3.3.6.1.b.β.da - new Approaches and Pivotal Thematics

/ Bulgarian Musicology34/2012
NEW APPROACHES
New Approaches and Pivotal Thematics in Byzantine
Musical Studies, 200120111 a bibliographical survey
Maria Alexandru (Thessaloniki)

,
2
I. General survey
During the first decade of the 21st century, Byzantine Musical Studies
came to an extraordinary flourishing in Greece, Romania and many other places. Along with the older generations of scholars, many young specialists from
all over the world contributed to this new blossoming3. To the main features of
this period belong the intense international scientific dialogue among scholars
within the field of Byzantine Musicology, the enhanced access to manuscript
sources and bibliography, the cultivation of a fruitful collaboration between
musicologists and chanters, as well as new and/or renewed dynamic openings
towards interdisciplinary and interarts studies (Byzantine Music and Liturgics,
Phonology, Sociology, Politics, Ethnomusicology, Anthropology, Informatics,
Mathematics, Acoustics, Medicine, Iconography a.o.)4.
In this time-span, experts of the older generation have been honored
with Festschriften5 and other distinctions. During the last nine years, the beloved scholars Titus Moisescu, Bjarne Schartau, Milo Velimirovi, Elena
Toneva and Father Alexie Buzera passed to eternal life, leaving a strong
legacy in the field of Byzantine Musical Studies and in our hearts and minds:
!
The scientific and artistic production of the last ten years in the field
of Byzantine Musical Studies comprises books, articles, lectures, CDs, videos,
didactic material, internet sites concerning the music of the Byzantine era,
89
Maria AlexandruNew Approaches and Pivotal Thematics in Byzantine Musical Studies...

but also its continuation during post-Byzantine and newer times, as well as
its interaction with other musical cultures. Therefore, this paper tries to give
a brief account of the multiple facets of contemporary bibliography on Byzantine Music, which refers not only to its origins and development up to 1453,
but also to its transmission and world-wide irradiation until today.
To the favorite fields of research in Byzantine Musicology during the
last decade belong, among others, the following ones6:
a) Codicology, with the completion of many new analytical catalogues
of Byzantine musical manuscripts (e.g. Gr. Stathis: Meteora; D. Touliatos:
Greek National Library in Athens; D. Balageorgos/Fl. Kritikou: Sinai, vol.
I; E. Giannopoulos: England, Andros a.o.; A. Chaldaiakis: Island Hydra; O.
Alexandrescu/D. Suceava: Bucharest, Romanian Academy; rev. Fl. Bucescu
& alii: Moldavia; .-. Wanek, Studies on the Musical Manuscripts of the
Austrian National Library; A. Athanassov: Bulgaria; D. Bucca: Messina),
and with an important evolving bibliographical project-database about publications containing photographs of Byzantine musical manuscripts, by I.
Papathanasiou/G. Rousopoulos/N. Boukas7. Several projects of digitalization
of Byzantine musical manuscripts and early prints, either at the level of institutions8 or of personal initiatives, prepared a new platform of information
resources for Byzantine musical studies.
b) Palaeography, with the investigation of papyri and other written
documents of the first Christian millennium (I. Papathanasiou/N. Boukas,
Chr. Troelsgrd, Sv. Kujumdzieva), with a wealth of articles about ekphonetic
notation (S. Martani), with the publishing of a new handbook about MiddleByzantine neumes in the Subsidia series of the famous Monumenta Musicae
Byzantinae (Chr. Troelsgrd), with systematic investigations on the phenomenon of musical exegesis and adiacent problematics of transnotation and transcription of Byzantine Chant into sta notation, and with the uncovery of a
complete set of principles for a syllabic way of interpretation in binary meter,
mainly for the old, classical Byzantine repertory of the Heirmologion and
Sticherarion (I. Arvanitis)9.
c) Melismatic chant, with the investigation of composers of the Palaeologan period, analysis of kalophonic pieces, as well as research on the
liturgical place of melismatic chant, both in Byzantine and Slavonic traditions
(Chr. Demetriou, A. Lingas a.o.)10.
d) Morphology-Analysis is a rapidly growing field during the last
decade in Musicology in general. Byzantine chant attracted the attention of
many analysts in this period, resulting in a multitude of new, original approaches (see e.g. S. Despotis: internal tension-release, isokratema; D. Spanoudakis: relation between old and new notation, at the level of the temporal
evolution of the average pitch of Byzantine stichera, a.o.)11.
e) History and Historiography of Byzantine Music, with an impressive
number of monographs, mostly about dierent categories of chant (see e.g. in
90
the series Meletai of the Institute of Byzantine Musicology, ed. Gr. Stathis:
about Cheroubika: K. Karagounis; Polyeleoi: A. Chaldaiakis; Megalynaria: S.
Mazera; Akathistos: Fl. Kritikou a.o.)12.
f) Investigation of performance practices of ecclesiastic chant belonging to the Byzantine, post-Byzantine and newer times, both on historical (N.
Moran, Ev. Spyrakou a.o.), on actual theoretical and practical (G. Konstantinou, D. Delviniotis a.o.), as well as on artistic levels (ensembles like Cappella Romana [A. Lingas], Agiopolitis [I. Arvanitis], Romeiko [G. Bilalis]
a.o.)13.
g) Systematic inquiry of local traditions in past and present (see e.g.
E. Giannopoulos: Krete; I. Liakos: Thessaloniki; rev. V. Grjdian & alii: paradigmatic multi-media report on chanting tradition in Southern Transylvania; G. Garofalo, Rev. J. Pecoraro: Arbresh; A. Lingas, J. M. Boyer: America
a.o., as well as the important series of publications concerning early slavonic
hymnography, edd. Chr. Hannick a.o., in the series Patristica Slavica of the
Nordrhein-Westflische Akademie der Wissenschaften und Knste)14.
h) Aspects of the shaping-process of ecclesiastic music according to
Byzantine models in dierent modern languages (English, French, Finnish
a.o.)15.
i) Evolution of the music-theoretical thought and its interrelations with
musical practice16.
j) Discography, with the golden phonothque of solistical interpretations of Greek church music, edited by M. Chatziakoumis, as well as with
plethora of new productions by the famous ensembles Greek Byzantine
Choir (L. Angelopoulos), The Maistors of Psaltic Art (Gr. Stathis, A. Chaldaiakis), and by more recently or even newly founded professional choirs
in Greece, Romania, Serbia a.o. (e.g. Trikkis Melodoi [D. Mpalaegeorgos],
Tropos [K. Angelidis], Thessalonikeis Ymnodoi [I. Liakos], Idymelon [I.
Tsamis], Philathonitai [D. Manousis], Psalmodia [Arhid. S. Barbu-Bucur],
Stavropoleos [Deacon G.C. Oprea], Byzantion [A. Srbu], Nectarie Protopsaltul [V. Gheorghe, Sabin Preda], Sveta Kasijana [Sara Peno] and many
others)17.
k) Secular Byzantine Music and Classical Oriental Music, with important monographs about the Byzantine musical instruments (N. Maliaras), and
about the extant sources mainly of post-Byzantine secular music (K. Kalaitzidis), as well as with the prolific scientific and artistic work of associations and
ensembles like En Chordais (K. Kalaitzidis), Anton Pann (C. Rileanu), and
their collaborations with famous musicians from the Near and Middle East18.
This development goes together with an intensive educational process
in the field of Byzantine Musical Studies, during regular terms and in summer (masterclasses), at universities, academies, conservatories and other establishments on the Balkan (with expanded curricula during the last decade),
in Copenhagen, England, America, Australia, Finland, Russia a.o.19
91

The church and dierent organs like the Institute of Byzantine Musicology, Monumenta Musicae Byzantinae, A.A. Brediusstichting, Centrul de Studii
Bizantine Iai, American Society of Byzantine Music and Hymnology, International Society for Orthodox Church Music, International Musicological Society,
Fondazione Giorgio Cini a.o. sustained the blossoming of Byzantine Musical
Studies during the last decade, through the organization of important international conferences dedicated entirely to Byzantine Chant, or with several sessions/papers about Byzantine Music, in dierent parts of the world (Athens,
Copenhagen, Hernen, Iai, Joensuu, Thessaloniki, Vienna, Venice and many
other places)20. The aforementioned biannual conferences in Joensuu and those
in Vienna under the title Theorie und Geschichte der Monodie (M. Pischlger, M.
Czernin), attended also by many scholars from Russia and other slavophonic
and eastern countries, contributed essentially to the fruitful exchange of ideas,
experiences and research methods of scientific and artistic worlds which had
been previously almost separated for many decennies.
To the new fora opened during the last decade for the promotion of
Byzantine Musical Studies belong also the scientific periodicals Acta Musicae
Byzantinae (Centrul de Studii Bizantine Iai, edd. Tr.& G. Ocneanu), Melurgia
(Thessaloniki, ed. A. Alygizakis), Journal of the International Society for Orthodox Church Music (Joensuu, edd. Rev. I. Moody & M. Takala-Roszczenko),
Kalophonia (edd. Chr. Hannick, Petro Galadza & alii, Lviv & Wrzburg) a.o.
In the following part of this article, a list of books, papers and CDseries relevant for Byzantine Musical Studies, which have been produced/
issued during the last decade, as well as some useful internet sites are given.
The list cannot have any pretention of completeness, but rather represents
open registers giving no more than a hint at the extraordinary wealth of research directions and themes in Byzantine Musical Studies during the last
decade, and being welcome for multiple additions both as to the thematical
cycles, as well as to the names and titles mentioned. The dierent thematic
cycles should not be viewed as exclusive boxes, but rather as elastic and interactive unities. For the sake of conciseness, titles are mentioned once, even if
many of them could fit into other thematic cycles as well21.
II. An open bibliographic catalogue of the period 2001-2011, arranged
according to main and derived thematic cycles of Byzantine Musical
Studies22
Contents:
1. Introduction into Byzantine usical Studies Historical and epistemological issues
1.1. Surveys
1.2. Status quaestionis of Byzantine Musical Studies: Papers and
conferences
1.3. Bibliographical studies
92
1.4. Works about dierent musicologists, interviews, symposia and
books in their honor or memory
1.5. Indices
2. Codicology and Palaeography of Byzantine Music
2.1. Bibliographical works about Byzantine musical manuscripts
2.2. History and Typology of musical codices
2.3. Analytical catalogues, checklists and other studies about Byzantine codicographers, musical manuscripts and related sources
2.4. Papyri, ostraka, parchment fragments, palimpsests. Primitive
palaeobyzantine and related musical notations, mainly from the first Christian millennium. Early history of Byzantine oktaechia
2.5. Ekphonetic notation and received tradition of ekphonesis
( )
2.6. Palaeobyzantine notations. Interactions with Palaeoslavic and
Western notations
2.7. Middle Byzantine notation and issues of musical exegesis
2.8. Comparative Palaeography
3. History and Historiography of Byzantine Music and Hymnography:
Persons, works, styles, genres and categories
3.1. General surveys about Greek music from Antiquity through to
newer times. Origins of orthodox music. Historiographical issues
3.2. General and special studies about composers from the period of
Kalophony, post-Byzantine and newer times
3.3. Women melodists, hymnographers and composers in Byzantium
3.4. Genres and categories of Byzantine melopoeia
3.4.1. Miscellanea: Papers from special conference dedicated to
this thematic cycle
3.4.2. Heirmological and sticheraric genre
3.4.3. Psaltikon, Asmatikon, Asma, Kalophonia, papadic genre
3.5. Byzantine Hymnology
3.5.1. Hymnographers and their works, hymnographic genres,
metrics, editions, hermeneutics
3.5.2. Monographs about different troparia and hymns
4. Local traditions of Byzantine chant and related musical traditions in
diachronic and synchronic perspectives. nteractions with art music in newer
times and today
4.1. Greek local traditions of liturgical chant
4.2. Byzantine chant and its irradiance
4.2.1. Methodological issues and the concept of musical otherness
4.2.2. Byzantium and the West
4.2.2.1. Generalia & Miscellanea
93

4.2.2.2. Italy, Graecia Magna, Arbresh
4.2.3. Byzantium and Slavophonic traditions
4.2.3.1. Early and later Slavonic traditions: Music and
Hymnography
4.2.3.2. Liturgical music in ulgaria
4.2.3.3. Liturgical music in Russia
4.2.3.4. Liturgical music in Serbia
4.2.3.5. Liturgical music in Kievan Rus and Ukraine
4.2.4. Byantine musical tradition in Romania
4.2.5. Byzantium and the East
4.2.5.1. Armenia
4.2.5.2. Georgia
4.2.6. Dynamics of Byzantine musical tradition in other countries
during the 20th-beginning of the 21st centuries
4.2.6.1. Anglophone zones (merica, Australia, England)
4.2.6.2. Albania
4.2.6.3. Finland
4.2.6.4. France
4.2.7. Byzantine Music and new Greek art music
5. Performance practice through a historical prism. Byzantine chant
and Sociology
6. Byzantine chant: History, Politics, Ethnomusicology, Anthropology
7. Morphology, Musicological Analysis and Texture-Composition of
Byzantine Chant
7.1. Surveys and methodological issues
7.2. Musicological analyses of selected repertories or single pieces,
anonymous and eponymous
7.2.1. Heirmological and sticheraric genre
7.2.2. Psaltikon, Asmatikon, Asma, Kalophonia, papadic genre
7.2.3. Byzantine musical texture ()-composition ().
The attributes of the composer and chanter
7.2.4. Byzantine Chant in dialogue with other kinds of music.
Analytical approaches
7.2.4.1. Byzantine Chant and Greek folk music
7.2.4.2. Byzantine Chant and contemporary art music
8. Byzantine chant and Liturgy. Theology and Meta-aesthetics of
Byzantine chant and related musical traditions
8.1. Byzantine Chant and Liturgy, editions and research on Typika,
new compositions
8.2. Liturgical Music and Hymnography: Theology, Aesthetics and
Meta-aesthetics
9. Byzantine music-theoretical thought and its evolution through the
centuries
94
9.1. Extant theoretical sources (texts, lists, diagrams, didactic poems):
surveys, editions, comments, contexts
9.1.1. Old Method
9.1.2. New Method
9.2. History and systematics of music-theoretical concepts. Dynamics
between practice and theory
9.2.1. Byzantine oktaechia contextualized
9.2.2. Rhythm in Byzantine Chant
9.3. Byzantine music theory, ancient Greek music theory and patristic
writings: Interrelations
10. Secular Byzantine and post-Byzantine music. Organology and
Music Iconography. Interactions with other musical repertories
10.1. Surveys, sources (manuscripts, recordings), contexts, influences,
music theory
10.2. Byzantine musical instrumentarium and its Sitz im Leben
10.3. Interactions
10.3.1. Music and dance in Byzantine and post-Byzantine times
10.3.2. Byzantine Music Greek folksong
10.3.3. Byzantine Music and other musical cultures
11. Music Education and Didactics: the case of Byzantine Music, past
and present
11.1. Surveys and problematics
11.1.1. Introduction, history, philosophy
11.1.2. Contemporary state of the art: Byzantine musical education
in primary and secondary schools, conservatories and music schools,
university curricula. Educational programs for teachers
11.2. Didactics of different subjects: Problematics and educational tools
11.3. Didactics of Byzantine chant in Special Education
12. Lexicography and Terminology of Byzantine Music
12.1. Lexicography
12.2. Terminology
13. Philology and Discography-Discology of Byzantine Music
13.1. Byzantine Musical Philology
13.2. Discography-Discology of Byzantine Music
13.2.1. Recordings
13.2.2. Registers of recordings and towards a methodology of
Discology of Byzantine Music
14. Byzantine Musical Studies in dialogue with other sciences: some
new approaches
14.1. Byzantine Music and Informatics
14.1.1. Surveys
14.1.2. Creation of software, special fonts for editing Byzantine
Music
95

14.1.3. Informatics supporting Codicology, Palaeography, Theory
and Analysis of Byzantine Music and related chant traditions
14.1.4. Acoustics, interval measurings, exploration of the psaltic
voices
14.1.5. Archaeo-acoustics and auralization of Byzantine Chant
14.2. Byzantine Music and Mathematics
14.3. Byzantine Chant and Music Psychology
14.4. Byzantine Chant and Medicine
15. Byzantine Music on the Web
15.1. Surveys
15.2. Some useful sites for research on Byzantine Music
Thematic cycles:
1. Introduction into Byzantine usical Studies Historical and
epistemological issues
1.1. Surveys:
{2001} enneth Levy/Christian roelsgrd, Byzantine Chant, The
New Grove Dictionary of Music and Musicians, edd. Stanley Sadie/John Tyrrell, 2nd
ed., McMillan, London 2001, vol. 4, pp. 734756. | {2007} ,
B , , ,
, ed. , 2007, pp. 217233. | {2008}
lexander Lingas, Music, The Oxford Handbook of Byzantine Studies, edd. E.
Jereys/J. Haldon/R. Cormack, University Press, xford 2008, pp. 915935.
1.2. Status quaestionis of Byzantine Musical Studies: Papers and
conferences:
{2001} Christian Hannick, Musik, at the session Instrumenta studiorum, XXe Congrs International des tudes Byzantines, Collge de France
Sorbonne, 1925 aot 2001, Pr-Actes, I. Sances Plnires, Paris 2001, pp. 351
356. | {2003} Le chant byzantin: tat des recherches. Actes du colloque tenu du 12
au 15 dcembre 1996 lAbbaye de Royaumont, Acta Musicae Byzantinae, 6 (2003),
Centrul de Studii Bizantine Iai. http://www.csbi.ro/ro/index.htm (8.1.2011).
See also the report about this Conference by ,
Byzantine Music: the State of Research: A Report on the Proceedings, in: .
, . ,
, 2, , 2003, pp. 6374 | {2006}
onumenta Musicae Byzantinae, 75th Anniversary. The Current State of Byzantine
Musical Studies After 75 Years of Monumenta Musicae Byzantinae, Acts of the International Conference Held at Carlsberg Academy, Copenhagen, 1617 June
2006, Bollettino della Badia Greca di Grottaferrata, terza serie, vol. 3 (2006), pp.
5173. | {2008} See also the Proceedings of the two international congresses about inter-universitarian collaboration: ,
, 3031 . 2003 & 910 . 2004, in: , ,
, ed. , 2008, pp. 17178 & 179308.
96
|| {forthcoming} 21 ,
, ,
, 21 2007, , ed. .
. ,
, ,
, ,
, , 26 2011.
1.3. Bibliographical studies:
{2004} ,

,
, ,
, , 2022 . 2004,
, edd. . /V. Lzine, & , A 2004,
pp. 91106. | {2005} Costin Moisil, A Bibliography of Musicological Works
on Orthodox Chant Printed in Romania (19902002), Zbornik Matice Srpske za
Scenske Umetnosti i Muziku, 3233 (2005), Novi Sad, pp. 217234. || For further bibliographical studies, see also Nr. 2.1. below. A main instrumentum
for the bibliographical information in the field of Byzantine Musical Studies is
the section Bibliographische Notizen und Mitteilungen of the Byzantinische
Zeitschrift: cf. e.g. http://www.referenceglobal.com/view/view/j/byzs.2011.104.
issue-1/issue-files/byzs.2011.104.issue-1.xml (4.1.2011).
1.4. Works about dierent musicologists, interviews, symposia
and books in their honor or memory:
{2001} nterdisciplinary Symposium in Memory of Carsten Heg (1896
1961) Classical Philologist, Byzantinist, Neo-Hellenist, 30th April 2 May 2001,
ed. Tore Tvarn Lind, University of Copenhagen: Department of Musicology, Institute for Greek and Latin, Department of East European Studies. |
The Study of Medieval Chant. Paths and Bridges, East and West, in Honor of
Kenneth Levy, ed. P. Jeery, Boydell & Brewer, Cambridge 2001.
.
. .
,
, A 2001. | {2003} Byzantium and East Europe: Liturgical
and Musical Links, In Honor of Milo Velimirovi, edd. I. Lozovaya/N. Gerasimova-Persidskaya, Hymnology 4, Progress-Tradition, Moscow 2003.
,
,
1011 2000
, ed. , ,
, . 18, 2003. |
{2004} , , 183
,
97

. , , 2004. | {2005} Zdravko
Blaekovi, A Byzantinist of Serbian Origin. A Conversation With Musicologist Milo Velimirovi, New Sound, 26 (article received on May 13, 2005):
http://www.newsound.org.rs/clanci_eng/5Blazekovic.pdf (31.12.2011). Muzic bizantin, Sebastian Barbu Bucur, 75 de ani, ed. Constantin Catrina, Arhiepiscopia Tomisului, Editura Semne, Bucureti 2005. | {2008} Convegno di
studi Padre Lorenzo Tardo, la musica bizantina e gli Albanesi di Sicilia, coord. Paps
Jani Pecoraro/Girolamo Garofalo, Palermo Contessa Entellina Piana degli
Albanesi Santa Cristina Gela, 79 Marzo 2008. | {2009} :
,
, ,
, 9 2009. | {2010} Nina-Maria Wanek, Egon Wellesz in Selbstzeugnissen. Der Briefnachlass in der sterreichischen Nationalbibliothek, Byzantina et Neograeca Vindobonensia, XXVII, Verlag der sterreichischen Akademie der Wissenschaften, Wien 2010. | {2011}
Folcloristul i bizantinologul preot dr. Florin Bucescu 75 de ani, ed. Irina-Zamfira Dnil, Artes, Iai 2011. Psaltike. Neue Studien zur Byzantinischen Musik:
Festschrift fr Gerda Wolfram, ed. Nina-Maria Wanek, Praesens, Wien 2011.
Festschrift fr Bozhidar Karastoyanov anlsslich seines 70. Geburtstags, Bericht der
Tagung Wien 2010, edd. Martin Czernin/Maria Pischlger, Theorie und Geschichte der Monodie, 3, Tribun EU s.r.o., Brno 2011.
1.5. Indices:
{2003} Christian Troelsgrd, A List of Sticheron Call-Numbers of
the Standard Abridged Version of the Sticherarion. Part I (The Cycle of the Twelve
Months), CIMAGL, 74, (2003), pp. 320.
2. Codicology and Palaeography of Byzantine Music
2.1. Bibliographical works about Byzantine musical manuscripts:
{2004} , B
, in: . ,
. , University
Studio Press, 2004, pp. 313355 (2nd edition, University Studio
Press, 2008). | {forthcoming} I /
/ ,
, paper read at the symposium:
( ),

, , 1617 2011.
2.2. History and Typology of musical codices:
{2006} nnalisa Doneda, I manoscritti liturgico-musicali bizantini:
Tipologie e organizzazione, l palimpsesto grecolatino como fenmeno librario
y textual, ed. ngel Escobar, Institucin Fernando el Catlico, Zaragoza
98
2006, pp. 83111. | {2008} Elena Toncheva, On the Problem of the Interrelationship between Structure and Form in Manuscript Chantbooks During
the 17th19th Centuries, Liturgical Books: Known and Unknown. Methodological
Problems Concerning the Description of Liturgical Books, A Concerence Dedicated
to the Memory of Professor Hristo Kodov, Sofia 2008, pp. 414441 (in Bulgarian, with English summary). | {2010} Svetlana Kujumdzieva, Studying
the Oktoechos: From the Oktoechos to the Anastasimatarion, Church, State
and Nation in Orthodox Church Music, Proceedings of the Third International
Conference on Orthodox Church Music, University of Joensuu, Finland, 814
June 2009, edd. Rev. Ivan Moody/Maria Takala-Roszczenko, University of
Joensuu & The International Society for Orthodox Church Music, Jyvskyla
2010, pp. 122130. | {forthcoming} ,
, paper read at the International
Musicological Conference Crossroads. Greece as an intercultural pole of musical
thought and creativity, Thessaloniki, 610 June 2011: http://crossroads.mus.auth.
gr || See also Nr. 11.2. {2005}.
2.3. Analytical catalogues, checklists and other studies about Byzantine codicographers, musical manuscripts and related sources:
{2001} ,
, .
. , , A
2001, pp. 696707. | {2003 a.o.} Assen Athanassov, Les manuscrits musicaux
byzantins en Bulgarie, Rpertoire. I. Stychiraires mdivaux des XIIeXIVe
sicles, Centre de Recherches Slavo-Byzantines Ivan Dujev auprs de
lUniversit de Sofia, Series Catalogorum, vol. VIII, Acadmie Bulgare des
Sciences, Institut dHistoire de lArt, Editions Universitaires St. Clment
dOhrid, Sofia 2003, and vol. II in electronic form: Stichiraires tardobyzantins des XVeXVIIIe sicles, Edition Est-West 2011. See also Elena Kotseva, Stichera and Sticheraria (On the Occasion of the Publication of Byzantine Musical Manuscripts in Bulgaria: Repertoire by Asen Atanasov), Liturgical
Books: Known and Unknown. Methodological Problems Concerning the Description
of Liturgical Books, A Conference Dedicated to the Memory of Professor Hristo Kodov, Sofia 2008, pp. 333346 (in Bulgarian, with English summary). |
{2005} , ,
, , . , ,
, ,
2005. ,
, , , 36,
, 2005. Id.,
, , ,
, . 20, 2005. Sandra Martani, La musica bizantina a Grottaferrata, San Nilo, Il Monastero italo-bizantino
di Grottaferrata, 10042004: Mille anni di storia, spiritualit e cultura, a cura dell
99

Archimandrita PP. Emiliano Fabbricatore e della Comunit Monastica, De
Luca Editori dArte, Roma 2005, pp. 235259. | {2006} ,
, , ,
, ,
2006. | {2007 a.o.} . ,
, Byzantine Musical Culture, First International Conference of the American Society
of Byzantine Music and Hymnology, September 10th15th, 2007, Athens, pp.
599667, Proceedings in electronic form: http://www.asbmh.pitt.edu/page/12/
Karagounis.pdf (30.12.2011). ,

, Byzantine Musical Culture, 1st Conference, pp.
4786, Proceedings in electronic form: http://www.asbmh.pitt.edu/page/12/
Balageorgos.pdf (30.12.2011). See also below, Nr. 3.1. {2008}. Vasile Vasile,
Tezaur muzical romnesc din Muntele Athos, 2 vols., Editura Muzical, Bucureti 2007, 2008. Nina-Maria Wanek, Nachbyzantinischer liturgischer Gesang im
Wandel. Studien zu den Musikhandschriften des Supplementum Graecum der sterreichischen Nationalbibliothek, Verentlichungen zur Byzanzforschung, edd.
P. Soustal/Chr. Gastgeber, Bd. XII, Verlag der sterreichischen Akademie der
Wissenschaften, Wien 2007. | {2008} Asen Atanasov, Musical Manuscripts
in Veliko Tarnovo, Liturgical Books: Known and Unknown. Methodological Problems Concerning the Description of Liturgical Books, A Conference Dedicated to
the Memory of Professor Hristo Kodov, Sofia 2008, pp. 155180 (in Bulgarian, with English summary). E ,
. . ,
, , 2008.
Svetlana Kujumdzieva, Notes and Comments on Some Early Hymnographic Manuscripts from the Vatican, Liturgical Books, pp. 43151 (in Bulgarian,
with English summary). . /. ,
, , ,
, , 2008.
Elena Uzunova, Slavonic Music Manuscripts from the 19th Century in the
St. Cyrila and Methodius National Library, Liturgical Books, pp. 181201 (in
Bulgarian, with English summary). Stefka Venkova, Structure and Classification of the Music Archive of the Catholic Exarchate, Liturgical Books,
pp. 393403 (in Bulgarian, with English summary). | {2009 and forthcoming} ndreas Giakoumakis,
. , Byzantine
Musical Culture, Second International Conference of the American Society
of Byzantine Music and Hymnology, June 1014th, 2009, Athens: http://www.
asbmh.pitt.edu/page9/page13/page17/page17.html (5.11.2011). mmanouel
S. Giannopoulos,
, Byzantine Musical Culture, 2nd
100
Conference:
http://www.asbmh.pitt.edu/page9/page13/page17/page17.html
(5.11.2011). | {2010} Ozana Alexandrescu/Daniel Suceava, Catalogul manuscriselor muzicale de tradiie bizantin din secolul al XVIII-lea. Fondul grecesc din
Biblioteca Academiei Romne, Vol. I, Editura muzical, Bucureti 2010. Rev.
Florin Bucescu/Constantin Catrina/Alexandrel Barnea/Zamfira Dnil, Grantul Catalogul Manuscriselor de muzic sacr din Moldova secolele XIXX, 2 vols.,
Universitatea de Arte George Enescu, Editura Artes, Iai 2010. Svetlana
Kujumdzieva, The Library as Witness to Music History: The Case of the Sinai Musical Manuscripts, paper given at the John W. Kluge Center, 5.6.2010: http://
www.loc.gov/today/cyverlc/feature_wdesc.php?rec=4927 (13.8.2011). Diane
Touliatos-Miles, Descriptive Catalogue of the Musical Manuscripts of the National
Library of Greece: Byzantine Chant and Other Music Repertory Recovered, Ashgate
Press 2010: cf. presentation on: www.youtube.com/watch?v=pQWYOpb0_8c
(1.8.2011) | {2011 and forthcoming} Rev. Konstantinos Terzopoulos, Hidden in Plain Sight: Musical Treasures in the Gennadius Library. Byzantine
Repertories and a Snippet of Modern Greek History, The New Grion, 12
(2011), Hidden Treasures at the Gennadius Library, The Gennadius Library, American School of Classical Studies at Athens, pp. 3543 and figs. 119. Donatella Bucca, Catalogo dei manoscritti musicali greci del S.S. Salvatore di Messina,
Comitato nazionale per le Celebrazioni del Millenario di S. Nilo, Roma 2011.
Donatella Bucca, I manoscritti musicali italo-greci del Monastero del Santissimo Salvatore di Messina, paper read at: Voce e suono della preghiera
2, Il canto bizantino in Italia tra tradizione scritta e orale, a cura di Girolamo Garofalo, Fondazione Giorgio Cini, Venezia, 2 dicembre 2011.
, ,
, paper
read at the International Musicological Conference Crossroads. Greece as an
intercultural pole of musical thought and creativity, Thessaloniki, 610 June 2011
(forthcoming in electronic form: http://crossroads.mus.auth.gr). Sandra
Martani, I codici musicali bizantini in Italia: uno sguardo dinsieme, paper
read at: Voce e suono della preghiera 2, Il canto bizantino. Melania Elena
Nagy, Greek Manuscript O. 354 from the Library of the Romanian Academy,
Cluj Napoca, paper read at: Crossroads (forthcoming in electronic form: http://
crossroads.mus.auth.gr). || For further papers about manuscripts in Romania and Moldavia, cf. Acta Musicae Byzantinae of the Centrul de Studii Bizantine Iai, since 1999-, edd. Traian & Gabriela Ocneanu, http://www.csbo.ro/
2.4. Papyri, ostraka, parchment fragments, palimpsests. Primitive
palaeobyzantine and related musical notations, mainly from the first
Christian millennium. Early history of Byzantine oktaechia
{2001} Peter Jeery, The Earliest Oktchoi: The Role of Jerusalem
and Palestine in the Beginnings of Modal Ordering, The Study of Medieval
Chant. Paths and Bridges, East and West, in Honor of Kenneth Levy, ed. P. Jeery,
Boydell & Brewer, Cambridge 2001, pp. 147210. | {2002} Ioannis Papathana101

siou/Nikolaos Boukas, Byzantine notation in the eighth-tenth centuries. On
oral and written transmission of early Byzantine chant, CIMAGL, 73 (2002),
pp. 312. / ,
, ,
15 (2002), pp. 138152. | {2003} ,
.
, ,
, ed. . , ,
, . 18,
A 2003, pp. 81102 (about Cypro-palaestinian notation).
/ ,
10 .
, , 17 (2003), pp. 184197. | {2004}
Ioannis Papathanasiou/Nikolaos Boukas, Early Diastematic Notation in
Greek Christian Hymnographic Texts of Coptic Origin. A Reconsideration of
the Source Material, Palaeobyzantine Notations III. Acts of the Congress held at
Hernen Castle, The Netherlands, in March 2001, ed. G. Wolfram, Eastern Christian
Studies, 4 (2004), pp. 125 (about Hermoupolis-notation). | {2006}
aria lexandru, The Palaeography of Byzantine Music: A Brief
Introduction with Some Preliminary Remarks on Musical Palimpsests,
Il palimpsesto grecolatino como fenmeno librario y textual, ed. ngel Escobar,
Institucin Fernando el Catlico, Zaragoza 2006, pp. 113130. Mariana Dimitrova, Some Observations on the Slavic Sources for Theta Notation, Scripta & e-Scripta, 34 (2006): http://www.ceeol.com/aspx/issuedetails.
aspx?issueid=a3c1e161-f756-4996-b3bc-4b0c5a987a4f&artuckeId=ec3cc0a75941-46bd-be1f-df38edeec1e3 (14.08.2010). | {2007} Stig Simeon Fryshov,
The Early Development of the Liturgical Eight-Mode System in Jerusalem,
St Vladimirs Theological Quarterly, 51, 23 (2007), pp. 139178: http://mzh.
mrezha.ru/lib/froyshov/fhv2007a.pdf (3.8.2011). Christian Troelsgrd, A
New Source for the Early Octoechos? Papyrus Vindobonensis G 19.934 and
its musical implications, Byzantine Musical Culture, First International Conference of the American Society of Byzantine Music and Hymnology, September 10th15th, 2007, Athens, pp. 668679, Proceedings in electronic form:
http://www.asbmh.pitt.edu/page/12/Troelsgard.pdf (30.11.2011). | {2011 and
forthcoming} Mariana Dimitrova, The Usage of Theta Notation in the Menaion Sinai gr. 592, Psaltike. Neue Studien zur Byzantinischen Musik: Festschrift
fr Gerda Wolfram, ed. Nina-Maria Wanek, Praesens, Wien 2011, pp. 101114.
Svetlana Kujumdzieva, The Tropologion Vaticanus Graecus 2008, Festschrift
fr Gerda Wolfram, pp. 187204. Neil Moran, Palestinian Chants in Medial
Modes in Old Roman, Ambrosian, Beneventan and Frankish Sources, Festschrift fr Gerda Wolfram, pp. 243256. Christian Troelsgrd, Song for the
Theotokos. Pieces of Papyrus and the Early Byzantine Theotokia, paper read
at: IMS, Study Group Cantus Planus, Fifteenth Meeting, Dobogk, Hunga102
ry, August 2329, 2009 (forthcoming). Christian Troelsgrd, Chant Papyri
and the New Jerusalem Tropologion some early documents on the formation of the Orthodox chant repertories, Unity and Variety in Orthodox Church
Music: Theory and Practice, Proceedings of the Fourth International Conference on Orthodox Church Music, University of Joensuu, Finland, 612 June
2011 (forthcoming: see http://www.isocm.com/conferences/2011/index.html).
2.5. Ekphonetic notation and received tradition of ekphonesis
( ) :
{2001} Sandra Martani, Beobachtungen zum ekphonetischen Notationssystem eines Evangelien-Lektionars aus dem 12. Jahrhundert (Vind.
Suppl. Gr. 128), IMS, Study Group Cantus Planus, Papers Read at the 9th Meeting Esztergom & Visegrad 1998, ed. L. Dobszay, Budapest 2001, pp. 501524. .
,
, ,
, .
, A 2001, pp. 91
140. | {2004} Sandra Martani, Das ekphonetische Notationssystem in den
datierten Evangeliarien des 10. Jahrhunderts, Palaeobyzantine Notations III, Acta
of the Congress Held at Hernen Castle, in March 2001, ed. Gerda Wolfram,
Eastern Christian Studies, 4, Leuven-Paris-Dudley, MA 2004, pp. 2747. Sandra
Martani, Heilige Schrift und Ekphonesis: wie der Text die Musik formt, Studia Musicologica Academiae Scientiarum Hungaricae, 45, 12 (2004), pp. 149163.
Sandra Martani, Le manuscript de Iai IV34 et linterprtation de la notation
ekphontique, Acta Musicae Byzantinae, VII (2004), pp. 1722: http://www.csbi.
ro/ro/revista04.html (6.8.2011). | {2007} ,
, Byzantine Musical Culture, First International Conference of the
American Society of Byzantine Music and Hymnology, September 10th15th,
2007, Athens, pp. 224229, Proceedings in electronic form: http://www.asbmh.
pitt.edu/page/12/Hatzichronoglou.pdf (30.12.2011). ,

, Byzantine Musical Culture, 1st Conference, pp. 230237, Proceedings in electronic form: http://www.asbmh.pitt.edu/
page/12/Skarpellos.pdf (30.12.2011). | {2011 and forthcoming} Sandra Martani,
Words and Music in the Greek Gospel Lectionaries, Psaltike. Neue Studien zur
Byzantinischen Musik: Festschrift fr Gerda Wolfram, ed. Nina-Maria Wanek, Praesens, Wien 2011, pp. 219231. Sandra Martani, Vind. Suppl. gr. 121 und 122:
zwei Fragmente mit ekphonetischer Notation in der sterreichischen Nationalbibliothek, paper read at: International Musicological Society, Study Group
Cantus Planus, Sixteenth meeting, Vienna, 2127 August 2011 (forthcoming).
2.6. Palaeobyzantine notations. Interactions with Palaeoslavic and
Western notations:
{2002} , . . , ,
103

2002. | {2004} Palaeobyzantine Notations III. Acta of the Congress Held at Hernen
Castle, The Netherlands, in March 2001, ed. G. Wolfram, Eastern Christian Studies,
4, Leuven-Paris-Dudley, MA 2004. | {2005} Constantin Floros, Introduction
to Early Medieval Notation, enlarged 2nd edition, revised, translated and with
an illustrated chapter on Cheironomy by Neil K. Moran, Detroit Monographs
in Musicology/Studies in Music, 45, Harmonie Park Press, Warren, Michigan
2005. | {2009} Constantin Floros, The Origins of Russian Music. Introduction
to the Kondakarian Notation, Revised, Translated, and with a Chapter on Relationships between Latin, Byzantine and Slavonic Church Music by Neil K.
Moran, Peter Lang Verlag, Frankfurt am Main Berlin Bern Bruxelles
New York Oxford Wien 2009. {2011} he Origins of Western Notation,
Revised and Translated by Neil Moran, With a Report on The Reception of
the Universale Neumenkunde, 19702010, Peter Lang Verlag, Frankfurt am
Main Berlin Bern Bruxelles New York Oxford Wien 2011. || For further bibliography about Palaeoslavic notations, cf. below, Nr. 4.2.3.1., 4.2.3.2.
{2011}, 4.2.3.3.
2.7. Middle Byzantine notation and issues of musical exegesis:
{2001} ,
,
, 5 (2001), pp. 297318 and plates 115. | {2003} I A,

, ,
, ed. ,
, ,
. 18, A 2003, pp. 151176. | {2006} I ,
,
.
,
, , 1519 2003, . ,
, , . . , A
2006, pp. 233253. | {2007} Ioannis Arvanitis, The Heirmologion by Balasios the Priest. A Middle-point between Past and Present, The Traditions of Orthodox Music, Proceedings of the First International Conference on Orthodox
Church Music, University of Joensuu, Finland, 1319 June 2005, edd. Rev. Ivan
Moody/Maria Takala-Roszczenko, University of Joensuu & The International Society for Orthodox Church Music, Finland 2007, pp. 235265. O

, ,

: & , Byzantine Musical
Culture, First International Conference of the American Society of Byzantine
Music and Hymnology, September 10th15th, 2007, Athens, pp. 337485, Pro104
ceedings in electronic form: http://www.asbmh.pitt.edu/page/12/Alexandru.
pdf (30.12.2011). | {2010} M ,
. ,
University Studio Press, 2010. I ,

, , 2 vols.,
, , 2010. Sandra Martani, La tradizione dellHeirmologion tra XII e XIII secolo alla luce di una
nuova fonte. Il ms. gr. 331 della Biblioteca Patriarcale di Alessandria, Philomusica on-line, 9,2 (2010), Sezione I, pp. 231244: http:riviste.paviauniversitypress.
it/index.php/phi/issue/view/47 (5.1.2012). | {2011 and forthcoming} Nicolae
Gheorghi, Observations on the technique of transcription () into
the new method of analytical music notation of the Sunday Koinonikon of the
18th century, Psaltike. Neue Studien zur Byzantinischen Musik: Festschrift fr Gerda
Wolfram, ed. Nina-Maria Wanek, Praesens, Wien 2011, pp. 125144. Eustathios Makris, .
, Festschrift fr Gerda Wolfram, pp. 205218. Christian Troelsgrd, Byzantine Neumes. A New Introduction to the Middle Byzantine
Musical Notation, MMB, Subsidia, IX, Museum Tusculanum Press, Copenhagen 2011. I , M .
, paper read at the International
thought and creativity, Thessaloniki, 610 June 2011 (forthcoming in electronic
form: http://crossroads.mus.auth.gr). || For theoretical sources, see below,
Nr. 9.1.1. and 9.2.1.
2.8. Comparative Palaeography:
Les formes de la notation musicale. La mise en voir du Verbe dans les
manuscrits latins, hbraques et grecs (VIIIeXI sicles), Paris, 1213 novembre
2009, organis par: le Centre dEtude de lEcriture et de lImage, Deutsches
Forum fr Kunstgeschichte de Paris, Recherche Arts Musique Spectacle
Evry, Laboratoire Patrimoines Musicaux (Paris IV): http:www.univ-evry.fr/
fr/recherche/les_laboratoires/rasm_recherche_arts_spectacle_musique/mise_
en_voir_du_verbe.html (31.12.2011).
3. History and Historiography of Byzantine Music and Hymnography:
Persons, works, styles, genres and categories
3.1. General surveys about Greek music from Antiquity through
to newer times. Origins of orthodox music. Historiographical issues:
{2004} , .
(4 . .. 19 . ..), , 2004. | {2006}
aria lexandru, Preliminary Remarks on the Historiography of Byzantine
Music and Hymnography, Bollettino della Badia Greca di Grottaferrata, terza serie,
vol. 3 (2006), pp. 1348. | {2010} Serafim Seppl, Music in the Temple of Je105

rusalem during the Time of the Apostles, Church, State and Nation in Orthodox
Church Music, Proceedings of the Third International Conference on Orthodox
Moody/Maria Takala-Roszczenko, University of Joensuu & The International
Society for Orthodox Church Music, Jyvskyla 2010, pp. 2738.
3.2. General and special studies about composers from the period
of Kalophony, post-Byzantine and newer times:
{2004} , ,

( 30 1862). , IBM,
, 9, . . , A 2004. | {2007} ,
. ,
First Conference of the American Society of Byzantine Music and Hymnology, September 10th15th, 2007, Athens, Conference Papers in electronic form:
http://www.asbmh.pitt.edu/page/12/Andreou.pdf (30.12.2011).
, . : , Byzantine Musical Culture, 1st Conference, pp. 157209, Proceedings in electronic form:
http://www.asbmh.pitt.edu/page/12/Haldaiakis.pdf (30.12.2011). Christiana
Demetriou, Sptbyzantinische Kirchenmusik im Spiegel der zypriotischen Handschriftentradition, Studien und Texte zur Byzantinistik, 7, ed. Peter Schreiner,
Peter Lang Verlag, Frankfurt am Main Berlin Bern Bruxelles New
York Oxford Wien 2007. Arsinoi Ioannidou, The Kalophonic Settings
of the Second Psalm in the Byzantine Tradition (Fourteenth-Fifteenth centuries): A Dissertation In-Progress, Byzantine Musical Culture, 1st Conference, pp. 210223, Proceedings in electronic form: http://www.asbmh.pitt.edu/
page/12/Ioannidou.pdf (30.12.2011). ,
, , IBM, , 13, . .
, A 2007. | {2008} Bjarne Schartau, Observations on the Transmission of the Kalophonic vre of Ioannes (and Georgios) Plousiadenos,
radition and Innovation in Late- and Postbyzantine Liturgical Chant, Acta of the
Congress Held at Hernen Castle, in April 2005, ed. Gerda Wolfram, Eastern
Christian Studies, 8, Leuven-Paris-Dudley, MA 2008, pp. 129157. Daniel Suceava, Episcopul Marcu al Corintului i opera sa muzical, Studii i Cercetri
de Istoria Artei. Teatru, Muzic, Cinematografie, serie nou, tomul 2(46) (2008), pp.
93108. | {2009 and forthcoming} Flora Kritikou, ,
, Byzantine Musical Culture,
Second International Conference of the American Society of Byzantine Music and Hymnology, June 1014th, 2009, Athens: http://www.asbmh.pitt.edu/
page9/page13/page17/page17.html (5.11.2011). Michalis Stroubakis,
( 1861) ,
Byzantine Musical Culture, 2nd Conference: http://www.asbmh.pitt.edu/page9/
page13/page17/page17.html (5.11.2011). | {2011} Maria Alexandru, Gregorios Mpunes Alyates: An Open Bioergographic Index Card and an Analysis
106
of the Pentekostarion , Psaltike. Neue Studien
zur Byzantinischen Musik: Festschrift fr Gerda Wolfram, ed. Nina-Maria Wanek,
Praesens, Wien 2011, pp. 1364. || Brief bioergographic accounts for a great
number of Byzantine and post-Byzantine composers can be found in the
monographs of the series ,
(see some titles below, Nr. 3.4.3.). See also the great lexicographical series
mentioned below, Nr. 12.1.
3.3. Women melodists, hymnographers and composers in Byzantium:
{2005} , .
, 2005.| {2007} Spyros Panagopoulos, Kassia: A female hymnographer of the 9th century,
Byzantine Musical Culture, First International Conference of the American
Society of Byzantine Music and Hymnology, September 10th15th, 2007, Athens, pp. 111123, Proceedings in electronic form: http://www.asbmh.pitt.edu/
page/12/Panagopoulos.pdf (30.12.2011). | {2008} ,
,
, 2 vols., ,
, ,
, 2008. | {2009} . ,
,
.
, 2009. | {2011 and forthcoming} Achilleus
G. Chaldaeakes, The woman figure in Byzantine Melopoeia, Psaltike. Neue
Studien zur Byzantinischen Musik: Festschrift fr Gerda Wolfram, ed. Nina-Maria
Wanek, Praesens, Wien 2011, pp. 65100. Her Art. Greek Women in the Arts
from Antiquity to Modernity, ed. Diane Touliatos-Miles, Peter Lang Verlag,
Frankfurt am Main Berlin Bern Bruxelles New York Oxford Wien
(forthcoming 2011). See also the CD Byzantine Hymns of the First Female Composer, Kassia (c. 810843/867), Ensemble VocaMe, Michael Popp, Christphorus
records CHR77308: cf. http://www.vocame (31.12.2011).
3.4. Genres and categories of Byzantine melopoeia:
3.4.1. Miscellanea: Papers from special conference dedicated to
this thematic cycle:
,
,
, , 1519 . 2003, .
, , , . .
, A 2006.
3.4.2. Heirmological and sticheraric genre:
{2004} , ,
, IBM, , 8, ed. . , A
2004. Svetlana Kujumdzieva, John Koukouzeles Sticherarion. The Formation
107

of the Notated Anastasimatarion, Gutenberg Publishing House, Sofia 2004 (in
Bulgarian, with English summary). ,
o 10
16 , , ,
, 2004. | {2006} Ioannis Papathanasiou, The Significance
of Monumenta Musicae Byzantinae for the Study of the Heirmological Tradition, Bollettino della Badia Greca di Grottaferrata, terza serie, vol. 3 (2006), pp. 129
137. | {2011} Emmanouil St. Giannopoulos,
(1418 ), Psaltike. Neue Studien zur Byzantinischen Musik:
Festschrift fr Gerda Wolfram, ed. Nina-Maria Wanek, Praesens, Wien 2011, pp.
145153. , ,
, , 2011. || See
also above, Nr. 2.7., titles by Arvanitis and Martani {2010}, as well as below,
Nr. 7.2.1. For the Old Slavonic tradition of the Heirmologion, cf. below, Nr.
4.2.3.1. {2006}.
3.4.3. Psaltikon, Asmatikon, Asma, Kalophonia, papadic genre:
{2003 a. o.} ,
, IBM, , 5, ed. . , 2003.
,
, IBM, ,
7, ed. . . A 2003. Id.,
, 2005. | {2004} ,
, IBM, , 10, ed. . ,
2004. On the Akathistos, see also below, the titles by:
(Nr. 3.5.2. {2006}), Andrea Atlanti (Nr. 4.2.6.4. {2009 and forthcoming}), Adriana irli (Nr. 7.2.2. {2003}), Flora Kritikou (Nr. 7.2.2. {2008}), and
Leena Mari Peltooma (Nr. 8.2. {2001}). |
{2005} ,
, IBM, , 12, ed. . , 2005. | {2007}
,

, Byzantine Musical Culture, First International Conference of the
American Society of Byzantine Music and Hymnology, September 10th15th,
2007, Athens, pp. 124143, Proceedings in electronic form: http://www.asbmh.
pitt.edu/page/12/Anastasiou.pdf (30.12.2011). | {2008} , , , ,
16, ed. . , 2008. Diane Touliatos, H
, , , , ed. . ,
2008, pp. 315331. | {2009} Christian Hannick, Le kontakion dans lhistoire
de la musique ecclesiastique byzantine, Ostkirchliche Studien, 58, 1 (2009), pp.
5766. | {2011 and forthcoming} Constantin Floros, Zur ltesten berlieferung der Kontakienmelodien, Psaltike. Neue Studien zur Byzantinischen Musik:
108
115124. Flora Kritikou, The Byzantine Compositions of the Symbolon
of Faith, Festschrift fr Gerda Wolfram, pp. 167186. See a further paper by
Flora Kritikou on a related topic, mentioned under Nr. 4.2.2.1. {2011 and forthcoming}. ,
, . 14 21 , paper read at the International Musicological Conference Crossroads. Greece as an
intercultural pole of musical thought and creativity, Thessaloniki, 610 June 2011
(forthcoming in electronic form: http://crossroads.mus.auth.gr). || For kalophonic heirmoi, cf. above, nr. 3.4.2. {2011}.
Note: many of the titles listed above under Nr. 3.4.23. are primarily concerned with the historical evolution of a certain genre or category of
chant, together with the establishment of corpora and/or editions of a selected repertory. || For further works related to this thematic cycle and with
emphasis on musicological analysis, see below, Nr. 7.2.12.
3.5. Byzantine Hymnology:
3.5.1. Hymnographers and their works, hymnographic genres,
metrics, editions, hermeneutics:
{2001} Rev. Vasile Grjdian, Aspects homiltiques dans les Stichera Eothina de Lon VI le Sage, ditions de lUniversit Lucian Blaga, Sibiu 2001.
Sfntul Simeon Noul Teolog, Imne, epistole i capitole, Scrieri III, introducere i traducere diac. Ioan I. Ic jr, Deisis, Sibiu 2001. ,
,
, , 2001. | {2002 a.o.}
. , ,
, 1, 2002.
, ,
, 2002. Andrew Louth, St John Damascene. Tradition and Originality in Byzantine Theology, Oxford Early Christian Studies, Oxford University Press 2002. See also Romanian translation: Pr. Andrew
Louth, Sfntul Ioan Damaschinul. Tradiie i originalitate n teologia bizantin cu
cteva scrieri inedite, trad. Pr. prof. Ioan Ic sn i diac. Ioan I. Ic jr, Deisis, Sibiu 2010. | {2003} . , . ..
, ,
, 2003. ,
, , . B, 2003.
| {2005} . , ,
, 17 (2005, -), pp. 8697. | {2007} ,
, Byzantine Musical Culture, First International Conference of
the American Society of Byzantine Music and Hymnology, September 10th
15th, 2007, Athens, pp. 2446, Proceedings in electronic form: http://www.
asbmh.pitt.edu/page/12/Vakalopoulou.pdf (30.12.2011). Nick Giannoukakis, Metrical/Tonic Structural Homology and Identity Between Classical
109

Greek Literature and Byzantine Hymns: a Meta-Analysis, Byzantine Musical
Culture, 1st Conference, pp. 712750, Proceedings in electronic form: http://
www.asbmh.pitt.edu/page/12/Giannoukakis.pdf (30.12.2011). | {2008} ..
, , ,
, , 2008. | {2009 and forthcoming} Dimitrios Karamvalis, :
, Byzantine Musical Culture, Second International
Conference of the American Society of Byzantine Music and Hymnology, June
1014th, 2009, Athens: http://www.asbmh.pitt.edu/page9/page13/page17/page17.
html (5.11.2011). Dimitrios Karamvalis,
, Byzantine Musical Culture, 2nd Conference: http://www.asbmh.pitt.
edu/page9/page13/page17/page17.html (5.11.2011). Konstantinos Koutoumbas,
, Byzantine Musical Culture, 2nd Conference: http://www.asbmh.pitt.edu/page9/page13/
page17/page17.html (5.11.2011). Spyros Panagopoulos,
:
, Byzantine Musical Culture, 2nd Conference: http://www.asbmh.
pitt.edu/page9/page13/page17/page17.html (5.11.2011).
3.5.2. Monographs about dierent troparia and hymns:
{2002} , , ,
2002. See also the article by Chr. Troelsgrd mentioned below, Nr. 7.2.2.
{2003} | {2006} , .
. ,
, , 2006.
4. Local traditions of Byzantine chant and related musical traditions
in diachronic and synchronic perspectives. nteractions with art music in
newer times and today
4.1. Greek local traditions of liturgical chant:
{2004} ,
(15661669), , , 11, ed. . , 2004.
| {2006} ,
, , 89, 812 (2006), pp. 10291044.
N ,
,
, , 29 .1 .
2006, , ed. . ,
, , ,
2006, pp. 357364. | {2007} ,
- , , ,
15, ed. . , 2007. | {2008} mmanouil Giannopoulos, The
Stability and Continuity of the Old Tradition in Cretan Psaltic Art in the 17th
Century and Generally in the Following Centuries, radition and Innova110
tion in Late- and Postbyzantine Liturgical Chant, Acta of the Congress Held at
Hernen Castle, in April 2005, ed. Gerda Wolfram, Eastern Christian Studies, 8,
Leuven-Paris-Dudley, MA 2008, pp. 159189. ,
,
, , 9.5.2008: http://www.ehw.gr/
constantinople/forms/filePage.aspx?lemmaId=11048 (31.12.2011). | {2009 and
forthcoming} . , H
, , 3435 (- 2009), pp. 675 and double
CD. Dimitrios Balageorgos, H
, Byzantine Musical Culture, Second International Conference of the American Society of Byzantine Music and Hymnology, June 1014th, 2009, Athens: http://www.asbmh.
pitt.edu/page9/page13/page17/page17.html (5.11.2011). | {2010} N .
,
19 , , ,
, 2010. | {forthcoming} ,
. :
, paper read at the International Musicological
Conference Crossroads. Greece as an intercultural pole of musical thought and creativity, Thessaloniki, 610 June 2011 (forthcoming in electronic form: cf. http://
crossroads.mus.auth.gr).
4.2. Byzantine chant and its irradiance:
4.2.1. Methodological issues and the concept of musical otherness:
{2001} Christian Troelsgrd, Methodological problems in comparative chant research, Comparative liturgy fifty years after Anton Baumstark (1872
1948), Acts of the International Congress, Rome, 2529 September 1998, edd.
R.F. Taft/G. Winkler, Orientalia Christiana Analecta, 265, Pontificio Istituto
Orientale, Roma 2001, pp. 981996. | {forthcoming} Christian Troelsgrd,
The conception of the chant of the others, paper read at: International Musicological Society, Study Group Cantus Planus, Sixteenth meeting, Vienna,
2127 August 2011.
4.2.2. Byzantium and the West:
4.2.2.1. Generalia & Miscellanea:
{2001} The Study of Medieval Chant: Paths and Bridges, East and West, In
Honor of Kenneth Levy, ed. P. Jeery, Boydell & Brewer, Cambridge 2001. |
{2009 and forthcoming} Nikos Maliaras,
: , Byzantine Musical Culture, Second International Conference of the American Society of Byzantine
Music and Hymnology, June 1014th, 2009, Athens: http://www.asbmh.pitt.
edu/page9/page13/page17/page17.html (5.11.2011). | {2010} Hilkka Seppl,
St Cecilia (Kikilia): A Musical Martyr in the Eastern and Western Traditions,
Church, State and Nation in Orthodox Church Music, Proceedings of the Third
111

International Conference on Orthodox Church Music, University of Joensuu,
Finland, 814 June 2009, edd. Rev. Ivan Moody/Maria Takala-Roszczenko,
University of Joensuu & The International Society for Orthodox Church Music, Jyvskyla 2010, pp. 4049. | {forthcoming} Constantine Floros, The influence of Byzantine music on the West, keynote lecture at the International
form: http://crossroads.mus.auth.gr). Gerda Wolfram, Untersuchungen zur
byzantinischen Tradition des lateinischen Akathistos Hymnus, paper read
at: International Musicological Society, Study Group Cantus Planus, Sixteenth
meeting, Vienna, 2127 August 2011. Nina-Maria Wanek, Die sogenannte
Missa graeca Schnittstelle zwischen Ost und West?, paper read at: Cantus
Planus, Sixteenth meeting. Flora Kritikou, Compositions of Credo: Possible
influences of Latin settings on the respective Byzantine ones of Cretan origin
(16th17th century), paper read at: Cantus Planus, Sixteenth meeting. Eustathios Makris, Byzantine chant in Viennese harmony, paper read at: Cantus
Planus, Sixteenth meeting. || For further titles, see below, Nr. 4.2.2.2., 4.2.6.1.,
4.2.6.4., as well as above, 2.4. {2011} and 2.6. {2002}, {2011}.
4.2.2.2. Italy, Graecia Magna, Arbresh:
{2002} Sandra Martani, La Musica Bizantina in Italia. Fonti Musicali
e Testimonianze Letterarie, Rivista Internazionale di Musica Sacra, nuova serie,
23, II (2002), pp. 130. | {2006} Girolamo Garofalo, Father Bartolomeo di
Salvo and his transcriptions of the Byzantine chants among the Albanians in
Sicily, Bollettino della Badia Greca di Grottaferrata, terza serie, vol. 3 (2006), pp.
93116. | {2009} Ardian Ahmedaja, Music in the Churches of Arbresh
in Southern Italy and Sicily, Composing and Chanting in the Orthodox Church,
Proceedings of the Second International Conference on Orthodox Church
Music, University of Joensuu, Finland, 410 June 2007, edd. Rev. Ivan Moody/
Maria Takala-Roszczenko, University of Joensuu & The International Society
for Orthodox Church Music, Jyvskyla 2009, pp. 98114. | {forthcoming}
Oliver Gerlach, Cross roads of Latin and Greek Christians in Norman Italy.
Byzantine Italy and reciprocal influences between Greek and Latin Chant
(11th13th Century), paper read at the International Musicological Conference
Crossroads. Greece as an intercultural pole of musical thought and creativity, Thessaloniki, 610 June 2011 (forthcoming in electronic form: http://crossroads.mus.
auth.gr). Girolamo Garofalo, A Greek-Byzantine musical island inside an
Italian island: the Byzantine chant of the Arbresh of Sicily, paper read at:
Crossroads (forthcoming in electronic form: http://crossroads.mus.auth.gr). ||
See also the various papers and the concert at: Voce e suono della preghiera 2, Il canto bizantino in Italia tra tradizione scritta e orale, a cura di Girolamo Garofalo, Fondazione Giorgio Cini, Venezia, 2 dicembre 2011, Giornata di studi
& Concerto del Coro Aghiopolitis di Atene, diretto da Ioannis Arvanitis.
See also above, Nr. 1.4. {2008}, Convegno di studi Padre Lorenzo Tardo. For
112
manuscript sources, see further titles above, Nr. 2.3. {2005}, {2011 and forthcoming}. See also Nr. 5 {2009}, {2011}.
4.2.3. Byzantium and Slavophonic traditions:
4.2.3.1. Early and later Slavonic traditions: Music and Hymnography:
{2001} imon Marink, The Music of the Early Slavic Canon for
St. Demetrius, OCP, 67 (2001), pp. 2137. | {2002} Svetlana Kujumdzieva,
Viewing the Earliest Old Slavic Corpus Cantilenarum, Palaeobulgarica, 26,2
(2002), pp. 83101. | {2004} Julia Shlikhtina, Problems of the theory and
practice of prosomoia singing as illustrated by Byzantine and Slavic notated
prosomoia of the Good Friday Oce, Palaeobyzantine Notations III. Acta of the
Congress held at Hernen Castle, The Netherlands, in March 2001, ed. G. Wolfram,
Eastern Christian Studies, 4, Leuven-Paris-Dudley, MA 2004, pp. 173198. |
Triodion und Pentekostarion nach slavischen Handschriften des 11.14. Jahrhunderts, Teil I: Vorfastenzeit, Historisch-kritische Edition, edd. M.A. Momina/N.
Trunte, Abhandlungen der NRW Akademie der Wissenschaften, Patristica
Slavica, 11, F. Schningh, Paderborn 2004. | {2006} Das byzantinische Eigengut
der neuzeitlichen slavischen Menen und seine griechischen Originale, erarbeitet
v. Peter Plank/Carolina Lutzka, ed. Chr. Hannick, Abhandlungen der NRW
Akademie der Wissenschaften, vol. 112, Patristica Slavica, vol. 12, (contains 3
subvolumes), Paderborn 2006. Das altslavische Hirmologion. Edition und Kommentar, ed. Christian Hannick, Monumenta Linguae Slavicae Dialecti Veteris, Fontes et Disserationes, 50, Weiher, Freiburg im Breisgau 2006. imon
Marink, The Importance of the MMB Series for Research into Early Byzantine-Slavic Music in Central Europe, Bollettino della Badia Greca di Grottaferrata, terza serie, vol. 3 (2006), pp. 117128. | {2007} ,

, Byzantine Musical Culture,
First International Conference of the American Society of Byzantine Music and Hymnology, September 10th15th, 2007, Athens, pp. 486519, Proceedings in electronic form: http://www.asbmh.pitt.edu/page/12/Stroubakis.
pdf (30.12.2011). | {2009} Gregory Myers, A Historical, Liturgical and Musical
Exploration of Kondakarnoie Pienie. The Deciphering of a Medieval Slavic Enigma,
Bulgarian Academy of Sciences, CyrilloMethodian Research Centre, edd.
E. Toncheva/Sv. Kujumdzieva, Sofia 2009. | {2011} Julia Schlichtina, The
Troparia of the Great Hours During 1100 Years, Psaltike. Neue Studien zur Byzantinischen Musik: Festschrift fr Gerda Wolfram, ed. Nina-Maria Wanek, Praesens, Wien 2011, pp. 313334. || Many other important titles by Christian
Hannick, Hans Rothe, Dagmar Christians and Dieter Stern, concerning editions, comments, indices of old Slavic hymnography, manuscripts and notation, can be found on the site of the Nordrhein-Westflische Akademie der
Wissenschaften und Knste: http://www.awk.nrw.de/awk/publikationen/abhandlungen/index.php (31.11.2011).
113

4.2.3.2. Liturgical music in ulgaria:
{2003} Maria Pischlger, Die Typologie des herausgegebenen gedruckten neumierten Heirmologion aus dem 19. Jahrhundert in Bulgarien,
Le chant byzantin: tat des recherches. Actes du colloque tenu du 12 au 15 dcembre
2006 lAbbaye de Royaumont, Acta Musicae Byzantinae, 6 (2003), Centrul
de Studii Bizantine Iai, pp. 124132: http://www.csbi.ro/ro/ro/r06/art15.pdf
(8.1.2011). | {2010} Ivan Moody, Tradition and Creation in Bulgarian Orthodox Church Music: The Work of Petar Dinev, Church, State and Nation in
Orthodox Church Music, Proceedings of the Third International Conference on
Orthodox Church Music, University of Joensuu, Finland, 814 June 2009, edd.
Rev. Ivan Moody/Maria Takala-Roszczenko, University of Joensuu & The International Society for Orthodox Church Music, Jyvskyla 2010, pp. 232241.
Stefka Venkova,
, Sofia 2010 (on the music of the Eastern Rite Catholic Church in
Bulgaria). | {2011} Svetlana Kujumdzieva, , Sofia
2011 (Old Bulgarian Music). Maria Pischlger, Die melodischen Formeln im
spteren heirmologischen Gesang anhand von gedruckten bulgarischen Gesangsbchern, Psaltike. Neue Studien zur Byzantinischen Musik: Festschrift fr
Gerda Wolfram, ed. Nina-Maria Wanek, Praesens, Wien 2011, pp. 287300. ||
For manuscript sources, see further titles above, Nr. 2.3. {2003}, {2008}, and
Nr. 4.2.3.1. See also publications in the periodical Bulgarsko Muzikoznanie
(Bulgarian Musicology): cf. http://musicart.imbm.bas.bg/BM-online.html
4.2.3.3. Liturgical music in Russia:
{2002} Gregory Myers, The Music and the Ritual of the Holy Thursday Pedilavium in Late Russian Liturgical Practice; Byzantine and Slavonic
Antecedents, Orientalia Christiana Periodica, 68, II (2002), pp. 389433. | {2003}
Irina Lozovaya, Russian Parakletike of the 12th15th Centuries and Early
Forms of the Byzantine Octoechos: Liturgical and Musicological Interrelations,
2006 lAbbaye de Royaumont, Acta Musicae Byzantinae, 6 (2003), Centrul de Studii Bizantine Iai, pp. 101107: http://www.csbi.ro/ro/ro/r06/art12.pdf (8.1.2011).
Nicolas Schidlovsky, La tradition musicale byzantine en Russie, Le chant
byzantin, pp. 7780: http://www.csbi.ro/ro/ro/r06/art09.pdf (8.1.2011). | {2004}
Olga Kraeninnikova, Psalter performance in the medieval Russian Sunday
Oce of the sixteenth and seventeenth centuries, Palaeobyzantine Notations III,
Acta of the Congress Held at Hernen Castle, in March 2001, ed. Gerda Wolfram,
Eastern Christian Studies, 4, Leuven-Paris-Dudley, MA 2004, pp. 117145. Galina Poidaeva, Die Hauptstruktur des altrussischen melismatischen Gesanges
und ihre Wechselbeziehung mit der byzantinischen Tradition, Palaeobyzantine Notations III, pp. 91116. Natalia Seregina, La modulation mlismatique
des chants de pnitence de la Russie Ancienne, Palaeobyzantine Notations III,
pp. 157171. | {2006} Nicolas Schidlovsky, Neumation and Musical Identity
in Early Medieval Russia, Bollettino della Badia Greca di Grottaferrata, terza se114
rie, vol. 3 (2006), pp. 143158. | {2007} Galina Alexeeva, -
, , Sankt-Peterburg 2007. Alexei Jaropolov, Conceptualization of the Musical Alphabet in Russian Theory of the
17th Century, The Traditions of Orthodox Music, Proceedings of the First International Conference on Orthodox Church Music, University of Joensuu, Finland,
1319 June 2005, edd. Rev. Ivan Moody/Maria Takala-Roszczenko, University
of Joensuu & The International Society for Orthodox Church Music, Finland
2007, pp. 320344. | {2008} Christian Hannick, Johann von Gardner: Eine
Grundlegende Publikation zu Leben und Werk des Erforschers des russischen
Kirchengesangs, Ostkirchliche Studien, 57, 2 (2008), pp. 355366 (review of: Protoierei Boris Danilenko, Materialy k tvoreskoj biografii I. A. Gardnera (18981984),
Verlag Otto Sagner, Moskva Mnchen 2008). Bozhidar Karastoyanov, Die
Popevki des Znamenny Rospevs. Nach Materialien des Gesangbuches Prazdniki,
neue istinoretschnaya Redaktion. Handschrift vom Ende des 17 Jahrhunderts,
Moskau, GIM, Synodale Gesangssammlung Nr. 41, Wien 2008. | {2009 and
forthcoming} Ildar Khannanov, International Influence of Byzantine Music:
Through Znamennyi Chant to Sergei Rachmaninovs Melopeia, Byzantine Musical Culture, Second International Conference of the American Society of Byzantine Music and Hymnology, June 1014th, 2009, Athens: http://www.asbmh.
pitt.edu/page9/page13/page17/page17.html (5.11.2011). Svetlana Poliakova, Sin
319 and Voskr 27 and the Triodion Cyvle in the Liturgical Praxis in Russia during
the Studite Period, Dissertation, Faculty of Social and Human Science at the
Universidade Nova de Lisboa, 2009: http://run.unl.pt/bitstream/10362/4934/1/
SvetlanaPoliakova.pdf (4.1.2012). | {2011 and forthcoming} Inge Kreuz, Die
Texte der Melismen im altrussischen Kirchengesang, Psaltike. Neue Studien zur
Byzantinischen Musik: Festschrift fr Gerda Wolfram, ed. Nina-Maria Wanek, Praesens, Wien 2011, pp. 155165. Irina Chudinova, Greek Chant in the Russian
North, paper read at the International Musicological Conference Crossroads.
Greece as an intercultural pole of musical thought and creativity, Thessaloniki, 610
June 2011 (forthcoming in electronic form: http://crossroads.mus.auth.gr).
Svetlana Poliakova, The Russian Studite Triodion set: identifying the prototypes, paper read at: International Musicological Society, Study Group Cantus
Planus, Sixteenth meeting, Vienna, 2127 August 2011 (forthcoming). Alexey
Yaropolov, On the perspectives to retrieve the scales from neumed melodic
idioms of the pre-reform Znamenny chant and On the scale retrieving technique, paper and demonstration at: International Musicological Society, Study
Group Cantus Planus, Sixteenth meeting, Vienna, 2127 August 2011 (forthcoming). || There is also a rich bibliography in Russian language about Greeskij
rospev, as well as about music in orthodox worship23. See also Nr. 8.1. {2003}.
4.2.3.4. Liturgical music in Serbia:
{2003} Vesna (Sara) Peno, Iz chilandarske pojake riznitse, Vikentije Chilandarats, Novi Sad 2003: Art Print (with CD containing pieces by Vikentije
from Chilandar, performed by the choir Saint Kassiane, dir. Sara Peno).
115

Danica Petrovi, Survey of the Chant Books Preserved in Serbian Libraries and Monastery Collections, Le chant byzantin: tat des recherches. Actes du
colloque tenu du 12 au 15 dcembre 2006 lAbbaye de Royaumont, Acta Musicae
Byzantinae, 6 (2003), Centrul de Studii Bizantine Iai, pp. 5055: http://www.
csbi.ro/ro/ro/r06/art07.pdf (8.1.2011). | {2007} Danica Petrovi, Church Chant
in the Serbian Orthodox Church through the Centuries, The Traditions of Orthodox Music, Proceedings of the First International Conference on Orthodox
Society for Orthodox Church Music, Finland 2007, pp. 180196. | {2008} Ivana Perkovi Radak, From Angel Chant to Choral Art. Serbian Choral Church Music
in the Period of Romanticism (Before 1914), Musicological Studies-Dissertations,
vol. 1/2008, Fakultet Muzike Umetnosti, Beograd 2008 (in Serbian). | {2009
and forthcoming} vana Perkovi, Serbian Chant. Perspectives on the History of its Analysis, Papers Read at the 13h Meeting of the IMS Study Group
Cantus Planus, Niederaltaich/Germany, 2006, Aug. 29Sept. 4., edd. Barbara
Haggh/Lszl Dobszay, Institute for Musicology of the Hungarian Academy
of Sciences, Budapest 2009, pp. 519534: http://www.uni-regensburg.de/Fakultaeten/phil_Fak_I/Musikwissenschaft/cantus/CPvolumes/2006.pdf#page=11
(4.1.2012) | Gordana Blagojevi,
20
21 , Byzantine Musical Culture, Second International Conference
of the American Society of Byzantine Music and Hymnology, June 1014th,
2009, Athens: http://www.asbmh.pitt.edu/page9/page13/page17/page17.html
(5.11.2011). Vesna (Sara) Peno, H

, Byzantine Musical Culture, 2nd Conference: http://www.asbmh.pitt.edu/page9/page13/page17/page17.html (5.11.2011). Sara Peno, The
Liturgical Typikon as a Source for Medieval Chanting Practice, Composing and
Chanting in the Orthodox Church, Proceedings of the Second International Conference on Orthodox Church Music, University of Joensuu, Finland, 410 June
2007, edd. Rev. Ivan Moody/Maria Takala-Roszczenko, University of Joensuu
& The International Society for Orthodox Church Music, Jyvskyla 2009, pp.
203212. | {2010} j, edd. D. Petrovi/J.
Vrani, Novi Sad Beograd 2010 (The Orthodox Serbian Church Chant: collection of hymns according to the old Karlovci style, harmonized by Tihomir
Ostoji: bilingual introduction & scores). | {2011 and forthcoming} Danica
Petrovi, Church Musicians in Mediaeval Serbia, Psaltike. Neue Studien zur
Byzantinischen Musik: Festschrift fr Gerda Wolfram, ed. Nina-Maria Wanek,
Praesens, Wien 2011, pp. 269286. Gordana Blagojevi, Byzantine music
as a driving force of music creativity in Belgrade today, paper read at the
International Musicological Conference Crossroads. Greece as an intercultural
pole of musical thought and creativity, Thessaloniki, 610 June 2011 (forthcom116
ing in electronic form: http://crossroads.mus.auth.gr). Nataa Marjanovi,
Great Chant in the liturgical practice of the Serbian Orthodox Church, paper read at: Crossroads (forthcoming in electronic form: http://crossroads.mus.
auth.gr). Ivana Perkovi, Musical references in Serbian liturgical poetry
(Srbljak) and hagiography (itija), paper read at: International Musicological
Society, Study Group Cantus Planus, Sixteenth meeting, Vienna, 2127 August
2011 (forthcoming).
4.2.3.5. Liturgical music in Kievan Rus and Ukraine:
{2003} Yurii Yasinovskyi, The Repertoire of Greek Chants in the
Ukrainian Heirmologion, Le chant byzantin: tat des recherches. Actes du colloque tenu du 12 au 15 dcembre 2006 lAbbaye de Royaumont, Acta Musicae Byzantinae, 6 (2003), Centrul de Studii Bizantine Iai, pp. 108112: http://www.
csbi.ro/ro/ro/r06/art13.pdf (8.1.2011) | {2010} rmologion 1809 roky Ivana Yuhasevitsa-Sklyarskoho, ed. hor Zadorozhniy, Karpati, Yzhhorod 2010. | {2011}
Gregory Myers, Original Hymnographic Production in Kievan Rus, Text
and Music: A Transformation of the Byzantine Paradigm?, Psaltike. Neue Studien zur Byzantinischen Musik: Festschrift fr Gerda Wolfram, ed. Nina-Maria
Wanek, Praesens, Wien 2011, pp. 257268. Yurii Yasinovskyi,
,
, 18, , Lviv 2011. Id., Kyivan Notation as a local Variant of the linear notation in Ukraine, Festschrift fr Gerda
Wolfram, pp. 377393. || See also the new periodical , Wissenschaftlicher Sammelband aus der Geschichte der kirchlichen Monodie und Hymnographie, Iwan Krypjakewytsch Institut fr Ukrainische Studien der Ukrainischen Akademie der Wissenschaften, Lviv, herausgegeben von dem Institut
fr Liturgik der Ukrainischen Katholischen Universitt und dem Ostkirchlichen Institut der Bayerischen Julius-Maximilian-Universitt zu Wrzburg,
since 2002- (with bibliographical informantions). || For further bibliography on slavophonic church music, see the note below, after Nr. 4.2.6.4.
4.2.4. Byantine musical tradition in Romania:
{2001} Cntrile Triodului dup Dimitrie Suceveanu, tefanache Popescu,
Ion Popescu-Pasrea, Anton Uncu .a., selectate i transcrise pe ambele notaii
muzicale, edd. Nicolae C. Lungu/Chiril Popescu/Pr. Nicu Moldoveanu, Editura Institutului Biblic i de Misiune al Bisericii Ortodoxe Romne, Bucureti
2001. | {2002} Anastasimatarul Cuviosului Macarie Ieromonahul, cu adugiri din
cel al Paharnicului Dimitrie Suceveanu, edd. Diacon Cornel Coman/Gabriel Duca,
Editura Bizantin, Fundaia Stavropoleos, Bucureti 2002. Titus Moisescu,
Florilegiu sau crestomaie de cntri religioase, de compozitori romni din secolele XV
XVIII, ed. Alexandru Dimcea, Editura Muzical, Bucureti 2002. | {2003}
Constantin Catrina, Ipostaze ale muzicii de tradiie bizantin din Romnia, Editura
Muzical, Bucureti 2003. Titus Moisescu, Cntarea monodic bizantin pe teritoriul Romniei, Prolegomene Bizantine II, Variante stilistice i de form n muzica
bizantin, ed. C. Secar, Editura Muzical, Bucureti 2003. Gabriela Ocneanu,
117

Religious Music of the Byzantine Tradition. Its Place and Role in Roumanian
Musical Life, Le chant byzantin: tat des recherches. Actes du colloque tenu
du 12 au 15 dcembre 2006 lAbbaye de Royaumont, Acta Musicae Byzantinae, 6 (2003), Centrul de Studii Bizantine Iai, pp. 133135: http://www.csbi.ro/
ro/ro/r06/art16.pdf (8.1.2011). | {2004 a.o.} Ghelasie Basarabeanu, Vecernier i
Utrenier, Cntri adunate, transliterate, diortosite i transcrise n notaie liniar
de Arhid. Sebastian Barbu-Bucur/Preot Ion Isroiu, Izvoare ale Muzicii
Romneti, vol. XI A, Editura Muzical, Bucureti 2004. Ghelasie Basarabeanu, Liturghier, Cntri adunate, transliterate, diortosite i transcrise n
notaie liniar de Arhid. Sebastian Barbu-Bucur/Preot Ion Isroiu, Izvoare ale
Muzicii Romneti, vol. XI B, Editura Muzical, Bucureti 2005. Ghelasie
Basarabeanu, Doxastar, Cntri adunate, transliterate, diortosite i transcrise n
notaie liniar de Arhid. Sebastian Barbu-Bucur/Preot Ion Isroiu, Izvoare ale
Muzicii Romneti, vol. XI C, Editura Muzical, Bucureti 2006.
,
, , in: . ,
. ,
University Studio Press, 2004, pp. 115145 (2nd ed. 2008). | {2005}
Antologhion Paisian, Tomul I, Perioada Triodului, ed. monahul Filotheu Blan,
Editura , Bucureti 2005. | {2006 a.o.} Traian Ocneanu, The School of
Medieval Chant at the Monastery of Putna,
, ,
, , 1519 .
2003, . ,
, , . . , A 2006, pp. 524536. Constantin Secar,
Muzica bizantin: doxologie i nlare spiritual, Editura Muzical, Bucureti
2006. Vasile Tomescu, Muzica Renaterii n spaiul cultural romnesc, 2 vols.,
Editura Muzical, Bucureti 2006, 2007. | {2007} Deacon Alexandru-Marius
Dumitrescu, Byzantine Musical Tradition in Romania as Revealed in Romanian Anastasimataria (19th20th centuries), The Traditions of Orthodox Music,
Proceedings of the First International Conference on Orthodox Church Music,
University of Joensuu, Finland, 1319 June 2005, edd. Rev. Ivan Moody/Maria
Takala-Roszczenko, University of Joensuu & The International Society for Orthodox Church Music, Finland 2007, pp. 3041. Pr. Vasile Grjdian/Pr. Sorin
Dobre/Corina Grecu/Iuliana Streza, Cntarea liturgic ortodox din Sudul Transilvaniei. Cntarea tradiional de stran n bisericile Arhiepiscopiei Sibiului. (The Orthodox Liturgical Chant in Southern Transylvania. The Monodic Traditional Chant in
the Parishes of the Sibiu Archiepiscopate), Editura Universitii Lucian Blaga,
Sibiu 2007 (book & multimedia). | {2008} Vasile Tomescu, Muzica Secolului Luminilor n spaiul cultural romnesc, Editura Muzical, Bucureti 2008. | {2009}
, , .
Nicolae Gheorghi, ,
, 2009. icolae Gheorghi,
118
The Byzantine Chant in the Romanian Principalities during the Phanariot
Period (17111821), Studia Universitatis Babe-Bolyai, Musica, 54, 1 (2009), pp.
3982; same title in: Composing and Chanting in the Orthodox Church, Proceedings of the Second International Conference on Orthodox Church Music, University of Joensuu, Finland, 410 June 2007, edd. Rev. Ivan Moody/Maria Takala-Roszczenko, University of Joensuu & The International Society for Orthodox
Church Music, Jyvskyla 2009, pp. 6597. Gabriela Ocneanu, Eustaties Cherubic Hymn Compositions His Cherubic Hymn in Mode III, Composing and
Chanting in the Orthodox Church, pp. 115141. Anton Pann, Spitalul amorului
sau Cnttorul dorului, pref. Nicolae Gheorghi, anthologie Petru Romoan,
Compania, Bucureti 2009. | {2010 and forthcoming} Maria Alexandru,
Calofonia, o Filocalie muzical. Cntarea liturgic n secolele XIIIXVI din
Bizan n rile Romneti, Istorie bisericeasc, misiune cretin i via cultural,
II. Cretinismul romnesc i organizarea bisericeasc n secolele XIIIXIV. tiri i interpretri noi, Actele sesiunii anuale de comunicri tiinifice a Comisiei Romne de Istorie i Studiu al Cretinismului, Lacu-Srat, Brila, 2829 sept.
2009, edd. E. Popescu/M. O. Coi, Editura Arhiepiscopiei Dunrii de Jos, Galai 2010, pp. 543582. | icolae Gheorghi, Byzantine Chant Between Constantinople and the Danubian Principalities, Studies in Byzantine Musicology, Editura
, Bucureti 2010. Costin Moisil, The Making of Romanian National
Church Music (18591914), Church, State and Nation in Orthodox Church Music,
Proceedings of the Third International Conference on Orthodox Church Music, University of Joensuu, Finland, 814 June 2009, edd. Rev. Ivan Moody/Maria Takala-Roszczenko, University of Joensuu & The International Society for
Orthodox Church Music, Jyvskyla 2010, pp. 225231. Anton Pann, Presimier, Tomul al treilea al Antologiei de Cntri Psaltice, 1847, reed. Gabriel Duca,
Asociaia Nectarie Protopsaltul, Bucureti 2010. Marcel Spinei,
, ,
, 2010 (forthcoming). |
{2011 and forthcoming} Costin Moisil, The Adaption of the Anastasimatarion Stichera into Romanian, Psaltike. Neue Studien zur Byzantinischen Musik:
233242. Zamfira Dnil, The publication of Ghelasie the Bessarabians music an invaluable restitution for Romanian psaltic music, paper read at the
pole of musical thought and creativity, Thessaloniki, 610 June 2011 (forthcoming
in electronic form: http://crossroads.mus.auth.gr). Stela Guanu, The Monastery of New Neam the sacred river that flew in the ocean of Romanian
history, forthcoming in: Crossroads (http://crossroads.mus.auth.gr). || See
also the rich bibliography by authors like Drago Alexandrescu, Ozana Alexandrescu, Delia-tefania Barbu, Sebastian Barbu-Bucur, Alexndrel Barnea,
Rev. Florin Bucescu, Rev. Alexie Buzera, Constantin Catrina, Margareta Cernoveac, Elena Chircev, Gheorghe Ciobanu, Veturia Dimoftache, Mariana
119

Flaier, Gheorghe Firca, Violina Galaicu, Nicolae Gheorghi, Rev. Vasile
Grjdian, Arhim. Clement Haralam, Franz Metz, Titus Moisescu, Costin Moisil, Gabriela Ocneanu, Traian Ocneanu, Rev. I.D. Petrescu, Constantin Secar,
Petru Stanciu, Irina Suhomlin-Ciobanu, Adriana irli, Nicolae urcanu, Vasile
Vasile a.o. in the periodical Acta Musicae Byzantinae, Centrul de Studii Bizantine Iai, since 1999-, edd. Traian & Gabriela Ocneanu, http://www.csbo.ro/
For manuscript sources, see further titles above, Nr. 2.3 {2007}, {2010}, {2011 and
forthcoming}. For further bibliography and for Festschriften in honor of
Romanian musicologists, see above, Nr. 1.3. {2005} and 1.4. {2005}, {2011}. For
Byzantine music in education, cf. below, Nr. 11.1.2. {2008}. For old Romanian
secular music, see also r. 10.1. {2003}, and 10.3.3.
4.2.5. Byzantium and the East:
4.2.5.1. Armenia: {2010} Chr. Hannick, Kirchenmusik im stlichen Europa, Begleitheft zur Ausstellung Die Kirchenmusik des christlichen
Ostens, 18. Januar 31. Mrz 2010, Universittsbibliothek Trier, pp. 1214.
4.2.5.2. Georgia: {2007} Gabriele Winkler, Eine neue Publikation zum Iadgari, OCP, 72 (2007), pp. 195200. | {2008} Charles Renoux, Lhymnaire de Saint-Sabas (VeVIIIe sicle): Le manuscript Gorgien H 2123,
1. Du Samedi de Lazare la Pentecte, Patrologia Orientalis, 50, Institut Pontifical de Rome 2008. || See also the papers by John A. Graham, Ecaterine
Diasamidze-Graham, David Shugliashvili, in: Unity and Variety in Orthodox
Church Music: Theory and Practice, Proceedings of the Fourth International
Conference on Orthodox Church Music, University of Joensuu, Finland,
612 June 2011 (forthcoming; cf. titles under http://www.isocm.com/conferences/2011/index.html).
4.2.6. Dynamics of Byzantine musical tradition in other countries during the 20thbeginning of the 21st centuries:
4.2.6.1. Anglophone zones (merica, Australia, England):
{2007} John Michael Boyer, The transcription, adaption and composition of traditional Byzantine Chant in the English language. An Americans Brief Look at the United States, Byzantine Musical Culture, First International Conference of the American Society of Byzantine Music and
Hymnology, September 10th15th, 2007, Athens, pp. 570587, Proceedings in
electronic form: http://www.asbmh.pitt.edu/page/12/Boyer.pdf (30.12.2011). |
{2008} , H B .
, , ,
, ed. . , 2008, pp. 270273. | {2011 and
forthcoming} ,
, paper read at the International Musicological Conference Crossroads. Greece as an intercultural pole of musical thought and creativity, Thessaloniki, 610 June 2011 (forthcoming in electronic form: http://crossroads.mus.auth.gr). Alexander Lingas, The cultural position of Byzantine
Chant in the orthodox churches of the modern West, paper read at: Inter120
national Musicological Society, Study Group Cantus Planus, Sixteenth meeting, Vienna, 2127 August 2011 (forthcoming). ,
, paper read at:
, ,
, ,
, ,
, 26 2011.
4.2.6.2. Albania:
{2008} ,
, , , , ed. .
, 2008, pp. 157160. | {forthcoming}
, :
1900 , paper read at the International Musicological Conference Crossroads. Greece as an intercultural pole of musical thought and creativity,
Thessaloniki, 610 June 2011 (forthcoming in electronic form: http://crossroads.mus.auth.gr).
4.2.6.3. Finland:
{2007} Hilkka Seppll,
, Byzantine Musical Culture, First International Conference of the American Society of Byzantine Music and
Hymnology, September 10th15th, 2007, Athens, pp. 588598, Proceedings in
electronic form: http://www.asbmh.pitt.edu/page/12/Seppala.pdf (30.12.2011).
Maria Takala-Roszczenko & Jaakko Olkinuora, Byzantine Church music in Finland: Exploring the past, envisaging the future, Part I: The Past,
by M. Takala-Roszczenko. Part II: The Future, by J. Olkinuora, in: Byzantine
Musical Culture, 1st Conference, pp. 555569, Proceedings in electronic form:
http://www.asbmh.pitt.edu/page/12/Takala-Roszchenko.pdf and http://www.
asbmh.pitt.edu/page/12/Olkinuora.pdf (30.12.2011). || For further bibliography, see also the note below, after Nr. 4.2.6.4.
4.2.6.4. France:
{2009 and forthcoming} ndrea Atlanti,
:
, Byzantine Musical Culture, Second International
Conference of the American Society of Byzantine Music and Hymnology,
June 1014th, 2009, Athens: http://www.asbmh.pitt.edu/page9/page13/page17/
page17.html (5.11.2011).
Note: Many other important articles about dierent liturgical musical
traditions (Greek, Russian, Bulgarian, Serbian, Romanian, Georgian, Finish,
Ukrainian, Ruthenian, Polish, Lithuanian a.o.) can be found in: The Traditions of Orthodox Music, Proceedings of the First International Conference on
Rev. Ivan Moody/Maria Takala-Roszczenko, University of Joensuu & The Inter121

national Society for Orthodox Church Music, Finland 2007. Composing and
Chanting in the Orthodox Church, Proceedings of the Second International Conference on Orthodox Church Music, University of Joensuu, Finland, 410 June
2007, edd. Rev. Ivan Moody/Maria Takala-Roszczenko, University of Joensuu
& The International Society for Orthodox Church Music, Jyvskyla 2009.
Church, State and Nation in Orthodox Church Music, Proceedings of the Third
International Conference on Orthodox Church Music, University of Joensuu,
Finland, 814 June 2009, edd. Rev. Ivan Moody/Maria Takala-Roszczenko, University of Joensuu & The International Society for Orthodox Church Music,
Jyvskyla 2010. Unity and Variety in Orthodox Church Music: Theory and Practice, Proceedings of the Fourth International Conference on Orthodox Church
Music, University of Joensuu, Finland, 612 June 2011 (forthcoming: see http://
www.isocm.com/conferences/2011/index.html). Bericht der Internationalen Tagung Wien 2002, edd. Martin Czernin/Maria Pischlger, Theorie und Geschichte der Monodie, 1.1 & 1.2., Tribun EU s.r.o., Brno 2011. Bericht der Internationalen Tagung Wien 2004, edd. Martin Czernin/Maria Pischlger, Theorie und
Geschichte der Monodie, 2, Tribun EU s.r.o., Brno 2011. For vol. 3 of the same
series, see above, Nr. 1.4. {2011} cf. also for forthcoming volumes of this series: http://theorieundgeschichtedermonodie.blogspot.com and http://mariapischloeger.wordpress.com/
4.2.7. Byzantine Music and new Greek art music:
{2002} . ,
.
19 .

20 ., paper read at the nternational Symposion of Byzantine Music, Academia de Muzic Gheorghe Dima, Cluj-Napoca, International Cultural Association Rigas Chart, Athens, Direcia pentru Cultur, Culte i Patrimoniu
Cultural Naional a Jud. Neam, Piatra Neam, 28 noiembrie1 decembrie
2002. | {2006} K. ,
, , 2006. | {2007} . ,
, , 19 (2007), pp. 1318.
| {forthcoming} , ,
:
, paper read at the
pole of musical thought and creativity, Thessaloniki, 610 June 2011 (forthcoming in electronic form: http://crossroads.mus.auth.gr). | K ,

, paper read at: Crossroads (forthcoming in electronic
form: http://crossroads.mus.auth.gr). || Further papers relevant to this thematic cycle have been read at the Symposium in honor of Michalis Adamis,
mentioned above, Nr. 1.4. {2009}. See also below, Nr. 7.2.4.2.
122
5. Performance practice through a historical prism. Byzantine chant
and Sociology
{2001} Bjarne Schartau, Testimonia of Byzantine musical practice,
chiefly collected from nonmusical (literary) sources, II, CIMAGL 72, (2001),
pp. 310. | {2002} Neil K. Moran, Byzantine castrati, Plainsong and Medieval
Music, 11 (2002), pp. 99112. | {2006} ,

, .
,
, , 1519 2003, . .
, ., . . ,
2006, pp. 195210. | {2007} ,
, Byzantine Musical Culture, First International Conference of the American Society of Byzantine Music and Hymnology, September 10th15th, 2007, Athens, pp. 144156, Proceedings in electronic
form: http://www.asbmh.pitt.edu/page/12/Spyrakou.pdf (30.12.2011). | {2008}
, , IBM,
, 14, ed. . , 2008. | {2009 and forthcoming} Evangelia Spyrakou, H
,, Byzantine Musical Culture, Second International
Conference of the American Society of Byzantine Music and Hymnology, June
html (5.11.2011). | {2011 and forthcoming} Nanna Schidt, From Byzantium
to Italy. Castrato Singers form the 4th to the 20th centuries, Psaltike. Neue Studien zur Byzantinischen Musik: Festschrift fr Gerda Wolfram, ed. Nina-Maria Wanek,
Praesens, Wien 2011, pp. 301311. Christian Troelsgrd, When did the practice
of eunuch singers in Byzantine chant begin? Some notes on the interpretation
of early sources, Festschrift fr Gerda Wolfram, pp. 345350. Diane Touliatos,
The performance practice of medieval Byzantine chant, paper read at: International Musicological Society, Study Group Cantus Planus, Sixteenth meeting, Vienna, 2127 August 2011 (forthcoming). || For further titles concerning various
aspects of performance practice, see above, Nr. 2.5. {2001, Alygizakis}, {2007}, Nr.
2.7. (about musical exegesis), and below, Nr. 13.1., 13.1.2.
6. Byzantine chant: History, Politics, Ethnomusicology, Anthropology
{2001} Tore A.T. Lind, Revival or Tradition? The Athonite Musical Heritage, XXe Congrs International des tudes Byzantines, Collge de France
Sorbonne, 1925 aot 2001, Pr-Actes, III. Communications libres, Paris 2001, p.156
(abstract). | {2007 and forthcoming} Costin Moisil, The Role of the Nationalism in Modeling the Romanian Chant before the First World War. The Case of
the Liturgy of St. John Chrysostome, Byzantine Musical Culture, First International Conference of the American Society of Byzantine Music and Hymnology,
September 10th15th, 2007, Athens, Proceedings in electronic form: http://www.
123

asbmh.pitt.edu/page/12/Moisil.pdf (30.12.2011). ,
: , paper
read at: 21 ,
, ,
, 21 2007, , ed. . (forthcoming). | {2009 and forthcoming} Grigorios Anastasiou,

14 15 , Byzantine Musical Culture, Second International Conference of the American Society of Byzantine Music and Hymnology, June
html (5.11.2011). Pavlos Kavouras, H
: , Byzantine Musical Culture, 2nd Conference: http://www.asbmh.pitt.edu/page9/page13/
page17/page17.html (5.11.2011). || See further bibliography in: Church, State
and Nation in Orthodox Church Music, Proceedings of the Third International
Conference on Orthodox Church Music, University of Joensuu, Finland, 814
June 2009, edd. Rev. Ivan Moody/Maria Takala-Roszczenko, University of Joensuu & The International Society for Orthodox Church Music, Jyvskyla 2010.
7. Morphology, Musicological Analysis and Texture-Composition of
Byzantine Chant
7.1. Surveys and methodological issues:
{2007} ,
, ,
90, 818 (2007), pp. 317328. | {2008} . ,
, ,
2008. Maria Alexandru/Costas Tsougras, On the Methodology of Structural Analysis in Byzantine and Classical Western Music A
Comparison, Proceedings of the Fourth Conference on Interdisciplinary Musicology
(CIM08), Thessaloniki, 36 July 2008, edd. C. Tsougras/R. Parncutt, http://web.
auth.gr/cim08/ | {2011} J. Raasted, A Method of structuralization, demonstrated by three examples, Handout from 11.11.1994, Copenhagen University,
in: M. Alexandru, , ein emblematisches Sticheron zum
Hl. Kreuz. Anstze zu einem multiprismatischen Analysemodell aufgrund
von J. Raasteds Strukturierungsmethode byzantinischer Troparia, Revue des
tudes Byzantines et Postbyzantines, 6 (2011), Anhang I and pp. 325345.
7.2. Musicological analyses of selected repertories or single pieces,
anonymous and eponymous:
te: The titles listed in the two following sections are complementary to those mentioned above, Nr. 3.4.1.2.
7.2.1. Heirmological and sticheraric genre:
{2003} Christian Troelsgrd, The Repertory of Model Melodies
(Automela) in Byzantine Musical Manuscripts, Le chant byzantin: tat des re124
cherches. Actes du colloque tenu du 12 au 15 dcembre 2006 lAbbaye de Royaumont, Acta Musicae Byzantinae, 6 (2003), Centrul de Studii Bizantine Iai,
pp. 8194: http://www.csbi.ro/ro/ro/r06/art10.pdf. (23.2.2011). | {2008} Eustathios Makris, Adjustments of Modality in the Postbyzantine Heirmologion,
radition and Innovation in Late- and Postbyzantine Liturgical Chant, Acta of the
Congress Held at Hernen Castle, in April 2005, ed. Gerda Wolfram, Eastern
Christian Studies, 8, Leuven-Paris-Dudley, MA 2008, pp. 3763. Sandra Martani, Die Heirmologia des 14. Jahrhunderts: Eine melodische Sprache zwischen Tradition und Neuentwicklung, radition and Innovation in Late- and
Postbyzantine Liturgical Chant, Acta of the Congress Held at Hernen Castle, in
April 2005, ed. Gerda Wolfram, Eastern Christian Studies, 8, Leuven-Paris-Dudley, MA 2008, pp. 1335. ina-Maria Wanek, The Eleven Heothina in Postbyzantine Manuscripts of the Austrian National Library, radition and Innovation, pp. 357366. | {2009 and forthcoming} ,
, ,
, 2009 (forthcoming). | Ioannis Papachristopoulos, Das Verhltnis von Textinhalt und Musikgestaltung im griechischen Kirchengesang, Acta Musicologica, 81 (2009), pp. 301352. | {forthcoming} Rev. ,
. 4, paper read at the International Musicological
Conference Crossroads. Greece as an intercultural pole of musical thought and creativity, Thessaloniki, 610 June 2011 (forthcoming in electronic form: http://
crossroads.mus.auth.gr). Dimosthenis Spanoudakis, The sticheron Today is
hanged on wood ( ). Comparative musical analysis
in fully developed Middle Byzantine and New Byzantine notation from the
manuscripts Dionysiou 564 (1445 AD) and Sancti Sepulcri 715 (19th cent.),
paper read at: Crossroads (forthcoming in electronic form: http://crossroads.
mus.auth.gr).
7.2.2. Psaltikon, Asmatikon, Asma, Kalophonia, papadic genre:
{2001} Jrgen Raasted, Kontakion Melodies in Oral and Written Tradition, The Study of Medieval Chant. Paths and Bridges, East and West, In Honor
of Kenneth Levy, ed. P. Jeery, Boydell & Brewer, Cambridge 2001, pp. 273281.
| {2003} Panagiotis Panagiotidis, The Automelon-Prosomoion O marvellous wonder! in the First Authentic Mode and its Forms of Composition, in:
, .
, 2, , 2003, pp. 161
192. driana irli, La relation texte-mlodie dans lAcathiste kalophonique,
2006 lAbbaye de Royaumont, Acta Musicae Byzantinae, 6 (2003), Centrul de Studii Bizantine Iai, pp. 3642: http://www.csbi.ro/ro/ro/r06/art05.pdf. (8.1.2011).
Christian Troelsgrd, The Melodic Tradition of the Troparion
for the ,
, , ed.
125

, ,
. 18, 2003, pp. 7180. | {2004} Christian
Troelsgrd, Thirteenth Century Byzantine Melismatic Chant and the Development of the Kalophonic Style, Palaeobyzantine Notations III, Acta of the Congress
Held at Hernen Castle, in March 2001, ed. Gerda Wolfram, Eastern Christian
Studies, 4, Leuven-Paris-Dudley, MA 2004, pp. 6790. | {2006} . lexandru,

. ,
, , ,
, , 29.09.
1.10. 2006, , ed. , 2006,
pp. 317329. ,

,
. ,
, ,
1519 2003, . . ,
, . . , 2006, pp. 111152.
, ()

, , pp. 346356. Gerda Wolfram, :
,
. , pp. 7381. | {2008} M. Alexandru, Gedanken
zur Analyse des Theotoke Parthene von Petros Bereketes, radition and Innovation
in Late- and Postbyzantine Liturgical Chant, Acta of the Congress Held at Hernen
Castle, in April 2005, ed. Gerda Wolfram, Eastern Christian Studies, 8, LeuvenParis-Dudley, MA 2008, pp. 283329. Achilleus Chaldaeakes, Tradition and
Innovation in the Person of Petros Bereketes, radition and Innovation, pp. 191
223. Nicolae Gheorghi, The Structure of Sunday Koinonikon in the Postbyzantine Era, radition and Innovation, pp. 331355. Flora Kritikou, Tradition and Innovation in the Postbyzantine Kalophonic Chant: A Study Based on
Petros Bereketes stanzas and ,
radition and Innovation, pp. 225255. Adriana irli, Notes on T
, the Akathistos Hymns Prooimion, radition and Innovation, pp.
257281. Christian Troelsgrd, Long Intonations and Kalophonia. Traces of
Stylistic Development in Late Byzantine Echemata, radition and Innovation, pp.
6577. Gerda Wolfram, Die melodische Tradition des Psaltikon im Vergleich
mit dem kalophonischen Repertoire, radition and Innovation, pp. 79104. |
{2009} . ,
, 2, , 2009. Nicolae
Gheorghi, Chinonicul Duminical n perioada post-bizantin (14531821). Liturgic
i muzic, Editura , Bucureti 2009. | {2010} ,
126

, .
, ,
, 1721 2006,
, . . /. , . . , 2010,
pp. 606612. | {2011 and forthcoming} Nina-Maria Wanek, Der PolyeleosPsalm (Ps. 134) in der Wiener Handschrift Suppl. gr. 110, Psaltike. Neue Studien
zur Byzantinischen Musik: Festschrift fr Gerda Wolfram, ed. Nina-Maria Wanek,
Praesens, Wien 2011, pp. 351376. ,
, .
Conference Crossroads. Greece as an intercultural pole of musical thought and creativity, Thessaloniki, 610 June 2011 (forthcoming in electronic form: http://crossroads.mus.auth.gr). || For melismatics in old Slavonic chant, cf. titles under
Nr. 4.2.3.3.
7.2.3. Byzantine musical texture ()-composition
(). The attributes of the composer and chanter
{2007} Fr. Romanos (Rabih) Joubran, The Use of Eastern Musical
Modes in Byzantine Compositions During the 19th and 20th Century, Byzantine Musical Culture, First International Conference of the American Society of
Byzantine Music and Hymnology, September 10th15th, 2007, Athens, pp. 530
554, Proceedings in electronic form: http://www.asbmh.pitt.edu/page/12/Joubran.pdf (30.12.2011). |{2008} . , H ,
, , , ed. . , 2008, pp.
364372 and 404408. Ioannis Arvanitis, On the Meaning and Purpose
of the Treatise by Manuel Chrysaphes, radition and Innovation in Late- and
Postbyzantine Liturgical Chant, Acta of the Congress Held at Hernen Castle, in
April 2005, ed. Gerda Wolfram, Eastern Christian Studies, 8, Leuven-Paris-Dudley, MA 2008, pp. 105128. | {2009} Achilleus G. Chaldaiakis, The Figures
of Composer and Chanter in Greek Psaltic Art, Composing and Chanting in
the Orthodox Church, Proceedings of the Second International Conference on
Rev. Ivan Moody/Maria Takala-Roszczenko, University of Joensuu & The International Society for Orthodox Church Music, Jyvskyla 2009, pp. 267302.
|| See also , :
: http://www.ibyzmusic.gr/default.asp?pid=10&Ia=1 (4.1.2012).
7.2.4. Byzantine Chant in dialogue with other kinds of music.
Analytical approaches:
7.2.4.1. Byzantine Chant and Greek folk music:
{2001} , :
, , 2
o , ed. . , 24
127

2001, pp. 205212. | {2003} ,
.
, ,
, ed. , ,
, . 18,
2003, pp. 199221. Gerda Wolfram,
, , pp.
177198. || See further titles under Nr. 10.3.12.
7.2.4.2. Byzantine Chant and contemporary art music:
{2004} Melania Elena Nagy, Elemente arhetipale n construcia
Sonatei bizantine pentru viol sau violoncel solo de Paul Constantinescu, Acta
Musicae Byzantinae, VII, (2004), pp. 104113: http://www.csbi.ro/ro/r07/art17.pdf
(7.1.2011). | {2006} K,

: ,
, ,
,
, , 29.09. 1.10. 2006, , ed.
, 2006, pp. 330336. | {2007} Christina
Abdul-Karim, Using and Hearing Greek Byzantine Chant in Contemporary
Compositions, Byzantine Musical Culture, First International Conference of
asbmh.pitt.edu/page/12/AbdulKarim.pdf (30.12.2011). | {2008} ostas Chardas/Maria Alexandru, Functions and images in Greek art music utilizing
Byzantine choi, Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08), Thessaloniki, 36 July 2008, edd. C. Tsougras/R. Parncutt,
http://web.auth.gr/cim08/ || See also the titles mentioned under Nr. 4.2.7.
and Nr. 4.2.3.3. (Khannanov{2009}).
8. Byzantine chant and Liturgy. Theology and Meta-aesthetics of
Byzantine chant and related musical traditions
8.1. Byzantine Chant and Liturgy, editions and research on Typika,
new compositions:
{2000 a.o.} Robert Jordan (ed.), The Synaxarion of the monastery of
the Theotokos Evergetis, vol. 1, SeptemberFebruary, vol. 2, March to August &
The Movable Cycle, vol. 3, Indices, Belfast Byzantine Texts and Translations,
6.57, Belfast Byzantine Enterprises 2000, 2005, 2007. | {2001}
,
, IBM, , 6, ed. . , A 2001. | {2002}
Gabriele Winkler, Das Sanctus. ber den Ursprung und die Anfnge des Sanctus
und sein Fortwirken, Orientalia Christiana Analecta, 267, Roma 2002. | {2003}
rina Chudinova, . , Sankt128
Peterburg 2003. | {2004} Alexander Lingas, Preliminary reflections on
studying the liturgical place of Byzantine and Slavonic melismatic chant,
Palaeobyzantine Notations III, Acta of the Congress Held at Hernen Castle, in
March 2001, ed. Gerda Wolfram, Eastern Christian Studies, 4, Leuven-ParisDudley, MA 2004, pp. 147155. ,
. , , , 3, 2004. | {2009 and forthcoming}
Rev. Konstantinos Terzopoulos, An examination of the chant rubrics and
scores found in Konstantinos Byzantios autograph manuscript notebook for
the Typikon in the K.A. Psachos Library Collection (no. 24/178), Byzantine
Musical Culture, Second International Conference of the American Society
of Byzantine Music and Hymnology, June 1014th, 2009, Athens: http://www.
asbmh.pitt.edu/page9/page13/page17/page17.html (5.11.2011). || See also Nr.
4.2.3.4. Peno {2009}
8.2. Liturgical Music and Hymnography: Theology, Aesthetics
and Meta-aesthetics24:
{2001} Jean-Franois Colosimo, Le silence des anges, Descle de
Brouwer, Paris 2001. Leena Mari Peltooma, The image of the Virgin Mary in the
Akathistos Hymn, The medieval Mediterranean, 35, Brill, Leiden/Boston/Kln
2001. | {2003} Nicolas Lossky, Essai sur une thologie de la musique liturgique.
Perspective orthodoxe, Cerf, Paris 2003. ,
, , 2 (2003), pp. 6290. |
{2004} , .
, University Studio Press,
2004 (2nd ed. 2008). | {2006} Alexander Lingas, Medieval Byzantine Chant
and the Sound of Orthodoxy, Byzantine Orthodoxies, Papers from the thirtysixth Spring Symposium of Byzantine Studies, University of Durham, 2325
March 2002, edd. Andrew Louth/Augustine Casiday, Published by Variorum
for the Society for the Promotion of Byzantine Studies, Ashgate Aldershot
2006, pp. 131150. | {2007} James Chater, Staying Awake at the Wheel.
Some Thoughts on Arranging and Composing Orthodox Church Music, The
Traditions of Orthodox Music, Proceedings of the First International Conference
on Orthodox Church Music, University of Joensuu, Finland, 1319 June 2005,
edd. Rev. Ivan Moody/Maria Takala-Roszczenko, University of Joensuu & The
International Society for Orthodox Church Music, Finland 2007, pp. 5169.
Alexander Lingas, How Musical Was the Sung Oce? Some Observations
on the Ethos of the Late Byzantine Cathedral Rite, The Traditions of Orthodox
Music, pp. 217234. Pekka Metso, Church Music Singing through the Eyes
of a Theologian, The Traditions of Orthodox Music, pp. 345350. Hilkka Seppl, The Dust of the Ground Praises His Creator. A View of the Essence of
Orthodox Church Singing, The Traditions of Orthodox Music, pp. 197216. |
{2009 and forthcoming} Maria Alexandru, Muzica n viziunea Sf. Vasile
cel Mare. Studiu introductiv, cu o analiz muzical a imnului protocretin
Lumin lin, Sfntul Vasile cel Mare. nchinare la 1630 de ani, Actele Sympo129

sionului Comisiei Romne de Istorie Eclesiastic, Bucureti-Cernica, 23 Octombrie 2008, edd. E. Popescu/M. O. Coi, Studia Basiliana, 3, Editura Basilica
a Patriarhiei Romne, Bucureti 2009, pp. 85131. Ivan Moody, The Idea of
Canonicity in Orthodox Liturgical Art, Composing and Chanting in the Orthodox Church, Proceedings of the Second International Conference on Orthodox
Society for Orthodox Church Music, Jyvskyla 2009, pp. 337342. Hilkka
Seppl, Singing into the Flames of Fire. A Remembrance from the Martyr
Church, Composing and Chanting in the Orthodox Church, pp. 1831. Rev. Archim. Athanasios Siamakis, : , ,
, Byzantine Musical Culture, Second International Conference
of the American Society of Byzantine Music and Hymnology, June 1014th,
(5.11.2011). Panteleimon Zafeiris,
, Byzantine Musical Culture, 2nd Conference: http://www.asbmh.pitt.
edu/page9/page13/page17/page17.html (5.11.2011). | {2010} A
, ,
. ,
, , 1721 2006,
, . . /
. , . . , 2010, pp. 143155. | {forthcoming}
Rev. Gabriel Mandrila, Saint John of Damascus: The Byzantine Music Notation and the The Theology of Holy Icons, paper read at the International
form: http://crossroads.mus.auth.gr). Jaakko Olkinuora, New Aspects of
Studying Hymnography: Doxastikon for the Aposticha for the Feast of the Entrance, paper read at: Unity and Variety in Orthodox Music: Theory and Practice,
International Society for Orthodox Church Music, The Fourth International
Conference on Orthodox Church Music, Joensuu, Finland, 612 June 2011. ||
See also Liturgy, the Senses, and Crisis, International Conference, Stanford
University, 22 January 2010: http://events.stanford.edu/events/220/22013/ (cf.
the presentations by Bissera Pentcheva and Christian Troelsgrd).
9. Byzantine music-theoretical thought and its evolution through
the centuries
9.1. Extant theoretical sources (texts, lists, diagrams, didactic
poems): surveys, editions, comments, contexts:
9.1.1. Old Method:
{2002} ,
, IBM, , 4, 2002.
| {2004} Natalia Denisova, Vocal exercises in the Ancient Russian and Byz130
antine traditions (illustrated by the materials of musical theoretical textbooks),
Palaeobyzantine Notations III. Acta of the Congress held at Hernen Castle, The Netherlands, in March 2001, ed. G. Wolfram, Eastern Christian Studies, 4 (2004), pp. 199
209. | {2006} Bjarne Schartau, Towards the Editio Maior of the Hagiopolites,
Bollettino della Badia Greca di Grottaferrata, terza serie, vol. 3 (2006), pp. 137142. |
{2007} Bozhidar Karastoyanov, Das Grosse Ison von Ioannes Koukouzelis in der
Redaktion des 19. Jahrhunderts, Faksimile, Notenlinientranskription, Kommentare, Anhang. Russisch/Deutsch, Wien 2007. ,
, Byzantine Musical Culture, First International Conference of the American Society of Byzantine Music and Hymnology, September 10th15th, 2007, Athens, pp. 87109, Proceedings in electronic form: http://www.asbmh.pitt.edu/page/12/Kriticou.pdf
(30.12.2011). Miltiadis Pappas, Apostolos Konstasin Nazariyat Kitabi, Dissertation, Istanbul Teknik niversitesi 2007. .-.Wanek, Nachbyzantinischer liturgischer Gesang im Wandel: Studien zu den Musikhandschriften des Supplementum
Graecum der sterreichischen Nationalbibliothek, Verentlichungen zur Byzanzforschung XII, Verlag der sterreichischen Akademie der Wissenschaften,
Wien 2007, pp. 189214 and plates 4364 (Papadike). | {2008 and forthcoming}
. Alexandru/Chr. Troelsgrd,
,
(,
2127 2003), edd. . /. ,
, 2008, vol. II, pp. 559572 & vol. III, pp. 12211233. .
, , ,
, , ed. . , 2008, pp. 354363.
, Theoretical Collections on Psaltic Art. The Continuity of the
Tradition, forthcoming in the Acts of the Symposium Tradition and Innovation
in Late- and Postbyzantine Chant, Hernen Castle, 30. Oct. 3. Nov. 2008. | {2009
and forthcoming} ,
, ,
, 2009 (forthcoming). | {2010}
, ,
, in: . , ,
1, , 2010, pp. 207223. A
, :
, in: . , ,
pp. 89111. | {forthcoming} Spyridon Antonopoulos, The reception of
Manuel Chrysaphes and his Treatise: narratives of continuity and theories of
performance practice in Byzantine psalmody, paper read at the International
form: http://crossroads.mus.auth.gr). For the treatise of Manuel Chrysaphes,
cf. also above, Nr. 7.2.3. {2008}, Arvanitis.
131

9.1.2. New Method:
{2007} ,
, ,
. , ., University Studio Press,
2007. , ,
1816. 1832, .
, , ,
1, 2007. | {2008} ,

, , , , ed. . ,
2008, pp. 131138. | {2009} . ,
. ,
, 2009. ,
, , 2009. | {2010} G. Konstantinou,
Teoria i practica muzicii bisericeti, vol. I., trad. Adrian Srbu, Asociaia cultural
Byzantion, Iai 2010. | {2011 and forthcoming} ,
,
University Studio Press, 2011. ,
.
Conference Crossroads. Greece as an intercultural pole of musical thought and creativity, Thessaloniki, 610 June 2011 (forthcoming in electronic form: http://crossroads.mus.auth.gr). Agamemnon Tentes, The Great Theoreticon of Music as
a diachronic and intercultural paradigm of music definition, paper read at:
Crossroads (forthcoming in electronic form: http://crossroads.mus.auth.gr).
9.2. History and systematics of music-theoretical concepts.
Dynamics between practice and theory:
9.2.1. Byzantine oktaechia contextualized:
{2005} Eustathios Makris, The chromatic scales of the Deuteros
modes in theory and practice, Plainsong and Medieval Music, 14 (2005), pp.
110. | {2006} ,
. .
, ,
, ,
, , 29.09. 1.10. 2006,
, ed. , 2006, pp. 365370. |
{2007 and forthcoming} ,
1881 , paper read at: 21 ,
, ,
, 21 2007, (forthcoming). | {2008}
Danica Petrovi, The Selection of Tones in the Services for the Twelve Great
Feasts, radition and Innovation in Late- and Postbyzantine Liturgical Chant, Acta
132
of the Congress Held at Hernen Castle, in April 2005, ed. Gerda Wolfram, Eastern Christian Studies, 8, Leuven-Paris-Dudley, MA 2008, pp. 211226. | {2009
and forthcoming} Charles M. Atkinson, The Critical Nexus. Tone-System,
Mode, and Notation in Early Medieval Music, AMS Studies in Music, Oxford University Press, Oxford 2009 (mainly latin sources). Konstantinos Karagounis,
H

, Byzantine Musical
Culture, Second International Conference of the American Society of Byzantine Music and Hymnology, June 1014th, 2009, Athens: http://www.asbmh.pitt.
edu/page9/page13/page17/page17.html (5.11.2011). Dimitrios Lekkas, Why
eight? Why four plus four?, Byzantine Musical Culture, 2nd Conference: http://
www.asbmh.pitt.edu/page9/page13/page17/page17.html (5.11.2011). | {2010}
,
, in: . , ,
1, , 2010, pp. 151163. See this presentation
also under: Byzantine Musical Culture, 2nd Conference: http://www.asbmh.pitt.
edu/page9/page13/page17/page17.html (5.11.2011). ,
: , in:
, , pp. 113150. || Further important
contributions by , ,
, , Rev. ,
, , ,
, , , Christian
Troelsgrd, , ,
, , Nicolae Gheorghi,
, , imon Marink, Rev.
, , M , Costin Moisil,
, , ,
, , ,
, Rev. , Rev. ,
, , Rev. ,
, , ,
, , ,
, , and Marcel Spinei, can be found in the Proceedings of the international congress dedicated
to multiple aspects of this thematic cycle (history, ancient Greek modes, theological ground, Byzantine oktaechia from the Middle Ages until today, diagrams, intervals, attractions, digital analyses, acoustics, chromaticism, genera, phthorai, branches of oktaechia, ethos, education, latin oktaechia, loose of
modality in Slavic tradition, makamat, local traditions [Corfu, Cyprus, Romania], Greek folk song): . ,
133

, ,
1721 2006, ,
. . /. , . . , 2010.
For the early history of Byzantine oktaechia, see also the bibliography mentioned above, under Nr. 2.4. For the Byzantine modal system and issues of
acoustics and interval measuring, see presentations by Evangelos Soldatos,
Haralambos Symeonidis and Dimitrios Andriotis, under: Byzantine Musical
Culture, Second International Conference of the American Society of Byzantine Music and Hymnology, June 1014th, 2009, Athens: http://www.asbmh.pitt.
edu/page9/page13/page17/page17.html (5.11.2011).
9.2.2. Rhythm in Byzantine Chant:
See the dissertation by Ioannis Arvanitis mentioned above, Nr. 2.7.
{2010}. Plethora of aspects concerning this thematic cycle will be found
in the forthcoming Proceedings of the International Congress dedicated to
Rhythm in Psaltic Art: .
,
, , 811 2009,
.
9.3. Byzantine music theory, ancient Greek music theory and patristic
writings: Interrelations:
{2006} Gerda Wolfram, Klassisch-griechische und patristische Elemente in den spt- und postbyzantinischen theoretischen Schriften zur Kirchenmusik, Bollettino della Badia Greca di Grottaferrata, terza serie, vol. 3 (2006),
. 167174. | {2007} ,
, , 19 (2007), pp. 277286. | {2010}
,
:
, in: . , ,
1, , 2010, pp. 165205.
10. Secular Byzantine and post-Byzantine music. Organology and
Music Iconography. Interactions with other musical repertories25
10.1. Surveys, sources (manuscripts, recordings), contexts, influences, music theory:
{2001} D. Touliatos, Byzantine secular music, New Groves, vol. 4
(2001), pp. 756757. Zakharia Khanendeh. Classical Near Eastern music from
18th century Constantinople, En Chordais music ensemble, Thessaloniki 2001
(CD and booklet). | {2003} John G. Plemmenos, Musical Encounters at the
Greek Courts of Jassy and Bucharest in the Eighteenth Century, Greece and
the Balkans. Identities, Perceptions and Cultural Encounters since the Enlightenment,
ed. Dimitris Tziovas, Ashgate, London 2003, pp. 179191. | {2005} Petros Peloponnesios, Music Ensemble En Chordais, Great Mediterranean Composers,
Thessaloniki 2005 (CD and booklet). | {2010 and forthcoming}
134
,
, - , ,
, 2010 (forthcoming). || For modes and
rhythmical cycles of Classical Near Eastern Music, cf. ,
, Papagrigoriou-Nakas, Athens 2010. Murat Aydemir, Turkish Music. Makam Guide, ed. & transl.
Erman Dirikcan, Istanbul 2010 European Capital of Culture, Publisher Pan.
10.2. Byzantine musical instrumentarium and its Sitz im Leben:
{2001} Nikos Maliaras, Die Musikinstrumente im byzantinischen Heer
vom 6. bis zum 12. Jahrhundert, Eine Vorstellung der Quellen, JB, 51 (2001), pp.
73104. | {2002} . , ,
, , 1 (2002), pp. 528. |
{2005} ,
, , 7 (2005), pp. 3153. | {2006}
, .
-- . .
--- .
, , 2006. | {2007} . , B
, -, 2007. | {forthcoming} Nikos
Maliaras, Some Western European musical instruments and their Byzantine origin, paper read at the International Musicological Conference Crossroads. Greece
as an intercultural pole of musical thought and creativity, Thessaloniki, 610 June 2011
(forthcoming in electronic form: http://crossroads.mus.auth.gr).
10.3. Interactions:
10.3.1. Music and dance in Byzantine and post-Byzantine
times:
{2004} -, O
. , A & , 91 (2004), pp. 7277. M
, O
. , A & , 91
(2004), pp. 4349. -, Xo .
1619 , A & ,
91 (2004), pp. 5966. N , Mo
, A & , 91 (2004),
pp. 6771. , O
, A & , 91 (2004), pp. 20
28. -,
(1519 .), A &
, 91 (2004), pp. 5058. ,
, A & , 91 (2004),
pp. 3742. Diane Touliatos-Miles,
, A & , 91 (2004), pp. 2936.
, , A & , 91 (2004), pp. 67.
135

10.3.2. Byzantine Music Greek folksong:
{2003} ,
: ,
,
, ed. , ,
, . 18, 2003, pp. 6168.
| {2007} ,
, Byzantine Musical Culture, First International Conference of the American Society of Byzantine Music and Hymnology, September 10th15th, 2007, Athens, pp. 238289, Proceedings in electronic form:
http://www.asbmh.pitt.edu/page/12/Markos.pdf (30.12.2011).
, T
, , , , ed. . ,
2008, pp. 342353. || For further titles, see Nr. 7.2.4.1.
10.3.3. Byzantine Music and other musical cultures:
{2011 and forthcoming} Adriana irli, H
, Psaltike. Neue Studien zur Byzantinischen Musik: Festschrift fr Gerda Wolfram, ed. Nina-Maria Wanek, Praesens, Wien 2011, pp. 335343. ,
, , paper read at the International Musicological
Conference Crossroads. Greece as an intercultural pole of musical thought and creativity, Thessaloniki, 610 June 2011 (forthcoming in electronic form: http://
crossroads.mus.auth.gr). || For old Romanian secular music, cf. the titles
by Tomescu, under Nr. 4.2.4. {2006 a.o.}, {2007}, as well as the site of the ensemble Anton Pann, dir. Constantin Rileanu: www.antonpann.ro. See
also below, Nr. 11.2. {2011}.
11. Music Education and Didactics: the case of Byzantine Music,
past and present
11.1. Surveys and problematics:
11.1.1. Introduction, history, philosophy:
{2002} Antonios Alygizakis, The Contribution of the Ecumenical Patriarchate to the Research and Education of Ecclesiastic Music,
nternational Symposion of Byzantine Music, Academia de Muzic Gheorghe Dima, Cluj-Napoca, International Cultural Association Rigas Chart,
Athens, Direcia pentru Cultur, Culte i Patrimoniu Cultural Naional a Jud.
Neam, Piatra Neam 2002. Elena Toncheva, Eastern Orthodox Liturgical
Practices and Academism, Bulgarsko Muzikoznanie, 3 (2002), pp. 7483: cf. English abstract in: Bulgarian Musicology online, Year XXVI, Book 3 (2002): http://
musicart.imbm.bas.bg/BM-online.html (13.8.2011). | {2010} . ,
: , , in:
. , , 1,
, 2010, pp. 2987.
136
11.1.2. Contemporary state of the art: Byzantine musical education in primary and secondary schools, conservatories and music schools,
university curricula. Educational programs for teachers:
{2005} ,
,
2005. | {2006} ,
, , 89,
812 (2006), pp. 10231028. | {2007} Hilkka Seppl, Introduction to Orthodox Church Music Education at the University of Joensuu, The Traditions of
Orthodox Music, Proceedings of the First International Conference on Orthodox Church Music, University of Joensuu, Finland, 1319 June 2005, edd. Rev.
Ivan Moody/Maria Takala-Roszczenko, University of Joensuu & The International Society for Orthodox Church Music, Finland 2007, pp. 2324. | {2008}
,
20 , ,
, , ed. . , 2008, pp. 153156.
Maria Alexandru,
, , ,
(2008), pp. 114119. . , O
, ,
, (2008), pp. 195198. icolae Gheorghi, O
,
, , (2008), pp. 235238. icolae Gheorghi, Tradition and Renewal in the Romanian Byzantine Music Education, ,
, (2008), pp. 148152. , H
:
, , ,
(2008), pp. 6374. ,
, , , (2008), pp. 247
248. , ,

, , , (2008), pp. 242246.
,
, , , (2008),
pp. 239241. ,
. -, ,
, (2008), pp. 255264. , To M
, , , (2008), pp. 252
254. ,
, ,
, (2008), pp. 249251. ,
-
, , , (2008),
137

pp. 265269. , H

() , , , , (2008),
pp. 290297. , B , ,
, , (2008), pp. 4551. | {2009 and forthcoming} Georgios
K. Michalakis,
, Byzantine Musical Culture, Second
International Conference of the American Society of Byzantine Music and
Hymnology, June 1014th, 2009, Athens: http://www.asbmh.pitt.edu/page9/
page13/page17/page17.html (5.11.2011). | {2010} ,
.
, in: . , ,
1, , 2010, pp. 9931005.
11.2. Didactics of dierent subjects: Problematics, educational
tools, programs:
{2005} ,
. ,
2005 (article prepared for the Journal ). | {2006}
, A
, ,
, ,
, , 29.09.1.10. 2006,
, ed. , 2006, pp.
337345. | {2008} Maria Alexandru,
, , , , ed. . ,
2008, pp. 225234. , T
- , , , (2008), pp. 161171.
,
, , , (2008), pp. 274279. | {2009 and
forthcoming} aria Alexandru,
, Byzantine Musical Culture, Second International Conference of the American Society of Byzantine Music and Hymnology, June 1014th,
(5.11.2011). ,
, forthcoming in:
. ,
, ,
811 2009, . |
{2010} , ,
. ,
, , 1721 2006,
, . . /. ,
138
. . , 2010, pp. 553557. ,
,
. , pp. 602605. || See also below, Nr. 14.1.1. | {2011} Cnd
Bizanul eram noi, Program de educaie muzical, coord. Oana-Valentina Suciu
& alii, Institutul Cultural Romn, Bucureti 2011.
11.3. Didactics of Byzantine chant in Special Education:
{2007 and forthcoming} Rev. ,
,
paper read at: 21 ,
, ,
, 21 2007, (forthcoming).
12. Lexicography and Terminology of Byzantine Music
12.1. Lexicography:
Note: During the last decade, Byzantine musical culture found a wide
echo also in leading music dictionaries and theological encyclopedias, with
an impressive number of new lemmata, e.g.:
, Moskow 2000- (in charge of the edition of lemmata on Byzantine Music: Sergej Niktin & alii).
The New Grove Dictionary of Music and Musicians, edd. Stanley Sadie/
John Tyrrell, 2nd ed., McMillan, London 2001 (many lemmata about dierent
aspects of Byzantine Chant by Chr. Troelsgrd and by other authors)
(M.O.X.E.),
: & alii,
, , 2011- cf. http://stratigikes.
com/stratigikes/christian.html (4.1.2012) (in charge of the edition of lemmata
on Byzantine Music: Konstantinos Karagounis).
Dicionar de muzic bisericeasc, coord. Subcomisia de muzic psaltic
i liniar, Patriarhia Romn, Burureti (forthcoming).
12.2. Terminology:
{forthcoming} ,
, paper for: Crossroads. Greece as an intercultural pole of musical thought and creativity, Thessaloniki, 610 June 2011
(http://crossroads.mus.auth.gr).
13. Philology and Discography-Discology of Byzantine Music
13.1. Byzantine Musical Philology26:
{2003} ,

, , 2003. A. Lingas,
Performance Practice and the Politics of Transcribing Bzyantine Chant, Le chant
byzantin: tat des recherches. Actes du colloque tenu du 12 au 15 dcembre 1996 lAbbaye de Royaumont, Centrul de Studii Bizantine Iai, Acta Musicae Byzantinae, 6
139

(2003), pp. 5676: http://www.csbi.ro/ro/index.htm (8.1.2011). | {2004}
, H ,
, 31 (2004), pp. 5658. Christian Troelsgrd, Tradition and Transformation in Late Byzantine and Post-Byzantine Chant, Interaction and Isolation in
Late Byzantine Culture, Papers Read at a Colloquium at the Swedish Institute in Istanbul, 15 December 1999, ed. J.O. Rosenqvist, Swedish Research Institute in Istanbul, Stockholm 2004, pp. 158169. | {2005} Lykourgos Angelopoulos, Les voix
de Byzance, Descle de Brouwer, Paris 2005. Also in Romanian: Vocile Bizanului,
Asociaia Cultural Byzantion, Iai 2011. | {2006} Christian Troelsgrd, Transcription of Byzantine Chant: Problems, Possibilities, Formats, onumenta Musicae Byzantinae, 75th Anniversary. The Current State of Byzantine Musical Studies After 75
Years of Monumenta Musicae Byzantinae, Acts of the International Conference Held
at Carlsberg Academy, Copenhagen, 1617 June 2006, Bollettino della Badia Greca di
Grottaferrata, terza serie, vol. 3 (2006), pp. 159166. | {2007} ,
:
, , 90,
816 (2007), pp. 143175. Peter Jeery, La transission orale et crite: Lexemple
du chant byzantin, Musiques. Une encyclopdie pour le XXIe sicle, vol. 5, Lunit de
la musique, ed. J.-J. Nattiez, Actes Sud/Cit de la Musique, Paris 2007, pp. 550576.
| {2008} Diane Touliatos, ,
, , , ed. . , 2008, pp.
332341. | {2009 and forthcoming} ,
, Byzantine Musical
Culture, Second International Conference of the American Society of Byzantine
Music and Hymnology, June 1014th, 2009, Athens: http://www.asbmh.pitt.edu/
page9/page13/page17/page17.html (5.11.2011). | {2010} ,
, ,
ed. . ,
, 2010 (with 2 CDs). | {forthcoming} Mauro Agosto, Oralit
e scrittura nella storia del canto liturgico bizantino, paper read at: Voce e suono
della preghiera 2, Il canto bizantino in Italia tra tradizione scritta e orale, a cura di Girolamo Garofalo, Fondazione Giorgio Cini, Venezia, 2 dicembre 2011.
,
, poster presented at the International Musicological
Conference Crossroads. Greece as an intercultural pole of musical thought and creativity,
Thessaloniki, 610 June 2011 (forthcoming in electronic form: http://crossroads.
mus.auth.gr). Girolamo Garofalo, Padre Lorenzo Tardo e il canto bizantino
allAbbazia greca San Nilo di Grottaferrata tra scrittura e oralit, paper read at:
Voce e suono della preghiera 2, Il canto bizantino || For further titles concerning
performance practice, cf. above, nr. 5.
13.2. Discography-Discology of Byzantine Music27
Note: During the last decade, an impressive number of high-quality
recordings with Byzantine Music have been produced in Greece, Romania
140
and many other countries. Also, many historical recordings from the first
part of the 20th century have been reedited digitally. It is beyond the scope
and frame of this paper to give a complete register of them. Below, some major CD-series accompanied by musicological studies, as well as papers concerning the Discology of Byzantine Music are mentioned:
13.2.1. Recordings:
{1999- open series} ,
. .
, & , 2000/2001
(booklet containing informations about three series of recordings: Monuments
of Ecclesiastic Music [publications since 2000-], Miscellanea of Ecclesiastic Music
[publications since 1999-], Archive of Ecclesiastic Music). The grandiose project
consists of professional recordings (about 200 CDs scheduled, recording-work
begun already in the 1980ies) of famous Greek Church singers, with a repertory covering a wide range of chant categories, mainly of the post-Byzantine
and newer period, in traditional solistic interpretations with isokratema. The
recordings are accompanied by booklets containing the scores, as well as historical, biographical, analytical and hermeneutical comments on the respective composers, singers, pieces and performances. See e.g. M. X,
, A ,
& , 2000. | . ,
, , & ,
, CD , & ,
2002. | . , , 1,
, (1910
1987), (
1980), & , 1999. || {2008}
A (ed.), 78 RPM Orfeon-Odeon [19141926].

, Kalan, 2008: 5 CDs containing a reedition
of the oldest recordings of Byzantine Chant, from 60 discs of the Orfeon and
Odeon Records, 19141926, with Iakobos Naupliotes, Protopsaltes of the Great
Church (cf. http://www.easternmusic.org/files/picture/_405.pdf [10.11.2011]). ||
See also above, Nr. 13.1. {2010}. For some titles concerning post-Byzantine
secular/Classical Near Eastern Music, cf. above, Nr. 10.1. Many other important recordings of Byzantine Chant can be found by searching the names
of the ensembles/conductors mentioned in part I of this paper on the internet
and through the sites listed below, under Nr. 15 (analogion, psaltologion a.o.).
13.2.2. Registers of recordings and towards a methodology of
Discology of Byzantine Music:
{2001} .
. .

141

, , A 2001, pp. 157175 (discographic production of the Choir and other ensembles). | {2010} ,
. , in: . ,
, 1, ,
2010, pp. 997 (methodological approaches).
14. Byzantine Musical Studies in dialogue with other sciences: some
further new approaches
Note: many of the works quoted in all the previous groups contain interdisciplinary approaches to Byzantine Chant, see e.g. Nr. 5 and 6. Below,
some other new research directions are mentioned:
14.1. Byzantine Music and Informatics:
14.1.1. Surveys:
{2008} , H
.
, , , , ed. . ,
2008, pp. 199209.
14.1.2. Creation of software, special fonts for editing Byzantine Music:
{2001} ,
Stathis Series, .
. .
,
, A 2001, pp. 223234. | {2005} N. Nicholas,
Unicode Technical Note: Byzantine Musical Notation, Version 1.0, January
2005: http://unicode.org/notes/tn20/byznotation.pdf (7.8.2011). | {2009 and forthcoming} Panagiotis Bakalis, :
, ,
Byzantine Musical Culture, Second International Conference of the American Society of Byzantine Music and Hymnology, June 1014th, 2009, Athens: http://
www.asbmh.pitt.edu/page9/page13/page17/page17.html (5.11.2011). Savvas
Papadopoulos, M
, Byzantine Musical Culture, 2nd Conference: http://www.asbmh.pitt.edu/page9/page13/
page17/page17.html (5.11.2011).
14.1.3. Informatics supporting Codicology, Palaeography, Theory and Analysis of Byzantine Music and related chant traditions:
L. Barton, Neumed and Ekphonetic Universal Manuscript Encoding Standard. A lossless data representation for digital transcription of Western medieval and
Byzantine chant sources: http://www.scribeserver.com/NEUMES (9.2.2011).
A. Doneda, Computer Applications to Byzantine Chant: A Relational Database for the Koinonika of the Asmatikon: http://www.scribeserver.com/
142
doneda/DBDoneda.pdf (9.2.2011). | {2004} Heirmos: Computer data base:
basing on the linear-noted musical heirmologia from the sixteenth through
the eighteenth centuries, edd. Vitalij Bondarenko/Christian Hannick/Jurij PP.
Jasinovskyj, Ukrainian Catholic Univ. Press, Lviv 2004. | {2006} Oliver Gerlach, Im Labyrinth des Oktchos ber die Rekonstruktion einer mittelalterlichen
Improvisationspraxis in der Musik der Ost- & Westkirche, Dissertation, Humboldt
University Berlin 2006: cf. http://ensembleison.de/publications/index.htm
(31.12.2011). | {2007} Louis W.G. Barton/Rev. Konstantinos J. Terzopoulos/
Julia Craig-McFeely,
, Byzantine Musical Culture, First International Conference of
asbmh.pitt.edu/page/12/Terzopoulos.pdf (30.12.2011).
14.1.4. Acoustics, interval measurings, exploration of the psaltic voices:
{2002} , ,
2002. | {2006 a.o.} . /. /.
, :
, Proceedings of the Conference
ACOUSTICS 2006, 1819 Sept. 2006, Heraclion, Greece, and
, ,
, ,
1519 . 2003, . ,
, , . . , A 2006, pp. 183192. See also http://
speech.di.uoa.gr/sppages/spppdf/DAMASKINOS.pdf and http://speech.di.uoa.
gr/sppages/spppdf/DamaGR.pdf (9.2.2011). See further Dimitrios Delviniotis &
Georgios Kouroupetroglou, DAMASKINOS: The prototype corpus of Greek Orthodox ecclesiastical chant voices, paper read at the International Musicological
Conference Crossroads. Greece as an intercultural pole of musical thought and creativity,
Thessaloniki, 610 June 2011 (forthcoming in electronic form: http://crossroads.
mus.auth.gr). . /. ,
, ,
, pp. 193206. . ,

,
, , pp. 596601.
14.1.5. Archaeo-acoustics and auralization of Byzantine Chant:
{2010} Christian Troelsgrd/J.H. Rindel, Byzantine Hymns in Churches
of Constantinople An Archaeological Soundscape, ODEON A/S, DTU, Lyngby
2010. | {2011 a.o.} Christian Troelsgrd, Dai manuscritti musicali italo-greci
alla ricostruzione del canto del rito cattedrale bizantino: un esperimento archeoacoustico, paper read at: Voce e suono della preghiera 2, Il canto bizantino in Italia tra tradizione scritta e orale, a cura di Girolamo Garofalo, Fondazione Giorgio
143

Cini, Venezia, 2 dicembre 2011. See also: Byzans Europas gyldne rige 3301453,
Exhibition on the Round Tower, Copenhagen, 16th January21st March 2010: report under: http://rundetaarn.dk/presserum/09byzans1.htm (Karsten Fledelius)
(8.3.2010). See further http://www.odeon.dk/publications, for related titles
14.2. Byzantine Music and Mathematics:
, , Byzantine Musical Culture, Second International Conference of the American Society of Byzantine Music and Hymnology, June 1014th, 2009, Athens: http://www.asbmh.
pitt.edu/page9/page13/page17/page17.html (5.11.2011).
14.3. Byzantine Chant and Music Psychology:
Eleni Lapidaki/Maria Alexandru, Temporal experience in ecclesiastical chanting: A collaborative approach between music psychology and
Byzantine musicology, Proceedings of the Fourth Conference on Interdisciplinary
Musicology (CIM08), Thessaloniki, 36 July 2008, edd. C. Tsougras/R. Parncutt:
http://web.auth.gr/cim08/
14.4. Byzantine Chant and Medicine:
{2011 and forthcoming}

,
, presentation at: 9th International Congress on current treatment
and therapeutic perspectives in Alzheimers, Parkinsons disease, MS and Epilepsy, Athens, 27.01.2011.28 (forthcoming DVD) || See also above, Nr. 11.3.
15. Byzantine Music on the Web29
15.1. Surveys:
{2011 and forthcoming} . . ,
, paper read at:
, ,
, ,
, ,
, 26 2011.
15.2. Some useful sites for research on Byzantine Music30:
http://abacus.bates.edu/~rallison/librhist.html
Site of The Philotheou Monastery Project: Papers on the History of the Monastery and its Manuscript Library, ed. Robert W. Allison, Lewinston, Maine
http://analogion.com
Site with informations about the Typikon, e-books about Byzantine Music, theoretical texts, sound archives, fonts for Byzantine neumes,
informations about congresses on Byzantine Music a.o. Edd.
/Shota Gugushvili
http://cim08.web.auth.gr/cim08_papers/
Proceedings of the Conference on Interdisciplinary Musicology CIM08,
Musical Structure, , 26 Io 2008, edd. C. Tsougras/R. Parncutt
144
http://graeca.mrezha.net/upload/MontrealPsaltiki/
Archive of recordings and icons
http://mss.nlg.gr
Site of the National Library of Greece, Manuscript Department
http://pergamos.lib.uoa.gr/dl/navigation?pid=col:psachos
Pergamos: Digital Library containing a part of Konstantinos Psachos
Musical Library from the Department of Musical Studies of the National
Kapodistrian University of Athens:

http://psalticnotes.wordpress.com/
PsalticBlog and PsalticNotes: electronic fora containing resources and
informations from the world of Psaltic Art and Byzantine Musicology, ed.
Rev. Konstantinos Terzopoulos
http://speech.di.uoa.gr/
Site of the Speech and Accessibility Group, University of Athens,
Department of Informatics (on the project :
a.o.)
http://theorieundgeschichtedermonodie.blogspot.com/ and http://mariapischloeger.
wordpress.com/
Sites concerning the Congresses and Publications of the series Theorie
und Geschichte der Monodie, Vienna, edd. Martin Czernin/Maria Pischloeger
http://www.asbmh.pitt.edu/page2/page2.html
Site of the American Society of Byzantine Music and Hymnology, University of Pittsburgh, U.S.A.
http://www.axionestin.org/conference-2006.html
Site of The Axion Estin Foundation, U.S.A., with informations about
Symposia during 20062009
http://www.cantusplanus.org
Site of the International Musicological Society, Study Group Cantus Planus (Medieval chant traditions, mainly Western Europe, but also with openings to other traditions). Under Publications one can find the Acta of many
Meetings of this Study Group, containing also papers about Byzantine chant
http://www.csbi.ro/
Site of the Centrul de Studii Bizantine, Iai, edd. Traian & Gabriela
Ocneanu, with the periodical Acta Musicae Byzantinae online.
http://www.ec-patr.org/gr/typikon/
Site of the Ecumenical Patriarchate, with the Typikon of the Great Church
http://www.emelibrary.org
Site of the Early Manuscripts Electronic Library, California, dir. Michael
Phelps
http://www.grovemusic.com or
http://www.oxfordmusiconline.com/
The New Grove Dictionary of Music and Musicians, edd. Stanley Sadie/
John Tyrrell, online-version
145

http://www.ibyzmusic.gr/
Site of the Institute of Byzantine Musicology, Athens, dir. Gregorios Stathis
http://www.igl.ku.dk/MMB/catbyz.htm
Inventory of Microfilms and Photographs in the Collection of Monumenta
Musicae Byzantinae, Institute of Greek and Latin, University of Copenhagen, ed.
Christian Troelsgrd
http://www.isocm.com/
Site of the International Society for Orthodox Church Music, Joensuu,
Finland, edd. Rev. Ivan Moody/Maria Takala-Roszczenko
http://www.psaltologion.com
Forum for church singers, powered by analogion.com, administrator

http://www.scribeserver.com/NEUMES/
Site of the project Neumed and Ekphonetic Universal Manuscript Encoding
Standard, Oxford, ed. Louis Barton
http://www.youtube.com/watch?v=pQWYOpb0_8c
Video with the presentation of Diane Touliatos-Miles, Descriptive
Catalogue of the Musical Manuscripts of the National Library of Greece: Byzantine
Chant and Other Music Repertory Recovered, Ashgate Press 2010
III. Epilogue
Byzantine Musical Studies have advanced immensely during the last
decade. Still, many wonderful work remains to be done in the future. Some
of the major desiderata would be:
the continuation of the work on the preparation of analytical
catalogues of the extant sources of Byzantine music and their conversion into
a database
the professional training of new, capable musicologist especially in the
field of Psaltic Art and of Palaeography of Byzantine music, and, more generally,
the further improvement of education in the field of Byzantine Musical Studies
the edition of analytical catalogues (Werkverzeichnisse) and of the
opera omnia of main composers from the Byzantine and post-Byzantine period
the continuation of critical editions of the extant music-theoretical
treatises in the important series Corpus Scriptorum de Re Musica of the MMB
the further development in the field of morphology and musicological
analysis of Byzantine chant
the exploration of the newly opened paths of interdisciplinary and
interarts research a.o.
We can observe with joy and gratitude that the music defined by
Gabriel Hieromonachos during the 15th cent. as the science about rhythms
and melodies used in the divine hymns31 represents today a dynamic
discipline of high relevance for both contemporary sciences and arts.
146
IV. Tables
Table 1. On the history of Byzantine Musical Studies
Phases
1.
2.
3.
4.
5.
6.
7.
Title
Prehistory: Psaltic/Papadic Science & Art
in late Byzantine and post-Byzantine times
Byzantine Music discovered as field of
research by Western scholars
The New Method and beginnings of
modern Byzantine Musical Studies
The international promotion of Studies in
the field of Byzantine Music
A first flourishing of Byzantine Musical
Studies
The removal of the diglossy
A second flourishing of Byzantine Musical
Studies
Date
ca. 14th 19th cent.
17th19th cent.
18141930
19301950
19501970
19702000
Since 2000
Sources for Table 1:

This table draws to a great extent on the bibliography cited in this article and on the following earlier reports: G.A. Villoteau, De ltat actuel de
lart musical en gypte, ou Relation historique et descriptive des recherches et
observations faites sur la musique en ce pays, Description de lgypte ou recueil
des Observations et des recherches qui ont t faites en gypte pendant lxpdition de
l arme franaise, vol. 14, 2nd ed., Imprimerie C.L.F. Panckoucke, Paris 1826, pp.
360467. . , , 2nd ed. by .
, 1978. H.J.W. illyard, The Stenographic heory of
Byzantine Music, Laudate, 2,4 (1924), pp. 216225, and Laudate, 3,9 (1925), pp. 28
32. . , 19011912.
, 2 vols.,
, 1996. . Wellesz, A Note on the Origins of the
Monumenta Musicae Byzantinae (1931 1971), Studies in Eastern Chant, 2 (1971),
pp. VIIX. Id., Studien zur byzantinischen Musik, Zeitschrift fr Musikwissenschaft, 16 (1932), pp. 213228, 414422. Id., Byzantinische Musik. Ein Vortrag, ed.
Gerda Wolfram, sterreichische Akademie der Wissenschaften, PhilosophischHistorische Klasse, Verlag der sterreichischen Akademie der Wissenschaften,
Wien 2000. hr. Georgiades, Bemerkungen zur Erforschung der bvzantinischen Kirchenmusik, Byzantinische Zeitschrift, 39 (1939), pp. 6788. R. Aigrain,
Musicologie byzantine, Revue des tudes Grecques, 54 (1941), pp. 81121, 270274.
L. Tardo, Sguardo generale sopra gli studi dell antica melurgia bizantina,
Archivio storico per la Calabria e la Lucania, 15 (1946), pp. 116132. .J.W. Tillyard,
Gegenwrtiger Stand der byzantinischen Musikforschung, Die Musikfor147

schung, 7 (1954), pp. 142149. Id., The Rediscovery of Byzantine Music, ssays
Presented to Egon Wellesz, ed. J. Westrup, Clarendon Press, Oxford 1966, pp. 36.
Oliver Strunk, Byzantine Music in the Light of Recent Research and Publication, Proceedings of the XIIIth International Congress of Byzantine Studies, Oxford,
510 Sept. 1966, edd. J.M. Hussey/D. Obolensky/S. Runciman, Oxford University
Press, London New York Toronto 1967, pp. 245254. Kenneth Levy, Byzantine Music Since the Oxford Congress, Actes du XIVe Congrs International
des tudes Byzantines, Bucharest, 612 Sept. 1971, edd. Berza/Stnescu, vol. ,
ucarest 1976, pp. 481487. Milo Velimirovi, Present Status of Research in
Byzantine Music, Acta Musicologica, 43 (1971), pp. 120. J. Raasted, Rsum of
the discussions, International Musicological Society, Report of the Eleventh Congress Copenhagen 1972, edd. Glahn/Srensen/Ryom, Copenhagen 1974, vol. II, pp.
797799. . , ,
1976. D. Touliatos, State of the Discipline of Byzantine Music, Acta
Musicologica, 50 (1978), pp. 181190. . , Instrumenta Studiorum
, , ,
.
. .
,
, A 2001, pp. 733739 (text written in 1981). Id.,

, ,
, , pp. 743754 (text from 1982/1986). Id.,
.
, 38 1986, , 57, (1986), pp. 885896.
D. Touliatos, Research in Byzantine Music Since 1975, Acta Musicologica, 52
(1988), pp. 205218. J. Raasted, Length and Festivity. On some prolongation
techniques in Byzantine Chant, Liturgy and the Arts in the Middle Ages. Studies
in Honour of C. Cliord Flanigan, edd. E. Lillie/N.H. Petersen, Copenhagen 1996,
pp. 7584. D. Touliatos, The Status of Byzantine Music through the TwentyFirst Century, Byzantium. Identity, Image, Influence, XIX International Congress
of Byzantine Studies, University of Copenhagen, 1824 August 1996, Major Papers, edd. K. Fledelius/P. Schreiner, Danish National Committee for Byzantine
Studies, Eventus Publishers, Copenhagen 1996, pp. 449463.
For a previous periodisation of Byzantine Musical Studies, see .
, , ,
1993, pp. 1129, 107117. For the contexts of the first period, see . ,
. ,
(14531820). , & ,
1999. For the title of the 6th period, cf. . ,
( ), , 4
(1972), pp. 389438. For further details and bibliography, cf. . ,
(forthcoming).
148
Table 2. Byzantine Musical Studies and Sister Disciplines at the beginning of the 21st century32
149

Bibliography and notes:
1
This brief report continues Christian Hannicks article about the Instrumenta studiorum of Byzantine Music, presented at the 20th International Congress
of Byzantine Studies in Paris 2001: cf. below, section II.1.2. The title of this paper is
inspired by the Dictionary of the History of Ideas. Studies of Selected Pivotal Ideas, ed.
Philip PP. Wiener, vol. I, New York 1973. For previous reports on the development of
Byzantine Musical Studies, cf. the source-indication after plate 1 at the end of this article. Cordial thanks to colleagues, students and friends which generously informed
me over the last ten years about work going on in the field, for without their support
it would have been impossible to write this paper.
2 From the 20th stanza of the Akathistos Hymn: ,
. , . ,
(527900), 2003, p. 383.
3 For main periods in the history of Byzantine Musical Studies, see table 1 at
the end of this paper.
4 See below, section II, especially Nr. 5. || 6. || 7.2.4. || 8. || 10. || 14. For the
connection of Byzantine Chant with Phonology, cf. Arvanitis dissertation cited in
section II.2.7. {2010}.
5 See below, section II.1.4.
6 For more details about various thematic fields of Byzantine Musical Studies
today, see plate 2 at the end of this paper.
7 See the titles below, in section II.2.13.
8 See the sites mentioned in section II.15.
9 Cf. the titles in section II.2.47.
10 Cf. references below, section II.3.2. | 3.4.3. || 4.2.3.3. | 4.2.4. || 7.2.2. || 8.1.
11 See titles in section II.7.
12 For details, cf. section II.3. || 6.
13 See section II.5 || 13. || 14.1.4.5.
14 Cf. II.4.
15 Cf. titles in section II.4.2.6.
16 Cf. II.9. | II.2.4.
17 Cf. section II.13.2.
18 Cf. section II.10.
19 Cf. section II.11.
20 References to the Proceedings of these and other conferences are included
in section II.
21 Crossreferences show some of these cases.
22 Sources of inspiration for the organization of this open bibliographical list
were: , (full title below, under Nr. 1.3.). . ,
. T , 2 vols.,
1995, 2003. , (full title below, Nr. 11.1.2. {2010}). Within the
dierent thematic groups, the titles are given in chronological order. {At the beginning, the year is shown in brackest, in order to allow a quick orientation and easy
crossreferences}. In case of several titles issued during the same year, the listing
follows the latin alphabet. Dierent volumes of the same work are mentioned together, according to the year of the edition of the earliest volume within the decade
150
20012011. For further fields of research/thematical cycles of Byzantine Musical Studies, cf. table 2 at the end of this paper.
23 Many thanks to Dr. Irina Chudinova for this piece of information. For a list
of titles on these subjects, cf. her paper cited above.
24 For the term , cf. .. , .
, :
, , 6, , 1999, p. 47
25 Warm thanks to Dr. Kyriakos Kalaitzidis, Miss Anastasia Zachariadou, Dr.
Thomas Apostolopoulos, Miss Maria Voutsa and Dr. Ozana Alexandrescu for most
valuable information on this thematic cycle.
26 Cf. the general description in: Musical Philology Today. Historical Heritage
and New Perspectives, 6th Conference in Musical Philology, Universit degli Studi di
Pavia Faculta di Musicologia, Departamento di Scienze Musicologiche e paleografico-filologiche, Centro di Musicologia Walter Stauer, Cremona, 25-27 November
2009, Abstract: philology is finally considered a critical and overall interpretative
activity (and not only a mere technical knowledge with an editing purpose); text is
a dynamic object and its cognitive value can be ascribed to its author and traditions
movement. Modern music philology has made up for lost time in the past, as to the
method and the interdisciplinary connections. This recent recovery has enriched the
perspectives and has achieved important results in dierent fields: textual bibliography, authors reworking, variants studies, trends and cross-connections between
tradition and reception; material philology, study of music notations (), interaction between orality and writing and its influence on the tradition of music texts.:
http://musicologia.unipv.it/seminariofilologia2009/abstract.pdf (26.03.2010); see also
http:riviste.paviauniversitypress.it/index.php/phi/issue/view/47 (5.1.2011)). Within the frame of Byzantine Musical Studies, the notion of Musical Philology could
be used as to embrace the study of notations (old and new), together with issues
concerning the closely related domains of performance practice, tradition and its
ramifications, interactions between oral and written transmission of chant repertories, technique & art of exegesis, styles & layers of embellishments, abbreviations,
isokratema, paradigms of polyphony, transcriptions and transnotations, editorial
techniques (for musical pieces and music-theoretical texts).
27 For Discology as a new branch of Musicology, studying the history of musical interpretation in connection with dierent recording-media, cf. H. von Loesch,
usikwissenschaft, usik in Geschichte und Gegenwart, 2nd ed. L. Finscher, vol. 6,
Kassel/Basel/London/New York/Prag 1997, column 1814.
28 See also: ,
( ), 1995.
29 During the last decade, the internet became almost a sine qua non for Byzantine Musical Studies. However, the fluctuation in the degree of reliability of the information found on various sites of the web, already observed also for other domains
of Byzantine culture, should make students of Byzantine Music careful in the use of
this so important tool. See Vicky Foskolou, Byzantium on the Web: New Technologies at the Service of Museums and Educational Institutions for the Presentation of
Byzantine Culture, BZ, 100.2 (2008), pp. 629-636.
30 This list has been inspired by the register ,
prepared by Mrs. Ioanna Zami from the Library of the Patriarchal Institute of Pa151

tristic Studies in Thessaloniki, during Spring Term 2010. Further sites and informations can be found through the links given by the sites mentioned above, as well
as through home pages of various institutions and researchers mentioned in this
article.
31
: Gabriel Hieromonachos, Abhandlung ber den Kirchengesang,
edd. Chr. Hannick/G. Wolfram, MMB, Corpus Scriptorum de Re Musica, 1, Verlag
der sterreichischen Akademie der Wissenschaften, Wien 1985, lines 27-28.
32 The table is based on the bibliography cited in part II of this article, and/especially on the following sources: . , .
, ,
, , ed. . .
, ,
, ,
, ,
, 1999-2000. . ,
, , 183
, 2004, pp. -. M, ,
, ed. A. Alygizakis, 2008. . Wellesz, A Note on the Origins of Monumenta Musicae Byzantinae (1931-1971), Studies in Eastern Chant, 2 (1971), pp. VII-X.
I. A,
, ,
, , 2010, vol. I, p. 75-110. Cf.
also A. , , in: .
, B, 2010, p. 993-1005. For an older version of this table, cf. . lexandru, Preliminary Remarks on the Historiography of
Byzantine Music and Hymnography, Bollettino della Badia Greca di Grottaferrata, terza
serie, vol. 3 (2006), p. 46.
152

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