE E.
MAN DO LIN.
BRANZOLI, GIUSEPPE
.
.
.
.
.
.
.
.
Theoretical and Practical Method for the Mandolin.
e.
Each
.
.
.
Each
.
.
.
.
.
.
Two Vols.
Mandolin Method.
14
.
.
.
.
.
.
.
Two Parts.
Complete Method for the Mandolin.
.
.
.
.
TIPALDI, DOMENICO
*
CRISTOFARO, F. DE
HARMONY SIMPLIFIED
A PRACTICAL INTRODUCTION TO COMPOSITION
By
FRANCIS L. YORK, M. A.
Harmony Simplified presents to the student the rudimentary principles of harmony in a

concise and entertaining manner, and I am sure that any one examining the work will agree with me
when I say that it is of practical value as a text-book, reflecting much credit upon the author's
Wilson G. SMITH.
musicianship.
are using Harmony Simplified

in our harmony classes in the State Normal College.
explicit
simple,
yet
direct,
complete
The book is
and
so far as intended, and, together with the choice
illustrations,
altogether
sincerely recommend
selections used as
is
commendable.
FREDERIC H. PEASE.
We
it.
its
of
its
an
is
It
its
on
Harmony Simplified was duly received.

congratulate you
general lucidity
statement, remarkable conciseness,
sources,
choice illustrations from the best
and
handsome
ALBERT Ross PARsons.
typographical dress.
excellent manual.
CONTENTS.
CHAPTER.
of
of
I.
of
Harmony, Chord, Triad; Tonic and Dominant Chords; Character

Definition
the Tones
the Scale; Four-voiced Composition; Doubling; Open and Close Position.
Harmony and Melody; Voice Progression;
Parallel Fifths and Octaves; Leading Tone; The
Sub-Dominant; Normal Progression.
Intervals, Normal; Major, Minor, Augmented, and Diminished.
IV. Authentic Cadences; Parallel, Contrary, and Oblique Motion; Inversions; Ic.
Writing Exercises.
Dissonance; Resolution; Preparation; Dominant Seventh; Method
VI. Use
Chords
Various Positions (Inversions).
VII. Review.
Major and Minor Chords; Super-Tonic.
IX. Relation of Minor Chords; Mediant and Sub-Mediant.
X. Half, Imperfect, Plagal, and Surprise Cadences; Concealed Fifths and Octaves.
XI. The Diminished Triad; The and Positions
Minor Chords.
Minor and Diminished Chords with Minor Seventh.
Major Chords with Major Seventh; Chords
the Ninth, Eleventh, and Thirteenth.
Irregular and Passive Progressions, By-Tones.
x1
XV. Review.
XVI. Minor Mode; V, IV and V7.
Minor Mode Continued. Secondary Chords.
Minor Mode Concluded. Seventh Chords.
Modulation; Passing, Complete. Bridge Chord.
XIX. Transition
XX. Use
Tones Foreign
the Key; Altered Chords.
XXI. Chromatic Chords; Distinction between Transitional, Altered, and Chromatic Chords.
Mixed Chords; the French, Italian, and German Chords
the Sixth; Forms
the Diminished
Seventh.
Explanation of Some Irregular Progressions.
The Flatted VI and Flatted
XXIV. Non-Harmonic Tones; Passing, Changing, Appoggiaturas.
XXV. Anticipatory Tones; Pedal Point.
XXVI. Suspensions
Retardations.
Conclusion.
Appendix
Characteristic Effect
Each Tone.
Appendix
Additional Exercises.
II.
in
of
of
V.
III.
of
XII.
XIII.
of
VIII.
I,
v.
of
XXII.
XXIII.
of
to
of
or
XVII.
XVIII.
of
of
II;
B.A.
Price, Postpaid, $1.oo.
INTERVALS, CHORDS AND

EAR TRAINING By jean Parkman
Prown
6's
Price, Bound in Cloth, One Dollar
The most important thing is to cultivate the sense of hearing.

Take pains early to distinguish tones and keys by the ear. The
bell, the window-pane, the cuckoo-seek to find what tones they
each give
out.-ROBERT SCHUMANN.
Introduction
# T is often noticeable
how deficient musicians are in

knowledge
#
of their art, and how untrained their
ears are in the power to follow intelligently har
monic progressions. Even an accurate knowledge
of the more common intervals, such as major and
thirds,
augmented
fifths, diminished sevenths, etc., is by
minor
Nothing
no means common.
is more valuable to the musician,
composer,
be he
teacher or executant, than some degree of
inner hearing, i.e., the power to feel accurately the corres
pondence between the note, the written symbol and the outward
effect--the sound; so that if one is asked to sing a minor third
or a major seventh, it can be easily done; or so that the same
ir tervals may be instantly recognized when played.
The author of this little book, feeling that children can't begin
too early to have their ears properly trained, has compiled a sim
ple and yet thorough set of exercises and examples in rudimen
tary harmony. Far too much attention has hitherto been given
to the mere playing of music, whereas a simple study of har
mony and the cultivation of the ear should always go hand in
hand with the training of the fingers. A faithful use of this book
with even very young children who have a natural love for
music will greatly broaden their knowledge, and so will raise the
standard of musical intelligence among the public at large.
W. R. SPALDING,
Instructor of Harmony in Harvard University
Cambridge, August, 1897.
*
-----
ATTENTA
Keep this catalog up to date by

pasting in the descriptive pages
of new books from Oliver Ditson
Company's Descriptive Circular
V, as issued from time to time
A splendid
collection of thirty-three ideal. Bass songs in

the Bass clef. Twenty-four eminent modern composers
BASS SONGS
Edited by
of the English, French, German, Italian, Russian, and

American schools are represented by these songs, that
Heinrich Kiehl
S1.00
should be in every Bass singer's repertoire.

Arne, Dr. Thouas.
Bullard, Frederic Field.
Durand, E.
Fischer, Ludwig.
O Happy Day (O schne Zeit, O sel'ge Zeit ). Op. 160,

No. 1.
The Vesper-Hymn (Die Vesper-Hymne). Op. 6, No. 8.
Hasse, Gustav.
King, Oliver.
Mozart,
W. A.
den Bumen).
Moszkowski, Moritz.
Nessler, Victor E.
Nessler, Victor
E.
G. B.
Pike, Harry Hale.
Radecke, R.
Rubinstein, Anton.
Schubert, Franz.
Schubert, Franz.
Pergolese,
Schubert, Franz.
Schubert, Franz.
Schumann, Robert.
Schumann, Robert.
Scott, Lady John.

Shield, William.
Wagner, Richard.
Wallnfer, Adolf.
Wekerlin,
B.
Widor, Charles M.
J.
Israfe 1.
Afar (Ferne). Op. 9, No. 9.
Here "Neath the Trees am Lying (Da lieg' ich unter
Op. 84, No.
1.
O Isis and Osiris (Possenti Numi). From The Magic

F1 ute."
Within this Sacred Dwelling (In diesen heil" gen
Hallen) (Qui sdegno non s'accende).
From The
Magic Flute."
Take My Heart (Bitte). Op. 13, No. 1.
My Love, Farewe 11 (Beht dich Gott). Fronn The
Trumpeter of Sckingen."
Ye Bid Me Welcome (Ihr heisset mich willkommen).
Fron The Trumpeter of Sckingen."
Nina (Tre Giorni) (Drie Tage sind verflossen).
Old Journeyman Days.
Joy in Strength (Ich liebe, was da stark).
The Tear (Die Thrne). Op. 83, No. 8.
By the Sea (Am Meer).
Death and the Maiden (Der Tod und das Mdchen).
Op. 7, No. 3.
My Abode (Aufenthalt).
The Wanderer (Der Wanderer). Op. 4, No. 1.
I'11 Not Complain (Ich grolle nicht). Op. 48, No. 7.
The Two Grenadiers (Die beiden Grenadiere). Op. 49,
***
Mendelssohn, Felix.
Mendelssohn, Felix.
W. A.
sitz"
ich hier).
Gtze, Carl.
Mozart,
CONTENTS
By the Gaily Circling Glass.
The Indifferent Mariner.
In the Days of Youth (In der Jugendzeit).
My Lodging is the Cellar Here (Im khlen Keller
NO.
I.
Annie Laurie.
The Friar of Orders Gray.
Don Juan's Serenade (Stndchen des Don Juan) (Sr
mude de Don Juan).
Endless Love (Die Thrne bebt). Op. 6, No. 4.
No Word from Thee (Kein Wort von dir). Op. 28,
No. 5.
O Thou Sublime, Sweet Evening Star (O! du mein
holder Abendstern) (O! tu bel" Astro Incantator).
From Tannhuser.
Vale Carissima.
The Minstrel Boy (Irish Melody).
Invocation. Op. 28, No. 2.
A collection of twenty-six duets, written

expressly for Soprano and Alto voices,
Heinrich Kiehl
nearly one half of which have never before
$1.00
been printed in this country. Great vari
ety has been secured by selecting compositions from the works of eighteen
composers, prominent representatives of the English, French, German,
Italian, Russian, and Scandinavian schools.
SOPRANO AND ALTO DUETS
Edited by
CONTENTS
Chaminade Ccile.
Dlibes, Lo.
Foster, Myles B.
Gtze, Carl.
2,
Still
as the
Night (Still wie
Absence (Entfernung).
Across the Still Lagoon.
Mendelssohn, Felix.
Mendelssohn, Felix.
Autumn Song (Herbstlied). Op.63, No.

Greeting (Gruss). Op.63, No.
On Wings
Music (Auf Flgeln des Gesanges).
No.
72,
of
3.
4.
Op.
No.
sh' ich
auf der
Haide).
5.
63,
No.
Op.
5.
1.
6.
At Parting (Beim Scheiden). Op. 48, No.

The Angel (Der Engel). Op. 48, No.
The Wanderer's Night Song Wanderers Nachtlied).
48.
Sailing Away.
when the Shadow
Gay Little Bird
Thomas, A. Goring.
54, No.
Sunset.
Wilson, H. Lane.
Carmena (Waltz).
3.
in
Stange, Tlax.
is
Smart, Henry.
Smart, Henry.
ich ein Vgelein).
Wert Thou in the Cauld Blast (O

Op.
Rubinstein, Anton.
Rubinstein, Anton.
Rubinstein, Anton.
Herze thut
2.
Lassen, Eduard.
Log, Henri.
Rjerulf, Halfdan.
Mendelssohn, Felix.
Mendelssohn, Felix.
1.
die Nacht).
Folk-Song (Im Volkston). Op. 72, No. 7.

My Weary Heart Gives Too Much Pain (Mein
Op. 72, No.
mir gar zu Weh
Birdling (Wr
Were
Last Night.
Jadassohn, S.
No.
Serenade (from Le Roi la Dit).

Song Should Breathe of Scents and Flowers.
').
Jadassohn, S.
Jadassohn, S.
Ease Thine Heart.
Venetian Boat Song.

The Coming Spring (Frhlingswerden). Op.
Nearest and Dearest (Tuscan Folk-Song).
Angelus (L'Angelus). Op. 69.
Brambach, C. J.
Caracciolo, Luigi.
If Thou Wilt
1.
Bracken, Edith A.
Passing.
the Forest (Wglein im Walde).
Op.
MODERN PIANO MUSIC

Edited by
HEINRICH KIEHL.
Price, $1.oo.
Postpaid.
CONTENTS.
Borowski, Felix.
5.
Godard, Benjamin.
Godard, Benjamln.
Grieg, Edvard.
Grieg, Edvard.
Grieg, Edvard.
3.
by
Niemann.)
The Music Box (Une Tabatire

Mlodie.
Valse,
A.
Op. 32.
3.
3.
8,
2.
9,
2.
1.
8,
Op.
No.
Lied der Sehnsucht (Ardent Longing). Op. 22, No.
Op.
Mazurka.
No.
Voyageur).
Op.
Mlodie (Tir des Chants du
No.
Scherzino. Op. 10, No.
Gavotte
Op. 72, No.
2.
6.
op .4o, No.
6.
2.
2.
5.
Reverie. Op. 34, No.

Op. 16, No.
Valse Mignonne.
Op.
195,
Mazurka.
No.
Chant sans Paroles (Song without words),
June (Barcarolle). Op. 37, No.
Ronde d'Amour.
Op.
Mazurka.
No.
4.
verga "genen Tagen).
33.
(I
From Bygone Days

Pastorale. Op.
Album Leaf.
on
2.
Cache-cache (Hide-and-Seek).
Prlude. Op.
No.
Divertimenti.
8,
J. J. J.
Muszzzee).
Op. 10.
3,
Jules.
Moszkowski, Moritz.
Nicode, Jean Louis.
Paderewski, Ignace
Paderewski, Ignace
Paderewski, Ignace
Piern, Gabriel.
Rachmaninoff,
Schmidt, Oscar.
Scholtz, Hermann.
Schuett, Eduard.
Schuett, Eduard.
Strelezki, Anton.
Van Westerhout, Niccolo.
Wilm, Nikolai von.
3.
1.
in in
Murmuring Zephyrs. (Transcribed

Dp, Op. 18, No. 11.
Nocturne,
Op. 18, No.
Db.
Op.
40,
Prelude.
No.
Berceuse,
R.
6.
by
(I
5.
Erotik (Pome Erotique). Op. 43, No.

Ich Liebe dich
Love You). Op. 41, No.
(Transcribed
the Composer.)
Spring
To
(A den Fril hling). Op. 43. No.
Grieg, Edvard.
Jensen, Adolf.
Karganoff, Gnari.
Karganoff, Gnari.
Liadow, Anatole.
Liadow, Anatole.
Massenet,
2.
2.
Mazurka, No.
Les Sylvains (The Fairies). Op. 60.
Chopin (from Magic Lantern ''). Op. 66, No.
Lamartine (Fragment Potique).
Op. 28, No.
Danse Caprice.
Ccile.
in
Chaminade,
S.
all
of
More than three-fourths of the twenty-two composers represented in this volume of thirty-two
piano solos are living.
Probably no other collection gives so good an idea of the piano literature of
to-day.
the European schools
No piece in the volume is of more than medium difficulty, and
Volume, sheet-music size, one hundred
each number is carefully fingered;
are musically attractive.
and twenty-four pages.

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Ditson, Oliver, Co.

Public Domain, Google-digitized

OLIVER DITSON COMPANY

collection of thirty-three ideal. Bass songs in

The Indifferent Mariner.

O Happy Day (O schne Zeit, O sel'ge Zeit

By the Gaily Circling Glass.

Arne, Dr. Thouas.

The Vesper-Hymn (Die Vesper-Hymne). Op. 6, No. 8.

Within this Sacred Dwelling (In

Hallen) (Qui. sdegno non s'accende).

Scott, Lady John.

Tchaikovsky, Peter Iljitch.

A collection of twenty-six duets, written

Ease Thine Heart.

Venetian Boat Song.

Serenade (from Le Roi la Dit).

Still as the Night (Still wie

Autumn Song (Herbstlied). Op. 63, No.

Folk-Song (Im Volkston). Op. 72, No.

At Parting (Beim Scheiden). Op. 48, No.

Wert Thou in the Cauld Blast (O

When the Shadow

the Forest (Vglein im Walde).

OLIVER DITSON COMPANY

Any book herein listed will

receipt of price, with a few exceptions otherwise

Instrumental and Theoretical, will be

sent upon request.

For list of special catalogs

see page 238.)

Operas (Vocal Scores).

For Adults (Amateurs).

Requiem Masses (a11 Voices)

Protestant Church Music.

.. ... .. .. . ... .. .. .. .. .. .. .. . ...

studies, Solfeggi, and Exercises.

Protestant Choir Books

STUDIES, SOLEEGGI, AND

see page 99.)

We issue six books of this standard a1,d widely

BEHNKE, EMIL, and

Vocal Training Exercises

For Soprano and

(For Books suitable for Schools and Singing Classes,

Twelve New Vocalises.

Fifty Lessons in Singing (Op. 9).

For the middle register of

Book I, Parts I and

Fifty Lessons (Op. 9).

Thirty Exercises (Op.

Eighteen Solfeggi (Op. 13).

For Baritone or Bass voice.

words by Theodore T. Barker. Book I, complete. .

For two female voices.

An elementary and progressive method of vocal music,

comprising the art of reading music at sight according

Twenty-four Vocalises (Op. 2). For Soprano or Mezzo-Soprano.

Art of Singing (Op. 5).

Vocalises, for Mezzo

Elementary and Graded Exercises. . . . . .

Twelve Vocalises for two voices, Contralto and Mezzo

Eighteen Vocalises for Two Voices (Op. 12). Mezzo-Soprano