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'D. Poulton. John Dowland (London, 1972; rev. 2/1982). pp.19,44,

75. 78
2

T. Fuller, The History of the Worthies of England (London, 1662),

p. 244
3
The 14 songs of darkness are in the following collections.

A.-J. Festugiere. La revelation d'Hermes Trismegiste. 4 vols. (Paris.

1950-54), 1, p.84; 2, pp.x-xi

I5
C. Marlowe, Faustus, Act 1 Scene 3, 1.76
"The Corpus Hermeticum is a collection of 15 dialogues, attributed
to Hermes Trismagistus. supposedly an Egyptian priest who lived in
remote antiquity. Marsilio Ficino's translations of these writings
were made at the end of the 15lli century. See F. A. Yates, Giordano
Bruno and the Hermetic Tradition (London, 1964).

"W. Prynne, Histrio-mastix (London, 1633)

Passionate Pavans (London, 1604/S1974)

5

T. Watson, The First Sett of Italian Madrigalls Englished (London,

1590), no.7
'Pontus de Tyard, Discours philosophique (Paris, 1587). The English
translations used here are from Yates, The French Academies of the
Sixteenth Century.
7

T. Nabbes, Microcosmus. a Morall Masque (London, 1637). p.Bl

"E. Panofsky and F. Saxl, Durers Melencolia I: eine Quellen- und

Typengeschichtliche Untersuchung, Studien der Bibliothek Warburg, 2

(Leipzig, 1923)

THE EARLY MUSIC CENTRE

FULL-TIME COURSES, SEPTEMBER 1983 - JULY 1984
L U T E : Curriculum includes Renaissance repertoire 1450-1620, technique, continuo, lute ensemble,
improvisation, Master Classes, history, research and editing. Course Director: Christopher Wilson.
Tutors include: Robin Jeffrey, Jakob Lindberg, James Tyler.
V O I C E : Medieval, Renaissance and Baroque repertoire, solo songs, ensemble workshops,
technique and ornamentation, baroque acting, language, literature and history.
Tutors: Richard Wistreich, Nancy Long, Andrew Parrott, Emma Kirkby.
Students of both courses participate in the 'Ensemble in Residence' scheme.

EVENTS: SPRING 1983

T h e Consort of Musicke directed by Anthony Rooley and Emma Kirkby. Two intensive
study weeks. The Italian Renaissance (31 Jan. - 4 Feb.) 17th Cent. Music and Drama (6 - lOJune)
Master Classes: Marion Verbruggen recorder 1 Feb. 1983. Roger Norrington voice 19Feb. 1983
Short Courses: Lute Music of da Milano - Christopher Wilson Jan./Feb. 1983. The Operas of
Rameau - Nicholas Anderson Feb./March 1983. Baroque Acting Technique - Ian Caddy/Ruth-Eva
Ronen 17 - 22 January 1983. Plus various weekend courses. For further details apply:
David Thomas, The Early Music Centre, 137 Goswell Road, London EClV 7ET. Tel: 01-251 2304/5.

EARLY MUSIC JANUARY 1983

21

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The Firste Booke ofSonges or Ayres offoure Panes with Tableturefor the
Lute (London, 1597/^1968): no. 14, All ye whom love or fortune hath
betrayed; no. 16. Would my conceit that first enforced my woe; no.20.
Come heavy sleep
The Second Booke of Songs or Ayres of 2. 4 and 5 parts: with Tableture for
the Lute or Orpherian, with the Violl de Gamba (London, 1600/J? 1970):
no.2, Flow my tears; no.3, Sorrow stay! lend true repentant tears; no.4,
Die not before thy day; no. 5. Mourn, mourn, day is with darkness fled;
no. 11, If floods of tears could cleanse my follies past; no.20, Toss not
my soul
The Third and Last Booke of Songs or Aires Newly Composed to Sing to the
Lute. Orpharion or Viols (London, 1603/S1970): no.8, Flow not so fast
ye fountains; no. 11, Lend your ears to my sorrow, good people
R. Dowland, A Musicall Banquet (London, 1610): In darkness let me
dwell
A Pilgrimes Solace (London, 1612/^1970): no.9. Go nightly cares, the
enemy to rest; no. 10, From silent night true register of moans
'Dedication to Lachrymae or Seaven Teares figured in Seaven

'See 'Harrington (Russell), Lucy', Dictionary of National Biography.

10
Ben Jonson, The Complete Poems (Penguin Books: Harmondsworrh,
1966). Epigram XCIV
"A distilling apparatusthe reference is therefore alchemical.
12
The dates given here are those on which St Lucy's and St
Thomas's feasts are now kept In the 17th century St Lucy's Day was
celebrated on 12 December (OS.: 22 December N.S.). the day of the
winter solstice.
"William Wigthorp's collection of consort songs, which includes
his arrangement for voice and viols of Dowland's Sorrow stay, is in a
set of partbooks, London, British Library, Add. 17786-91 (partbooks
1-4 and 6, f.9; partbook 5, f.4v).

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