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Artist - Michelangelo: The Pieta Sculpture Form - line (naturalistic, drapery) Gesture, Pose Subject matter = 2 figures (Mary carrying Jesus) Setting - St Peter's Basilica, Renaissance o grandeur is overwhelming o Minimalism (carl landre) sculpture of flat grey tiles on the floor, to be walked on does not look out of place in the little flat point o context emphasis, as well as role and use of space a work
Artist - Michelangelo: The Pieta Sculpture Form - line (naturalistic, drapery) Gesture, Pose Subject matter = 2 figures (Mary carrying Jesus) Setting - St Peter's Basilica, Renaissance o grandeur is overwhelming o Minimalism (carl landre) sculpture of flat grey tiles on the floor, to be walked on does not look out of place in the little flat point o context emphasis, as well as role and use of space a work
Artist - Michelangelo: The Pieta Sculpture Form - line (naturalistic, drapery) Gesture, Pose Subject matter = 2 figures (Mary carrying Jesus) Setting - St Peter's Basilica, Renaissance o grandeur is overwhelming o Minimalism (carl landre) sculpture of flat grey tiles on the floor, to be walked on does not look out of place in the little flat point o context emphasis, as well as role and use of space a work
Artist Michelangelo: The Pieta Sculpture Form line (naturalistic, drapery) Gesture, Pose Subject matter = 2 figures (Mary carrying Jesus) Setting St Peters Basilica, Renaissance (for Biblical purposes) o Grandeur is overwhelming Scene in Christian iconography (subdivisions of the life and death of Christ); immediately follows Christ being taken off the cross If taken out of context E.g. put in a 1960s restroom Without grandeur of St Peters Comparing Renaissance about showing skill 20th Century not about showing skill, about ideas and escaping subject matter Minimalism (Carl Landre) sculpture of flat grey tiles on the floor, to be walked on does not look out of place in the little flat point = using industrial ready-made materials by eliminating the hand of the artist, it can be transplanted into non-art contexts without notice Can it exist outside an art gallery? o If it cant, then its a statement about the power of the museum, and overall context. o Context emphasis, as well as role and use of space a work is in. Brancacci Chapel, Florence (1424-28) The Tribute Money A chapel off the side of a bigger church Painted by 2 artists (look up) Look at readings Look up Dictionary of Subjects and Symbols of Art Scene from the Gospel of Matthew o In background = Peter extracts tribute money from fish.
o Follow the way the hands point
o Peter discusses with Jesus, goes left to get the money out of the fish, then right to give it to the man. Chronology goes from center left right.
The Temptation of Adam and Eve; The Expulsion
Downfall of human morals Ability to show naturalism the best painter follows nature as closely as possible Land Art/Earth Art = 60s-70s America Spiral Jetty Robert Smithson (1970) o Emergence of conceptual art art was the concepts behind it; it could be ephemeral itself. o Minimalism rejection of subject matter; emphasize form o Very large o Socio-political context moon landing (1969) grandeur, huge forms on the Earths surface, viewable from space, bleakness of space and the Moon Asphalt Rundown (1969) Robert Smith Vault 77-80 Melbourne Ron Robertson-Swann o Very highly respected; taught and studied in London, worked with Henry Muir in the UK Very controversial o Was put in City Square (on Collins & Swanston intersection) o a lot of people angry about this o extreme modernism o material = steel o shape = too many acute angles imbalanced, claustrophobic o color = very bright (The Yellow Peril), mono-tone o location = centrality o perspicacity = too much o lack of pedestal o public ownership c.f. if it was put outside the NABs building sense of public ownership projecting civic identity o media attention and sense of hype o reactions unnatural, unnerving ultra-futuristic, inhuman algorithmic sculpture as an idea was a formalist work of art use many different forms What is it about? Then moved to Batman Park new context, out of the way; as if to get it out of public sight. Now outside ACCA (still here)