Sei sulla pagina 1di 9

Saint Louis University

Introduction to Theatre THR-150 Sec 1


Syllabus Spring 2014
Classroom:
Instructor:
E-mail:
Office:
Office Hours:

Xavier Hall G13


Office Phone:
314-977-2995
Mark Wilson
Cell Phone:
314-267-4765
wilsonm@slu.edu
Home Phone:
636-274-7417
Xavier Hall G-41
Monday, Wednesday 2-5 pm shop hours
Thursday 4-6 pm shop hours Other times by appointment.
(It is best to contact me by email or a text to my cell phone.)
Text/Materials:
The Creative Spirit: An Introduction to Theatre by Stephanie Arnold
Fifth Addition McGraw Hill ISBN 978-0-07-338217-3
Older editions should work but the included plays may be different.
The text has a diverse selection of plays that we will read and discuss in
class. We will use the last play as a group project. You can also use an
electronic version. Be sure to check if it will work with your tablet or
viewing device!
Course Summary:
Theatre is a creative collaborative art. Theatre employs the literary craft of
playwriting as a medium for the performing arts of directing, acting,
singing, movement and dance. A theatre production synthesizes the visual and sensorial
disciplines of scenic design, costume design, lighting design, and sound design to support the
live performance. This course will explore the creative components of theatre, the production
process, and how theatre is produced. The student will have the opportunity to observe and
experience the theatrical process of our very own Saint Louis University Productions and the
offerings by The Repertory Theatre of St. Louis, The Saint Louis Black Repertory Company, the
Fox and other local theatres. This class will also provide critical and inquisitive insights to
encourage the student to understand and appreciate theatre as an audience member and
explore their own personal creative outlets.
Objectives:
1) Provide a background in the history of theatre and styles of production.
2) Acquaint the student with the mission and goals of theatrical organizations.
3) Examine the creative and technical components of theatre and attain respect for the various
disciplines.
4) Understand the typical organization of a theatre production team.
5) Introduce the student to play production and production concepts.
Teaching method:
Lecture/theatre attendance/Discussions/Activities/Videos/Guest Speakers
Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help
us build our future, rather than just waiting for it. Augusto Boal from his book Games for Actors and NonActors

Introduction to Theatre THR 150 Wilson

Spring 2014

page 2

Requirements:
Attendance will be taken for each class. After three unexcused absences, your evaluation for
the class will be lowered by one letter grade. (I value your contribution to class discussions,
activities, and feedback.)
Attend a performance of two of the theatre departments spring offerings, and write a two page
special topic essay or reflection on your experience as an audience member. You will receive
one complimentary ticket for each production. Try to avoid the critical review approach -- I am
looking for your own personal reactions to the plays. Your written reflections will be shared on
the class blog in SLU global.
Choose one of the following activities:
a) Outside of SLU theatre, attend one professional theatrical production and share your
experience by preparing a review or special interest story. For the heavy duty theatregoer, additional performance reports will constitute extra credit. (30 points for each
additional show attended)
b) Participate on one SLU theatre production crew. Scenic construction, lighting, properties,
costume construction, backstage crew, and publicity. (This can be exciting but does
require an extensive time commitment. But, if you are willing to donate your time and
would like to really see how the magic happens this is the experience for you. We ask
for a minimum 10 hours of time for the semester.
c) Propose and complete a written project or creative effort that explores some aspect of
theatre write a short play, interview a working actor, director or designer, or research a
specific historical aspect of theatre - Use your imagination. I do ask that you have me
approve your topic in advance.
The midterm exam will be on Wednesday March 5, 2014 . No class on Friday March 7, 2014.
(Spring Break)
The Final Exam will be on May 9 at 12 noon. . All project and play summary papers will be due
at this time. The exam will be a take home essay format and we will meet to review and reflect
on our semester work.
There will be four quizzes on the required reading assignments The Creative Spirit text,
assigned plays, and topics covered in class.
The musical theatre project will be an individual research project on a specific musical that you
select. You will present a brief 5 minute presentation to the class and also submit a two page
paper summarizing your topic. I will hand out specific details before Spring Break. This is your
chance to share a brief history and show examples of your favorite musical.
The final group collaboration project will be the creation of your own theatrical visual and
production concept for the play, Anna in the Tropics. The completed project will include a one
page description of the concept and a flavor board or power point slide show illustrating
examples of the setting, lighting, properties, costume design and sound design. The team may
also present a scene from the play. This will be a group collaboration and the conceptual
projects will be presented to the class starting on Wednesday April 30, 2014.

Introduction to Theatre THR 150 Wilson

Spring 2014

page 3

Students with Special Needs - Disability Services - http://www.slu.edu/x24491.xml


In recognition that people learn in a variety of ways and that learning is influenced by multiple factors (e.g.,
prior experience, study skills, learning disability), resources to support student success are available on
campus. Students who think they might benefit from these resources can find out more about:

Course-level support (e.g., faculty member, departmental resources, etc.) by asking


your course instructor.

University-level support (e.g., tutoring/writing services, Disability Services) by visiting


the Student Success Center (BSC 331) or by going towww.slu.edu/success.
Students who believe that, due to a disability, they could benefit from academic accommodations are
encouraged to contact Disability Services at 314-977-3484 or to visit the Student Success Center.
Confidentiality will be observed in all inquiries. Course instructors support student accommodation requests
when an approved letter from Disability Services has been received and when students discuss these
accommodations with the instructor after receipt of the approved letter.

Writing Services
I encourage you to take advantage of the writing services in the Student Success Center; getting feedback
benefits writers at all skill levels. Trained writing consultants can help with any kind of writing project,
multimedia project, and/or oral presentation. They offer one-on-one consultations that address everything
from brainstorming and developing ideas to crafting strong sentences and documenting sources. For more
information, call 977-3484 or visit http://www.slu.edu/writingservices.xml.

Academic Honesty:
Students should refer to the following SLU website for more information and the procedures following a
report of academic dishonesty: http://www.slu.edu/x12657.xml
SLU Statement regarding academic honesty:
The University is a community of learning, whose effectiveness requires an environment of mutual trust and
integrity. Academic integrity is violated by any dishonesty such as soliciting, receiving, or providing any
unauthorized assistance in the completion of work submitted toward academic credit. While not all forms of
academic dishonesty can be listed here, examples include copying from another student, copying from a
book or class notes during a closed book exam, submitting materials authored by or revised by another
person as the students own work, copying a passage or text directly from a published source without
appropriately citing or recognizing that source, taking a test or doing an assignment or other academic work
for another student, securing or supplying in advance a copy of an examination or quiz without the
knowledge or consent of the instructor, sharing or receiving the questions from an on-line quiz with another
student, taking an on-line quiz with the help of another student, and colluding with another student or
students to engage in academic dishonesty.

Introduction to Theatre THR 150 Wilson

Spring 2014

page 4

Fine and Performing Arts Classroom Civility Statement


To ensure an optimal learning environment, the student must be an active participant in the educational
endeavor. The behaviors of each student impact not only his/her own learning, but the learning of their
peers and the teaching of the professor. In order to facilitate an optimal learning environment, students will
observe the following:
1. Respect: Treat others with respect in all situations.
2. Diversity: Embrace the diversity of others. Respect differing views shared by students or
instructors, and politely share your own differing/similar opinions.
3. Courtesy: Acknowledge and respect your instructor as the expert. Do not talk during
instructor-led portion of class, unless you raise your hand and are directed by the instructor.
Pay attention to the professors or your classmates presentations by taking notes and keeping
all non-related textbooks and non-class related material off of your desk.
4. Electronic devices: During class, turn off cell phone (no cell phone sending or receiving of
text or voice messages) and utilize computers only for class-related activities when permitted to
turn them on.

Evaluation:
60 points
40 points
50 points
30 points
40 points
50 points
30 points

20%
13%
17 %
10%
13%
17%
10%

University Productions and written essays for each production.


Four reading update quizzes
Midterm exam
Musical Theatre Presentation
Group Collaboration Project
Final Exam
Attendance at outside theatrical production, crew
assignment, or special creative project.

300 points possible


The numbers:
Points
Letter Grade
290-300
A
280-291
A270-279
B+
260-269
B
250-259
B240-249
C+
230-239
C
220-229
C210-219
D
Extra Credit:
Students desiring extra credit may write a paper or propose a project approved in advance by
the instructor. The scope of work will determine points.

Introduction to Theatre THR 150 Wilson

Spring 2014

page 5

Outline of topics and class schedule:

DAY

DATE

TOPICS AND ACTIVITIES

RELATED READINGS/ QUIZZES

Mon

Jan 13

Introductions, Review Syllabus, The


St Louis Theatre Scene, Preview of
OT for Our Town

Website and press research


How Theaters Can Combat the
Stay-at-Home Mindset

Wed

Jan 15

Begin to read Chapter 1 of text


Research St Louis shows

Fri

Jan 17

Mon
Wed

Jan 20
Jan 22

The Impulse to PerformCollaboration of Actor, Audience, and


Space - Ritual to Performance
What is theatre
Comparisons to film, sporting events,
TV/Video, Gaming
Martin Luther King Holiday!
OT for Our Town Video

Fri

Jan 24

OT for Our Town Video


Discussion
Thornton Wilder

Mon

Jan 27

Theatre Spaces and ArchitectureA brief history of performing spaces

Wed

Jan 29

Fri

Jan 31

Mon

Feb 3

Theatre as a mirror of societyThe social functions of theatre


Elizabethan Theatre/ Chinese Opera
The Playwrights VisionA Theatrical Blueprint
The Theatrical Process
Quiz #1 on Chaps 1-3

Wed

Feb 5

Fri

Feb 7

Mon
Wed

Feb 10
Feb 12

Fri

Feb 14

Mon

Feb 17

Wed

Feb 19

Backwards and Forwards


A Method for Text Analysis
Joe Turners Come and Gone
The ActorFrom Mask to Contemporary
Performance
Joe Turner Acting Scenes
Acting for the Camera
Theatre and Film
The DirectorWho is in charge?
KA Video Quiz #2
Chapters 4 and 5 and And the Soul
Shall Dance
Directing Exercises
Discussion of And the Soul Shall
Dance

The St Louis Theatre Scene


Group Discussion
Share show planning
Chapter 1 of text
Our Town synopsis
Chapter 1 of text
In Our Living and Our Dying: Our
Town in the 21st Century
Chapter 1 of text
Read Joe Turners Come and
Gone
Chapter 2 of text
Romeo and Juliet
The Peony Pavilion
Chapter 3 of text
Chap 3 of text
Quiz covering Chapters 1-3, Joe
Turner s Come and Gone
Chap 3 of text
Backwards and Forwards
Chap 4 of text
Begin toRead
And the Soul Shall Dance
Chap 4 of text
Chap 4 of text
Chap 5 of text
Chap 5 of text
Quiz Chaps 4 and 5
And the Soul Shall Dance
Chap 5 of text
Begin Reading Angels in America

Introduction to Theatre THR 150 Wilson


Day
Fri

Date
Feb 21

Spring 2014

Topics and Activities


Theatre tour and SCRIM lighting and
sound demoMiddletown Opens!
Introduction to the Designers
Scenic Design. Costume Design,
Lighting Design, Sound Design

page 6
Related Readings
Chapter 6 and Chap 11

Mon

Feb 24

Chapter 6 of text
Begin Reading Angels in
America

Wed

Feb 26

Scenic Design

Chapter 6 of text

Fri

Feb 28

Costume Design

Chapter 6 of text

Mon

March 3

Midterm review
Midterm status and class evaluation

Chaps 1-6
Two plays
Middletown

Wed

March 5

Midterm Exam

Fri

March 7

Mon

March 17

Wed

March 19

Fri

March 21

Mon

March 24

Wed

March 26

Fri

March 28

Mon

March 31

Wed

April 2

Fri

April 4

Mon

April 7

Spring Break No Class


Get Away Day!
Angels in America
Clips from HBO Series
Tony Kushner
Angels in America
Clips from HBO Series
Tony Kushner
Angels in America
Theatricalism
Quiz #3 Angels in America
Theatricalism
Angels Guest Speaker
Dog Lady Discussion
Scenes
StyleRealism
Expressing a World View
of Realism
The Musical Theatre
The Broadway Theatre History
The Musical Theatre
Broadway History 2
The Musical Theatre
Musical Theatre Presentations

Wed

April 9

The Musical Theatre


Musical Theatre Presentations

Chap 11 of text

Fri

April 11

Musical Theatre Presentations

Chap 11 of text

Chap 10 of text

Chap 10 of text
Begin reading Dog Lady
Chap 10 of text
Angels in America
Chap 9 and 10 of text
Chap 14
Chap 7 of text
Chap 8 of text
Chap 11 of text
PBS Series Musical Theatre
. Chap 11 of text
Chap 11 of text
Read Anna in the Tropics

Introduction to Theatre THR 150 Wilson

Spring 2014

Day
Mon

Date
April 14

Topics and Activities


The Design Process and the
collaboration project.
Quiz #4 Anna in the Tropics
Anna in the Tropics Project
Organization

Wed

April 16

Wed

April 23

Medea and Greek Tragedy


Jason and The Argonauts

Fri

April 25

Mon

April 28

Anna in the Tropics Work Day


Medea Opens!
Anna in the Tropics Work Day

Wed

April 30

Fri

May 2

Mon

May 5

Fri

May 9

page 7
Related Readings
Chap 6 and Chapter 15

Chap 6 and Chapter 15

Medea Background
Chapter 13
Writing About Theatre
Medea Background
Chap 6 and 7

Anna in the Tropics Project and


Scene Presentations
Anna in the Tropics Project and
Scene Presentations
Final Class and Review

Chap 15
Chap 15
Chap 15

Final Exam
12 noon

Saint Louis University Spring 2014 Productions:


MIDDLETOWN
by Will Eno - February 21, 22 and 28, March 1 All 8PM
March 2 - 2PM
Mary Swanson just moved to Middletown. About to have her first child, she is eager to enjoy the
neighborly bonds a small town promises. But life in Middletown is complicated: neighbors are near
strangers and moments of connection are fleeting. Middletown is a playful, poignant portrait of a town
with two lives, one ordinary and visible, the other epic and mysterious. A tart play which captures life's
absurd beauty via a steady stream of gorgeous little comments on big things.
MEDEA
by Euripides, adapted by Robinson Jeffers - April 25, 26 and May 2, 3 All 8PM
May 4 - 2PM
Medea is indeed a kind of thrill ride, propelling us along, careening on the edge of precipices from which
we get fearful glimpses of the darkness of human nature. Haunting Western theater for centuries, the
Medea myth presents one of the strongest characters ever to appear on stage. This adaptation of
Euripides' Greek classic by Robinson Jeffers reaffirms his preeminent place among modern poets. A
seminal drama of love, betrayal, and revenge.

Introduction to Theatre THR 150 Wilson

Syllabus Spring 2014

A Sampling of Local Theatre Links:


Link to the weekly theatre listing from KDHX Community Radio:
http://www.waxwingwebs.com/stageleft/html/calendar.htm
St Louis Theatre
A general listing of all St Louis Theatre Links
http://www.newlinetheatre.com/stlouissites.html
Sample Company Links
The Black Rep
http://theblackrep.org/
New Line Theatre
http://www.newlinetheatre.com/
St Louis Actors Studio
http://stlas.org/
Peabody Opera House
http://www.peabodyoperahouse.com/
Stray Dog Theatre
http://www.straydogtheatre.org/
The Fabulous Fox
http://www.fabulousfox.com/upcoming_shows.aspx
The New Jewish Theatre
http://www.newjewishtheatre.org/
The Edison Theatre Ovation Series at Washington University
http://edison.wustl.edu/tickets/index.html
HotCity Theatre
https://hotcitytheatre.org/
Mustard Seed Theatre
http://mustardseedtheatre.com/
The Repertory Theatre of St Louis
http://www.repstl.org/
Upstream Theatre
http://www.upstreamtheater.org/main.asp

page 8

Introduction to Theatre THR 150 Wilson

Syllabus Spring 2014

page 9

Assignments for week one and two:


1. Explore the links to local theatre websites and select a play or plays you would like to
attend this semester. We will discuss the local theatre offerings on Friday. You can
also look at other college shows and new companies I may have missed. Prepare
your response in a short one page list. What shows appeal to you? Ticket prices?
Student discounts? Schedule? Links to video and image examples.
Due by class on Friday Jan 17, 2014

2. Research a local professional company and try to find the following information:

a.
b.
c.
d.
e.
f.
g.
h.

Leadership (Artistic Director, Managing Director, Board, other staff)


Mission Statement
Type of company - for profit, not-for-profit
Annual budget
Performance venue
Current Season
Typical Ticket Price Range
Target market
Due Friday Jan 25, 2014

3. Purchase or find the textbook and read Chapters 1 and 2. Start reading the first play
reading assignment Joe Turners Come and Gone by August Wilson. Read the play
the first time for enjoyment- imagine you are attending the play or seeing the movie.
Please have the play read by Mon Feb 3, 2014
(We will have short quiz on the play that day)

Potrebbero piacerti anche