for Susan Grace and Alice Rybak (QUATTRO MANI)

FEDERICO SANNA

HOTHERWORLDLY RESONANCES

(TABLEAUX, BOOK II)

GEORGE CRUM B

for Two Amplified Pianos

I. Double Helix
Veryslowly, with a Zen-likeintensityof concentration
[ =48, ma flessibile]
"Ostinato mistico"

Piano I

4
%

(l.v.)

(poch.)

(poch.)

Ped. I sempre

(l.v.)

%
%

(l.v. sempre)

%

(on Keys)

>

>

(on Keys)

Piano II

"Ostinato mistico"

4
%
<
<

(l.v.)

(poch.)

(l.v.)

(poch.)

>
)

Veni Sancte Spiritus

Motetus

Contratenor

Ve

25
37
Ve

25
37

A1 a1

A1 a1

Tenor

>

8
3

(l.v.)

.
.

(on Keys)

(l.v.)

(poch.)

(l.v.)

r.h. on Keys

(on Keys)

.
.

(poch.)

touch 5th part. nodes

(l.v.)

l.h. pizz. (f.t.)

John Dunstable
(c. 1390 - 1453)

A1 a1

A1 a1

25
37

(f.t.)

(act. sound)

))

>

(l.v.)

gl i ss. over
stri ngs

Ped. I sempre

Triplum

>

ni

ni

cte

san

san

cte

spi

ri

spi

ri

tus,

tus,