Gear Guide V1b Hi Res PDF

Gear For Fine Art Nature Photography
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Users of this guide are advised to do their own due diligence when it comes to making
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By reading this guide, you agree that myself and my company is not responsible for the
success or failure of your decisions relating to any information presented in this guide, nor
for any damages or losses of any kind, including but not limited to those regarding finance,
business, health and safety, products and services, and images and files.
2015 Matthew Schwartz | www.InfiniteWorldPhotography.com
copyright
No part of this publication shall be reproduced, transmitted, or sold in whole
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trademarks and registered trademarks appearing in this guide are the property
of their respective owners. All images of products are used under fair use laws,
for the purposes of commentary, critique, opinion, and education of the public.
2015 Matthew Schwartz
Infinite World Photography
& Nature Photography Mastery Academy
credits
Credit for all parts of this publication goes to Matthew Schwartz, including:
Nature Photography
Cover Design
Design and Layout
Writing
Editing
Production
Special thanks to Rachel Maskew for her invaluable feedback and proofreading.
ii
Dedication
This book is dedicated to those nature photographers who are
committed to creating artistic images of the utmost quality, and
who push themselves, and their craft, to extremes to achieve it.
Thanks
Id like to extend my sincere thanks to everyone that has ever
answered my questions, given advice, or in any way helped me.
And, a special thanks to the generous people who have offered
repeated help, such that I consider them friends and mentors.
iii
table of contents - clickable

INTRODUCTION..................................................................................................1
CAMERA................................................................................................... 5
CANON 7D MK II.................................................................................................6
CANON BG-E16 BATTERY GRIP................................................................... 13
CANON LP-E6N BATTERY............................................................................. 17
MEMORY................................................................................................20
LEXAR PRO 800X CF CARD........................................................................... 21
PELICAN 0945 MEMORY CASE .................................................................. 25
SUPPORT................................................................................................29
GITZO GT4542LS TRIPOD LEGS.................................................................. 30
GITZO GT2541 TRIPOD LEGS...................................................................... 34
WIMBERLEY WH-200 GIMBAL..................................................................... 38
RRS PG-CC CRADLE CLAMP......................................................................... 42
REALLY RIGHT STUFF BH-40 LR.................................................................. 46
REALLY RIGHT STUFF BH-55 LR.................................................................. 50
SIRUI P324 MONOPOD.................................................................................. 54
iv
SIRUI L-10 MONOPOD TILT HEAD............................................................. 58

SKIMMER GROUND POD II........................................................................... 62
ACCESSORIES.........................................................................................66
PIXEL PRO WIRELESS REMOTE.................................................................... 67
LENSCOAT ACCESSORIES............................................................................. 71
QUICK MENTIONS........................................................................................... 75
LARGE GIOTTOS ROCKET BLOWER............................................... 75
ECLIPSE CLEANER AND PEC PADS................................................. 75
MICRODEAR DELUXE CLOTHS........................................................ 75
LEATHERMAN MULTI-TOOL............................................................. 76
PETZL TIKKA XP HEADLAMP........................................................... 76
NIKON EXTREME BINOCULARS...................................................... 76
FISKARS FOAM KNEE PADS.............................................................. 77
LENSES...................................................................................................78
CANON EF 500MM F4L IS II USM............................................................... 79
RRS 500MM LENS FOOT LCF-53................................................................. 90
CANON EF 400MM F/5.6L USM.................................................................. 93
SIGMA 150MM F/2.8 MACRO...................................................................... 97

CANON EXTENDER EF 1.4X III...................................................................106
QUICK MENTIONS.........................................................................................111
EF 100-400MM F/4.5-5.6L IS II.......................................................111
EF 70-200MM F/4 L IS USM............................................................111
EF 16-35MM F/4L IS USM................................................................111
DROP-IN POLARIZING FILTER........................................................112
FLASH...................................................................................................113
CANON SPEEDLITE 430EX II......................................................................114
CACTUS V5 TRANSCEIVER..........................................................................118
MACRO GEAR.......................................................................................122
RRS B150B-LMT-PKG RAILS........................................................................123
QUICK MENTIONS.........................................................................................127
KENKO AUTO EXTENSION TUBES................................................127
5-IN-1 REFLECTOR AND DIFFUSER..............................................127
MCCLAMP FLEXIBLE CLAMP ARMS............................................127
WHITE BALANCE CARD SET...........................................................128
vi
PRECISION TWEEZERS.....................................................................128
FISKARS FOAM KNEE PADS............................................................128
BAGS / CASES.......................................................................................129
LOWEPRO PRO TREKKER 600 AW............................................................130
LOWEPRO LENS TREKKER 600 II...............................................................134
TAMRAC EXPEDITION 7X PACK................................................................138
PELICAN 1510 CARRY ON CASE...............................................................142
QUICK MENTIONS.........................................................................................147
PELICAN 1450 AND OTHER CASES..............................................147
BUBM ACCESSORY CASES..............................................................147
BADLANDS PURSUIT BACKPACK.................................................147
PROCESSING........................................................................................148
X-RITE I1DISPLAY CALIBRATION...............................................................149
ADOBE LIGHTROOM....................................................................................152
ADOBE PHOTOSHOP....................................................................................154
QUICK MENTIONS.........................................................................................156
TOPAZ LABS PS DENOISE PLUGIN...............................................156
vii
HELICON FOCUS PRO & REMOTE.................................................156

J. FRIEDLS LR FLICKR PLUGIN.......................................................156
TGRMN VICE VERSA PRO.................................................................157
IF THIS THEN THAT............................................................................157
KEYWORD CATALOG PLUGINS.....................................................157
BONUS SECTION..................................................................................158
GEAR SAFETY AND PROTECTION............................................................159
EQUIPMENT INSURANCE................................................................159
QUICK MENTIONS.........................................................................................160
SECURITY SAFE...................................................................................160
SAFE DEHUMIDIFIER.........................................................................160
CASE DEHUMIDIFIERS......................................................................160
PERSONAL SAFETY.......................................................................................161
COMMON SENSE...............................................................................161
QUICK MENTIONS.........................................................................................162
SUN BLOCK..........................................................................................162
SUN CLOTHING...................................................................................162
viii
BUG REPELLENT.................................................................................162
PROPER CLOTHING...........................................................................163
FIRST AID KIT.......................................................................................164
FOOD.....................................................................................................164
WATER....................................................................................................164
CAMO AND EXTREME GEAR......................................................................165
QUICK MENTIONS.........................................................................................166
WADERS................................................................................................166
RUBBER BOOTS...................................................................................166
CAMO JACKET & PANTS..................................................................166
3D CAMO..............................................................................................167
CAMO ACCESSORIES........................................................................167
AMERISTEP GUNNER BLIND..........................................................168
KWIK CAMO PHOTO BLIND............................................................168
CONCLUSION.......................................................................................174
FINAL THOUGHTS.........................................................................................175
CONTACT INFORMATION...........................................................................176
ix
Preface
Thank you for picking up this ebook. I wrote it primarily because:
1. When I was a novice in the field of nature photography, I wanted to know
what the best gear was for taking the kind of photos I liked. Now, I can share
that information with people who have the same questions that I once had.
2. People often ask me what gear I used for a particular type of photo, or for
basic advice on equipment. Through this ebook, I can answer that, and more.
3. I strongly believe in our right to create artistic nature images, not just
documentary ones. One of my goals is to find other people that also believe
that, and to help them achieve it.
Another reason why I wrote this ebook is that I love nature, and nature
photography, and I appreciate the opportunity to share my thoughts on those
topics. I have about 15 years of experience in photography, and all of it has
been spent pursuing subjects that I am passionate about. In the technical sense
of the word, I am not a professional photographer; and aside from my years
of experience and knowledge, the most official credentials that I have are my
images.
Introduction
This guide mentions a lot of expensive and fancy gear, but please keep in mind
that every single item is just a tool that we can use to help us achieve our goals.
Heres a great little story that illustrates the point quite well:
The Photographer and the Chef
A photographer went to a dinner party, and as he entered the front door, the host
said I love your pictures theyre wonderful; you must have a fantastic camera!
The photographer didnt say anything until dinner was finished, then he said That
was a wonderful dinner, you must have a terrific stove!
Its Not the Camera, Its the Photographer
No matter how fancy the equipment is, the result will not be great, unless the
person that is using it has the knowledge and skill to make it great. The primary
lesson is that a photographer needs to learn the fundamentals of photography,
and the proper use of each piece of equipment. As they improve, their potential
may become stifled by the limitations of their gear; at that point they can upgrade
to better equipment. But, they should never make the mistake of believing that
fancier equipment will, by itself, improve their photos.
Let me caution you: Some people take this concept too far, and think that fancy
equipment is never needed, or that people that have expensive gear are trying
to fill a void in their competence. This is not always the case. Cameras and other
equipment are tools, and some tools are better than others. When we have
the capability to produce a result, but the tools we have are limiting us, then it
makes sense to upgrade the tools.
1
In summary: To achieve our goals, we need to know what our skills are, what our
equipment can do, and then balance the two. We can do this by upgrading our
skills, knowledge, and equipment, in parallel.
About This Book
The products in this guide are those that work well for me, but there are plenty of
other options available, at a wide range of prices, and from other manufacturers.
I am well aware that not everyone uses Canon, or can afford a $10K lens, or
wants to carry a bunch of heavy gear. So, I am presenting this information from
the perspective of what I own and use, and what my insights and tips are. I
hope that you can utilize at least some of this to your benefit. With that in mind,
please enjoy the book!
One More Thing
I would like to express my sincere thanks to all of my subscribers, followers
and friends out there. I truly appreciate each comment, conversation, and the
opportunity to share my work and my thoughts.
For information about how you can contact or connect with me, please see the
closing remarks of this ebook.
please help spread the word

If you would like to share this guide, please direct people to the link below, so
they have a chance to join the newsletter as well. Thank you for your support!
vv http://infiniteworldphotography.com/free-gift-gear-guide
Matthew Schwartz
Infinite World Photography
Nature Photography Mastery AcademyTM
Gear for Fine Art

Nature Photography
The tools i use + why i use them
Matthew Schwartz
Infinite world photography
& Nature photography mastery academy
01
Camera
Canon 7d Mk ii
pp Key specs
Resolution
20.2 MP
Sensor
APS-C (1.6 crop)
Dimensions
5.85 x 4.43 x 3.08 inches
Weight
Approx. 28.92 oz (1.8 pounds)
Price
$1799 (body only)
Fave features
Lightning fast, 10 frames per second still shooting (max).
Quiet, Silent Continuous Shooting (4 FPS max).
Mirror vibration reduction features
Powerful, 65-point all cross-type AF (lens dependent).
Low light Autofocus capability (Center point AF possible at f/8)
Automatically updating camera user settings (Mode dial C1, C2, C3)
Highly customizable controls and settings
Rugged build quality and full weather sealing
Comments
If you want to photograph birds and other small animals, there is no better
Canon camera than the 7D Mk II, but it doesnt stop there - this camera is also
excellent for macro, and general nature subjects. And, although a camera with a
full frame sensor would have many advantages for landscape shooting, the 7D
Mk II is more than capable of producing excellent images there as well.
The 7D Mk II excels in many areas for wildlife photography. The superb autofocus
capabilities can help nail tough shots of running or flying animals (assuming the
photographer has the knowledge and skill to utilize it properly). The blazing fast
frame rate results in more options for action scenes; for example, you will have
multiple wing positions to choose from after shooting a bird in flight. The silent
shutter mode, which is available even with continuous frames, is helpful for all
wildlife, but especially when working skittish subjects from camo or a blind. The
extensive customization possibilities for controls and settings are extremely
useful, allowing configurations for different shooting styles, conditions, and
7
subject matter. The weather sealing and magnesium alloy construction are
perfect for punishing field conditions.
The autofocus in this camera is among the best that Canon has in their DSLR
lineup to this point, though it is perhaps slightly outperformed in some situations
by the 1D X and newest pro bodies. Its fast, accurate, and has many points and
groupings for a variety of situations (though I recommend using a single AF
point in most cases). The center AF point can function at f/8 (which youd need
if using a 1.4x teleconverter on an f/5.6 lens, or a 2x teleconverter on an f/4 lens),
though I wouldnt recommend it for action shots.
There are many autofocus settings and configurations, which makes it useful
for photographers that need more control, and the ability to dial in the AF for
specific shooting scenarios. However, these options can be overwhelming to
someone that is not used to a more advanced camera. You should definitely
read and follow along with the manual, and then refer to online articles and
videos for more detail and insight. But, dont simply accept the settings that
someone else tells you to use; you must do your own tests, experiments, and
practice, to find out what settings are best for your shooting style and subject
matter. The previous advice goes for all camera settings, not just the autofocus.
In summary, the 7D Mk IIs autofocus system has a lot of advanced technology,
features, and settings; it is a joy to use, and works great for wildlife action shots.
Its important to note that you will get the best benefits from this camera if you
pair it with high quality lenses. In particular, if you need very fast and accurate
autofocus (which you do, if youre shooting wildlife), you will need to use a lens
that is capable of that kind of performance. Low quality lenses will have slow
autofocus performance, and no camera that you can use will change that. Low
quality lenses will also have poor image quality. Buy the best lenses that you can
afford; the cost will be worth the resulting image quality and field performance.
Id like to comment on autofocus and shutter release configurations. I strongly
advise all nature photographers to set up, and learn, something called Back
Button Focus (in combination with AI Servo AF mode). This configuration
maps the shutter-release button to only release the shutter, but not activate
autofocus. The autofocus is mapped to, and activated by, the AF-On button (or
the * button) on the rear of the camera. There are many benefits to this setup;
namely, you can focus, compose your shot, and release the shutter, separately
or at the same time (depending on your needs for each situation).
The important thing to understand about Back Button Focus (BBF) is that, when
you let off the autofocus button, you can then take the photo at any time with
the shutter button, without changing the focus. You can focus continuously
with AI Servo for moving subjects; or you can focus until sharp and then let
off the focus button, essentially taking the place of the One Shot AF setting,
which is useful for static subjects. There is more to learn and understand about
BBF than Ive covered here, but I wanted to at least give you an overview of one
of the most helpful techniques I use.
Another of my favorite features is the ability to have mode dials C1-C3
automatically update all setting changes. I shoot in Manual mode 99.9% of the
time, and this feature, essentially, lets me have 4 Manual modes. One way to use
this is as Quick Presets. For example, you could have settings for Wildlife on C1,
Macro on C2, and Landscape on C3. Another option is to have presets ready for
multiple shooting scenarios at one shooting location; for example, you could
have C1 setup for Eagles in flight, and C2 set up for Eagles perched in a shaded
tree. Switching back and forth between the two is as simple as turning the dial.
To use the automatic update feature for C1-C3, go into the Custom Shooting
9
Modes menu, and set [Auto Update Set.] to [Enable].

This camera has GPS built-in, which can be useful for record-keeping, research,
studies, and finding a location in the future. The location data can also be
shown on the map module in Adobe Lightroom. Keep in mind that the camera
battery power will drain faster when GPS is enabled. Also, when exporting files
for sharing, I recommend you strip out location data, if it is at all sensitive.
The 7D Mk II contains many more features that I havent covered. Make sure to
read the manual at least twice, walk through and test every setting, and practice
in the field.
In summary, the 7D Mk II is a superb camera for nature and wildlife photography,
and I highly recommend it for anyone in the Canon market.
10
|| Pros
}} Cons
Great specs and features for nature, wildlife
Noisy images at high ISO and low light
Excellent performance and handling
Relatively low megapixel count
1.6 focal length factor (versus a Full Frame)

Good image quality for a crop sensor
Very low price point for the value
Recommended accessories
vv Canon Battery Grip BG-E16
vv Pixel Pro Wireless Remote
Tips
Read the entire manual, twice. Try each setting and feature on your camera.
Customize controls and settings for your style and usual subject matter
Learn the why and how of Back Button Focus, set it up, and practice
Pair this camera with quality L-lenses to take full advantage of features
Use Camera User Settings C1, C2, C3 as quick presets.
11
VV Sample imagery
Image information
Caption:
Camera:
Lens:
Shutter:
Aperture:
ISO:
Notes:
12
Juvenile Bald Eagle, fishing

Canon 7D Mk II
Canon 500mm f4 IS II + 1.4 teleconverter
1/3200 sec.
f/8
800
Fast shutter speed, 7D Mk IIs powerful autofocus, luck, and skill,
helped me to capture this exciting flight action shot.
Canon BG-E16 Battery Grip
pp Key specs
Power Source
2x LP-E6, or 6x AA
Dimensions
6.0 x 4.5 x 3.4 inches
Weight
11.6 oz (0.72 pounds)
Price
$199
13
Fave features
Full set of right-hand controls on grip, matching camera body controls
Rugged build quality and full weather sealing
Able to use standard AA batteries in a pinch
Comments
When you need extended shooting time, and dont want to, or cant, change
batteries as often, this grip is the answer. It is also a more ergonomic way to
shoot vertical shots for wildlife, and can create a more balanced feel for large
lenses.
This grip is much better than the old grip for the original 7D camera, because
it has the full set of controls, but unfortunately it is still not as ergonomic as Id
like. The button and joystick positions are not as natural and easy to reach as
the same controls on the camera body, but they are better than nothing when
you need a way to comfortably shoot vertical shots.
This item will add bulk and weight to your setup, so you need to carefully
consider when to use it, but under the right circumstances, it is a great piece of
equipment. Weather sealing and excellent build quality go perfectly with the
7D Mk II camera body.
Its worth noting that I recommend this grip, over the cheaper aftermarket
brand grips. In general, Canon brand products are going to be built better and
perform better in the long run, so they are worth the higher price.
14
|| Pros
}} Cons
Extends shooting time
Adds bulk and weight to your setup
Makes vertical photos much easier to shoot
Not as ergonomic as it should be
Full right-hand control set matches body
Control positions not as natural as cameras
Creates balanced feel for large, heavy lenses

Weather sealed and ruggedly built
vv Canon LP-E6N batteries
Tips
Be discerning of when to use this item, due to the added bulk and weight
Remove for extensive hand-held shooting, to avoid unnecessary fatigue
The camera body battery bay door must be detached to attach this grip.
Practice this at home, so you can do it easily and quickly in the field
Loosen your lens collar lock so you can rotate your camera for vertical shots
Use two batteries if possible. Some cameras can show battery info for both.
15
VV Sample imagery
Image information
Caption:
Northern Pygmy Owl
Camera:
Canon 7D Mk II
Lens:
Shutter:
1/400 sec.
Aperture:
f/5.6
ISO: 2000
Notes:
Persistence helped me locate this delightful and cute little owl.
I was able to spend some memorable time with it because I was
respectful of its comfort zone, and was very patient.
16
Canon lp-e6n Battery
pp Key specs
Type
Lithium-ion
Capacity
1865 mAh
Weight
2.8 oz
Price
$65
17
Fave features
Extended shooting time over original LP-E6 battery
Backwards compatible with all LP-E6 accepting cameras and chargers
Comments
I recommend this battery for any device that accepts the LP-E6 series of batteries.
Although expensive, Id suggest it over cheaper options, and Id advise buying
more than you think youll need, especially if youll be shooting in cold weather.
|| Pros
}} Cons
Longer shooting time vs original LP-E6
Expensive
Backwards compatible
High quality and reliable
Tips
Recharge all batteries 1 day prior to any photo shoot or trip
Dont leave batteries discharged for extended periods
Bring more batteries than you think youll need, especially for long trips
Keep spares warm in your inner coat pockets in cold weather
Rubber band each fully charged battery, know at-a-glance which are fresh
18
VV Sample imagery
Image information
Caption:
Junco on mossy branch
Camera:
Canon 7D Mk II
Lens:
Canon 500mm f4 IS II
Shutter:
1/200 sec.
Aperture:
f/7.1
ISO: 1250
Notes:
A backyard setup, with flash, allowed me to capture this Junco
image in a dark, shady area.
19
02
Memory
20
Lexar pro 800x cf card
pp Key specs
Form
Compact Flash Type 1
Speed
800x (other speeds also available)
Ultra Direct Memory Access
UDMA 7 Compliant (800x)
Data Transfer
R 120 MB/s max, W 45 MB/s max (800x)
Video Performance Guarantee
VPG 20 (20 MB/s minimum) (800x)
Capacity
Varies (8 GB to 256 GB per card)
Price
Varies (Average $30 to $50 per card)
21
Fave features
Shockproof, static proof, tolerant of temperature extremes
Very fast speeds
High capacity
Free Image Rescue 4 software
Comments
The Lexar Pro Compact Flash cards are high quality, dependable, and have
impressive specifications and features. They are the only cards Ive been using
for years, and I highly recommend them if youre looking for a top notch memory
solution for serious nature photography.
The speed and capacity of card that you buy should be based on your shooting
needs (for example, youll probably want the highest capacity and speed
available if you are extensively shooting HD video). The 800x speed has suited
me perfectly, and works great in the Canon 7D Mk II, even when shooting
multiple frame bursts in RAW. The 32 GB and 64 GB capacities are my choice
with the 7D Mk II, as I find that a comfortable amount of shots fit on the card,
but not so many that I feel I have all my eggs in one basket on a longer trip.
I prefer Compact Flash cards over SD cards, mainly because they are larger and
easier to handle, which is helpful when you are wearing gloves, or are in a hurry
to swap in a new card.
22
|| Pros
}} Cons
High quality and durable
More expensive than equivalent SD cards
Fast speed for continuous shooting or video
Not as easy to insert and remove as SD cards
High capacities available
Takes up more storage space than SD cards
Larger size easier to handle than SD cards

Free image rescue software
Lifetime warranty and free tech support
vv Pelican 0945 Memory Card Case
Tips
Format cards when switching camera bodies, and after backing up a shoot
Bring more cards than you think youll need, especially for long trips
Insert the card straight into the camera, and readers, to avoid bending pins
Keep an extra card in your pocket so you can swap it in quickly when needed
Protect cards by keeping them in a clean, hard case such as the Pelican 0945
23
VV Sample imagery
Image information
Caption:
Short-Eared Owl hunting in evening
Camera:
Canon 7D
Lens:
Shutter:
1/2500 sec.
Aperture:
f/7.1
ISO: 1250
Notes:
Great lighting can transform an otherwise boring shot into a
captivating, mood-filled image. While photographing owls, I
was treated to this magical Golden Hour light.
24
Pelican 0945 Memory case
pp Key specs
Dimensions
5.55 x 3.27 x 0.85 inches
Weight
0.21 pounds
Capacity
6 CF Cards (SD card model also exists)
Materials
Polycarbonate, ABS, Silicon, Brass
Price
$18
25
Fave features
Nearly unbreakable and uncrushable
Water resistant with rubber gasket
Multi-part hinge with metal pins
Relatively slim design
Integrated lanyard hole
Comments
Pelican makes some of the finest products available, and this memory hard case
is no exception. Simply put, its the best memory case Ive ever seen or used.
One of the best features of this case is the multi-part hinge, which has separate
moving parts that are attached with a metal pin. Many inferior cases simply use
a one-piece, flexible plastic hinge, which are prone to eventual breakage. This
opens and closes smoothly, fits together with precision, and snaps securely shut.
The water and dust resistant rubber seal is a real boon for nature photography.
A relatively slim design (all features and purposes considered) allows this case
to be easily slipped into a variety of camera bags, coat pockets, and other areas.
Two, or more, cases can easily be carried at the same time without fear of
damage, and can be labeled if desired. Bright stickers can increase visibility.
The materials and construction of this case are top notch, and it performs its
task perfectly. I give my highest recommendation to this product, and I own
and use two of them.
26
|| Pros
}} Cons
Superb build quality and materials
Not available in high-visibility colors
Mechanical hinge is unlikely to degrade

Water resistant seal (nearly waterproof )
Secure, not prone to accidentally opening
Ultimate protection for your memory cards
Tips
Insert full memory card with label facing down, for at-a-glance status
Label multiple cases and keep formatted cards separated by camera
Use bright ribbon or stickers to make the case easier to see
Use lanyard hole for added security when needed
27
VV Sample imagery
Image information
Caption:
Creeping fog in mountain valley
Camera:
Canon 7D
Lens:
Canon EF 100-400mm f/4.5-5.6L IS USM
Shutter:
1/15 sec.
Aperture:
f/16
ISO: 100
Notes:
Landscapes dont always have to be wide angle. For this image,
I used a short telephoto lens to selectively extract the detail
and composition that I wanted from the larger landscape.
28
03
Support
29
Gitzo GT4542LS tripod legs
pp Key specs
Design
4 section, twist lock, no center col.
Maximum Height
61.61 inches
Minimum Height
3.82 inches
Closed Length
24.53 inches
Weight
5.1 pounds
Load Capacity
55 pounds
Materials
6x Carbon Fiber
Price
$1089 (legs only)
30
Fave features
Carbon fiber construction; less weight, more vibration dampening
Extra tall, for more control in less than ideal field situations
Customizable and modular (Systematic Series)
Fast, secure twist-lock legs (G-lock), plus Anti Leg Rotation feature
No center column, and free angle legs, allow ground level shooting
Comments
My top advice regarding tripods is: 1. Consider all specs and features before
committing, 2. Be sure its more than sturdy enough for the gear youre using,
and 3. Buy the best quality you can afford, which will often cost more than you
want to spend. Overall, your top concern should be gear safety and stability.
One of the best tripods for serious nature photography is the Gitzo 4542LS. Its
big, sturdy, high quality, and well-designed. The leg sections slide smoothly, and
the locks are easy, fast, and secure. The extra height of the 4542LS is invaluable
in tricky scenarios involving slopes, boulders, or water. The low minimum height
is great for shooting macros or ground level wildlife.
I have an extra top plate so I can easily swap between my ballhead and gimbal
head. Besides being faster, this also eliminates wear on the tripod head mounts
and studs. Those two benefits alone are worth the $100 for the extra top plate.
The 4542LS is perfect with a gimbal and a super telephoto lens such as a 500mm.
Its also excellent for heavy macro setups, such as those with a 100mm+ macro
lens and focusing rail. In my opinion, this is a superb nature photography tripod.
31
|| Pros
}} Cons
Excellent quality and materials
Expensive, comparatively
Superb performance and field handling
Heavy, despite carbon fiber construction
Lighter than metal, dampens better
Large, bulky
Extra height helps in tricky field situations

Sturdy enough for use with 600mm lenses
Perfect for wildlife, macro, or other subjects
Modular Systematic customization options
vv Lenscoat Leg Coverings
Tips
Swap multiple tripod heads quickly using extra systematic top plates
Care for tripod by wiping off legs, but disassemble after serious field use
Be careful not to over-tighten the leg locks, but also be sure they are secure
Use top plate hook to hang weight for added stability if needed
Use leg covers to protect carbon fiber, and as padding for shoulder carrying
32
VV Sample imagery
Image information
Caption:
Moon
Camera:
Canon 7D
Lens:
Shutter:
1/60 sec.
Aperture:
f/5.6
ISO: 100
Notes:
Moons shots not only get increased detail with more focal
length, but they also get more difficult to execute. A sturdy
tripod and head are critical, as well strict technique and skill.
33
Gitzo GT2541 tripod legs
IMPORTANT NOTE This item has been replaced by a different model.
pp Key specs
Design
4 section, twist lock
Maximum Height
61.4 inches, 52.4 inches w/o column
Minimum Height
6.7 inches
Closed Length
22 inches
Weight
3 pounds
Load Capacity
26 pounds
Materials
6x Carbon Fiber
Price
$750 (legs only)
34
Fave features
Carbon fiber construction; less weight, more vibration dampening
Small, light, and compact
Fast, secure twist-lock legs (G-lock), plus Anti Leg Rotation feature
Rapid center column for quick height adjustments during composition
Comments
The same general comments apply to this Gitzo tripod as those given for the Gitzo
4542LS; high quality materials and build, excellent handling and performance,
and so on.
This is a much smaller, lighter, more compact tripod than the previously
mentioned one, which makes it excellent for hiking and traveling. These tripod
legs are best suited for very lean, lightweight gear, using small lenses and few
accessories, such as a backpacking landscape set ups. This is not the tripod to
use for large telephoto lenses or other heavy, torsion inducing rigs.
The center column can be removed, which would allow lower angle shots, and
lighter weight.
This tripod is rather expensive, but the quality and functionality are worth it.
As noted earlier, it has been replaced by a different model, which I have no
experience with, but you may be able to find it for sale as a used item. Most
likely, the newer model, or some other model, is very similar in specifications
and features, so it would be worth researching. Based on my experience so far,
I feel that you cant go wrong with a Gitzo product.
35
|| Pros
}} Cons
Expensive, comparatively

Compact and lightweight
Great for hiking and travel
Center column can be removed
Tips
Remove center column for less weight, and lower angle shooting
Care for tripod by wiping off legs, but disassemble after serious field use
Be careful not to over-tighten the leg locks, but also be sure they are secure
Use top plate hook to hang weight for added stability if needed
Use leg covers to protect carbon fiber, and as padding for shoulder carrying
36
VV Sample imagery
Image information
Caption:
Camera:
Lens:
Shutter:
Aperture:
ISO:
Notes:
37
Stone portrait
Canon 7D
Sigma 150mm f/2.8 EX DG APO HSM Macro
1/8 sec.
f/9
400
A tripod is critical for macro work without a flash, especially
when using a larger macro lens and working in a shady area. I
shot this close up, at dusk, with a ballhead and GT2541 tripod.
Wimberley wh-200 gimbal
pp Key specs
Design
Gimbal Tripod Head
Dimensions
9.25 x 3.5 x 9.73 inches
Weight
3.15 pounds
Price
$595
38
Fave features
Makes camera and lens feel weightless by balancing center of gravity
Smooth as butter motion in all directions
Easy to use, rubber coated knobs
Comments
A gimbal head is the perfect solution when you shoot with a very large lens,
such as a 500, 600, or 800mm, because it allows you to balance the camera and
lens combination at their center of gravity. At that point, you can rotate and tilt
the camera and lens with ease, at any angle, as though they were weightless,
and when you let go, they will remain in place. The trade-off for this ease of use,
is that a gimbal head is large and heavy.
When it comes to gimbal heads, the Wimberley is among the very best. They
have superb build quality, workmanship, and functionality. You can buy a cheap
knock-off gimbal head, for a fraction of the cost, but it will not even come close
to the perfection that is the Wimberley. I know, because I owned a $150 gimbal,
prior to getting the Wimberley. When it comes to photography equipment,
You get what you pay for is often quite true.
Its critical that you understand how to properly use a gimbal head, because
improper use can result in costly damage to your equipment. Follow the
instructions carefully for how to balance your setup, then practice mounting
and dismounting your camera and lens until it becomes innate. Be aware that
different lens, camera, and accessory combinations will require re-balancing.
39
|| Pros
}} Cons
Top notch materials and build quality
Expensive
Renders camera and lens weightless
Large
Smooth as butter motion in all directions
Heavy
Perfect solution for large lenses

Full adjustable
Arca compatible clamp
vv Lenscoat Wimberley Head Cover
vv Really Right Stuff Cradle Clamp Replacement PG-CC
Tips
Practice balancing your gear properly to avoid damage (see link below)
Wimberley Instruction Manual (PDF)
Re-balance the set up if you add or remove any weight (battery, flash, etc)
Get RRS cradle clamp, for instant lever release (vs. the slow knob release)
Lock the knobs before picking up your tripod with gear attached
Use caution in windy conditions, the rig can rotate itself if not locked down
40
VV Sample imagery
Image information
Caption:
Bald Eagle in a dive
Camera:
Canon 7D Mk II
Lens:
Shutter:
1/2000 sec.
Aperture:
f/7.1
ISO: 500
Notes:
Although I prefer to hand-hold my equipment for bird in flight
shots, its just not possible to do so on a continuous basis for
hours at a time. A gimbal head is the next best thing for action.
41
RRS pg-cc cradle clamp
pp Key specs
Design
Lever-Release Gimbal Cradle Clamp
Weight
0.65 pounds
Price
$170
42
Fave features
Lever-release allows instant mount and dismount of camera from gimbal
Easy to grip rubber knob for locking cradle position
Precision machined, high quality aluminum
Comments
In wildlife photography, seconds count; things can happen quickly, and the
faster we can set up, or react, the more likely we are to get the shot. One of the
features I dont like about the Wimberley gimbal head is that the cradle clamp
has a screw knob. That may not seem like much of a problem, until you are in a
situation where your camera and lens are mounted in the gimbal, and suddenly
a bird flies by, or some action starts up in another direction or location. Now
you have to unscrew the clamp, and by that time, youve missed the shot.
Enter, the Really Right Stuff lever-release cradle clamp, PG-CC. Simply remove
the Wimberley gimbal cradle, slide the PG-CC on, adjust and balance your set
up, and you are ready for action. You can mount and dismount your gear in 2
seconds; this saves time, is easier, less frustrating, and will help you get shots
you would otherwise miss.
This product is of the superb quality youd expect from Really Right Stuff, and
its the perfect solution to a problem. Theres nothing else to say about it - if
youre serious about wildlife photography, and use a gimbal, you need to buy
this clamp right away.
43
|| Pros
}} Cons
Top notch materials and build quality
Expensive
Instant mount and dismount of camera

Fits Wimberley WH-200 Gimbal Head
Safety stop grooves
Tips
Re-balance your set up after replacing the Wimberley cradle with the PG-CC
Be certain the lens plate is seated properly before letting go of your set up
Get a good grip on your lens and camera before releasing the clamp lever
Make sure the lever is fully closed and dont snag it on anything
44
VV Sample imagery
Image information
Caption:
Short-Eared Owl in flight
Camera:
Canon 7D Mk II
Lens:
Shutter:
1/2000 sec.
Aperture:
f/5.6
ISO: 1600
Notes:
When this owl flew towards me, I had the camera on a gimbal,
but it was too close, fast, and at the wrong angle. I flipped open
the PG-CC lever-release and shot handheld as the owl flew by.
45
Really right stuff bh-40 lr
pp Key specs
Design
Ballhead Tripod Head
Dimensions
3 x 2.1 inches
Weight
1 pound
Load Capacity
18 pounds
Price
$375
46
Fave features
Lever-release allows instant mounting and dismounting of your camera
Separate controls for ball and panning base
Drag knob allows fine-tuning of the ball friction
Repositionable main locking lever
Comments
Really Right Stuff (RRS) makes some of the finest photography products Ive
ever used. The design, form, and function, are indicative of the fact that they
actually use the products that theyve designed. You can tell theyve thought
about it from the point of view of a photographer, because the products fill a
need for a particular task, perform it beautifully, and feel great in hand.
The BH-40 mid-size ballhead is a superb tripod head. As with any RRS product,
the materials, craftsmanship, build quality, and function are outstanding. This
ballhead just feels great to use, and its very strong. It would be perfect for a
light-weight to mid-weight landscape or macro setup. If you need to support a
more serious setup, I highly recommend the next model up, the BH-55.
For any product that requires a clamp, such as a tripod head, I would always
recommend getting a lever-release (LR) clamp if possible, as opposed to a
screw knob release. Lever-releases save time and reduce frustration. So, for this
ballhead, youll want the BH-40 LR version.
This ballhead pairs nicely with the GT2541 tripod, or comparable tripod models.
47
|| Pros
}} Cons
Expensive

Top notch design and function
Lever-release for instant mount & dismount
Separate controls for ball, pan, drag
Tips
Get the lever-release clamp version, BH-40 LR
Reposition main lever as needed: pull out slightly, rotate, then let it retract
Use drag knob to dial in the desired amount of friction for the main ball
Avoid getting debris in ball or controls, follow item cleaning instructions
48
VV Sample imagery
Image information
Caption:
Swamp fly
Camera:
Canon 7D
Lens:
Shutter:
1/13 sec.
Aperture:
f/8
ISO: 1250
Notes:
A high quality, sturdy ballhead is very helpful for fine macro
work. I did not want to raise my ISO any higher, so I repeatedly
took many shots, hoping at least one would be sharp enough.
49
Really right stuff bh-55 lr
pp Key specs
Design
Ballhead Tripod Head
Dimensions
3.7 x 2.9 inches
Weight
1.9 pounds
Load Capacity
50 pounds
Price
$455
50
Fave features
Lever-release allows instant mounting and dismounting of your camera
Separate controls for ball and panning base
Drag knob allows fine-tuning of the ball friction
Large, comfortable main lock knob; locks super fast and super strong
Two drop-notches save time and reduce frustration when composing
Comments
The BH-55 full-size ballhead is a superb tripod head. It would be perfect for any
mid-weight to heavy-weight setup; with a load capacity of 50 pounds, there
isnt much you cant support. If you need a smaller, lighter ballhead and dont
need to support much weight, I highly recommend the next model down, the
BH-40.
One of the best things about this ballhead is the very large, easy to grip, main
locking knob. It turns smoothly, locks quickly, easily, and very firmly.
As suggested for the BH-40, you will want a lever-release, so for this ballhead,
youll want the BH-55 LR version, with B2 AS II clamp.
Because the ballhead is large, heavy, and has a wide base, it will not fit on, nor
will it pair well with, small tripods. It also requires a 3/8 stud for mounting. This
ballhead pairs nicely with the GT4542LS tripod, or comparable tripod models.
I use the BH-55 for macro, with the RRS B150B-LMT-Pkg focus rail for collared
lenses. The BH-55 supports that kit, plus my Sigma 150mm f/2.8, and accessories.
51
|| Pros
}} Cons
Expensive
Large
Top notch design and function
Heavy
Lever-release for instant mount & dismount

Separate controls for ball, pan, drag
Super strong, very high weight capacity
Tips
Get the lever-release clamp version, BH-55 LR with B2 AS II clamp
Use drag knob to dial in the desired amount of friction for the main ball
Avoid getting debris in ball or controls, follow item cleaning instructions
52
VV Sample imagery
Image information
Caption:
Jewelweed bloom
Camera:
Canon 7D
Lens:
Shutter:
1/15 sec.
Aperture:
f/10
ISO: 500
Notes:
I prefer long macro lenses such as the Sigma 150mm, because it
creates a soft background to isolate the subject. Large lenses on
a macro rail, requires a strong support, like the BH-55 ballhead.
53
Sirui p324 monopod
pp Key specs
Design
4 section, twist lock
Maximum Height
66.5 inches
Minimum Height
21.8 inches
Weight
1.38 pounds
Load Capacity
22 pounds
Materials
8x Carbon Fiber
Price
$107 (head not included)
54
Fave features
8x carbon fiber construction; less weight, more vibration dampening
Large, easy to grip, rubber twist-locks; lock quickly and securely
Super strong and robust
Strong lanyard and molded belt clip
Extra tall max-height
Foam wrap on top section
Comments
There may be times and locations where a tripod is not allowed, or not practical,
and those are the perfect situations to use a monopod. You will need a monopod
head so that you can tilt and angle the camera, independent of the angle of the
monopod leg. Monopods require faster shutter speeds than tripods.
The P-324 is a very large, robust monopod. Something of this nature is really
only needed if you want to support large, heavy setups. For example, I have
used this monopod with my 500mm f4 IS II lens, plus teleconverter, on a 7D.
This monopod has excellent materials, workmanship, and quality. It feels great
in hand, and is easy and comfortable to use. For the price, its a steal.
Most people use monopods incorrectly. Search the Internet for how to use
a monopod and look for techniques that show someone bracing it against
their body, and angling it between their legs against their rear-placed foot. This
stabilizes the monopod horizontally and creates a tripod with your body. You
can also brace the monopod against objects, but be careful not to damage the
carbon fiber.
55
|| Pros
}} Cons
Slightly large and bulky, for a monopod

Sturdy enough for some telephoto lenses
Good solution when tripod isnt an option
Lanyard and molded belt clip
Comes with carrying bag
Tips
Learn proper monopod use; search the Internet for different techniques
You can carefully brace the monopod against objects for more stability
Be sure all sections are locked before resting your setup on the monopod
Get a monopod tilt head so you can control the camera angle
Use faster shutter speeds than you would with a tripod
56
VV Sample imagery
Image information
Caption:
Camera:
Lens:
Shutter:
Aperture:
ISO:
Notes:
57
Male Marsh Wren, calling

Canon 7D
Canon 400mm f5.6L
1/2000 sec.
f/5.6
640
A monopod was useful along a heavily traveled boardwalk at a
local park; theres less risk of someone tripping over my gear or
knocking it over, and it also let me travel fast and light.
Sirui l-10 monopod tilt head
pp Key specs
Design
Quick-release, 90 degree tilt head
Dimensions
3.11 inches tall
Weight
0.66 pounds
Load Capacity
33 pounds
Materials
CNC milled forged aluminum
Price
$110
58
Fave features
Excellent quality and workmanship
Lightweight construction
Large locking knob
Safety lock and slide stops for QR plate
Comments
The L-10 tilt head pairs wonderfully with the P-324 monopod. Its very light
weight, but very sturdy. Its high quality, yet affordable.
I have a few criticisms about this item, however:
When I received mine, it was quite stiff, and had sticking points. With use, it
has loosened up a bit, so it isnt a huge problem.
I would prefer both knobs to be more aggressively knurled, especially the clamp
knob. I would also much prefer a lever-release clamp instead of a screw-knob.
Aside from those minor details, I must say this is a fine product for the money.
If you need a panning base for your monopod head, consider the L-20S or
comparable model.
59
|| Pros
}} Cons
Has screw-knob instead of a lever-release
Very lightweight
Both knobs should have better grip
Very strong, high load capacity
My version has sticking points, a little stiff
Safety lock and slide stops for QR plate
No panning base
Comes with carrying bag

Large locking knob
Tips
Be sure knob & clamp are locked before resting your setup on the head
Be careful with long lenses on a tilt head, especially at greater tilt angles
60
VV Sample imagery
Image information
Caption:
Stellers Sea Eagle (Captive at zoo)
Camera:
Canon 7D
Lens:
Shutter:
1/125 sec.
Aperture:
f/6.3
ISO: 1250
Notes:
The zoo is another great place to use a monopod. It avoids
conflicts between you and other visitors, and lets you squeeze
into tight spaces for better views, while affording some support.
61
Skimmer Ground Pod II
pp Key specs
Design
Ground-level tripod head mount
Dimensions
1.5 inches tall by 10 inch diameter
Weight
1 pound
Materials
Crush-proof plastic. Metal mount.
Price
$100
62
Fave features
Extremely durable
Very lightweight
Curved edges for easy sliding
Opens up new possibilities for shooting angles and locations
Comments
If youre serious about artistic wildlife photography, eventually youll find
yourself laying on the ground, and you will notice an immediate improvement
in your images. If the background is distant from your subject, it will become a
soft blur, making your subject pop, and reducing distractions. Youll also be less
threatening to animals due to your smaller profile.
There is no better ground-level support than the Skimmer Ground Pod II. Its
made of waterproof and durable materials, and is perfectly design to perform
the task of low angle shooting in natural conditions.
This product seems a bit overpriced, but its worth the cost. The curved edges
allow you to slide through almost any substrate, the reinforced plastic offers
a strong but light construction, and the integrated mounting plate and stud
make a secure and quick job of setting up.
The Skimmer is great for shooting shorebirds, wading birds, and small mammals,
and could potentially be used for occasional macro work, in a pinch. Youll need
to be careful near mud and water, so you dont touch your lens to the substrate,
and be mindful of personal safety, proper clothing, tides, and other factors.
63
|| Pros
}} Cons
Super durable
Expensive, for what it is
Very lightweight
Some tripod heads may need adapters
New shooting angles and locations possible
Tricky to get level shots on a gimbal
Can be used in mud, water, sand, gravel, etc

Works with most tripod heads
Integrated lanyard hole
Perfect way to get artistic, low angle photos
Makes you less threatening to wildlife
Easy to clean and maintain
Tips
Remember to bring the wrench so you can firmly mount the tripod head
Unlock the lens collar when using a gimbal head, so you can level the shot
Be careful not to tip your lens into the ground or water...you are low!
Dont use in deep water or mud, and be mindful of tides and other factors
Consider a dedicated tripod head to avoid frequent mount/dismounts
64
VV Sample imagery
Image information
Caption:
Robin on frost
Camera:
Canon 7D
Lens:
Shutter:
1/400 sec.
Aperture:
f/7.1
ISO: 1250
Notes:
Low angle shots make your subject stand out, make the image
more intimate, engaging, and artistic, and help you get closer
while reducing stress on animals.
65
04
Accessories
66
Pixel pro wireless remote
pp Key specs
Transmission Method
FSK 2.4 GHz radio waves
Range
100 meters (328 feet)
Power Source
AAA batteries
Transmitter Dimensions
3.8 x 1.29 x 0.59 inches
Receiver Dimensions
2.6 x 1.47 x 1.1 inches
Weight
A few ounces
Price
$17
67
Fave features
Wireless remote, fits in pocket or around wrist with lanyard
Lightweight and compact
Radio transmission doesnt require direct line of sight
Accepts standard AAA batteries
Comments
If you want a quick, easy, wireless, inexpensive way to trigger your cameras
shutter, look no further than the Pixel Pro Wireless Remote. At under $20, its a
great value, and has a lot more features than youd expect.
My primary criticism is that you cannot turn the transmitter off, and so its easy
to accidentally trigger it and to run down the battery. The receiver can also
sometimes accidentally get turned on in the camera bag during travel. For
these reasons, I recommend removing the batteries from both parts until you
are ready to begin shooting. Another problem with this product is that you cant
turn off the LED light on the receiver. You can cover it with black tape if needed.
The receiver sits in the flash hot shoe (but connects to the cable release port with
a short cable), so you cannot use your cameras flash or hot shoe for anything
else. To solve that, I made a custom mount for the receiver by screwing it to a
mini Arca clamp, and then clamping that to the side of my cameras L-plate.
Ive found this product very convenient, useful, and dependable, and highly
recommend it, despite some of its shortcomings. For macro, landscape, and
creative wildlife shooting, it is a great solution for getting rid of cables.
68
|| Pros
}} Cons
Wireless
No OFF switch for transmitter remote
Lightweight and compact
Easy to accidentally trigger
Direct line of sight not required
Seems somewhat fragile
Accepts standard AAA batteries
LED light on receiver cannot be turned off
Available for many camera models
Receiver sits in flash hot shoe
Very long range

Has modes - bulb, timer, multi-frame, single
Receiver can be used as a cable release
Small remote with lanyard fits in pocket
Tips
Be sure to order the correct model that will work with your camera
Remove batteries from both items when not in use
Cover receiver LED with black gaffers tape if the light is a problem
Make custom mount with Arca clamp; attach to L-plate, lens foot, etc
Receiver can work as cable release if batteries run out
69
VV Sample imagery
Image information
Caption:
Skipper on Knapweed
Camera:
Canon 7D
Lens:
Sigma 150mm f/2.8 EX DG APO HSM Macro Lens
Shutter:
1/250 sec.
Aperture:
f/11
ISO: 100
Notes:
I set up my camera, flash, and other equipment on this flower,
then sat about 15 feet away with my wireless remote and fired
off shots as insects landed on the flower.
70
Lenscoat Accessories
71
Fave features
Water-Resistant, protects gear from rain, snow, dirt, and other dangers
Adds padding, protects gear from bumps and scratches
Lightweight
Camouflage patterns
Comments
LensCoat makes a good selection of accessories for covering and protecting
cameras, lenses, tripods, and other items. They are available in numerous colors,
including camouflage patterns. The best all-around camo pattern is MAX-4 HD.
In my opinion, their products are overpriced, but I am willing to pay because of
the features and benefits that I receive.
I recommend the tripod leg covers, wimberley gimbal head cover, lens covers,
raincoats, rain caps, and hoodies. These are great products which protect your
equipment from the elements, and from physical damage. They are also useful
for camo, which makes you and your gear less threatening to wildlife (and less
obvious to other people, which can be advantageous in many situations).
Some items are a little tricky to install (lens covers and gimbal cover) or put
on (raincoat), and they may not always be a perfect fit, but they do the job
sufficiently. Be aware that some items may obscure lens or camera controls. If
you get the pro raincover, be sure its version 2, which has two sleeves, so you
can access the telephoto lens controls on the left side.
Hand wash all items with scent-free sportswash or hunting wash, and hang dry.
72
|| Pros
}} Cons
Protects equipment from the elements
A bit overpriced
Protects equipment from damage
May obscure equipment controls
Camouflages equipment
Tricky to apply / install / put on

Does not always fit perfectly
Tips
Do not leave wet or muddy items attached to your gear
Hand wash all items, cold water, high performance sportswash, hang dry
Lenscoat Raincoat is useful for camo and helps hide your face from wildlife
Hoodie can be used in place of stock lens cover for Canon telephoto lenses
Raincap, hoodie are good protection for moving through mud, water, brush
Get version 2 raincoat for telephoto lenses, for extra sleeve to access controls
73
VV Sample imagery
Image information
Caption:
Yellowlegs portrait
Camera:
Canon 7D Mk II
Lens:
Canon 500mm f4 IS II + 1.4x teleconverter
Shutter:
1/1600 sec.
Aperture:
f/6.3
ISO: 1600
Notes:
Lenscoat products protect my gear when Im near mud and
water, and also add camouflage, which lets me get closer to my
subject.
74
Quick mentions
Large Giottos rocket blower
The large size rocket blower has a powerful
blast of air that is effective in removing dust
from optics and other gear. Lightweight and
inexpensive. Its a bit large, but its worth the
space it takes up in the camera bag.
Eclipse cleaner and pec pads

Photographic Solutions Eclipse cleaning
solution and non-abrasive Pec Pad wipes are
a great way to clean optics. Be sure to follow
the directions carefully.
microdear deluxe cloths

Premium micro fiber cloths for cleaning
optics and other sensitive surfaces. They are
expensive, but their quality is top of the line.
Super soft, thick, and lint free.
75
leatherman multi-tool
Pliers, knives, screw drivers, files, and other
tools, all in a compact bundle. Super high
quality. You wont always need it, but when
you do, youll be glad you have it.
petzl tikka xp headlamp

Compact, light, but extremely bright, this is
an outstanding and useful headlamp. Has a
red filter for night use, multiple brightness
settings, power boost mode, and other
features. Another one you wont always
need, but its a life saver when you do.
Nikon extreme binoculars

Clear, bright view, with good magnification.
Waterproof and fog-proof. Extendable
eyepieces, comfortable focus dial and rubber
coating. Great for general nature watching,
scouting locations, and similar uses.
76
fiskars foam knee pads

Sound silly, look silly, feel silly...but they are
one of my favorite pieces of gear. A joy to
have for macro, low angle wildlife, and tricky
landscape shots. Your knees will thank you.
77
05
Lenses
78
Canon EF 500mm f4L IS II USM
pp Key specs
Focal Length
500mm prime
Aperture
Max: f/4 - Min: f/32
Minimum Focus Distance
12.14
Dimensions
5.75 x 15.08 inches (without hood)
Weight
7.03 pounds
Price
$8,999
79
Fave features
Superb Image Stabilization in 3 modes (static, panning, shutter release only)
Extremely fast, nearly silent Auto Focus; highly effective for wildlife and action
Wide max f-stop makes viewfinder bright, improves auto focus performance
High quality weather and dust sealing
Rugged and superb build quality can handle tough field conditions
Special optics, coatings, for unparalleled image quality, performance, cleaning
Focus limiter switch dramatically improves focus acquisition time
Narrow field of view and excellent bokeh help create clean, soft backgrounds
Large detachable hood protects from lens flare, water, impacts, scratches
Comments
This lens is extremely expensive, but keep in mind that although you are paying
for a physical piece of equipment and its features, in reality you are paying for
benefits. Benefits cannot have a price put on them, because each person
values them differently. So, its up to you to decide if the price is worth it.
Who is this lens for? If photography is your passion, and if your goals include
getting extremely high quality wildlife images, then I would highly recommend
this piece of equipment. Ive never regretted my purchase.
I cannot properly communicate in words how it feels to use this lens; to be truly
appreciated, it must be experienced firsthand. The build, materials, design,
form, and function, combine to create an unforgettable shooting experience
and mind-blowing image quality.
80
The optics in this lens are of the utmost quality. Special materials, coatings, and
other technologies in the Canon super telephoto lenses result in unparalleled
image quality, help protect the objective surface from environmental conditions,
and make cleaning a little easier. The sharpness of this lens is fantastic, which
makes it perfect for subjects with fine details, such as wildlife with feathers and
fur. Chromatic aberration and other issues are extremely minimal.
This lens is made to handle less than ideal field conditions, such as dust and
precipitation; a perfect fit for a wildlife and nature photographer. That said, I still
recommend LensCoat accessories for added protection and other benefits; the
Lens Cover, Hoodie, RainCoat and RainCap are all worthwhile expenses.
The autofocus on this 500mm is extremely quiet, and surprisingly fast - it can be
made even faster by utilizing the focus-limiter switch. Autofocus performance
will be best when paired with a high quality camera, such as the 7D Mk II, or a
1 series or 5 series body. Image Stabilization is extremely useful and effective; I
almost never turn it off. I generally use IS mode 3, because it does not alter the
viewfinder alignment, thereby making it easy to pan with moving subjects.
The commonly stated benefit of a fast max aperture (such as the f/4 of this lens)
is that it lets more light through to the sensor, allowing a lower ISO or faster
shutter speed, however that benefit is hardly useful, because shooting at f/4
is rarely the best choice due to the shallow depth of field. A less commonly
considered fast aperture benefit is that it improves autofocus performance.
Additionally, it makes the viewfinder brighter, and manual focus a little easier.
The f/4 aperture also means that we can pair it with a 1.4x extender and still
maintain AF, on most cameras, at the new effective aperture of f/5.6. The 1.4x is
highly effective and useful, and puts you at 700mm focal length, for a fraction of
the cost, weight, and size of a 600mm f/4 lens. The image quality of the 500mm
81
f/4 II with the 1.4x III is excellent, probably slightly below that of a 600mm when
compared at 100% zoom in your image editing software, but you have more
magnification with 700mm, so the degraded image quality is offset at any given
final image size. I shoot with the 1.4x very often, especially for birds, which is
one of my primary subjects. At 100%, there is plenty of crisp feather detail.
With a 2x extender, the maximum aperture becomes f/8, which supports limited
AF, only with a few pro cameras (including the 7D Mk II), and the AF will be
significantly slower and less accurate, so it is practically useless for wildlife action.
There is also the dilemma of needing much more light, and higher ISO, to offset
the f/8 aperture. Put simply, a 2x is not practical for most wildlife shooting. Youd
be better off with a 1.4x and some cropping, or even better, improving your
field craft skills to get closer to your subject.
This lens is very large, especially with the hood attached, and can be cumbersome
or unwieldy at times. It is also quite heavy for a lens, at over 7 pounds. If you
are new to super telephoto lenses, it will take some getting used to. The size
and weight create some challenges when it comes to travel, carrying, hiking,
and certain shooting situations. You may need to consider backpacks that are
designed specifically for large super telephoto lenses, and special travel cases.
I strongly recommend that you use the lens hood at all times, because it will help
protect the objective glass from various threats, and increase image quality by
blocking stray light. That said, the hood does add bulk, takes up space when
packing, and catches wind easily.
To properly support this lens for shooting, you will need a very sturdy tripod and
head. Do not skimp on tripod quality, size, and weight; yes, it may cost a lot, but
the benefits are that your set up will be safer, sturdier, have less vibration, and will
be easier to work with. The same goes for the tripod head. My recommendation
82
for any super telephoto lens, is to use a gimbal head.

Isolating your subject on a nice background is one of the best ways to improve
your images. The narrow field of view of this lens will help create artistic
backgrounds, though this will depending on other factors such as subject and
background distances.
One more thing to consider, is that this lens draws a lot of attention from other
people. Depending on the situation, location, conditions, and who those people
are, this can be a minimal annoyance, or an extremely bad situation. I suggest
that you be aware of, and prepare for, a variety of possible scenarios.
In summary, this is an incredible lens that is a joy to use, and can deliver results
that few other lenses can. If youre serious about wildlife photography, this is
one of the best lenses available.
83
|| Pros
}} Cons
Elite class image quality and sharpness
Prohibitively expensive
Special optics, fluorine coating, SWC, etc.
Large, especially with lens hood attached
Superb build quality, materials, construction
Heavy, tough to hike long distances
Dust and Water proof sealing
Difficult to hand hold for extended periods
Superb IS performance (3 mode options)
Can be unwieldy at times
Advanced features, such as focus presets
Needs quality tripod & head (money, weight)
Extremely fast, yet nearly silent Auto Focus
Fits limited selection of backpacks
Manual Focus Override
May need tripod foot plate or replacement
Power Focus Mode for video
Low end camera wont use full potential
3 position focus-limiter switch
Accessories and parts are expensive
Wide max f-stop improves view & autofocus
With lenscoat lenscover, doesnt fit hard case
Pairs well with 1.4 extender
Tricky to travel with, needs special case
Long focal length helps with wildlife
Large hood and lens size catch wind
Narrow FOV improves image background
Draws a lot of attention from other people
Excellent bokeh quality

Comes with large, protective hood
Comes with hard case (see Cons section)
Smooth collar rotation, with 90 degree stops
84
vv Lenscoat Lens Cover (lc5002)
vv Lenscoat Rain Coat 2 Pro (lcrc2p)
vv Lenscoat Hoodie XXXL (lch3xl)
vv Really Right Stuff Lens Foot Replacement (LCF-53)
vv Canon EF 1.4x III Extender
vv Canon 52mm Drop-In Circular Polarizer Filter (PL-C 52)
Tips
Factor in other costs; tripod, head, accessories, insurance (see below)
Get proper insurance. Confirm what, where, when, how its covered
Carefully read manual, understand and follow all instructions
Practice with all lens features, settings, switches, for best results and safety
Use focus limiter switch to speed up focus acquisition, when appropriate
Avoid rapidly activating and deactivating IS, to avoid damage, malfunction
Use lens hood at all times, keep cover on when not shooting
Be vigilant, be mindful of lens size, other people, young children (long story)
Be careful in windy conditions, lens size and hood act like a sail
Use gimbal tripod head for best results and lens safety
Get Arca plate or foot replacement to work with Arca clamp tripod heads
Use high quality, large, robust tripod instead of skimping on cost, weight
Use lenscoat lens cover to camouflage, protect from damage and weather
85
VV Sample imagery
Image information
Caption:
Yellow Legs catching worm
Camera:
Canon 7D Mk II
Lens:
Shutter:
1/1250 sec.
Aperture:
f/7.1
ISO: 1600
Notes:
Using the 500mm with an extender, wearing camo, and getting
low to the water surface with waders, allowed me an intimate
view of this feeding scene, with an out of focus background.
86
VV Sample imagery
Image information
Caption:
Male Purple Martin portrait
Camera:
Canon 7D Mk II
Lens:
Shutter:
1/800 sec.
Aperture:
f/7.1
ISO: 1600
Notes:
After a day of harsh sun, I returned in evening to cloudy light,
and utilized the long focal length and superb image quality of
the 500mm to get some stunning shots of this Purple Martin.
87
VV Sample imagery
Image information
Caption:
Northern Pygmy Owl
Camera:
Canon 7D Mk II
Lens:
Shutter:
1/400 sec.
Aperture:
f/5.6
ISO: 2000
Notes:
The long focal length, plus extender, allowed me some decent
shots of this tiny owl from a distance, and the narrow field of
view saved me from an excessively cluttered background.
88
VV Sample imagery
Image information
Caption:
Foggy Estuary Landscape
Camera:
Canon 7D
Lens:
Shutter:
1/80 sec.
Aperture:
f/10
ISO: 200
Notes:
Shooting this landscape from a distance, plus the fog, created a
flat, graphical representation of the subject. The narrow field of
view let me choose select details from the larger landscape.
89
RRS 500mm Lens Foot LCF-53
pp Key specs
Dimensions
2.1 in (H) x 5.8 in (L) x 1.7 in (W)
Weight
4.4 ounces
Price
$110
90
Fave features
Light weight, minimalist design
Integrated foot and Arca plate as one (vs stock foot plus an Arca plate)
Long length for easier gimbal balancing and accessory mounting
Slide stop screws
Taller than stock lens foot, allows easier handling by the foot
Comments
For the stock lens foot on the 500mm f4 IS II to work with quick release tripod
head clamps, it requires a lens plate to be added, or the entire foot be replaced.
If you opt to add a lens plate, be sure it is of a type and size that fits the tripod
head you have, and will allow the lens to be balanced properly.
Your other option is to replace the entire lens foot. Thats what Ive done, and
recommend. A replacement foot has a number of advantages, notably: Its
lighter weight, more solid, and easier to handle than the stock lens foot with a
lens plate attached.
The Really Right Stuff lens foot LC-53 is a high quality, minimalist, lightweight
product. It fits Arca clamp tripod heads perfectly, including the Really Right Stuff
Cradle Clamp replacement for the Wimberley gimbal head. I like that this foot
has more space between the horizontal plate and the lens body, which makes
it easier to use as a handle or an accessory mount.
91
|| Pros
}} Cons
Light weight and minimalist
Expensive
Taller height for easier handling
Serious consequences if improperly installed
Integrated Arca plate
Black color doesnt match stock foot
Slide stops screws

Long length for balancing and accessories
Tips
Install carefully; remove stock foot and install RRS foot with caution
Consider Loctite 242 for screw security
Consider Canon service if youre not comfortable installing foot yourself
92
Canon EF 400mm f/5.6L USM
pp Key specs
Focal Length
400mm prime
Aperture
Max: f/5.6 - Min: f/32
11.5
Dimensions
3.5 x 10.1 inches (hood retracted)
Weight
2.8 pounds
Price
$1,200
93
Fave features
Fast and quiet USM Auto Focus
Built-in lens hood
Focus-limiter switch
Removable, rotatable lens collar
Comments
If youre looking for your first telephoto lens for birds and small wildlife, this is
the one Id recommend. There is also the Canon 100-400 zoom, which is a better
option if you are photographing larger wildlife, at closer range, and need Image
Stabilization. However, the 400mm prime is lighter, easier to work with, and less
expensive. If youll always be shooting at 400mm, this is the lens to choose.
This lens is excellent for wildlife, especially birds, and is a favorite lens for many
photographers shooting birds in flight, due to its relatively compact size and
weight for the magnification obtained. The auto focus is also very fast and
quiet, yet another benefit for wildlife and action subjects.
The relatively slow f/5.6 max aperture makes it slightly challenging to work in
less than ideal lighting conditions, and the lack of IS adds to those challenges.
The image quality of this lens is excellent, especially under good lighting
conditions. Sharpness is quite good, easily showing fine feather and fur details.
Overall, this an excellent nature and wildlife lens. There are many good features
and benefits, and few negatives (most of which can be overcome with some
knowledge and practice).
94
|| Pros
}} Cons
Long focal length at reasonable weight
Does not have Image Stabilization
Easy to handhold for action, birds in flight
f/5.6 max aperture
Fast and quiet auto focus
Limited AF when used with extender
Built-in lens hood

Comes with padded carrying case
Excellent materials and build quality
Some weather sealing
vv LensCoat accessories
Tips
Dont over-tighten the lens hood, to avoid damage and difficulty loosening
Use focus-limiter to improve AF performance, when appropriate
For handheld shooting, remove or rotate lens collar for better grip
Learn proper long-lens techniques to increase sharpness
Use an appropriate tripod and head for better sharpness and stability
95
VV Sample imagery
Image information
Caption:
Female Mallard in evening
Camera:
Canon 7D
Lens:
Canon 400mm f5.6L
Shutter:
1/400 sec.
Aperture:
f/6.3
ISO: 1000
Notes:
To get this shot, I had to lay in a cold stream at the edge of the
pond, with my 400mm lens a few inches above the waters
surface. I was in camo, yet this mallard still kept her distance.
96
Sigma 150mm f/2.8 Macro
pp Key specs
Focal Length
150mm prime
Aperture
Max: f/2.8 - Min: f/22
15 inches
Dimensions
3.1 x 5.9 inches (without hood)
Weight
2.6 pounds
Price
$1,099
97
Fave features
1:1 magnification
Long focal length for better backgrounds and subject working distance
Wide and bright f/2.8 max aperture
Excellent materials build quality
Included hood protects lens and reduces glare and other issues
Comments
If you want to create artistic macro images of insects, flowers, and other small
subjects, this lens is worth considering. Although perhaps not quite as good
as a Canon macro lens, this Sigma offers outstanding features and value for
the price, at a focal length that Canon doesnt offer in their macro lineup. If
you wanted to up your macro focal length even more, Id suggest the Canon
180mm macro lens.
A long focal length macro (100mm and up), such as this Sigma 150mm, is
excellent for creating artistic images, because it enables you to isolate your
subject on a clean background, due to the narrow field of view. Additionally,
the long focal length gives you greater working distance for nature subjects,
such as insects, flowers, and mushrooms, which helps reduce disturbance or
damage that can occur at very close range.
This is a well built, high quality lens. It feels solid and sturdy. Its heavy, but thats
the price we pay for Image Stabilization, long focal length, and macro optics.
98
When working with small subjects and small depth of field, which is often the
case in macro photography, focus accuracy is critical. The auto focus on this lens
is not particularly fast or accurate, but that isnt a problem, because I only use
Manual Focus when shooting macro. For even greater accuracy, I use Live View
on my camera, and zoom in to 100%, then manually focus.
I do not use the IS on this lens, because I only shoot macro on a tripod, but I
have tested it; the performance was not as good as that of Canons IS, although
it was still decent, and far better than having no IS at all, for situations when it
is needed.
The wide f/2.8 max aperture makes the viewfinder bright and easy to use, and
gives a very narrow depth of field, which visually helps with manual focusing
(since you clearly see exactly where your focal plane is).
The lens hood comes in two sections, one of them being an extension, designed
for additional shading for APS-C sensor cameras. When the normal hood is
reversed for storage on the APS-C extension hood, sometimes it is difficult to
separate the two, as there is very little surface area to grip the extension, and
they can bind slightly.
The lens collar is high quality and sturdy, and the ability to rotate the camera for
vertical images is very advantageous. However, the collar has a large, obtrusive
lock knob, which is poorly positioned. This makes the lens sometimes feel
clumsy, bulky, and complicates storage in a camera backpack.
Despite some minor shortcomings, this is a fantastic macro lens, at a great price,
with excellent image quality, build quality, and a long focal length.
99
|| Pros
}} Cons
1:1 magnification
Heavy
Long focal length for better backgrounds
Not the best auto focus
Longer working distance for subjects
Collar knob bulky, poorly positioned
Wide max aperture good for low light focus
IS not as good Canons
Excellent build quality
Some issues with lens hood (see comments)
Image Stabilization
Quiet auto focus
Full-time manual focus override
Excellent image quality and sharpness
Can be used with Sigma APO teleconverter
Reasonably priced
Included hood
Included padded case
100
vv Pixel Pro Wireless Remote
Tips
Use manual focus for macro as it gives you more control and speed
Use zoomed live view for critical focusing situations
Use lens hood for protection and to reduce glare
Attach Arca plate to lens foot for quick release tripod heads
Turn off Image Stabilization when using tripod
Use a sturdy ballhead and tripod for best stability and control
Use a macro focusing rail for easier composition and fine-tuning
Try to keep the background far from the subject for improved isolation
Parallel the subject and camera sensor for best depth of field utilization
101
VV Sample imagery
Image information
Caption:
Skipper on Knapweed
Camera:
Canon 7D
Lens:
Shutter:
1/250 sec.
Aperture:
f/11
ISO: 100
Notes:
The Sigmas focal length gives you good working distance, and
better backgrounds. Image quality and sharpness are excellent;
perfect for showing off the beautiful details of nature.
102
VV Sample imagery
Image information
Caption:
Swamp fly
Camera:
Canon 7D
Lens:
Shutter:
1/13 sec.
Aperture:
f/8
ISO: 1250
Notes:
For this image, I used zoomed live view to manually focus on
the subject. A wireless shutter release ensured there were no
vibrations that could cause a loss in sharpness.
103
VV Sample imagery
Image information
Caption:
Camera:
Lens:
Shutter:
Aperture:
ISO:
Notes:
Robber fly
Canon 7D
1/250 sec.
f/8
640
The Sigmas long focal length helped with this skittish Robber
Fly. I also tried to keep the camera sensor parallel to the subject,
to fully utilize the narrow depth of field.
104
VV Sample imagery
Image information
Caption:
Vinca bloom
Camera:
Canon 7D
Lens:
Shutter:
1/250 sec.
Aperture:
f/16
ISO: 160
Notes:
I cut this flower from my garden, and used a floral tube with
water to slow the wilting process. This made it easier to work
the subject angles, composition, background, and flash lighting.
105
Canon Extender EF 1.4X III
pp Key specs
Magnification
1.4x
Light Loss
1 stop
Dimensions
1.1 x 2.8 inches
Weight
7.9 ounces
Price
$429
106
Fave features
Compact size
Dust and water resistant, weather sealed
Special coatings and optics for high image quality
Superb materials and build quality
Comments
When paired with the right lens and camera, the 1.4 III extender is almost too
good to be true. You get a 40% increase in magnification, with very little image
degradation, and all from a compact, relatively lightweight item. However, there
is a 1 stop loss of light, with an effective 1 stop reduction in max aperture. This
means that, with the extender attached to your lens, there is half as much light
reaching the camera sensor, because the aperture is effectively 1 stop smaller.
The light loss brings about several considerations. The first, obviously, is that
youll need to offset that change by using a higher ISO or slower shutter speed.
The second, is that some lens and camera combinations will not be able to auto
focus with the extender, or will have limited auto focus capabilities. Generally,
the wider the maximum aperture is on a lens, the better off youll be when using
an extender.
I frequently use the 1.4x with my 500mm f/4 IS II. There is a small reduction in
AF speed, and of course the loss of light, but the benefits of extra magnification
outweigh those negative consequences, in most situations. Image quality
remains excellent with this extender, still showing good definition on bird
feathers and animal fur.
107
|| Pros
}} Cons
1.4x magnification
Reduces light by 1 stop
Compact size
Slight reduction in AF speed
Weather sealed, dust and water resistant
Slight image quality degradation (trivial)
Superb materials and build quality

Pairs well with f/4 telephoto lenses
Microcomputer controlled
Comes with carrying pouch
Tips
Check compatibility charts for extender with your lens and camera
Change lenses and extenders in clean areas away from dust, rain, etc
Turn off camera before attaching or detaching the extender
Ensure mount switch is fully engaged to avoid inadvertent detachment
Extender cap is deeper than camera body cap. Dont lose it or mix them up.
108
VV Sample imagery
Image information
Caption:
Camera:
Lens:
Shutter:
Aperture:
ISO:
Notes:
Sparrow portrait
Canon 7D Mk II
1/3200 sec.
f/7.1
640
Adding the 1.4 extender to the 500mm f/4 IS II does not
significantly degrade image quality. The small size and weight,
yet large magnification gain, make the extender a huge win.
109
VV Sample imagery
Image information
Caption:
Camera:
Lens:
Shutter:
Aperture:
ISO:
Notes:
Yellow Legs
Canon 7D Mk II
1/1600 sec.
f/5.6
640
The 1.4 extender is helpful with wary subjects, such as this
Yellow Legs. I couldnt get any closer, so the extra magnification
saved the day. Additionally, it created a softer background.
110
Quick mentions
EF 100-400mm f/4.5-5.6L IS II
An excellent lens for medium to large sized
wildlife, as well as general nature subjects.
Ive heard from fellow photographers that
version II is superb. Along with the 400mm
5.6L, this is the next best thing if you cant
afford one of the huge, prime super telephoto
lenses.
EF 70-200mm f/4 L IS USM

A compact, lightweight, very sharp lens,
that is a good all around lens for nature
photography. Some potential subjects
would be telephoto landscapes, general
nature scenes, and large sized wildlife.
EF 16-35mm f/4L IS USM

A very good wide-angle zoom, for landscape
photography. There is an f/2.8 version,
but Id only recommend it for low-light
photography. Further, if you want to shoot
night photos, youd be better off with a
prime Rokinon brand lens. But this 16-35 f/4
is a fantastic landscape lens.
111
Drop-In Polarizing Filter

The Canon PL-C 52WII 52mm Drop-In Circular
Polarizing Filter is designed for the super
telephoto lenses such as the 500mm f/4 IS
II. It has an external wheel which lets you
rotate the polarizer. Expensive, and tricky to
use, but worth it when you need it.
112
06
Flash
113
Canon Speedlite 430ex ii
pp Key specs
Guide Number
141 at ISO 100 and 105mm
Recycle Time
0.1 to 3.7 seconds
Power Source
4 AA batteries
Dimensions
2.8 x 4.8 x 4.0 inches
Weight
11.29 oz (0.7 pounds)
Price
$300
114
Fave features
Full manual mode available, with power settings down to 1/64th
Zoom from 24mm to 105mm, plus flip out wide angle adapter
270 degree swivel head, and angling up to 90 degrees
Custom functions, including option to set the auto power off to false
Comments
The 430EX II speedlite is an excellent mid-level flash unit. You can often find
it on sale, or refurbished, at a fantastic price (at which point it would be wise to
purchase an extra unit or two, if you can afford it).
The LCD panel, custom functions, settings, manual mode, zoom, swivel and tilt,
and other features make this flash a worthy tool for serious photographers that
want full control over the image making process.
You will almost always be using light modifiers, such as diffusers, reflectors, or
extenders, to avoid harsh lighting, and make your images look more natural.
Get your flash off-camera, for more natural light, and creative power. The 430EX
II can only be triggered wirelessly via optical pulse (not radio waves), so the best
way to do wireless setups is with an add-on wireless trigger system, such as the
Cactus V5. Wireless setups with multiple flashes can be very fun, very addictive,
and very empowering to create some amazing images.
Use high-capacity rechargeable batteries to save money, help the environment,
and ensure you always have fresh power on hand.
115
|| Pros
}} Cons
Full Manual Mode available
Heavy, especially with batteries
Swivel and tilt positioning
Can go through a lot of batteries
Zoom and wide angle adapter
Slave only with optical pulse
Excellent build quality

Powerful light in a small package
Creates new possibilities for image making
vv Cactus Wireless Transceiver
Light stands or extra tripods
Collapsible diffusers, umbrellas, and other modifiers
Tips
Use high capacity rechargeable batteries to save money, extend shooting
Learn to use Manual Flash so you can do more complex set ups and shots
Use flash judiciously when working with wildlife
Use off-camera with wireless triggers or E-TTL cables, to improve your shots
Be careful with flash; it is possible to cause damage, fire, or injury
116
VV Sample imagery
Image information
Caption:
Dendrobium lichenastrum bloom, focus-stacked
Camera:
Canon 7D
Lens:
Shutter:
1/250 sec.
Aperture:
Focus stack shots at f/6.3
ISO: 100
Notes:
I used two 430EX units with diffusers, in manual mode, to shoot
a series of photos, which I then stacked together with Helicon
Focus Pro.
117
Cactus v5 transceiver
pp Key specs
Communication Method
2.4 GHz radio waves
Maximum Range
328 feet
Power Source
2 AAA batteries
Dimensions
3.22 x 2.7 x 1.45 inches
Weight
2 ounces
Price
$75 for two transceivers
118
Fave features
Very lightweight
Super simple to use
Fast sync speeds
Radio trigger, long distance, no line of sight required
Comments
The Cactus V5 transceiver is a fantastic product, at an affordable price. It perfectly
solves the problem of wirelessly triggering flashes, and it does so quite simply
and effectively. The first time you set up the V5 system with a flash, youll be
surprised how easy it is.
This is a great way to do multi-flash setups, such as for hummingbird
photography, and works well with any flash, including the 430EX II. You can
use as many flashes and transceivers as you want to. I sometimes set up 3 to 4
flashes at a time.
As with any accessory that takes batteries, I recommend using rechargeable
batteries. This saves money, helps the environment, and ensures that you can
always have fresh power on hand.
Make sure you set your flash unit to disable auto power off so the flash will
remain in standby mode while youre setting up, and waiting for your subject.
Remember to use flash judiciously when working with wildlife. Be responsible,
and consider the welfare of the subject, above all else.
119
|| Pros
}} Cons
Affordable
Seems a bit fragile
Easy to use
Slow set up with many flashes and batteries
Allows creativity and freedom with light
Tricky to pack, especially multiples
Let you trigger flash from far away

Can be used with laser or IR triggers
Lightweight
Fits tripods, light stands, cold and hot shoes
Reliable
Studio light stands, and/or extra tripods
Tips
Use rechargeable batteries to save money, help environment
Use flash judiciously when working with wildlife
Set all transceivers to same channel so they trigger at the same time
Set camera transceiver to TX (transmit), flash transceivers to RX (receive)
Disable Auto Power Off on your flash to ensure instant flash at all times
120
VV Sample imagery
Image information
Caption:
Annas Hummingbird at fuchsia
Camera:
Canon 7D Mk II
Lens:
Shutter:
1/250 sec.
Aperture:
f/14
ISO: 1000
Notes:
I used three 430EX II speedlite units, with the Cactus Wireless
Trigger V5 system, to freeze the motion of the hummingbird.
121
07
Macro gear
122
RRS B150B-LMT-Pkg rails
pp Key specs
Dimensions
About 8 (L) x 5 (W) x 3 (H) inches
Weight
1.3 pounds
Price
$465
123
Fave features
Release button for rapid sliding adjustments
Large and small screw knobs for varying degrees of movement
Bottom rail is Arca compatible to fit in a tripod head clamp
Adjustment in 4 directions
Comments
A macro focusing rail is a necessary evil when it comes to serious macro
shooting, and this is especially true when it comes to nature photography.
It is extremely frustrating, if not impossible, to make precise adjustments to
a macro composition, when you have uneven ground, gravel, rocks, bushes,
vines, water, and other things all conspiring against you. A macro rail eliminates
this complication by allowing you to adjust the camera and lens position even
after your tripod is positioned.
The Really Right Stuff B150B-LMT-Pkg focusing rail setup is the perfect solution
for general macro shooting with a collared lens. It is extremely high quality and
well designed, with a lot of great features that put it a notch above many other
rails. The quick-release button for rapid sliding adjustments is very helpful.
It does have its downsides; notably, it is bulky, heavy, and generally just a pain to
pack, carry, and set up. The additional top clamp, which allows the collared lens
foot to mount with the lens parallel to the rail movement, has the unfortunate
side-effect of adding several inches of height to the setup. This is detrimental
when attempting to shoot extremely low subjects, such as mushrooms on the
ground. The lens foot clamp is also a screw-knob, where I would much prefer a
lever-release clamp.
124
|| Pros
}} Cons
Works with collared macro lenses
Expensive
Rapid adjustment release button
Cumbersome and heavy to carry, pack
Large and small screw knobs
Adds weight to setup, need strong ballhead
Lever-release on main rail
Bulky in use and in packing
Adjustment in 4 directions
Lens clamp is screw-knob, not lever-release
Makes macro compositions far faster, easier
Raises lens up; bad for ultra low subjects
Tips
Use with a very strong ballhead to ensure security and stability of gear
Dont offset heavy gear too far to the end or sides of rails
Be careful when carrying tripod with camera attached to rail
Ensure clamps and connections are fully engaged to avoid dropping gear
Be extra careful when loosening lever clamp for side-to-side adjustments
Manual Focus is best for macro shooting
Use a wireless or cable release for maximum image sharpness
125
VV Sample imagery
Image information
Caption:
Jewelweed bloom
Camera:
Canon 7D
Lens:
Shutter:
1/15 sec.
Aperture:
f/10
ISO: 500
Notes:
Macro photography inherently involves narrow depth of field,
and precise compositions. Both of these call for equipment that
is specifically designed for the purpose, as is a macro rail.
126
Quick mentions
kenko auto extension tubes
When you need your subject larger in the
frame, you can throw on an extension tube,
which lets your lens focus closer than its
default minimum focus distance. Being
closer results in more magnification.
5-in-1 reflector and diffuser

One of the most overlooked, yet most
powerful, tools for macro photography
is light manipulation hardware, such
as diffusers and reflectors. I have a 20,
collapsible, 5-in-1 set that is perfect for
macro photography.
mcclamp flexible clamp arms

These come in a variety of sizes, shapes,
and types. They help secure subjects,
accessories, and other things. I wouldnt say
they are a superb product, but they are one
of the better solutions available, and handy
to have in some situations.
127
White balance card set

Take a photo of these cards in your
composition, before or after your shot, then
click the card in the image with the white
balance tool in your editing software, to
accurately color correct your image. Great
for flowers, mushrooms, and similar subjects.
Precision tweezers
Super helpful for macro scenes where
you need to do a little cleaning up. Not
for everyone, but Id rather remove a stray
distraction from the actual scene, than
spend time cloning it out in Photoshop.
fiskars foam knee pads

Already shown in the accessories chapter,
theyre worth mentioning again. Sound
silly, look silly, feel silly...but they are one of
my favorite pieces of gear. A joy to have
for macro, low angle wildlife, and tricky
landscape shots. Your knees will thank you.
128
08
Bags / cases
129
Lowepro Pro Trekker 600 AW
pp Key specs
Exterior Dimensions
18.1 x 15 x 23.6
Interior Dimensions
14.6 x 7.5 x 19.3
Weight
8.4 pounds
Price
$300 (old model)
130
Fave features
Many pockets, compartments, and fully customizable internal dividers
Hydration bag pocket with waterproof seal
Integrated pull-out weatherproof cover
Huge size fits super telephoto lens and lots of other gear
Multiple grab handles, useful when heavily loaded
Water resistant zippers
Comments
Let me make one thing clear: This backpack is an absolute monster! It is physically
huge, heavy, and bulky, but it does allow you to carry a lot of equipment on
hikes. Depending what you are carrying, it is possible for this backpack to weigh
much more than you can physically carry, so be aware of that while packing.
Safety should always be the first concern.
The customizable internal dividers give you lots of flexibility to carry different
cameras, lenses, flashes, and accessories. Many zippered pockets, pouches,
attachment rings, loops, and straps, make it easier to pack a variety of equipment
for more complicated shoots. The pull-out weather cover is convenient and
effective, albeit slightly challenging to fit back into its pocket. The adjustable
torso harness and variety of adjust straps and buckles ensure a comfortable fit
for a wider variety of people.
When you need to carry a lot of gear, this pack is one possible solution. There is
now a newer version, which has different features, specs, and price, but is still
very similar overall.
131
|| Pros
}} Cons
Huge size fits super telephoto lenses
Expensive
Fully customizable internal dividers
Heavy
Hydration bag pock with waterproof seal
Bulky
Adjustable torso harness

Comfortable and stable
High quality materials and workmanship
Removable belt/pack becomes a waistpack
Has laptop computer pocket and pouch
Multiple grab handles
Built in memory card slots for quick access
D-rings, attachment loops, straps, etc
And many more features
Tips
Be careful with heavy packs, as its easy to injure yourself or damage gear
Use the pull-out all weather cover for rain, snow, ocean spray, etc
Use a hydration system for easy access to water while hiking and shooting
132
VV Sample imagery
Image information
Caption:
American Cliff Swallow colony, in mud nests
Camera:
Canon 7D
Lens:
Shutter:
1/250 sec.
Aperture:
f/9
ISO: 1000
Notes:
While hiking in central Washington, I used the Pro Trekker 600
AW to carry food, water, clothing, and other gear with me. I
came back to this spot several times until the light was right.
133
Lowepro Lens Trekker 600 II
pp Key specs
Exterior Dimensions
11 x 12.6 x 25.8
Interior Dimensions
9.1 x 8.5 x 24
Weight
6.2 pounds
Price
$154 (old model)
134
Fave features
Simple design is streamlined and lightweight
Adjustable lens stabilizer
Main pocket with inner zippered pocket and sections
Comments
The Lens Trekker is an excellent backpack for short, simple shoots. It is lightweight,
comfortable, and does the job of carrying a super telephoto lens and camera.
The lens stabilizer is especially nice, to keep the lens and camera from shifting
around during commuting, and hiking. A single, adjustable height shelf allows
you to store small items above the camera and lens area. The main pocket on
the outside of the pack is only large enough for a few batteries, lens cloth, wallet,
and similar items. The pull-out weather cover is very convenient and effective.
Its difficult to carry food and water with this backpack, though it can be done
if you get creative, and its only suitable for a partial day trip, unless you are
somewhere where you can purchase food and drink.
The main backpack torso harness can be adjusted to fit people of different sizes.
When you need to carry a super telephoto lens, but dont need a lot of other
equipment or supplies, this streamlined pack is a good solution.
There is now a newer version of this backpack, which has different features,
specs, and price, but is still very similar overall.
135
|| Pros
}} Cons
Fits super telephoto lenses
Doesnt fit much more than camera and lens
Adjustable lens stabilizer
No water bottle holder
Adjustable torso harness

Comfortable and stable
Monopod carrying attachment
High quality materials and workmanship
Built in memory card slots for quick access
D-rings, attachment loops, etc
Streamlined design good for shorter trips
Tips
Use the pull-out all weather cover for rain, snow, ocean spray, etc
Adjust the lens stabilizer to fit your particular lens
136
VV Sample imagery
Image information
Caption:
White-Tailed Trogon (Captive at zoo)
Camera:
Canon 7D
Lens:
Shutter:
1/80 sec.
Aperture:
f/5
ISO: 1600
Notes:
The Lens Trekker backpack was perfect for a trip to the zoo with
my 500mm. I was able to fit just enough gear and belongings
for the day, and could put the lens away during lunch or walks.
137
Tamrac expedition 7x pack
pp Key specs
Exterior Dimensions
13 x 13 1/2 x 19 1/2
Interior Dimensions
11 x 6 1/4 x 16
Weight
6.0 pounds
Price
$280 (old model)
138
Fave features
See-through zippered pockets inside main compartment
Outer zippered pockets and compartments
Zipper cover with draw cord
Accepts Tamrac accessory system add-ons
Comments
The 7x is classic photo backpack that is capable of carrying quite a lot of gear. It
is very well made, sturdy, and has adjustable straps and belts for a good fit.
I use this bag for carrying my macro kit. The many pockets and sections are
good for macro photography equipment, and accessories. Lately I have been
experimenting with more flash and custom setups for macro, so the 7x is
beginning to seem a bit small these days, as I try to bring more items with me.
The Expedition series has been discontinued. Tamrac now has the Anvil series
of backpacks. Ive not looked into them or tried them yet, but they look fairly
nice.
139
|| Pros
}} Cons
Customizable divider layout
Heavy for the size
Outer zippered pockets and compartments
Expensive
Bulky with accessory add-ons
Accepts Tamrac accessory system add-ons
Not super comfortable when fully loaded
Excellent materials and workmanship

Buckles, straps, loops, attachment points
Zipper cover with draw cord
See-through internal zippered pockets
Tips
Use Tamrac accessory system add-ons for more storage space and features
140
VV Sample imagery
Image information
Caption:
Damselfly
Camera:
Canon 7D
Lens:
Shutter:
1/200 sec.
Aperture:
f/8
ISO: 1000
Notes:
The Expedition 7x is my macro bag. Its compact, but can carry a
lot of equipment. I followed this damselfly around as it skipped
to different spots. When it settled down, I moved in for the shot.
141
Pelican 1510 Carry On Case
pp Key specs
Exterior Dimensions
22 x 13.81 x 9.0
Interior Dimensions
19.75 x 11 x 7.6
Weight
13.6 pounds
Price
$160
142
Fave features
Complies with airline specifications for carry on luggage (see Pros / Cons)
Unbreakable, watertight, airtight, dust-proof, chemical resistant
Two ABS latches with padlock protectors
Multiple carrying handles
Polyurethane wheels, steel bearings, retractable extension handle for pulling
Customizable foam liner (pick n pluck foam)
Comments
I love Pelican products, and the 1510 hard case is no exception. Its one of the best
cases you can buy, and provides unparalleled protection for your equipment.
Water, dust, chemicals, drops, and other hazards are no match for this case.
The 1510s physical dimensions are just within the FAA carry on luggage
requirement,* making it the perfect case for flying with expensive lenses and
cameras, which you dont want to check as baggage, such as a 500mm f4.
The multiple carrying handles, extension pull handle, and built in wheels, make
it easy to transport. The strong hinge, ABS latches with padlock protectors, and
advanced materials, make this one tough case. The waterproof and air-proof
seal will keep your gear clean and safe from environmental conditions.
The pick n pluck foam liner is customizable, for a secure fit to your particular
gear kit. There are online videos showing how to customize the foam.
If you need to travel with expensive photography equipment, this is your case.
143
|| Pros
}} Cons
Complies with airline specs for carry on*
Heavy
Unbreakable, watertight, airtight, dust-proof
High theft risk
ABS latches with padlock protectors

Multiple carrying handles
Rugged wheels and a retractable pull handle
Customizable foam liner (pick n pluck foam)
*Meets FAA requirements for carry on. Requirements may change, so always confirm with airline.
Tips
Plan and customize the foam liner for your specific gear, for the best fit
When flying, do not check as baggage - bring it on the airplane with you
High theft risk, never leave unattended or in a highly visible area
Use TSA locks when traveling, for easier passage through security
144
Equipment example
Image information
Notes:
This is my Pelican case and gear. As you can see, Ive customized
the Pick n Pluck foam liner to fit my 500mm, 7D Mk II, extender,
batteries, memory card wallet, drop-in filter, and cable release.
Not visible, the camera also has the battery grip attached, and I
also put a reusable silica gel cartridge inside the case, to remove
excess moisture. To be able to close the case with the lens hood
inside, I cut a section out of the foam that is in the upper lid
(you cant see that area in this photo).
145
VV Sample imagery
Image information
Caption:
Camera:
Lens:
Shutter:
Aperture:
ISO:
Notes:
Great Blue Heron

Canon 7D Mk II
1/3200 sec.
f/8
800
Pelican hard cases are excellent for traveling, including road
trips. I was shooting Eagles and Herons by the roadside. Getting
on location early meant less crowds, and better light.
146
Quick mentions
Pelican 1450 and Other Cases
The Pelican 1450 hard case is another great
case for traveling. More compact and lighter
than the 1510, it is good for smaller gear,
or as a complementary case. Other Pelican
cases are also worth a look for various gear.
bubm accessory cases

Multiple sized, padded, zippered cases which
are awesome for storing miscellaneous
accessories and camera equipment. The
smaller ones can fit into larger backpacks
and bags. Great for batteries, cables, filters,
and other small items.
Badlands pursuit backpack

An incredibly useful, comfortable day pack,
with tons of pockets and features, and of
excellent quality. Useful for scouting, hiking,
and general shoots when you dont want a
big, heavy, photo backpack.
147
09
Processing
148
X-rite i1Display calibration
pp Key specs
Dimensions
About 4 x 3 x 1.25 inches
Weight
About 5 ounces
Price
$150 (old version)
149
Fave features
Simple set up
Easy to use software
Comments
Calibrating monitors simply means that they are adjusted to industry standards,
which creates a consistent baseline for viewing, displaying, editing, and printing
photographs (and other visual media).
If your monitors are not calibrated, then all of the time you are viewing or
editing your photos, you are doing so based only on the current preferences of
your monitors, which may be nowhere near what the industry standard is. This
means that your image colors, brightness, contrast, and other factors, may not
really be what you think they are.
After calibration, youll be working within standards, with consistency, and with
control, to ensure proper display and sharing of your work. And Im sure thats
what you want.
Weve established that, if you are serious about photography and image making,
you absolutely must calibrate your monitors. Thankfully, calibration doesnt
have to be complicated. There are a lot of calibration devices and kits to choose
from, many of which are designed to be straightforward and simple to use.
The x-rite i1Display calibration unit that I use is a bit old, and has been replaced
by better models, but it still does the job that its designed to do.
150
|| Pros
}} Cons
Basic, simple color calibration system
Expensive, especially newer (better) models
Small, compact, lightweight, portable
Not useful if you have poor quality monitors
Easy to use software

Calibrates monitors to industry standards
Calibration helps with printing, processing
Tips
Buy the best monitors you can, for good accuracy, display, and calibration
Keep your monitors clean for best display, and accurate calibration
Follow calibration instructions carefully for best results
Calibrate on a consistent schedule to ensure continued accuracy
Maintain consistent lighting in your digital darkroom
151
Adobe Lightroom
Fave features
Parametric Image Editing: Non-destructive edits saved as parameters to a file
Powerful RAW file editing capabilities (parametrically, as mentioned above)
Batch editing and metadata updates, file and folder syncing, and more
Virtual Copy: Unlimited experimental versions of images, takes no disk space
Seamless integration with Adobe Photoshop
Exceptional cataloging and file management capabilities, including...
- Easy and powerful Keywording, Captioning, Labeling, EXIF data, and more
- Powerful filtering and searching based on any file attribute or metadata
- Collections, Smart Collections, for advanced grouping and finding of images
152
Comments
Lightroom features can be grouped into two main categories:
Non-Destructive Editing: Parametric Image Editing, or PIE
Adobe is increasingly blurring the lines on parametric editing. Originally,
PIE could only affect colors and tones, but now we have content editing tools
such as the healing brush. Although it appears we have edited the pixels, the
original file is untouched, and all of the pixel edits are mathematically stored
as instructions in the relevant location (in the xmp sidecar file, or the image
file header).
That said, I find Lightroom to be quite inferior to Photoshop for 99% of things
relating to pixel data, and so I use it almost exclusively for classic PIE purposes.
The only non-classic PIE edits I occasionally use are Lens Correction Profiles, and
minor spot removal. Other than that, I use Lightroom only to adjust the RAW
files hue and tonal data: exposure, contrast, colors, and similar aspects. All other
edits are done in Adobe Photoshop, because I need absolute, ultimate control
over the image, and the ability to make pixel-based and very precise local edits.
Cataloging: Managing, organizing, and searching files and metadata
I love Lightroom for its cataloging capabilities, and use it consistently for
organizing, editing metadata, searching, and exporting. Although metadata
and file management may not be the most fun thing to do, they are a necessary
part of the photography process, if we are to be able to find, use, and share our
images easily and effectively.
153
Adobe Photoshop
Fave features
Ultimate control over localized areas with selections, masks, paths, and more
Powerful layer system and layer management panel
Advanced editing with channels, calculations, filters, and more
Content editing tools such as clone, heal, content-aware scale and fill, etc
Non-destructive editing with Smart Objects and Smart Filters
Non-destructive adjustments with adjustment layers and masks
Time-saving features such as Actions and customizable keyboard shortcuts
Useful and powerful plug-ins and extensions available from third parties
And much more!
154
Comments
Photoshop is the ultimate image editing software, and its the way to go when
you want the utmost control over your photograph. When it comes to pixelbased edits, there is nothing better for the job.
Photoshop is a beast to learn, but it destroys Lightroom in the editing arena with
its ability to make precise and reusable selections and masks for localized edits,
multiple layers, work with channels, blending modes, advanced calculations,
content aware fills and scales, and much more. That is why I use Photoshop for
the majority of my image editing, after making the initial RAW file tweaks in
Lightroom.
I suggest creating Actions for commonly performed series of commands,
customizing keyboard shortcuts and workspaces, creating a checklist document
for image evaluation and editing, developing a standardized PSD document
organizational structure, and developing a consistent file naming schema.
Six most powerful image editing knowledge areas, in my personal opinion:
1. Color management: Calibrate monitors so viewing, edits are standardized
2. Localized edits: Use selections, masks, to apply edits to portions of an image
3. Tonal edits: Managing highlights, shadows, large and small-scale contrast
4. Color edits: White balance and color correction, hue, saturation, etc
5. Sharpening: Understand what, how, and learn advanced techniques
6. File management: Organization, naming, and backing up of your images
If you study, practice, and develop core skills and knowledge in the 6 areas
above, youll be ahead of the majority of people in the photography space.
155
Quick mentions
Topaz labs PS denoise plugin
Much more effective and powerful noise
treatment than what is built into Photoshop.
Works pretty well even on images with fur
and feather detail, if you tweak the various
settings. Sometimes Ill use Photoshop
masks for selective noise reduction.
Helicon focus pro & remote

Outstanding focus-stacking software, with
many customization settings, options, and
parameters. The Pro version comes with
Helicon Remote, which automates the focusstack image capture sequence, with your
camera tethered to your computer.
J. friedls LR Flickr plugin

Nice Lightroom plugin which gives extensive
and advanced options and settings for
directly exporting your images to flickr.
Also has some controls for managing flickr
collections and exported images, in
connection with the plugin.
156
tgrmn vice versa pro

Advanced software for file backups. With
extremely in-depth features and settings, it
takes a while to learn and set this up, but the
control it offers is worth it. I use this to make
multiple backups of my files, to external
drives, then store some of the drives off-site.
if this then that

Online tool that lets you create recipes that
automatically complete specific tasks. For
example, if you post to flickr, then it will post
that photo to Facebook for you. There are
limited sites, services, triggers, and actions,
but I believe they occasionally add new ones.
Keyword catalog plugins

You can find various keyword catalog plugins,
technically called controlled vocabulary,
which are standardized lists of keywords
and terms regarding particular topics. These
make your keywording more consistent, and
help with searching, exporting, and more.
157
10
Bonus section
158
Gear safety and protection

Photography gear safety and protection are often overlooked, but they are critical
if you want your equipment to serve you for years to come. Every photographer
will have different needs, but my hope is that at least some of these suggestions
will be relevant, and of benefit to you.
Equipment insurance
I strongly advise all photographers to obtain comprehensive insurance on
their equipment. Members of NANPA have access to a special insurance plan.
Whoever you insure through, be sure that the plan covers travel to wherever
you may go, and covers outside use, theft, loss, damage, etc.
159
Quick mentions
Security safe
A security safe, large enough to contain
the highest value items, is useful to help
protect your equipment from theft, fire, and
humidity. When youre not at home, it just
feels good to know your gear is in the safe.
I use the Winchester 734130 Executive Safe
3.5 CU Ft, which cost about $300 at Costco.
Safe dehumidifier
The Cannon Safe SGD57 Silica Gel
Dehumidifier is a large canister that protects
57 cu. feet of air, perfect for a security safe. It
can be refreshed in the oven.
Case dehumidifiers
The Hydrosorbent OSG-40 Silica Gel
Dehumidifier Desiccant cartridge is compact
and thin. Its perfect for hard cases, bags, or
smaller safes if multiples are used. Can be
refreshed in the oven.
160
Personal safety
Being a nature photographer means that we are often outdoors, in wilderness
locations, exposed to the elements, and in situations that could go awry. Its our
responsibility to plan and prepare, to the best of our ability.
Common sense
Do research on the location that youre going to, and consider any possible
complications or dangers such as tides, floods, weather, dangerous wildlife,
hunters, extreme terrain, and so on. Contact the managing agency for the
location if you have any questions, and be sure to follow all rules and policies.
161
Quick mentions
Sun block
Sun block is always a good idea, but it is
especially critical if youre really going to be
out in the open and exposed. It does have
its downsides, notably: It can damage our
equipment, it can have a scent which alerts
wildlife, and it may even make us more visible
to certain animals by reflecting UV light.
Sun clothing
I have this Sunday Afternoons brand
sun hat. Its packable, lightweight, and
comfortable. I also have shirts and pants
made of sun protection fabric; the ones I
have are made by Columbia Sportswear.
Bug repellent
We need to protect ourselves from harmful
insects such as mosquitoes, biting flies, and
ticks. Bug repellent may have negatives, such
as damaging our equipment, and having a
scent which alerts wildlife. Consider skipping
bug repellent when photographing insects.
162
Proper clothing
Weather and conditions depending, make
sure you have the appropriate clothing. For
example, a waterproof, windproof outer
shell (jacket and pants), insulating fleece
layer (jacket and pants), hat, gloves, socks,
and other necessary clothing. If youll be
hiking or traveling far from your vehicle,
make sure you have clothing for all possible
conditions.
163
First aid kit

Id recommend having the essentials of a first
aid kit. Its more cost-effective to make your
own kit by buying the items you need, and
packing it into a small bag or container. The
longer and farther your trip will take you, the
more comprehensive your kit should be.
Food
Healthy snacks will give you energy, keep
you thinking clearly, and will reduce the
risk of fatigue, headaches, and other issues.
Fruit, veggies, nuts, berries, and if you have
a cooler, sandwiches and other perishables.
Water
Water is CRITICAL. The old saying is hydrate
or die. Seems a bit dramatic, but it really isnt.
Even slight to moderate dehydration can
lead to headaches, fatigue, nausea, dizziness,
and constipation. Serious dehydration can
lead to heart problems, fever, and death.
164
Camo and extreme gear

Camouflage clothing, and other equipment, can help us get closer to wildlife.
Depending on what type of camo, how much coverage, and what type of wildlife
youre working with, the effectiveness of the camo may range from virtually no
effect, to making you vanish completely (as far as the subject is concerned). The
more serious you get about wildlife, the more in-depth and extreme you can
get with camo and field craft techniques. Camo is not usually necessary, but it
can pay off for difficult to photograph species, and can result in more natural
behavior. Everyone has to make their own call on where to draw the line, but
personally, I like to use camouflage and extreme field craft, so I can get very
close, intimate, eye-level shots of my subjects.
165
Quick mentions
Waders
Waders are useful for waterfowl, wading birds,
or any other wildlife or subject that is in or
near water. If the water is cold, use insulated
waders and wear fleece underpants. Use
extreme caution with waders! I have the
pictured Cabelas 5mm neoprene, armorflex, thinsulate, marsh pattern.
Rubber boots
I have found rubber boots to be very helpful
for wildlife photography. Its nice to be able
to charge through water and mud with no
problems at all. I have the pictured Irish Setter
Rutmasters. They are super comfortable.
Camo jacket & pants

Camo outerwear is the simplest, easiest way
to introduce a little camo into your shooting
toolkit. Its functional, comfortable, and can
help you look less intimidating to wildlife.
They come in many patterns, and some
fabrics are waterproof.
166
3d camo
3D camo is for when you really need to hide.
Now, instead of just a pattern on the fabric,
you have physical structures coming off the
outerwear, making it look 3D. Typically it will
have leaf or tangle shapes, making you look
like a pile of plants or brush.
One of the best is the Cabelas Ghil-Leaf suit,
pictured above, left. Stepping up to the
ultimate camo, you have the true Ghillie Suit,
such as the Ghost suit shown at left. In case
youre wondering, yes, I own both of them.
Camo accessories
If you are really trying to conceal yourself,
then you MUST cover your face and hands.
Face masks, gloves, and other accessories
come in a variety of shapes, patterns, and
insulations. I particularly like the Under
Armour brand of gloves, and the Hunters
Specialties line of leafy head-nets.
167
Ameristep Gunner Blind

A lightweight, inexpensive blind that
instantly pops up when you throw it on
the ground. Its really useful for backyard
photography, or field work. Not super
compact when collapsed, so carrying it in
the field can be tricky if you have other gear.
Kwik Camo Photo Blind

An interesting throw over blind that has
Velcro for securing it around a tripod. It also
has a mesh viewing window so you can see
your subject. Useful for lightweight, on-thego, run-and-gun type of shooting. Packs into
a relatively compact size, inside the included
carrying bag. Comes in various patterns and
fabric weights.
Tip: It is extremely helpful to wear a ball cap
style hat when using this blind, because the
bill of the hat holds the blind away from
your face so you have an unobstructed view
through the mesh window.
168
VV Sample imagery
Image information
Caption:
Camera:
Lens:
Shutter:
Aperture:
ISO:
Notes:
Long-Tailed Weasel Portrait

Canon 7D Mk II
1/1600 sec.
f/6.3
800
Taken wearing camo.
169
VV Sample imagery
Image information
Caption:
Junco on mossy branch
Camera:
Canon 7D Mk II
Lens:
Shutter:
1/200 sec.
Aperture:
f/7.1
ISO: 1250
Notes:
Taken in the backyard, from the Ameristep blind. Also wearing a
face mask and gloves, for more natural subject behavior.
170
VV Sample imagery
Image information
Caption:
Yellow Legs catching worm
Camera:
Canon 7D Mk II
Lens:
Shutter:
1/1250 sec.
Aperture:
f/7.1
ISO: 1600
Notes:
Taken in the mud and water, wearing waders and camo.
171
VV Sample imagery
Image information
Caption:
Dowitcher
Camera:
Canon 7D Mk II
Lens:
Shutter:
1/1600 sec.
Aperture:
f/8
ISO: 1600
Notes:
172
VV Sample imagery
Image information
Caption:
Yellow Legs
Camera:
Canon 7D Mk II
Lens:
Shutter:
1/2500 sec.
Aperture:
f/7.1
ISO: 1600
Notes:
173
11
conclusion
174
final thoughts
you and your photography
If you truly have the desire, you can achieve a level of artistry and image quality
beyond what you ever thought possible. Know your purpose, visualize your
goals, master the fundamentals, understand your equipment, and be persistent.
Closing remarks about this ebook

I put more time and effort into making this ebook than Id like to admit, but I did
it because I wanted it to be helpful, educational, and useful, to you. I sincerely
hope you enjoyed it, and that it has helped you in some way.
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Gear For Fine Art Nature Photography

legal, rights, disclaimers, etc.

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

table of contents - clickable

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

SIRUI L-10 MONOPOD TILT HEAD............................................................. 58

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

SIGMA 150MM F/2.8 MACRO...................................................................... 97

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

HELICON FOCUS PRO & REMOTE.................................................156

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

please help spread the word

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

Gear for Fine Art

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

APS-C (1.6 crop)

5.85 x 4.43 x 3.08 inches

Approx. 28.92 oz (1.8 pounds)

$1799 (body only)

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

Modes menu, and set [Auto Update Set.] to [Enable].

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

Great specs and features for nature, wildlife

Noisy images at high ISO and low light

Excellent performance and handling

Relatively low megapixel count

1.6 focal length factor (versus a Full Frame)

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography

Juvenile Bald Eagle, fishing

2015 Matthew Schwartz | www.InfiniteWorldPhotography.com

Gear For Fine Art Nature Photography