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STRANDS
Making
Use materials, techniques and
processes to explore visual conventions
when making artworks (ACAVAM111)
Responding
Explore ideas and artworks from different cultures
and times, including artwork by Aboriginal and
Torres Strait Islander artists, to use as inspiration for
their own representations (ACAVAM110)
- Identify intended purposes and meanings of
artworks using visual arts terminology to compare
artworks, starting with visual artworks in Australia
including visual artworks of Aboriginal and Torres
Strait Islander Peoples (ACAVAR113)
GENERAL CAPABILITIES
CROSS-CURRICULUM
PRIORITIES
Literacy
Personal and social
Sustainability
Critical and creative
competence
Intercultural understanding
thinking
Content
Students explore self-portraiture by:
Description - examining artworks from different cultures and times
- considering how meanings/interpretations are conveyed through visual
elements in artworks, and
- exploring how different art styles, forms, and visual conventions can be used to
represent different historical, social and cultural contexts.
By making cultural connections to the wider world of art, this lesson supports the
development of more sophisticated understandings, skills and capacities in visual
arts, which nurture fulfilling self-expression and appreciation (Dinham 2014).
Students use visual arts to represent themselves in self-portraits. This encourages
students to be open and receptive to themselves, and supports their creative
development and self-expression, which are vehicles for cognitive growth (Dinham
2014).
Students also develop an appreciation of self-portraiture as a means of
representing self and identity. Art appreciation is a critical component of childrens
arts education (Dinham 2014).
By providing learning opportunities around observation, elements of the visual
language and representation, this lesson support students artistic growth.
Learning
Introducing the lesson (10 minutes)
Activities
Students look at artworks by Paul Czanne (Self-portrait at the easel) and Vincent
van Gogh (Self-portrait in front of the Easel) on the interactive whiteboard (IWB).
Discuss as a class:
- What are these artworks of?
- Who do you think these people are?
- Who is the artist of each artwork?
Introduce self-portraiture as a genre of visual art to the students, including the
origins and evolution of the genre and the characteristics of self-portrait artworks.
-
Learning
Activities
(cont.)
Assessmen
t
Preparation
/
Equipment
Resources
Differentiat
ion
*Alternatively, take the students to the dance/drama studio for the drawing part of
the lesson.
Links to online images of self-portraits
Self-Portrait at the easel by Paul Czanne:
http://www.wga.hu/art/g/gogh_van/16/selfpo26.jpg
Self-Portrait in front of the Easel by Vincent van Gogh:
http://www.artgallery.nsw.gov.au/media/collection_images/4/454.2001%23%23S.jp
g
Portrait in the mirror by Margaret Olley:
http://www.artgallery.nsw.gov.au/media/collection_images/7/7322%23%23S.jpg
Self-portrait in the studio by Brett Whiteley:
http://www.artgallery.nsw.gov.au/media/collection_images/1/1.1977%23%23S.jpg
This lesson was developed as part of a unit that takes into consideration students
cultural background, interests, and prior knowledge and abilities.
Open-ended structure allows for individual interpretations, capabilities and stages
of development.
Provides opportunities for students to work independently and collaboratively.
Formative assessment encourages students to focus on the process instead of the
product, hence supporting student engagement and improving their success in
learning.
References:
Australian Curriculum Assessment and Reporting Authority 2015, The Australian Curriculum:
Visual Arts, Commonwealth of Australia, viewed 1st May 2016,
http://www.australiancurriculum.edu.au/the-arts/visual-arts/curriculum/f-10?layout=1
Dinham, J 2014, Delivering authentic arts education, 2nd edn, Cengage Learning, South
Melbourne.