Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
DIGITAL MEDIA)
PROGRAMME CODE: AD111
NAME OF FACULTY: ART & DESIGN
FACULTY CODE: AD
LEVEL OF STUDY: DIPLOMA
SEMESTER 1 :
CONSOLIDATING LANGUAGE SKILLS
BEL 120
Recommended texts
1. T.Parimala Devi Thevarajoo et al.(2009). Accelerate Enhance Your English. Kuala
Lumpur: Pearson Malaysia Sdn Bhd.
2. Materials Production Team, Academy of Language Studies, UiTM. (2005). Vision :
Focus on Grammar. Malaysia: McGraw-Hill Sdn. Bhd.
3. Materials Production Team, Academy of Language Studies, UiTM. (2005). Vision :
Focus on Reading and Writing Malaysia: McGraw-Hill Sdn. Bhd.
4. Materials Production Team, Academy of Language Studies, UiTM.(2005). Vision :
Focus on Listening 2005. Malaysia: McGraw-Hill Sdn. Bhd.
5. Zuriah Azmi (2006). Discover English. Malaysia: Detik Evolusi Sdn Bhd.
6. Cunningham, Sarah and Moor. (2005). New Cutting Edge. Pre-Intermediate
(Students Book). Essex: Longman.
7. Cunningham, Sarah and Moor. (2005). New Cutting Edge. Pre-Intermediate
(Workbook). Essex: Longman.
Additional References
1. Azar, B. S. (1999). Understanding and Using English Grammar. New York: Pearson
Education Inc.
2. Byrd, D. R. H. & Clemente, I. C. (2005). React Interact: Situations for
Communication. 3rd ed. New York: Pearson Education Inc.
3. Watcyn -Jones, P. (1997). Pair Work 2: Conversation Practice for Intermediate to
Upper Intermediate Students. London: Penguin Books.
Internet Sources
1. www.bbc.co.uk/learning/subjects/english.shtml
2. www.oup.com/elt/
3. http://owl.English.purdue.edu/handout
4. www.anglik.net
DRAWING 1
FND 100
Recommended Texts
1. Drawing - A Contemporary Approach, Claudia Betti / Teel Sale, 6rd Edition. Holt,
Rinehart & Winston, INC., Texas, 2008.
2. Design Basic, David A. Lauer, Stephen Pentak. 7th edition, Thomson Wadsworth.,
Boston. 2008
3. A Foundation Course in Drawing; Peter Stanyer & Terry Rosenberg. Watson Guptill
Publication, New York. 2003
4. Drawing; Robin Capon. McGraw Hill, USA. 2003
5. Drawing-Foundation Course, Paul Thomas/Anita Taylor. Bounty Books, UK. 2006
6. Drawing & Perceiving 2nd Edition, Douglas Cooper., Van Nostrand Reinhold, New
York, 1992.
VISUAL RESEARCH
FND 101
Recommended Texts
1. Foundation of Art & Design.2008. Alan Pipes. Lawrence King Publicatiob Ltd, UK
2. Design Basic, David A. Lauer, Stephen Pentak. 7th edition, Thomson Wadsworth.,
Boston. 2008
3. Basic Design, 7th edition, 2008. David A. Lauer & Stephen Pentak.
Thomson/Wardsworth, USA.
4. Art Forms, 7th revised edition, 2004. Duane Preble & Sarah Preble.
Pearson/Prentice Hill, New Jersey
GRAPHIC COMMUNICATION I
GDT 101
References
Publication Resources;
1. Rockport Publisher (Editor), 2004, Graphic Design that Works: Secrets for
Successful Logo, Magazine, Brochure, Promotion and Identity Design, Rockport
Publisher.
2. Ellen Lupton, 1993, Graphic Design: The New Basics, Princeton Architectural Press.
3. David E. Carter, 2004 (3rd Edition), The New Big Book of Logos, HarperCollins
Publisher.
4. David E. Carter, 2007, American Corporate Identity 2008, Collins Design and
Suzanna MW Stephens.
5. Amy E. Arnston, 2003, Graphic Design Basics, Wadsworth/Thomson Learning.
PHOTOGRAPHIC
GDT 104
References
1. Kelby, 2009, the Digital Photography Book, Volume 3, Peachpit Press, California.
2. Freeman, 2007, the Photographer's Eye: Composition and Design for BetteR Digital
Photos, Focal Press, Massachusetts.
3. McNally, 2009, the Hot Shoe Diaries: Big Light from Small Flashes, New Riders
Press, California.
4. Hunter, 2007, Light: Science and Magic: An Introduction to Photographic Lighting,
Focal Press, And Massachusetts.
5. Evening, 2008, Adobe Photoshop CS4 for Photographers: A Professional Image
Editor's Guide to the Creative use of Photoshop for the Macintosh and PC, Focal
Press, Massachusetts.
KESATRIA NEGARA I
HBU 111
References
1. Buku Panduan Latihan Kawad Pasukan ATM (1986).
2. Petikan buku AT3101 dan Nota Sekolah LATEDA, PULADA dan MTD.
3. Kursus Pemimpin Rekreasi Luar Kebangsaan, Kementerian Belia dan Sukan.
4. Falsafah MIM UiTM
ART APPRECIATION
VCL 105
References
1. Arnason, H. H., 1986. History of Modern Art: Painting, Sculpture, Architecture.
New York: Harry N. Abrams, Inc.
2. Held, J.S. and Posner, D., 1987. 17th and 18th Century Art: Baroque Painting,
Sculpture, Architecture. New Jersey: Prentice-Hall Inc.
3. Hughes, R, 1982. The Shock of the New. New York: Alfred A. Knopf.
4. Hunter, S. and Jacobus, J, 1985. Modern Art: Painting/Sculpture/Architecture.
New York: Harry N. Abrams, Inc.
5. Muliyadi Mahamood, 1993. Mendekati Seni Lukis dan Seni Reka. Kuala Lumpur:
Dewan Bahasa dan Pustaka.
6. Muliyadi Mahamood, 2007. Modern Malaysian Art: From the Pioneering Era to
the Pluralist Era (1930s 1990s), Kuala Lumpur: Utusan Publication and
Distributors Sdn. Bhd.
7. Muliyadi Mahamood. 1995. Mendekati Seni Lukis dan Seni Reka. Kuala Lumpur:
DPB
8. Pointon, M., 1994. History of Art: A Students' Handbook. London and New York:
Routledge.
9. Read, H, 1994 Modern Sculpture: A Concise History. Thames and Hudson.
10. Redza Piyadasa and T.K Sabapathy. 1983. Modern Artists of Malaysia. Kuala
Lumpur: DBP
11. Stangos, N., ed., 1994. Concepts of Modern Art: From Fauvism to PostModernism. London: Thames and Hudson.
12. Zakaria Ali, 1989. Seni dan Seniman: Esei-esei Seni Halus. Kuala Lumpur: Dewan
Bahasa dan Pustaka.
SEMESTER 2:
DRAWING 2
FND 150
Recommended Text
1. Drawing - A Contemporary Approach, Claudia Betti / Teel Sale, 6rd Edition. Holt,
Rinehart & Winston, INC., Texas, 2008.
2. Design Basic, David A. Lauer, Stephen Pentak. 7th edition, Thomson Wadsworth.,
Boston. 2008
3. A Foundation Course in Drawing; Peter Stanyer & Terry Rosenberg. Watson Guptill
Publication, New York. 2003
4. Drawing; Robin Capon. McGraw Hill, USA. 2003
5. Drawing-Foundation Course, Paul Thomas/Anita Taylor. Bounty Books, UK. 2006
6. Drawing & Perceiving 2nd Edition, Douglas Cooper., Van Nostrand Reinhold,New
York, 1992.
VISUAL COMMUNICATION
FND 152
Recommended Text
1. Art Talk, 2nd Edition. Rosalind Ragan. 1995. Glencoe, Macmillan/McGraw-Hill, Ohio
2. Art Fundamentals-Theory and Practice, 10th Edition. 2006. Ocvirk, Stinson, Wigg,
Bone, Cayton. McGraw Hill, New York
GRAPHIC COMMUNICATION 2
GDT 151
References
Publication Resources;
1. Rockport Publisher (Editor), 2004, Graphic Design that Works : Secrets for
Successful Logo, Magazine, Brochure, Promotion and Identity Design, Rockport
Publisher.
2. Ellen Lupton, 1993, Graphic Design : The New Basics, Princeton Architectural
Press.
3. Cherly Dangel Cullen, 2001, Promotion Design That Works (Secrets for Successful
Promotion Design), Rockport Publishers, Inc.
4. Scott Witham, 2007, Print and Production Finishes for Promotional Items,
RotoVision.
5. David E. Carter, 2004 (3rd Edition), The New Big Book of Logos, HarperCollins
Publisher.
6. Alina Wheller, 2006 (2nd Edition), Designing Brand Identity, John Wiley & Son.
7. International Textbook Company, 1996, Graphic Design & Visual Communication,
Pennsylvania, USA.
8. Jack Foster, 1996, How to get Ideas, Berrett-Koehler Publishers.
9. David E. Carter, 2007, American Corporate Identity 2008, Collins Design and
Suzanna MW Stephens.
10. Amy E. Arnston, 2003, Graphic Design Basics, Wadsworth/Thomson Learning.
11. Alice Twemlow, 2006, What is Graphic Design For?, Rotovision.
12. James Craig & William Bevington, 1989, Working with Graphic Designers, WatsonGuptill Publication.
13. Gregory Thomas, 2000, How to Design Logos, Symbols and Icons, How Design
Books, Cincinnati, Ohio.
14. Malcolm Barnard, 2006, Graphic Design as Communication.
15. Veronica Napoles, 1988, Corporate Design
ILLUSTRATION
GDT 153
References
1. Bain, I., The Watercolours And Drawings Of Thomas Bewick And His Workshop
Apprentices, publisher n/a. 1989.
2. Barnard, M. Blueprint, publisher n/a. 1995.
3. Coyler, M., How To Find And Work With An Illustrator To Get The Results You
Want, North Light Books, Cincinnati, Ohio. 1990.
4. Faigin, G., The Artists Complete Guide To Facial Expression, Watson-Guptill
Publications, New York. 1990.
5. Foster, T., Exploring The Grand Canyon : Watercolour Diaries 1988-1989, publisher
n/a. 1989.
6. Gair, A., Painting Solutions : Hands, Faces And Figures, Quarto Publishing,
Wellfleet Press, New Jersey. 1991.
7. Gere, C., & Vaizey, Great Women Collectors, publisher n/a. 1999.
8. Griffiths, A. (Ed), Landmarks In Print Collecting : Connoiseurs and Donors, publisher
n/a. 1996.
9. Hall, N. J., Max Beerbohms Caricatures, publisher n/a. 1997.
10. Mattesi, M. D., Force: Character Design from Life Drawing, Focal Press, China.
2008.
11. Mattesi, M. D., Force: Dynamic Life Drawing for Animators, Focal Press, China.
2008.
12. Parramon, J. M., How To Draw The Human Figure, Watson-Guptill Publishing, New
York. 1990.
13. Roberts, D., Drawing Workshop, Harper Collins Publishers, London. 1993.
14. Sallehudin, A. R., The Art of Marker Illustration, Orient Press, Malaysia. 1996.
15. Snoswell, M., Expose 5: Finest Digital Art in the Known Universe, Ballistic
Publishing, Australia. 2007.
16. Sounter, N., & Sounter, T., Illustration SourceBook, publisher n/a. 1990.
17. Tumminello, W., 1stExploring Storyboarding, Thomson/Delmar Learning, New York.
2005.
18. Wood, J. R., Handbook Of Illustration Design : Press, TAB Books, New York. 1991.
19. Zeegen, L., What is Illustration? Essential Design Handbook, RotoVision, Singapore.
2009.
KESATRIA NEGARA II
HBU 121
References
1. Jabatan Pengurusan Institusi Pengajian Tinggi. 2006. Modul Pembangunan
Kemahiran Insaniyyah (Soft Skills) Untuk IPT: Putrajaya.
2. Buku Panduan Tempur Tanpa Senjata.1997. Pusat Latihan Polis Tentera. Kem
Segenting Kelang.
3. Pusat Pembangunan dan Kepimpinan Pelajar. 2005. Silibus Kursus-kursus
Kokurikulum UiTM (Kemaskini Ogos 2005) Shah Alam: UiTM
4. Bahagian Sukan Kementerian Belia dan Sukan. Kursus Pemimpin Rekreasi Luar.
5. Ismail Noor dan Muhammad Azaham.2000 Takkan Melayu Hilang Di Duani Kuala
Lumpur: Pelanduk Publications.
6. Rustam A.Sani 2004 Ke Mana Nasionalisme Melayu. Kuala Lumpur: R Publishing.
SEMESTER 3:
TYPOGRAPHY
EAD 211
Recommended Text
Main Reference
1. Azahar Harun (2006). Asas Tipografi & Reka Letak Taip, Shah Alam: Upena
2. Brady, Philip. (1988). Using Type Right. Ohio: Adobe Press
3. Carter, Rob. (1997). Experimental Typography. New York: Rotovision
4. Gordon, Maggie & Dodd, Engine. (1990) How to Create and Use Decorative Type.
Ohio: Quarto Publishing
5. Spiekermann, Erik & Ginger, E.M. (2003) Stop Stealing Sheep & Find Out How Type
Works. Berkeley: Adobe Press.
DIGITAL ILLUSTRATION
GDT 203
References
Publication Resources;
1. Digital Illustration: A Master Class in Creative Image-Making, Lawrence Zeegan,
2005 RotoVision
2. Exploring Illustration, Michael Fleishman, 2004 Thomson/Delmar Learning.
3. Picture Perfect: Fusions of Illustration and Design, Ian Noble, 2005 RotoVision
4. Illustration: A Theoretical & Contextual Perspective, Alan Male, 2007 AVA
Publishing.
5. Text and Image, Mark Wigan, 2008 AVA Publishing.
TYPOGRAPHY
GDT 205
Recommended Text
Main Reference
1. Azahar Harun (2006). Asas Tipografi & Reka Letak Taip, Shah Alam: Upena
2. Brady, Philip. (1988). Using Type Right. Ohio: Adobe Press
3. Carter, Rob. (1997). Experimental Typography. New York: Rotovision
4. Gordon, Maggie & Dodd, Engine. (1990) How to Create and Use Decorative Type.
Ohio: Quarto Publishing
5. Spiekermann, Erik & Ginger, E.M. (2003) Stop Stealing Sheep & Find Out How Type
Works. Berkeley: Adobe Press.
2D ANIMATION
GDT 206
Recommended Text :
1. Kit Laybourne. (1998). The Animation Book: A Complete Guide to Animated FilmmakingFrom Flip-Books to Sound Cartoons to 3- D Animation, Three Rivers Press. ISBN-10:
0517886022
2. Richard Williams (2002). The Animator's Survival Kit, Faber & Faber. ISBN-10: 0571202284.
3. Chris Patmore (2003). The Complete Animation Course: The Principles, Practice and
Techniques of Successful Animation, Barron's Educational Series. ISBN-10: 0764123998.
4. Harold Whitaker (2002).Timing for Animation, Focal Press.ISBN-10: 0240517148
5. Robin Beauchamp (2005). Designing sound for animation, Focal Press. ISBN-13: 978-0240-80733-1
6. Mark A. Simon (2006). Storyboards: Motion in Art, Focal Press; 3rd edition. ISBN-10:
0240808053
7. Steven Withrow (2009). Secrets of Digital Animation: A Master Class in Innovative Tools and
Techniques, RotoVision. ISBN-10: 2888930145.
8. Hedley Griffin (2000) The Animator's Guide to 2D Computer Animation (Visual Effects and
Animation), Focal Press. ISBN-10: 024051579X.
1. Inventori Himpunan Tetap Warisan Seni Tampak Negara, 1958-2003, 2003. Kuala
Lumpur: BSLN
2. Muliyadi Mahamood, 2001. Seni Lukis Moden Malaysia. Kuala Lumpur: Utusan Publication
& Distributors Sdn. Bhd.
3. Muliyadi Mahamood, 2007. Modern Malaysia Art: From the Pioneering Era to the
Pluralist Era (1930s-1990s). Kuala Lumpur: Utusan Publication and Distribution Sdn. Bhd.
4. Pameran Retrospektif Pelukis-pelukis Wayang (Katalog Pameran) 1979. Kuala Lumpur:
Muzium Seni Negara.
5. Redza Piyadasa, 2002. Masterpieces from the National Art Gallery of Malaysia. Kuala
Lumpur: BSLN
6. Redza Piyadasa, 2001. Rupa Malaysia: Meninajau Seni Lukis Moden Malaysia.
7. Kuala Lumpur: BSLN
8. Redza Piyadasa, 1994. On Origin and Beginnings dalam Vision and Idea: Relooking
9. Modern Malaysia Art. Kuala Lumpur: National Art Gallery. Pg. 15-48.
10. Sabapathy, T.K, 1994. Vision and Idea: Relooking Modern Malaysia Art. Kuala Lumpur:
National Art Gallery.
11. Thompson, J., 2006. How to Read a Modern Painting: Understanding and Enjoying the
Modern Masters. London: Thames and Hudson
Zakaria Ali, 1989, Seni dan Seniman: Esei-esei Seni Halus. Kuala Lumpur: DBP
SEMESTER 4:
History of Graphic Design, Armin Vit, Bryony Gomez Palacio, Rockport Publishers,
2009.
2. Type: A Visual History of Typefaces and Graphic Styles, Vol. 1, Jan Tholelnaar,
Alston W. Purvis, Cees De Jong, TASCHEN America Llc; Har/Dig edition, 2009.
FUNDAMENTAL OF ENTREPRENEURSHIP
ENT 300
REFERENCES
1. Zimmerman, T.W and Scarborough, N.M, Essentials of Entrepreneurship and Small
Business Management, 2nd. Edition, Prentice Hall, New York, 1997.
2. MEDEC, Asas Keusahawanan. Shah Alam: Biroteks, ITM. 1990.
3. El-Asker, Ahmad A.F. The Islamic Business Enterprise. London : Croom Helm, 1987.
4. McLanghlin, Harold J. Building Your Business Plan - A Step by Step Approach. New York:
John Wiley & Son 1984.
5. Timmons, J.A., Smollen, L.E., & Dingee, Jr., A.L.M. New Venture Creation. A Guide to
Entrepreneurship. 2nd Edition. Homewood, III: Richard D.Irwin, Inc. 1985.
ADVERTISING AND ART DIRECTION
GDT 257
Recommended Text :
1. David Ogilvy.(1985). Ogilvy on Advertising. Knopf Doubleday Publishing
Group:USA.
2. Mario Pricken.(2008). Creative Advertising. New Edition , Thames & Hudson: USA.
3. Pete Barry.(2008). The Advertising Concept Book. Thames & Hudson :USA
4. George Felton.(2006). Advertising: Concept and Copy. Second Edition, W.W. Norton
& Co. :USA.
5. Marian Azzaro.(2008). Strategic Media Decisions. 2 edition. Copy Workshop:USA
6. Jim Aitchison, 2003, Cutting Edge Advertising II. Prentice Hall: USA.
7. Ken Burtenshaw.(2006).The Fundamentals of Creative Advertising. AVA Publishing:
Switzerland.
8. Moriarty, Mitchell, Wells (8th Ed.) Advertising: Principles and Pratice.
9. Jerry M. Rosenberg (1995) - Dictionary of Marketing & Advertis
3D ANIMATION
GDT 266
Reference
1. Barret Fox, 2003, 3d Animation From Concepts To Completion:Cg Cinematics, McGraw- Hill
Publishing, USA
2. Kerlow, 2003, The art of 3D computer animation and effects, Wiley Publishing, USA
3. Bonney, Anzovin, 2005, Inside 3ds Max 7, New Riders Publishing, USA
4. Lyver, swainson, 1999, Basic Video Production, Focal Press Publishing, USA
5. Christiansen, 2008, Adobe After Effects CS4 Visual Effects and Compositing
StudioTechniques, Adobe Press
References:
1. Charlotte and Perter Fiell, 2001. Design of the 20th Century
2. Dasar-dasar Pembangunan Malaysia, 1994. Kuala Lumpur: INTAN
3. Gold Jewelry and Ornaments of Malaysia, Muzium Negara, Kuala Lumpur. 1988
4. Heskett J, 1980, Industrial Design. London: Thames and Hudson.
5. ________________ Ke Arah Rekabentuk Baru dalam Permasalah Kraftangan
6. (Towards New Design in Craft Industry) INTI
7. Lorenzo. C, 1986, The Design Dimension, Product Strategy and the Challenge
of Global Marketing, Basil Blackwell Ltd.
8. Malaysian Standard MS ISO 9001: 1994, Quality SYSTEM, Model for Quality
Assurance in Design Development, Production, Installation and Servicing by
SIRIM.
9. Sheppard, M. 1980, A Royal Pleasure Ground Malay Decorative Arts and Past
Times, Singapore Oxford
10. Siti Zainon Ismail, 1986. Rekabentuk Kraftangan Melayu Tradisi, Kuala Lumpur:
DBP
11. Syed Ahmad Jamal, 2007. The Encyclopedia of Malaysia: Craft ND The Visual
Arts, Kuala Lumpur: Edition Didier Millet.
SEMESTER 5:
INTERACTIVE DESIGN
GDT 301
References
Publication Resources;
1. Lee, William W., 2004, Multimedia-based instructional design : computer-based
training, web-based training, distance broadcast training, performance-based
solutions.
2. Villalobos, Ray, 2008, Exploring multimedia for designers : a designer-driven
introduction to the essential concepts and technologies of multimedia.
3. Ivers, Karen S., 2006, Multimedia projects in education : designing, producing, and
assessing.
4. Clark, Ruth Colvin , 2008, E-Learning and the science of instruction : proven
guidelines for consumers and designers of multimedia learning
5. Dabner, David, 2006, First steps in digital design : use your computer to create great
litterheads and logos, inviations and cards, brochures and flyers, web sites and
multimedia.
6. Koumi,Jack, 2006, Designing video and multimedia for open and flexible learning.
7. Robin Landa, 2005, Graphic Design Solutions 2nd Edition, Onward Press, Canada
8. Tay Vaughan, 2006, Multimedia : Making It Work, McGraw Hill, New York
MINOR DISCIPLINE
GDT 308
References
1. Hambree.R, THE COMPLETE GRAPHIC DESIGNER, Rockport Publisher,
USA,2006
2. Wheeler.A, DESIGNING BRAND IDENTITY, John Wiley & Son, Canada,2006
3. Ken Burtenshaw, Nik Mahon, Caroline Barfoot, THE FUNDAMENTALS OF
CREATIVE ADVERTISING, 2005
4. Ogilvy.D.,OGILVY ON ADVERTISING, Prion, 2007
5. Steven Heller and Veronique Vienne, THE EDUCATION OF AN ART DIRECTOR,
Allworth Press, 2006.
6. Edo Smitshuijzen, SIGNAGE DESIGN MANUAL, Lars Muller Publishers,2007.
7. Moggridge. B, DESIGNING INTERACTIONS, MIT Press,2006.
8. Shane R.J.Walter, MOTION BLUR: MULTIDIMENSIONAL MOVING MAKERS,
Laurence King Publisher, 2008.
MAJOR DISCIPLINE
GDT 309
References
1. Hambree.R, THE COMPLETE GRAPHIC DESIGNER, Rockport Publisher, USA,2006
2. Wheeler.A, DESIGNING BRAND IDENTITY, John Wiley & Son, Canada,2006
3. Ken Burtenshaw, Nik Mahon, Caroline Barfoot, THE FUNDAMENTALS OF CREATIVE
ADVERTISING, 2005
4. Ogilvy.D.,OGILVY ON ADVERTISING, Prion, 2007
5. Steven Heller and Veronique Vienne, THE EDUCATION OF AN ART DIRECTOR, Allworth
Press, 2006.
6. Edo Smitshuijzen, SIGNAGE DESIGN MANUAL, Lars Muller Publishers,2007.
7. Moggridge. B, DESIGNING INTERACTIONS, MIT Press,2006.
8. Shane R.J.Walter, MOTION BLUR: MULTIDIMENSIONAL MOVING MAKERS, Laurence
King Publisher, 2008.