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INTRODUCTION
Hello, You just spent $15.00 to obtain three routines
that I perform ALL the time. These are effects that I have
been performing for a few years, effects that I can perform
ON THE SPOT without props at all, effects that have given
me credibility among laymen and also among magicians.
These are effects that I have personally developed using
techniques that are already available out there such as
psychology, misdirection, and of course some trickery. I
have used these techniques in such a way to make me feel
COMFORTABLE while using them, whilst also employing
them deceptively enough for your audience.
The name of the manuscript you are reading right now is:
RIGHT NOW. It includes three MENTALISM effects, that you
can do anytime, anywhere, to convince people that you CAN
REALLY READ THEIR MINDS. These are effects that you can
perform whenever someone suggests you: "READ MY MIND
RIGHT NOW", which, I don't know about you, but it happens
to me very often.
The effects included in this manuscript are:
HOT
BUBBLES
RIGHT NOW
The presentation:
You ask your spectator for a coin, ANY COIN, you now ask
them to flip it in the air and catch it in their own hands.
Before they look at it, you will ask them to think if it has
landed with the head or tails facing up?
Now you ask them to take a look at the coin to find out
whether or not they were wrong.
You ask them to do all this in their head and NOT to
say anything out loud.
Now you make two revelations:
First you reveal if they were right or wrong in what they
believed the coin had hit up, and also you reveal what the
coin hit up.
You ask your spec now to flip the coin one more time, but
this time YOU will catch it, you will also instruct him to say
OUT LOUD while the coin is still flipping in the air what they
think it will hit up, and you explain in advance that you will
make the coin to hit exactly as your spectator has said it
will. The coin lands on your hand PRECISELY as your
spectator guessed it would, but of course you take the credit
for it, as if you CAUSED it to happen that way.
In the third step of this routine, you give the coin back
to your spectator, you ask them to flip it in the air, to catch
it in their fist, and to take a quick peak to see how the coin
landed, you ask them to put the coin away, and you are able
to tell them exactly how the coin landed.
The method:
This entire routines uses 3 different techniques, one for each
of the steps. I would advise you to use them the way you
feel most comfortable with, and you can skip some of the
steps if you prefer, or even to add some steps o f y o u r
o w n you once you understand the whole thing.
STEP ONE:
For the first step we will use a PSYCHOLOGICAL force, MOST
of the people when they flip a coin in the air will say it will
land HEADS, this is already a psychological thing, but we
will make it even MORE CUNNING, to make sure it is a GOOD
HIT.
So it all starts with a good script, here is the way it goes:
Flip the coin into the air and catch it in your fist, dont take
a look at it yet, do it, now think what do you think it HIT up,
HEADS (small pause) or tails, (dont pause here) ONCE you
have in your mind what you think, DONT change your mind,
take a look at the coin and find out whether or not you were
right, but dont say anything out loud.
- For the coin was TAILS up, but you thought it would be
HEADS.
NOT
STEP TWO
For the second step of this routine we will use SLEIGHT of
hand.
Here is how it goes:
You ask your spectator to flip the coin one more time, but
this time YOU will catch it. You also instruct him to say OUT
LOUD while the coin is still in the air how they think it will
land, and you explain in advance that you will make the
coin land exactly as your spectator has said it will. The
coin lands on your hand PRECISELY as your spectator said it
will, but of course you take the credit for it, as if you
CAUSED it to happen that way.
A Greasy mark in the palm means that the coin landed with
the marked side pointing DOWN (the circle shows you the
place of the mark)
BUBBLES
A revelation of a free thought (no forces at all), appears
shaped in the bubbles of a fizzy beverage.
All objects can be borrowed, and it is almost impromptu, I
would love to say it is completely impromptu, but it requires
a 2 seconds set up (yes just two seconds).
The presentation:
The method:
There are two basic steps to accomplish this routine, the first
one is to get the information your spectator is thinking
of, WITHOUT him knowing that you know what he is
thinking. The second is getting the revelation into the
bubbles of the beverage.
STEP ONE:
There are many techniques you can use to find out what the
thought of the spectator is, I am sure that you already know
some of them, so you can feel free to use any one you want;
billets, peaks, switches, forces and impression devices,
etc.
If you do not know any way to find out what your spectator
is thinking, let me share an easy way to achieve this that my
friend Titanas has come up with:
STEP TWO:
Once you have the knowledge of what your spectator is
thinking, you will reveal it by using a fizzy beverage, and
you will LITERALLY make the bubbles of this beverages
shape the initial letter of whatever your spectator is thinking
of.
In order to do this you will need some misdirection and
also some CHAPSTICK.
What I normally do is take the cap off the Chapstick, then I
put the Chapstick in my pants pocket and I am ready to go.
Show the glass all around, and take your finger with the
Chapstick to the INNER side of the glass
Now ask to your spectator to pour the Coke into the glass,
and call his attention to the bubbles, explaining how they
stick to the sides of the glass in a random way, and explain
that just as there are people that can read from CRYSTAL
balls, you can read THE BUBBLES.
Here if you want you can start making some cold reading, or
start to reveal some stuff from what you know he is
thinking:
ask
will
see
has
him
find
the
the
2) Take
the glass and
rotate it
your
self
having the Chapstick point to your spectator. Ask
his
him to mix the beverage and NOW
call
attention to
the bubbles. For your spectator it will
look as if the bubbles suddenly shaped the letter
WHILE he was mixing them.
Enjoy it!!!!!!!!
The presentation:
You ask your spectator to think of a card, now listen to this:
He thinks of a card, you NEVER ask him to say the card out
loud, you NEVER ask him to write it anywhere, NO PEAKS, no
stooges, nothing! This is 100% IMPROMPTU.
I know it sounds IMPOSSIBLE, and YES IT IS. But I am
being 100% honest here, this is a technique I use ALL THE
TIME.
You ask a person to: THINK OF A CARD, any card, and
then you are able to reveal it PERFECTLY.
YOU do not suggest a card, it is a totally FREE selection, NO
PSYCHOLOGICAL FORCES AT ALL.
This technique is so great that I could write an ENTIRE book
about it later to include different routines, and
applications for it.
It is 100% practical, and requires nothing more that your
mind and your spectator's mind. YOU DO NOT NEED A
DECK OF CARDS to perform this.
The method:
I will go directly to the method, and then we will cover and
discuss all the details.
The technique we will use is: CONTACT READING.
But it goes BEYOND that, if you are familiar with
contact reading you already know where I am heading,
and I am sure you will like it even more once you keep
reading and find out the handling that I use for this effect
and all the psychology behind the script.
So far you know the color of the card, which means you
have increased your chances to 1 in 26, we are going to
increase those chances even MORE by finding the SUIT of
the card, and even though for YOU as the performer it is a
second step, we will make it LOOK as if it is the part of the
same FIRST step you just did.
Once you find out what the color of the card is (which will
take you LESS than 6 seconds) you keep going like this:
Lets say you find out that the card is RED (If the card
happens to be BLACK, just reverse the order of the script,
what is important is that you continue IMMEDIATELY with
the COLOR OF THE CARD they are thinking to find the suit.
You say:
- If your card happens to be red, think if your card is
Hearts (NOW you push your LEFT hand TWICE)
- Or Diamonds (Now you push your RIGHT hand TWICE)
- Hearts or diamonds (push your hands a few times
alternating them) And just as you found o u t
what the color was, you will now found what the suit is.
Now you add IMMEDIATELY:
- If your card happens to be black, think if it is CLUBS or
SPADES (here only keep alternating your hands, for
you do not need to collect any information)
It is important that you make ALL THIS as one single step
instead of two steps.
Lets reconstruct the script WITHOUT instructions so you
have a better idea of HOW SMOOTHLY it flows.
and that you want to move to the next step, so you say:
think also which suggests to your spectator not
ONLY to concentrate on the suit and color, BUT ALSO the
rest of the card) Of the value of the card, think if it is a
HIGH (NOW push your left hand twice)
- Or LOW value (NOW push your right hand twice)
- High or Low, high or low (push your hands a few times
alternating them)
reveal 100 % accurate what the card is, you need no deck of
card, no writing anything, etc), which I am not sharing here
with you but you can find it in my DVD: The magic of
Nefesch Vol. 2
Just so you have an idea of what you can do by mixing these
two techniques:
You find out what card your spectator is thinking of (using
THE PURE THING method) then you ask a random spectator
(no stooges, pre-show, nothing, 100% impromptu) to name
out loud the card SHE (as the second spectator) is SEEING
inside HER mind, and of course both cards match.
PRACTICE IT, and when you master this technique, I
PROMISE you will realize how easy it is, and how KILLER it
is and how you will be able to perform the IMPOSSIBLE
anytime, anywhere.
CONCLUSION:
Here I have shared with you three effects that have been in
my personal repertoire for quite a while. I thank you one
more time for purchasing this manuscript, thank you for
supporting creativity and originality, I do believe you have
found something valuable for your repertory, add your own
spice, put your own personality on it. Remember YOUR
PERFORMANCE will determine your credibility when
presenting this effect, so make sure to practice the effects,
the methods, and to present them in a way that fits with
you.
Some mentalists with whom I have shared the Pure Thing
asked me not to release it, not to share it, they use it, they
love it, so since I decided to share it with you, please take
care of it and give it the respect it deserves.
I am sure that by now you understand that the method to
perform THE PURE THING, is NOT just contact reading, the
method involved also includes psychology in the script, and
a different approach and handling for contact reading. Please
DO NOT expose or talk openly about any of these techniques
when you talk about THE PURE THING in magic or
mentalism forums. I have worked so hard putting the
words together in the script, to make it deceptive enough,
and to put my own handling on it.
I AM SURE YOU
UNDERSTAND ME AND I APPRECIATE YOUR HELP IN
ADVANCE.
I would like to invite you now to take a look at my
upcomming book: Telekinefesch, which has already gotten
Great Reviews from some of the MOST respected mentalists
like Banachek and Richard Osterlind.
For further information and to read the reviews go to:
http://www.leapinglizardsmagic.com/csspages/css_telekinefesch
that
have
Having said that I now wish you the best and success in
all your life.
Nefesch
www.nefesch.com
nefesch@nefesch.com