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Conservatorio Statale di Musica di Avellino

Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica


Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

01______________________________

1. Gli accordi sul V grado, alterato in senso ascendente, in Do Maggiore


2. Accordo di sesta tedesca in La minore
3. Accordo di nona di dominante con doppia alterazione della quinta, sul III in Do Maggiore
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Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

02______________________________
1. Gli accordi sul IV in Do Maggiore
2. Accordo di sesta napoletana in La minore
3. Accordi cromatici sul VII, derivati dal V grado, in Do Maggiore
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Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

03______________________________
1. Gli accordi sul II in La minore armonica
2. Accordo di sesta tedesca in Do Maggiore
3. Accordi di settima diminuita, su gradi diatonici e cromatici, in Do Maggiore
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Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

04_______________________________
1. Gli accordi sul V in La minore
2. Accordo di sesta francese in Do Maggiore
3. Accordo di nona di dominante, con doppia alterazione della quinta, costruito sul II in Do Maggiore
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Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

05_______________________________
1. Gli accordi costruiti sul I grado alterato in Do Maggiore
2. Accordo di settima di dominante, con doppia alterazione della quinta, in Do Maggiore
3. Accordo di sesta napoletana, in Do Maggiore
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Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

06_______________________________
1. Gli accordi sul V alterato in Do Maggiore
2. Accordo di settima diminuita, con l'abbassamento della 3a, in Do Maggiore
3. Accordo di sesta francese, in La minore
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Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

07_______________________________
1. Gli accordi sul IV alterato in Do Maggiore
2. Accordo di nona di dominante, costruito sul II in La minore
3. Accordo di sesta napoletana, in La minore
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Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

08______________________________

1. Gli accordi cromatici sul I grado diatonico in Do Maggiore


2. Accordo di sesta francese in La minore
3. Accordo di nona di dominante con doppia alterazione della quinta, sul II in Do Maggiore
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Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

09______________________________
1. Gli accordi cromatici sul II diatonico in Do Maggiore
2. Accordo di sesta napoletana in La minore
3. Accordi di settima diminuita con alterazione della 3a, sul VII grado, in Do Maggiore
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Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

10______________________________
1. Gli accordi sul IV in La minore armonica
2. Accordo di sesta napoletana in Do Maggiore
3. Accordi cromatici sul III diatonico in Do Maggiore
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Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

11_______________________________
1. Gli accordi cromatici sul VI diatonico in Do Maggiore
2. Accordo di sesta napoletana in La minore
3. Accordo di nona di dominante, con doppia alterazione della quinta, costruito sul I in Do Maggiore
01

02

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www
& # ww

& # b www
& www
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bw
& # www
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& ww
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& # b ww

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& www
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& b www
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& ww
# ww

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Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

12_______________________________
1. Gli accordi cromatici costruiti sul I grado diatonico in Do Maggiore
2. Accordo di settima di dominante, con doppia alterazione della quinta, sul II in Do Maggiore
3. Accordo di sesta francese, in La minore
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02

03

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05

& wwww

& # www

bw
& b www

b wwww
#
&
www
b
& w

06

w
& # www

07

& # www

08

09

10

& # b www
w
ww
& # ww
& ww
bw

Commento: _____________________________________________________________________________________________
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Commento: _____________________________________________________________________________________________
_______________________________________________________________________________________________________
_______________________________________________________________________________________________________
_______________________________________________________________________________________________________
_______________________________________________________________________________________________________

Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

13_______________________________
1. Gli accordi diatonici costruiti sul III grado diatonico in Do Maggiore
2. Accordo di settima di dominante, con doppia alterazione della quinta, sul I in Do Maggiore
3. Accordo di sesta napoletana, in La minore
01

02

03

04

05

& # www
w

& # b www
w
& b www
ww
& ww

b ww
b
& ww

06

w
& # ww

07

& ww
#w

08

09

10

& b www
w
# www
& w
& ww
w

Commento: _____________________________________________________________________________________________
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Commento: _____________________________________________________________________________________________
_______________________________________________________________________________________________________
_______________________________________________________________________________________________________
_______________________________________________________________________________________________________
_______________________________________________________________________________________________________

Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

14_______________________________
1. Gli accordi cromatici costruiti sul II grado diatonico in La minore
2. Accordo di settima di sensibile in Do Maggiore
3. Accordo di sesta francese, in Do Maggiore
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02

03

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08

& www
#w

bw
& b # www
bw
& b www
w
& # ww

b ww
b
& ww

w
& # www
& www
w

& # b www
w

09

#w
& ww

10

& b www
w

Commento: _____________________________________________________________________________________________
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Commento: _____________________________________________________________________________________________
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Commento: _____________________________________________________________________________________________
_______________________________________________________________________________________________________
_______________________________________________________________________________________________________
_______________________________________________________________________________________________________
_______________________________________________________________________________________________________

Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

15_______________________________
1. Gli accordi cromatici costruiti sul V grado diatonico in Do Maggiore
2. Accordo di settima di dominante costruita sul III grado in Do Maggiore
3. Accordo di sesta tedesca, in La minore
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10

# ww
b
& b ww
w
w
& b www
bw
& www

w
& # www

Commento: _____________________________________________________________________________________________
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b ww
b
& # ww

Commento: _____________________________________________________________________________________________
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& # # # wwww

Commento: _____________________________________________________________________________________________
_______________________________________________________________________________________________________
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& b b www
& # www
& www

& b www
ww

Commento: _____________________________________________________________________________________________
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Commento: _____________________________________________________________________________________________
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_______________________________________________________________________________________________________
_______________________________________________________________________________________________________
_______________________________________________________________________________________________________

Conservatorio Statale di Musica di Avellino


Elementi di Composizione per la Didattica della Musica - I Corso - Prova di verifica
Riconoscere e classificare o costruire i seguenti accordi, tutti allo stato fondamentale e da considerare nelle tonalit di Do Maggiore
e La minore armonica, commentandoli brevemente e specificandone quante pi caratteristiche possibile (grado armonico sul quale
si formano, appartenenza all'armonia diatonica o cromatica, grado di reale utilizzo, l'eventuale pura teoricit o l'impossibilit di
trovarli in Do Maggiore o La minore armonica, accordi dai quali possono essere preceduti e seguiti, l'eventuale preparazione,
il rivolto preferibile o d'obbligo, la corretta disposizione delle parti )

16_______________________________
1. Gli accordi costruiti sul V grado cromatico in Do Maggiore
2. Accordo di settima diminuita costruita sul III grado in Do Maggiore
3. Accordo di sesta francese, in La minore
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w
& bw
w
w
& www

w
& # www
w
& # www
ww
& # www
& b www
& b www

# ww
& ww
& www
#w
& b www
# ww

Commento: _____________________________________________________________________________________________
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