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Guitar chords and chord progressions are the foundation of playing any song on
guitar. If you learn just a few chord progressions, youll be playing hundreds of
songs and even making up your own. Chord progression theory is about learning
how chords are formed from scales and how the harmony of music key works.
Below youll learn more about chord progression theory by building a solid
foundation in music theory and building chords from there. If youre just starting
out on the guitar, this beginning guitar course will give you step-by-step
instructions on how to play.
C D E F G A B C
C C D D E F F G G A A B C
The chromatic scale looks like this when using flats:
C D D E E F G G A A B B C
Notice the second note in each scale. Though they are called by different names, they are actually the same note. Depending on what
key youre playing in, a nonnatural note may be characterized by a sharp or a flat.
Music Intervals
The distance between two notes is called an interval, and intervals are measured in half steps and whole steps. A half step is the
distance between one note and the next. For example, the distance between E and F in the chromatic scale above is a half step. There
are no notes in between these two notes. A whole step is the distance of two half steps. The distance between C to D in the chromatic
scale above is a whole step because one half step would be from C to C and another half step would be from C to D. Another way to
think of it while looking at the guitar fretboard is to see a half step as the distance between one fret and the next, and a whole step as the
distance between two frets.
Whole step Whole step Half step Whole step Whole step Whole step Half step
If you start on any note in the chromatic scale and follow the interval pattern above, youll end up with a major scale and is an important
aspect to music theory. The note that you begin with is called the tonic, it is the note by which you will derive the name of the scale. For
example, if you start the pattern on the note E, you will refer to the scale you end up with as E major. The flats and sharps become
important because you cant have a scale that uses the same letter name in the scale twice. For example, if you followed the pattern and
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ended up with a C and a C in the same scale, to avoid using the letter C twice, you would call the C note D instead.
Here is what the C major scale looks like when you include the interval pattern with it:
To build the chords of a major key, you start on the tonic, which is C in this case, and add the note that is a 3rd interval up from the tonic
and the note that is a 5th interval up from the tonic. Its simple counting. Starting at C, count down to 3, and you arrive at E, which is the
second note in a C Major chord. Again starting at C, count down to 5, and you arrive at G, which is the third note in a C Major chord.
Now, youve built a C Major chord using the notes C, E, and G.
Start from each interval and build a chord by adding the note a 3rd up and a 5th up, making sure to stay within the major scale youre
operating in. For example, starting on D, count down 3 notes in the C major scale, and you arrive at F. Counting down 5 notes puts you at
A. Now, you have a chord that contains the notes D, F, and A. This is a D Minor chord.
Its helpful to understand what type of chord each note in a major scale will build if you follow the pattern above. Below, youll notice the
notes of the C major scale. Above each note in a Roman Numeral. If the Roman Numeral is in all caps, the resulting chord is a major
chord. If the Roman Numeral is in all lower case letters, the resulting chord is a minor chord. If there is a degree symbol after the Roman
Numeral, that means it is a diminished chord, which is a chord you likely wont use very often. Below the names of each note are the
notes that make up each chord.
I
ii
iii
IV
vii
viii
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List out the chord names of the major key, using the Roman Numeral method above to differentiate between major, minor, and
diminished chords
Now that you know how to determine what the chords are for any major key, you can begin working on actual chord progressions. In
major keys, the three chords that are used most often are the I, IV, and V chords. The minor chord on vi is often added as well. On the
guitar, these chords like this:
I IV
IV
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I IV V I
I V IV I
I V IV V
I V vi IV
I vi V IV
I IV vi V
I IV V IV
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