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2:
PROFUSION, ABUNDANCE
4:
the part of a message that can be eliminated without loss of essential information
Chekhov's gun
Chekhov's gun is a dramatic principle that requires every element in a narrative be necessary
and irreplaceable, and that everything else be removed
Remove everything that has no relevance to the story. If you say in the first chapter that there is a
rifle hanging on the wall, in the second or third chapter it absolutely must go of. If it's not going to
be fired, it shouldn't be hanging there.
Anton Chekhov
Organization
Organizationare the sections, or paragraphs, of the text set out logically?
Cohesion Does the last sentence of one paragraph connect to the topic of the next paragraph or do
the topics chop and change without warning? Do sentences within paragraphs connect?
Linking phrases, connectors and conjunctions to keep their message consistent, or are the
sentences independent of one another without a hint of relevance?
Formatif a text of this type has an accepted visual appearance, does the submitted work reflect this?
Is the chosen font/handwriting suitable or is it nearly illegible?
Paragraphs? Internal structure?
Punctuation: has the author used punctuation marks efectively, or have they written a 200-word essay
in the style of Gabriel Garcia Marquz?
Grammar
Rangeis the text written using a limited variety of structures or does the writer exploit
diferent tenses and aspects to add shades of meaning?
Lexis
Rangeare words or phrases repeated throughout the discourse, lexical variety
New vocabulary? Lexical chains?