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Social Scientist

Review: Modernity's Edges: A Review Discussion


Author(s): Sasheej Hegde
Review by: Sasheej Hegde
Source: Social Scientist, Vol. 28, No. 9/10 (Sep. - Oct., 2000), pp. 33-86
Published by: Social Scientist
Stable URL: http://www.jstor.org/stable/3517976
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SASHEEJ HEGDE*

Modernity's Edges: A Review Discussion

The dialectical form of exposition is only correct when it knows its

limits.

- Marx

If a good demonstration means simply an argument which is effective,

where are we to stop?

- Robert Blanche

PROTOCOLS

The form, as indeed the formulation, of my topic may seem somewhat

strange.' To be sure, I am concerned to review a work, Javeed Alam's

inventive India: Living with Modernity (hereinafter Javeed; and the

work in question will be notated as ILM). But in addressing a work,

it would be worthwhile to look within (and ahead) and prognosticate

whatever lies there. One would like to create circumstances that would

not otherwise exist on their own. A 'division of labour' - howsoever

problematical, at first sight - seems to me critical. On the one hand,

we have the problem of making sense of a work, in the sense, say, of

delivering summations ('snapshots') of its thought and arguments;

on the other is the problem of defining its specificity, making present

a work - emphatically, what makes a work the work it is about.

However one wishes to interpret this division, in relation to the work

in question here, the principle remains the discontinuity of what is

being assembled in and by it. For why should we be describing the

work of ILM? Or, again: how is one to be defining this demand? And

how can we do so when what is to be described is not yet visible in

the work? This is precisely the problem that is to be examined.

The flurry of questions, nevertheless, is bound to put into the

background another common - need we say Marxist? - concern with

* Department of Sociology, University of Hyderabad, Hyderabad

Social Scientist, Vol. 29, Nos. 9 - 10, Sept.-Oct. 2000

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34 SOCIAL SCIENTIST

the meaning of a work: the identity, that is, of a subject of a work.

This being so, I presume, it should be made clear at the very outset

that I have no intention of suspending this reference. What the Weimar

philosopher and critic, Walter Benjamin, has claimed translates into

an important scheme of possibility. According to him:

The immanent tendency of the work and, accordingly, the standard

for its immanent criticism is the reflection which has at its basis and is

imprinted in its form. Yet this is, in truth not so much a standard of

judgement as, first and foremost, the foundation of a completely

different kind of criticism which is not concerned with judging, and

whose center of gravity has not in the estimation of the single work

but in demonstrating its relation to all other works and, ultimately, to

the idea of art.2

This, with the relevant modifications - notice that Benjamin is

alluding to the space of art, and not, as with Javeed (as we shall see)

the space of politics - could well serve as a methodological

introduction to the schemes invented herein. Needless to say, I shall

be redeploying these near-formal protocols throughout this review

essay.

CIRCLES OF MEDIATION

There are, of course, ways of reading the form, as well as the

content, of theoretical debates and critical moves and countermoves.

In fact, for anyone interested in the procedures which the Marxist

critic Fredric Jameson has called cognitive mapping,3 Javeed's ILM

shows patterns of thought and argument directed not only at

substantive issues of politics, process and history, but, by way of a

self-positing of modernity, explaining how it could even be possible

to think coherently about some basic category and/or experience:

one does not need to extrapolate the metaphysical slogans of

modernity (the way that Marxists - and non-Marxists alike - continue

to do with Enlightenment relativities). It is the nature of this mapping

procedure that I believe is suggestive, and not for predictive purposes

either, or with a view toward identifying recurrent patterns. Rather,

Javeed sets us the example of a criticism of criticism, a theorization

about theory, which, while alive to the passionate contexts of

interventions in the present, also attempts a measure of their reactive

profiles. In particular, ILM discloses the fidelity with which so many

ideologically different positions offer precise symptoms of the absence

of that 'unembodied surplus' Javeed traces as modernity. I shall return

to this presently, but perhaps the most important reason for the

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MODERNITY'S EDGES 35

attraction of the project is that it leads to a distinctive vision of political

criticism's demands. Foundationalism, of whatever kind, is untenable:

"It makes that which is emergent in history or encoded in culture an

immutable first principle"(ILM, 215). And yet, this rejection of

foundationalism does not imply that nothing can or need be grounded

or theoretically justified: "(t)he effort here will be to see if these (the

emergent in history or the encoded in culture) can be theoretically

grounded in the process of becoming"(ILM, 216). Javeed uses the

dialectical stance - "that which is immanent in history cannot be

foundational because it cannot be outside the process of unfolding or

becoming"(ibid.) - to generate, not just a distinctive method of

political criticism, but an account of the very subject matter of political

criticism itself.

ILM is not a very long book, but its architectonic seems pretty

fraught and categorical. It might be useful to distil its main elements

into a manageable set of propositions. I distinguish ten theses that

are at the core of Javeed's project, though they by no means exhaust

the details of what he has to say. I will formulate them in a way that

makes for ready intelligibility, while not always departing from the

letter of his writing.

(i) 'Modernity' is the primary moral predicate, not nationhood and/or

nationalism; nationhood is defined simply as a constituting positivity.

That there are streams of nationalism within this positivity - as also

the fact that the shape and process of national consolidation in the

colonized world entail occupying the same demarcated spaces as carved

out by colonialism - will mean that they are contextually determined,

not mandatory, although, of course, they can (and have been)

mandatory in determining a whole course of politics in twentieth

century India.

(ii) There is a central sense of modernity that derives from what is an

'unembodied surplus' in the philosophical thought of the moder. It needs

to be distinguished from the dominant form of modernity that became

historically embodied - 'entrenched modernity' - in conjunction largely

with capitalism. While the latter needs to be rejected - being of necessity

exclusionary and homogenizing - the possibility of separating necessary

from historical relations must entail that what became entrenched with

modernity is a matter of historical contingency and that there is no logical

relation between the exclusionary features of modernity and modernity

per se. Modernity is thus more than what is encapsulated in its entrenched

form. Central to this bifurcation is the belief, issuing off a putatively

Hegelian coordinate that there is no going back in history: indeed, that

modernity is not only desirable but also irreversible.

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36 SOCIAL SCIENTIST

(iii) In this central sense, modernity is nothing more or less than its being

corrigible; and, given that corrigibility implies critique, self-correction and

extension, the historical tendency within modernity toward exclusionary

forms of reason can be transcended. Again: it is capitalism which

foregrounds and privileges a certain trajectory as the sole mode and

possibility of modernity, so that the history of the violence of modernity in

the discursive realm parallels the violence that capitalism denotes in the

domain of practice - a matter of "reciprocal causation or generative

conditioning"(ILM, 19). The question of whether there is a necessary

connection between capitalism and colonialism is a more intricate one -

indeed not only that, while everything in history points to the equation

between the two, "it can be shown apriori that capitalism as an ascendant

tendency in history is possible without colonialism"(ILM, 10); but also

that "the mode of the colonial constitution of the other is (-) detachable

from modernity even if it came in the baggage of colonialism to our

societies"(ILM, 11).

(iv) This is a contextualist account of modernity and nationhood/

nationalism, because an idea (or an ideal) will be compelling under

Javeed's approach, and will serve to justify a politics, if and only if one

could reasonably reject it as a foundational principle: if and only if it

is, in that sense, contingently irresistible. Modernity is now being

conditioned as much by its own consequences in the course of its

historical development. With the necessity historically entailed by

modernity having thus been rendered contingent, modernity is now

open to correction; much of it can be reassembled in new creative

ways "integrat(ing) and harmoni(zing) the best in different cultures

around the world"(ILM, 37). There is no going outside modernity to

live-in and rework modernity.

(v) There is no precise measure for deciding what a detailed modernist

alternative to entrenched modernity would be; the latter can only

emerge through the broadest possible struggles and contestations

(although, of course, what remained unexhausted by entrenched

modernity is a surplus that can be drawn upon). The experience of

modernity in the colonial context, nevertheless, has been a complex

phenomenon, involving the incorporation of new conceptual languages

and also their mediation with earlier and extant vocabularies. To this

extent, the translation of conceptual vocabularies under conditions of

modernity - as indeed the activation of resources latent to a culture

and its languages - are that much more intricate than those of capitalism

"where largely external reality is involved"(ILM, 59). In this

perspective, then, "transfers from the generalized culture of modernity

and their deployments in and encounters with the specificities of

particular non-modern situations are not in any simple sense an alien

intrusion or imposition"(ibid.).

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MODERNITY'S EDGES 37

(vi) Modernity is also about a sense of distinctiveness of one's self.

And, what is more, modernity's encounters with other cultures has

meant, among other things, a process of individuation of persons and

interests on a scale never attained before: "(t)he social being of

individuated persons is something that distances them from others -

the pre-existing communities frgm which such persons emerge - and

therefore also creates a sense of difference"(ILM, 55). Feeling oneself

to be different and also, to whatever minimal degree, distant gives rise

to a sense of private in the sense that "something of (or in) 'me' cannot

always be open to scrutiny and that the unsolicited social regulation of

my personal life is a kind of invasion"(ibid.). According to Javeed, "it

is here that the need for 'rights' begins to be felt by persons who hitherto

could live happily without them"(ibid.).

(vii) Individuation, understood in this way, explains why its remains

simply unconvincing to register the fact of modernity by merely

affirming the resilience of 'our' culture and their linguistic resources -

that indeed many concepts which originated in Western modernity are

not only a living need ("to capture and nurture new expectations,

aspirations and telos of life"[ILM, 59]) but can also become rooted in

different cultural situations. Controversies, therefore, about whether

certain terms currently in use in discourse have been illicitly borrowed

from the West are sterile.

(viii) This is the primary reason, so it is affirmed, why the contextualist

determination of modernity is persuasive. As Javeed puts it: "For a

society on the path to modernity, there is (-) a sense of unfamiliarity

and strangeness to the individual experience. How does this experience

become (socially) communicable? Can the earlier languages and their

conceptual reserves articulate this experience?"(ILM, 55).

(ix) A second reason that allegedly supports such contextualism,

however, is that the concepts mediating India's experience of modernity

- such as rights, secularism and the nation, with each disclosing or

answering to a specific need of the society - have never been put through

"the prism of a grounded critique so as to take care of the linguistic or

cultural specificities, regional peculiarities or historical memories"(ILM,

76); and, again, that the failure to do so has put enormous strain on

the Indian polity to cope with questions of national unity.

(x) But there is more to the morality and life within modernity, in

fairness to this approach, than avoiding the snares of entrenched

modernity. While the first requirement is to valorize, as a positive

democratic gain, the spaces available for popular activity of a totally

new kind in Indian society - the tracks chosen by Hindutva to rework

tradition notwithstanding - a second will be to live up to the demands

of certain values and principles, those that bear, in particular, on a

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38 SOCIAL SCIENTIST

sense of self or individuation. Especially, with respect to the latter, a

proper recognition and consolidation of "the right to exit" is quite

central in accommodating the claims of the community and the rights

of the individual.

In what follows, I shall be engaging with each of these theses,

albeit neither schematically nor in a sequence, while going on to

modulate detailed and more specific changes of aspect. One need

assert here that this is more than simply a matter of describing the

circumstances surrounding ILM, their positive conjuncture, and

something like a concrete staging of what gets expressed in the

abstract. In thus opening up the borders that Javeed's narrative sets

and the possibilities it contains, any line of critique would have to

acknowledge the following.grounds of appraisal.

A ZONE OF ENGAGEMENT

Something more than a strict or traditional conception of

'historical materialism' are involved here. In fact, if I am allowed to

state somewhat summarily and rhetorically, when a Marxist scholar

undertakes to represent the ideological foundations of an entire process

of politics, as Javeed has done with his ILM, he is bound to meet

with opposition and criticism.

Some of the objections are going to be textual and personal, a

matter of points of emphasis and disputed readings. These are more

or less straightforward and call for particular resolution, but they do

not affect the method. I am not, in any case, ultra-sensitive to the

determinism for which Javeed's analysis, as an appraisal in the Marxist

mode, may be attacked. All the same, it might be important to clarify

what is meant by this term. In the tradition of Marxist orthodoxy,

determinism figures as a model of the primacy of the social relations

of production over the productive forces. In its own way, Javeed's

model of an India living with modernity (to abstract somewhat from

the work's title) substitutes for that determinism a dialectic of

modernity and its consequences. In asking under what historical

conditions modernity came into --and could become established in -

India, Javeed is not far removed from what seems to be Marx's central

thesis: that the relations of modernity are, among other things,

'contradictions of progress'.4 Now Javeed's explanatory model, as I

receive it, makes it possible to refract from this contradictory

circumstance and conceive, medially, as it were, the overall structure

of the field of politics implicating twentieth century India. From its

standpoint, the question of the courses open to and taken by modernity

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MODERNITY'S EDGES 39

in India - or, more precisely, the question of what differentiates the

trajectories of politics in India, and how that difference is transformed

with the history of modernity in India - becomes the decisive issue.

I shall come to complicate the axis of this construal presently, but

for the moment, more important are those objections that would

target the theory informing ILM - the theory, namely, that modernity

is, among its other marks, also about individuated persons. The

criticisms that could be leveled against this are two-fold, and they are

mutually contradictory. On the one hand, it could be affirmed that

the theory is unsatisfactory because it is not universal; and,

consequently, that even if it is correct it is not a sociological proposition

but a limited historical finding. Javeed does not claim, however, that

the ideology of individuation has a general theoretical application;

he maintains that individuation is a characteristic of modernity - if

this is a limited finding, the limits are those of an epoch, a process in

time. On the other hand, it can be objected that the ideology of

individuation can be found in non-modern situations - for example,

in the ideology of the renouncer in the classical Hindu context - and

that it rests on so simple a condition of humanity as to be traceable

anywhere.5 But Javeed's analysis makes it quite plain that what he is

concerned with is a modality that is intrinsic to a particular

configuration.6 Javeed nevertheless vacillates - alternating between

individuation as a statement of knowledge and individuation as a

symptom of practice --a vacillation traceable back to individuation

as at once a fundamentally Marxian and non-Marxian (read,

bourgeois) theme. That this vacillation can make for a complication

of the narrative of India's transition to modernity is only to be, but I

am anticipating.7 We shall re-turn.

More specifically, criticism could attempt to come to terms with

Javeed's model of scrutinizing concepts and engaging with conceptual

transfers: "(c)onceptual vocabularies, in whatever way they may have

originated, have a way of imposing themselves by virtue of their

communicability"(ILM, 58). Textual questions aside, a chief gravamen

would be that the opposed concepts are not clearly separated from

each other but share attributes and tasks to such an extent that the

complementarity asserted by Javeed is not to be found in the concepts

themselves. Javeed's own defense, offered already in the preface to

ILM, is that his examination of the philosophical presuppositions of

modernity prompted him "to look for alternative trajectories of

modernity perhaps available in the history of modern philosophy";

and that, "(h)aving found such a possibility in the idea of 'unembodied

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40 SOCIAL SCIENTIST

surplus' in modern philosophy", he is led to ask: "Why did these

alternative trajectories remain only at the level of thought and were

never embodied in the history of our contemporary world"(ILM, vii-

viii). Clearly this defense, although evasive, is forceful. Any social

ideal, however explicitly subscribed to by those who intend it to direct

their lives, is liable to local adjustments, tendentious manipulations,

various contradictions, and some degree of confusion. So if it is

demonstrated that a concept and the process of its transfer, in

particular cases, is not fully carried into effect, this is not in itself a

decisive refutation of the proposed schema. For that matter, if it can

be shown that even ideally concepts do not exhibit a clear partitioning,

this too can be attributed to a normal erosion of categories; it does

not necessarily mean that the construct or its transfer is artificial or

mistaken.8

At first sight, therefore, the schema of ILM does seem susceptible

to a purely methodological resolution. If the partitioning of concepts

and vocabularies is called into question, in the respects so far adduced,

the outcome is likely to be determined by influences that are written

into the theory and criticism of ILM. But there is a further test of

Javeed's ideas that I should like to propose, namely, to resort to a

wider axis of discursive negotiation and/or comparison: the foundation

of a completely different kind of criticism which is not concerned

with judging, and whose center of gravity lies not in the estimation

of the single work but in demonstrating its relation to all other works

and, ultimately, to the idea of political criticism. I guess this test also

is likely to lead to the irresolution's that have been mentioned, but at

very least it offers a vantage point from which the issue may be seen

under a new aspect.

CHANGES OF ASPECT

There is no prior or absolute standards by which to determine

what shall serve as basic concepts for the analysis of modern India.

In fact, as Robert Blanche, the celebrated logician has held, even in a

stricter science "the point of taking certain propositions as basic or

primitive is simply that we cannot demonstrate everything".9 Yet in

the widening of the axis of negotiation we can demonstrate more

than has yet been done; and where demonstration cannot at present

be achieved, we can at least analyze concepts that are taken for basic

and thus better reveal their constitution and capabilities.10 I mention

this line of appraisal only to advert to various themes that run through

the treatment of the politics of twentieth century India. Two general

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MODERNITY'S EDGES 41

matters call for special stress here, and in context.

The first is the enigmatic operation of rendering problematic

India's transition to modernity, meaning by this the capacity to

discriminate in a process of change as many connotations and uses as

can be discovered or contrived. To be sure, there is no technique for

doing this, but it can be prepared for by the appreciation of suitably

striking modulations of context. The modulations themselves connect

up also with the second theme. This is that there are advantages of

understanding to be had by being ready to suspend, on occasion - if

not altogether contest - an exclusive reliance on the procedures of

universal (read, Eurocentric) history. The recent work of Partha

Chatterjee provides some ingenious illustrations of this approach. In

his the Annual SOAS South Asia Lecture, Chatterjee not only supplies

some acutely observed formulations about the colonial and

postcolonial history of India, but also tellingly brings out their peculiar

quality by resort to some striking conceptual innovations. At one

point he sums up the impact of a series of rather puzzling episodes by

maintaining: "(T)he discursive formation that emerged in India from

the late nineteenth to the middle of the twentieth century could both

valorize British parliamentary institutions and criticize, even reject,

them, within the same discursive field".11 At another point he

prognosticates how it is that the stuff of democratic politics as it

takes place on the ground in India necessitates that we "think of a

field of practices mediating between state institutions and civil society"

- what he terms 'political society' - and that this ground often involves

"what appears to be a constantly shifting compromise between the

normative values of modernity and the moral assertion of popular

demands".12 In between Chatterjee explains how it is that within the

confines of a modernisation narrative (whether of a Weberian or a

Marxist kind), "the conceptual domains of state and society have

either had to be sharply distinguished, with the central state

institutions carrying the burden of an interventionist project of

modernising traditional social institutions and practices, or collapsed

entirely so that state practices become completely moulded by the

pulls and pressures of prevailing social institutions" - and that by

following these procedures of inquiry one cannot tackle the question

of "the sites, if any, of an interventionist project of changing society,

or indeed of the transformations that have been brought about by

the expansion of democracy itself".13

Admitted, it is the characteristic features of the events described

and the models framed that give these modulations their force; but

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42 SOCIAL SCIENTIST

one can easily forget the details, or fail to appreciate them at their

proper value, as it is the work's 'system of reference' that conveys the

distinct quality of the experiences described or the concepts framed.

Although this level of comprehension is prepared for by a systematic

and cumulative negotiation of the space of discourse as recounted in

Chatterjee, the medium of its intelligibility is ultimately the work's

'system of reference', and in its own fashion; for, as Wittgenstein has

written, "(a)ll testing, all confirmation and disconfirmation of a

hypothesis takes place already within a system. And this system is

not more or less arbitrary and doubtful point of departure for all our

arguments...(It is) the element in which the arguments have their

life".14 Let me venture a formulation in the context of ILM.

While not in the least depreciating the force and the uses of these

argumentative strategies, Javeed, it seems to me, is also trying to

exemplify other departures - certain alternative means by which to

thematize India's modernity (or transition into modernity). Like the

spontaneous process of a change of aspect modulated in and by

Wittgenstein's writings, the appositeness of a work's 'system of

reference' cannot be deliberately contrived, and neither can the

revelatory capacity of a term in the discourse be purposefully

contained.15 There is no strict method in these matters, of course, but

speaking from within the reference of ILM - and in the context of

Chatterjee per se - there is a certain diffidence in the former about

the latter, a diffidence that affects the discursive apparatus of ILM

rather as abstract works of art affect the capacities for sympathetic

participation. One reason - fairly obvious, I should think - that the

works' of Javeed and Chatterjee cannot converge while not exactly

diverging (or, for that matter, remaining parallel) is the specific load

being brought to bear on the "facts" of India's transition into

modernity. Where Chatterjee's investigations issue from a certain

framing of (in his words) a rule of colonial difference - the rule is as

much meant to operate as a critique of the persistence of an ideological

erasure in liberal historiography (by means of which the assumptions

of universal history work to displace the specificity of colonial power)

as to signify the violent intrusion of colonialism 16-Javeed is concerned

to inflect this rule further into a sort of double notation: modernity/

colonialism as being at once a distorting and creating situation

undergirding the nation space.

One has to be fairly secure in one's own nationalism to be able to

think through the dialectic of these formulations; and, in fact, Akeel

Bilgrami has been emphasizing as much in his various writings.17 One

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MODERNITY'S EDGES 43

could, I suppose, also seek to pursue their implications for the split

construction of the nation subject. Neither Chatterjee nor Javeed,

strictly, do so. Gyan Prakash has asked precisely this question in the

course of a comment off Chatterjee - "What are we to think of the

inner domain of the nation when its constitution was crossed by the

'outer', when the separation between the two had to be produced on

the site of their hybridisation?"18- but, as is evident, assembles it on

the problematic conceptual terrain of hybridisation. I cannot be

reviewing this positioning here, but, to be sure, the grids of class and

institution (as indeed the conditions of production of this

'hybridisation') evaporate in this condensation.19 Javeed's treatment

of nationalism (Part II of ILM, largely) is not altogether so carefully

worked out as to yield a real chronology, but if I understand him

correctly he seems to be asserting that elite constructions, far from

appearing stable and solid, were often uncertain and contradictory.

Javeed, it seems, is so much incited by the prevailing (academic?)

consensus on these questions that he is taken in by the possibility of

demonstrating that there are elements in the space of Indian

nationalism which need to be analytically contended with in order to

yield an alternative narrativisation of that history - one that could

ground a context-sensitive modernity. May one quote from Javeed:

In (the) appeal to nationalism or the national movement and its heritage

a few simple questions need to be raised: Are the values or themes

talked about by Hindutva spokespersons today totally unrelated to

the nationalist thought of any type? and to Indian nationalism in

particular? Conversely, is what the Left is holding on to the only tenable

position in relation to this nationalism? In the course of this analysis,

it is necessary to interrogate the presuppositions of and background to

these positions in order to bring out the contradictory content of

(Indian) nationalism (ILM, 85).

And he adds, in a footnote: "Most accounts of the rise of Indian

nationalism ...take their starting point in the 1880s but a new

importance has been attached to this period of late. Since the beginning

of the 'discourse analysis' of the nationalist thought there has been a

tendency to look at this period as a source to disbelieve the

'autobiography' that nationalism gives to itself" (ILM, 97, n.4). Or,

again, his remark issuing off the dialectic of the state and the nation

in India - "If, before Independence, the 'nation' was to give birth to

the State, after Independence, by a reversal of roles, the State was to

absorb the nation and become its sole spokesman" (ILM, 147) -

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44 SOCIAL SCIENTIST

(O)ne has to concede the validity of Lenin's formulation that nothing

short of granting complete equality to all nationalities, big or small,

highly developed or still in the process of formulation, will overcome

conflicts between national groups. Anything remains less within the

logic of nationalism - a logic which cannot answer to the recurring

contestation of the various national claims. In determining their

historical legitimacy, it is not the level of their development as

nationalities which is crucial, but the growth of national awareness

and the nationalist stir among the people representing it, which has to

be the prime consideration (ILM, 160).20

To be sure, the idea of a system of reference for modernity (vide

the division, internal to Javeed's narrative of modernity, between

'entrenched modernity' and the idea of an 'unembodied surplus' in

modern philosophy) and the coherence that it gives to the experiences

internal to modernity need not necessarily turn on these

considerations; and, similarly, does not rest on those experiences being

informed by a singular ethos either. Alternatively, and as if by

extension, in an analysis pursuing the implications of India's modernity

- as Chatterjee's analysis is wont to pursue (recall his diatribe against

Eurocentric social philosophy and his postulation of the capital/

community opposition as the central "unsurpassed contradiction" of

Western social philosophy) - we can have a fair idea of what the

solutions might be;21 for these are implicit in the character of the data

that Chatterjee (among others) is analyzing, or they can be inferred

from the premises, or else by some other prior reduction in the range

of likely results one can work in the direction of a certain kind of

outcome. None of this can be looked for when the arguments

grounding ILM are at work: this is a condition of its potential and

part of its provocative power. There are bound to be problems here

as well, but again I am anticipating. Well, let me cite all over again

from Javeed, and this time from his review of Chatterjee's A Possible

India: Essays in Political Criticism.22 Recognizing the interesting twist

being given to the meaning of democracy when Chatterjee talks of it

not simply as government of the people but as "the politics of the

governed", Javeed notes that the emerging contours of politics in the

present has given "new rigour and strength to Indian democracy with

the vulnerable sections of society as the pillars of commitment to

liberal democracy". And yet, there is an "infirmity" in this battle for

bourgeois equality: "(e)ach community wants to preserve its own

internal relations and it is in this respect that communities also take

recourse to ritual and caste norms". Javeed is categorical that it is for

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MODERNITY'S EDGES 45

this reason that one must be wary of defending "difference"

unconditionally as Chatterjee does: "(I)n the name of recognizing

democracy, we cannot also allow indignities and atrocities to go on

being perpetrated because communities are so constituted or wait

indefinitely for an alternative to emerge from within themselves". In

particular, it is this recognition which underscores ILM's espousal of

"the right to exit".23 We will return to complicate these construals.

To these modes of discourse one should add what Sunil Khilnani

has been concerned to effect as "the idea of India". The affecting

depictions of his book The Idea of India24 are not entirely original,

issuing off the altogether familiar coordinate - how is it that a country

so diverse in its languages, religions and castes, and so deeply

traditional in its ways of life has survived into modernity? - but they

derive their impact from a largely visual prose style whose power to

move is both fairly predictable and can be explained. In four fertile

chapters, Khilnani is concerned to graft a story of the twists,

contradictions and themes that run through the politics of India -

"(i)n a fundamental sense, India does not merely 'have' politics but is

actually constituted by politics" - and constitute his tidings through

the question, "(w)hat is the history of India since 1947 the history

of?" 25 For Khilnani, "the processes of modernity within India have

unraveled, and it has not kept to the script"; while going on to draw

the rules for recognizing the "idea of India", even seeing in India's

present "a premonitory hint of the West's own political future". In

this case too, one can be prepared to recognize the modulations being

effected upon the space of discourse/experience, and even accord them

something of the importance that accrues to Khilnani's eponymous

"idea". But we cannot draw up precise rules for recognizing the "idea"

or even design it - as Khilnani is wont to do (recall, the figure and the

persona of Nehru looms large in The Idea of India), - and we cannot

apply it in analysis in the methodical way in which we resort to abstract

concepts.26 Do not get me wrong. While surely I am not pressing

against the acceptance of non-discursive modes of doing political

history (or political criticism), I am also suggesting that we should be

no less wary in our attitudes towards them as one should be in

employing the discursive frames as have been alluded thus far. Besides,

I think it is a singularly unfortunate turn of phrase that one should

deem, as Khilnani does, that "(l)ike the British empire it supplanted,

India's constitutional democracy was established in a fit of

absentmindedness".27 To give up an undue reliance on axiomatic

commitments and other false certainties in the practice of political

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46 SOCIAL SCIENTIST

criticism entails, all the more pressingly, that we should explore every

conceivable means of discovering just what we can rely on.

The above considerations need not entail a new modality of

representation; they only complicate the relationship between a

received movement of discourse (the articulated structure of ILM)

and an executed movement of discourse (the wider space of discursive

negotiation that we have sought to record). Between the two, an

interval could be established, whether it divides up the received

movement infinitely or prolongs it in a plurality of possible reactions.

In what follows therefore, it will be a question of taking advantage

of this interval; or, strictly speaking, interpolating ourselves in the

enunciatory levels of ILM.

ENUNCIATION'S

In trying to account for the forms taken by the politics of twentieth

century India - not quite (or only) the transition into modernity - the

postulate of an India living with modernity can have a special efficacy.

I am not, of course, alluding to the different senses in which the

epithet 'living with' can be used. Granted the historical and analytical

importance of the epithet - and accordingly translatable as a postulate

- the next question is what can usefully be done to refine our grasp

or appreciation of the concepts that it underwrites. To this enunciatory

level, one should add the articulated structure of ILM, what I have

earlier announced as 'circles of mediation' (Sect.II). These depictions

are not strictly propositional, although I have so described them, and

derive their impact from a larger field of negotiation whose contours

I have tried to determine (while not wholly explaining) in Sects.III

and IV. The simply pragmatic consequences of the emplotment of

such contours would indeed be quite impressive in the task of

rendering certain classes of phenomena more readily intelligible. But

there remains to be undertaken the more radical task of discovering

on what grounds our explications are resting when resort to such

construals. They are not all self-evidently ultimate terms in the sense

that they are logically simple or that they are resistant, at least, to the

analysis of their own grounds, constitution or validity. These

enunciation's, and the justifications of their unqualified utility, are

just as much proper objects of political criticism as are the phenomena

which they order.

The conventional definition of modernity is to attribute to it

characteristics and properties derivable from the project of the

Enlightenment. Javeed has shown however that this definition is

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MODERNITY'S EDGES 47

unrealistic, and, what is more, that it is logically unviable. The division

at the heart of ILM - between an 'entrenched modernity' and of an

'untapped surplus' within modern philosophy - has the potential to

revise the analysis of modernity and of statements about the political

structuring of modernity. The process of the politics of the late

nineteenth and twentieth century India that also obtains at the core

of ILM reports the point that, by the singular convergence of ideas,

the various streams have been largely concerned to adduce the

lineaments of an entrenched modernity. Political criticism carried out

in the stock classificatory terms of entrenched modernity and of

foundationalism are subverted by the fact that they bear reference to

discrete classes of phenomena and not to processes of becoming.

Especially, Javeed is concerned to emphasize the point that "the

message to refract in society has to be deeply context-sensitive in

terms which are, in the first instance, capable of appealing to the

thought features of (a) people and secondly, of creating intellectual

resources in tune with the prevalent social practices"(ILM, 46). A

main conclusion of ILM is to ground these processes of becoming in

the notion of individuation. The axis of this enunciation calls for a

revision of the coordinates of political criticism, and of the procedures

by which the social forms and representations of a process of

modernity are grouped for study.

My own deployment of the modernity principle has been carried

out in a number of places, and indeed its applications in political

criticism as I (now) see it are unpredictable.28 The prospect I envisage

here nevertheless, in the context of ILM, may permit the determination

of some basic predicates in the study of India's modernity. Consider

the following from Javeed:

Within the specificities of societies like ours I want to look for that

process which can ground the notion of rights as I did with the notion

of the secular...That process ...is best captured in the notion of

individuation. The process of individuation, in the history of becoming,

in society, is the starting point of the many values and concepts which

inform our contemporary life. ..Community leaders and other notables

who wield power over the people cannot arrest the process of

individuation - a la Hegel, there is no going back in history - but they

do have a vested interest in controlling the consequences of this process.

.1 am not asking for a cognitive blindness to genealogy, but on the

contrary asking to work in spite of this genealogy. .Not treating

modernity as outside human material practices and cultures but as

bound by them, will help overcome the foundationalism of Western

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48 SOCIAL SCIENTIST

theories of modernity and this simple fact will neutralize the 'violence'

supposedly inherent in modernity. ..What has been said of modernity

can also be said of many other things which emerged alongside it, such

as the notion of nation. The idea of nation suffered the same fate as

that of modernity of which it was a product. A monolithic,

homogenizing definition of nation took hold ..In the way, this notion

was refracted in Indian society, and the question of whether India could

ever be a nation in the way it crystallized in western Europe was never

asked (ILM, 216-224).29

The strong link between modernity and a context-bound engaged

contestation upon that very space is obvious here, but there is also an

implicit model in the structure of social development at work which

creates complications in Javeed's understanding of the 'modern' as a

domain of individuation. To bring this out, I could invoke the

distinction that Charles Taylor has made between 'cultural' and

'acultural' theories of modernity.30 Cultural theories account for the

transition to modernity in terms of the intrinsic appeal of the

normative content of a specific cultural form. Taylor himself, in the

opus Sources of the Self, adopts this kind of approach in his explication

of the modern identity as shaped by ideals of inwardness, freedom

and the affirmation of ordinary life. 'Acultural theories', on the other

hand, explain the transition in terms of the actualization of some

universal but dormant capacity for thought and action, or by way of

the performance of some social operation which is definable

independently of culture. In this model, all cultures could, under

suitable conditions, undergo the transition to modernity; any culture

could in principle serve as 'input' for the chosen 'culture-neutral'

explanatory procedure. Functionalism has been an influential theory

of the 'acultural' kind, but theories that construe the transition to

modernity as a rationalization process also tend to take this form.

It would not be inappropriate to suggest that Javeed's account,

although deriving from some prior (or implicit) 'acultural' theoretical

commitment, is also concerned to straddle the space of the 'cultural'.

In fact, this can be deduced from the passages cited above. The

resources of modernity are made up of self-reflexive concepts of

reason, mechanisms of bonding and patterns of individuation; all

societies, if they are to be living with modernity, must be successful

in reproducing these resources. In this sense, I believe Javeed is not

far from Habermas for whom the crux is the 'internal relation'

between modernity and rationality - modernity has a claim to

rationality in so far as it can "create its normativity out of itself".31

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MODERNITY'S EDGES 49

But where, for Habermas, the commitments of modernity translate

into a procedural mechanism for reproducing the resources of

modernity, Javeed is interested to map this terrain on to the contingent

substance of those resources themselves. Hence I think the emphasis

writ large over the enunciatory space of ILM, the idea, to use Javeed's

own terminology, that modernity pace individuation is "the moment

of multiple births"(ILM, 222), and the argument for "preferred futures

within context-bound, engaged modernities which are contested,

fought over and struggled for" (ILM, 223).32

The infirmity of the binary instituted by Taylor should now be

evident; it cannot stand - and, in fact, Taylor's own work complicates

the terrain.33 But what is perhaps more crucial is what this infirmity

can entail for the received ontology of theorizing about modernity.

Let me set up a passage into Ja-veed, through Hegel, and onto the

enunciatory space of ILM.

Javeed takes his lead from the putatively Hegelian coordinate

that there is no going back in history: indeed, that modernity is not

only irreversible but also desirable. As Terry Pinkard, Robert Pippin

and others have disclosed, off Hegel's Phenomenology of Spirit, the

structure and intentions of that work as a whole are an attempt to

come to terms with the modern conception of autonomy, in the wake

of the social and political upheavals of the late eighteenth century,

and the critical revolution brought about in philosophy by Kant.34

Hegel is judged to have understood the significance of this conception

of autonomy for the modern world, both in its problematic and in its

positive aspects. It is, for him, the destiny of western thought to realize

that the fundamental nature of the human condition is to be free, and

while this brings with it all the dangers of disenchantment, it is none

the less the sign of the maturity and the great contribution of the

times that it can at last think in these terms, fully abandoning the

support of tradition, authority or the higher meaning of metaphysics

and religion. This, above all, is what Hegel meant when he famously

declared in the preface to the Phenomenology that "ours is a birth-

time and a period of transition to a new era".35 Now, clearly, this

position is historicist, being also self-reflexive, in the sense that once

a historicist position of the sort adopted by Hegel is taken, then no

argument can be given for it that is not itself historical. That is to say,

if it is claimed that the critical narrative of history - or, in the terms

of ILM, the critical narrative of modernity - alone provides the

justification for the principles we accept as authoritative, this position

itself can only be argued for by showing how the failure of all other

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50 SOCIAL SCIENTIST

standpoints has led us there, through its own narrative. This (and I

shall limit myself to Javeed here, although this also holds the key to

Hegel) seems to lend ILM a curious structure: it attempts to give this

historicist position its own historicist vindication, less by offering a

reflexive self-criticism of all attempts to give authoritative principles

an immediate (or ahistorical) grounding than by providing a narrative

of the philosophical history of the modern.36

Nonetheless, for anyone seeking to come to terms with the

enunciatory space of ILM on its own, it can indeed be read as an

attempt to show that a historical narrative of India's transition to

modernity is imperative. Javeed himself is clearly sympathetic to this

project, but he does not go on to consider the wider problem that is

raised by this narrative: namely, whether the historical narrative that

Javeed is trying to ground offers us a view of processes of becoming

that is too idealized to be credible, so that when critique comes to

examine the historical genesis of its authoritative positioning, it seems

to be doing so from within a sheer contingency of shifting frameworks

(and/or an immanent logic of progressive changes) rather than a

dynamic of historical periodization - thereby undermining the very

source of those "preferred futures" sought for in modernity.37 Unless

this challenge is met, the suspicion will remain that while Javeed may

have sought to leave behind the excesses of a foundationalism in

coming to grips with modernity, he merely offers us the equally empty

consolation of a history that only tells a part of the story. But let us

get on.

Javeed may yet give a plausible account of the transition to

modernity, of how the rational core of intuitions and situations specific

to modernity can be clarified by way of a reconstruction of the

reciprocity conditions of individuation.38 But it is far from evident

how intuitions concerning the significance of individuation - indeed,

of the whole range of strongly valued characteristics not always (or

obviously) bound to the requirements of modernity - can be classified

in that manner. This point connects back to the problem we indicated

in the paragraph concluding Sect.III above, concerning Javeed's

theorization of individuation, the vacillation between individuation

as a statement of knowledge and individuation as a symptom of

practice.39 For Javeed faces the difficulty of explaining how

interpretations of modernity are capable of carrying conviction. Let

us assume that such interpretations help constitute notions of

individuation. Since Javeed conceives of "context-bound modernities",

and since he includes a concept of individuation in the normative

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MODERNITY'S EDGES 51

content of modernity, he must also accept that transitions within (and

between) modernities are subject to assessment. And yet, however, it

is hard to see how the source of such convictions can be reduced to

the presuppositions of individuation. That is to say, it is far from

clear how transitions within (and between) modernities can derive

their cognitive and/or political thrust from the idealizing

presuppositions of the mechanisms for reproducing the resources of

individuation. Javeed wants his thematisation to meet two seemingly

incompatible objectives (and perhaps, there lies the challenge of ILM).

On the one hand, his theory of modernity is designed to account for

the transition to modernity as a process, among other things, of

individuation. In order to do this, it must incorporate a differentiation

between a condition of modernity and the claims of modernity upon

that very space. On the other hand, his theory must also account for

how context-specific developments within the space of the modern

are thematisable. Both tasks require the mediation of distinctions.

The first Javeed attempts to fulfil by way of a distinction between

'entrenched modernity' and an 'unembodied surplus' within the

modern. He tries to achieve the second by resort to a politics of the

present, a politics essentially of secular contingency. I turn now to

the adequacy of these gestures at mediation; in between, however, I

shall allude to a Marxist space of problematisation.

OTHER DEPARTURES

"The most common descriptions of modern society", Niklas

Luhmann has observed, "repeatedly refer to an unusual measure of

contingency".40 This is as true of Anthony Giddens, whose work The

Consequences of Modernity4l sees the characteristic of modernity as

consisting in a "time-space distanciation", wherein (or whereby) the

reciprocal ties between time and space are decreasing and becoming

contingent (that is to say, they are based on agreements); or as

Zygmunt Bauman, who situates his study within the debate about

Enlightenment made famous by Adorno and Horkheimer's critique,

but, quite unlike the protagonists of the Frankfurt School, takes solace

less from the original project of modernity than from its postmodern

legacy.42 Furthermore, it is significant that the discourse on modernity

is most often conducted at the semantic level, where (to echo Luhmann

again) in attempts to characterize modernity "features are employed

that originate from the repertoire of societal self-descriptions".43 This

corresponds as much to Habermas' well-known essay 'Modernity:

An Incomplete Project', as to Stephen Toulmin's Cosmopolis: The

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52 SOCIAL SCIENTIST

Hidden Agenda of Modernity, a work, incidentally, that Javeed recalls

as important to the trajectory of ILM. I shall engage with this

semantics presently; Luhmann himself is concerned to force home

the point that we remain without adequate structural descriptions of

the characteristics of modernity.44

One can easily see that the matrix of these ideas is ill suited to

pass judgement on specific modernities, or to describe modernity in a

way that is appropriate to its complexity. And yet, one cannot do

away with them as well. Indeed, the degree to which these procedures

are at odds with each other need not concern us here, and those who

affirm that they present requirements that are difficult to render

compatible will be forced either to think their way through a series

of more or less difficult choices or to find some strategy for evading

these choices. ILM, clearly, is adverting to the latter possibility,

although Taylor's way of viewing the matter seems equally impressive.

While accepting modernity as processes whose attributes might vary

in a bewildering fashion from one testimony to another, depending

partly on the area and the group concerned and partly on the

presumptions of the observer, Taylor partitions ideas about modernity

into cultural theories and their acultural counterparts. We have already

alluded to the terms of this contrast in the preceding section and

therefore will not delineate further. The reader may source the content

of these ideas therein; what seems marked out, nevertheless, is that

certain images and contours are particularly appropriate to each other,

but the attributes themselves are partially independent of either type

of demarcation.45 Taylor argues that this form of independent variation

has been a source of great confusion in attempts to explain modernity

- and not simply because, to echo Taylor, "an acultural theory tends

to make us both miss the original vision of the good implicit in Western

modernity and underestimate the nature of the transformation that

brought about this modernity"46 - and urges that theories should be

regarded as just one component, of no more defining importance

than images and contours, of the composite ideas which are the

modernities (mark the plural) in question today. An essential point in

his summation is the realization that the named modernities consist

of "creative adaptation" and that "(a) given society will, indeed must,

adopt the mode for which it has the cultural resources".47

To return, then, to Javeed, the narrative structure of ILM neatly

although not actively sidesteps these choices/results, and it does so

by straining to a remarkable extent on that unembodied surplus (as

separate from entrenched modernity) Javeed calls the space of the

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MODERNITY'S EDGES 53

modern. We have commented fairly extensively on aspects of this

partitioning in the foregoing sections; let us attempt a further

assessment. The semantics of the phrase disturbs the identity of

modernity by opening it to its (untapped) potential, but it does so by

transforming those possibilities into necessities, at once moral and

political. It seems imperative to take up the logic of this inversion,

Javeed himself being drawn to it as a marker of an urgency to be

recovered for political criticism today. Recall the work's title India:

Living with Modernity, the 'living with' translating into all that is

complete and to be completed about India's transition to modernity.

Recall also the point about corrigibility that Javeed locates at the

heart of modernity - the principle, really, that the greatest of conflicts

have been waged inside modernity itself. To be sure, there is nothing

new about the contradictory and self-canceling nature of the modern

adventure. In fact, the condition dovetails into the observation set

out at the start of this section, about the most common descriptions

of modern society repeatedly referring to an unusual measure of

contingency. Perhaps it is precisely in this loss of hubris, in the

prevalent messiness of the social world, in the new and unfamiliar

humbleness of expectations, that the hope for responsible action can

be rooted? But Javeed would have us look in another direction - the

need to re-forge contingency from blind fate into a consciously forged

destiny. Recognizing our historical contingency is an insufficient means

for creating a better society. Javeed's nuanced yet positive assessment

of modernity comes grafted onto the legacy that descends from Marx/

Hegel, and which continues to animate struggles in the present.

Doubtless, such political projects live with their own uncertainties

while holding out the hope that the future will not need to be quite so

ambivalent about what has been achieved.48

Essentially, what Javeed is doing is renouncing the terms of the

Weberian story whereby - controversies about when the West entered

the modern period notwithstanding (around 1500 for most historians,

in the seventeenth century for philosophers and historians of science,

sometime after 1850 for those who study literature or the visual arts)

- a narrative about 'disenchantment', rationalization and

secularization comes to dominate the talk about modernity's

distinctive features.49 The consequence of this narrative has been to

make the disparate descriptions of modernity reconcilable and the

individuation of modernities hard to discern. Paradoxically, this is

what Taylor is gesturing at by means of the contrast between cultural

and acultural theories of modernity; but, I suppose, the most awkward

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54 SOCIAL SCIENTIST

question to be raised of this analysis is this: what are we to do with

this analysis? The historical choice of repeating the European

transition to modernity has been closed for ever, although the

perspective of "a divergence in convergence" - of a modernity which

even if not coming up with the identical institutions of western

modernity comes up with functionally equivalent ones50- configuring

parts of the analysis seems to retain a semblance of that very choice.

Perhaps it is important to hold on to the rudiments of that choice,

but mark the point. I am maintaining thus against the very grain of

Taylor's proposal that "(an) exclusive reliance on an acultural theory

unfits us for what is perhaps the most important task of social sciences

in our day: understanding the full gamut of alternative modernities

which are in the making in different parts of the world"."s The process

of this demonstration need not concern us here; and, to be sure, I am

not accusing Taylor of being blocked in an ethnocentric prison - such

a charge, incidentally, can be attributed to Partha Chatterjee). But

surely the insistence that the question "Can there be a plurality of

culturally different alternative modernities?" should be subject to the

normative conditions implored by that other question "Can we create

a normatively superior alternative modernity?" implies that nothing

is self-evident or could on some ground be taken for granted.s2

Rather than be trapped or be drawn into the vortex of such

construals, Javeed instead reanalyzes the coordinates of modernity

as various and alternating combinations of his division between

'entrenched modernity' and an 'unembodied surplus' within the

modern. The claims of/for modernity given on any occasion are the

outcome of opposed and irreconcilable dynamic tendencies, towards

consolidation and differentiation, which leads to variations in

conceptions of the modern - for more on this, address broadly the

dynamic of Javeed's chapter 'Modernity and Preferred Futures' (ILM,

27-53) - and the principle responsible (as I could state it) is that of an

analysis claiming for itself the characteristics of its object of study,

namely, modernity. An incidental lesson of this demonstration is that

the clarification achieved is not the result of a genealogical dodge

that happens to prove effective. The outcome is attained the other

way round, as it were, by virtue of an intrinsic separation between

the principle and the very constitution of the genealogy under

investigation. Thus to quote from Javeed all over again: "I am not

asking for a cognitive blindness to genealogy but on the contrary

asking to work in spite of this genealogy" (ILM, 222). To judge by

the variations in what the people themselves are reported to subscribe

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MODERNITY'S EDGES 55

to, it may even be that in this part of the world working in spite of

genealogy is actually a mode in which a people really think about the

transition to modernity.53

A QUESTION OF MARXISM

To write about modernity presents an irresistible temptation,

increased no doubt by the currency of that thing called

'postmodernity', which compels us to believe that modernity proper

can now be understood more thoroughly because it is a thing of the

past from which it is possible to take a certain distance. For Marxists,

often, the temptation hardly obtains - the frame of reference in relation

to which they could define themselves has invariably been capitalism

and not modernity - although that situation is now beginning to

change. It is very hard to give a critical justification for any clear

contrast between capitalism and modernity, although it has been

constantly resorted to in the historical study of cultural forms. I do

not doubt a causal connection between them, of course. But what

seems very much a question is whether this causal relation is effected

and mediated by what? Also: how is their necessity being framed - in

relation to what and in what terms? Summarily, inquiries into the

causality of capitalism and/or modernity take such forms as, say, "how

did capitalism secure itself and with what consequences?" or "what

makes modernity secure capitalism?" and, again, "what is it in

capitalism that gives rise to modernity?" - investigations structured,

clearly, by the expectation that some causal activity procured certain

effect by means of some kind of force or immanent logic. Not that

such questions are in principle unjustified or in practice useless; they

could correspond to the way things (have) come to be and thus elicit

something internal to a process of being (or becoming). But it is

frivolous to keep pressing the inquiry in such terms when the answers

do not. always justify them; and it leads only to confusion and

miscomprehension then to posit classes of phenomena which

correspond not to the answers received by to the questions put. The

philosophically-minded historian Hans Blumenberg has called

attention to the ease with which we confuse 'preconditions' (plainly,

the histories of what led up to something) and 'effects' (the aggregate

of the changes which that something causes or that unfold in respect

to it).54 Besides, ideas about 'necessary' and 'sufficient' conditions

too suffer from pitfalls. The contrast of methods, in this case, can

never be an absolute one, since in determining what conditions are

sufficient (for something else), one may still have to get involved in

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56 SOCIAL SCIENTIST

determining.what is necessary for those very conditions. If I mention

this line of appraisal, I do so for reasons that hopefully will get clarified

in course; although, to be sure, I am not renouncing the idea of

causality in history, only venturing to develop patterns of historical

causality.55

That this method of explication is far from being a modern piece of

sophistry, or at least a fashionable inversion of postmodern ideas, can be

borne out by reference to an analysis that was published some years ago

within the pages of the leftist journal New Left Review. This is to be

found in Peter Osborne's reflections about what kind of concept

'modernity' is - issuing off Adorno's muse "(m)odernity is a qualitative,

not a chronological, category" and which also passes off as the title of

the essay we are considering here.56 The reflection is of special weight

because (unlike Javeed's prior suggestions about the 'postmodern')

Osborne's account is directed specifically toward confronting Marxism's

neglect of problems in the philosophy of history, as well as squaring up

to the thought that "modernities, in any substantive historical sense,

grow old" and that "(f)ully reflexive conceptions of postmodernity ...

take us back into the paradoxes and aporias of 'modernity' at a higher

conceptual level".7 I report it here with all the more assurance in that

Javeed does not seem to know of it when he wrote ILM and in the

greater expectation, therefore, that it may incline readers (Javeed included)

in favour of the issues at stake.

Osborne begins by framing the many different senses in which

the term 'modernity' can be (and has been) used - the ideas of

modernity as a category of historical periodization, a quality of social

experience, and an incomplete project - and the problematic

conclusions drawn by scholars, Marxists included, concerning the

nature and status of the concept itself. The problem arises from "the

absence in (most) accounts of an independent treatment of the logic

of 'modernity' as a category of historical periodisation ...no

consideration of the way in which the idea of modernity itself marks

a new mode of historical periodisation"(pp.67-68); indeed that

'Modernity' (-) plays a peculiar dual role as a category of historical

periodisation: it designates the contemporaneity of an epoch to the

time of its classification, but it registers this contemporaneity in terms

of a qualitatively new, self-transcending temporality, which has the

simultaneous effect of distancing the present from even that most recent

past with which it is thus identified. It is this paradoxical doubling or

inherently dialectical quality that makes 'modernity' both so irresistible

and so problematic a category (p.73).

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MODERNITY'S EDGES 57

This temporal structure, he maintains, has been an abundant

source of equivocation within analysis - between Marxists generally

- oscillating as they seem to be between "two quite different senses of

'modernity': (1) as a flawed and misleading category for the

identification and analysis of historical processes which are better

understood in quite other terms; and (2) as the legitimate designation

for a historical phenomenon, the theoretical comprehension but not

the identification of which is contested" (p.67). Adopting the first

sense, they offer a critique of the discourse of 'modernity'; and yet, as

Osborne discloses, their conclusion emphatically presumes the second

sense: "modernity is a historical reality, capable of 'prolongation',

'fulfillment' and 'abolition"'(ibid.). Osborne frames the 'connection'

thus - "(it) resides in the reflexivity of historical experience itself:

'modernity' has a reality as a form of cultural self-consciousness, a

lived experience of historical time, which cannot be denied, however

one-sided it might be as a category of historical understanding"(ibid.).

Mark the point - it is being suggested that there can be Marxist

accounts of 'modernity' which do not reduce it to a merely ideological

concept. In fact, it is some such presumptions of the latter sort that

makes Marxists uneasy with the category, so that even as modernity

is recognized as a historical given, it is 'given' only as an ideological

form, a mode of experience produced and reproduced by the rhythms

of the capitalist market. Osborne also calls attention to a tendency to

oppose modernity to modes of production - to offer in the place of

the former an alternative Marxist account of historical development,

based on a periodization of modes of production, the rise and decline

of classes and so on - but notes a problem about this opposition

however. As he pithily puts it, it is precisely the idea of a differential

temporality bound up with the concept of modes of production "which

is associated, classically, with the idea of modernity itself" (ibid.).

The problem is that most accounts remain within the tradition of

an unreflexive sociology of modernity wherein - to recall Osborne,

once again - "the attempt to establish what is new about 'modern'

societies fails to reflect upon the temporal coordinates and conceptual

implications of this form of investigation itself" (p.68); and that -

(t)he problem posed by an insufficiently differentiated concept of

modernization..cannot be reduced to a simple opposition of

'homogeneous' to 'differential' historical time. Rather, it concerns the

possibilities and pitfalls built into the dialectics of homogenization and

differentiation constitutive of the temporality of 'modernity', and the

way in which these are tied up, inextricably, with its spatial relations

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58 SOCIAL SCIENTIST

(p.74).

I perceive a slippage here, in the very terms of'the opposition

between modernity and conjunctural analysis - that even as the

complex and differential temporality of the latter reproduces the idea

of modernity itself, conjunctural analysis remains an operation to be

negotiated in context, not forsaken for the philosophically modern.

Although remaining within the parameters of modernity's temporal

matrix - pp.73-74 of Osborne has the details - conjunctural analysis

may involve a decisive mutation of the field as well. One need add

here that Javeed's sociology of modernity is not quite reflexive in the

sense being inscribed; it nevertheless comes across as so, within the

framework of a conjunctural analysis of India's transition to

modernity.58

The idea that this matrix conveys is that of a 'transitive' expression,

a designation taken from the analytics of historical investigation and

corresponding to what Osborne has distinguished, with reference to

the concept of modernity itself, as "our primary secular category of

historical totalization"(p.84) - "a form of historical consciousness,

an abstract temporal structure which, in totalising history from the

standpoint of an ever-vanishing, ever-present present embraces a

conflicting plurality of projects, of possible futures, provided they

conform to its basic logical structure"(p.80), although, as is conceded,

which of these projects will turn out to have been truly modern, only

time will tell.59 What happens is that a radical idea passes, by distinct

spatializations, into other senses in which the term ('modern',

'modernity' or even 'the modern age', in this instance) is employed.

Some such spatializations are the result of semantic and temporal

associations - "the differential register of the new historical time

within different European languages is bound up with the different

forms and rates of economic and political development in European

nation-states (p.68, n.6) - but others have their origin "in the repressed

spatial premises of the concept of modernity" (pp.74-75, n.27) and

translates into the possibility that "the significance of modernity for

the non-West (will) never be grasped unless it is apprehended in the

non-West's (changing) spatial relationship to the West" (ibid.). The

prejudice, or principle, under attack here can be shown to be

problematic, however. For if, as Osborne discloses, "new

configurations of 'modernity' will be uncovered in non-'Western'

places" (ibid.), then the impulse to both construe and deny universal

history that undergirds what Osborne is generalizing about the space

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MODERNITY'S EDGES 59

of modernity would have to be compromised. It is significant perhaps

that in acceding to the political logic of the concept of modernity,

Osborne is invoking an investigation implicating Japan.60 The

recognition underscoring the latter - that there is no inherent reason

why the West/non-West opposition should determine the geographic

perspective of modernity except for the fact that it definitely serves

to establish the putative unity of the West - need not translate into

the point about new configurations of modernity being uncovered in

non-Western places [although the formulation "(m)odernity is a

Western idea. Whether it can any longer be thought of as an exclusively

Western concept ..however is doubtful"(p.68, n.6) might yield other

suggestions as well.61

Taken together, these comments - on the part of a Marxist - not

only make the point that there could be Marxist accounts of modernity

which operate at a different level of analysis from the concepts of

Marxist political economy, but they argue more fundamentally about

'modernity' as a primary secular category of historical totalisation.

Granted that the historical and analytical importance of the modernity

concept has (thus) been established, the next question is what can

usefully be done to refine our grasp or application of the concept.

This would necessitate a transfer of terms, even a shift of registers -

from an analysis of words or concepts to an evaluation of acts and

operations - in which case a 'contextual' reading has an obvious

claim to attention.62

MIRRORS OF THE PRESENT

Contextualism, on Javeed's standpoint, is less a heuristic device

for identifying the space of the modern, than a theory of the

normativity that modernity constitutes; it is, on this register and as

our engagements of the foregoing pages would have disclosed, a more

radical, more complete contextualism than any previous version of

India's transition to modernity. But what exactly does it mean to say

that a theory of modernity is constitutive in this sense and not just

heuristic? And again, what is one to make of a resort, in this context,

to a politics of the present, to a politics essentially of secular

contingency? Mark the phrase 'secular contingency'; it is a question,

above all, of the rightness and wrongs of India's present. Let me set

up a detour through some strands of ILM, before tracking back.63

Just as we argued, in the paragraph concluding section V, that

since Javeed conceives of "context-bound modernities", and since he

includes a concept of individuation in the normative content of

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60 SOCIAL SCIENTIST

modernity, he must also accept that transitions within (and between)

modernities are subject to assessment, so Javeed's concern with ILM

is equally a concern with how context specific developments within

the space of India's modernity are thematizable. Among the

connotations of modernity, Javeed privileges the linkage with

corrigibility - understanding this in a manner enunciated in theses

(i), (ii) and (iii) above in our Sect.II - and argues that in the relevant

sense of the term modernity is corrigibility and corrigibility modernity:

"Within the inner logic of modernity the wait of corrigible is

crucial"(ILM, 11). This is what makes his account more than just a

heuristic device for identifying the space of the modern. The

commitment to having a constitutive theory of this kind comes out

clearly in his refusal to equate modernity with what is encapsulated

in its entrenched form. As we saw, he insists instead that whatever

became entrenched with modernity is historically contingent (indeed

that there is no logical relation between the exclusionary features of

modernity and modernity per se) and that modernity is now being

conditioned as much by its own consequences in the course of its

historical development. More frontally, it comes through in his

understanding that modernity as a process, among other things, of

individuation - the vacillations notwithstanding - and in his insistence

upon "the right to exit" (of a piece with his analysis of individuation)

as a way of balancing the rights of community with those of the

individual. The reason he takes this line is that, for Javeed, most

communities in India are "in their original moorings, continuous

communities; in the sense that they spontaneously renew themselves

to be what they have been"(ILM, 191) - quite unlike communities in

the West "which one could term 'self-created' in the sense ..that the

persons within these communities retain their autonomy ..(and) that

the community is open to critical evaluations both from the individuals

within and outside it"(ibid.). Consequently, therefore, whatever

pattern there may be in the way forms of conduct relate to community

values, they are to be derived from the fact that "(i)f a community's

right to a way of life cannot be questioned on democratic grounds,

then it can be done only on the basis that the community justify and

defend what it enforces on individuals as obligatory"(ILM, 207).

Grounding these claims are of course some context-specific

developments within the space of India's modernity. It may be

necessary to consider how these are being thematized. It was - and it

remains - a question of a struggle for a certain pluralism, not only in

the context of early nationalism (1880s and 1890s) and the ideologies

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MODERNITY'S EDGES 61

of nationhood inscribed therein, but also in the context of how the

nationality question has played itself out in India. Thus Javeed:

"Taking everything into consideration, we are still left with the

interpretative problem with which we started fixing some

responsibility on early nationalist thought for providing the

justificatory basis for the contemporary fusion of the communal and

the national or, in other words, the collapse of the national into the

communal and the manner in which it fills the public space"(ILM,

161).64 More specifically, he is trying to establish what is right (in

some independent sense of right) by looking at what is happening

within the space of tradition - "(t)hat (-) intellectual moves (within

the space of tradition) were provoked by challenges from outside the

domain of tradition"(ILM, 173), that since modernity in India came

as a package with colonialism "the dialogue took place, in many an

instance though not necessarily, caught between defeat, domination

and humiliation of being under foreign rule on the one hand, and on

the other ..the flattening of differences juristically and the consequent

sense of pain at being made to look inferior"(ILM, 172) - and that

the consequent interpretative stress and the narrowing of the space

within the tradition has had the result of "creat(ing) a neat distinction

between the 'modern' and the traditional or the 'secular' and

religious"(ibid.).65 The very linkage between community culture and

related traditions and politics, Javeed avers, must be approached in

terms of a particular paradox underwriting the 'public sphere' in

India - "the conditions which gave rise to the emergence of the public

sphere in India were, paradoxically, the ones which led later to its

contraction" (ILM, 206) - and, again, that "(t)he success of Hindutva

forces in silencing many other forms of politics has been achieved by

their ability to bypass and overrule the institutions of the State and

civil society" (ILM, 199).66

The bedrock, clearly, is secular contingency, and that is where, to

turn an essentially Wittgensteinian motif on its head, the rightness

and wrongs of India's present is being posited. Politically, at least, a

particular interest attaches to this thematization. On the one hand, it

is geared towards a distinct purpose and contributes to recovering an

urgency for Left theorizing and praxis in India today; but on the

other hand the results have to be qualified, and it has to be conceded

that the thematization does not possess the kind of certainty or

decidability that its notation appears to promise. Perhaps I can

elaborate; it may be necessary, after all, to bring the teleology

implicating ILM, as it turns into the meaning and significance of past

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62 SOCIAL SCIENTIST

'acts' and present 'events' back to the conditions and circumstances

of its signifying.67

It is by no means clear that the battles about the nature and object

of India's modernity are not entirely pointless, but, as with every

question of modernity, in which a political charge is concealed - the

qualification, I reiterate, is important - it makes sense to add to the

question: to attempt understanding how the development of modernity

causes a flutter in the fabric of social relations and situations, and

also to look for the threats to modernity and the logic which provides

their rationale. For every question of India's modernity, therefore,

we need to supplement a more crucial and complex question, that of

the trajectory and sequence of its modernity. The issue must now

arise of how, or whether, independently perceived sequences (of

histories) might be related to each other; and whether, in order to

apprehend the particularity of a situation, it might be necessary to

institute certain distinctions and separations, as a guarantee of

specifically historical modes of argumentation. Javeed, to be sure, is

sensitive to these lines of work, frequently adducing to the recurrence

of forms of thought and practice, the poverty and peculiarities of

modes of historical explanation in the political thought of a period,

as well as being concerned, all through, to construct a framework in

which these complicities could become intelligible. And what has been

adduced as the bedrock of ILM, namely, secular contingency, need

not dissolve these thematic either.

But suppose we think more abstractly and along two poles of

development: one centering on object-level contentions about a

contextual (or context-bound) modernity, of the sort which ask about

the denotatum of an expression (say, of an India living with

modernity), whether the objects picked out by that expression are

necessarily so or not (what could translate into a fallibility thesis

about modernity generally, the claim really that modernity does not

necessarily have positive (or universal) value, and that therefore there

cannot be a context-free definition of modernity) and the second pole

focusing on the meta-level issue of whether the contents of context-

bound modernity can (or should) be explicated free of certain

normative criteria, and serving as the basis of the claim that any

object denoted by context-free concepts is itself not constituted by

any contingent quality (the neutrality thesis). A lot of space exists for

theoretical maneuver with respect to each of these poles - deflected

on to the terrain of the rightness and wrongs of a present - and strictly

speaking they are variations upon each other (although they cannot

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MODERNITY'S EDGES 63

be equated or lumped together in one compact claim).68 One may

nevertheless debate the quick conclusion from the neutrality thesis to

the fallibility thesis, just as the fallibility thesis is essentially querying

the imperatives governing the neutrality thesis. The former derivation

is quite clearly mistaken on the ground that something obtains as a

'factual object' does not mean that it is not valuable in the light of a

normative principle. Moreover, the precise logical relation between

both the poles has never been properly accounted for, and the common

practice of arguing contextually for a context-free stipulation of the

contents of modernity and then concluding that either object-level

contentions are sufficient or that meta-level descriptions are necessary

turns out to be philosophically problematic. Thinking about how the

neutrality thesis might bear on the truth (or falsity) of the fallibility

thesis, although it does not straightforwardly imply it, could still be

important. The neutrality thesis, in a manner of speaking, is nothing

but a suggestion for a criterion of adequacy that eliminates those

stipulations of modernity that would incorporate moral criteria and

thus have a direct impact on the fallibility thesis. A corollary question,

therefore, would be whether the neutrality thesis is an acceptable

restriction for an explication of the contents of modernity.

An analogous scheme, without of course implicating our terms

of appraisal, is put forward in Akeel Bilgrami. In a wide-ranging

discussion incorporating the conceptual frameworks of liberal political

theory, he suggests a distinction between a normatively ordered

position and a descriptively orchestrated one; and stresses, especially

in the context of the communitarian critique of liberalism, that a

descriptive acknowledgement of the fact "that many sections of a

given population may have fundamental communitarian

commitments" need not entail the normative stand that this is a "good

thing" - even that one could take into account the descriptive fact of

communities and communitarian commitments and adopt the

contrary normative stance of thinking community to be a crippling

curb on individual assertion and self-respect. The thought

underscoring this analysis is an interesting one: making a case against

classical liberalism (as represented by a tradition from Mill to Rawls)

that is "entirely independent of the truth of communitarianism".69 If

I am not quite convinced, this is for reasons that should find their

place in a monograph on method rather than in the present advertences

to the importance of descriptive/analytical commitments.70

I mention Bilgrami's interesting proposal, however, as an example

of one life of possible progress. If it is accepted that there could be

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64 SOCIAL SCIENTIST

different accounts of modernity (even of context-bound modernities)

vide the two poles/theses alluded above, then a conceivable way of

conflating the various levels has an obvious claim to attention. The

difficulty --as indeed the challenge - created by Javeed's self-

interpretation of the space of right, displaced on to the terrain of

India's modernity, lies precisely here. It seems a fair inference that

what we have been adducing as the bedrock of ILM also translates

into the imperative that different regions of practical space reproduce

or satisfy certain demands of modernity (what I shall henceforth

condense as the axiomatic of secular-national contingency).

Conversely, it would be of similar importance if a further

concentration on this axiomatic were to discriminate a variety of

modes in which it might be employed. Doubtless this has already

been demonstrated in effect to be problematic vide the distinction,

posited by Bilgrami, between a normatively ordered position and a

descriptively orchestrated one. But it can be argued that the framework

of this construal cannot have the same purchase on political and

cultural phenomena/developments (as I hinted above and in n.70).

Besides, if it is accepted that the term national is ambiguous - it can

refer to a site, one not necessarily defined in terms of territory (though

boundaries are certainly important), and it can also refer to a basis

for a movement or claim to gain control of that site - and/or that

narration's which focus on the national as a site cannot have the

same order to determinacy as those which stress the national as the

basis for a movement, then it is very much a question whether a

discrimination of distinct modes of secular-national contingency is

usefully practicable in discussions about (India's) modernity.71

I think there may well be something to gain by drawing out the

implications of a thesis central to ILM: that 'modernity' is the primary

moral predicate, not nationhood and/or nationalism; nationhood is

defined simply as a constituting positivity. The periodisation, I guess,

is important - from 1880s and 1890s, the making of the nationalist

platform, specifically, to Independence and thereafter, the thereafter

translating into the communally charged politics of the 1980s and

1990s. As enunciated in thesis (i) of our Sect.II, that there are streams

of nationalism within this positivity will mean, for Javeed, that they

are contextually determined, not mandatory, although, of course, they

can (and have been) mandatory in determining a whole course of

politics in twentieth century India. It is in discussing the contradictory

content of Indian nationalism as laying the intellectual foundations

and the cultural contours of the subsequent politics that Javeed

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MODERNITY'S EDGES 65

observes - "(i)f, before Independence, the 'nation' was to give birth

to the State, after Independence, by a reversal of roles, the State was

to absorb the nation and become its sole spokesman"(ILM, 147). Of

this reconstitution he maintains, in an intriguing formulation, that

"nothing" short of granting complete equality to all nationalities,

big or small, highly developed or still in the process of formation,

will overcome conflicts between national groups. Anything less

remains within the logic of nationalism - a logic which cannot answer

to the recurring contestations of the various national claims"(ILM,

160).72 Note how this formulation rides over the ambiguity attaching

to the term national even as it unhesitatingly posits it; even more

specifically in the context of the point that "(i)n the post-colonial

situation in countries like India, the national question is no more

than the contestation of a variety of national claims internal to the

nation-state" (ibid.).73 The specific dilemma that this translates into

concerns the intertwining of modernity and nationalism and, although

ILM does not have an explicit theory about this intertwining, it turns

on the question of reworking modernity as a "living need". To insist

that modernity is constitutive of how we make sense of our world,

while at the same time lamenting the increasingly contradictory ways

that the lineaments of modernity have been refracted through society

- as Javeed is wont to do - may be a comprehensible stance, but it

can nevertheless be a fundamentally incoherent stipulation,

misunderstanding how exempla derive and maintain their force for a

culture as a whole.74 Everything, to be sure, is a matter of proportion

and degree; and I think Javeed does have a perspective to offer.

Precisely because nothing would be more futile than trying to legislate

still another set of imperatives to judge the legitimacy of how

modernity/the present is represented and invoked, it is all the more

important to consider each instance on its own terms. Perhaps the

paradigm which best encapsulates this central lesson of ILM is

individuation, the matrix and crucible of modernity's reconstitution.

It is worth spelling out the issues at stake in this constellation,

because so often writers (Javeed included) who theorize about

modernity/nationalism want to have it both ways - they insist, that

is, on drawing global conclusions from an experience whose specific

characteristics they also regard as singularly concrete. Consider, for

example, Benedict Anderson, a figure at the forefront of contemporary

theorizing about nationalism. Introducing a comprehensive and

definitive reader on the subject, he writes: "It (is) gradually becoming

clear that it (is) impossible to think about nationalism except

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66 SOCIAL SCIENTIST

comparatively and globally: but it (is) also very difficult to feel it,

and act politically on it, in any but particular terms".7s At the same

time, from another angle, we are told that what makes nationalism

pivotal is that it is, at bottom, nothing more (or less) than a necessary

and thoroughly functional response to the 'Great Transformation'

from static agrarian society to the world of industry and mechanical

communication.76 But if nationalism is so all-encompassing because

it is modern, or, in a still darker formulation, because it exposes the

deep complicity between the same 'Enlightened' industrial modernity

(which in Gellner's view had created nationalism) and the fact of

imperialism and colonial domination,77 then its pertinence to past

'acts' and present 'events' is scarcely self-evident. If, on the other

hand, the point is that nationalism is modern "because it is a typically

modern way of responding to the threat represented by the advancing

wave of modernization",78 then there is nothing singularly concrete

about it; it could also be obtaining, on this register, in the heart of

Europe, in the course of the European transition to modernity.79 The

history of serious thinking about nationalism, its hiatuses and bursts

of energy (to adapt the terminology of Anderson) cannot be

distinctively revelatory about nationalism as such, and about

specifically post-Enlightenment European culture, without

unintentionally making that culture the privileged explanatory model

for the entire world. It is, I think, the injury to European self-esteem,

as much as to its destructive facets, that is being highlighted in abstruse

formulations like Chatterjee's - well, not quite Chatterjee, but surely

Dipesh Chakrabarty or even Balagangadhara80 - and it is a notably

European crisis of representation and understanding that nationalism

is so readily accorded its position at the heart of modernity's self-

interrogation.81 Nationalism may still be the only locus where

philosophical and sociological reflections in this part of the world -

as also the West, I guess - can proceed untroubled by globalizing

impulses, and if there is a kind of unconscious cultural imperialism

in the ways that nationalism is being used as a universal gauge for

representing the frontiers of humanity, this only demonstrates how

thoroughly the discourse about nationalism has been absorbed into

the traditional terminology and practices of the very systems whose

assumptions it supposedly discredited.82

At this point, the problems of methodological imprecision and

descriptive adequacy return. It may not quite be fair to spell out our

judgement as such, but the grammatical ambiguity of such

pronouncements as "India living with modernity" or that "there is

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MODERNITY'S EDGES 67

no going back in history" - even the formulation of individuation as

the matrix and crucible of modernity reconstitution - is unlikely to

be causal. Javeed employs these notions to suggest both coherence

and centrality, and indeed as we have laboured to suggest there obtain

levels of coherence and centrality. Yet, the criteria required to decide

what is dominant (and what is determinate) in a composite formation

are missing; so too, in fact, are criteria for defining the composition.83

One might formulate these difficulties in precise terms as follows; an

elaboration could wait another occasion. There is what can be called

the descriptive (over)determinacy problem: what we 'know' is

overdetermined conceptually by our capacity to describe it. So it is

not merely that description, as instrument of knowledge, is

contingently limited; it seems to overreach itself to the frontiers of

what can be known. Grafted on to the space of ILM, the problem

would go like this: Javeed thinks that there is something about India's

modernity which can and ought be known; and it turns out that his

description of it (the theory which makes his account of the transition

to modernity more than just a heuristic device for identifying the

space of the modern) in fact overdetermines what can and ought be

known about India's modernity. The other aspect of these difficulties

matches what we have just outlined. If overdetermination shows that

we conceptually construct (by 'description') the full extent of what

we 'know', then the other difficulties show us that attempts to cognize

over that full extent produce contradictions within our descriptive

apparatus. These are the paradoxes of scale, the most obvious problem

being self-inclusion. Does 'everything that is the case' include itself?

To put it ontologically: is our description of the world itself a part of

the world or not? And, if so, which world? This throws up difficulties

of philosophical interpretation. Removing the description entirely

from the world it describes is hardly an answer. The trouble is that

such an interpretation, even apart from the question of where it is

coming from, still seems to be subject to problematical restrictions.84

In sum, then, and in keeping with our strictures above (and in the

foregoing pages), the simple ascription of 'Reality' to 'world' fails to

apprehend the manner in which description and world interact as

part of the same process. To be sure, there are various ways in which

this can be represented; in which case, I think, we ought to be returning

to the pages of ILM, so as to recover something that is formalised

into our current system of descriptions about modernity, and about

India's modernity. A final; word, nevertheless.

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68 SOCIAL SCIENTIST

CODA

All too often, disquisitions about change take the form of an

evasion of the changes. I am not saying that this has happened with

Javeed, but to insist - as I do - that change cannot be applied to any

referent does not mean that it cannot be used for an act of reference.

In this oscillation between a possible referent of change and the use

of changes in an act of reference, there lurks an ambiguity that has

been the cause of many debates on the ontology of reference.85 The

problem that arises immediately - in the contexts that we have been

setting out to elucidate - is whether a set of changes can be interpreted

and seen as consistent or inconsistent without bringing in something

external to change. It is the strength of Javeed's argument that he

bases it on a laboured conception of the materials available to the

internal interpretation. On the crudest understanding of that

interpretation - their difficulties and challenges notwithstanding - it

is an attempt above all to comprehend modernity through change;

and, accordingly, reverses the procedure of comprehending change

through modernity. The difference is difficult, but crucial; and

everytime I wondered how I would have reorganized ILM if I had to

write it, I would say to myself that Javeed's reversal would have to be

turned over. In fact, it would be interesting to begin by starting with

what happens when, subjected to the pressure of a dynamical object,

namely, change - the fact and the value of change - one decides to

consider it as (if you will) a terminus ad quo rather than as a terminus

ad quem. That is to say, an analysis devoted less to the end-point of a

process of change (terminus ad quem) than an analysis of the ways in

which changes are produced (terminus ad quo).

The decision to state the problem of change thus, in terms of its

being a terminus ad quo rather than as terminus ad quem, implicates,

I believe, Marx, and necessitates a longer historical dynamic than a

merely chronological or even discontinuous rendering of the periods

in question. This said, it is important not to fall, once again, into an

opposition of the type "primary process - secondary elaboration",

especially if this opposition were to be founded - as is the case with

Javeed (and many others, across an ideological spectrum) - on the

idea that the passage from the premodern (or even nonmodern) to

the modern corresponds to a disruption of levels in the modes of

differentiation. Here there seems to be real issue for historians and

sociologists, as indeed for Marxists. But again, because this initial

dichotomy (terminus ad quo/terminus ad quem) may seem reductive,

one has to go a step further: engage the contextual question of

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MODERNITY'S EDGES 69

particular modernities (in time, as in space). There is no avoiding

Javeed, I guess; there is no avoiding the questions that escape his

programming either.

NOTES AND REFERENCES

1. I am very grateful to Social Scientist for the opportunity of this review

discussion, but must apologize to Javeed, primarily, for the delay. The work

I have chosen to accord an extended and (perhaps) abstract treatment here is

a work with which I feel the strongest of affinities; and precisely because of

this - as its dialectical underside, as it were - I have tried to sharpen the poles

of its practice. I also owe my thanks to Seemanthini Niranjana for overseeing

the drafts. Walter Benjamin has written somewhere that citations from his

works were like highwaymen who suddenly descend on the reader to rob

him/her of their convictions. Benjamin meant this quite literally, I think,

while the citations anchoring my treatment, as indeed the treatment itself,

only attempt to embody this procedure. The line from Marx quoted at the

beginning of this review is from A Contribution to the Critique of Political

Economy (its pagination eludes me for the moment); that of Robert Blanche

from the absorbing Axiomatics (Trans. G.B. Keene) London: Routledge and

Kegan Paul, 1962, p.15.

2. Cited in Howard Caygill, Walter Benjamin: The Colour of Experience

(London: Routledge, 1998), p.46.

3. For a thoroughly rhetorical albeit catachretic summation, see Fredric Jameson,

'Cognitive Mapping' in Cary Nelson and Lawrence Grossberg (ed.), Marxism

and the Interpretation of Culture (Basingstoke, Hampshire: Macmillan, 1988)

pp.347-57.

4. The terminology 'contradictions of progress' is traceable back to Marx, and

especially to his (infamous?) notes on India. Strangely enough, Aijaz Ahmad

in orchestrating a defense of Marx does not allude to this line of appraisal.

See his 'Marx on India: A Clarification' in In Theory: Classes, Nations,

Literatures (London: Verso, 1992), pp.221-42. Ahmad, doubtless, is

concerned to interrogate certain procedures of cultural criticism that have

taken shape in the wake of Edward Said and the study of 'colonial discourse'

generally. I believe that some of the proposals anchoring ILM are in keeping

with the spirit of those notes (of course, substituting for some of Marx's

fanciful references on India the categories and concepts of historical

scholarship and political criticism). The Orientalism problematic, as I

understand it, has served to distract from questions of change and historical

periodization. And, what is more, in this case, the distraction is not merely a

question of theoretical ambiguity or error of judgement; it is an error in the

conception itself. The problem is not so with Javeed, or even Marx.

5. Difficulties notwithstanding, the most nuanced discussion of the ideology of

the renouncer is Louis Dumont. See his 'World Renunciation in Indian

Religions' in Homo Hierarchicus: The Caste System and its Implications

(Chicago: University of Chicago Press, 1980, Complete revised English

edition), pp.267-86. On the concept of epoch central to the temporal

consciousness of modernity, see Hans Blumenberg, The Legitimacy of the

Modern Age (Trans. R.N.Wallace) Cambridge, Mass.: MIT Press, 1983,

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70 SOCIAL SCIENTIST

pp.457-82. For Blumenberg, broadly, "the legitimacy of the modern age is

not the legitimation of its specific constituent elements under all possible

circumstances" (ibid., p.240), which leaves open the question of (I) just how

much is involved in the claim for legitimacy and (ii) how we can accept

something as a necessary component in our legitimation of modernity if we

do not know the full story of the motivation of the modern tradition. Mark

these two lines of contention: all claims for legitimation are as puzzling finally

as the claims about modernity. We shall be straddling these contours (and

much else) in the pages that follow.

6. Thus Javeed: "The process of individuation is also the moment of multiple

birth - of claims and experiences and expectations in life" ('Indispensability

of Secularism', Social Scientist, Vol.27 (7-8) 1998, p.4). Cf. also Chs. 3 and

9 of ILM passim and the paragraph concluding our Sect.V below. Readers

need note the specific ambiguity attaching to the notion of modality (or

mode). Conceived in the Kantian sense, it designates a form of the knowing

subject; but it may also be taken as a form in which something reacts to the

problematization of its problem. I will be returning to this ambiguity in due

course, and therefore reserve further comment.

7. I am for the moment deferring the question about the exact content or status

of Javeed's construal of individuation, although the latter constitutes a theme

that would attract the full sweep of the Marxist appraisal. For Marx, any

critique must concern conditions of possibility, yes; but 'conditions' translated

in the context of the social and material forms of life of the subject. The

question to be posed of any conception of knowledge, subject or experience

must concern the kind of society in which such a conception of knowledge/

subject/experience is plausible. Thus the conception that knowledge starts

with the passive reception of the data of the senses, and that the reception of

such data is by an individual or epistemologically self-sufficient subject, will

seem overwhelmingly plausible in a society in which, effectively, human beings

are functioning as atomic individuals. That is to say, in a society whose rules,

institutions and constitutive practices define persons as self-determined but

essentially interchangeable individuals, and in which, consequently, they have

lost sight of the ways in which the objects they have to deal with are shaped

by social labour.

To this characteristically epistemological ground of critique must be opposed

a sequence of specifically moral claims drawing on the authority of (we can

say) Kant, especially the latter's invention of his action-guiding principle of

morality. These two enterprises, morality and epistemology, are, to be sure,

held together by a pair of guiding questions. First, Kant's claim that we

ourselves legislate the moral law creates a new conception of autonomy.

How does this differ from earlier notion of self-governance, and how did the

very idea of morality as self-governance develop out of a Christian

understanding of morality as obedience to God? Second, Kant (like Marx

after him) is an egalitarian, in so far as he holds that everyone has the capacity

to will the moral law for themselves; but how did this picture of our capacities

overturn the conviction that there exist moral experts (human or divine)

whose advice or edicts most of us must follow? For a thorough, and distinctive,

treatment of these themes, see J.B. Schneewind, The Invention of Autonomy:

A History of Modern Moral Philosophy (New York: Cambridge University

Press, 1998). The challenge, of course, is to go beyond Kantian themes, but

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MODERNITY'S EDGES 71

without taking on board Hegel's way of thinking. Read on.

8. Note the considerations foregrounded herein; they will receive extended

treatment in the sections to follow. The issue concerns both a logical problem

- say, of an unauthorized slippage between two levels of discourse, the

prescriptive and the descriptive - and one of a straining within and against

'significant language' (to use a phrase from Wittgenstein) that any reflection

on concepts must accept. The issue needs to be taken seriously, if we are to

avoid dissolving the contingency that one is describing. Wittgenstein, of

course, was querying our capacity to rationally discourse about ethics: that

ethics is an attempt to say something that cannot be said, a running up against

the limits of language. See his 'A Lecture on Ethics', Philosophical Review,

Vol.74, 1965, pp.3-12. By way of an elaboration, Wittgenstein further

contrasted absolute with relative value, taking the latter to involve a

predetermined standard (as when we say that this is a good table, and mean

by 'good' that the table comes up to a certain standard of excellence for

tables). Thus such judgements, being relative to a predetermined standard,

are in Wittgenstein's view simply disguised statements of fact. As such they

do not express what he regards as absolute or ethical value (ibid., pp.5-6).

Rendered thus, I suppose, there can be a way of judging a concept - a condition

- without smoothing over what that concept/condition can entail, namely,

contingency. How does this operation obtain within the narrative spaces of

ILM? Our examination will hopefully yield an answer. Note, however, that

it is not going to be our contention that the universal horizon ought be

unthought or jettisoned. Indeed, the very critique of universals gains its force,

so to say, from a universal; for the universalism-particularism divide, in terms

of its competing imperatives, can also be an argument between different forms

of the universal perspective. Nor are we, for that matter, concerned to straddle

the space of a relativist construal. Indeed, the claim that certain kinds of

social conditions were necessary for certain kinds of conceptual/theoretical

development need not imply relativism. Specific social conditions were

certainly propitious for the development of, say, modern physical science,

but the content of that science does not depend for its validity on any kind of

social context. In short, questions of historical cause are not to be confused

with questions of logical ground or empirical soundness. There is of course

a complex web of methodological considerations involved here, impinging

on questions of discovery and justification as well as turning on a distinction

between what is constitutive to a theory/concept (or tradition) and what is

merely a modified part of it. Moreover, there is the whole problem of the

'should' - the straining within and against 'significant language'? - in a word,

the imperative and prescriptive dimension of (our) concepts, that must be

grasped (and which, I need mention, most arguments for or about contingency

smooth over). Javeed, in particular, might maintain that this is precisely the

motivation behind the contextualist allusions of his work; and yet there can

be difficulties, as we shall see. Well, it is not always easy to be a Marxist and

find one's feet within Marxism. I make another overture in the direction of

Wittgenstein in n.15 below.

9. Robert Blanche, Axiomatics, op. cit., pp.11-12.

10. It seems imperative to reiterate here that in a formalized subject which, for

instance, Blanche is recounting - namely, axiomatics - the concepts that are

taken for basic can properly be described as axioms. An axiom is not thought

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72 SOCIAL SCIENTIST

to require demonstration; it is accepted without proof as the basis for the

logical deduction of other statements. The concepts that I shall implicate in

the sections that follow are not strictly axioms by this latter criterion, for

they are instruments of thought or predicates of possible judgements rather

than propositions. Besides, I am concerned to debate less words than acts

and operations, meaning by the latter not something strictly logical or mental.

The points underscoring n.7 and n.8 above are what I have in mind. Of

course, it is another matter than I am resorting to this relation almost as if it

had an axiomatic quality.

11. Partha Chatterjee, 'Modernity, Democracy and a Political Negotiation of

Death', South Asia Research, Vol.19 (2) 1999, p.106.

12. Ibid., pp.107-109.

13. Ibid., p.107.

14. Ludwig Wittgenstein, On Certainty (Trans. D. Paul and G.E.M. Anscombe),

Oxford: Basil Blackwell, 1969, #105. A preliminary, albeit narrowly oblique,

line of appraisal encountering the ground of Partha Chatterjee can be had in

my 'In the Tracks of Community and Identity: Deepening the Interrogations'

(forthcoming in a volume edited by Surinder Jodhka and published by Sage

India).

15. I have often pondered the use and the resources of the late Wittgenstein for

political theory. I am not as convinced about his procedures as I once was,

nevertheless. But do see James Tully, 'Wittgenstein and Political Philosophy:

Understanding Practices of Critical Reflection', Political Theory Vol.17 (2)

1989, pp.172-204.

16. Partha Chatterjee, The Nation and its Fragments: Colonial and Postcolonial

Histories (Princeton: Princeton University Press, 1993), Ch.2 passim.

17. For the latest, see his review of Sunil Khilnani's The Idea of India in Raritan,

Vol.18 (3) 1999, pp.135-47. As he observes therein: "I would distinguish ()

between on the one hand someone like Ashis Nandy, who despite some

strikingly original and interesting claims, is prone to a quite unrealistic and

uncritical yearning for an India uncontaminated by modern institutions, and

on the other someone like Partha Chatterjee, who over the years has written

most penetratingly of the long-standing class character of the national

movement and the Indian state. What makes Chatterjee nevertheless fall in

line with the antimodernists is that he often equates (or derives) this quite

correct understanding of the Indian state with a more generalized rejection

of Enlightenment conceptions of sovereignty and reason - an equation (or

derivation) that requires more steps of argument than he gives, or perhaps

can be given" (Bilgrami, ibid., p.146). I return to this axis of appraisal in

Sect.VIII.

18. See his review of Partha Chatterjee's edited book Texts of Power: Emerging

Disciplines in Colonial Bengal in Journal of Asian Studies, Vol.56 (1) 1997,

pp.223-25. The lines quoted are on p.224.

19. For some passing comments see my essay cited in n.14 above. But of course

the final word on this constellation must remain with Aijaz Ahmad, In Theory,

op.cit.

20. These passages from Javeed have been cited at some length for reasons that

will be taken up later on. In his review of ILM, Achin Vanaik has been

concerned precisely to emphasize some of these lines of argument; especially,

Achin makes much of Javeed's maneuvers underscoring the complicities

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MODERNITY'S EDGES 73

between the religio-cultural and the modernist-secular currents of nationalist

thought in India. See his 'What Kind of Modernity?' Economic and Political

Weekly, Vol.34 (27) 1999, pp.1769-71. Mark also the lines that I have

italicized in the text. As already mentioned, I return to these questions in

Sect.VIII below.

21. I am alluding of course to Partha Chatterjee's paper 'A Response to Taylor's

Invocation of Civil Society' (Working Papers and Proceedings of the Center

for Psychosocial Studies, Chicago, No.39, 1990). Cf. also his The Nation

and its Fragments, op.cit. pp.228-39. It is significant that Chatterjee is

targeting Charles Taylor, a scholar at the foreground of understanding the

ethnocentricity that grips contemporary thought. The formulation 'entrenched

modernity' in Javeed, incidentally, is drawn from Taylor. The latter's

magisterial Sources of the Self: The Making of the Modern Identity

(Cambridge, Mass.: Harvard University Press, 1989) forces home the point,

among other things, that "(m)odernity is often read through its least

impressive, most trivializing offshoots" (ibid., p.511). Akeel Bilgrami's

observation, as recounted in n.17 above, is also pertinent in this context. An

effort to correct this assimilation perhaps underscores the turns that have

come to characterize Chatterjee's discourse. See especially his 'Talking about

our Modernity in Two Languages', Studies in Humanities and Social Sciences,

Vol.2, 1996, pp.153-69, as also the SOAS lecture cited earlier. His attempt

to characterize alternative modernities marks definitely an attempt to resist

the thrust of the antimodernist crusade. I engage with aspects of this terrain,

as also with Taylor, in Sect.VI below.

22. The review is in Biblio, March-April 1998, pp.15-16. The lines that I cite in

the rest of this paragraph are on p.16.

23. Cf. especially the chapter "Community Culture in Politics" of ILM (pp.191-

212). As Javeed asks therein, having noted the repressive features of

communities in India, "(t)he crucial question is, can the right to a way of life

be claimed on behalf of a community when the exercise of the same is denied

to the individual?" (ILM, 207). And, soon enough, acutely comments: "If a

community's right to a way of life cannot be questioned on democratic

grounds, then it can be done only on the basis that the community justify

and defend what it enforces on individuals as obligatory" (ibid.). Meanwhile,

of course, Javeed has observed that he remains unconvinced of Chatterjee's

argument that only reform through internal representative institutions is a

source of changes in the community and all else (including or especially the

site of the state) is coercive. The argument of Chatterjee is in his 'Secularism

and Toleration', Economic and Political Weekly, Vol.29 (28) 1994, pp.1768-

77. For Javeed: "Pre-modern communities in India do not give individuals

the right to exit, which is crucial to the pressure for internal reforms felt

within communities and from outside their boundaries, including the State

and other communities whose practices may differ from their own" (ILM,

195-96). What perplexes me are these gestures, potentially, in a liberal

direction and in a seemingly radical (nationalist?) discourse. I hope to

complicate the axis of this construal someday; but address also the ground I

cover in Sect.VIII below.

24. London: Hamish Hamilton, 1997.

25. Ibid., pp.9 and 1 respectively. The subsequent lines that I cite in the text are

on p.8.

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74 SOCIAL SCIENTIST

26. Cf. Bilgrami apropos The Idea of India: "As one might expect, there is in all

this an old combination of sentimentality and intellectual passion, which

does not always make for clear thinking about Nehru and his 'Idea of India"'

(op.cit., p.138). Perhaps the procedures inscribing The Idea of India are the

problem: "Political history has been neglected - the doings of the state, of its

elites, and of the many significant individuals in India's twentieth century

history. Whatever political history has been written has remained imprisoned

by the imperial mode of administrative history or, in its post-1947 analogue,

diplomatic history, or it has been repetitious nationalist hagiography. The

attempt to see the larger picture through new eyes has rarely been risked"

(Khilnani, ibid., pp.2-3).

27. Sunil Khilnani, ibid., p.34.

28. As I discovered in the process of this review, a book - titled, yes, Modernity's

Edges: Essays Postcolonial and Modern - assembling together my various

papers on a body of convergent themes (and scholars) seems perfectly

plausible. I should have more to say when that work sees the light of day.

29. Note these passages constitute my rummaging through Part IV of ILM.

Chapter 3, 'Rendering Modernity Communicable' is crucial to the

architectonic of these passages.

30. The distinction is problematical, as we shall see, but I go along only to animate

another set of issues. The distinction can be had in Taylor, 'Inwardness and

the Culture of Modernity' in Axel Honneth, Thomas McCarthy, Claus Offe

and Albrecht Wellmer (ed.), Philosophical Interventions in the Unfinished

Project of Enlightenment (Cambridge, Mass.: MIT Press, 1992), pp.88-110.

See, for an update, Taylor, 'Two Theories of Modernity', Public Culture,

Vol.11 (1) 1999, pp.153-74.

31. Jurgen Habermas, The Philosophical Discourse of Modernity: Twelve Lectures

(Trans. F Lawrence) Cambridge: Polity Press, 1987, p.7. Chs.1 and 12 of

this work are also important. Cf. again Habermas, 'Modernity: An Incomplete

Project' in Hal Foster (ed.), The Anti-Aesthetic: Essays on Postmodern Culture

(Port Townsend, Washington: Bay Press, 1983), pp.3-15.

32. Mark the plural modernities - we shall have to engage with this modality.

The plural, of course, crosscuts the singularity of any framework of

enunciation engaging (in this case) India's transition to modernity. I can only,

for the moment, beseech the reader's patience. As should be discernible, I

spurn the device of summarizing a discussion, opting rather to work with a

series of points and counterpoints.

33. William Rehg has written that "Taylor's analysis of the internal relation between

description and evaluation does not differ radically from (a discourse-ethical)

account of the internal link between moral norms and values" (Insight and

Solidarity: The Discourse Ethics of Jurgen Habermas, Berkeley: University of

California Press, 1994, p.116). While this might seem an understating of the

difference between Habermas and Taylor, I cannot quite accept the division across

the space of their thought, that one (Habermas' account) corresponds to an

'acultural' theory and the other (Taylor's) to a 'cultural' account. I think the

binary is overstated, but see Sect.VI below. Cf. also Taylor on the logic and

ontology of 'strong evaluation' in Sources of the Self, op.cit., Chs.l-4 passim

and Habermas' essay 'Struggles for Recognition in the Democratic Constitutional

State' in Amy Gutmann (ed.), Multiculturalism: Examining the Politics of

Recognition (Princeton: Princeton University Press, 1994), pp.107-48.

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MODERNITY'S EDGES 75

34. Cf. Terry Pinkard, Hegel's Phenomenology: The Sociality of Reason (New

York: Cambridge University Press, 1994) and Robert B. Pippin, Hegel's

Idealism: The Satisfactions of Self-consciousness (New York: Cambridge

University Press, 1989). An useful review discussion is Karl Ameriks, 'Recent

Work on Hegel: The Rehabilitation of an Epistemologist?', Philosophy and

Phenomenological Research, Vol.LII (1) 1992, pp.177-202.

35. My edition of the Phenomenology is the old Torchbook edition (1967),

mistranslated as The Phenomenology of Mind and introduced by the

prominent Marxist scholar George Lichtheim. Here the lines that I cite in the

text go as "it is not difficult to see that our epoch is a birth-time, and a

period of transition" (Hegel, The Phenomenology of Mind, Trans. J.B. Baillie,

New York: Harper and Row, 1967, p.75). It is striking to see how much the

ambiance and mood of these thoughts find echo in Javeed. Note also how in

the context of these gestures the 'cultural-acultural' binary of Taylor's scheme

gets deflected on to the fraught surface of (a) historicism. It is not surprising

that Taylor himself has been a keen student of Hegel's thought - having

written extensively on the latter - although, in Taylor's view, Hegel seriously

misunderstood the dynamics of modern life. Hegel's importance for Taylor

is that the former posed what for the latter is the modern question - how to

unite radical autonomy with an expressive unity with nature. Mark, again,

how Javeed's poser that modernity, among other things, is also about

individuated persons deflects off this circumstance. For Taylor on Hegel, see

Hegel and Modern Society (Cambridge: Cambridge University Press, 1979),

which incidentally is an adaptation of a longer earlier work. As for Hegel's

historicism, Terry Pinkard, op.cit., has argued, off the Phenomenology, that

it is essentially a dialectical-historical narrative of how European thought

has reached this distinctively modern outlook, through the successive reflective

critique of all supposedly necessary and authoritative principles which have

been taken to provide an external grounding for our practices. For the

Phenomeniology, the grounding can only come from within our own historical

evolution and experiences, in which the authoritative principles of modern

science or political morality are shown to have evolved out of the rational

critique of their predecessors.

36. Cf. again the points propounded in our Sect.II above - and perhaps then this

curious structure would become discernible. There is a sense in which

'modernity' is not historicist, and I engage aspects of this terrain in Sect.VII.

Javeed obviously is not receptive to such nuances of thematization, although

it is a part of the refrain of ILM that we have to reach out for subtler accounts

of cultural borrowing and conceptual transfers. Nuance, it seems, has always

to be about objects, and need not absorb the subject constituting the object.

Marxists (and others) may do well to examine aspects of the first thesis of

Marx's 'Theses on Feuerbach'. See also Pierre Bourdieu, Distinction: A Social

Critique of the Judgement of Taste (Trans. R. Nice) Cambridge, Mass.:

Harvard University Press, 1984, pp.466-84.

37. It is striking that when Javeed is trying to recuperate the philosophical

discourse of modernity (Chs.1&2 are more or less emblematic) he does so

predominantly against the background of a putatively established

postmodernism. Alternatively, when he is engaging the space of a more

contextual determination - that is to say, when he enters more concretely

into the "experiential" world of India (Ch.3 as indeed Part II and III passim)

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76 SOCIAL SCIENTIST

- it is an immanent logic of progressive changes underscoring India's transition

to modernity that takes over. But across this space too, a contingency of

shifting frameworks is asserted as having a story to tell about Indian

nationalism particularly (vide Javeed's diagnosis of the "religio-cultural" and

"modernist-secular" currents of nationalist thought in India); while also being

laced together by a narrative of India's present (the politics of Hindutva

primarily). The details can be had across Parts II and III of ILM. These

oscillations in the narrative space of ILM only underscore the point that I

make in the text. But do read on. I engage the ground of modernity/

postmodernity more fully in Sect.VII. Taylor has maintained - an observation

that we have already cited (n.21 above) - "(m)odernity is often read through

its least impressive, most trivializing offshoots". I suppose one could

supplement this further to say that postmodernity, as well, is often read

through its trivializing offshoots (which is not, of course, to dovetail the

postmodern terms of debate - as sometimes Javeed is prone to do - to Michel

Foucault). Clearly, my terms of reference is not the Anglo-American cultural

studies establishment take on postmodernism.

38. Cf. again Javeed: "What does the process of becoming an individuated person

involve? An individuated person demands dignity of person and equal concern

from others; he is a self-respecting person with an equal sense of self-worth.

Such concerns arise because individuation, at its minimum, creates a distance

between one's 'self' and one's community from where one emerges as an

individuated person, and therefore also a sense of difference from others. In

the process, one's mutual recognition of the distance and difference of others

grows, and along with that, the respect for what you yourself are. Feelings of

egalitarianism, a sense of freedom and many other such values begin to take

hold. This is what I meant... that individuation as a process in history is the

moment of multiple births" (ILM, 221-22).

39. Cf. again our n.7 above. Individuation: to think of it in psychological terms

would be absurd; it goes deeper than any personal predilection. If particular

depictions vacillate - this vacillation is invariably between individuation as a

statement of knowledge and individuation as a symptom of practice - it is

because such a dichotomy is inherent in the experience of individuation itself.

The problem, however, lies in the overall balance of the judgements and

verdicts that emerge from this experience.

40. Observations on Modernity (Trans. W. Whobrey) Stanford, Calif.: Stanford

University Press, 1998, p.44.

41. A more phenomenological approach to his subject matter can be had in

Modernity and Self-Identity: Self and Society in the Late Modern Age

(Cambridge: Polity Press, 1991).

42. Zygmunt Bauman, Modernity and Ambivalence (Cambridge: Polity Press,

1991). In fact, for Bauman, postmodernity is modernity coming of age. Since

I tackle the question of postmodernity in my next section, I shall not clarify

further. The debate about Enlightenment made famous by Adorno and

Horkheimer's critique can be had in the latter's Dialectic of Enlightenment

(Trans. J. Cumming) London: Verso, 1986 (second edition). For another

recent history of modernity told in a thorough, grindingly systematic style,

see Peter Wagner, A Sociology of Modernity: Liberty and Discipline (London:

Routledge, 1995). This work too represents modernity as an inherently and

irreparably contingent project, torn apart right through its core by

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MODERNITY'S EDGES 77

incompatible demands/promises and hopes of autonomy and order,

emancipation and normativity, freedom and discipline.

43. Luhmann, op.cit., p.2. The bibliographic details of the references that follow

in the text are Habermas, op.cit. and Toulmin (New York: Free Press, 1990).

44. As he puts it: "What is lacking is a theory adequate for such a state of affairs,

a semantics of the relationship between structure and semantics, a theory of

self-description of a society that reproduces itself via structure"(ibid., p.5).

According to Luhmann, sociology has played only "a small role in the

discussion of the criteria of modernity" (ibid., p.4), and consequently seeks

to formulate a set of considerations productive of this topic. It is also

significant that the observations articulated herein avoid the terms of the

Weberian story. I engage these grounds more fully in the paragraphs that

follow.

45. Cf. Taylor: "It should be evident that the dominant theories of modernity

over the last two centuries have been of the acultural sort. Many have

explained the development of modernity at least partly by our 'coming to

see' something like the range of supposed truths mentioned ...Curiously

enough, (negative theories of modernity, those that see it not as gain but as

loss or decline) too have been acultural in their own way" (op.cit., 1999,

p.155).

46. Ibid., p.168.

47. Ibid., p.164. I think this is an appropriate place from which to extend the

catalogue of allusions to the modernity idea, but shall refrain from doing so

here. Perhaps the following thought from Taylor may permit the determination

of basic predicates in the study of modernity today. As he observes in a

footnote: "One can envisage another kind of search for an alternative

modernity, one that would realize its normative promise more fully. This is

an important issue - indeed, one of the great issues - of our time. But the two

questions are distinct: Can we create a normatively superior alternative

modernity? Can there be a plurality of culturally different alternative

modernities?" (ibid., p.164, n.7). And adds: "the attempt to realize new

positive answers to the second question should be subject to the normative

conditions that the first raises. Not every mode of cultural distinctness is

thereby justified and good""(ibid., p.165). I engage with aspects of this

approach in a paper presently in progress, and tentatively titled 'Making

Sense of Modernity'. See also the discussion in the preceding section and in

context below, in the paragraph succeeding the next.

48. The ways in which notions of necessity reenter contingency, as indeed the

location of contingency in necessity, can be an exercise in itself. A key part of

Wittgensteinian exegesis, if not Wittgenstein's work, has consisted in this.

Note, nevertheless, what is happening within the context of these 'inversions'.

The limited question of what is meant when one speaks of contingency in

modern society is avoided. For a take on this, see Luhmann, op.cit., Ch.3. I

am just about beginning to intuit the problematic contours of this (kind of)

work. On the imperative of recognizing our historical contingency, see

generally, from across the spectrum, Richard Rorty, Contingency, Irony and

Solidarity (New York: Cambridge University Press, 1989) and Agnes Heller

and Ferenc Feher, The Postmodern Political Condition (New York: Columbia

University Press, 1988). Vivek Dhareshwar, ('Valorizing the Present:

Orientalism, Postcoloniality and the Human Sciences', Cultural Dynamics,

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78 SOCIAL SCIENTIST

Vol.10 (2) 1998, pp.211-31) is another bewildering source, whose scholarship

seems to be translating into demands at once unrealistic and (what is more)

logically unnecessary.

49. To be sure, there are questions of periodization to be engaged with here; and

I am convinced that no Marxist can renounce this procedure. Broadly, this is

what could set apart a Marxist from a Weberian. Of course, the complicities

of a Marxist line of appraisal with that of a Weberian mode are there for one

to grasp and consider. Derek Sayer's Capitalism and Modernity: An Excursus

on Marx and Weber (London: Routledge, 1991) is a useful discussion; but

nearer home, for a glimpse of an avowedly Marxist operation coming wrapped

in a Weberian mode of appraisal, see Achin Vanaik, Commurnalism Contested:

Religion, Modernity and Secularization (New Delhi: Vistaar, 1997), esp. Ch.3.

I mark out an alternative terrain in the section to follow.

50. Taylor, op.cit., 1999, pp.164-65.

51. Ibid., p.165.

52. Cf. n.21 above. The section in the text from which this note springs is also

important. For Chatterjee, of course, a critique of Europe's modernity remains

the most demanding intellectual task. I have advanced some arguments

concerning this axis in my paper alluded to in n.14 above.

53. Cf. also Partha Chatterjee, 'Talking about our Modernity in Two Languages',

op.cit., pp.153-69 passim. But the reader must be prepared for another

catalogue of allusions to follow, and this from a rather exciting source, namely,

Marxism.

54. fHans Blumenberg, The Genesis of the Copernican World (Trans. R.M.

Wallace) Cambridge, Mass.: MIT Press, 1987, p.127. (Blumenberg, of course,

was alluding to the history of science.) I suspect that such a conflation

underwrites Javeed. Thus, adverting to an alternative trajectory in Western

thought which "helps us to overcome the dichotomous view of reality which

has so often been the basis of criticism of modernity by those influenced ..by

post-modern currents of thought", Javeed writes: "By paying closer attention

to the multiplicity within those thought processes which emerged with

modernity, two things seem immediately likely: first, an ability to see why a

certain conception of modernity, reflected in Enlightenment philosophy,

became interiorized within capitalism and how it became universalized as

the only form of modernity; and, secondly, a possibility can be discerned of

overcoming the dichotomies whose opposition seems to be the essence of

modernity .. There is no going back on history - so we should look for those

thresholds which provide for such an overcoming" (ILM, 32). Or again, the

contention that "(t)he initial relation between entrenched modernity as theory

or philosophy, and capitalism, was not one of identity but only one of

reciprocal causation or generative conditioning" (ILM, 19). Cf. also his

accompanying claim, anchoring in large measure ILM, that modernity is

now being conditioned as much by its own consequences in the course of its

historical development. But read on. The considerations foregrounded in

Sect.V - especially the last three paragraphs of that section - need to be

borne in mind. I engage the postmodern terrain herein below.

55. I take this to be the definitive marker of Marxism. Cf. also our point (in

Sect.III) about Marx's central thesis: that the relations of modernity are,

among other things, 'contradictions of progress'. The aporias of historical

materialism as a theory of politics - and not quite (or only) as a philosophy

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MODERNITY'S EDGES 79

of history - however need attending to. I engage with aspects of this ground

in the section to follow.

56. Peter Osborne, 'Modernity is a Qualitative, Not a Chronological, Category',

New Left Review (No.192) 1992, pp.65-84. Adorno's muse is from his

Minima Moralia: Reflections from Damaged Life (Trans. E.F.N. Jephcott)

London: Verso, 1978, p.218.

57. Osborne, ibid., p.77. All paginations in the text, henceforth in this section,

refer to Osborne. Not least of the problems, one need note, concerns the

character and status of the 'postmodern'. It is singularly unfortunate that

Javeed's philosophical recuperation of the theme of modernity should take

place against the backdrop of a putatively posited postmodernist attack. I

am not of course claiming a lack of literature that designates itself - or other

such literature - 'postmodern'. But, Javeed, in formulating against this

backdrop, is unable to do for postmodernism what he does with 'modernity':

make the idea the object of philosophical attention at the level at which it is

constituted. Javeed does not quite make the connection, but surely it is a

dialectical view of modernity that licenses his scepticism about

postmodernity's potential to transform itself from a market-driven diversity

into an emancipated solidarity. And., what is more, without an account of

the 'modern' as a philosophical term, such references in Javeed as "(w)ith a

post-modernist notion of self, there cannot be ..any possibility of a theory of

resistance"(ILM, 17) and/or that "the notion of resistance in Foucault remains

at the level of philosophical style or, at best, acting merely locally"(ILM, 42)

- even that "(h)istory has become open for us in a way that it was not for

those in Western Europe and later in North America" (ILM, 40) - are fated

to remain little more than mere assertions. As Luhmann states, "(t)he

proclamation of the 'postmodern' has at least one virtue. It has clarified that

contemporary society has lost faith in the correctness of its self-

description"(op.cit., p.ix) - but I would like to inflect the study more

philosophically in the direction of a concern about historical periodization,

the present as change, history as culture and so on. Surely there are problems

with Foucault - and Foucauldians - and not just from a Marxist standpoint.

And yet, the sheer tenacity of Foucault as a diagnostic discourse of 'the times'

cannot be lost track of. See Jurgen Habermas, 'Taking Aim at the Heart of

the Present' in David Couzens Hoy (ed.), Foucault: A Critical Reader (Oxford:

Basil Blackwell, 1986), pp.103-108; as also Michel Foucault, 'What is

Enlightenment?' in The Foucault Reader (ed. P. Rabinow) New York:

Pantheon Books, 1984, pp.32-50.

58. I shall be taking this thought on more frontally in the next section, and

therefore reserve comment. Osborne's point, concluding his discussion, that

"(b)orn like capitalism, out of colonialism and the world market, 'modernity'

as a structure of historical consciousness predates the development of

capitalism proper"(p.84) may yet meet with Javeed's approval. But ..xead

on. The notion of conjuncture may be sourced back to Althusser, especially

to Ch.4 of Reading Capital (Trans. B. Brewster) London: Verso, 1979,

although the inability of this Marxism to think historical change cannot be

sidelined. For the juxtaposition of modernity to modes of production, see

Perry Anderson 'Marshall Berman: Modernity and Revolution' in his A Zone

of Engagement (London: Verso, 1992), pp.25-55.

59. Cf. also Osborne about the role of so-called 'theories of modernity' (as distinct

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80 SOCIAL SCIENTIST

from the more general theorization of 'modernity' that he sketches): "to

provide a content to fill the form of the modern; to give it something more

than an abstract temporal determinacy"(p.75). Marxist unease also springs

from the fact that the concept of modernity (in its logical form) admits no

internal principle of variation, a principle that could identify the historically

(as opposed to the chronologically) 'new'. It is a matter of contention whether

the concept of modernity requires such a principle, even as one admits that

this requirement is fulfilled by 'theories of modernity'. As Osborne mentions:

"It is at this point, historically, the geopolitical dimension of the concept

comes into its own, providing, via the discourses of colonialism, a series of

criteria of 'progress' derived, first, from the history of European nation-

states, and later, in modernization theory proper, from America" (ibid.). For

the analytics of historical investigation, see Arthur C. Danto, Analytical

Philosophy of History (New York: Cambridge University Press, 1964). The

book has been reissued with some new essays as Narration and Knowledge

(New York: Columbia University Press, 1985).

60. And this from a rather peculiar source, namely, Naoki Sakai, the problematic

contours of whose essay 'Modernity and its Critique: The Problem of

Universalism and Particularism' (The South Atlantic Quarterly, Vol.87 (3)

1988, pp.475-504) eludes Osborne. Note my next point about the recognition

underscoring Sakai is from the prefatory remarks anchoring the investigation.

61. I take on these questions in the paper under preparation 'Making Sense of

Modernity', but the drift of my previous section need also be borne in mind.

One of the main contributions of the post(-)colonial critique, I must add, is

this spatialization of the modern. Stuart Hall's 'When was the "Post-

Colonial"? Thinking at the Limit' (in I. Chambers and L. Curti (ed.), The

Post-Colonial Question., London: Routledge, 1996, pp.242-60) is a smart

introduction. Homi Bhabha, The Location of Culture (London: Routledge,

1994) also effectively "displaces the 'story' of capitalist modernity from its

European centering to its dispersed global 'peripheries'; from peaceful

evolution to imposed violence" (Stuart Hall, ibid., p.250). The specific

problems that attach to this re-narrativisation need attending to - Aijaz

Ahmad, In Theory, op.cit., is only a part of the space of problematization.

62. As should be discernible, my gesture here is purely strategic - to cleave back

into Javeed's text. Of course, words and concepts are also acts and operations.

But they are not, to that effect, identical. It is not my implication, besides,

that Osborne's reflections are any less contextual; only they are contextual

in another, rival sort of way. I guess it is a problem of levels, but be prepared

for what follows: a contextual reading implicating a national frame.

63. I say detour, although it is not exactly a detour if one contemplates the

experiential context of Javeed's probing. Especially the contents he attributes

to the process and ideology of individuation - as indeed his gestures in the

direction of a "right to exit" as a means of accommodating the claims of

community with those of the individual, in the context of the assertions of

nationalism in and off the present - consolidate into the commitment to

have a constitutive theory not only of India's transition to modernity but

also of India's present. The register, all through, is both moral and political.

Recall our earlier allusion to an aspect of the semantics of ILM: as disturbing

the identity of modernity by opening up to its (untapped) potential, but

doing so by transforming those possibilities into necessities, at once moral

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MODERNITY'S EDGES 81

and political. Not least of the subjects implicating ILM is the fact of India's

transition to modernity - and the vicissitudes attendant upon that trajectory

- but also the familiar dialectic between the concept of a nation and the

concept of a religious community (the politics, that is, of Hindutva). The

question - our question? - of the rightness and wrongs of India's present

marks thus a course intermediate between the claims of politics and the

demands of morality. Hopefully, the reader will remain attentive, as ever, to

the process of my articulation. The protocols instituting our reading (Sect.I)

cannot be lost sight of either. The prefatory remarks anchoring Charles

Larmore, Patterns of Moral Complexity (New York: Cambridge University

Press, 1987) are also worth pondering.

64. Chs.4, 5 and 6 have the details, stringing together considerations on the

properly political significance of nationhood with the problem of specifying

that which belongs to the sphere of the national. Note how this sets aside

another (artificial) dilemma: it cannot be a question of positioning a collective

identity against individual identities. (As might be inferable, all identity is

individual, but there is no individual identity that is not historical.) The

question of how are individuals nationalized or socialized in the dominant

form of national belonging is hereby displaced. There obtain, nevertheless,

other peculiarities within Javeed's discourse.

65. Cf. also Sect.IV above, as indeed the paragraphs concluding Sect.V. For Javeed,

tradition in India "stands divided between its lived versions and its articulated

forms"(ILM, 170). Further it is maintained that this bifurcation "between

the public face of tradition, which fills the public sphere as politics or

intellectual debate, and its private face amongst the people in its varied

unreflective forms" has come about in the last hundred years or so (ibid.). In

a manner of speaking, ILM's object may be approached as facing the dilemma

which Joseph Levenson has described as that between 'value' and 'history';

what ought to be is not what is going to happen, but nevertheless it requires

to be affirmed. See the introduction to his Liang Ch'i-ch'ao and the Mind of

Modern China (Berkeley: University of California Press, 1953). In these

circumstances, to affirm one's values is not an act of unreal abstraction, but

precisely a moral necessity. My attention to this matrix of ideas was drawn

by J.G.A. Pocock, The Machiavellian Moment: Florentine Political Thought

and the Atlantic Republicanl Tradition (Princeton: Princeton University Press,

1975), p.243. The content of our n.74 below instances other complexities to

be considered.

66. The great theme of recent historical-sociological scholarship is the emergence

of the 'public sphere', and here discussion is focussed on whether it is a

specifically 'modern' phenomenon (eighteenth and nineteenth centuries)

connected with bourgeois forms of sociality or whether it is the result of a

development, the basis of which was laid down a long time before. Craig

Calhoun (ed.), Habermas and the Public Sphere (Cambridge, Mass.: MIT

Press, 1992) remains the most comprehensive discussion of the theme. For

an analysis engaging the Indian context, see C.A. Bayly, Empire and

Information: Intelligence Gathering and Social Communication in India,

1780-1870 (New Delhi: Foundation Books, 1999, First South Asian edition),

pp.180-211. Needless to say, these questions are not at the forefront of ILM;

the imperatives of the present make it difficult for Javeed to inscribe this

focus. It is not a lack, nevertheless, as the ensuing discussion will reveal.

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82 SOCIAL SCIENTIST

67. To be sure, ILM lacks a distinctive focus on the morals of modernity,

paralleling, say, Charles Larmore, The Morals of Modernity (New York:

Cambridge University Press, 1996) or even, for that matter, Charles Taylor,

Sources of the Self, op.cit.. The absence of this focus notwithstanding, one

may yet read into the circumstances of the work in order to extricate a theme

that will carry through the form of my exposition (while also adhering to

our rule of method, of looking within, and ahead, and prognosticating

whatever lies there). The Wittgensteinian motif alluded to in the text, in its

precise form, is this: "If I have exhausted the justifications I have reached

bedrock, and my spade is turned. Then I am inclined to say: 'This is simply

what I do"' (Ludwig Wittgenstein, Philosophical Investigations, Trans. G.E.M.

Anscombe, Oxford: Basil Blackwell, 1968, # 217).

68. It would be a methodological mistake to envisage these two claims as one.

The error can spring from a misunderstanding of the sense of 'necessity' that

is involved in the two poles/theses. I cannot take up the problem here, but

note the arguments that follow. Charles Larmore, Patterns of Moral

Complexity, op.cit. is worth a look. Because of the loaded character of the

notions of fallibility and neutrality, the uncertain application of the terms

'fallible' and 'neutral' is always on the cards. It was only after I had crafted

these lines that I came across the following observation by Akeel Bilgrami:

"I do not actually think that there is a well-formed debate about the rights

and wrongs of modernity" ('Secular Liberalism and Moral Psychology of

Identity', Economic and Political Weekly, Vol.32 (40) 1997, p.2539, n.13).

Well, delivering into this problem might lend some perspective to my proposals

here, which I admit are summarily postulated. I hope to gain a hold on these

categorizations soon. But my current state of indecision - perhaps also a loss

of words - need not undermine what I develop here in course. My points

here are valid independently of postulation of these theses (although the

theses themselves do bear on our question). I return to Bilgrami below.

69. Akeel Bilgrami, 'Secular Liberalism .., ibid., pp.2531-532.

70. I suspect also undue 'is-ought' transitions in the modalities of Bilgrami's

argument - ironically, the very point he seems to be making against

communitarians generally - being forged as they are in a specific historical

and political context of secularism and communalism in India. Needless to

say, Javeed's proposals skirt these questions, while inaugurating some further

normative paradoxes as well. It is less the paradoxes themselves that I am

concerned to straddle here than a series of calculated extrapolations from

the narrative contexts of ILM. Read on. Javeed's 'Indispensability of

Secularism' (Social Scientist, op.cit.) is neither convincing nor sufficient. We

may also do well to remind ourselves that "to know the occasion of an

intellectual happening is not to know everything about what it was that

happened" (J.G.A. Pocock, op.cit., p.57). I hope to engage with Bilgrami

more fully when his book Politics and the Moral Psychology of Identity

(forthcoming from Harvard University Press) is out.

71. The terms of the ambiguity have been drawn from Bilgrami's review of The

Idea of India (Raritan, op.cit., p.135), but is being deployed to orchestrate

another sphere of discussion. For Bilgrami, it remains central to be able to

orchestrate a theoretical space sensitive to the limitations of liberalism and

at the same time "does not permit any scope for this sensitivity to degenerate

into a relativistic and anti-statist communitarianism" ('Secular Liberalism

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MODERNITY'S EDGES 83

. op.cit., p,2538). Besides, he seems correctly impatient with the question

invariably asked about India - how is it that a country so diverse in its

languages, religions and castes, and so deeply traditional in its mores, has

survived into modernity not merely intact, but with the thoroughly

nontraditional apparatus of formal democratic representation and statehood?

- seeing in it an invocation of the national in the second sense (the basis for

a movement). Cf. Bilgrami's review discussion in Raritan, op.cit., pp.135-

36.

72. I say intriguing because the formulation draws on the authority of Lenin.

The dream of transcending the problem of nationalism by formal recognition

of the terrains and cultures of its major nationalities while subordinating

them fully to a universal project was the basis of Bolshevism. Well, I think

Javeed has a lot to account for here, but read on. The passages that I have

just mentioned have already been cited in our Sect.V above; the gloss of

course was missing (or, rather, quite different).

73. Cf. also ILM (p.166, n.23): "After vigorous debates from 1942 to 1974, the

Left has put the debate on the 'national question' under an undeclared

moratorium ..It is high time that the issue is reopened in today's radically

changed circumstances". Also Javeed's point about "the main methodological

fallacy in most Marxist works on the national question" and "how the

problem was frozen to a sterile debate on 'definitions' as against the

importance of the national stir in identifying nations and nationalities as

was the case with Lenin" (ILM, 166, n.20). I think Javeed is trivializing the

Left position here; the moratorium such as there is can (or need) hardly be

reopened in today's charged times. Cf. also Regis Debray, 'Marxism and the

National Question', New Left Review, No.105, 1977 (although Debray's

point does not concern the structural attributes of nations or nationalities,

as opposed to classes, but rather the ideology behind peak levels of collective

agency). The contents of our n.64 above are also worth recalling.

74. For some impasses of the receptivity question, see Vivek Dhareshwar, op.cit.,

pp.224-25. The description under which Vivek pushes through his ideas is

however problematic. Cf. also n.8 above. There is of course a difference to

be drawn between the mere transmission of a tradition and the defensive

conceptualization of either tradition or transmission. The historian of

'political languages' J.G.A. Pocock has observed: "(W)hen an image of past

time as continuous and as bearing authority for the present is attacked, and

segments of the past are dismissed as possessing no value - this may happen

as a result of a classicizing attempt to locate all value in a particular period -

it may follow either that the repudiated period reasserts its claim to authority

over the present in consequence of some other relationship to it, or that it

becomes necessary to explain how, if the phenomena concerned were without

authority or value, they nevertheless existed and were causally linked with

both present and past" (The Machiavellialz Moment, op.cit., pp.54-55). And

adds: "In these circumstances some relativistic mode of explaining the past,

as having its own way of existing and its own values or other claims upon

our attention, may very well arise" (ibid. p.55). An extended theoretical

treatment of the question can be had in J.G.A. Pocock, Politics, Language

and Time: Essays in Political Thought and History (London: Methuen, 1972),

Ch.8.

75. See Benedict Anderson, 'Introduction' in Gopal Balakrishnan (ed.) Mapping

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84 SOCIAL SCIENTIST

the Nation (London: Verso, 1996), p.2. I am changing the tense in which

Anderson is delivering these remarks. The contemporaneity that attaches to

Anderson's introduction cannot be lost sight. For him, "this disjuncture (the

compulsion to think about nationalism comparatively and globally, but also,

being singularly concrete, in very particular terms) and the theoretical stumble

that it causes, helps to explain some of the history of serious thinking about

nationalism, its hiatuses and bursts of energy"(ibid.).

76. The inspiration here is clearly Ernest Gellner, especially his Nations and

Nationalism (Oxford: Basil Blackwell, 1983). See Miroslav Hroch for a

rebuttal of the terms of this theory; Hroch's general theses and also Gellner's

critical response and defense of his own position can be had in Gopal

Balakrishnan (ed.), Mapping the Nation, op.cit., pp.78-97 and 98-145

respectively.

77. I have in mind here Partha Chatterjee's Nationalist Thought and the Colonial

World: A Derivative Discourse? (Delhi: Oxford University Press, 1986), Ch.1.

Chatterjee attacks Gellner and others for sociologism and modularity. It is

perhaps significant that when the contours of this investigation are extended,

the target has shifted to Benedict Anderson's Imagined Communities:

Reflections on the Origin and Spread of Nationalism (London: Verso, 1983);

Chatterjee's The Nation and its Fragments (op.cit.) begins with a critique of

Anderson, posing frontally the question 'Whose Imagined Community?'.

Indeed, here, as Anderson has noted, "elite nationalism in Asia and Africa

receives a somewhat warmer evaluation than in his previous writing"

('Introduction' in Gopal Balakrishnan, op.cit., p.11).

78. I am here alluding to Charles Taylor's appraisal of the intertwining of

modernity and nationalism in a volume devoted to examining every aspect

of Gellner's theory. The essay is titled 'Nationalism and Modernity' and

obtains in John A. Hall (ed.), The State of the Nation: Ernest Gellner and

the Theory of Nationalism (Cambridge: Cambridge University Press, 1998),

pp.191-218. The lines cited are on p.207. The formulation bears comparison

with Javeed, especially the latter's point that "intellectual moves (within the

space of tradition) were provoked by challenges from outside the domain of

tradition" (ILM, 173). See also n.65 above, and the lines in the text from

which that note springs. Taylor further notes: "Elites have always been able

to experience a dramatic loss of dignity in the face of conquering power. One

way of responding is to fight back or come to terms with the conquerors out

of the same traditional identity and sense of honour. Another is to force a

new categorical identity to be the bearer of the sought-for dignity. It is (a

sub-species of) this second reaction that we call nationalist; but it is essentially

modern" (ibid., p.207).

79. For this see generally Adrian Hastings, The Construction of Nationhood:

Ethnicity, Religion and Natiotalism (Cambridge: Cambridge University Press,

1997). It is significant that, for Hastings, "(t)he specific root of nationalism

does not lie in the circumstances of post-Enlightenment modernity. On the

contrary. It lies rather in the impact of the Bible, of vernacular literature, and

of the two combined in creating a politically stable ethnicity, effectively

'imagined' by its members across a unique mythology" (ibid., p.151). See

also Liah Greenfeld, Nationalism: Five Roads to Modernity (Cambridge,

Mass.: Harvard University Press, 1992), for an effort to reverse the order of

precedence and therefore of causality. Rather than define nationalism by its

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MODERNITY'S EDGES 85

modernity, Greenfeld sees modernity as defined by nationalism. This of course

tides over the point whether historically the emergence of nationalism predated

modernity. But cf. Balibar: "(T)he ever-recurring paradox of nationalism:

the regressive imagining of a nation-state where the individuals would by

their nature be 'at home', because they would be 'among their own' (their

own kind), and the rendering of that state uninhabitable; the endeavour to

produce a unified community in the face of 'external' enemies and the endless

rediscovery that the enemy is 'within', identifiable by signs which are merely

the phantasmatic elaboration of its divisions. Such a society is in a real sense

a politically alienated society. But are not all contemporary societies, to some

degree, grappling with their own political alienation?" ('Class Racism' in

Etienne Balibar and Immanuel Wallerstein, Race, Nation, Class: Ambiguous

Identities, London: Verso, 1991, p.215). This paradox may be juxtaposed

against the point about an India living with modernity but remaining

ambivalent with respect to the problem of modernization. The axiomatic

frames in which thinkers have thought the question remain to be exhausted.

Cf. also n.81 below.

80. See Dipesh Chakrabarty, 'Postcoloniality and the Artifice of History: Who

Speaks for 'Indian' Pasts?', Representations, Vol.37, 1992, pp.1-26; or, more

recently, his 'Radical Histories and the Question of Enlightenment

Rationalism: Some Recent Critiques of Subaltern Studies', Economic and

Political Weekly, Vol.30 (14) 1995, pp.751-59. Also: S.N. Balagangadhara,

'The Future of the Present: Thinking through Orientalism' Cultural Dynamics,

Vol.10 (2) 1998, pp.101-21.

81. For Partha Chatterjee, as for Javeed, a critical stance towards India's

modernity is also a critique of nationalism's contradictory contents. Strictly

speaking, however, the critique is not designed to unmask the inner falsehood

of the entire world of national representations and to trace back the contents

of modernity from their distorted form to what they really are (although the

elements of such an orchestration are there, in the pages of ILM). Javeed's

critical stance is rather a way of preserving and embedding all of modernity's

contents, through a critique of the form in which modernity manifests itself,

or the way in which it is represented. Obviously, this critique also runs over

into the content, and thus contains a certain repudiation of modernity's

contents as well. It is significant, perhaps, that the Gramscian construct of

'passive revolution' configuring Chatterjee (at least of Nationalist Thought

and the Colonial World, op.cit.) hardly finds echo in Javeed. The latter's

basic orientation is - remains - the restoration and reconstitution of

modernity.

82. Notwithstanding what Aijaz Ahmad has to say, one may yet have to return

to Fredric Jameson's prognosis of the 'national allegory' - in his 'Third World

Literature in the Era of Multinational Capitalism', Social Text Fall 1986,

pp.65-88 - but with the sensitivities that I have tried to posit. Ahmad's critical

rejoinder is, of course, contained in his In Theory, op.cit., pp.95-122. Cf.

also Sanjay Subrahmanyam, 'Hearing Voices: Vignettes of Early Modernity

in South Asia, 1400-1750', Daedalus, Vol.127 (3) 1998, pp.75-104 passim

and the editorial observations of Bjorn Wittrock, 'Early Modernities: Varieties

and Transitions' in the same issue of Daedalus, pp.19-40.

83. Cf. all over again the contentions - convictions - anchoring the concluding

paragraph of Sect.V.

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86 SOCIAL SCIENTIST

84. I have engaged with some aspects of these questions in my 'Pathways through

Method: An Essay in Review', Social Scientist, Vol22 (7-8) 1994, pp.83-

100. Methodological issues, I realize, often turn readers off, but there is no

avoiding the space of method for coming to a principled verdict about India's

modernity. I believe this gesture approximates to the spirit of Marx. While

his many theses are surely contestable, what cannot - and demands emulation

- is the body of work in which these theses are contained. Marxist historians

(if there are any left?) could do well to listen.

85. What follows is a somewhat free elaboration of an idea taken from Umberto

Eco, Kant and the Platypus: Essays on Language and Cognition (Trans. A.

McEwen) London: Secker and Warburg, 1999, Ch.1 passim.

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