‘Away of looking at things 1988 a shaped it whe ent into my ants aren Tat hen Ther it perhaps ijt ser) ata Kio that iso safe hichentuna, and at al the ds which aed al dileent arth thin, heap late, Seda that Uh he cntn the drt architect eapience Heres an images that ep When design # remembered aritestural itvation wx realy Hike, what it hal meat to me tthe tne, andy think ho ul lp sen torevve that iran sapere pervade by the spe persnce of things n which everthing had it on apc place sn or, And alah p teen blr Yet the wes race any pil ors there of alles af which makes ne think th hat i al new and iret a ha thee 9 die referee to forme work of acitectare whic might slg the sce of fees we Made of materia er somthing reveling show! the war 6 Joep red in on ance, escalal Late fin ihrer ey oe erik hii ny ek. sme prc qty in the unten of an acter ohh Non for thems teria themes ae pic hal if he archi ale to orate eran gl si copes yearn pen inj hs yn hi Wy we mork wand the gal we Jan ak sae Tight om bath the way whic the materia ional Wwe scced h ine a ibe ork within things isi that oe them imprsive ings shout the marie ban Seas tre” I contraction some lear and sasparent, Hs posible wo purse dhe details of he me, harmonic and tna elements mitout losing the ng forthe compontin a wh hes detail Tem eo fart, and if we tae the inva hrs of the musica fait pile phen the es tht gover the rte Construction she at of makings meaning whole tof many parts Bling» ate wines to the aman ability to const onerete things. fli thatthe zal core fal arterial srk is inthe at of condton tthe pit ime hen enking for hemes pr of he rel word crete, the citer we ure Bt signers Lam imposed by th ole fo mae hinge bing thie sa the Bt fms kil. Ly 4 1, °A bet of wor wont inte hi” when they ome ‘he cae al that ts mae as las on cael con straced bj. The nin that one ork ai hat ne scons the 1 ery Te af our misings boat the vale of work ofa work of ait. At he ete lw patie the relly inherent parte ofthe things ‘emake? Sometines, when | mo A york of ache inthe sameway a Yan moved by musi, erate pining am tempt hk Forte silence of sleep The fe The slaw moemeos af the Mott pi concert stn Coren’ shallad othe ond of ne man ice in certain songs all mene "Tehama ait ta inne mci, harm the oposite of lady ina ohm. Der ie dsharmony and broken the, Ararees sd cher of umd, and there it lio the ply ane ional und that wel no. Cantompoary sic works wih Contemporary arhtetre should be ost acl cten porary musi But hee ae init Ako work of arhietre aharmony ad ragmentain, on broken shyt ea tec te ctrl dog that es the question the bling’ practical wns Arcitecre si el san ha pela rb to etal bro a i pc ration al work forthe ence sleep in alien iw eae no Praliminay promises Init Gil, comnts place fa the so ree word This whet eis. Theis whee mabe it sate Inet Portrayal of yet unralized architectural works represent sm attempt w ge oie someting which sot yt out deering! ro exper erccirely pmie the aura the ig in tte ht pecs the fl of he pr tral fen sere wera the lene the atl eject ad wha the emerge is an awarenes of he insdeqaaey of any ind of trap erty the ea proms, and eps ~ ifthe promise ha the poe to move a ~ angling for aa Ne natura ad raphe sion srchiteto ss art great lek pen pate" where wr imagnatin tnd coro abt the ray ofthe resing cx ponte the theo tomging fr te reali wanes bese theese or bing a bt The ea promise Weer only ol imap the prey el best four desi ad oa theese tha pinto the intended ay veer Design drawings that eer to a ealiy which til si fatnears pare ny oth eon worn rn tei mil hey each he delete pint ef eeprseaon hen the re ling ood Le emerge, nT oop before lee artand farms, mtv nod dimemsons. The achilert mu lk or rina onaructions and forms or edges and jos forth then surfaces interns and diferent materiale met These formal eae determine dhe sense trations ii the larger propor: ‘ios he bling. The details he frmal shyt, the ailing’ ely ectionate sae Deal expr athe ie il of the design rogue the rest poi ithe objet elonging a epuraion, emion oF ‘eo hin hey tow neat pr Thee ba eatin. Ks aif we saccumb the magi of th fly developed rshitectural dy Our atention i caught perhaps for the ia ime by dtl sch taal the Hoe that hol the ee ates iy the wraout dart. Fiotans well up. Somedhing Beyond the symbols thing gor” he does. “Maintet ie at al sigh ts "Nathing works any mee” sy those who for cotadictory opinion i ot fr contraictory fat, We gt for thi: trains crumble, and with them eukaral ent Nt soe ely tn meds il onl he dy deal chnsandtoen comin frie ital ol pa Ashita preva Posmodern ile cml be desi atte i which every and womb una: The war lf spew form, hich an for thing that wo on lly waders eaue they, tee, fen et to he mere sigue fr ther sings. The rel ting ‘etm, landeape ond ett: thee re ches: by at ch mia instrument, which ae ‘than ree iain When ne bok a din dhemseves, or pereption bres calm add 4. The hips pret fe they ae simply thee (Our poreptive fates ow quiet aperjadiced and nacqu tive They weak Beyond igo and syns they ae ie a ie con ce snething 8 which we cant fous our rabcenren. Hes tid prc sitin, a ming mip surfs menor which sen to lve fom the depts Now or snervtion othe jet embraces presentment of he ordi alte wholenew, beans here hing thet coo dered ‘There sa power ine nina sing of very le, Hand appr pining cm a ay. We nly vet lok the long ‘Completed landscapes De rc, the pants era Inns a oomethng te 5 special st i Thy seer py tobe hers, We do not pay pace mere hy sand without hem. These lingsny nth gro They tevin! prt ftir surrounding an they emt be st ings“ am 0 6 me an elo ee 1 have a nina ese to design se bung, bangs ‘hain tie grow mtu ine being pa ofthe frm ad hi a asi ery new work of architect inerenein speci hina ing sole caning lg with heen situation Frith interac oi find pla, ms ma le Sand i op a place ih, We thr ve pond i mle the oe ‘eve hat bling oly be accepted by dhe sur Hy have th appl sour rts ws ways Since au elings ad understanding are oat in the po. onr senso comnstion: with bulling must repo provesof remembering. ut Jon Berge ays, what we een do ine. Various posites te canot be epee lead and et inthe at remebcring magen sgn or comparinns ope wp poses of approach We runt coro aril etem of apps hat onabos 6 ser the work of aise an fel point ro dillerent anges vical anh ‘The tension inside the body Werkingdrvinge re deal od eee tenes whe wl {materi onthe ae of stor manipulation sot ryt suvnce wo nret ke poet dings They em be saying “This nat oii ok.” ‘Waking hastings Ek ain dersingh They seve smh ofthese inner tion tha he Bie arctic al vag: he a of ning hide roy terials einer bres of arg ad ig. ‘he uma we fers Documenta eniton in Kav. The oe had oer hie aed a aur of tial depth 6 the separ ote i halle ogni in sch way that they endow the By fhe beiling with quliy of ine teaon and vibeatin. This i how ini ae made, The remind sf the ivi dies fata Unexpected truths Any yuh imagined pote 8 Kind of coeds made up soy Fe ine caps sa lions which shag reliable ‘hey might be enjoyable, were dificult aie wth view of he word. Ae am artis, I hae ened te under that the oppose of his youth definition of postr x probly Ine athe rth, Wa rh of ach i ffm and cates sbi Gov srg fen eed Gt pet oto afiguatone mug lel wt 3 my pio the also This ata eve, ating do with tere. gma Ii concerned with insight and werstaing hoy al with th Perhaps pry rth I vein sills Artes artistas tog hi al expecta form. The billing el never porti.A wa I maypobaly connected wth he fat ha hy tend tl tthe ama work ane ae pee vd nie The design pote based on constant lterpay offing and reason The ings, peterenes ang ves and desitesthat merge and demand tobe given for mt be contre yet pers easing, bat eo reeds rm fing aig, Pin ings hooey right we Fight. Uexprinee joy and pasion, Composing in space nT eae fp abt poe pi ato know what pace ely The longer ink. becomes Abt one thing, how tiny prt he nit thal sro cin ind, Laat hy seth heft pe and ecto my design dra patra di 1 yo seine dem a ps bodice spre ad et ii sera a ee of he vibe. Designing vimentin. When was tllat at Avi follow ths rnp We eked fora new slain ho very ard, Nat ti ater Ait ele that there are hilly oy ery few architectra lem vic aid soto hon ald Be ondhich we ox bal a npr sin of weber errand th elect that we ill Know derstand, andl ek rarely aber the cane teem eb wallet eet what Melancholy perceptions Fre Sol film “Le a counts iy year of Erype istry ple moving ad dancing. We rena in Teoma of ‘ih on diatgon and comp he mn rm with these people then ts while te ge The fas th fsa ie main characters Bat the bl sf airs in the back eta pong, the ‘pound and the seu, prea stmnpere. rit the ther way ound! leit the ope who endow the om with prior mood? ask this question bce am coined that «god ling tb cpl of aarbngthetven oF ha esd thao ekg ec Fc, Natron I hk fhe patina of age om mae As, emanerabe al erate on sofa of ari chat re dl and rile, and of ges posed by we Ha be forget bth these physical traces ad my 1 cing uname of ine pansing and am awareness mes that have bee et tn the planes aster’ aoe and pavillion dar importance. What mates noe only Sieieance ae of ec hi fesing of deep melancholy. Achteate sexpnd i.M feo sae emg i eam me pli th bre oe to the ayo pat ie Steps left being When wor on desig allow mye sel th rw elt to the kin fw Mor entsin ae Snsonyal tong ot dle en Ewing Fal may of i Lig ml ais ing ewe uals, the objet ill sume a depth and ihe. am 40 ahi thi lec, the quae Va ging he design moat merge and Mend ith the onstruction nd formal sacar the Finished ba {ng For sn onto pbc ea ft kw eg ie. They belong ogther an frm x whole, Wh ling, ou eye guided by ue tend stay a lok fr details too on, at the epthensof he whule d ho ‘hi nett he etl images de tothe background The idea or spe that have een Ie bid ‘The new buding nme the Focal portion nisi. Me historResistance osbiliies which einer its. ection ei eo obo for things that th eae ny «geting om those ata prc ar ei ‘The hard core of beauty 1991 Two wees ug happened to eae x aa opm tilde ty fa a adhe hk thi amsiton of broly aa hard coe ha ot have sai And immed his Iho what be rant Ws hag hat Te a he ‘ha ray ein matral, ro things tha doo ay ay tiers er eng and whe he that hi pt when he cx ving of hing for hil, Ad the rare rm the radio program that the pty of Wit Car saloon hinge tbe ‘Wiliam eo the prom fi In Wiliam’ wor, si he opin the nk place setingy ly and laconic a tpl for hi ean Wat hea appeals to me at ows hing have ose, confetti heb i fori place wd funtion, it wil deel ite son tet with no we fr aie adiion. The hard cae of ay concentrated sista Tt where are arhitectres sof foe that came ts nbeance, shove ad bey al serial aeratis cae the bey of erate, in vague, opens, ued that Wiliams argument sem imply? Calin pias oot tha in Leopanks ow et ths oer he as + psiahing things he de losin: his thn i bat Lear demands so ha wean highly acearate a pesutic tention nthe compton of ach desired vaprenens” Crna lowe with he comin pares mana om the thing heels if b tha poner aod muhilchy sabe developed rom the ane st wie do, He a and spaces emerged which up ‘he potential of primordial fc that reaches dcp than the Oseuping oe with tired laws of ‘hing eh yarn cones wi ding amp Jabs for lms are qualified ly bo block the acest ce hiking. Th wo acide fom this a thei theory of arhtectne a a hough a ait nich auppme shold fleet eter enced wholThe pint that emerges hore the reduction af the contents weal things Mane alo eas nthe contet, of Bey 9 ‘hing He wuld ike his descrpians he syst be expres [ales to he ple they veri atl na supplementary pets af this in lp ture. ual some acre blings that have ssh apd des fl Gi Vamp of by the ing tpn t he all bo me he aries forthe hep sg he same th Geo areieetar shold receiv he aman vit ha pia iid shi Why oe wenden the ions as bt iil we ha idence in the asc arin ad eng bore ath ad shy, and confidence inp ab be specs pyar whee eclnig wale sreetviy and resonance ae hand with ep 1 personally te the ide designing and bling hoes rm sith ties mc eigen ellie — nce and nity, and with warmth ad semonnnes a well: ng uiling. mt representing ink elon orange nies oo uc a tey ae eget ip eae Wallace Steven, {red in the ito of yoems, acepted the challenge ola oan srt of enseration bt they sek an ony be ha ofthe por (Calvino ges sep far one ein hi ray werk when rel ru hi one f ire) jhthat com odin Wiliam a Ma, and hat 1a Paintings of Earl Hoppe: its oly ttre the realy a hinge and hei the par af the wrk of ts kind hi tate int chit rms ell myself that the spark the aces bling a only be Kin be ncn the ely ofthe things161 sian exhibition of work by Mero Oppo a the Teaching architecture, learning heim Museum. The techniques abe ase are strikingly architecture tired. There it 80 continue, conten tle. Neverthe, 1 inking sd foie iit rg Wer work Tages ln way ooking ath world ly inks he fam fr eup ad he sake made wp ding chitin Over and eer agen, The ste ie topereivethe wold wi th wal designe sensu god aes inteliget, Teall expeicace ables blac we bre eve baa he ‘ord The rot of architectural ert ener nce ‘ural esperone: ou 0m, oF hoe ou tet on i ry lag = expire thea lei on ie tev dwt tw esprit Iter wn. Th nderanding of wie et nr silo they fein wr bingrophy. Sime ye eae to Son yes Thee allted tasks ate devised tat this process in maton eve wn ty tha espreed ar toned i =a ny, Wha iy tok sel was in he sr, what id my usp sed he in a ay ah ‘ein, hw di the oe fe ur ham, hw i he igh rb dhe facades, what wa the shine om . ;‘he walle? Was ther elgg marounes wilh of ini Taosen Mors Uke ight membranes, Heay se mas sft tenes plished rast, pliable len, ra ate, plied mahogany crystalline lm sf apa warmed bythe a. he ei, We kno them all. Amd ye mt lor ole hem th avatenen Thin rears his src, compro 10 Archit ee Int big. And this dy i ays AM de or tar ervanives of arbiter of i teil T nthe prt of hit phy sect we Aes nance we 1 ach se, hear ase tk the theme fu tething wa tiveness war with these quis design workin the tis de wth tra I aby tide ot conertshings sb sional wrk sete rae” hich pofewiona architecture, Fi the const Jntunced around wih We on env these mas im ur nin’ eye and reese them Ha thi dae ut et make 2 new NS eee ven new architecture, Fvery design weds we images. Our lamps en ly lp od ne oes Think he le By i ey ate, he ia oor he moo | nr the Ds the wal and Sn the he window ai we weve waehing af ‘Ohen ower hey ae it inp there the th a.m we sat a deg id is unalyincamplee, So we ty repeatedly to rearicale and aif our theme, tal the mining prs oo imagined (0 to put nr ay we design The comet, es iy ot ine image helps here, Kelp asa gett in avi, bsrac theoretic assumptions: it el fe lave wth the graphic quality fr deaningy dt cane it with rete qualities of architertne. Hepes not tl in 1s prt ofthinking Aso wil free, orer an systema