Sei sulla pagina 1di 114

^^orraiqijgs;

Edition

'i

'
;i?\\v '

,.Ik '

3m

:.K

'

4- .y:v'

M^.

n.

CONTENTS

T. n. I (TERROR 'n TINSELTOWN)

DR. FEELGOOD

SLICE OF YOUR PIE

20

RATTLESNAKE SHAKE

30

KICKSTART MY HEART

39

WITHOUT YOU

53

SAME OL' SITUATION (S.O.S.)

61

STICKY SWEET

73

SHE GOES DOWN

82

DON'T GO AWAY MAD (JUST GO AWAY)

94

TIME FOR CHANGE

-.r*^

106

Photography by William Homes


lllustrotion by Don Broutigon

Original artwork and logo design by Kevin Brady


U

Key To Notation Symbols


Guitar

Halfstep bends

Whole step bends

Extended bends

Bend and release

Pre-bend
and release

-8

0-

0" --0

Pull-off

Hammer-on

Legato slide

Picked slide

Quarter step bend


(microtone)

flr I
Rake

Vib. bar

Sweep

^
Vib.bar

Vib.bar

zt

dive

P.M.

Vibrato with bar

Vibrato

>

rm

I*

>

Rake or Sweep

00e-

Palm muting

Vibrato bar

>

i"

fr-r

3
TP

A.H.

A.H.

Harm.

-96O6

Percussive tone

with no pitch

y^- ' -- - ^

6006660

-6

Right hand tapping

Accented notes

6-

Artificial har
monic (wipick)

Harmonics

-fif
_?\i

J
ji

-a

Let ring

Picks

rr

II

Ghost note

Tremolo picking

Pick slide

Unison bend

Chord shape arpeggiation

T.n.T.
(Terror 'n Tinseltown)
By
A5

G5
00

Rubato
Both gtrs. tuned down GS"

NIKKI SIXX

E5

'

'i i'l-W-

*I

loco

a whole step.

Drums

/7N
<

Rapidunmeasured strum.

, , ... u
-)/ Gradually slowdown while shaking
Rapidly shake vib. barapprox.
ij^ranotherdozen times.
rTs decresc.
times.

iz

vib. bar
dive

Heartbeat sound effect until the end.

Sirens, hospital intercom, and police radiosoundeffects.

Lowpedal E on synhesizer 'til the end.

Car tire screches.

1990 MOTLEY CRUE MUSIC CO. &SIKKI NIXX MUSIC (BMI)

All rights administered by WARNER-TAMERLANE PUBLISHING CORP.


All Rights Reserved

Door slam.

T.n.T.
(Terror 'n Tinseltown)

G5

AS

By
NIKKI SIXX

E5

00

m
Rubato

Both gtrs. tuned down QS


a whole step.
Drums

(O

^ Rapid unmeasuredstrum.

u ..

Gradually slow down while shaking

Rapidlyshake nb. bar apprnx.-U uaranother dozen times.

decresc.

via, bar
dive

Heartbeat sound effect until the end

Sirens, hospital intercom, and police radio soundeffects.

Lowpedal E on synhesizer 'til the end

Car tire screches

1990 MOTLEY CRUE MUSIC CO. &SIKKI NIXX MUSIC (Bl^)

All rights administered by WARNER-TAMERLANE PUBLISHING CORP.


All Rights Reserved

Door slam

DR. FEELGOOD
by

Music by

.aI sixx

NIKKI SIXX and MICK MARS

E5

D5

A/Cf

E7-I9

A5

G5

AS

E5

B5

3r.

5fr.

7fr.

7fr.

Moderate Tempo
Intro
No chord

Voc.

Gtr.

Guitar tuned down a whole step

With

distortion

and delay.

r:

7^

pick pjj

-000

00

00Q-

-0

"O

0-

0&

(Gtr. I continues same 2 bar Hsure as before)

vib. bar

vib. bar

Produce these pitches with the vib. bar-

12

0 0 00

vib. bar

000

12

Si.9

12

12

1212

12

000000-0-

vib. bar-

vib. bar-

vib. bar-

-42^
}

*1

7
-49-49--49-49--49--49--49--49

7 i

1
1

bar

Gtr. II

via. bar

vib. bar

D5

AjCt

E5

El-i9

vib. bar
On the 4th beat, 3rd gtr
overdubs harmonic at Sth

fret hi^ strings and


then dive bombs.

D5

A/Ct

D5

E5

D5

A/C}

E5

A/C?

E5

1st Verse
A5

tailed

Jim-my is

sec-ondhand

hood,

he

deals

out

inHol-ly

wood..

Got a

-aa-aa-0

six - ty

five

Chev

ifS-

0-

y,

prim - ered fiames.

trad-ed for somepow -dered goods

riff
Ij*

-5

oM^o

Co

A5

E5

e-f f
saw

Jim-my, he's

f r rT f
run-nin* a

gang

ih4

r^inr ^
but 1 hear

he's

do-in'

O.

K.

P.M.

^=70-

-0

Got a

P.M.

9-

-09r
-0

co - zy lit - tie job.

-tr9-

sells

the .\lex-i-can

-0

mob

pack-a-ges of can

eo.'-KQ

dy-caine.

-0

9-

He's.

09^

Aid

Chorus I
E5

the one they call

He's__ the one that makes ya feel

Doc-tor Feel

al

right.-

He s

a9

the one they call

Doc- tor Feel

good

2nd Verse

on

the cor

- ner al

s got it wired.
10 ; ;

- ways ig

law s_

for

nore

hire;

some

got it made

bod-y's get - ting paid

in

the shade

Got

-#

r
^2

il

11

lit - tie hide

a-way,

does

busi-ness all

day,

but at night

he'll

al -ways be found.

sel - ling

-22T=e-

-fl

0-

e-

0-

E5

It

fff f
sug- ar

ffTr

to the sweet

peo - pie on

the street;>

call

this

Jim - my's town..

He's-

Chorus II

E5

the one they call

Doc-tor Feel

good

__5 g 3 ^^"^0 ^ ^-=

He's_ the one that makes ya feel

al

right.

He's.

^^ 5 g 5 1,4 ^
-39-3
3-

-00

aa33^

the one they call

5-

Doc- tor Feel

good._

'

00

He 'r

gon na be

<0

your

Frank

en

- stein.

u.

_g= 3
-3
-3

^0 Q

5-

'

02

39

5-

03-

/'ve_

'

Bridge 1
G5

got one

A5

(Doc-tor Feel - good.)


I

G5

He's

thing, you'll un-der-stand

not

whatyou'd call

a glam - rous man..

(Doc tor Feel - good.)

(Doc - tor Feel good.)

rij
Got_ one

thing that's eas - i - ly un-der- stood

D5 A/a

the one they call

Doc-tor

E5

Oh, yeah.

Feel - good

D5

Aid

E5

13

3rd Verse

tell you he's the king of these bar-ri - o streets, mov - ing up to Shan-gri-Ia

Came by his wealth as a mat-ter of luck,.

m
3L

-aaaa0
0

says

he ne-ver broke

-ia-

-99-

no

law.

i
rS^

time

to

move out

quick-

Heard

ru- mor go- ing round,

Jim

- my s go - in down; this

Chorus III

lE5)

rime

it's

gon

- na

stick

the one thev

He's.

TT

-ar

5:

call

Doc- tor Feel

good

5:

.P.M.
-2a-

-3

9-

9-

-9

9-

_a

-a3-

He's.

14

al

the one that makes you feel

right-

He's-, the one they call Doc-tor Feel

good

He's-

(Doc-tor Feel good.-)

Bridge II

gon-rta be your Frank-en -stein. Let _ himsootheyour soul, just take his hand-

Som

(Doc- tor Feel - good.)

n~i
peo - pie call_ him an

Let

e - vil man

him in -tro-duce_ him-self

(Doc- tor Feel - good.)

good.

He's

the on - ly one they call

"Feel - good.

real

15

Solo

Simulate "wind blowing" with vib. bar after picking harmonic at A str, 12th fret.pick

43=;
-i-rif

-d- It -9- ir -w -d-d

ddd irddd d

dd

ddd d

dd

ddd d

d dir

P.M.^

1
0 00

0 0-1i-ooo 00 00

00-01 0 0 0

0 0

0 00 0 0-l-CM>-080

0 0 01

(vib. bar)

Continue same low E pedal tone figure for the next 4 bars.

(vib. bar)

vib. bar
H

14 IS

11

II

12 14
2-44w

IG

1a 1446

1314 15
12 14 IS

1214 15

ig 14
4*

12 14 15
.*%

-m

*n

tg M IS ;
*

<!

16

Tap these notes with the pick

'3 tr^

6-e-fl

ft-C 0

0 0 0

D5

Overdub

Sva

vib. barz^zZ
dive j r ^
Overdub

Overdub

D5

A/Ct

E5

long dive w/vib. bar

long dive w/vib. bar

D5

A/C)

E5

long dive w/rib. bar

3515=^

A/Ci

17

G5

E7+9

A5

I've

a3 3

r~ii

got one thing

you'll un-der-stand-

D5

A/CI

(Doc-tor Feel

not-what you call

D5
MCt
G5
Feel good.-)

(Doc- tor

Bridge III

He's

a ea

G5

good.-)

Got_ one thing that's eas - i - ly un-der- stood

a glam - 'rous man.

-3
-3

a-^
3-3-9

T=:a-

(Doc tor

0 -a 23 3

A/a
Feel good.)

i
He's_

the one thev

call

Doc - tor

Feel -

Wow!

good.

i
1

'

'

2a

i_

^0 0 2 2 3 3 4 5

^3^ "^3

"3

?-

7^7

Si^S

^0

Last Chorus

Gtr. ! plays same 2 bar background figure


as on previous choruses.
E5

D5

A/C? E5

Same chord progression until the end


E7+9

Doc - tor Feel


Gtr.

good._

(Doc - tor Feel - good.)

'
!

18

Doc - tor

(Doc-tor Feel good

Feel

(Doc-tor Feel - good

Doc-tor Feel

Gradually fade out

good

Doc - tor Feel


'm ^

V "i i ^

."

1^
1

# Ji 3

'

fl ^ r

* Pt

IV

t
,* '# 1* '*-1 1

.-ti

(Doc-tor Feel-gooa

ilc_' 1
iji

3t

30

QJUIJ

jiQ

oan

330Q

3a-5^5

}
A

Feel -good, Feel - good. Feel- good,. Feel -good, wow/.

Feel-good. Feel - good. Feel -good. Feel -go<

19

Filll

D5

E5

A/Ct

E5

E7+9

E5

3--

-7^

4a

17

17

-W-

14

18

14

ig 14 ia
14 14
H

vib. bar aive

tap side ot pick high up


on G string

Fill 2

sd

go go

pick with R.H

'

tremolo

sL
-47-

TP

-79ia7-

index finger

20

SLICE OF YOUR PIE


Words by

Music by

NIKKI SIXX

NIKKI SIXX and MICK MARS


E5
0

E7J9
0

F#7|I9

A7II9

C5

D5

B7

Bb7

A7

A5

E5

E5

6fr.

Ifr.

m"-

7fr.

3fr.

6fr.

7fr.

5fr.

Guitars tuned

down a whole,step

J = 83
Voc,

F#7j|9

E7jf9

E5

A7*9

C5

D5

Ooh,.

Gtr.

Acoustic gtr.

i
pirf

pirf

15
Lead - in notes are played
by the bass but can be
played on guitar.

-s

-40

-tO

16)-

16f

g
a-

HO-

-401-04-

-40

e-

104-

-e-

Overdub 1

A71I9

Fl7#9

E7#9

C5

D5

El. gtr. with


distortion

Swing
(wing 16th)

1st Verse
N.C.

i
Tat

- too

crawl - in' down her

leg

so

sex

y;

i
H

-G
-G9-

e1

-Ge1e-

3-

-G

9-

so

young,

- ver

get

caught _ they d ar - rest

me. _

ee1
a

School

girl

stud - ied up well_ on hoo-chie

Lick

lips,

kit - 'en with a whip,

so

Bb7

coo

un - dress

aa

- chie;.

me

Un-dress

me._

A7

Hey, Pret -ty Fret -ty with the sweet sweet eyes, or -der me up_ an - oth - er slice_ of your pie.

4:

..

10^:^ '

10
8

9
9

6-J G-

L-0

22

2nd Verse
N.C.

Whip

lash,

ne - ver looked at

child.

al

you _ in

high

school

Overdub 2

hot

hind you
- ways walk be-hma
you

for the rear

view,

rear

view

C5

C5

God,

Nine - teen,

D5

ba - by, ba - by, blow my fuse

se

duc-tive bal -ler - i

-na, so

when you walk this

way

D5

23

B7

Bb7

A7

^
Hey,

Pret - ty Fret - ty with the sweet

sweet

eyes,

J J J

or-der me

He
-8

7-

-7
-

6e-

-7

6-

up

an

oth

- er

slice

of your

Overdub 2 continued

N.C.

i
Slice of

pie.

yoi4r

pie.

-ee1e

-eet-Ge-

et-

-ee-

Bb7

Hey,

Fret - ty

Or-der me up

Fret - ty from a - cross

an

the room,

got

some - thing stick - y

sweet-for

you.

Beginning of Solo Ooh,_

slice

of

you.

8va- ^slowly release


the bend

Guitar solo

Trill BtoFtby fingering the Band rapidly tapping


theFt with thesi'de of thepick

vib. bar

26

Sweet, sweet

thing.

pick
H

?^

-e

-e

e33-

-&-0t-e
e33-

et-

Overdub 3

Hey, Pret -ty Pret-ty with the sweet sweet

eyes,_

I'm guar - an

teed to

sa

- tis

fy.

&

M3-3-

"N

Slower tempo
Bb7

A7

ns

or -der me up_ an - oth - er

Just one

slice of your_

vib. bar

Ending
'.= 47

E5(add2)

E7J9

ViliS

A7?9

E5(add2)

F7|I9

A7#9

pret - ty

(with vocal ad lib)

let ring

E5(add2)

E7J9

F#7*9

A7>9

E5(add2)

E5(add2)

E5(add2)

E7<9

E7#9

Overdub 4.

E5(add2)

E7J9

FJ7J9

A7t9

E5(add2)

Elt9

SSIiilSSPliKSllini
gradually fade oui

itz
t-

TT.

Overdub 4

E5(add2)

E7jf9

E5(add2)

E7t9

faded

28

lOVERPUB ll

Acoustic gtr. or Dobro in

"D" tuning (DAD F| AD)


(slide)

si.

si. si.

si.

-42-

-40-

(SHde gtr. in "D" tuning)

lOVERDUB 2l

si.

(2

si.

si

(wa45

t-

Im
0^1
.

33333

1^^"!===^===

=:^===i-J-4Jr
'"I'T

-^=^==

OVERDUE 3

rmm
la

(Straight gtr. tuned down a whole step)

iV.!?

I0VERDUB4

=11

RATTLESNAKE SHAKE
Music by

NIKKI SIXX, MICK MAR^i


and TOMMY LEE
D5

D6

D7

A5

A7

E7

E9

G9

cmnsfr. ffm6fr. fflTOAfr.

iSfr. isqirnSfr. UTTTISfr.

J= 104
Both girs. tuneil down a wholestep. Vocals are written
at concert pitch.

D5

D6

D7

D6

D5

D7

D5

D6

D6

D5

D7

D7

D5

'C; 19a9, 1990 MOTLEY CRUE MUSIC CO./SIKKI NIXX MUSIC/MICK MARS MUSIC/
KRELL TUNES & BORDELOBROTHERS MUSIC (BMI)

D6

D6

\)1

D7

Hold the bendand rapidly tap the B string


at the }6th fret with the pick to trill
from the D to f Ij.
1

1st Verse
A5

Chorus I
A7

si

Shake,
Vil

shake,

si

shake..

si

si

Rat - tie - snake

si

si

Shake-

si

si

Make my bo-dy ache

33

D5

Rat - tie-snake Shake.

D6

D7

D5

Shake,shake, shake._

Rat-tie-snake Shake.

7 6 6e

557

-f

10 10 0 0 710 7

6 0 C

.iK

-6-9-

-5-5-

It's all

D7

1 can take,.yeah.

5 65 0

D6

7 5 0
71&5 5
-3

10

ar

109-740 7
-6-9-

&-

Overdub 1

sl.

sl.

si.

sl.

sl.

sl.

sl.

sl.

sl.

sl.

sl.

6-7

sl.

sl.

6--7
O*'65-"6 0

0*

0- 1

sl.
7

5>-*G 0

0" *7

5- C 0

10

L-O
2nd Verse
A5

She got

sass.

M
Bring you to her knees, when she shakes her

ass

She's a

Voo-doo,Voo-doo Child;

just one

A.H.
P

-6e

>^03

9-0-3-6-

-69-6-6-6-3-

-e2

-0e

e9-e-6-3-

-3-6-

si

si

si

Rat - tie-snake Shake..

si

s_i

Shake,shake, shake..

si

si

si

sj.

Rat-tie-snake Shake..

si

It's

all

I can take., yeah.

Instrumental bridge
E9

G9

Bass solo

3th Verse
AS

36

Guitar solo
E7

(with heavy delay)


3

tZ 14 15

:r-c-41-42-44
11 12 14

ta i< IS

12 14 10

g 14-16

g14 16

(Same background figure asin the lasttwobars of the Verses.)


Chorus III
A7

Do the

Rat-tie snake Shake.-

1214 15 1315-10 141617 15 17 ID 16 10 10 17

D5

D6

07

Shake,shake, shake..

D5

Shake,

D6

shake,

Rat - tie-snake Shake._

Rat - tie-snake Shake-

Make my bo-dy ache-

D7

shake

Rat - tie-snake

Shake

It's

all

can take..

Rat - tie-snake Shake,

6 6

yeah. _

Do the

Rat-tle-snakeShake

Shake it, ba-by.

7 8 6 0?

Rat-tle-snake Shake.

Do the

Rat - tle-snakeShake

Yeah

Ending
D5

05

D6

D6

07

D7

D5

05

D6

06

07

D7

05

D5

D6

D6

D7

D7

D5

05

06

06

D7

07

D5

38

lOVERDUB II

(This passage canalso be played withjust the top line and an octave box.)

Two gtrs

44

42

44

42

KICKSTART MY HEART
Words and Music by
NIKKI SIXX
G5

ens

A5

AS

DS

Dsus4

Am7

F5

G5

GfS

AS

miP3fr. GiPiP4fr. fflimSfr. Cm

pmsfr. [1 rmsfr. fTlTTiSfr. m

TTlSfr. CmXi

trJXD3fr. t.IJJXl4fr. tlTTFlSfr

j
D5

C5

E5

C5

Oimsfr. I I I I |3fr.

D5

Dsus4

rnm

pmn

mm

I f I I I |7ff.

[TTT

G5

with Distortion

(Twice as fast) J =180


G

D5

fTim^fr. tmHSfr. mimiofr.

Tempo J =90

Freely (not in tempo)

Dsus4

Divided between 2 Gtrs.


C5

Gtr. is tuned down


s whole step

B5

GtS

AS

Dsus4

OS

AS

AS

G5

Play 3 limes
GfS
AS

40

D8Us4

Ist Verse

G5

fuel

fun-ny car's a drug

for me

G|5

A5

When

G5

high, I

get

high on

my heart,-

My heart,-

G*S

kick start my heart.

G5

Dsus4

D5

Dsus4

05

G|5 A5

echo

Al -ways got the cops

com-m

Dsus4

D D5

Dsus4

Dig. delay echo

Dsus4

start

-H

my

heart. Give

Dsus4 D

it

start

G5

G|5

A5

Am?

42

Dsus4

Dsus4

Dsus4

Whoa,

yeah._

yeah.

G5

GJ5

A5

These voicing
divided betwttwo different

Ikl

44

G5

GS

GfS

A5

r\

loo -kin' for a - no - tlier good

Overdub 1 continaed

Dsus4

My hea.

D
delay edao-

C5

heart,- kick - start

Overdub 2

A5

tinie.

my heart

G<5 A5

Am7

Am7

are you

rea-dy

girls?

are you rea- dy

vib. bar dive

Chorus II

yeah.

P.M.--

Dsus4

Dsus4

Dsus4

46

Gtr. 11
Clean so

(end of G
phrase)
decresc.

doco a poco'

Bridge

Clean sound w/dlg. delay

Dsus4 D

it

When

star - ted this

band

nee

- ded.

(led - a - was

laugh

Dsus4 D

or

hit -

tin' the stage,

'dren - a -lin

rush - m through- my

vems

and I sa

Gtr. II clean

kick

start my heart, I hope it nev-er

stops.- And I thin

48

we

Whoa,

did

Chorus 111
DS

Dsus4

Dsus4

Whoa

yeah._

DS

Dsus4

Whoa,

Overdub 3

Dsus4

yeah._

Overdub 3 continued

Start

my

heart,

hope

it

Dsus4

Guitar solo

A5

A5

Backcround Gir.

D5

Dsus4

50

Chonis IV
G5

A5

D5

Dsus4

Dsus4

kick

start my heart,

give

i
-9

3 3"^

a&&45-

it

start, _

Whoa,

Tf
^

P.M.

r!o

A5

w
yeah,

9-

*_

-_

-s^0-

Dsus4

Whoa,

yeah,

yeah. _

D5

Dsus4

Kick -

start

Dsus4

my heart,

hope it

ne - ver

A5

stops._

Whoa.

G5

boys, _

let's

rock

the house._

G85

Ending
A5

G5

G|5

A5

Make percussive sounds by rapidly scraping shori


strokes on the bass strings with the pick

G5G(5 A5 G5 G*5 A5 GS G|5 ^pick slide

52

lOVERDUB II

si.

si.

B6

lOVERDUB 21

vib. bar

vib. bar dive

%
lOVERDUB ^

w/Talk box

1/2
vib bar

Push down the vib. bar,

pick the low E sting and


gradually release the bar

1/4

53

WITHOUT YOU
I'tni

'/Si^ords by

Music by

Ikki SIXX

NiKKI SIXX and MICK MARS

G5

Em

A5

B5

C5

Am7

00

7fr,

Bl>

5fr.

Am

7fr.

B5

8fr.

C5

lOfr.

5fr.

G6

0
h6fr.

Bm7
7fr.

Em7
0

C M^7

C5

G5

Ballad
G5

Em

Am
q3fr.
H

lOfr.

5fr.

3fr.

8fr.

5fr.

D5
S-IOfr.

5fr. ffmp3fr.

G/B

8fr.

5fr.

A5

G5

Bm

C(add2)

Em

G5

3fr. iJJJXJSfr.

m'-m

AS

B5

C5

With - out

Guitar 1

(Distortion and dig. delay)


si.

si

si

si

si si

si

si

si

13-

-0 >ia.

-IF
+

-na-

M-

Guitar 11

let ring

let ring

(Distortion)
si
-9

9-

-45-

[E
* Note: AU guitars are tuned down a whole step.

1st Verse

you,_

there's

no

my nights

change,

and

days_

are grey.

ir

m
(clean sound)

si

I'

UJ

...

s^...

^2 14

Continuation of last note of


slide gtr. intro.

1989, 1990 MOTLEY CRUE MUSIC CO./SIKKI NIXX MUSIC & MICK MARS MUSIC (BMI|

\2
14

lij

54

Am7

Bm7 Cmaj7

'J

Em

G5

reached out and touched the rain,,

it just would-n't be the samSTl

With - out

you,

I'd be lost._

Overdub

si. si.
-4ele-fr
Heie-fr

iai3^ liMB

ig tifia tifia

.ia H ia M ia

Bm7

I'd

down from the top

slide

down

so Iow,_

girl, you'd ne-ver, ne-ver, know

Overdub

enew a

ta

10

With - out-you,

with-out you, a

sai -lor lost-

10 x

With-out_ you,

at sea

wo-man,

(Distortion)

2nd Verse

world comes down, on

With-out

me

you

in my life,

I'd

slow-ly

end of synth. overdub

Overdubed synth. on three


multi-tracked single note gtrs
S

Gtr. I

Overdub 1

wilt and die


Gtr
III

Gtr. 11

18 V4 ia
laid lata ia ioia
ia ia 10 ia

the

56

3th Verse

you,

my hope is small-

Let me be me all

a-long,.

let the fires, rage, in -side, know-in' some-day I'd

(clean sound)
end of slide part
-ea3

-3
^2-^*

Bin7C

Am7

G6

Overdub distorted guitar


-e33 -3

3-

e
3-

-3

e
-3a

3-

-44-

4-

-7e-

With-out_ you,

grow strong

with-out. you, a

sai - lor lost, at sea.

Overdub
H

12 14 IB 14 IB ia

i'^\

With - out_

you,

the world

wo-man,

comes down,

on

me.

... i

4th Verse

I d

Overdub 2

slow

wilt

and

die

Wth-out

(clean sound)

58

On -ly you that I'll hold, when I'm young,.

on -ly you

as we grow

old. start ofslide Gtr. solo.


Gtr. I

slowly slide up Gstr


si

Slide solo

These 2 bars also overdubbed 8va

(with echo)
Gtr. I

si

si

si si si si

si

Gtr. II

With - out

si
17'IS 15

17 ID 12^7

fioaoaTaa^^'

si

mf clean sound

Bm

85

C(add2)

C(add2)

/</{/( OU!

60

lOVERDUB n

let nng

(clean sound)

k)VRRDUB 2l

let ring

(clean sound)

lOVERDUB 31

Synth, or Gtr
M14 1< 1212 ia12

is is IS is H 11 11 11

13 13 13 13 12 12 12

15 IS 15 tfl 14 14 14 14

1212
13

1212 10 10 10W

131313 12 121212

SAME OL' SITUATION


(S.O.S.]
fords by

Music by
NIKK! SIXX . MICK MARS

KKI SIXX
AS

E5

D5

CtS

FR=HSfi-

C5

B5

E5

and TOMMY LEE

|TOP3fr. ffffiqifr. cmn

AU gtrs, are tuned


down a whole step

J= 140

1St Verse
AS

al - ii - ga - tor bag,

to

iaao

match;-

1QQ/^ rTi c

dressed

black- on

blac

She s got a

62

Phil-i-pin-o girl -ie she claims is her friend.

I tell you,boys,_

you just got to laugh..

Now I

used^

Gtr. 11

-=72-

ES

10

to call

A5

WWl

I guess

her Lin-dy, she changed-her name to "Sin.'

it's

the name of her game

~m

wz:z.

real

-ie<-

-a407

-e-e-

Gtr. J plays same exact part as the


1st eight bars of 1st Verse.

ly used to love her then, the kit-ty she dis-cov-ered

-S
-0

-=70-

2
0

4-

i:

it's got to be a

sex - ual thing.

-4a-

-24
-0

A5

CJS C5 B5

Now all

a-round the

world,

.5^

000-

ah, girls

will be

girls

It s

the same

3rd Gtr. pick slide


-

64

2nd Verse
AS

E5

AS

j IJ J"!

1
duced me to her lo-ver in

eel-lo-phanedressthen

they bid

!
Last

me a sweet fare - well

Gtr. II

Gtr. I

time I saw them they were kiss-ing so

soft - ly to the sound

of wed-ding

bells.

Gtr. I continues to play the same part as


the first 4 bars of 2nd Verse

AS

BS

I n
Well, all a-round the

-7
-7

-5

7T-

09

5-

ah, girls

world,-

7e-

-S-

will be

girls.

4-

-6a5ea-

It's

4
-4

the same _

<
4-

-aa

Chorus II

sit - u

Overdub 2

It s

the same

Overdub 2

Overdub 2

CtS C5 B5

66

(Beginning of Solo)

Overdub 4

(Longslow? bendfrofn B !o E)

}9

\Z

IS 12

12 Iki

II:

1^

\ ^

Ijnaii* V

Overdub 5

| p

H P H
10

ia

same_

oP

ball and

chain.-

Girl,

it's

the

same

68

E5

same

You know we

. ta

just got - ta

say
say

or

all

ball

and

a - round the

chain.-

world

It's

Chorus IV

same

Ovcrdub 2

the

same

Overdub 2

yeah.

Overdub 2 continued

Overdub 6

yeah,

yeah. _

yeah. _

D
-I Overdub 6
Overdub 6

(Not in Tempo)

yeah. _

Vib. bar
vib. bar

Fade out

72

(Background gtr. on solo)

lOVERDUB 5l
E5

A5

AS

#0

si.

j/.
^

5^

f-

9- -9

_ea

==

9w

a s C5 B5

lOVERDUB 61

9-

f)

09

8^

STICKY SWEET
Words by

Music by
NIKKI SIXX and MICK MARS

kKK\ SIXX
G5

Fsus2

D5

Pim3fr. ITrVi

F5

C5/D

Bt5/C

Bb5

AS

F=|5^^ Fwnsfr. Bmafr. oxn

El's

Eb

3q=ra6fr. (XCmfifr. pccmefr.

Cm(add2)

AkS
qraii

C5

Cm7

m=ra3fr. fTFmafr.

F5
nTT

Medium Rock J-96


Fsus2

IM

(Distortjon)

Fsus2

C/E

G5

1989, 1990 MOTLEY CRUE MUSIC CO./SIKKI NIXX MUSIC & MICK MARS MUSIC (BMI)

C/E

74

D5

When she

^ If

If' I

If'

' *eJ tf' ^3 U" I'fcf llif


-0

-f65-7

7-55-7-

-7557

7-55-7-

6 6
-7-5

-65-

5-7-755-^

pick

5-7

7-55-7-

-7-55-77-^
-77-HH

1St Verse

calls me

up, my voice,,

it starts to

She says,"Come right o-ver,

shake.

oh good God, there's a

fire

o-ver right, a -way.Z

m my pants

Chorus 1

G5

light- ning strikes and she laughs that.e

Fsus2 C/E

- vil laugh.-

She's

D5

so stick-y,

so stick-y,

so stick-y.

75

C5/D Bb5/CB!5 A5

Ab5

G5

hJ
-5F

She's so stick-y,

so stick -y, she's_

so

stick -y

U Li' 'fef lJ

sweet.

Ooh

cm I

JP]j' ^
1/4

sl.
^
-T

5
5

6
5

7
7

7S
75

5
5

^
7-

-5
-5

3
3

3
3

a
2

11

11

3tS

-5-9rS

5-3

Fsus2
(Stick

C/E
y

G5
sweet.

yeah.

F5

C5

(Stick

Ooh

^ 1/4

5-

3-3-

Now when

ow.

^ 1/4

TTl

h;
n

1/4
s/.

-5

-53-

-5

-53-

-S3-

3-

j'-S-36

-36

36-

3-3-

2nd Verse
G5

F5

G5

F5

sweet,...

It:

I
I've done good, she slaps _

It takes more than ten sec-onds to

me on the ass.

s:

3.

-4

sat - is - fy

sn- b5

1/4

-e5^
-H

9-

-K

3-

-X

3-

1-

-X

this

"3:
5'

A
F5

G5

i
L...

The way she walks, I swear, should be a

lass..

G5

(Yeah, ba - by.

crime.
Overdub 2

Is

P.M.-

Overdub mixed

Overdub 1

"9

'13

K+

M-113

5
-3

5
i

5
3

5
3

5
3

5
3'

76

Chorus II
D5

Fsus2

Sir ens scream ev - 'ry time

she walks

So stick-y,

Bye- bye

by.

so stick-y,

Overdub

Overdub

7^
-M
-M

99-

-M

V-

^5

7^

7-

-75-

C5/DBb5/CBl>5 A5 AbS

She's so

so stick - y.

stick - y,

so stick - y, she's-

so stick - y

sweet

si

O
-^7-5

5
5

-6

6^

-5

5-5-5-

^7

7-5

-5
9
3
-5a3

7-

7-

Fsus2

(Stick

my,

my,-my,

C/E

<

9=5

sweet.)

way

she walks, the way_ she talks,

Fsus2

(Stick

sweet.. .

the

G5

The

yeah

a
71
at H

time

C/E

y)

5-

Bend into notes with vib. bar

Bend into each note with


vib. bar

Gtr. solo

Cm(add2)^Qj^ 1has athin clean sound

Cm(add2)

with compression, delay and chorus)

vib. bar

let ring

^orus III
Voc.

D5

-r

so

so stick - y,

So stick - y

She's so

stick - y

stick-y,

stick-y, she s

Fsus2
(Slick

^ C5/DBt5/CBb5 A5 Ab5

so stick - y

so

C/E
y

sweet. _

C5
y

G5

GS

sweet.

sweet.)

stick-y

way she walks, the way she talks,

I /a

all Ih time.-

the

All

time.

I,:
T

F5

C/E

G5

sweei.)

rr
So

era

(stick

C5

sweei.)

Make it up,

shake it up,

give

it up,

break it

off

F5
sweei.)

C5

G5

fsric/c y)

Make it up, shake it up, give

sweet,^

it up, break it off

ba ba

ba ba_ ba ba ba

Fsus2

(stick

sweet.)

(stick

Ah break out.-(digital delay echoes on voice)

G5

sweet )

Fsus2

C/E

G5

Child.

"dr

if

'0 '

'

iV

1/4

-V-

-S3-

-S3-

/S
36

rS

33-

1/4

1/4

si.

-6

ijnj' '

0--iz:70

-5

3-

5-

-3

6-

-36

3-3-

ba ba

OVERDUB I

0VERDUB2

vib. bar dive

iS-

82

SHE GOES DOWN


Words by

Music by

NIKKI SIXX and MICK Mars

NIKKI SIXX

E5

E5

E7

AS

A9(no3rd)

i
E/GH

A7

F}S

CS

BS

E5/A

D5

A/Ct

12fr.

C|0(no3rd)

Sfr.

Dsus2

Gtr. is tuned down


a whole ste

Voc.

4fr.

A/C|

CO
4fr

B5

AS

0
4fr.

7fr.

7fr.

Sfr.

E
0

TO

E5

ES

AS

-a

^2

EES

0^

0-

..e
^

4ae-

9
-Tf

9*

0/
3

5^^5

^ y-

^0
N.C.

AS

i
'-3-

f
p

-aa

480-

0^
0

^0

^0

-a

3"

0-4

1989, 1990 MOTLEY CRUE MUSIC CO./SIKKI NIXX MUSIC & MICK MARS MUSIC (BMI)

4-

1st Verse

A9(no3rd)

tie Miss

Muf-fet, sweet girl's-

school stuff and

a coun - try smile- and charm

84

Chorus I

A5

E5

A5

down, -

down,-

E5

she

goes

down,

night

all

down,

down,.

down, _

3-

g
-aa4

-4

0^0
0

She

goes

down,-

a^e

-ea
-aa
4

she

goes

down,

4-

a, a
a
.a
0^=6-

-a84

down

>-T?-

-ep=4-

down,_

r~3

Overdub Solo 1

2nd Verse
A

Sas

- sy lit -tie las -sie,

A9(no3rd)

walk - ingright past nre

down in

Ten

ne-see.-

85

A1

ways

la - dy,

love_

south-ern

la - dies.

Overdub 2

A7

E5/A

They

just know how to

please

T
4a

M-

-M

E7

It's

like

con - nec - ting the dots. _

vib. bar
Overdub 3-

43
-M

H
ta

44-

4
-a

8-

Start

at

the

4
a-

hot - torn

and

lick

It

to

-e

9-

-6

?-

the top. She

Chorus II

E5

A5

A5
all

E5

i'J
down,_

she

goes
-3-

down,_

she
-3-

goes

down,

down,.

down,
r-3

Ft
down,

night

T~^

86
A5

You know she makesme fi

down,-

she

goes

aiL,-

down,

down,-

down,

she

y - way,

down.-

goes

down,_

o1

Overdub 4

She

goes

down

she

goes

down

down,-

down,

down..

r-3

C)[(no3rd)

All of the day

-93-

all

of the

Dsus2

Clt(no 3rd)

night,-

lick

-0

?-

of

those

lips

-B9-

do you up

Dsus2

right.

68

Guitar solo
E5

A5

E5

(5-

"15,

0" !!

A2

r*.

J
15

15J
15^
Ifr'
15: ^15

r/. si

-e

/V

15

Ifi

15

tett

15-12-

j/.

45-

0
B

f/6. bar

14

12
14

1 1 1 1

40

ie4
10^

ie4

1^

10:?1^

AS

E5

AS

14

1/2

si si
-6

e^:
0

9-41-

vib. bar
Harm.

vib. bar dive

doubled fivbdoubled 8vb.

Flat

on my

back,- she goes

For back-stage

down

pass,_ she goes

down._

Bass Solo

Dsus2

all of my friends,.she goes

Shegives

down

heart

at - tack,

MCt

she goes.
enters

She goes

down,_

she goes

down,-

she

goes

down,

down,

she

goes

down,_

down,

down,

down,

down._

Freely (not in tempo)


E

92

lOVERDUB II

si.

si

Verse 2

si. si.

si.

-42

44
44

4445

-Kf

45^6

46

16

49

-24-

-84-21-

49-26

sl.

49-44-

lOVERDUB 31

lOVERDUB 2

m
8va-

itji

f- r -f^

slow bend

-49

49

47

47-

-49

|fl|i||

49

47-

II

loco
>

r^Of
J

slowbend j
7-s

'
*1

f/6. bar

V
TJ

e-JL-42

-H

"

OVERDUE 4

OVERDUE 5

' Bend into

with vih. bar

from whole step below.


si.

Freely (not in tempo)

94

DON'T GO AWAY MAD


(JUST GO AWAY)
Music by

Words by

NIKKI SIXX and MICK MARS

NIKKI SIXX
Dsus2

Dsus4

Em

D5

5fr.

7fr.

5fr.

Guitars tuned down

awhole step

j = 116

Gsus4

Em(add2)

000

00

00

Csus2
0

w
AID

D5

G5

C5

lOfr. 111 I I llOfr.

7fr.

GS

lOfr.

7fr.

Es lis4

Dsus4
5fr.

Em

G5

ES

00

BlOfr.CHfflHfr.

G/D
1

llf llOfr.

Acoustic Gtr

Dsus4

Dsus2

let ring
g

0
a

-ae

&-

-3

3-

Electic Gtr.
D5

with distortion
si.

9-

7^''

Dsus4 D Dsus2 D

i
-3

3-

-3

3
3

3
3

3-

3
-a

0a

g,

33

-aa

r4g-

-7

7-

?-

43-

1989, 1990 MOTLEY CRUE MUSIC CO./SIKKI NIXX MUSIC &MICK MARS MUSIC (BMI)
All rinhlQ arlminicfof>H hv WARNPR-TAMPRI AMP PI IRI IRHINR OORP

Em(add2)

Em

G5

2nd Gtr. continues same power chords

1st Verse

Em(add2)

a - way_

or catch a

freight train_

or

a rock et ship

er space.-

Noth - m

96

Em(ac)d2)

left to do,_

tooma-ny things- were said-

Em(add2)

Em

Dsus2

G5

to e-ver make it feel

Em

like

yes -ter -day did

G5

Sea-sons must change,, sep-'rate paths,, sep-'rate ways;- if we blame it on an-y-thing,, let's b -lame it on the ram I knew.

(Clean sound)

Acoustic gtr. continues same strum


Em

Em(add2)

it all

a - long.

had

Dsus2

knew it

all

a - long

That's

to write this song.

G5

Too young- to fall in love,

guess we

al - right.

that's

O. K.

We were

walk

97

D Dsus2

Dsus4

ing

through some youth

Dsus4

in'

smil

Dsus2

through the pain_

that's

al right.

that's

o -kay

2 Gtrs

Let s turn

the page

Ac. gtr.

ii_r cj-LJ'

2nd Verse
D

Em(add2)

~m

My friends

called

to-day,_

down from

Em

1^

L.

G5

a.J.

-L

They were shoot - ing pool all night, sleep ing

y/

Eg!
si.

-eee2e-

-3^:33330^

0ee-

Dsus2

0
ee-3ee-

-3

d:s=r333

-3

3::?=::33a

3-

0
06ee-82
i22-

0
-e

0
3

0
8-

000
383

3-

Em

i
half

of

the

day

They said

could

crash

if

could

find my

own

way.

Ove^dub

r:^=:f=

Ac. gtr. continues same strum

98

told them you were leav

- ing

on a bus

to go a way

that s

That's a! - right

tB M BM16 W 16 U

Acous. gtr
D

Dsus4

We were

two

kids

in

Dsus2

try - in'

love

Dsus4

that's o - kay

right,

Dsus4

D Dsus2

to find our

Dsus2

way'. That's al

Dsus4

D Dsus2

Held our dreams- in our hands,- let our minds run a-way.- That's al

Dsus4

Csus2

now

Overduh I

We were walk

ing through some youth,

Dsus2 D

Overdub ] continued-

Faster tempo (j
A9(no3rd)

Chorus 1

Dsus4

100

Solo

Dsus4

Dsus4

Beginning

si.
-7
7

9-

-9

0-

79-

Background gtr. plays same 4 Barfigure aslast 4 measures throughout thesolo.


1

Gsus4

nsus4

E ^

Esus4

wide vibrato

Gsus4

Dsus4

Dsus4

H P

17

17

<7

14

15

14 IS 14^-12

H P 5/

18 14

Gsus4

Esus4

^
IS 10

?=::

1g W 0

Esus4

Dsus4

tremolo picking
14-M
17-17 1517

14

IS 15 14

15

17

19

17

Gsus4

Dsus4

101

Don t

go

way

mad

3rd gtr, part

(Can be omitted
if necessary)

I don t

want

you

to

stay.
Overdub

same 2 bar guitar vamp continues

G/B

C5

05

>-J
a

f-

102

Ending Chonis
D

Gsus4

Esus4

Dsus4

Dsus4

C - mon,_ ba - by
Same 4 bar vamp-

(with vocal ad libs.)

I'll

say

it

one

more

don't go

time.
A

Same 4. bar vamp

a - way mad,

don't go
Same 4 Bar vamp-

a - way
....

mad,

104

girl,_

don't go

a - way mad

IVi

vib. bar

i'^< 8

" "

VA

t&W15"44msM'

^is-

\Same 4 Bar vampDsus4

don't go

Yeah. _

- way

1314 la-

mad,

wowi _

Rhythm

Rubato

Ritard

(While trilling 10th fret


E str., lightly touch the
22nd fret to produce
the harmonic.)

105

lOVERPUB i]

m
19

...

Ik.

106

TIME FOR CHANGE


Words and Music by
NIKKl SIXX and DONNA McDANIEL

Bm/Fj

Em7
000

Cadd2

S-afr

Em

D/Fl

Em

POO

Em/D

A
8fr.

12fr.

12fr.

5fr.

p
D5

C5
3fr.

Em
G/D
G5
E5
tni
^1^
5fr. nXCnSfr. CHOTVfr. 11 i TIl^ft. I-HT I

A5
11 III

FISHill 1^^^

0AS

E/G

Guitar is tuned
down a whole step

Voc. G

BmlFt

Cadd2

D Em D/FI

{Piano & Synth.)

1st Verse

Em7

Bm/Fl /

1 heard some kids

tel -lin' me_ how they've lost

Cadd2 /

all the faith.

G / D Em D/F?

in the

way_

(Piano & Synth.)

BmlFt

Em7

they've been talk - ing world peace now,

and the war's

in

Em/D

Em

the

streets.-

mf (with distortion)
si.

1989. 1990

MOTLEY
CRUEu-u-ii
MUSIC-i CO./SIKKI
NIXX MUSIC (BMI) &BARDET
LARU^

rs/ r>r)i tc fcni icir* r'O o
MIVY KMI IQIC

(ASCAP)

107

The

A rev - ol - u - tion

or

lines

reach_

on

their

fa

out and touch the

day;

we're o - ver

due

108

now

Change,

it's

time

Noth-ing

for change

stays the

Ooh whoa,

same

2nd Verse

I feel the fu - ture in

the

hands

of

our youth

will

be

tell

our

Gtr.2

ii_r

Bm/Fl

D Em D/Fl

safe,

no more

Old tired fools

lies

Overdub 1

fu -

ture

with

ta - rot cards

and

lie

of

crime. _

Acoustic gtr.

Overdub I

P-r

109

Well,

the lines

C5

D5

-: n

rns

re - vo - lu - tion

on

their

- ces

Em

B5

or

fa

JT

reach

out

so

deep,

Em/D

C5

yeah. _

and touch the

day;.

we're ov - er

due,

w'
P.M.

P.M.
H

-a

a-

^^Pik^ous.
f.

Chorus II

Em D/Ff

now

Change,

E5

D5

No - thing

C5

stays

the

same.

D5

Now

G5

it's

time

it s

time

for change

Em

D/F1

for change

-0

<

110

now

Change,

it's

time

No - thing

for change

stays the

same

D/Ff

G5

Now it's

time

for

Guitar solo

Em D/F#

05

change

Same background Gtr. as on the first


bars of the chorus

Oh,

Em

yeah.

P
ig 12 ie
M-

1212 ia

12 12 12 12 12 12 12

Bm/F<

HP

5c-

-HM4

14 12

12 10 12-14-

change.
8va

26

12 12 12 12-12 12

12

26

VM9

Overdub 2

Whole step bend


on lower note

M-

Ill

Well, I'll

change

Not

to

H P
si.

IS 17 15- -W
17 to 17 -IS

H P si.

17' "lO 17 10 17' .15 (la

Overdub 2

but

mor - row

to

- day

Drums

1
^

Overdub 2 continued
Chorus III

A5

E/G}

Change,

now it's

time for change.

No - thing

stays

the

Gtr. I

HH

HH

HH

2 3

"f tr

HH

-8a-5-2-4

6-=f

D5

E5

Now

same.

time

H
9

E/G I

A5

^ ' u uJ

Change,

now it's

i i J

vib. bar
si.

97-

4-

for change.-

No chord

A5

it's

-41
-9

7-

-2

e-7

7-

time for change

112

No-thing

stays

Now it's

the same.-

time

change.

for.

vib. bar

-e

e4

LI

Overdub 3

now it's

Change,

2
e

No - thing

time for change.

2
0

stays

11

II

'v

the

Now it's

same.

-5

time for change. _

now it's

Change,

-4

time for change.

No - thing

stays

the same._

6-

Ending solo

A5

N.C

Now it's

time

for

change.

E/Gi

Beginning of
gtr. solo

V. J. V\
eaH
Same gtr. background as on Chorus HI

113

slowly release

^ -3

the hettd

!
H6

12

1g 12

J12 12 12

ie

-12

.1

>^12 12 12
12

12 12 10

12

10

;"^p

-w1^-

1.

>7 17 15

ti

t=rL

16-ie-

) J JZ)

16

10

16 1614 M

Gradually Fade out

17

17

/A>.

1717

1^17;

Si. Si.

-1710

(faded)

P
17

j/.

HP

n~

16

10

14 14 1^ H
10-

14

-M

1014

10 14- -^1214 12

f4_i

M17^
^

14

10

16-

114

lOVERDUB i\

w10

lOVERDUB 2\

si
0
-?

0
?

-6

6-

S 7 0 7

-7

9-

si

-Or077

? 010 9 7.' -O-

vib. bar and feed back

115

lOVERDUB 3]

end of 1st gtr. part


o-

JJbJl
^ftr rl
r r r -r
Tn--'^^ri
uLr r M 1
ri

nj

v_>'

mPi

L.r u=^

r ! ' f'

L==

2nd gtr. overdub


HH

HH

HH

HH
J

7==^:5
gas

^
8

-8

589

-8

585

I
-fi5-

-5e-

-a

985