JOH! Me LAUGHLID MAHAVISHN( [ ORCHESTRAe play music to align the spirit. Raditional Hindu Saying Reso, Sanetuar Sapphire Bulle Thousand Istand F Jisions of the Emerald Beyo Be Happy 135 Earth Ship 136 Eternity’s Breath 114 Faith 126 Ift Could See 132 Lila’s Dance 11 On the Way Home to Earth 139 Opus 1 138 Pastoral 125 eticeen Nothingness & Eternity Dream 142he Inner Mounting Flame A Lotus on Irish Streams 37 Awakening Si The Dance of Maya 42 Dawn 21 Meeting of the Spirits 12 Noonward Race Vital Transformation 38 You Know,You Know 46 irds of Fire Birds of Fire 58 Celestial Berrestial Commuters 65 Hope 77 Miles Beyond 62 ve Word 78 ury Joy 104 wre Love 57MUSIC VO! MODES 1, Tonian (major scale) 6 ee 2. Dorian 3, Phrygian 4. Lydian 5. Mixolydian 6. Aeolian ‘, Locrian ia omy - one ponte eee Oe et td Ie aS As you can see ix additional modes can be derived from the fundamental major mode (enian} siarting on each suc ne below f stati essine step of the fundamental mode, The synthetic fendamental modes are fou can derive additional modes fiom all the synthetic fundamental modes by using the same proce: i on each successive step. I have spelled out all fundamental modes in € for the sake of simplicit ut any mode can starton any pitch. For example, if G# Phrygian is recommended for improvisation, yo would play box which is the third mode of E major. Likewise, ifthe sixth mode of B6Dauble Harmonie is recommended, yo 6 ¢ synthetic modes and their deriveative would play abev* eon ——4 have been used in this book. However, I have Not all of th included shem for the benefit of the serious music student, because one can find so much. hidden within them, particularly in the extrwction of their scale-tone chords. SYNTHETIC MODES - oes tw o> oe SS i i weg oe = Major Loerian Lydian Minor Leading Whole Tone ™ abate == = = Hungarian Major Symmetrical Pentatonic Major Pentatonic Minor boa a be taf a ——_ te ta * asAABULARY REPEATS : Musie in repeated sections may be played as many times as desired unless indicated otherwise. Indications may be made either at the beginning of the section (Two times, Five times, ete.) or at the end (hy Wa 1, f= 2 Tle, ete.y Ja those sections where the number of repetitions is not stated, the directions “ ater 2nd time,” “Enter 3rd time,” etc. represent the order of entrances. The auraber of repetitions between each entrance can be undimive THE BOX The box is a device that uses words to shorten « score, Directions within « box indicate repetitions of previously stated music. Afier completing ait divections within a box go on to the next section of written TUTTI Sometimes in a repeated section of music the musictans make their entrances one at atime. The: rm “twit” ina box or on a DS. indicates that atl musicians enter together, TRADING The term “trading” is used to indicate that teo.or more musicians take turns playing an ad lib solo for ., forexample, means that each player in turn plays 8 bars ae a predetermined number of bars, Trading 8 lib, Likerwise, trading 4's means that each player in turn plays 4 bars ad lib Unies otherwise indicated, the Cymbal line refers to any kind of eymbal (ride, crash, high-hat, etc. Notation for one Tom-Tom is written in the second space of the staff, When there are three different Tam-Toms (high, midelle and low), the high Tom-Tom is written in the fourth space, the middle Tom-Tom (not Snare Drum) in the third space and the low Tom-Tom in the secand space.12 Meeting of the Spirits ‘A Ub sole Phrygian oF Kh rode Of H Marmeaie Minor or PR Pentatonte: Minot by JOHN MclL.AUGHLIN Freely ‘Guitar Violin Keyboard Drums 42178 enter ist eime ~(ei en TSS eae | = fe +. ary Sl? ve, Pete = c= Bnter See time Tt wf ee ad a De. pet : w oi 1976 WARNER -TAMESLARE PUBLISHING C1 ‘1 aight Hesered avia, via, Kbd, i él pe —= ‘Four times Boa Solo ad 1b. i ao ee SS aaa ee oe DBP pte age dridpd de ede ed sal ded ed dae i — SSSSe : — — ae a Four times Sa : 7 epoeecre piss! = ——= — cr mevin, Kbdvin.BD, Sif (tetty} at Code Somat << 3 Sf oe Se St c ‘oda @ Repeat and fade owe. F3 Solo ad lib vin. ss = ey a = - z = = = ee Kbd. —— = Teer T baseai Dawn ‘Ad Un soles; Stow section = aed Frit section © D Pe by JOHN MeLAUGHLIN [A] Four times ‘Tacet ist time; play melody 2nd time; play solo ad lib 3rd and 4th times cise | Eee io ‘ a d Guitar Violin Electric Piano Play four times Bass Play four times dodod vin, ‘Sami. 4 beetan; C/D- A Dttan, tmajtoLt-F Lydian: Es/F -F Misolydlam A/G- G Lydlan, D - D tntan, ‘S115 A UNG WARNER TAMERLANE PUBLISHING CORP. & CHINMIOY MUSIC, INC. ‘Au eights eserves2 Vin, Elec, Pho Dr. Ger, vin, Ble, Pao,es et E Be ft d Fy = eo real: = te at a a om HEE 2 Dm Rhythm ad lib 64 ~ D4 Dm Ad lib - a Vag eal d . pe * we if —— dood a = ae ta aeoaphElec Mf * Pro ell eet pw = E B x 2 Fad alte ete nga = : 2 —— r t Mee tou es = =a 1 time D.S.¥ (metody) and fade (gre Bees oil are Ss = ——— a — alNoonward Race by JOHN MeLAUGHLIN facie san # i ee Shesi eo SS . po ssi ES patna aR, : ATR a 2S eee SSS SS Sa — eee = SS oly nee —— REAR, p STL afta np) Go . pe St een ail f d a eet aetaLet } —— SS 7 AT,» ES SS SSS Se 77a ee at ia: aon pr, [SE pet fi —_ | SSS SS SS SS (Gari eae ve Ser So re (joe reel (SSS Sa one | ES ae ea fo * iain d ee ab = ya fa B le ata+ dh) J t—) hp Jot fh. } h at I sasaki Dr. —— SS cari = st Sa aBase + Fe" =] —_— " fem S43 ¢ [’ eo ei ere ot aa “. # a - Ln # Se r= te. é =e rh i r ©. == = = CEP = ey ea ie = —————— se — i pari : 3 OR — SS Ate mes| = ES SS SS Ci Loiee eerie awe wl SSS aS eS es a tater te aa es ‘ SSS SS SS . pst === SSS SS SS SSSBlee, ét 2 © = e = ° itp SS Jiao Ears ew toda et z a eters — sous area Se cen mos . PSST =f =: = = ee SSS eS SSS SS = SSS SS SSS S= * SS ==) Wl d 1 fl Pal wae j Fo == SE i =: = | =p r SS - st 8 == SSS SSS SSS hii SS ee | 12 ae yd mah i + i fH "2 =: a = cet aSS EE SSS Se ert SSS Ss = sa : [SS = ee Elec - Pao. da. aang ene o = fh = * a @ Py a id = = ;09 Rhythm ad ib 32 bars ee (SR Wreerceefelrtry * gfteetoee + 4 RAR SE IP ae ae 3 SSS Ses Ss oa Sy ey | SSS == eS] Pele td 1) hf Mh 3.2 A Lotus on Irish Streams by JOHN MeLAUGHLIN *Three times Freely Gre, vin, maji/C# Pao, Bhim Ab Fist time Guitar and Violin play moetody and Piano plays chythan 0d ib, ‘Second time Guitar apd Violin timprovie on melody nod Puano plays stam ad ih ‘Third ime Guitar aad Violin are tase: and Mano improvises on miclody ovet ryt ad ib, ©1915 & 176 WARNER-TARIERLANE PUBLISHING CORP, & CHINMLOY MUSIC, INC. ‘AH ght servedVital Transformation (Sk de EP LAE f a = = fo SS i a s = Ton i = we [I 4 SSS ome pgp AA Ty ef ra Ay - an a [ets reper ei peters per ele Leeper ff [ en ee save Ee fee Fe To pao o» Fe Ae oT PeKod, é = aa i = i FEES = Ss “7a Lope od 18 ” be. [Ee sia xis ke, nf 7 to (SS eeee —— racuat a Se Rapa gradual cvese, seep teoeleeratlis _ Braduat eres 1 0WTH. Am) joa aradual cvese,& F? Sole ad lib oer é Vin, P# Rhythm ad tt ish = = 44] |Repeat [A] Guitar and Keyboard ba, play as written Violin solo ad ib = = =P] [Reveat (5) bee ft is Bass J FE Rhythm ad ib. The Dance of Maya by JOHN McLAUGHLIN Guitar —i— rr viet — = Bleetric inno wer 2nd time AGG, hh Drums rman CG, ao yo ye b melody, sounding as waite. (ea de 1998 WABNER-TAMERLANE PUBLISHIBIG-CORF, CHINMOY MUSIC, INC, ‘AL highs RevrvesdGre, via, CAAT» ee aah i j age | fe ne 0 aa a SS —— = ALA a Lie ' br SS —= — orate teBlec. Pho, To Comal bt 6 [B) ibe (dD) shutfie boat 3 SSS SSS SS See oat tS ST a Peis a. ==] E Rhythm ad Libs ie SEF pp Ere r ere eyGur. - ke PRD Ee tye GOGAGG, CIGAGAG. jr} qa ea Fi =a Last Lime D.8.8at Codag — O88 o pF ya,6 You Know, You Know {A 9 slats F Doetan ot F Pematonic Minor by JOHN MeLAUGHLIN outar ™ q Sng Seh tke: play ad Ib Gack ground £01) aT TA vitin [IE SS —E LS : " = = < ate oe ? 7 z or Enter Ist cime; play solo ad lib Sth=17th times Blectric Pane sass Drums are, Dr © Ff menace (© 1079 4, 1976 WARNER-TAMENLANE PUBLISHING CORP. & CHINMOY MUBIC, INC, ‘A nights Reserved uhElec. Pho, BassAwakening by JOHN MeLAUGHLIN atin mer SiS ae Se ae le KB a SSS aaa Sl = =| SSE ie mH ome PSE mm nina ja} i. Ti Fg oot i Sar pees CEE te SS Ses See #/Bb Fe/E Gyrt AIG bee Sass F HE —— re sass | == SS ee] 1Vin eb/Db E/E —_Elec. Puo. Bass “Bw A Rbythn ad ttb A Solo ad Hb Repeat [A] IRepeat (BJ in Do Piano solo ad lib; Guitar rhythm ad lib; Violin tacet [Repeat (A!) Repeat [B) in E> Guitar solo ad lib; Piano rhythm ad lib; Violin tacet Repeat (A) Repeat (B} Drums solo ad lib; Guitar, Violin, Piano and Bass tacet #70 modes inten tn) infce 10 hae the mode of y¢ moses wed on the recarding: however. the student io upon the pedal corresponding to hit satobogical sgnva faa é - x x i | a ey a a anSapphire Bullets of Pure Love 7 by JOHN McLAUGHLIN Synthesizer P Ad lib Guitar Violin Drums z us Synth, Vin,Birds of Fire by JOHN MeLAUGHLIN ~ (DB PDD mp on ee be oe = Gon ge Ty xosinant OB el Oe ee i tse mat “ot tet peepee Ss =e ise 1 irkstetshetyt ada SSerrtre rt Sti v0 times” oof A vn HEE palasie Hite =F we es —=—S eS SS I—™ ie = 10 1979 8 1916 WARMER -TAMERLANE nfraps #2 7 e fetrl SS 7 je Pa SSS et pelt ee meni eet eetiara on | ES teppy frer te erey ae op, |S SSS t= well fababatpbet ode viiitivas gerd TEs sa _ ee ox. tt = = d . — 7S SS Sa . ei ree eS oO ~) LE bet tet betel Speeerte tt rr ee PPP Repe scat mit last bar 2nd time) |todd dd dd dad dd dood dad dd dd odd dyVin. Da adel dd ha [Repeat (©) Keyboard solo ad lib (Guitar plays written Keyboard notes) | Repeat [B] (omit last bar 2nd time) Repeat Fade on[C] Violin solo ad lib (Guitar and Keyboard play written Keyboard notes)Miles Beyond Ad Lib sola: © Lydian by JOHN McLAUGHLIN d= 88 fa) * Guar ‘Violis Fade in - Sole ad Lib Bb? PT FR? Electric = Plano Bass Drume vin, FT FA? G? "Poo. — Bass AM Aa ITI ATTA To To 7 7 i » aldstion wo above ie unentatoe, Sybase dees Gand [ a (© 1970 & 1016 WARNER ~TAMERLAME PUBLISHBKE CORP, 4 CHINMOY MUSIC, INC, “AML Bights Reservedrepeat (J Violin ¢pize.) and Piano duet ad it Rhythm section eaters Last time Repeat [8] Repeat [C] Drum soto ad lib(Guitar doubles Electric Plano; Violin tcet) Then Guitar solo ad lib (Violin tacet) ‘Then melody as written [Repeat (D] to Fine65 Celestial Terrestial Commuters ‘Adib solos, detormined se each bar by fst note of Keyboard ot ass part by JOHN MeLAUGHLIN d-a% Enter 1st time . : fee = Guitar SSS = f— == a aia Enter Ist time oe SS Se oF a wt Tet haan aay te eo Gr, vin, Kite, De. © 1970.4 1078 WARNER-TAMERLANE PUBLISHING CORP, & CHINMOY MUSIC, BDC TMU fights Reseri == =a z= + r b . =s ey —- =| Gre. De.‘Repeat (A) (tutti) Synthesizer solo ad lib Guitar plays written Keyboard notes; Violin tacet Repeat [A] (tutti) Guitar and Violin alternate solos ad libDe.0 (sea) Electric Plano. = SE vin, kbd,Ger, vin, Synthesizer 9-5. Rhythm aad tb —— Bass a Dr. Kbd, hase vin. Blectric Piano Kee. Bass Dr.vin. Dr.(Bray SRP t74 Thousand Island Park Ai libs F Mnolydlan nad tS, Gala ab Base peda fea ad wy FM Stk bd ate oat by JOHN MeLAUGHLIN Freely, with expression Bia (throughout) Acoustic Guitar Piano Bass Acous ‘or, a pe Acaus ‘tr, Pao, (© 1978 1076 WARNER-TAMERLANE PUBLISHING CORP, & CHINMOY MUSIC, INC ‘NI ghee RevenvesHope > by JOHN McLAUGHLIN os 160 Play six times, fade last time — Guitar ‘Violin Keyboard: ate. Via, Kbd. De, (6 10706 1970 WARNER“ TAMERLANE PUBLISHING CORP. & CHINMOY MUSIC, tN, ‘ni nights Reserved» One Word ixotydin yy JOUN McLAUGHLIN Guitar Violin Bleetric Piano Drums Ble, Pho, BassGrr, Blec, Pno, Dr. Gtr, Elec. Pho.ee. vin, Elec. Pho, a82 oer, vin, Bloc. Pao, Vin, Elec, Pao, De.ae, via, lee, Fao, Bass Dr, Gr, vin, Blec,, Poo, Dr.vin, Elec, [B] Twelve times: Solo ad lib (with Plano) Solo al 1ib ¢with Guitar)Bles, Pao.Ger. via, Flee, as Dr, [Eases pleys soto ad tid (approximately 24 minutes), Soloist is fcee to choose mode (A pada), After Bias foto has begun, Guitar and Plano enter softly ad lib and gradvally crescendo, The Guitar, Symesizer and Violin trade two wets each of 2's, I's and 4's, (Solaists are free to choose modes in trading, itis recommended that each soloist chooses a different mode.) Trading (s followed by all three inste ments improvising ad lib for six bars. The section ends with a Dicim solo (approximately 2 minutes), A Synthesizer drones A and E SEES cheoughout except during Drum sole), Ger, vn Ble, Pro. Dr.By Dr, vin, Base Dr.(El seven times Dr. Cte vin,rcGrr, Elec. Pao, Dr.4h on, wen ta play Ew Hi Bais Playa C = Soper Locstan ‘She Baus plaje A> A. syeaeedrical ‘en Baus plays Ps PH Cyan Blectete Plano rs d-g0(f dad + Sanctuary by JOHN: MeLAUGHLIN |e Dr. Soe a iF I © snare Drom plays Feely, accemting the las beat of every otbes bat. (una ott wash AMTHLAME PUBLISHING COmP. CHINO MUSIC, TN Ii riguts eewerved92 ote. vin. Elec, Pho. Dr.Vin, Ble. Pao. Gt. vin, lec , Pho. Bassro coda vin. Elec, De. Second time D.8. al Coda Bass9 cre. vin. Bass De. Repeat [B] (except last two bars) Gultar plays Plano part Violin plays middle vote of Plano part (as in Keyboard (Synthesizer) plays solo ad lib Coda vin, Elee., Bassore, Vin, Elec, ho. bass De. ore — ereae, vin, 5 : is —— _ PosD cresal ‘ft a a Base = = reac, we ; tf ———(——<$|_— a> J, oe dd a a a IND Dr. + A a ce eS tCF Resolution by JOHN McLAUGHLIN 1-06 7 A/B> Play shytiim roely (vith an te feeling) B/n> Guitar olin Plano base Drums Vin. Bana Dr, tn addition to the above tntrumeatation 2 Syathes'ze doubles the Violin melody ‘nd’ Rim Csear doubles the raght haté way of dhe Piao © 1978 & 1970 WARNER te 8014.14 aad 38 apved fade Leh cycle)Opus I by JOHN McLAUGHLIE Violin 1 Violin 2 Viola Cello vin. 1 Via, Cello139 On The Way Home To Earth by JOHN MeLAUGHLIN [Al +=304 Guitar (with frequency shifter) and Drums play aa ad lib duet, After approximately 24 minutes, the Bass enters while the Guitar (without frequency shifter) and Drums vamp on and around a C pedal. (BH) d=138 Approximately one minute after entry of the Bass, the orchestea gradually makes its entrance, using the chords spelled out below. The interested student is encouraged to experiment with the use of differont insteu- ments playing the voicings. I myself used three strings, four horas (two reeds and two brass), Synthesizer end Tubular Bella, NOTB: The tempos are not 1 for when correctly played, one will notice the creation of tension and its release as the slow tempo gradually eavelops the © 19784 1076 WARNER-TAMERLANE PUBLISHING COBP, & CHINMOY MUSIC, Inc ‘AD igs ReservedLaz Dream 6 hol 1B ean 15. 4 Dorian it by JOHN McLAUGHLIN 1S. a Dorian gexcept laa pager Five times too 4-00 Guitar Violin Electric Plano Bass vin. Elec, Pao. © 1074 & 1976 WARRIERTAMERLANE PUBLISHING CORP, & CHINMO MUSKC, INC, ‘Aig eserves43 Background ad 1s a jifees . J Vin. — = +3 en =p | 4 2 ai: ee Blec. Po mi » PS ot Sy 7 + = = aS . 7 eae ‘ i I i] SS j 7 a Background ad tb Sey La g RS “RS ~ . vin. Solo ad lib _—— . Elec)" —— a Paoe 2 2 = —= J SEs anil ee | SJ === pr. [HE = se = sSte 2 2 2F EEt =1? ait gp pan = ea Sn ve HO : ———S —— ‘Amma a GR OR Oe rE = je Sy ToT) ee Two times a Bie tete e poate dl : oles esPitsoal te te Al 9 0 = = I i HT LW148 {. Ty pe i)[ee a ee Se SSS SS] on RE, RGR R.. a aa i =P a Sausic must serve a purpose; it must be a part of something larger than itself, a part of humanity Tama man first, an artist second. As a man, my first obligation is to the welfare of my fellow men. I will endeavour to meet this obligation through musie —the means which God has given me since it transcends tanguage, polities and national boundaries. My contribution to world peace may be small, but at least I will have given all I can to an ideal | hold sacred. PABLO CASALSNHN YVENE PIF "poap APs fp ADUpN SE SHEL “HeDapos pip Loyveypad sep yyod py se ing puna ayy fe scot ayy sof uate 4¢) sametoy 20f 10x: ATpPR fof jou SI estes poey tfjes antey Satie sp pra pu Apog ayr utodf indy spun pany Ay Buasog cand pgp itt soyangs anny OF punt ays 20g joven oun) wos, oasis padojadap satin arfe werd “spiritiedl” does not appdy te goced fo monuler-earking, - power of producing miractes, fo greed uutedlectucel poner, Chale of fife inal its aspects ts ane single mi {the real spirituad attainment ix to tune one's : the harmony af tits perfect mreste.