Escalas de Acorde

Ttrades no Tom Maior

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I7M
Jnio
(C7M)
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1 T9 3 P4 5
6
7
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IIm7 - Drico (Dm7)
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1 T9 b3 T11 5 P6 b7
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IIIm7 - Frgio (Em7)
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1
Pb2
b3
T11
5
Pb6
b7
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IV7M - Ldio (F7M)
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1 T9 3
P4 5 6
7
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___________________________________________
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V7 - Mixoldio (G7)
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1 T9 3
P4 5 T13 b7
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VIm7 - Elio (Am7)
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1
T9
b3
T11
5
Pb6
b7
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VII - Lcrio (B )
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1 Pb2 b3 T11 b5 Tb13 b7
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* Na escala Drica (IIm7), o VI grau da escala (si) e uma nota de passagem apesar de estar dentro da regra para uma nota de tenso (distncia
de um tom de uma nota fundamental do acorde), pois se adicionar essa nota ao acorde de IIm7 ele perde sua caracteristica sonora de
subdominante, ficando muito semelhante ao acorde dominante (V7-Mixoldio) do mesmo tom.

Escalas de Acordes
Ttrades no Tom Menor

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HARMNICO
NATURAL
MELDICO
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Im7 - Elio - Am7
Im7M - Menor Meldica - Am7M |
Im7M - Elio - Am7M
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| 1 T9 b3 T11 5 6 7
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| 1 T9 b3 T11 5 Pb6 7
1
T9
b3
T11
5
Pb6
b7
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| XXXXXXXXXXXXXXXXXXXXXXXXXXXX |
X
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|X

II - Lcrio - B
IIm7 - Frgia 6 ou Drica b2 - Bm7 |
II - Lcrio 6 - B
X
X
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|X
X|
X|
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|X
X
X
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|X
X
1 Pb2 b3 T11 b5 P6 b7 X | 1 Pb2 b3 T11 5 P6 b7 |
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1 Pb2 b3 T11 b5 Tb13 b7 | XXXXXXXXXXXXXXXXXXXXXXXXXXXXX
__________________________________________________________________________________________
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| bIII7M(#5) - Jnio #5 - C7M(#5) | bIII7M(#5) - Ldia #5 - C7M(#5) |
bIII7M - Jnio - C7M
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| 1 T9 3 P4 #5 P6 7
1 T9 3 T#11 #5 P6 7 |
1 T9 3 P4 5 6 7
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| XXXXXXXXXXXXXXXXXXXXXXXXXXXXX
IVm7 - Drico - Dm7
IVm7 - Drico #11 - Dm7 XX
IV7 - Mixoldio #11 - D7
X
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X
X
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|X
X
X
X
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X
X
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1
T9
b3
T#11
5
T13
b7
X
X
1 T9 3 T#11 5 T13 b7 |
1 T9 b3 T11 5 T13 b7
XXXXXXXXXXXXXXXXXXXXXXXXXXXX
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V7 - Mixoldio b9 b13 - E7
Vm7 - Frgia - Em7
V7 - Mixoldio b13 - E7
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1 Pb2 b3 T11 5 Pb6 b7 | 1 Tb9 3 P4 5 Tb13 b7 | 1 T9 3 P4 5 Tb13 b7 |
|__________________________________________________________________________________________
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XXXXXXXXXXXXXXXXXXXXXXXXXXXX
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|X
X
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bVI7M - Ldia - F7M
|X
bVI7M - Ldia #9 - F7M X |
VI - Lcria 9 - F#
X |
X
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|X
X
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|X
X |
X |
X
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1 T9 3 T#11 5 6 7 X 1 T#9 3 T#11 5 6 7 X 1 T9 b3 T11 b5 Tb13 b7 |
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| XXXXXXXXXXXXXXXXXXXXXXXXXXXX |
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o
o
bVII7 - Mixoldio - G7
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| VII - Diminuta do VII Grau - G# |
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1 T9 3 P4 5 T13 b7 | 1 Pb2 b3 Pb4 b5 Tb13 bb7 |
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xxxxxx
x
x
xxxxxx

- Escalas Ignoradas

As notas que completam os arpejos das escalas dos dominantes secundrios: B7, C7, D7 e E7, so as
mesmas tanto no tom principal quanto no secundrio.

Escalas de Acordes

Acordes de Emprstimo Modal

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Im7 | II | bIII7M IVm7
Vm7 bVI7M bVII7
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Im7M/Im6 bII7M
IVm6
bVII 74
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IV7
bVII7M
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Im7M - Cm7M (6)
Im7 - Cm7
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Menor Meldica
Drica
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1
T9
b3 T11
5
T13 b7
1
T9 b3
T11 5
6
7
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II - D
bII7M - Db7M
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Lcria 9
Ldia
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1
T9
b3
T11 b5 Tb13 b7
1
T9
3
T#11 5
6
7
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bIII7M - Eb7M
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Ldia
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1
T9
3
T#11 5
6
7
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IVm6 - Fm7M (6)
IV7 - F7
IVm7 - Fm7
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Menor Meldica
Mixoldio #11
Drica
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1 T9 b3 T11 5 T13 b7
1 T9 3 T#11 5 T13 b7
1 T9 b3 T11 5 6 7
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Vm7 - Gm7
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Drica
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1
T9
b3
T11
5
T13 b7
|______________________________________________ |
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bVI7M - Ab7M
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Ldia
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1
T9
3 T#11
5
6
7
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__________________________________________________________________________________________
7
7
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bVII
Bb
bVII7M
- Bb7M
bVII7 - Bb7
4
4
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Mixoldio (suspensa)
Ldia
Mixoldio #11
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1 T9 3 T#11 5 6 7 |
1 T9 3 T#11 5 T13 b7
1 T9 P3 4 5 T13 b7
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