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  • Advaita Shaiva Shastra - B.N. Pandit

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    advait shaiva shastra-B.N PANDIT

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    347 visualizzazioni409 pagine

    Advaita Shaiva Shastra - B.N. Pandit

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    srimatsimhasaneshwar
    advait shaiva shastra-B.N PANDIT

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    © All Rights Reserved
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    wito meeferer mre afieet (aa ait & arari) PR EFACE Philosophy and religion have ‘their distinct. ly different fields in the west. The former. consists of pure reasoning based on the. Principles of logic and the latter consists of devotional. wor- ship based on faith. But that is not the case with Indian Philosophy. Hinduism has two. important aspects. One of them consists of formalritualistic performance and social discipline: and that aspect leads towards the achievement of worldy prospe- rity and heavenly enjoyments after death. The other aspect of Hindu religion leads towards the attainment of a state of infinite and eternal self- bliss, called Moksa. Indian philosophy also has two main aspects, the theoretical one and the practical one, The former one of theseaspects is the same reasoning based on logic but the latter one is very closely related to the finer aspect of religion leading to Moksa. Logic, in the view of Indian thinkers of the highest orders, is only an aid that helps an aspirant in attaining a clear conception of the exact reality.It, being based on human conceptions and buman conventions, cannot reach that eternally existing and real aspect of the exact reality which is beyond the reach of all speech and all thought. Only the con- ceptional aspect of the exact reality can according to Indian thinkers, be discussed and explained through philosophic treatieses. An aspirant having understood that aspect of the truth, is a ; vised to look for its eternal and transcendent aspect with the help of his own infuitive self- awareness. The practical aspect of Indian Philo- sophy comes to his help'and awakens his intuit- jon through which he hasa direct experience of the exact reality. Some great philosophers of India have supplemented their logical xpenasation) of the truth by its poetic expressions which go very of teninto the deeper levels of its nature, because poetry, arousing the intuition of a person, can take him into some interior secrets of ‘the truth through its power of suggestion. Kashmir valley bas been fortunate ia having many philosopher poets right from the ancient ages. The great Kashmirian thinkers like Utpala- deva and Abinavagupta were good poets as well. The philosophy,-. expressed by them through the medium of poetry is very often more effective and more useful than that discussed by them through the method of logic. That tradition of composing Philosophic poetry continued in the valley for centuries, Lallesvan, one of the greatest saints of Kashmir gave a popular turn to that tradition by composing such poetry in the language of the co- mMmon people, that is the modern Kashmiri lan- guage. She adopted that style of poetic prose which was already prevalant among saiva saints, (2) rt pittance peices oe who wrote in pratinta and _Apatramanan. Iguages and quotations from whose. works are available in some impotant, works of Abhinava Gupta, That style was later called the style of “Vaks'. The style was fully evolved and made popular by Lallesvari through her sayings. She followed: by a long line of saint poets like’ Niundreshi,. Mirza Kak, Svach Kral. Parmanand, ect. Master ' Koul has been a Kashmiri poet who took up the thread of those saintpvets in the pres¢at age. There are big collections of Vaks™ by ‘Mirza.'Kak which are available im manuscript from ‘in «the Kokarnag area: Very few of: his Vaks' have seen the press. Some. Vaks of Svach: Kral “have been published and some are.available in the ~meniory of singers of anciet type. - Tika Ram Ganjoo, populary: known 2 as Tika Kak, also has been a philosopher . poet whose Vaks are available in manuscript forma at Sri ina Pulwama anid Gulab Bagh (Gandexbal). He lived at Madan Yar, Habakadal ( the area.of the ‘present Scootar Stand). According ‘to his desc lived upto’ 1888 A: D. His chief dis Bhona Kak of Pinglin, Pulwama, Tehsil’ Anan- tnag, (1818.A..D. t0'1913°A: D:): He, having been impressed by the saintly gualities of Tika ‘Kak, gave up. his: service, became one of disciples, observed . ‘lifeslong celibacy and . passed; the major portion. (3) of his life in the company of preceptor.He com pi- led the Vaks of Tika Kak and composed his own Vaksas well. His disciple, Thakur Joo Saproo,(1878 A. D. to 1953 A. D.) was a house- holder living at Gulab Bag (Ganderbal). He also is said to have composed abouta 100 Vaks, All these Vaks are compiled in a big collection which was in the possession of Thakur Joo Saproo. " Brahmacahari Rughu Nath Ji is a disciple of Shri Thakur Joo from whom he got the collec- tion of those Vaks written in Persian characters, He had an intense desire to get the Vaks published. Therefore he got them transcribed into Devana- gari characters. He further felt that the meanings of the Vaks cannot be under stood by people, be- cause many secrets of the theory and the practice of the Saive philosophy of Kashmir have been mystically expressed through them. It is very di-. fficult to understand most of them without the help of the knowledge of Kashmir Saivism. Therefore Shri Raghunath Ji approached me in 1972 and urged me to translate the collection of the Vaks into Hindi. - One portion of the collection was transla- ted by me in 1972. A part. of collection was published by the Sharika Bhagwati Trust, Sri. nagar in 1974.Shri Raghunath Ji was not satisfied (4) MN ge with the publistiag business of the Trust. I also did not find the performance ‘to be satisfactory. The Brahmachari did not lose heart.He approackied people to get financial assistance to ‘his selfless efforts aimed at that sacred cause of service ‘to the culture of Kashmir and suiccesded- in colllec- ‘ ting money to start the printing OF the remaining part of the translated portion of the collec a of the Vaks of Tika Kak. The printing is ‘going on at some good press at Jammu: In the mean time [ started]to translate. ‘the remaining portion of the collection and comple- ted that work in September .1976. This portion also is going to be printed at Jammu ‘and is ex- pected to come out in the market as-eatly “as “possible. This second portion of the collection -is more philosophic in character and deals with " some very esoteric principal of the. practice of Saiva Yoga. In the whole collection of the Vaks there are some sayings at. several places which are still difficult to understand. | have, however, - tried to translate them as far correctly as I could. But their meanings are still full of doubt to me - and require further thinking and pondering by scholars. Incorrect copying and transcribing can be the cause of doubt at some places. Therfore the text also requires’ further correction after sufficient pondering. Oe (5) «4, ° The name ‘'Tika Ram” was.found. by me at, the close of two poems in, the second portion 1, Of the.collegtion, The name “Bhona, also occurs " there at the close of one poem. I did not find the Game. of Thakur Joo:any, where 19 the, whole -co- lection. His authorship of about @ hundred of these sayings cannot be, denied, because, It Js eSti- “lished on the yerbal evidence, of his direct disci- ple, Shri Raghu, Nath Ji Brahmachati., The name of “Tika Ram” and “Bhona” mentioned above, prove that the'calléction contains the sayings of -both these saints. But itis not.possible to say as -to:say-ag to.which of the sayings belong to: which “Of these two saints. I, however, fee} that most,.of -the songs inthe second.portion of the colletion rare from the pen af Tika Kak, who had bhen. bie- issed:by divine‘grace of. Lord Shiva and in whose poetic composition we.can-see,that. natural . flow “of poetry, which-dogs nog care: much for, rhyme or rhythmor even:grammar. We ¢an,find at, pla- “ces Sanskrit mixed with Kashmiri. At. ot;er, pla- 7ces we:can see Sanskrit roots with, Kashmiri suffi- . Xes. One.small poem ,is composed, in pure Sans- | ; skrit. The:Vaks-obtained.by Pt. Thakur Joo myst -# have been.collected.and compiled, by Bhona, Kak «Ji because-these go.under, ,hjs.. name, among the - lives sof the-desciples of, these two saints, ai vs The Vaks reyeal that Tika,.Kak. hada direct realization of the matapbysjcal truth, and its exact nature through the Sambhava Yoga of the Trika system of Kashmir Saivism. This fact SSeS eee yaar can be established on the basis of the facts given below :-. , - : (i) The author expressés that lie is the devotee of Lord Shiva, oe (ii) He believes in that monastik pantheism which has ‘been well éstablished by the authors of Kashmir Shaivism. (iii) His mentions of Vedanta and Vedantic ter- _ Ininology are just a few: . (iv) His Vedanta is the fundamental theistic monism of the Upanisads and not thé Ad. _ vaita Vedanta of the followers of Shankara: (v) The supreme Godhead of the Brahman, it his view, is His essential nature and is nat super imposed on Him .by ignorance as _ | maintained in the Advaita Vedanta. _ (vi) The practical path leading to the correct " yealizatioa of the exact nature of the final truth is, according to the poet, that direct yoga of the Trika system in which an aspi- , .. rant has.to give up all knowing and doing, has té stop all activities of perception ‘and conception, has:to.make his mind stand still | «any keep.it awake; has to'ntérge his limited + -€go' into his ligiiless self consciousness and _ has ii. this way 46 recognize himself-as tné . | Ab solute God arid none-tlse.’ - (vii) Emphasis has been laid by-the poet: on the ; : realization.of the absolute devine nature of ' "" "she self and the recognition of the self-as | : e God. : (viii) wes ‘Kundalini Yog mentioned at places by’ _ the poet, agrees with the conception of "Kundalini in Trika system of Shaiva Yoga. (ix) His description of. the meditation on Pra-. "” ‘nava (Omteara) also follows the views of the same system. - . : “It appears that these “two saints had not “studied any sastras in a regular way. Their Poetry does not reveal any scholarship, They had reali- zed the principles of sastras by means of direct experience of the truth attained through ‘the prac- tice of Sambhava-Yoga. They must have had dis- Cources with Scholars and saints of different or- ders, -and must have picked up philosphic termi- nology from those discourses Influence of Tantric Kaulism and Sufism also is evident at a few pla- ces. This shows that they must have had contacts with many types of saints and scholars. All these facts prove that Tika Kak was a Philosopher of high merit and Bhona Kak was his . Worthy disciple, This Collection of their Vaks can be taken as a. poetic work on monistic Shaivism written in Kashmiri language and is, therfore a valuable contribution to the culture of Kashmir, The Vakas have already been Scruitnized by the Shiv Acharya Swami Lachman Joo, . Simla . (B.N. Pandit ) Dated 9-9-1976 Peo Be Ber oy ie Dy "ma dae aad 8 afie oF shite & adbar gemmaa ager a a: arfee daq (sce fame A de does 3 “Shara fesere. wy 3 sta frat Feachita F ge ane f sare eee eel aa Tora sige wer a -e dee * ge drogsarsaa, 12 gan Paatpatararate aimee feta Magi Be MA kts RHR TAD -Aipat wT TIM ewe: + Sa asa & arate &.; salto SAMA Ee tes feat ge MIAATTAT BW AeA F Spe- eT deal HT Raga SIGS AT 1 AATTATIT ERE Barres wy Tae Tay lS, By } Heda hea dae gesia aed Tees! FAT Fs aR gas SPITS. TAT AT ATT farce atrare -%. sare qe-farsy dara ¥ ae oath os aie, fger ear fernrn fens vie &, a@ at ag fag ag ear oft alias ¥ Ye ATs Ae fe ae Farah MamrT Hat Bare orga Te TAT wT A | a | Ie TAT Ta SY a rar farsa Tatar GIR eat fewETs * at: farsa carey stare & are’ 1 sega. Ta ferey sf aase aU aad os gor sa ara fe oak afar gaq at oad watt safted or ore 'gearen feanene ce sofa: & gaa Waare A agi eafera agt.A Ta ae oa at aeeIR ge ot ar yaw TOT gar | ae Sas Tey et ga at gar, gad fl ofan ge ea are wi gat te & saat faa gear at ger a ez ah 1 feat ot Gega SaaT ore FT wife % faq dat ar Gearey fear) DADS. sas. ga 8 feel ara GT ATs | Se gu at wat & Fel ge oS cat Awe ae wet eT | Moret Sr ALE SHAT HS TT, TS TS TA” eos eve aT Ris ont flax Mare orem ara Gt eeTaT a | dl \ poo vy Gam for etre dhrats fares agate gaara | eg are Bear gem aes Te aT Haq yoo fame SL Garr -segha-aaett atewe.ct farmisre re aa TE» Beras F ara-giey et aad We HE GT ATA Sarat 1s Wea Hes whe aay rear we alta weave feat 1 Ge ‘Sees Aes vad BD site. Fe aT A Masia A a rer Tea S got grad H eeaatdadd Blzar or -Fraty feat Gab dad eraser oa’ Ge B aiaal ar we are a Oe fara gag fearaar, ag Sag Geathee F fede at fewwrs: ? eteta B af- fama 2 ate tt alanis ah & farcr os a $1 Bak fora Rane FyT ar dela. aise F Sige. sre aor acare ae gaara & ft Here ste B sre WH a Feral gear af srRTHiG aal A as fas J 1 HTH. TA ge maa ee F saz safe aig wala aft sat ara ar soar fare | (8) fafancqa araa at faraa t fafancag aaTa wa fade i q fax fafaaed feafa Fo sae ae faewa ara a are sare ate at fafaner ara Y sezar at frat (35) & ctx sd) Bear aati eat ZS fatsmeq ula FT az aney aat® fe aa facdtqa ater feseq wisn aca ma # as ag ait feet oy sare at faqat-ae vel a Hei Ge) fafgaea OTA Wa ATT | fraa mat wa fata u ) _ fafaaer qaear # ogtar el aaa seers = faa Tea ate & faewa wa H ogtat sl areaigaar RAAT Se O figaeay fag we sTITTe | — fafarerr wat aces frente fafaneg are Fsgwa & Costar Wi fag ’ sar 5 (aaife ga vert & seta F BgTa F as aa STA TT ITT wie ATTA A Tht eaaAe faar eq H et aa arat @) fafanea ara aaa & a grey wa FAST FT FTCA | L- r (38) ) falgneg exe stra ater | fatancra asa vrata aazata | fafasea fafa & avare & ee TAT sIS4 FT gig et farfaaes fale & sf ger atat aT at aa aal 2 ; gaia saral at ra HTT C? fag ay ata, aa ae fag caeay | fa ara aa aft cacarrat ul feat afdaca ata at qeaa a (asia Je frararaaer at ary al geste & 1 Sal caren. wer F Mat ay www aes aT Bi faa Hr ai val arg & faa ate F ara soa eae & afaz facie at arat 21 (08) See SAM-AMTA-HT TT ACHTT | aya cafe afi ga wie Aare i (ee) ‘ TARE BV LAR GING eat 2 Sate TzRataT 3S, aaife staeqe facq sia ae sear a geet al aaearat Fae Bs gga ear aut sae et arat Saas Atal ar, gale aaa sss at aie eat FIST BT AIT, AAT GT St stars » (22) afew off avaa wiea Waa | af sala equa sata sata Baa ala) ear ag Paraat car dial 2 frat ea aat ata, war az aula st araifaa fears) aeqg ae ¢ fe qa daa zg ® uma SF ggfta ante aa aasit at srearaa dar zgar 3: 3a slay eara, waig gia diet F at aa ae aga af east at aaa sat fara fara eaata maa aT eq H garfaa az ar 3 O gq ale aa af cam agar | BeATLAT «A CaCATaATAT faa ara ea ait sia ga a} maearal at ” (82) aga ae aa fear, aa ggfta aaear Gat 81 ot FRAT Gea araT aT a agawr sal 2, wag faa waa H ATT eeaMIT Yen sequal Fara gen sae at ® gra fear aar #, ag caer at aaeay atar great aat ay faaueye gs Aar a, eat ott alfae agt glar ' aa: ag ger wearer 2) 1 (2 gery eqay wea aha rae | waa HIT Adela als Waa II wa qeq TAT HT Te TAT H ara Tara F faa feqr srar 3, waia sa soit act a & faqa FF faa ® ara gt ara eqa wifes TOR gt wh age germa eg ofan a} we as sear zg at sat fam ga qerere ogy Bag WITT am F Rar 2 1 aaa ag 2 Pe sza va waza BI aT Tat 3 fa F qen mttige sat gt agde faaga FT Hare wR ma Faget Se HA HT Zz UO) qeqya AT ATAT TAA Bai (82) away 4S aq afaq faraz i aa cal sacra alae mar & at at aes at AACS ASTI ATT F SET at 2, ae Fae afsa Sl Sat wT Tar aaa Hea Ss CC) eregr afer fea age | aq ast aatea aie sat gitar faq % gr caer ara A aa wT eer ae gga sgt € 1 ae gitar afaa ga SAT AIST BT saagIe Tt gf vt ada afeg at sew @ 1 aed ae @ PR az ameq ayaa BY aaret ge at adacat F ad} gedt a4 a4) atpa Meat ANay aaifaa ; caf arse aft gage aria it aT warsit H sate aay gal wi areata afer gt aar wear 21 afe et aia} wt ater aT ag ofa Bt a ag Tet eq gt & are, (aar (#2) a oat gar wat daeq ar ag agdt war ar xt great ati aa: & dat saa fear a ate area. aq at atar a &) 1 2 arate at ths ast aera | eet faa ea afar ae ge atet at ef faggt qa afsa wal oiaa atfe & sofa alsr wet A att wadl gi (aa That ar dat er ga agt qdar afaq sh) wera gs ‘Agr % ait wear area ag & Pe orag aris alat sacar gqdar afaa a Marae gf F1 CO) AMAT AAA, TA BL FH HTT | aaa at ate fageer a wig |) arg aife dal F war arrest at arg & a agi we: et Aah F a sa gear afaqeaeq saa ST Hy oT agl aeay 1 gta Fae saat MUI TL Bl ae aT VAR aa Ba A aaar 1 saal Soear agt wear | az Da et ga7 (gx) aaa at sqtazat azih a4 °°) afe aa aa af ef fa gene | atSsaa BA, wa aay TAIT tt oa fae am & aft ag gear stay sega a anit % aa aét car seq at aia att & aaa See St att Safe az fet & at aft seqq@ TO, at aisaa a one: ) gat atiaer TRE Wa WALT | fra aa fia ota sz WaT a otra anf sarsit ay Bisa Wa zat ar at DJIMA BAT YE va VER NTaAT He fra ay Aaa HU BT ATRL TERT F feat 2 4 (eo) Gag aay @8 cae gana | ‘Stay Bea’ fas fara {i afesnrai &, Fare ay fafe a ate fais giz a be A § Cex) ag fags faa Hatz fe Gara at meat 21 sara goa Sear et wea s' Rraqa sr dt agi sear & fe ‘aaaq ana’? ad fagaat at feara S 1 (0 seaizat fra aT eueetez | MCAATIAT MA BT AT TT AT II aeaeaey FH faqeaeq WeA #F tae aT geal saieat at. 8» mena aal Aast-eaeq sr ara fafga é! (® fry we wea arafa oy. faa qua we faerie u “aaat % faarear faa #1 Gal tH gqataeay & faa ug sr ara fear aca ag & fore ofa > wren faa at ote gar aart fafe 8 a, sak qarad alt at wt aeva gal SET WIS wea cuit AZ Ter BVT By agIAaT ® faar & Me gadx aq #t gt aaa edt ug at fava stan, aaiq s3 ave FT STAT! (#) (QO Maram ad tar acar Heaae) | aft gra aaenfe sae ae afe q Hoa Ae or edt agar ax qa a Bat at ate aaiq geefafa & gq yay at ae ' WIT SL SMT, aT GTS Aa gH agi Wea eta at ait goer mare at oq my aT | 2) aera ofs-ater asia aifay | faq wares ads arfra 1) za gestalt att ar afer Wa HUT at vas Ae alt avatar wea wey a ata He wu ear, | sear & fag a oF gz Prater azz qe FAT wa aH H az HM AAT | () sarfacart sitar Maia | Feary TR weet ary U gal Waar aga a} agi eae fewit ara, azar aaser gal WRAL ey (%s) gisfadt Ho aaiq gvefadl & sae ate awa FH sq aa Ge asafaT BM wear: sa waar F gifadt & secu F gee ale, wifear aria geatara aa sacs Fra areal & weet Get FTE (eo aaa fra ae asia erie i aigarat ware afar i cag airs fra ges sa aaa A AIT TEATS | ataga fear at; ag ard areca ate Weta sai wea Pa F Fs HT aT | (ee) geafeara wea ara fag aoe seater fanra faa ages i sa mae F gr wears aeal & eat wr ( aar ga Bata ar carr sa gars) aT ag oe seateara area 3 fara & wy afeFaat et oreare feat foara at gfe H ar gam aar saa az aearat g) fez ee Far are AqNa it AAT sear fasta dtat g) (es) aifa ale aig fag aaa wife (25) acaaag Wat wavs Ul afe alé anger fag geq wéf gat at az 24 BEB AWA THAT S 1 RA Tea-gra legs! ATATT sat at gat st Haera faa aqme SIA TAT a. dea atena faara ge sat ge sro at Fay} é ‘ o eqfy ata afe wise Calawte ala de faa gaat ATTA A | 7 az wt gat -afe gq aaa gaa & faara al STZat a dt da F xa, aaa araga cet Wt AT FSF SET Ba gad Xl | °°) feat Aah MSS lewrag awe | frataa ge wa Aleta | ae gq MA ae a a ca ameq st aly HMA TAL FaMAT Brest z aT Grae fag zy qaea * HRT AA BT STA THAL-Aa TAT BS | (8a) ae af qa waa AT ATT | wait aa gat-ma ait on aa War ST aad cat areat a ae a A agit waar fa TA FT VET GT ATA AAT AAT BT qzarat af ota aa, ; (a) aa qdla: ayeara: (eo fafeara sag faa fara at wz Al AAA AAGACAT Cala AT 2 8? faa g fafa sav go, wala wat Wat fadt A anea fenced ar gea aa ag 2 1 falearat qaT WHS A AT BT gata ad afew we mafas frat st sts 2 ga wet AAT aT care vq faaateaeg Faq aife eae J 1 Wald shat T mem % gi ahage gt art fasace aaeqt F age (ad) fafrara sag ay reat ATH | fafrara farra ata caret i (2) q va awe & fates sa F as fea cee ge aaa Praga We wager gar gi q anes fawer xfga eararr Sara east a 8, at sal er F gam ar wala st. faspa qe a gaa awa & vier wa wa ae Teg wT aeTT 2 (®) fafeara sag FE FS Fe aa | wag ts faq fara trata g fara a ax as 1 ade &, wa a apap 39 & feet face ar ag ae & ate 7 et Peat fagq ar qfecaim at & 1 afe gat tar ara, a saa Paeqa afaq eaara ar dt wat at ) fafiaed sag SE THT Aa BT hy ag fama Fat waRAT 1 {faker ao teat a at at 8 at ae, || aU ge Waa at) ad fear atiaa Pear wai aaian gaa 3 1 q ae Parma aired qatar dt &, at ott er FH sewt al meme we (ve) a) fafeara sag ga oiH-aTaT | fafeaq miavena fasmaa ou 3 mat ary H st wat ar a gf at ara a a — oka azar aay g falena sa ae ararana alt PaTaAT wqeq FH Set (ao fafeaqea sag faawe frat HTT am dat wy san AA q fafearr ure 4 done agh Peat araar st faut go star at adl slat 21 48 faga we aaa edt arat ay fear & vet at aa a7 aartlere gaa @, seat & afaq ceed ar aged Sear at aeaat & 5 Qo) waTAaN, Gua, Vist Saha Hg fara a Ga, TAT ATT sale HEI quam meres Ss Fat sae ae fied at gueqiiaacst adtaa ate mz Peal al are (#2) at aa wa ga tad) sue aneafas aa aeiaTt s.! Saal SisHt We Peal Al Basa Bl AT Tar | 9 vararay fra aa feafaaea | SE Al tis faa Tea fafeara & faa gq %ae ofeeat B eT H see fg aca 8 qeat ary am al UAT AMEE sq gz faa gt go q feet WI ara aeg } eq F yg Bet 1 ga g fafeaea ara H ge SHAT fafa ate Fraricar | TaeMT Haas Ney AeaT | ‘aaa’ ae al at qT aa a 1 farar aR meh aT aR ama gat ager al at aw maig g tar ar a fie emer mee att sae aa alt Rat eat eaeq AF, (Qo sazay fara! at Os at faa HE ; ayaa fra! at cist cat faa Fz r @ faa afe ge ge agrar gt 2, Tear a gis atat go wt aa ga 2 fea afe gq za aarz H setar at we at slene sad Pret atx Prat at eT HAT ETI (Ge) ga sare afta ag arat | faq area ofr ga saz fort ate & seat fare F we gerd, vat ae F (AS eat aw) gs Tet J Me waz Fat Ae OAT BAT aa | (45) aaa faa far aaa aa | Saat fe sag cat ma |; ST axteat sare BH qa aq ah gag Tat | swat ar Baa aT Tae! wat & Te FP Baa faaeasq cae gf saat aoe sats : (2) 9) aang fara ! fafa ty ae arat | aq faa fata aia at atta area & A fag, F gre fee ew ash atat zara | q sa ge Fg wet Tart F far wie feat Ww Tals FT aTTAaT AT HT A 1 oat ae a fe waren fre gb gen gat 21 AT ae gare aze #1 Rel aa avatar a gq feaaret ora, Sta ataisht al far ait Gee ea F (ws) oncat sa aie wafereat (4s) ag ulafa cas os fra-afear facszar div et ye yfaareidts-. 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