2012 Adelaide Festival Booking Guide

WE L C OM E
F or the past
5 0 y ears , the
A d elai d e F esti val
has shone
as the b iennial
j e w el in the
c ro w n of S outh
A ustralia s
artisti c an d
c ultural
c alen d ar .
As well as the maestro, award-winning

actor Jonathan Pryce brings his acclaimed
talents to Harold Pinters renowned play,
The Caretaker, and Frances legendary film
actress Isabelle Huppert sheds new light
on a Tennessee Williams classic.
As well as offering the best in
contemporary art from around the
world, the Adelaide Festival provides
a high-profile, global platform for our
local artists. Its commitment to innovation
and inspiration also remains, and includes
Australias most-loved literature event,
Adelaide Writers Week,
the formidable Adelaide
International exhibition,
and a revitalised party
precinct that serves as the
Festivals celebratory heart.
Now, from 2012, the Festival

brings the very best in theatre,
dance, opera, literature, music,
film and the visual arts to Adelaide every
year, further enhancing our city as a place
of pilgrimage for arts lovers the world over.
These significant attractions

are but the beginning of a
wide-ranging, world-class
program, and they continue
the Adelaide Festivals
reputation for bringing the planets
foremost artists and productions
to our doorstep.
Among our Festivals enduring, defining

characteristics are the special events within
its extensive program that remain exclusive
to Adelaide, and three internationallyacclaimed artists make their debut
Australian appearances here in 2012.
In a fitting send-off to outgoing

Artistic Director Paul Grabowsky,
2012 Adelaide Festival promises to
be the most absorbing, most diverse
and most inspiring Festival yet. I look
forward to seeing you there.
Famed Italian film composer Ennio

Morricone comes to Australia for the first
time to share his music from legendary film
scores including The Good, the Bad and the
Ugly, The Mission and Cinema Paradiso.
MIKE R ANN
PREMIER OF SOUTH AUSTR ALIA
Minister for the Ar ts
WE L C OM E
Welcome to
the 2 0 1 2 A d elai d e
F esti val , a
watershe d in
the illustrious
history of our
c it y an d its
commitment
to the arts .
This year marks the
establishment of the Festivals
new identity as an annual
event. To celebrate this we
have assembled a wonderful
array of significant artists and
productions from around the
world, representing our view of art as
a pluralistic reflection of a world in
the throes of massive change, while still
grappling with the fundamental questions
always posed on our human journey.
Questions of faith are posed in
Mass by Leonard Bernstein, of the way
we communicate to each other in Pinters
The Caretaker, of the nature of beauty
in Gardenia and the beauty of language
itself in Bloodland. Be enthralled by the
ability of Ennio Morricone to map
our emotions with his glorious
film scores, be moved by the

humanity and comic genius of James
Thirre, and be surprised and delighted
by the extraordinary sights and sounds
of Barrio, our late night party precinct.
Encounter the familiar as the unfamiliar
in I Am Not An Animal, and be transported
by the sheer beauty of the Hilliard
Ensemble. Writers Week brings an exciting
array of brilliant minds spanning literature
for all ages and persuasions.
Our visual arts program
challenges and shifts us out
of our comfort zones, makes
us consider new options,
amuses, bemuses, subsumes
and exhilarates.
Art is our way of putting
form to the inchoate and
abstracting the real; it is
transformative, alchemical,
mysterious and obscure. It reflects above
all our collective will to unpack the
profound mystery of our lives, to bear
witness to existence and confront our
demons while celebrating our angels.
There is much here to discover, and
I look forward to sharing these many
treasures with you.
PA U L G R A B O W S K Y
ARTISTIC DIR EC TOR
201 2 Adela ide Festi va l
CONTENTS
T H E AT R E
A STR EE T CA R : based on a streetcar

n am ed d esire by te nn esee willi ams P A G E 6 R AOUL : jam es
thi r re P A G E 8 THE CA R E TA K ER : live rpool e ve r ym an
P A G E 1 0 H A R D T O BE A G OD: kor n l mun dr u cz P A G E 2 0
BLOODL A ND: sydn e y th eatre company P A G E 2 2 I A M NO T
A N A NI M A L : th e bord e r projec t P A G E 3 0 SCHOOL DA NCE:
win dmill th eatre P A G E 3 2 THE H A M FUNER A L : state th eatre
company of south australi a P A G E 3 5 INSTRUC TIONS
F OR A N I M AGINA RY M A N: var i ous peopl e P A G E 4 0
ENNIO MOR R ICONE L IVE P A G E 1 4 M ASS:
by l eon ard ber nste in P A G E 1 6 FR EIBURG BA ROQUE
ORCHESTR A P A G E 2 4 THE HIL L I A R D ENSE M BL E &
THE AUSTR A L I A N CH A M BER ORCHESTR A P A G E 2 6
THE HIL L I A R D SONGBOOK P A G E 2 6 M IL ES DAVIS: pr in ce
of d arkn ess P A G E 3 3 J. S . BACH : st john passi on P A G E 3 6 THE
GA L IL EO PROJEC T: musi c of th e sph e res P A G E 3 7 T OWA R DS
L IGHT: australi an str ing qu ar tet P A G E 3 8 THE FESTIVA L
@ LUNCH: el d e r h all P A G E 3 9 WOM A DEL A IDE P A G E 6 4
WATER STA INS ON THE WA L L : cl ou d gate
d an ce th eatre P A G E 1 2 GA R DENI A : les ballets c de la b PAG E 1 8
NEVER DID M E A NY H A R M : force m aje ure & sydn e y
th eatre company P A G E 2 8 PROX I M ITY: australi an d an ce th eatre
P A G E 3 4 M A L M: torqu e sh ow P A G E 4 1
MUSIC
DANCE
CONTENTS
festi val c lu b
BA R R IO P A G E 4 2 DR E A M ER S P A G E 4 4
EDDIE PA L M IER I S L ATIN JA Z Z SE XTE T P A G E 4 4
CH A R L ES BR A DL EY P A G E 4 5 GENESIS BR EYER
P- OR R IDGE & P SYCHIC TV P A G E 4 5 A R IEL PINK S
H AUNTED GR A FFITI P A G E 4 6 ROKY ER ICK SON P A G E 4 7
CHIR I FE ATUR ING BA E IL DONG & SENYAWA PAG E 47
HER M E T O PA SCOA L & GRUP O P A G E 4 8 M ICH A EL
RO THER P A G E 4 8 JA NE BIR K IN SINGS SERGE
A FISTFUL OF MUSIC:
GA INSBOURG P A G E 4 9
enni o m or r i con e f ilm retrospec tive P A G E 5 5 FIR ST FAC TUA L
FIL MS FESTIVA L P A G E 6 6
P A G E 5 0 DR WHO & THE DA L EK S P A G E 5 4
R ESTL ESS: a d el ai d e inte r n ati on al 201 2
P A G E 5 6 PA R A L L EL COL L ISIONS: 201 2 bi enni al
of australi an ar t P A G E 5 8 DE A DLY: in-bet wee n h eave n an d h ell
P A G E 6 0 INT O COSMOS: ar tists week P A G E 6 2
FILM
WEEK
V I S U A L A RT S
A D E L A I D E W R I T E R S
INFO
BOOK INGS P A G E 6 8 ACCESS P A G E 6 9

CA L ENDA R P A G E 7 0 BOOK ING F OR M P A G E 7 2 M A P
STA FF & SUPP ORTER S P A G E 7 4
F ollo w the festi val online

turn to
PAGE 69
for details
PAGE 7 3
06
theatre
A S treetc ar
Base d on ' A S treet c ar N ame d Desire ' b y T ennessee Williams

o d on T h tre d e L europe
Dire c te d b y K r z y s z tof Warliko w ski
S tarring I sa b elle H uppert
Australian Premiere / E xclusi ve to Adelaide
FR A NCE
07
theatre
S tage d w ith gusto b y Warliko w ski , A S treet c ar . . .

takes I sa b elle H uppert on a hea d - spinning
j ourne y to hell an d b e y on d .
|
Libration |
There was theatre before Krzysztof Warlikowski and then

there is theatre after Krzysztof Warlikowski.
Europes great avant-garde director, Warlikowski, and one of Canadas
finest theatre-makers, Wajdi Mouawad, put a controversial 21st century spin on
Tennessee Williams' much-loved American masterpiece. The result: a production
that divided Paris. At the centre of the maelstrom is Frances most enduring
and respected film actress, Isabelle Huppert, who takes to the stage for the
famous Odon - Thtre de L Europe in a brave and haunting performance.
This is Streetcar like youve never seen before and unlikely to see again.
Find out what all the fuss is about.
direc ted and adapted by Kr z ysz tof War likowski

t r a n s l a t i o n W a j d i M o u awa d / a d a p t e d i n c o l l a b o r a t i o n w i t h P i o t r G r u s z c z y w s k i
c a s t I s a b e l l e H u ppe r t A n d r z e j Ch y r a F l o r e n c e Th o ma s s i n
Ya n n C o l l e t t e Re n a t e Je t t C r i s t i n S o t o
Wh e r e
Fe s t i v a l Thea t r e , A d e l a i d e Fe s t i v a l Ce n t r e
Wh e n
W e d 1 4 M a r Sa t 1 7 M a r 8 pm
S u n 1 8 M a r 2 pm
D u r ati o n
1 5 5 m i n u t e s (n o i n t e r v a l)
T ic k e ts
P r em i u m $ 1 2 9, F r i e n d s $ 1 0 9
A Re s e r v e $ 1 0 9, F r i e n d s $ 9 4
B Re s e r v e $ 8 9, F r i e n d s $ 7 6 , c o n c e s s i o n $ 6 9
C Re s e r v e $ 6 9, F r i e n d s $ 5 9, c o n c e s s i o n $ 5 0
F r i n ge Be n e f i t s $ 3 0
B o o k ings
a d e l a i d e f e s t i v a l . c o m . a u o r B A SS 1 3 1 2 4 6
pe r f o r me d i n f r e n c h w i t h e n g l i s h s u r t i t l e s
c o n t a i n s Sm o k i n g o n s t age a n d s m o ke e f f e c t s
75
P r o d u c t i o n : O d o n -T h t r e d e l E u r o p e ,
N o w y Te a t r, G r a n d T h t r e d e L u x e m b o u r g ,
L a Comd ie de G enve Cent re Dra mat iq ue,
Kon in k lijke Schouwburg - Den Ha a g ,
Ho l l a n d Fe s t i v a l , s p i e l z e i t 'e u r o p a I B e r l i n e r Fe s t s p i e l e ,
M C 2 : G r e n o b l e , He l l e n i c Fe s t i v a l
P h o t o: Ya n n C o l l e t t e a n d Is a b e l l e Hu p p e r t b y Pa s c a l Vi c t o r
08
TH E ATR E
T he mi x ture of a b sur d ist

pla y fulness w oul d ha v e L e w is
Carroll on his feet
| The Guardian |
Umbrellas become jellyfish, clothes take on a mind of their
own, ghost-like elephants wander and candles wont snuff
in James Thirres world of endless invention.
One of Europes most versatile artists, the acrobat, clown, poet
and magician uses his impish talent and extraordinary physical
prowess to transform everyday objects into magical dream-like
spectacles that captivate, charm and inspire.
In this mesmerising new large-scale solo show, Thirre is
Raoul, a man without beginning or end, who tumbles through
a series of utopian fantasies where acrobatics, mysterious
transformations, music and dance collide a world which
is at once recognisable and yet utterly alien.
d e s i g n e d , d i r e c t e d a n d p e r f o r m e d Jame s Th i r r e
Wh e r e
F E STIV A L T H E A TR E , A D E L A ID E F E STIV A L C E NTR E

Wh e n
Th u 1 M a r F r i 2 M a r 8 pm
Sa t 3 M a r , m o n 5 ma r T u e 6 M a r 7 pm
D u r ati o n
75 m i n u t e s (n o i n t e r v a l)
T ic k e ts
P r e m i u m $ 9 9, F r i e n d s
A R e s e r v e $ 8 9, F r i e n d s $ 7 6 , c o n c e s s i o n
B R e s e r v e $ 7 9, F r i e n d s $ 6 7, c o n c e s s i o n
Fringe Benefits
$84
$70
$60
$30
B o o k ings
c o n t a i n s s m o ke e f f e c t s
s u i t a b l e f o r age s 1 0 +
50
A co-produc t ion w it h L a Cou rsi ve Scne

Nat iona le de L a Rochelle, Th t re Roya l de
N a m u r, L a C o m d i e d e C l e r m o n t- Fe r r a n d ,
T h t r e d e l a Vi l l e P a r i s , b a r b i c a n b i t e 0 9
(B a r bic a n T h e a t r e , L on d on) a n d Cr y i n g O ut
L oud, A bbey The at re Du blin, Ma ison de la
D a n s e Ly o n , T h t r e N a t i o n a l d e To u l o u s e
L a Compa g n ie du Ha n neton is suppor ted
b y Fo n d a t i o n BNP P a r i b a s
P h o t o: Ja m e s T hi r r e b y R i c h a rd Hau g h t o n /
C hr i st o ph e C a l ai s
R AOUL
James T hi rr e
L a Compagnie d u H anneton
Australian Premiere Season
FR A NCE
T H E C A R E TA K E R
B y H arol d P inter / S tarring Jonathan P r y c e
A LIVERPOOL EVERYMAN PRODUC TION
U nited K ingdom
11
theatre
P R YC E G I V E S A F I R S T - R A T E P E R F O R M A N C E .
| The Guardian |
Its about two brothers and a caretaker, Harold Pinter said simply of his early masterwork
The Caretaker. More than 50 years since the plays debut, West End powerhouse Jonathan Pryce
is the definitive Caretaker in a near flawless production endorsed by the late Pinter.
After captivating London with rave reviews and sell-out performances, Pryce makes
his Australian debut in a production remounted exclusively for Adelaide Festival before
its San Francisco and New York tour. Dont miss legendary film and stage actor Pryce in
one of the 20th centurys most important and compelling plays.
d i r e c t o r C H RISTO P H E R M OR A H A N
s t a r r i n g j ON A T H A N P RYC E
presented by Adelaide Festival and Adelaide Festival Centre
Wh e r e
H e r M a j e s t y s Thea t r e , G r o t e S t r ee t
Wh e n
P R E VI E W S
Th u 8 M a r F r i 9 M a r 8 pm
Sea s o n
Sa t 1 0 M a r , W e d 1 4 M a r Sa t 1 7 M a r , W e d 2 1 M a r F r i 2 3 M a r 8 pm
S u n 1 1 M a r & s u n 1 8 M a r 3 pm
T u e 1 3 M a r & T u e 2 0 M a r 6 . 3 0 pm
i n c o n v e r s at i o n
p o s t s h o w o n s t age s u n 1 1 ma r
D u r ati o n
165 m i n u t e s (i n clu d i n g i n t e r v a l)
T ic k e ts
P R E VI E W S
P r em i u m $ 9 9
A reserve $75
B reserve $60
Sea s o n
P r em i u m $ 1 1 9, F r i e n d s $ 1 0 1
A r e s e r v e $ 9 9, F r i e n d s $ 8 5
B reserve $85, Friends $72, concession $60
B o o k ings
c o n t a i n s Sm o k i n g o n s t age
side
access
s u n 1 1 ma r 3 pm
O n s a l e s i n c e Ju l y 2 01 1
Se a son ex tended due to popula r dema nd
c o - p r e s e nting P A R T N ER
12
dance
When y ou re talking a b out Clou d G ate ,

magi c is not too strong a w or d .
| Time Out |
A giant sheet of traditional calligraphers rice paper is unfurled,
brushes are drawn and ink is uncapped. With a control and
articulation verging on the superhuman, Cloud Gate Dance
Theatres performers bring the beauty of calligraphy to life.
One of the finest dance companies in the world,
Cloud Gate Dance Theatre of Taiwan rises to the challenge
set by lauded choreographer Lin Hwai-min, dancing on a rice
paper inspired platform tilted at eight degrees.
Dancers seem to hover as they jump and spin with
movement reflecting the virtuosity of chi kung, internal
martial arts, contemporary dance and meditation. Inspired,
Lin and dancers create an abstract work of beauty and
magic that stands sublimely on its own.
c o n c e p t , c h o r e o g r a p h y a n d s e t L i n H wa i - m i n
m u s i c To s h i o H o s o kawa
l i g h t i n g d e s i g n L u l u W. L . Lee / c o s t u m e d e s i g n L i n Ch i n g -j u
p r o j e c t i o n d e s i g n E t ha n Wa n g
Wh e r e
D u n s t a n P l a y h o u s E , A d e l a i d e Fe s t i v a l Ce n t r e
Wh e n
we d 1 4 M a r S A T 1 7 M a r 8 . 3 0 P M
D u r ati o n
T ic k e ts
A d u l t $ 8 9, F r i e n d s $ 7 6 , c o n c e s s i o n $ 6 5
f e stival f r i e nds dinn e r
t h u 1 5 ma r 6 . 3 0 pm , t w o c o u r s e d i n n e r $ 3 5
b a n q u e t r o o m , b o o k at b a s s
B o o k ings
50
p r e s e nting pa r tn e r
Th is tour is made possible by g ra nt s

f rom t he Cou ncil for Cu lt u ra l A f fa ir s,
Ta i w a n ; a n d t h e M i n i s t r y o f Fo r e i g n
A f f a i r s , R e p u b l i c o f C h i n a ( Ta i w a n) .
Wate r Stain s on th e Wall is a c o -pro duc t ion
by Nat ion a l Ch ia ng K a i-Shek Cu lt u ra l
C e n t e r, Ta i w a n , R .O.C . , E s p l a n a d e
T h e a t r e s o n t h e B a y, S i n g a p o r e a n d
M o v i m e n t o s Fe s t w o c h e n d e r A u t o s t a d t
i n Wo l f s b u r g , G e r m a n y.
P h o t o: L i u C h e n - Hs i a n g
13
DA NCE
Water S tains on the Wall

Clou d G ate Dan c e T heatre of tai w an
republic of C hin A ( T aiwan )
14
MUSIC
E N N I O M O R R I CO N E L I V E
ADEL AIDE SYMPHONY ORCHESTR A
ADEL AIDE FESTIVAL CHORUS
Australian Premiere
I taly
15
MUSIC
THE MOZART OF FILM MUSIC

| The Guardian |
Coyotes howl, whips crack and desperate men whistle long and low. The greatest of all film
composers, Ennio Morricones sound is unmistakable - and his live performances are unmissable.
In a once in a lifetime event and an Australian premiere, Morricone steps away from the screen
and into Adelaides Elder Park to lead the Adelaide Symphony Orchestra, six Italian soloists
and a massed choir through his iconic film scores.
Take a journey with this multi-award winning maestro from The Good, the Bad and the Ugly
to The Mission, Cinema Paradiso and beyond.
conductor Ennio Morricone

A d e l a i d e S y mph o n y O r c he s t r a
A d e l a i d e Fe s t i v a l Ch o r u S / c h o r u s d i r e c t o r c a r l c r o s s i n
i n t e r n a t i o n a l t o u r i n g a r t i s t s Na n n i C i v i t e n ga
L u d o v i c o F u l c i Lea n d r o P i c c i o n i V i n c e n z o Re s t u c c i a
S u s a n n a R i ga c c i R o c c o Z i f a r e l l i
presented in association with the Adelaide Symphony Orchestra and Discord Ltd
Wh e r e
El d er Pa r k , K i n g W i l l i am Roa d
Wh e n
f r i 2 M a r 7. 3 0 pm
gat e s o pen 6 pm
D u r ati o n
Ennio Morricone
F i l m r e t r o s pe c t i v e

Se e En n io Mor r icone
in conver s at ion
w i t h Dav id St rat ton .
Details page 55.
app rox 1 2 0 m i n u t e s (i n c l u d i n g i n t e r v a l)
T ic k e ts
P r em i u m (s eat ed) $1 49, F r i en d s $1 2 7

A Re s erv e (s eat ed) $1 0 9, F r i en d s $9 4
B Re s erv e (s eat ed) $ 79, F r i en d s $ 6 7, Co n c e s s i o n $ 59
gener al admission ar ea $50 (r ear of venue, unseated, BYo low seating or picnic rug)
p r e- o r d er g o u r me t p i c n i c hamper fo r t wo $ 6 5
n o byo at t h i s e v en t
B o o k ings
a d el a i d ef e s t i va l .co m . a u o r B A SS 1 3 1 24 6
P RE S E N T I N G P A R T N ER
S p e c i a l t h a n k s t o t h e E m b a s s y o f It a l y
16
MUSIC
T his w ill b e our repl y to v iolen c e : to make

musi c more intensel y , more b eautifull y ,
more d e v ote d l y than e v er b efore .
| Leonard Bernstein |
Theres big and then theres Bernstein. From West Side Story to Candide, celebrated
classical composer Leonard Bernstein knew how to make a big song and dance.
Bernstein regarded Mass, a kaleidoscopic mix of music, dance and theatre featuring
a symphony orchestra, a rock band, a choir and opera singers, as his defining
achievement. Commissioned for the opening of the Kennedy Center in 1971,
Mass features a small village of performers and a supremely charismatic lead in
the Celebrant, performed by the great US gospel singer Jubilant Sykes.
The spectacle of Mass is underpinned by a profound statement of human faith
that is explosive, cathartic and ultimately uplifting.
c o n d u c t o r K r i s tj a n J r v i / d i r e c t o r A n d y P a c ke r
c h o r u s d i r e c t o r Ca r l C r o s s i n / s c e n i c d e s i g n e r G e o f f C o b ham
lig hting desig ner Mark Pennington
f e a t u r i n g J u b i l a n t S y ke s A d e l a i d e S y mph o n y O r c he s t r a
A b s o l u t e T r i o A d e l a i d e Fe s t i v a l Ch o r u s a n d Ch i l d r e n s Ch o i r
j ame s egg l e s t o n e l i b b y o ' d o n o v a n ga r y r o w l e y J E NNIF E R TRIJO
presented by Adelaide Festival and State Opera of South Australia
in association with Adelaide Symphony Orchestra
Wh e r e
Fe s t i v a l Thea t r e , A d e l a i d e Fe s t i v a l Ce n t r e
Wh e n
F r i 9 M a r Sa t 1 0 M a r 8 pm
A RTIST TA L K
f e s t i v a l t hea t r e d r e s s c i r c l e f o y e r
p r e - s h o w s a t 1 0 ma r 7 pm
D u r ati o n
T ic k e ts
P r e m i u m $ 1 3 9, F r i e n d s $ 1 1 8
A Reserve $118, Friends $99
B R e s e r v e $ 9 9, F r i e n d s $ 8 4 , c o n c e s s i o n $ 6 9
Fringe Benefits $30
B o o k ings
50
B ro a d c a s t b y A B C C l a s s i c FM
P h o t o: Ju b i l a n t Sy k e s b y D a v e Hof f m a n /
B a l t i m o re Sy m p h o ny O rc h e s t ra
M ass
B y L eonar d Bernstein
U nited S tates / A ustralia
G ar d enia
les b allets C d e la B
B elgium
19
D ance
I w oul d shout m y thanks at the top of m y

lungs if it w asn t for the lump in m y throat .
| T l r a m a |
In an intimate portrait of identity and self-revelation, six ordinary men take to the stage.
Each man has his own story: sometimes funny, sometimes overwhelming, always poignant.
As they navigate the hinterland between masculine and feminine, truth and artifice, past
and present, their personal dramas are played out in a bold, yet deeply tender mix of dance,
song, theatre and cabaret to the music of Aznavour, Dalida and Ravel.
A revelatory new work from the lauded company that brought Adelaide the much-loved
shows La Tristeza Complice and Iets op Bach, Gardenia is not a work of fiction. The joy
the performers have in living their dreams is palpable - falsies, fake eyelashes, glitter,
gloss and all - plunging the audience with heart-rending generosity into
a moving moment of humanity.
d i r e c t o r s A l a i n P l a t e l F r a n k Va n Lae c ke
based on a concept by Vanessa Van Dur me / music Steven Pr engel s
crea ted and per formed by Vanessa Van Dur me Griet Debacker
T i m u r M ag o me d ga d z h i e v ( r ep l a c e d b y H e n d r i k Le b o n ) A n d r ea De Lae t
R i c ha r d T o o t s i e D i e r i c k Da n i l o P o v o l o G e r r i t Be c ke r
D i r k Va n Vae r e n b e r gh R u d y S u w y n s
production les ballets C de l a B / touring fr ans brood productions
Wh e r e
D u n s t a n P l a y h o u s e , A d e l a i d e Fe s t i v a l Ce n t r e
Wh e n
F r i 2 M a r , s u n 4 M A R & M o n 5 M a r 7. 3 0 P M
Sa t 3 M a r 9 p M
a r tist tal k
p o s t s h o w o n s t age s u n 4 ma r
D u r ati o n
T ic k e ts
A d u lt $ 7 9, F r i e n d s $ 6 7, c o n c e s s i o n $ 6 0
B o o k ings
c o n t a i n s S M O K IN G ON ST A G E
50
P h o t o: L u k Mo n s a e r t
20
theatre
Breathtaking E ast - E uropean

har d c ore - realit y theatre .
| Der Standard, Germany |
Two trucks stand stationary at the side of a road.
Goods are being exchanged: a small group of young women
destined for a sickening, hellish end. Hungarian director Kornl
Mundrucz fashions human trafficking, pornography
and sects into gruelling, extreme theatre. This explosive piece
lurches between deep depravity and disturbing tenderness,
challenging audiences to judge for themselves what is right
and what is wrong in a small, psychotic world.
d i r e c t o r KORN L MUN D RUC Z

d r a m a t u r g V IKT RIA P ETR N Y I VA Z A B E ZSINSZ K IJ
s e t a n d c o s t u m e d e s i g n M RTON G H
m u s i c J NOS S Z EMEN Y EI
p r o d u c t i o n m a n a g e r/a s s i s t a n t d i r e c t o r D RA B KI
c a s t GERGELY B NKI JNOS D E RZSI L S Z L KATONA ,
DIN A M AG DOLN A K ISS A NN A M RI A LN G ZSOLT N AG Y
JNOS SZ E M E NY EI S Z ABOLCS T H UR C Z Y
ORSI TT H K ATA W B E R
Wh e r e
OLD CLI P S A L SIT E , M E E T A T CORN E R

OF FIFT H A ND G IBSON STR E E TS , BO W D E N
Wh e n
Th u 8 M a r S u n 1 1 M a r 9 P M
T u e 1 3 M a r W e d 1 4 M a r 9 pm
D u r ati o n
T ic k e ts
A d u l t $ 6 9, F r i e n d s $ 6 0 , C o n c e s s i o n $ 5 5
B o o k ings
Se n s i t i v e ma t e r i a l N o t s u i t a b l e
f o r v i ewe r s u n d e r 1 8
I n H u n ga r i a n w i t h E n g l i s h s u R t i t l e s
75
P h o t o: M r t o n g h
H ar d to b e a G o d
H ungary
22
TH E ATR E
B LO O D L A N D
S y d ne y T heatre Compan y an d a d elai d e festi v al
in asso c iation w ith Bangarra Dan c e T heatre
A ustralia
23
TH E ATR E
S piritual language , c eremonial d an c e

an d a take on Western c ulture filtere d
through A b original tra d ition .
| Stephen Page |
In an expanse of red dust pounded by the hot Arnhem Land sun, a telegraph pole protrudes
from the earth; a symbol of the scar that the modern world has left on an ancient community.
This is Cherishs place. This is where she hides away from the real world, speaks to imagined
friends and is visited by the ghosts of relatives long gone. Then, on a day like any other, Cherish
unearths the body of a dead boy, opening fresh wounds within an already torn community.
Featuring an Indigenous cast of 12 including established urban actors as well as traditional Yolngu
storytellers, the production fuses traditional languages and Pidgin English as well as dance
and song to tell the story. Bloodland promises to be a unique work of scale and significance.
co n ce p t b y ST EPH EN PAG E
s t o r y b y K AT H Y Ba l n gay n g u M A RI K A ST EPH EN PAG E WAYN E BL A IR
w r i t t e n b y W A YN E BL A IR / d i r e c t o r STE P H EN P AGE / s e t d e s i g n e r P E T E R E N G L A ND
c o s t u m e d e s i g n e r J E NNIF E R IR W IN / l i g h t i n g d e s i g n e r D A M I E N COO P E R
c o m p o s e r a n d s o u n d d e s i g n e r ST E V E FR A NCIS
c a s t K a t h y B A LN G A YN G U M a r i ka E l a i n e C r o m b i e Ra r r i w u y H i c kS
Rh i m i J o h n s o n P age N o l e n e M a r i ka D j akap u r r a M u n y a r r y u n
d a v i d page H u n Te r P age L o c ha r d K e lt o n P e l l
t e s s a r o s e M e y n e W yat t U r s u l a Yo v i c h
Wh e r e
D u n s t a n P l a y h o u s e , A D E L A ID E F E STIV A L C E NTR E
Wh e n
Th u 8 M a r Sa t 1 0 M a r 8 pm
Sa t 1 0 M a r S u n 1 1 M a r 2 pm
A RTIST TA L K
P OST 2 pm S H O W ON ST A G E S A T 1 0 M A r
D u r ati o n
8 0 m i n u t e s (n o i n t e r v a l)
T ic k e ts
A d u lt $ 5 9, F r i e n d s $ 4 9, c o n c e s s i o n $ 4 0
B o o k ings
c o n t a i n s Sm o k i n g o n s t age , pa r t i a l n u d i t y
s t r o n g l a n g u age , ma y c o n t a i n m i l d v i o l e n c e
50
P h o t o (L - R ): Ur s u l a Yo v i c h , K a t hy B a l n g ay n g u Ma r i k a
a n d Hu n t e r Pa g e L o c h a rd b y S t e p h e n D u p o n t
24
MUSIC
T he F rei b urg Baro q ue O r c hestra is a

d iamon d of parti c ular b rillian c e
| Salzburger Nachrichten |
Regarded by many as the finest period instrument ensemble in the world today,
the Freiburg Baroque Orchestra presents two stunning programs.
The first brings to life one of the most memorable melodies in the western tradition,
the immortal Air from Suite No. 3 in D Major from a complete performance of J.S. Bachs
beloved four Orchestral Suites. The second program, exclusive to Adelaide, celebrates
works of the giants of the German Baroque and includes an overture by J.S. Bachs cousin
Johann Bernhard Bach, a composer the master held in high esteem.
Combining expert research into the playing techniques, technologies and sources of
17th, 18th and early 19th century music with a captivating joy in music making, the Freiburg
Baroque Orchestra brings the music of the past leaping into the 21st century.
v io li n a n d d i r e c t io n got t fr i ed vo n d er go lt z
f lu t e s o lois t ka r l ka i ser
P r o g r am ON E SUN 4 MAR
j . s . Ba c h F o u r C o m p l e t e O r c h e s t r a l S u i t e s
P r o g r am T W O MON 5 MAR
J . S . Ba c h S i n f o n i a i n D M a j o r f r o m E a s t e r O r a t o r i o B W V 24 9 C o n c e r t o i n D M i n o r B W V 1 0 6 0 R
G.Fr. Hndel Suite from Il Pastor Fido HW V 8a
J o ha n n Be r n ha r d Ba c h O v e r t u r e N o . 4 i n D M a j o r
J . S . Ba c h S i n f o n i a i n B M i n o r f r o m C a n t a t a B W V 2 0 9 N o n S a C h e S i a D o l o r e
G . P h . Te l ema n n C o n c e r t o i n D M a j o r T W V 5 4 : D 3
Wh e r e
a d e l a i d e t o w n ha l l , K IN G W ILLI A M STR E E T
Wh e n
S u n 4 M a r M o n 5 M a r 7 pm
D u r ati o n
9 0 m i n u t e s E A C H P RO G R A M ( i n c l u d i n g i n t e r v a l )
T ic k e ts ( E A C H P RO G R A M )
A Re s e r v e $ 9 9, F r i e n d s $ 8 5
C Re s e r v e $ 7 9, F r i e n d s $ 6 7, c o n c e s s i o n $ 5 5
B o o k ings
Broadc a st by A BC Cla ssic FM

P h o t o: Ma rc o B o g g re v e
25
MUSIC
F rei b urg Baro q ue O rc hestra

G ermany
26
MUSIC
T he H illiar d S ong b ook

T he H illiar d E nsem b le A N D
A ustralian Cham b er O rc hestra
U nited K ingdom / A ustralia
27
MUSIC
T he H illiar d E nsem b le
an d A ustralian Cham b e R
O r c hestra
T he H illiar d E nsem b le
T he H illiar d S ong b ook
An ensemble famous for mesmerising

performances and chart topping recordings
of early and contemporary vocal music and
a chamber orchestra renowned for inspired
programs collaborate for the first time.
Gregorian chant and French medieval hymn
hypnotically intertwine with Edwards'
orchestral setting of Veni Creator Spiritus
(Come Holy Spirit) and a cappella prayers
from 15th century England and Arvo Prt join
Raskatov's Russian Orthodox chant setting.
This concert also celebrates the luscious
ACO string sound with two opulent works
by Elgar and Arensky after Tchaikovsky.
The Hilliard Ensemble is music

to make the spirit soar. From their millionselling CDs with saxophonist Jan Gabarek
to the groundbreaking music theatre of Heiner
Goebbels, this extraordinary group are classical
music superstars. Exclusive to the Adelaide
Festival, The Hilliard Ensemble serve up an
a capella feast with a program ranging from
the exquisite late medieval counterpoint
of Guillaume de Machaut to the modern
mysticism of Arvo Prt.
H i l l i a r d E n s em b l e
A u s t r a l i a n Cham b e r O r c he s t r a
l e a d v i o l i n H e l e n a Ra t h b o n e
E l ga r S e r e n a d e fo r S t r i n g s
She r y n gham A h , G e n t l e J e s u
Ra s ka t o v O b i k h o d ( A u s t r a l i a n P r e m i e r e)
P r t M o s t H o ly M o t h e r o f G o d
G r eg o r i a n Cha n t Ve n i C r e a t o r S p i r i t u s
A n o n (Fr en c h M ed i e va l) Ve n i C r e a t o r S p i r i t u s
E d wa r d s V e n i C r e a t o r S p i r i t u s
A r e n s k y V a r i a t i o n s o n a t h e m e b y Tc h a i k o v s k y
Wh e r e
A d e l a i d e T o w n H a l l , K i n g W i l l i am STR E E T
Wh e n
T u e 1 3 M aR 8 pm
D u r ati o n
11 0 m i n u t e s (i n clu d i n g i n t e r v a l)
T ic k e ts
A r e s e r v e $ 9 9, c o n c e s s i o n $ 8 9
B r e s e r v e $ 7 9, c o n c e s s i o n $ 6 9
B o o k ings
Pa r t of AC O s u b s c r i p t i o n s e a s o n .
H e l l awe l l T h e H i l l i a r d S o n g b o o k
Fa y r f aX M o s t C l e r e o f C o l o u r
A n o n M a d a m e dA m o u r s
C o r n y s h E Ah Robyn
A n o n Remember Me My Dear
A r c a d e lt I l B i a n c o E D o l c e C i g n o
A n o n P a s s a c a l li a D e l l a V i t a
Ve r d e l o t D i v i n i O c c h i
d e Ro r e O Sonno
B r y a r s P i e c e s f r o m t h e Fi r s t B o o k o f M a d r i g a l s
Moody A r k hang elos
She r y n gham A h , G e n t l e J e s u
P r t And One of the Pharisees
T r a d . A r me n i a n S h a r a k a n s
P r t M o s t H o ly M o t h e r o f G o d
M a c ha u t G l o r i a M e s s e D e N o t r e d a m e
Wh e r e
A d e l a i d e T o w n H a l L , K i n g W i l l i am S t r ee t
Wh e n
we d 1 4 M aR 7 pm
D u r ati o n
1 1 0 m i n u t e s (i n clu d i n g i n t e r v a l)
T ic k e ts
C Re s e r v e $ 4 9, F r i e n d s $ 4 2 , c o n c e s s i o n $ 3 5
B o o k ings
P h o t o: Fr i e d r u n R e i n h o l d
28
dance theatre
K ate Champion is a rare talent , an d w hate v er she d oes

ne x t must b e imme d iatel y la b elle d d on t miss .
| The Bulletin |
Australias leading dance theatre company Force Majeure takes inspiration from issues
raised in Christos Tsiolkas controversial book The Slap in a provocative new work
exploring contemporary attitudes to raising children.
In a society where parents have less children, less time, more money and many more
opinions on how to produce the perfect child, are we creating an environment that will
ultimately lead to a future generation with more hang ups than perfections?
Or is this actually an ongoing and age-old dilemma?
In an exciting first-time collaboration between Force Majeures Kate Champion and Sydney
Theatre Companys Andrew Upton, Never Did Me Any Harm uses Force Majeure's trademark
synthesis of fluid movement, images and real-life interviews to deliver an emotional, humorous
and insightful work that cannot fail to resonate with all who were once children.
p r o d u c e d b y F o r c e M a j e u r e & S y d n e y Thea t r e C o mpa n y

d i r e c t o r K at e Champ i o n / a s s o c i a t e d i r e c t o r R oz H e r v e y / d r a m a t u r g a n d r ew u p t o n
d e s i g n e r G e o f f C o b ham / c o m p o s e r a n d s o u n d d e s i g n e r M a x Ly a n d v e r t
a s s i s t a n t d i r e c t o r G e o r d i e B r o o kma n
presented by Adelaide Fes tival, Sydney Fes tival and Melbourne Fes tival
Wh e r e
Spa c e Thea t r e , A d e l a i d e Fe s t i v a l Ce n t r e
Wh e n
W e d 1 4 M a r Sa t 1 7 M a r 7 pm
Sa t 1 7 M a r 2 pm
a r tist tal k
p o s t 2 pm s h o w o n s t age s a t 1 7 ma r
D u r ati o n
T ic k e ts
A d u l t $ 4 9, F r i e n d s $ 4 2 , c o n c e s s i o n $ 3 5
Th is proje c t h a s b e en a s sis te d by
t he Au s t r a l ia n G over n ment t h rou g h
t he Au s t r a l ia C ou nc i l for t he A r t s ,
i t s a r t s f u nd i n g a nd a d v is or y b o d y,
a nd by t he Au s t r a l ia n G over n ment's
M ajor Fe s t i v a l s I n i t iat i ve , m a n a g e d
by t he Au s t r a l ia C ou nc i l i n
a s s o c iat ion w i t h t he C on fe der at ion
of Au s t r a l ia n I nter n at ion a l
A r t s Fe s t i v a l s , Syd ne y Fe s t i v a l ,
Adel a ide Fe s t i v a l a nd Mel b ou r ne
I nter n at ion a l A r t s Fe s t i v a l . Forc e
M ajeu re is a s sis te d by t he Au s t r a l ia n
G over n ment t h rou g h t he Au s t r a l ia
C ou nc i l a nd A r t s NSW.
Ph oto: Al an Fl o we r an d Joshu a Mu
by Tim Ri ch ardson
B o o k ings
50
S AT 1 7 M A R
2PM
S AT 1 7 M A R
2PM
29
dance theatre
N e v er Di d M e A n y H arm
F or c e M a j eure & s y d ne y theatre c ompan y
A ustralia
30
TH E ATR E
I A M N OT A N A N I M A L
the B O R D E R P R O J E C T
Wo r l d P r e m i e r e
AU S T R A L I A
31
TH E ATR E
A d elai d e s e d giest an d most

inno v ati v e theatre c ompan y .
| Sunday Mail |
Humanity is defined by its desire to transcend its animal nature.
Yet our animal instincts still govern much of human behaviour.
Following a sold out debut at the 2010 Adelaide Festival with
Vs Macbeth, The Border Project returns with a once-in-a-lifetime
collaboration with Adelaide Zoo.
I Am Not An Animal takes the Zoo we know and transforms
it into an extraordinary performance installation. For the
first time, the animals themselves become the subjects in
a work of art, engaging with built objects, environments
and human co-performers.
From the whispers of an intimate guided tour to large
scale visual and sound installations, travel through a Zoo
you have never seen before.
direc tor SAM HAREN

c r e a t e d b y K at he r i n e F y f f e Came ro n G o o da l l
Sam H a r e n Dav i d H ei n r i c h
A m b e r M c M ah o n A l i r i o Zava rc E
a production by The Border Project in association
with Adelaide Festival and Adelaide Zoo
Wh e r e
A D E L A ID E ZOO , f r o me r o a d
Wh e n
T H U 1 5 M a r SUN 1 8 M a r 6 . 3 0 P M
D u r ati o n
T ic k e ts
A d u l t $ 4 9, F r i e n d s $ 3 9, c o n c e s s i o n $ 3 5
P i c t u re d : P u s u n g , A d e l a i d e Z o o;
P h o t o: D a v i d Ma t t n e r ;
C re a t e d b y: Jo e l v a n d e K n a a p
The Border P rojec t is a ssisted by t he
Aust ra lia n G over n ment t h roug h t he
Aust ra lia Cou ncil, i t s a r t s f u nd ing
a d v i s o r y b o d y, a n d b y t h e G o v e r n m e n t
of Sout h Aust ra lia t h roug h A r t s SA a nd
t h e Fe s t i v a l s C o m m i s s i o n i n g F u n d .
B o o k ings
p r e s e nting pa r tn e r
32
TH E ATR E
m y ers ' in v enti v e

d ire c tion marries
w ell w ith w hittet ' s
pop - c ulture w it
| Sunday Mail |
Wh e r e
Spa c e t hea t r e
A d e l a i d e Fe s t i v a l Ce n t r e
Wh e n
s a t 3 ma r
Tue
Th u
Fri
Sa t 1 0 M a r
p r e v i ew s
2 pm & 7 pm
s ea s o n
6 M a r 7 pm
8 M a r 7 pm
9 M a r 7 pm
2 pm & 7 pm
D u r ati o n
T ic k e ts
p r e v i ew s
a d u lt $ 2 5
Friends, concession &
groups 6+ $20
s ea s o n
a d u lt $ 3 0
Friends, concession &
groups 6+ $25
f r i n ge b e n e f i t s $ 2 0
fam i ly pa s s $ 9 9
B o o k ings
adel aidefestival .co m. au

o r B A SS 1 3 1 2 4 6
OCC A SION A L
CO A RS E L A N G U A G E
50
S c hool Dan c e
Win d mill T heatre
A ustralia
This is a story of three teenage boys. Theyre going to the school

dance. Theyre on a mission. But they are losers. These are the
awkward kids. The invisible teens. Fuelled by a diet of raging
hormones and mee goreng noodles, they exist in a misfit realm,
navigating complex waters with little success.
With a unique performative voice, this is a highly personal
work that, just like its central protagonists, is funny, sad, scary,
weird, really stupid, endearing and repulsive.
w r i t e r M a t t h e w Wh i t t e t / d i r e c t o r R o s e m a r y My e r s
d e s i g n e r J o n at h o n O x l a d e / l i g h t i n g R i c h a r d Va b r e
movement Gabrielle Nankivell
o r i g i n a l s o u n d t r a c k L u k e S m i l e s m o t i o n l a b o r at o r i e s
s t a r r i n g A m b e r M c M a h o n J o n at h o n O x l a d e
L u ke Sm i l e s M a t t hew W h i t t e t
p r e s e n t e d b y W i n d m i l l T h e a t r e a n d A d e l a i d e Fe s t i v a l
P h o t o: S h a n e R e i d
33
music
M I L E S DAV I S
Prince of Dark ness
A tri b ute b y the A ustralian A rt O r c hestra

AU S T R A L I A
The Australian Art Orchestra returns to its jazz roots with

a work inspired by the legendary jazz trumpeter, composer
and band leader Miles Davis. Widely considered one of the
most influential musicians of the 20th century, Davis was
at the forefront of almost every major development in jazz
from World War II to the 1990s.
Miles Davis: Prince of Darkness explores this extraordinary
oeuvre through new arrangements of his seminal works,
a performance of the original Gil Evans arrangement of
Sketches of Spain (Concierto de Aranjuez), featuring Phil Slater,
and a work commissioned from Anthony Pateras offering an
inspired take on how Miles Davis may have been
composing were he with us today.
Wh e r e
a d e l a i d e t o w n ha l l
k i n g w i l l i am s t r ee t
Wh e n
Th u 1 5 M a r 8 pm
D u r ati o n
T ic k e ts
B Re s e r v e $ 4 9, F r i e n d s $ 4 2
concession $35
C Re s e r v e $ 3 9, F r i e n d s $ 3 4
concession $25
B o o k ings

o r B A SS 1 3 1 2 4 6
l e d b y Pa u l G r a b o w s k y / c o m p o s e r A n t h o n y Pat e r a s
a r r a n g e m e n t s Eu gen e Ba l l Pau l G r a b ow sk y Ph i l i p Re x
Move / Boplicit y / Moon Dreams
S k e t c h e s o f S p a i n (C o n c i e r t o d e A r a n j u e z) / B l a c k C o m e d y
Ontetradecagon / Black Satin
P h o t o: Je f f Wa s s m a n n
34
D ance
j a w d roppingl y
ph y si c al .
| The Guardian |
Wh e r e
he r ma j e s t y ' s t hea t r e
g r o t e s t r ee t
Wh e n
p r e v i ew
f r i 2 4 f e b 8 pm
s ea s o n
s a t 2 5 f e b 8 pm
we d 2 9 f e b s a t 3 ma r 8 pm
D u r ati o n
T ic k e ts
p r e v i ew
a d u lt $ 5 0
s ea s o n
A d u lt $ 5 9, F r i e n d s $ 5 0
concession $55
secondary student $2 5
B o o k ings

o r B A SS 1 3 1 2 4 6
pa r t i a l n u d i t y , s u i t a b l e f o r
senior secondary +
50
side
access
P rox imit y
A ustralian Dan c e T heatre
By Garr y Stewar t
A ustralia
Liberating the body from our everyday understanding of

physics,Proximityis an immersive visual experience where the
miniscule becomes massive and the singular becomes multiple.
Choreographer Garry Stewart works with Paris-based
video engineer/techno whiz kid Thomas Pachoud to create
an astonishing dialogue for dance and real-time video
manipulation. Eight phenomenal dancers train video cameras
on each other to capture live, their ingenious physicality.
The resulting effect is a breathtakingvideopanorama that
upends the very nature of perception itself and questions our
ideas of selfhood and identity.
choreog r apher Gar ry Ste wart

v i d e o a r t i s t a n d e n g i n e e r Th o m a s P a c h o u d
c o m p o s e r h u e y b e nj a m i n / l i g h t i n g M a r k P e n n i n g t o n
P ro x i m i t y h a s b e e n c o - c o m m i s s i o n e d
b y A r t s S A's M a j o r C o m m i s s i o n s F u n d .
P h o t o: C h r i s He r z fe l d C a m l i g h t P ro d u c t i o n s
presented in association with Adelaide Festival

and Adelaide Festival Centre
35
TH E ATR E
surreal , in c isi v e ,
an d utterl y
hilarious .
| D a i l y Te l e g r a p h |
Wh e r e
O d e o n Thea t r e
Q u ee n S t r ee t N o r w o o d
Wh e n
T he H am F uneral
B y P atri c k White
A ustralia
A young poet moves into a squalid rooming house run by

Mr and Mrs Lusty, a bloated, gluttonous pair. When her husband
dies abruptly, Mrs Lusty announces a grand funeral
featuring a lavish feast, an am funeral, in his honour.
Driven by her incontinent appetite, she attempts to seduce
the young poet, with comically tragic consequences.
Part vaudeville, part lyric poem, and part gothic drama,
The Ham Funeral now enjoys legendary status as one of the
most intriguingly original plays in Australian theatre history.
P r e v i ew s
Sa t 2 5 Fe b 8 pm
M o n 2 7 Fe b W e d 2 9 Fe b 6 . 3 0 pm
S E A SON
Th u 1 M a r Sa t 3 M a r
Th u 8 M a r Sa t 1 0 M a r
& Th u 1 5 M a r Sa t 1 7 M a r 8 pm
Sa t 3 M a r & Sa t 1 0 M a r 2 pm
T u e 6 M a r W e d 7 M a r 6 . 3 0 pm
T u e 1 3 M a r W e d 1 4 M a r 6 . 3 0 pm
S u n 1 1 M a r & S u n 1 8 M a r 3 pm
W e d 1 4 M a r 1 1 am
Q&A
T u e 6 ma r 5 . 3 0 pm
we d 1 4 ma r 1 1 am
D u r ati o n
A pp r o x 1 2 0 m i n u t e s
(i n clu d i n g i n t e r v a l)
T ic k e ts
P r e v i ew s
A d u l t $ 4 9, F r i e n d s $ 4 1
concession $42, under 30s $29
p r i ma r y / s e c o n d a r y $ 2 5
Sea s o n
A d u l t $ 5 9, F r i e n d s $ 5 0
M A TIN E E
A d u lt $ 5 5 , F r i e n d s $ 4 7
B o o k ings
d i r e c t o r Ad a m C o o k / d e s i g n e r A i l s a P a t e r s o n
l i g h t i n g d e s i g n e r G a v a n S w i f t / c o m p o s e r S t u a r t D ay
c a s t L u k e C l a y s o n L i zzy F a l k l a n d
J o n a t ha n M i l l A ma n d a M u gg l e t o n
De n n i s O l s e n Ja c q y P h i l l i p s G e o f f Re v e l l

o r B A SS 1 3 1 2 4 6
T u e 6 M A r 6 . 3 0 pm
Sa t 1 0 M a r 2 pm
Wed 14 Mar
presented by State Theatre Company of South Australia

and Adelaide Festival
Im a g e: Vo i c e
36
MUSIC
. . . intense ,
transfi x ing an d
ele v ating
| The Australian |
Wh e r e
a d e l a i d e t o w n ha l l
Wh e n
f r i 1 6 ma r & s a t 1 7 ma r 8 pm
a r tist tal k
p r e s h o w f r i 1 6 ma r
& s a t 1 7 ma r 7 pm
D u r ati o n
T ic k e ts
A Re s e r v e $ 5 9, F r i e n d s
B Re s e r v e $ 4 9, F r i e n d s
concession
C Re s e r v e $ 3 9, F r i e n d s
concession
F r i n ge Be n e f i t s
$50
$42
$35
$34
$25
$25
J. s . b ac h
S t John Passion
B o o k ings

o r B A SS 1 3 1 2 4 6
Adela ide Ch a m b er Sin ger s / Syd ne y Ch a m b er Choir

Conductor Carl Crossin
A ustralia
Two of Australias finest chamber choirs, Adelaide Chamber

Singers and the Sydney Chamber Choir, join forces with a
chamber orchestra of leading Baroque musicians from Adelaide
and Sydney and some of Australias best young emerging
soloists to present two performances of Bachs monumental
setting of the Passion of Jesus Christ according to St John.
Intensely dramatic, moving and meditative by turns,
Bachs undisputed masterpiece was highly original
and audacious in its day and vividly retells the story
of Christs final hours and crucifixion.
presented by Adelaide Chamber Singers,

Sydney Chamber Choir and Adelaide Festival
Broadc a st by
A BC Cla ssic FM
P h o t o: Me g Ha n s e n
37
MUSIC
T he au d ien c e is
left w ith a true
taste of a w e , w on d er
an d optimism .
| To r o n t o S t a r |
Wh e r e
Adel aide Town Hall

Wh e n
M o n 1 2 M a r 7. 3 0 pm
D u r ati o n
120 m i n u t e s (i n clu d i n g i n t e r v a l)
T ic k e ts
T he G alileo P roj ec t:
M usi c of the S pheres
T afelmusik
C anada
History comes alive as Tafelmusik combines music, science

and storytelling in an unforgettable concert inspired by
the great astronomers. The Galileo Project combines
stunning large-scale images from the Hubble telescope,
music played entirely from memory and words from leading
Canadian actor Shaun Smyth, drawing us into times
past with figures such as Galileo and Isaac Newton.
A R E S E RV E $ 9 3 . 9 0 , FRI E NDS $ 8 0 . 3 0
CONC E SSION $ 8 1 . 3 0
B R E S E RV E $ 6 6 . 3 0 , FRI E NDS $ 5 7. 3 0
C R E S E RV E $ 4 5 . 3 0 , FRI E NDS $ 3 9. 3 0
UND E R 3 0 s $ 3 3 . 3 0
G ROU P S 1 0 +
1 0 % DISCOUNT ON FULL p r i c e s
STUD E NT RUS H
( IF A V A IL A BL E ) $ 1 8 . 3 0
B o o k ings

o r B A SS 1 3 1 2 4 6
Seventeen musicians perform beautiful music by

Vivaldi, Monteverdi, Bach and others with open-hearted
energy and vigour, allowing us to hear what those scientists
heard, and reminding us of their search for
meaning and order within the infinity of space.
m u s i c d i r e c t o r J EANNE LAMON
c o n c e p t s c r i p t p r o g r a m ALISON MACKA Y
p r o d u c t i o n d e s i g n GLENN D A V I D SON
n a r r a t o r S H AUN SM Y T H
presented by Musica Viva
in association with Adelaide Festival
P h o t o: Tafe l m u s i k
38
music
Wh e r e
TOWA R D S L I G H T
Adel aide Town Hall

K IN G W ILLI A M STR E E T
Wh e n
p r e- c o n c e r t ta l k
we d 7 M a r 6 . 1 0 pm
concert
we d 7 M a r 7 pm
D u r ati o n
T ic k e ts
A d u l t $ 5 9, F r i e n d s $ 5 2
concession $45, student $22
B o o k ings

o r B A SS 1 3 1 2 4 6
A ustralian S tring Quartet

Wi t h D a n iel de B or a h - P i a no
A ustralia
The Australian String Quartet opens its program with a

work by the doyen of Australian composers, Peter Sculthorpe,
inspired by the starkly beautiful landscape of Kakadu and
its inhabitants. From Australias unique interior to the sunlit
uplands of old Bohemia: few composers wrote music in all
genres which radiated such spontaneous warmth and charm
as Antonin Dvok. Even by his exalted standards, the Op 51
String Quartet is full of gorgeous melodies where exuberance
is masterfully fused with poignant tenderness.
The program culminates with one of Dmitri Shostakovichs
towering chamber masterpieces: the Piano Quintet, Op 57,
composed during the fateful year 1940 and described as
a last ray of hope for Russia. It is a work of grand symphonic
proportions combining the composers hallmark skittish
humour and austere dignity with an underlying tension.
S c u lt h o r pe S t r i n g Q u a r t e t N o 1 1
D v o R k S t r i n g Q u a r t e t N o 1 0 i n E F l a t M a j o r, O p 5 1
Sh o s tak o v i c h P i a n o Q u i n t e t : O p 5 7
v i o l i n s K r i s t i a n W i n t he r A n n e H o r t o n
v i o l a s t ephe n k i n g / c e l l o Ra c he l J o h n s t o n
p i a n o Da n i e l d e B o r ah ( g u e s t a r t i s t )
P h o t o: Ja c q u i Way
presented in associa tion with Adelaide Fes tival
39
music
the festi val @ lun ch

el d er hall at the a d elai d e festi v al
australia
An intriguing opportunity to enjoy your festival by day. At 1pm each week day
throughout the Festival, Elder Hall comes alive with festival fare including a rich
array of music from Bach to the cutting edge of our own times, jazz inspired, world
premieres, new Australian works, popular culture turned inside out and upside
down, some of Australias finest musicians, electronic wizardry and an iPhone!
M o n 5 M a r 1 pm
Works Without Boundaries
M o n 1 2 M a r 1 pm
Wh e r e
Divine Madness
New music by this eclectic musician
pi a n o M a r k i s aac s
Settings of Hlderlins
visionary poetry
e l d e r ha l l
UNIV E RSITY OF A D E L A ID E
N o r t h Te r r a c e
T u e 6 M a r 1 pm
t e n o r Ro b ert M ac Fa r l a n e
pia n o S t ephen W h it t i n g to n
Themes and Variations

Including Bachs great Chaconne
v io li n So ph i e Rowel l
W e d 7 M a r 1 pm
Perpetual Song
Music by Vasks and Smetana
El d er T r i o
Th u 8 M a r 1 pm
A Gust Inside the God

In search of a new sound world
ce l lo N i c h o l a s B o c h n er
F r i 9 M a r 1 pm
The Ringtone Cycle

The Graeme Koehne / Peter
Goldsworthy mini-operetta about
love in the text message age
s o p r a n o L i s a H a r per- B row n
v io li n H el en Ay r e s
ce l lo B l a i r H a r r i s
pi a n o G a b r i el l a Sma rt
T u e 1 3 M a r 1 pm
Landscapes Cityscapes
Music by Hindson,
Edwards and Buc
Ben au d T r i o
W e d 1 4 M a r 1 pm
Contrasts
Stravinsky's Soldier's Tale,
Bodman Rae and Bartok
v io li n El iz a b e t h Lay to n
cl a r in e t Pe t er H a n ds wo rt h
pi a n o S t efa n A mmer
Th u 1 5 M a r 1 pm
Three Lanes
Wh e n
M o n 5 ma r F r i 1 6 M a r
D u r ati o n
T ic k e ts
A DULT $ 2 0 , FRI E NDS / CONC $ 1 5

1 0 CONC E RTS
A DULT $ 1 5 0 , FRI E NDS / CONC $ 1 1 2
A NY S E V E N CONC E RTS
A DULT $ 1 1 2 , FRI E NDS / CONC $ 8 4
A NY FIV E CONC E RTS
A NY T H R E E CONC E RTS
B o o k ings

o r B A SS 1 3 1 2 4 6
P r o g r am d e t a i l s a t
A musical voyage of discovery
r e co r d e r G en e v i e v e Lac e y
pia n o A n d r ea K el l er
p e r cu s sio n J o e Ta l i a
F r i 1 6 M a r 1 pm
Russian Bells
Rachmaninov and others
inspired by the heavenly sounds
of Russian Orthodox bells
pi a n o Ko n s ta n t i n Sham r ay
P resented in a ssociat ion

w i t h A d e l a i d e Fe s t i v a l
40
TH E ATR E
Wh e r e
A D E L A ID E G A OL
G a o l R o a d , The b a r t o n
Wh e n
Sea s o n
TU E 6 M a r s u n 1 1 ma r 7 P M
s a t 1 0 ma r 3 pm
s u n 1 1 ma r 9. 3 0 pm
D u r ati o n
T ic k e ts
A DULT $ 3 9, FRI E ND $ 3 3
CONC E SSION $ 2 5
B o o k ings

o r B A SS 1 3 1 2 4 6
I nstru c tions for an

I maginary M an
Various P eople
A ustralia
Performed in the evocative space of the Old Adelaide Gaol,

Instructions for an Imaginary Man is inspired by the writings
of prisoners of conscience from around the world. With music
written by Richard Chew and performed by an actor, two
singers, string quartet, clarinet and piano, this moving event
is a fusion of theatre, video projection and song-cycle.
Instructions for an Imaginary Man is testament to the
extraordinary survival of the human spirit in captivity.
P resented in a ssociat ion w it h

A d e l a i d e Wr i t e r s' We e k
P h o t o: G ra e m e R o s e a n d C ra i g S t e p h e n s
c o m p o s e r s i n g e r R i c ha r d Chew
s i n g e r Che r y l P i c ke r i n g / a c t o r G r aeme R o s e
p i a n i s t G a b r i e l l a Sma r t / s t r i n g q u a r t e t Zeph y r Q u a r t e t
p r o d u c e d b y Che r y l P i c ke r i n g f o r Va r i o u s P e o p l e
d e s i g n e r Bec F r a n c i s / l i g h t i n g p r o j e c t i o n N i c M o l l i s o n
p r e s e n t e d b y Va r i o u s P e o p l e i n a s s o c i a t i o n w i t h A d e l a i d e F e s t i v a l
41
dance
M alm
Wh e r e
W a t e r s i d e , 1 1 N i l e S t r ee t
Port Adel aide
T or q ue S ho w
A ustralia
Malm is a story of a couple in that quintessentially

Australian condition: the home renovation. We are invited
into their world; we laugh and join their conceit. But things
are not as they first seem. This couple is, perhaps, hell-bent
towards aspirational ruin.
Segueing between dance, text and striking visual imagery,
Malm challenges the performer-audience contract in a
surprising physical and emotional journey described as
Dogville meets The Block.
Wh e n
T u e 2 8 Fe b Sa t 3 M a r 8 pm
S u n 4 M a r 6 pm
D u r ati o n
T ic k e ts
A DULT $ 3 5 , FRI E NDS $ 3 0

CONC E SSION $ 2 5
FRI n ge B E N E FITS $ 2 5
B o o k ings

o r B A SS 1 3 1 2 4 6
Unsettling, absurdly funny and profound, Malm is

a clich-bending exploration of the commercialisation
of modern nesting.
p e r f o r m e r s c r e a t o r s V i n c e n t C row l e y I n g r i d W ei s f e lt
direc tor creator Ross Ganf
se t desig n concept G eoff Cob ham
sound designer composer Nick Roux
l i g h t i n g d e s i g n e r Ch r i s P e t r i d i s
presented by Vitalstatistix Theatre Company
in association with Adelaide Festival
Ma l m w a s d e v e l o p e d a n d p r e s e n t e d
t h r o u g h A r t s Ho u s e , C i t y o f M e l b o u r n e .
Ma l m a n d To r q u e S h o w a r e
s u p p o r t e d b y A r t s Vi c t o r i a a n d t h e
B e s e n Fa m i l y Fo u n d a t i o n .
P h o t o: In g r i d We i sfe l t a n d Vi n c e n t C ro w l e y
b y Ju s t i n B e r n h a u t
FREE! LATE NIGHT CLUB
43
BARRIO
Night falls and a bustling

shant y tow n awakens at
B A R R I O.
Under the stars on the Hajek Plazas
sculptured plains, a community of
collectors, merchants, eccentrics and
provocateurs gather to set the scene
for an unrepeatable late night club.
Curious wares are sold, improbable
tales told and feet stomp into the
night as Barrio celebrates Adelaides
sub cultures with a wild, ever-changing
mix of market place, bar, stage and
dance floor.
Join the fun at one of six crazy,
kitschy, lovingly handmade bars as
colourful characters serve a rainbow of
individually crafted cocktails dreamed
up by Adelaides best bartenders. Leave
the fast paced, pre-mixed and artificial
behind and embrace Barrios extensive

menu of specially created elixirs.
Barrio's programmed nightly
entertainment includes performers
and DJs from around the world.
Not since the now-mythical Red
Square has Adelaide Festival sought
this scale of individual engagement,
with genuine encounters from the oneon-one to one-on-two thousand that
must be experienced to be believed.
The soul of the festival, Barrio
opens for just 10 nights with free, but
strictly limited admission. Come early
and stay late, for Barrio will vanish as
quickly as it appears.
W H ERE
BAR R IO, HAJEK PL A Z A , ADEL AIDE FESTIVAL CENTR E

( b ehin d parliament house )
T H U R SDAY TO SU N DAY T H RO U G H O U T T H E FE S T I VA L
9. 3 0 P M T O L A T E
( not sun 1 8 mar )
FREE ENTRY
44
BARRIO
Contemporar y M usi c Con c ert S eries

Innovators, icons and iconoclasts gather for Dreamers. One of the most
spectacular gatherings of musicians in Adelaide Festivals history, this program
staged over three weekends hosts artists whose creative legacy elevates them
to legendary status. Spanning generations and genres across jazz, industrial,
French chanson, psychedelia, soft rock, Latin and everything in between,
Dreamers is not to be missed. Some of the Dreamers will present master
classes hosted by Elder Conservatorium.
d e t a i l s A d elai d efesti val .com . au
c u r a t e d b y S O P H I A B RO U S
B o o k ings
T I C KE T S
a d elai d efesti v al . c om . au
or B A S S 1 3 1 2 4 6
S ee in d i v i d ual artist pri c es

or
T hree sho w pass
( c hoose three $ 2 9 e v ents ) $ 7 5
G enera l ad m ission outdoor event s,

lim ited se at ing may be ava ila ble. Ticket
holders get preferent ia l ent r y to t he
fe st i va l clu b Ba r r io. Doors open 6. 30pm .
Eddie Palmier i s
L atin Ja z z Sex tet
7 5 th Birth d a y Worl d T our
U nite d S tates
OPENING NIGHT
PART Y
Barrio opens with a bang on
Fri 2 Mar when the sun of Latin
music, Eddie Palmieri, takes to the
stage to lead his fiery, super-tight
Latin Jazz Sextet on infectious,
polyrhythmic journeys through Salsa
and Latin Jazz. This Grammy Awardwinning pianist has been thrilling
audiences with his legendary style
for 50 years dont miss this party.
W H ERE and wh e n
BAR R IO, HAJEK PL A Z A

ADEL AIDE FESTIVAL CENTR E
F R I 2 M ar 1 0 pm L A T E
limite d c apa c it y c ome earl y
FR E E
45
BARRIO
Charles Bradley
Australian Premiere
U N I T E D S TAT E S
Charles Bradley's voice has evolved

from a lifetime of paying dues.
The James Brown impersonator
turned original soul, funk and
R&B creator gives performances
that exude raw power and poignant
beauty. Signed to Daptone Records,
his deep, dark songs of loss
and longing have captivated
audiences around the globe.
s u p p o r t e d b y:
Clair y Bro w ne an d T he
Bangin R a c kettes
W H ERE and wh e n

F R I 9 M ar 7 pm
$29
Genesis Breyer P- Or r idge

& Psychic T V
Austra lia n P rem iere / Adela ide Festi va l E xclusi ve
U nite d K I N G D O M / U N I T E D S tates
Genesis Breyer P-Orridge

is a true legend of the AngloAmerican underground,
an avant-garde anti-hero
whose remarkable body of
work reminds us that what
is dangerous and what is
important are never far
apart. P-Orridge founded
the groundbreaking industrial
band Throbbing Gristle, and
later, Psychic TV, influencing
generations of bands to
follow his music and ethos.
P h o t o: Ya s u k o S h i ra t s u c h i
P hilip Broph y s
S ta d ium
W H ERE and wh e n

S A T 3 M ar 7 pm
$29
46
BARRIO
A r iel P ink s
Haunte d Graf f iti
U nite d S tates
W H ERE and wh e n

S U N 1 1 M ar 7 pm
$29
B o o k ings
or B A S S 1 3 1 2 4 6
LA underground cult figure turned

international pop star, Ariel Pinks
sound is as sublime as it is surreal,
loaded with hazy nostalgia and a
fiercely experimental pop palette.
Establishing himself as one of the
most prolific songwriters and unique
talents of his generation, Ariel Pinks
influence on todays bands and
genres has been profound.
47
BARRIO
Rok y Er ickson
Australian Premiere
U nite d S tate S
1960s rock n roll pioneer Roky

Erickson founded the Thirteenth
Floor Elevators, coining the term
psychedelic and influencing
generations of artists. Building a
successful solo career, Erickson
penned many classics, since
reinterpreted by artists from Patti
Smith to Sonic Youth and Janis
Joplin. Roky is joined by notorious
Atlanta garage A-listers Black Lips.
BL ACK LIPS
W H ERE and wh e n

S A T 1 0 M ar 7 pm
$29
Chir i Fe at ur ing Bae Il

Dong & Senyawa
KORE A / AUSTR ALIA / INDONESIA
W H ERE and wh e n

THU 8 MAR 7PM
$29
Two unique ensembles

come together to explore
the furthest realms of
musical ecstasy. Chiri
is the groundbreaking
collaboration between
Korean p'ansori master
vocalist Bae Il Dong and
acclaimed Australian
improvisers Scott Tinkler
and Simon Barker.
Indonesian duo Senyawa
creates a breathtaking
world of sound with just one
voice and a strip of bamboo
(the bambuwukir).
48
BARRIO
Her meto Pascoal

& Gr upo
Australian Premiere
BRAZIL
Described by Miles Davis as the most
impressive musician in the world,
internationally revered composer and
multi-instrumentalist Hermeto Pascoal
is a true musical icon. Known simply
as The Sorcerer in Brazil, Pascoal
has collaborated with an extraordinary
array of musical legends, including
Davis on the landmark Live Evil record.
His revered sextet is an extraordinary
musical unit that moves effortlessly
within Pascoals stunning repertoire.
Doug De Vries
W H ERE and wh e n

T H U 1 5 M ar 7 pm
$29
Michael Rother
pre s ent s mu sic of NEU!,
Harmonia and selected solo works
Wo r l d P r e m i e r e
GERMANY
WIth specIAL GUEST S:

Dieter M oe b ius
( Cluster ) an d H ans
L ampe ( L a D ssel d orf )
When three European masters of electronic

music join forces, the result is, well
electrifying. Led by icon of krautrock Michael
Rother (Neu!, Kraftwerk, Harmonia), this
concert explores his historic focus on fastforward rhythms or Motorik and musical
exploration. Rother is joined by the legendary
Dieter Moebius (Cluster) and Hans Lampe (La
Dsseldorf, Can) for this world premiere event.
W H ERE and wh e n

F R I 1 6 M ar 7 pm
$29
P h o t o: Ha d l e y Hu d s o n
49
BARRIO
Jane Birk in sings

Serge Gainsbourg
FR ANCE
Wh e r e
BAR R IO, HAJEK PL A Z A ,

Wh e n
S A T 1 7 M ar 7 pm
$49
B o o k ings
or B A S S 1 3 1 2 4 6
For more than a decade singer, actress, director and

songwriter Jane Birkin was muse to the legendary French
singer, songwriter and enfant terrible Serge Gainsbourg.
Together they produced six albums and continued to collaborate
professionally long after their relationship ended in 1980.
In a powerful homage to her partner and mentor, the style icon
and darling of the French avant-garde presents a special concert
of Gainsbourgs music to mark 20 years since his death.
50
A delaide W riters W eek
a d elai d e w riters' w eek
51
Adelaides iconic literary festival returns refreshed and reinvigorated in 2012.

Adelaide Writers Week brings together some of the worlds great writers and thinkers
for a week of readings, discussions and debate. The stunning line-up includes some
of contemporary literatures most compelling voices, many of whom have never before
visited Australia, and a satisfying mix of established writers and emerging voices.
Spend time with famous faces and make new discoveries in a week of surprises, challenges
and entertainment. In one of the most diverse programs ever presented enjoy sessions on fiction,
poetry, history, travel, food, speculative fiction, childrens literature, gaming, gardening, religious
tolerance, biography, China, film, comics, TV and much, much more.
In an Australian first, ABC Radio has launched a digital radio station dedicated to broadcasting
Adelaide Writers' Week live to a national audience. Details: adelaidefestival.com.au
Fe at ure d Wr it e r s:
F i o n a M c G r eg o r ( A US )
d a v i d ma r r ( A US )
M ega n A b b o t t ( US A )
G i l l i a n M ea r s ( A US )
R o b y n A r i a n r h o d ( A US )
S u s a n n a M o o r e ( US A )
D i o n n e B r a n d (C A N)
F r a n k M o o r h o u s e ( A US )
Ja v i e r Ce r c a s ( S P A )
Le s M u r r a y ( A US )
m i c hae l c r u mme y ( c a n )
J o Ne s b ( n o r )
K a t e De G o l d i ( NZ )
G a r t h N i x ( A US )
A n d r ea d i R o b i l a n t ( ITA )
De n n i s O D r i s c o l l ( IR E )
G a r R y D i s he r ( A US )
E l l i o t P e r l ma n ( A US )
N i c k D r ake ( U K )
Ca r y l P h i l l i p s ( U K )
U r s u l a D u b o s a r s k y ( A US )
R i c ha r d P r i c e ( US A )
M a r t i n E d m o n d ( A US )
A l i c e P u n g ( A US )
Je n n y E r pe n b e c k ( G E R )
R o n Ra s h ( US A )
E l i z a G r i s w o l d ( US A )
Ba r b a r a Sa n t i c h ( A US )
N i c k i G r ee n b e r g ( A US )
R o b e r t Shea r ma n ( U K )
K a t e G r e n v i l l e ( A US )
M i g u e l S yj u c o ( P H I / C A N )
S o n y a H a r t n e t t ( A US )
D u b r a v ka Ug r e s i C (CRO / N E D)
Se l i n a H a s t i n g s ( U K )
J u a n G a b r i el V sq u e z (COL / s pa)
A l a n H o l l i n gh u r s t ( U K )
b r e n d a W a l ke r ( A US )
M i c hae l H u l s e ( U K )
d a v i d W a l ke r ( A US )
G a i l J o n e s ( A US )
J i a n y i n g Zha ( C H I )
Da v i d Le v i t ha n ( US A )
& m o re t o b e ann o un c e d
K e l ly L i n k ( US A )
Wh e r e
P i o n ee r W o me n s M em o r i a l G a r d e n ,
k i n g w i l l i am r o a d
Wh e n
Sa t 3 ma r t h u 8 ma r
T ic k e ts
F r ee
T h e 2 01 2 A d e l a i d e Wr i t e r s We e k p r o g r a m
w i l l b e a v a i l a b l e l a t e J a n u a r y 2 01 2 . To r e s e r v e y o u r c o p y
for $10 ple a se send you r n a me a nd add re ss w i t h cre d i t
c a r d d e t a i l s ( i n c l u d i n g C CV ) o r a c h e q u e
(m a d e p a y a b l e t o A d e l a i d e Fe s t i v a l C o r p o r a t i o n) t o:
P O Box 82 21 St at ion A rc ade, Adela ide SA 5000.
He a r A d e l a i d e Wr i t e r s' We e k D i r e c t o r
L a u r a K r o e t s c h o n A B C 89 1 B o o k C l u b , f i r s t
Fr i d a y o f e a c h m o n t h a t 3 . 3 0 p m .
Spec i a l Tha n k s :
Ca n ada Cou ncil for t he A r t s

C o p y r i g h t A g e n c y L i m i t e d , E m b a s s y o f It a l y
Em ba ss y of Spa in , G oet he-In st i t ut ,
I n d e p e n d e n t A r t s Fo u n d a t i o n , I n s t i t u t o C e r v a n t e s
Sy d n e y, N e w Z e a l a n d B o o k C o u n c i l , Un i v e r s i t y
o f S o u t h A u s t r a l i a a n d US A C o n s u l a t e
Th is projec t ha s been a ssisted by t he Com monwe a lt h
G over n ment t h roug h t he Aust ra lia Cou ncil,
i t s a r t s f u n d i n g a n d a d v i s o r y b o d y.
52
R aising the Dea d :

H istory an d F i c tion
T he Away-Boun d T rain :
Writers on P la c e
History and fiction have long made strange

bedfellows. Join four of our finest writers, all of
whom have, in very different ways, used fiction
to interrogate history. Javier Cercas best-selling
writings have ingeniously explored the legacies
of the Vietnam War and the Spanish Civil War;
Ron Rashs lyrical narratives have long mined
the troubled history of the American South;
Kate Grenvilles award-winning trilogy about
life in colonial Australia has won her legions
of fans the world over; and Jenny Erpenbecks
poetic fictions gracefully engage with Europes
most enduring ghosts. Join them for readings
and in conversation with David Marr.
Wh e r e
Be it in the Australian bush or an English

country garden, place is at the heart of works
by these four extraordinary writers. Iconic
poet Les Murray has long chronicled the
rough beauty of the Australian landscape;
novelist Alan Hollinghurst's revelations of
Englands twilight places have made him a
Man Booker favourite; acclaimed novelist
and playwright Caryl Phillips writes some
of our most compelling explorations about
the complexities of travel; and Griffin Prize
winning poet and essayist Dionne Brands
powerful narratives help illuminate an
increasingly dangerous post 9/11 world.
Join them for an evening of readings and
conversation with Peter Goldsworthy.
E l d e r H a l l , t he u n i v e r s i t y o f a d e l a i d e
north terr ace
Wh e r e
Wh e n
M o n 5 M aR 7. 3 0 pm
D u r ati o n
T ic k e ts
A d u lt $ 2 8 , F r i e n d s $ 2 4 , c o n c e s s i o n $ 1 5
B o o k ings
A d e l a i d e T o w n H a l l , k i n g w i l l i am s t r ee t
Wh e n
T u e 6 M a r 7. 3 0 pm
D u r ati o n
T ic k e ts
A d u lt $ 2 8 , F r i e n d s $ 24 , c o n c e s s i o n $ 1 5
B o o k ings
53
A fternoon T ea at
Beec h w oo d w ith
M y les Bal d w in
K i d s
program
South Australias Beechwood is one of

Australias great heritage gardens. This unique
Victorian-style garden includes a spectacular
collection of exotic trees, secret grottos and an
historic conservatory. Join us for afternoon tea
with landscape designer, writer and gardener
Myles Baldwin, one of Australias foremost
authorities on heritage gardens. During this
entertaining and informative afternoon Myles
will discuss the history and architecture
of heritage garden design. Beechwood is a
privately owned garden and this event offers
garden enthusiasts an exceptional opportunity
to experience its beauty.
Storytelling, crafts, drawing, singing

and one rather crooked stilt-walking man
come together for a day of full on fun,
rampant creativity and imagination gone
wild when Adelaide Writers Week hosts
the first annual Kids Program. Join awardwinning childrens writers and illustrators
for a day created especially for our
youngest readers.
Wh e r e
Bee c hw o o d G a r d e n , 3 6 S n o w s R o a d s t i r l i n g
Wh e n
S u n 4 M a r 4 pm
D u r ati o n
90 minutes
T ic k e ts
$ 6 5 ( i n c l u d e s a f t e r n o o n t ea
a n d a g l a s s o f c hampag n e )
Watch out for the full program when the

Adelaide Writers Week program is
released in January and online at
adelaidefestival.com.au.
Wh e r e
P i o n ee r W o me n s M em o r i a l G a r d e n
k i n g w i l l i am r o a d
Wh e n
S u n 4 M a r 9 am t o 3 pm
AGE S
Ze r o t o e i gh t
T ic k e ts
FR E E
B o o k ings
Il l u s t ra t i o n f ro m B o r i s b y A n d re w Jo y n e r,
p u b l i s h e d b y P uf f i n B o o k s
54
Wh e r e
P i c c a d i l l y c i n ema
1 8 1 o ' c o n n e l l s t r ee t
d o c tor w ho
an d the daleks
Wh e n
S u n 4 M a r 5 . 3 0 pm
D u r ati o n
75 minutes
T ic k e ts
A d u lt $ 2 5
c h i l d r e n t o 1 5 y ea r s $ 1 5
B o o k ings

o r B A SS 1 3 1 2 4 6
I n c on v ersation w ith
a w ar d - w inning fantas y w riter
R o b ert S hearman
Multi-award-winning fantasy writer Robert Shearman
famously returned the Dalek to Doctor Who in an episode
originally viewed by some 8.6 million fans - The Times
called it an unqualified triumph.
Join him in conversation with Ian Mond, Doctor Who
story writer, critic, editor and horror enthusiast
and enjoy a screening of the Dalek episode.
Shearmans association with Doctor Who began in
2003 and in addition to his television scripts has
included award-winning contributions in both the
audio range and in print.
Come dressed as your favourite Doctor Who character
if you dare.
Ph oto: Doc tor Wh o l ogo
TM
BBC 2005
55
film
SE S SIONS
C i n ema P a r a d i s o
M e r c u r y C i n ema
m o r phe t t s t r ee t
M o n 2 7 Fe b 7. 3 0 pm
Ennio Morricone
I n C o n v e r s at i o n W i t h
Da v i d S t r a t t o n a n d
The G o o d , t he Ba d & t he Ug l y
P i c c a d i l l y C i n ema
Sa t 3 ma r 6 . 3 0 pm
The U n t o u c ha b l e s
M e r c u r y C i n ema
T u e 2 8 Fe b 7. 3 0 pm
O n c e Up o n a T i me i n t he W e s t
P i c c a d i l l y C i n ema
Th u 1 M a r 7. 3 0 pm
A FISTFUL OF MUSIC
T I C KE T S
IN CONV E RS A TION & f i l m $ 2 5

FIL M S ( E A C H ) $ 1 5
B o o k ings
EN N I O M O R R I CO N E FI L M R E T ROSPEC T IV E
Ennio Morricones baroque and humorously Wagnerian
scores for Sergio Leones spaghetti westerns revolutionised
film composition in the 1960s. Almost fifty years and more than
400 films later, after working with directors as diverse
as Bertolucci, Malick, Pasolini, De Palma, Tornatore and
Carpenter, and collaborators from Yo-Yo Ma to the Pet
Shop Boys, the Maestro comes to Adelaide.

o r B A SS 1 3 1 2 4 6
me r c u r y c i n ema
o n ly
To celebrate, Bigpond Adelaide Film Festival and

Adelaide Festival present four of Morricones most famous
and influential films: Leones The Good, the Bad and the Ugly
and Once Upon A Time in the West, Guiseppe Tornatores Oscarwinning Cinema Paradiso, and Brian De Palmas stirring The
Untouchables. Dont miss the chance to seeand listen to
these films on the big screen with full cinema sound.
presented by Big pond Adelaide Film Fes tival and

Adelaide Fes tival
Film still: Clint Eastwood T h e G o o d , t h e B a d a n d t h e Ug ly
56
VI S UA L A R T S
W H ERE and wh e n
A n n e A ND G o r d o n Sam s t ag M u s e u m o f A r t : F r i 2 M a r t o S u n 1 8 M a r = Da i l y 1 0 am 5 pm
T u e 2 0 M aR t o Th u 5 A p r = T u e t o F r i 1 1 am 5 pm / Sa t t o S u n 2 pm 5 pm
A u s t r a l i a n E x pe r i me n t a l A r t F o u n d a t i o n : F r i 2 M a r t o s a t 1 7 M a r = Da i l y 1 0 am 5 pm
T u e 2 0 M a r t o Sa t 3 1 M a r = T u e t o F r i 1 1 am 5 pm / Sa t 2 pm 5 pm ( n o t s u n )
C o n t emp o r a r y A r t Ce n t r e o f S A : Th u 1 M a r t o S u n 1 8 M a r = Da i l y 1 0 am 5 pm
T u e 2 0 M a r t o S u n 1 A p r = T u e t o F r i 1 1 am 5 pm / Sa t t o S u n 1 pm 5 pm
F l i n d e r s U n i v e r s i t y C i t y G a l l e r y : F r i 2 M aR t o S u n 1 8 M a r = Da i l y 1 0 am 5 pm
T u e 2 0 M a r t o Th u 5 A p r = T u e t o F r i 1 1 am 4 pm / Sa t t o S u n 1 2 pm 4 pm
C o n ta i n s n u d i t y
FR E E
Photo: Soc ratis Soc ratous, Architec tural Strateg y, 2011, c-print.
Cour tesy the ar tist and Omikron Galler y, Cyprus.
57
VI S UA L A R T S
restless
a d elai d e international 2 0 1 2
Cu r ator Vic tor ia Ly n n
This second Adelaide International includes the work of 18

artists and features five works that will premiere in Adelaide.
The exhibition explores the restlessness of our times. The artists
seek out threshold experiences and create works that convey an
ongoing transition from one condition to another.
By exploring physical force fields, or by negotiating complex
cultural sites, the artists create the sensation of being catapulted
into the spaces between the extremities of the living "heavens"
and "hells" in our contemporary era.
Restless wa s
a ssisted by t he
Sout h Aust ra lia n
G over n ment t h rough
A r t s SA , Aust ra lia
India Council and
US A C o n s u l a t e .
A RTIST s
F r a n c i s A l s ( Be l / M e x )
N . S . H a r s ha ( I n d )
Ch o s i l K i l ( S t h K o r / U K )
A n n i ka La r s s o n ( Swe ) /
a u g u s t i n ma u r s ( f r a )
Te r e s a M a r g o l l e s ( M e x )
Ra b i h M r o u ( Le b )
Sa s k i a O l d e W o l b e r s ( NeD / U K )
P o s t c o m m o d i t y ( US A )
L i s a Re i ha n a ( NZ )
A n r i Sa l a ( A l b / G e r )
S o c r at i s S o c r at o u s (C y p)
Na n c y Spe r o ( US A )
Da n ae S t r a t o u ( G r E )
J i n o o s Tagh i z a d eh ( I r a n )
P RE S E N T I N G
P A R T N ER
presented by Adelaide Festival in collaboration with the Anne and Gordon

Sams t ag Museum of Ar t, the Aus tralian E xperiment al Ar t Foundation, the Contemporar y
Ar t Centre of South Australia and the Flinders University City Gallery
58
VI S UA L A R T S
PA R A L L E L CO L L I S I O N S
2 0 1 2 a d elai d e B I E N N I A L O F A U S T R A L I A N A R T
Curators Nat a sha Bullock and A lex ie Gla ss-Kantor
An experiential proposition inspired by art, cinema and literature,

the 2012 Adelaide Biennial explores the ways in which ideas emerge,
converge and re-form through time. From a floating island of 2000
cut-glass objects to an explosive light installation that clocks in real
time human births, deaths and dying stars, this Biennial considers the
temporality of the present as it parallels and collides with the past.
Across four physical platforms, Parallel Collisions presents
21 commissioned works by some of Australias leading artists,
21 original texts, a designer, an architect, two curators
and an institution, forming a connective tissue that attempts
to understand our subjective experience of time.
A RTIST s
R i c ha r d Be l l
S t ephe n B r am
Pat B r a s s i n g to n
P h i l i p B r o ph y
R o b e r t C o o k v s M a x P am
Timothy Cook
Da n i e l C r o o k s
Nichol as Foll and
P a t F o s t e r & Je n Be r ea n
M a r c o F u s i n ato
Sha u n G l a d we l l
S u s a n Ja c o b s
J o n a t ha n J o n e s
Y v o n n e K o o l ma t r i e
R o s ema r y La i n g
R o b M c Le i s h
Tom Nichol son
P h i l i p Sama r t z i s
T i m S i lv e r
R i c k y Swa l l o w
M i c he l l e U s s he r
C o l l a b o r a t o r s
Ja n Va n S c ha i k , M i n i f i e Va n S c ha i k A r c h i t e c t s
Fa b i o O n ga r a t o De s i g n
Photo: Top- Stephen Bram ,

ground f loor south galler y,
Ian Pot ter Museum of Ar t,
Melbourne Universit y, 2008,
detail , photo cour tesy Ross
Bird . Cour tesy the ar tist
and Anna Schwar tz Galler y,
Melbourne. Bot tom-Tim
Silver, Untitled (bust) ( pine
Timbermate wood filler), 2011,
detail . Cour tesy the ar tist
and Breenspace, Sydney.
presented by the Ar t Galler y of South Aus tralia and Adelaide Fes tival
59
VI S UA L A R T S
W H ERE and wh e n
A r t G a l l e r y o f SOUT H A USTR A LI A , N o r t h Te r r a c e
F r i 2 M a r t o S u n 2 9 A p r = D A ILY 1 0 am t o 5 pm
FR E E
S E L E CT E D
TI M E S
Th is proje c t ha s be en a ssiste d by t he Aust ra lia n

G over n ment t h roug h t he Aust ra lia Cou ncil for
t h e A r t s , i t s a r t s f u n d i n g a n d a d v i s o r y b o d y, a n d b y
t h e Vi s u a l A r t s a n d C r a f t S t r a t e g y, a n i n i t i a t i v e
o f t h e A u s t r a l i a n , S t a t e a n d Te r r i t o r y G o v e r n m e n t s .
A r t Ga ller y of Sout h Aust ra lia ack now le dge s
e x h i b i t i o n p a r t n e r T h e B a l n a v e s Fo u n d a t i o n .
60
VI S UA L A R T S
D e a dly w a s
m a d e p o s s i ble
t hrough Arts
SA's New
E x h i bi t ion s
Fu n d .
W H ERE and wh e n
Ta n d a n y a , Na t i o n a l A b o r i g i n a l C u l t u r a l I n s t i t u t e , G r e n f e l l S t r ee t
t u e 2 8 Fe b t o S u n 2 5 M a r = Da i l y 1 0 am 5 pm
FR E E
Julie G ough , Some words for change, 2008, Invisible L odge

Friendly Beaches, Freyc inet, Tasmania , photo Sim on Cuthber t
61
VI S UA L A R T S
d ea d ly
IN-BE T WEEN HE AVEN AND HELL
Curators Fulv ia Mantelli and Renee Johnson
C u r a t o r i a l a d v i s o r s Tr o y -A n t h o n y B a y l i s , N i c i C u m p s t o n a n d B r e n d a L . C r o f t
For many Indigenous peoples, heaven on earth is the divine world shaped
by ancestral creators, where connection to country and culture are in
harmony with the experience of self and community. At the other extreme,
the legacies of incursion and assimilation are a living hell. The in-between
is uneasy, lined with hope and echoing with resilience.
The term "deadly" is used in the mainstream to mean lethal and dangerous;
for Aboriginal Australians it affirms splendour. This provocative new
survey explores the in-between space hovering between dystopian
nightmare and utopian dream.
Deadly features newly commissioned works by eight leading Australian
First Nation artists and collectives, including installation, moving image,
painting, fibre, sculpture and glass.
A RTIST s
L o r r a i n e C o n n e l ly- N o r t heY ( NS W )
J u l i e G o u gh ( Ta s )
Bea v e r Le n n o n ( S A )
T r e vo r N i c ko l l s (SA)
Sa n d r a Sa u n d e r s ( S A )
Yh o n n i e S c a r c e ( V i c / S A )
Tj a n p i De s e r t W ea v e r s ( NT/ S A )
Tj u n g u P a ly a : K e i t h S t e v e n s & G i n ge r W i k i ly i r i
(SA)
p r e s e n t e d b y Ta n d a n y a N a t i o n a l A b o r i g i n a l C u l t u r a l I n s t i t u t e
and Adelaide Festival
62
V isual A rts
into c osmos
artists ' w eek
C o - c onvene d by Vic tor ia Ly n n a nd Ni kos Pap a s ter g ia d is
Associate Lucy Guster
The broad themes of the Adelaide Festival faith, emotion, mystery,

universe are taken as starting points for reflection on how art is engaged in
the making of cosmology. Cosmos refers to the realm of imaginary possibilities
and the systems by which we make sense of our place in the world.
Featuring brilliantly constructive and imaginative thinkers, Artists Week
provides a forum for an exchange between international and national
perspectives on the key issues that shape contemporary art.
Fri 2 Mar
Sa t 3 M a r
The P r e s e n t n e s s
o f U to p i a s
The G eo g r aph y o f
t he Imag i n at i o n
At its outset ar t histor y sets

out to explore the bonds
bet ween cosmologies and ar tistic
prac tice. The interpretation of
contemporar y ar t now returns to
the question of the spirit of thing s
and belonging in an open world.
This day begins by examining the
presentness of utopia and living
with faith without cer titudes.
Place mat ters in ar t. But

ar tists do not confine their
imagination to their place of
origin. This tension bet ween forms
that aspire to universal appeal
and the specificit y of local
knowledge is the focus of this day.
op e nin g key n o t e
Ja n Ve r w o e r t
P RE S E N T I N G
P A R T N ER
Berlin-based art critic Jan

Verwoert is one of the most
brilliant and constructive
thinkers about contemporary
art working today. He has written
widely about contemporary art
as a contributor to magazines
such as Frieze, Afterall
and Metropolis M. Currently
teaching at the Piet Zwart
Institute, Rotterdam, his recent
book is titled Tell Me What You
Want, What You Really Really
Want (2010).
keynote
Cuauhtmoc Medina
Art critic, curator and historian

Cuauhtmoc Medina is based in
Mexico City. He is a researcher
at the Instituto de Investigaciones
Estticas at the National
University of Mexico, and was
the first Associate Curator of
Latin American Art Collections
at Tate Gallery, UK. A long
term collaborator of artist
Francis Als, he has curated
and published extensively on
his work . He is the curator of
the forthcoming Manifesta9.
63
V isual A rts
Wh e r e
Sun 4 Mar
Mon 5 Mar
A m b i e n t Image s
Spec t r e s o f t he
A b y s s a n d t he
Hor ror of the Void
Images are so per vasive that it is

now only possible to imagine the
world through competing images.
This contest also occurs through
rival media. What is the critical
func tion of the image in the
realm of social media and an allsurrounding visual culture?
keynote
Hou Hanru
A prolific writer and curator,

Hou Hanru is Director of
Exhibitions and Public Programs
at the San Francisco Art Institute.
He curated the Istanbul Biennial
(2007) and the Lyon Biennial (2009)
and is one of the first curators and
thinkers to examine postmodern
issues of nomadic identity, hybridity,
globalised mobility, what he calls
in-betweeness and artists living
in the diaspora.
banquet room
adel aide festival centre
Wh e n
Fri 2 Mar Mon 5 Mar

T ic k e ts
FR E E
The other side of this world has

always presented us with fear and
delight. It is where the infinite and
nothingness are most power fully
felt. In this final day we conclude
by exploring the fascination with
the eternal abyss and its inf luence
on the spark of imagination.
selec ted times
keynote
Ba r b a r A C r ee d
Professor of Cinema Studies at

the University of Melbourne,
Barbara Creed has spoken and
published widely in the area of
film and visual cultures. Her books
include The Monstrous-feminine:
Film, Feminism, Psychoanalysis
(1993) and Phallic Panic: Film, Horror
and the Primal Uncanny (2005).
Her current areas of research are
animals and the emotions and the
cinema of human rights.
closing keynote
Pa u l Ca r t e r
Acclaimed author, artist and

interdisciplinary scholar, Paul
Carter is the Professor of
Creative Place Research, Deakin
University, Melbourne. Interested
in turbulences in human and nonhuman systems, his work includes
public art works, installations
and radiophonic works and books
include Ground Truthing (2010),
Dark Writing (2008) and Material
Thinking (2004) .
F u l l A r t i s t s We e k p r o g r a m a n d Vi s u a l
A r t s G u i d e r e l e a s e d i n D e c e m b e r 2 01 1 .
Re g ister for you r f re e copy at
adela idefe st i va l .com . au .
R e s e a r c h f o r A r t i s t s We e k h a s b e e n
suppor te d by School of Cu lt u re a nd
C om mu n ic at ion , Un i ver si t y of Mel b ou r ne .
T h i s pr oj e c t i s a s s i s t e d by t h e Au s t r a l i a n
G over n ment t h roug h t he Aust ra lia
Cou ncil for t he A r t s, i t s a r t s f u nd ing
a n d a d v i s o r y b o d y.
Workshops
A r t i s t s We e k a g a i n o f f e r s a s e r i e s o f
excit ing work shops g i v ing emerg ing
a r t ist s a n exclusi ve oppor t un it y to
work a long side a nd le a r n f rom selec ted
inter nat iona l g uest s of ou r v isua l a r t s
prog ra m . L im ited places a re ava ila ble
for t he work shops t a k ing place in
Fe b r u a r y a n d M a r c h 2 01 2 .
Det a ils: adela idefe st i va l .com . au
64
WOM A D
Twenty years ago, Adelaide Festival began Australias

boldest celebration of global music culture; today,
WOMADelaide is a joyous, internationally renowned fourday festival of music, arts and dance from across the world.
Some of the biggest names in music celebrate the events
2012 milestone, including the "Voice of Africa", Youssou
NDour, who performed at the first festival in 1992. There
will be welcome returns from festival favourites - the
insatiable rhythms of the Master Drummers of Burundi,
the French chanson-gypsy sound of Lo'Jo, Irelands Sharon
Shannon Big Band, Indias santoor virtuoso Shivkumar
Sharma, funky roots band Blue King Brown and Broomes
mighty Pigram Brothers.
But WOMADelaide is not merely about enjoying the
familiar its great virtue has been thrilling audiences
with unexpected talent. The 2012 event has such riches in
abundance, from the inspirational Staff Benda Bilili to the
exquisite songbird Eddi Reader. They will be joined by
many new artists to delight in, from South Africas iconic
Johnny Clegg, to Spanish flamenco-fusion sensation Diego
Guerrero Septet, Swedish folk duo First Aid Kit, Jamaican
reggae giants Groundation, the extraordinary Ukulele
Orchestra of Great Britain and many more.
Wh e r e
B ota n i c Pa r k
Wh e n
F r i 9 M a r TO M o n 1 2 M a r
T ic k e ts
NIG H T P A SSES F ROM $ 8 6 *

S A T OR SUN D A Y & NIG H T P A SSES F ROM $ 1 2 3 *
t h r e e - D A Y P A SSES F RI / S A T/ SUN F ROM $ 2 1 9 *
f o u r - D A Y P A SSES F RI / S A T/ SUN / MON F ROM $ 2 4 3 *
C H I L DREN UNDER 1 2 A DMITTED F REE
W IT H A CCOM P A NYING A DU LT
* P L US B OO K ING F EE
B o o k ings
w o m a d e la i d e . c o m . a u o r f o x t i x 1 3 0 0 1 1 1 3 6 9
P roduced a nd presented by t he
WOM A D e l a i d e Fo u n d a t i o n a n d
ma na ge d by A r t s P roje c t s Aust ra lia
a n d WOM A D L t d . P r e s e n t e d i n
a ssociat ion w it h t he G over n ment of
Sout h Aust ra lia a nd proud ly suppor te d
by Inter node. P resented a s pa r t of t he
A d e l a i d e Fe s t i v a l .
A ll det a ils cor rec t at t he t ime of pr int ing.
WOM A D e l a i d e r e s e r v e s t h e r i g h t t o
cha nge t he prog ra m w it hout not ice.
F u l l l i n e u p r e l e a s e N o v e m b e r.
P h o t o: To ny L e w i s
WO M A Delai d e
66
F4
first fa c tual
films festi v al
Wh e r e
M E RCURY CIN E M A
m o r phe t t s t r ee t
Wh e n
Fri 2 Mar Sun 4 Mar
P h o t o: E l Ve l a d o r Ma r t i n y l a Ne g ra
T ic k e ts
FR E E
s e ssi o n tim e s
Documentaries are food for thought. Immerse yourself in an

unprecedented program of First Factual Films Festival cinema
by international master filmmakers and the next generation of
Australian documentarians. F4 films provide a unique window
into worlds, cultures and places, celebrating the authors of the
screen and their unique points of view. Filmmakers attend each
screening and a post-show Q&A. F4 offers a rare opportunity
to see remarkable documentaries on the big screen.
presented by Australian International Documentary

Conference in association with Adelaide Festival
The Australian Performing Arts Market (APAM) showcases

Australia and New Zealands best new performing arts.
Held over five days at the Adelaide Festival Centre alongside
Australias leading summer festivals, Adelaide Festival and
Adelaide Fringe, APAM features more than 40 ready-to-tour
excerpt and full length performances, pitch sessions for work
in development, forums, workshops, arts exhibit booths
and networking events.
Wh e r e
Wh e n
S u n 2 6 Fe b Th u 1 M a r
for fur ther information and registration contact

Ar ts Projec ts Australia: per forming ar tsmarket.com.au,
apam@ar tsprojec ts.com.au, +61 8 8271 1488
A PA M is f u n d ed by t h e A u s t r a lia n G ove r n m e n t t h ro u g h
the Australia Council for the Ar ts and the South Australian
Government through Arts SA
presented in association with the Adelaide Festival,
Adelaide Fringe and Adelaide Fes tival Centre
a d elai d e w riters ' w eek

program
M ake frien d s w ith

A ustralia ' s
fa v ourite festi v al
Become a Friend, A ngel
or Patron and receive discounted
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Details : 0 8 8 2 1 6 4 4 4 4
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T o pur c hase your $ 1 0 cop y c all 0 8 8 2 1 6 4 4 4 4
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FE STIVAL FIR ST CL A SS LO U N GE
An exclusive benefit to our corporate partners and
individual donors, the Festival First Class Lounge
provides an escape from the festival crowds to a private
lounge. Hosted by our ver y own Artistic Director Paul
Grabowsk y, g uests will mingle with key decision makers
from South Australia's leading businesses, government,
Adelaide Festival board members and headline artists.
Hear special insights on festival performances while
enjoying premium pre-show hospitalit y.
To find out how you can gain access to this
exclusive lounge contact our Business Development Director
on 08 8216 4444.
BOOKINGS
ONLIN E
adelaidefestival.com.au
P H ON E
BASS 131 246
M A IL / FA X
Simply fill out the booking

form on page 72 and post
or fa x it to:
BASS Festival Bookings
GPO Box 1269
Adelaide SA 5001
Fax 08 8231 0550
IN P E RSON
Tickets are available at any

BASS outlet. Outlet details :
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FRI E NDS mem b e r s h i p
Become a Friend of the

Adelaide Festival for
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seating and more. Details:
TIC K E T DISCOUNTS
FRI E NDS
Current Friends, Angels

and Patrons of Adelaide
Festival are entitled to
discounted tickets
(ma ximum of two discounted
tickets per event).
CONC E SSION
Full-time students,
pensioners and unemployed
persons are entitled to
concession price tickets.
Valid identification must be
provided for ticket collection
and for admission to the venue.
FRIN G E B E N E FITS
If youre aged 18 to 30 you

can purchase from a limited
number of discounted tickets
to selected festival events.
Details: fringebenefits.com.au
G ROU P BOO K IN G S
Groups of 10 or more may

book for selected events at
the group price (equivalent to
the Friends price). For more
information call BASS Group
Bookings: 08 8205 2220.
B E ST S E ATS IN T H E H OUS E
In addition to generously
discounted ticket prices,
Friends, Angels and Patrons
can access the best seats in
the house during the priority
seating period from Wed
19 Oct to Sun 20 Nov 2011.
During this period an
allocation of the best seats
for every festival event
is reserved exclusively for our
Friends, Angels and Patrons.
When you book via mail, fa x,
phone or in person, your tickets
will automatically be taken
from these reserved seats.
R E FUNDS A ND E XC H A N G E S
Adelaide Festival regrets that

it is not possible to refund or
exchange completed bookings.
F E STIV A L A CCO M M OD ATION

S P ECI A LS
Show Group Enterprises, the

proud travel partner of the 2012
Adelaide Festival, provides very
competitive rates at Adelaide
hotels throughout the Festival
period. Accommodation rates
start at $165 per room, per
night, with availability on a first
in, first served basis. Details:
P R E- S H O W DININ G
Two course Banquet Room
dinner available 90 minutes
prior to performances, $35.
Reservations: BASS 131 246
or bass.net.au.
Adel aide Town Hall
Bistro meals available 90

minutes prior to performances.
Bookings (not essential):
08 8203 7962.
P le a s e pr e s ent you r
m em b er s h i p c a r d /nu m b er
w h en b o ok i n g .
Ad v e r t i s e d t ic k e t pr ic e s i n c lu d e
G S T a n d a l l b o o k i n g fe e s .
S e r v ic e fe e s m a y a p pl y.
G IFT VOUC H E RS
T h e i n for m a t ion c ont a i n e d i n

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of pr i nt (S e p t e m b e r 2 01 1).
Tickets to Adelaide Festivals

world-class entertainment are
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a n d f u r t h e r b o o k i n g c on d i t ion s
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DIS A BILITY A CC E SS
We aim to make the
festival as accessible
to as many people as
possible. All festival
venues are equipped
with disability access
facilities. When
booking your ticket
please inform the
operator of any access
requirements.
The Adelaide
Festival website at
has font enlargement
capabilities; this
brochure available
in text and audio
formats and some
program description
videos in Auslan.
Access symbol s
Wheelchair access
Audio description
Sign interpreting
Assistive listening
systems
75
50
Fully surtitled
providing access to
spoken word but not
background music
or sounds
May have music/
sounds in the
background, or
be partly captioned
(or surtitled)
Open captioning
Companion Card
holders qualify for
concession price tickets.
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A DE L A IDE F ESTIV A L
ONLIN E
Make the most of your

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For the latest news, up to date
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giveaways, join us online at
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Talk about us online using:

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#AdlWW
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W H A T S T H IS ?
Download the Adelaide

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to go to the mobile web pages.
2012 CALENDAR
s H oW
v En u E
PG
tHEAtrE
A strEEtcAr
rAoul
tHE cArEtAKEr (tHrouGH to fri 23 MAr)
HArd to bE A God
bloodlAnd
i AM not An AniMAl
scHool dAncE
fEstivAl tHEAtrE
fEstivAl tHEAtrE
HEr MAjEsty's tHEAtrE
old cliPsAl sitE
dunstAn PlAyHousE
AdElAidE zoo
sPAcE tHEAtrE
6
8
10
20
22
30
32
tHE HAM funErAl (PrEviEW sAt 25 fEb)
odEon tHEAtrE
35
instructions for An iMAGinAry MAn
AdElAidE GAol
40
EldEr PArK
fEstivAl tHEAtrE
AdElAidE toWn HAll
14
16
24
AdElAidE toWn HAll
26
AdElAidE toWn HAll

AdElAidE toWn HAll
AdElAidE toWn HAll
26
33
36
Music
Ennio MorriconE livE
MAss by lEonArd bErnstEin
frEiburG bAroquE orcHEstrA
HilliArd EnsEMblE And tHE AustrAliAn
cHAMbEr orcHEstrA
tHE HilliArd sonGbooK
MilEs dAvis:PrincE of dArKnEss
j.s. bAcH: st joHn PAssion
tHE GAlilEo ProjEct:
Music of tHE sPHErEs
toWArds liGHt
tHE fEstivAl @ luncH
WoMAdElAidE
dAncE
WAtEr stAins on tHE WAll
GArdEniA
nEvEr did ME Any HArM
ProxiMity (P: fri 24 fEb, on: sAt 25 fEb)
MAlM
fEstivAl club
bArrio - frEE
EddiE PAlMiEri's lAtin jAzz sExtEt - frEE
GEnEsis brEyEr P-orridGE & PsycHic tv
cHiri & sEnyAWA
cHArlEs brAdlEy
roKy EricKson
AriEl PinK's HAuntEd GrAffiti
HErMEto PAscoAl
MicHAEl rotHEr And GuEsts
jAnE birKin sinGs sErGE GAinsbourG
filM
A fistful of Music - MorriconE
A fistful of Music - MorriconE
A fistful of Music - in convErsAtion
And filM
f4
AdElAidE WritErs' WEEK
AdElAidE toWn HAll
37
AdElAidE toWn HAll

EldEr HAll
botAnic PArK
38
39
64
dunstAn PlAyHousE
dunstAn PlAyHousE
sPAcE tHEAtrE
HEr MAjEsty's tHEAtrE
WAtErsidE
12
18
28
34
41
HAjEK PlAzA
HAjEK PlAzA
HAjEK PlAzA
HAjEK PlAzA
HAjEK PlAzA
HAjEK PlAzA
HAjEK PlAzA
HAjEK PlAzA
HAjEK PlAzA
HAjEK PlAzA
42
44
45
47
45
47
46
48
48
49
MErcury cinEMA
PiccAdilly cinEMA
55
55
PiccAdilly cinEMA
55
MErcury cinEMA
66
WoMEn's
AdElAidE WritErs' WEEK dAy sEssions - frEE PionEEr
MEMoriAl GArdEn
EldEr HAll
AdElAidE WritErs' WEEK: rAisinG tHE dEAd

AdElAidE WritErs' WEEK:
tHE AWAy-bound trAin
AftErnoon tEA WitH MylEs bAldWin
WritErs' WEEK Kids' ProGrAM - frEE
doctor WHo And tHE dAlEKs
visuAl Arts
AdElAidE intErnAtionAl - frEE
(tHrouGH to tHu 5 APr)
AdElAidE biEnniAl - frEE
(tHrouGH to sAt 29 APr)
dEAdly - frEE
(tHrouGH to sAt 25 MAr)
Artists' WEEK - frEE
AdElAidE toWn HAll
Mon
2 7/ 2
tuE
2 8/ 2
W Ed
2 9/ 2
tHu
1/3
fr i
2/3
s At
3/ 3
8PM
8PM
7PM
8PM
8PM
su n
4/3
P 2PM & P 7PM

P 6.30PM P 6.30PM P 6.30PM
2PM & 8PM
7.30PM
7PM
8PM
8PM
8PM
8PM
8PM
7.30PM
9PM
7.30PM*
8PM
8PM
8PM
8PM
6PM
10PM
10PM
9.30PM
9.30PM
7PM
7.30PM
7.30PM
7.30PM
6.30PM
50
52
52
bEEcHWood HEritAGE
GArdEn
PionEEr WoMEn's
MEMoriAl GArdEn
PiccAdilly cinEMA
53
54
5.30PM
vArious
56
Art GAllEry of sA
58
tAndAnyA
60
bAnquEt rooM Afct
62
53
4PM
= all day
mon
5/ 3
tue
6/ 3
7pm
7pm
wed
7/ 3
7PM
6.30PM
7PM
6.30PM
7PM
thu
8/ 3
fr i
9/ 3
s at
1 0/ 3
sun
11/3
P 8PM
9PM
8pm
P 8PM
9pm
8pm
8PM
9pm
2pm* & 8pm
7PM
7PM
2PM & 7PM
8PM
8PM
2PM & 8PM
3pm
7PM
3PM & 7PM
7PM &
9.30PM
8PM
8pm*
7PM
mon
12 / 3
3PM*
9pm
2pm
tue
13/ 3
6.30PM
9PM
6.30PM
* = festival talk
p = preview
wed
14 / 3
thu
1 5/ 3
fr i
1 6/ 3
s at
17/ 3
su n
1 8/ 3
8pm
8pm
8pm
8pm
2pm
8PM
9PM
8PM
8PM
8PM
3PM
6.30PM
6.30PM
6.30PM
6.30PM
8PM
8PM
8PM
3PM
8PM*
8PM*
11am &
6.30PM
7pm
8pm
7pm
8pm
1pm
1pm
7PM*
1pm
1pm
1pm
5pm
7.30pm
1pm
1pm
1pm
1pm
1pm
8.30PM
8.30pm
8.30pm
8.30pm
7pm*
7pm
7pm
2pm & 7pm
9.30Pm
9.30Pm
9.30Pm
6pm
7.30pm
9.30Pm
9.30Pm
9.30Pm
9.30Pm
7pm
7pm
7pm
7pm
7pm
7pm
7pm
7.30pm
7.30PM
72
S t ep
1 .
c o n t a c t
d e t a i l s
Title First name Surname

Address
Suburb State
Postcode
Telephone (daytime) Telephone (mobile)

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S t ep
[
2 .
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] I am a 2012 Friend / Angel / Patron of Adelaide Festival
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Join at step 3
] I am a pensioner
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3 .
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e v e n t
Date
d e t a i l s
Time
Premium
A, B, C Res
Full
price
Friends
Qty price
Concession
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Qty Total
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FAX
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5
18
10
HACK
ME
19
RO
AD
Adelaide
Railway 2
Station 1
21
OAD
NEY R
FRO
E
KINTORE AV
ROAD
KING WILLIAM
13
14
17
12
E
NORTH TERRAC
8
16
L
RUNDLE MAL
ET
HINDLEY STRE
CURRIE STREET
ET
GRENFELL STRE
HINDMARSH
LIGHT
SQ
EET
FLINDERS STR
15
EET
WAKEFIELD STR
VICTORIA
SQ
TE
VI
LL
TE
RR
AC
CARRINGTON
T
WRIGHT STREE
WHITMORE
SQ
T
GILBERT STREE
STREET
ET
HALIFAX STRE
HURTLE
SQ
EAST TERRACE
STREET
KING WILLIAM
ET
ANGUS STRE
T
GOUGER STREE
STURT STREET
ET
HUTT STREET
PIRIE STREET
4
FROME STREET
GROTE STREET
SQ
PULTNEY STREET
E
WEST TERRAC
ET
FRANKLIN STRE
ET
MORPHETT STRE
REET
WAYMOUTH ST
20
EQ
GILES STREET
E
SOUTH TERRAC
GL
EN
SM
11
ND
RO
AD
AD
GREENHILL RO
1 B A RRIO
King William Road
2 A D EL A ID E F E STIVA L C ENTR E
b a n q u e t ro o m
D u n s ta n P l ay h o u s e
Fe s t i va l Theat r e
S PAC E T H E ATR E
King William Road
3 A D EL A ID E gao l

18 Ga ol Road , Thebar ton
4 A D EL A ID E tow n ha l l

1 28 King William Street
5 A D EL A ID E zo o

Frome Road
6 A n n e & G o r d o n Sam s tag

M u s eu m o f A rt

Uni S A Nor th Terrace
7 A rt ga l l ery o f s a
Nor th Terrace
8 A u s t r a l i a n E x per i men ta l
A rt Fo u n dat i o n
Li on Ar ts Centre, Cnr Nor th Tce

& Morphet t Street
9 Beec hwo o d H er i tage G a r d en

36 Sn ows Road , Stirling
1 0 b ota n i c pa r k

Plane Tree D rive
1 1 Co n t emp o r a ry A rt Cen t r e
of SA

14 Por ter Street, Parkside
1 5 H er M aj e s t y ' s Theat r e
58 G rote Street
1 6 M erc u ry c i n ema
13 Morphet t Street
1 7 O d eo n Theat r e
57a Queen Street, Nor wood
1 8 P i cc a d i l ly c i n ema
181 O'Connell Street,

North Adelaide
19 P i o n eer Wo men ' s

M em o r i a l G a r d en
1 2 Elder Hall (Adel aide Univer sit y)
King William Road
1 3 El d er Pa r k
2 0 Ta n da n ya Nat i o n a l A b o r i g i n a l
C u lt u r a l I n s t i t u t e
Nor th Terrace
King William Road
1 4 Flinder s Univer sit y

Cit y Gallery
(S tat e L i b r a ry o f S A)

Nor th Terrace
253 G renfell Street
2 1 V i ta l s tat i s t i x P o rt A d el a i d e
( Wat er s i d e )
11 Nile Street, Por t Adelaide
S TA F F A N D S U P P O RT E R S
A C K NO W L E D G E M E NT
FRI E NDS
The Adelaide Festival

acknowledges that the event
is held on the traditional
lands of the Kaurna people
and that their spiritual
relationship with their
countr y is respected.
Thank you to our Friends,

the community suppor ting
body of the Adelaide
Festival. The Friends have
played an integral role in
the histor y of the Adelaide
Festival since the 1960s and
were the founding financial
suppor ters of the Festival.
The Friends provide local
suppor t through membership
and volunteering.
PATRONS
Dr Michael Adena
Mr s Bever ley Brown OAM
Mr Mar k De Raad
Mr Leigh Emmet t
Mr Bar ry Fit zpatrick AM
Mr s Ginger Fit zpatrick
Mr Donald S George
Mr Paul Hyam
Mr Robert Kenrick
MRS MARIANN R MCNAMAR A
Dr Timothy Pa scoe AM
mr richar d ryan ao
Ms Caroline Tr eloar
Dr N Vrodos
mr gr aham walter s am
A N G E LS
Professor Bob Ba x t AO
Mr John Bishop AO
The Hon.D J Bleby QC
Mr Ivor Bowden
Mr s Eliz abeth Bull
mr s fr ancene connor
Lady Downer
Mr s Libby Dunsfor d
Professor Anne Edwards AO
Mr Fr ank For d AM
ms c a sandr a fr anc a s
Mr s Anne Kidman
Dr Bogda Koc z war a
Mr s Joan Lyons
Ms Ar lene Macdonald
Dr Geoffr ey Martin
Mr s Diana McLaurin
Mr s P Menz
Mr Pete Muller
Hon. Dr Kemeri Mur r ay AO
Mr Edward Nichols MBE VRD
Ms M Panagiotidis
Ms Pauline Peel
Mr s Jenifer Porter
Mr Andr ew Robertson
Mr s Gillian Rubinstein
Dr Mar k Tie
Mr s Sue Tweddell
Dr Bar bar a Wall
Mr Robert Whitington
Mr s Pamel a Yule
Anonymous (x 1)
A D E L A ID E F E STIV A L
COR P OR ATION
BO A RD M E M B E RS
Richar d Ryan AO (Chair)
Christie Anthoney
pe ter goer s
(from Sep 2011)
Tammie Pribanic
Caroline Tr eloar
(until Jul 2011)
Gr aham Walter s AM
Stephen Yarwood
A D E L A ID E F E STIV A L
STA FF
PAUL GR ABOWSK Y
Ar tis tic Direc tor
K ATE GOULD
Chief E xecu tive &
A ssocia te Ar tis tic Direc tor
Hil ary Abel
Marketing E xecu tive
Mandy Ar mstrong
Show travel Travel Manager
K ate Donnelly
Prog ram Adminis tra tor
Jane Pentl and

Prog ram E xecu tive
Rayleen For ester

Visual Ar t s Coordina tor
Sar ah Pledge
Marketing E xecu tive
Michelle Fotiou
Marketing Direc tor
Michelle Read
Print Marketing Coordina tor
Dunc an Fr a ser
Senior Publicis t
Gary Staerck
Special Event s Produc tion
Manager
Ross Ganf
Barrio Event Cura tor
Jude Gun
Prog ram E xecu tive
& Producer, Berns tein Mass
Mel Van Deventer

Writer s Week Event Coordina tor
Mer edith Holden

Finance A ssis t ant
Anne Wiberg
Prog ram Coordina tor,
Contemporar y Music
Tar en Hor nhar dt

Produc tion Manager
Tr evor Hor skins
Finance & Adminis tra tion
Direc tor
Anna Hughes
Writer s Week Coordina tor
Laur a Kroetsch
Writer s Week Direc tor
Rachel Kur enda
Business Development
Coordina tor
Vic toria Lynn
Visual Ar t s Cura tor
Char n Magor
E xecu tive O f f icer
Bruce McKinven
Adelaide Writer s Week
Event Desig ner
Prue Ba sset t
Na tional Publicis t
Brianna Meldrum
Produc tion Adminis tra tor
Wendy Benne t t
Senior Finance A ssis t ant
gaelle mellis
Access Consult ant
Tor ben Brookman

Producer (to Sep 2011)
Gillian Mercer
Business Development Direc tor
Sophia Brous
Cura tor, Contemporar y
Music Prog ram
Lesley New ton

Prog ram Direc tor
Bill Coleby
R isk Manager
Michelle Del ane y
Visual Ar t s Produc tion
Coordina tor
Wendy Todd
Fes tival Desig n Coordina tor
Luc y Guster
Visual Ar t s Manager
Tammy Bands
IT Manager
Geoff Cobham
Special Event s Producer
and Fes tival Desig ner
Elise Tobin
Publicis t
Maggie Oster
Produc tion Adminis tra tion
Coordina tor
Holly Owen
Digit al Marketing Coordina tor
Mar k Pennington
Technical Desig n
and Draf ting
ROHAN yates
Produc tion Coordina tor
Adel aide Writer s'

W eek A d v i s o r y
C o mm i t t ee
Pe t er Go l ds wo rt h y A M
(Cha i r)
Christie Anthoney
(Boar d r epr esentative)
Laur a Kroetsch (Dir ec tor)
Brian Ca stro
Delia Falconer
Ker ryn Goldsworthy
Ja son Lake
Melissa Luc a shenko
Nick Pr escot t
Sean Williams
BOO K IN G G UID E
Ma sh
Desig n & Ar t Direc tion
Designl ab
Ar t work & L ayou t
Michelle Read
Andy Scot t
Copy writing
The annual Adelaide Festival

is produced by the Adelaide
Festival Corporation.
Level 9, 33 King William St
PO Box 8221 Station Arcade
Adelaide SA 5000 Australia
Telephone +61 8 8216 4444
Facsimile +61 8 8216 4455
info@adelaidefestival.com.au
a real performer
that wont cost the earth.
supporting
the adelaide
festival
ENV_9894 Adelaide Festival Booking Guide Ad.indd 1
25/08/11 9:18 AM
Seeing a show at the

Adelaide Festival Centre?
Enjoy a pre-show
dinner with a view...
restless
a d elai d e international 2 0 1 2
c atalogue
I l l u s t r a t e d c a t a l o g u e fe a t u r i n g t e x t a n d
i m a g e s f r o m 18 a r t i s t s i n c l u d e d i n t h e
Adela ide Inter nat iona l e x h ibi t ion .
E d i t o r Vi c t o r i a Ly n n
A v aila b le from M ar c h
at e x hi b ition v enues
( d etails page 5 4 ) an d online at
Im a g e: S o c ra t i s S o c ra t o u s , Un t i t l e d I I f ro m t h e s e r i e s
A rc h i t e c t u ra l S t ra t e g y, 2 01 1, c - p r i n t
Casual pre-show dining with iconic views

over Elder Park and the River Torrens.
$35 includes main course, glass of Bridgewater Mill

wine or Coopers beer, coffee and petits fours and
less than a sixty second stroll to your seat.
Open two hours prior to all evening
performances in the Festival Theatre
or pre-book at BASS 131 246.
adelaidefestivalcentre.com.au
business
WE PANDA TO YOUR EVERY NEED!
1300 BOILEAU | boileau.com.au
The Exclusive Provider of

Connected Business Technologies
to the Adelaide Festival.
ENCORE!
ENCORE!
ENCORE!
ENCORE
ENCORE!
ENCORE!
ENCORE!
ENCORE!
ENCORE!
petaluma is proud to be in partnership

with the adelaide festival.
now that deserves a standing ovation!
C O R P O R AT E H O S P I TA L I T Y
With a program packed full of exclusive events, world
premieres and incredible creative talent, Adelaide
Festival is in a unique position to offer unforgettable
corporate hospitalit y experiences. Your clients, staff and
VIPs can enjoy world class entertainment and pre or post
show hospitalit y with packages catering for as few as
10 people to as many as 200.
Contact our Hospitality Coordinator
on 08 8216 4444.
Two shows you cant miss

during the Adelaide Festival.
Proud sponsor of the 2012 Adelaide Festival.
kwp!SAS10148
The Advertiser brings you

the most emotive and inspiring
news and reviews from this
years Adelaide Festival.
Our dedicated arts team will
help you to discover the best
of what the Adelaide Festival
has to offer.
Encore.
kwp!CPR11295
Coopers is proud
to support the
Adelaide Festival.
Again.
Not
there?
Hear.
Nobody loves a festival like we do.
Complement your festival experience with
ABC Radios programming across radio and online.
We dont just cover the festival, were part of the festival.
Join the conversation on air, online, blogged and tweeted.
ABC Radio is a proud supporter
of the 2012 Adelaide Festival
One of the oldest art schools in Australia, UniSAs South Australian School
of Art, was established 156 years ago. Add South Australias youngest public
art gallery, the Samstag Museum of Art, and you have the perfect blend of
the old and the new. Its no wonder UniSA and the Samstag Museum of Art
are proud sponsors of the 2012 Adelaide Festival.
unisa.edu.au/samstagmuseum
JAM USA/0778/24 CRICOS PROVIDER NO 00121B
We have 156 reasons to be proud

sponsors of the Adelaide Festival.
Good for
your
community
With every product or service Bendigo Bank offers,
money goes back into the community to support local
projects and initiatives.
It means that as a customer you benefit from
competitive products and great service and get the
satisfaction of knowing your banking is contributing to
your community.
So make a difference. To your own banking. And to
your community. Call into your nearest branch or phone
1300 BENDIGO.
Bendigo and Adelaide Bank Limited ABN 11 068 049 178 AFSL 237879.
(S36283) (08/11)
It starts with U
www.bendigobank.com.au
our partners
Thank you to the following leading and visionary organisations which generously sponsor this festival, allowing us
to bring world-class events to Adelaide and Australia. We encourage our audiences, guests and festival devotees
to support these organisations as generously as they support our festival.
PRINCIPAL PARTNER
GOVERNMENT PARTNER S
MAJOR PARTNER S
KEY PARTNER S
PRESENTING PARTNER S
CO R P O R AT E S U P P O RT I N G PA RT N E R S
OT H E R SU P P ORTIN G Pa r t n e r s A u s s i e C i d e r / C o c a C o l a A m a t i l / D i a g e o / ETS A U t i l i t i e s / To y o t a / Q a n t a s
A r t s I n d u s t ry Pa r t n e r s A d e l a i d e C h a m b e r S i n g e r s / A d e l a i d e S y m p h o n y O r c h e s t r a / A d e l a i d e Z o o / A r t s P r o j e c t s A u s t r a l i a / A u s t r a l i a n
C h a m b e r O r c h e s t r a / A u s t r a l i a n D a n c e T h e a t r e / A u s t r a l i a n I n t e r n a t i o n a l D o c u m e n t a r y C o n f e r e n c e / A u s t r a l i a n S t r i n g Q u a r t e t / B i g Po n d A d e l a i d e
F i l m Fe s t i v a l / B o r d e r P r o j e c t / E l d e r C o n s e r v a t o r i u m / F l a i r Fr e i g h t / M u s i c a V i v a A u s t r a l i a / S t a t e O p e r a o f S o u t h A u s t r a l i a / S t a t e T h e a t r e
C o m p a n y o f S o u t h A u s t r a l i a / S y d n e y T h e a t r e C o m p a n y / V i t a l s t a t i s t i x / Va r i o u s Pe o p l e / W i n d m i l l T h e a t r e
V i s u a l A r t s Pa r t n e r s A n n e & G o r d o n S a m s t a g M u s e u m o f A r t / A r t G a l l e r y o f S o u t h A u s t r a l i a / C o n t e m p o r a r y A r t C e n t r e o f S o u t h A u s t r a l i a
A u s t r a l i a n E x p e r i m e n t a l A r t Fo u n d a t i o n / F l i n d e r s U n i v e r s i t y C i t y G a l l e r y / Ta n d a n y a N a t i o n a l A b o r i g i n a l C u l t u r a l I n s t i t u t e
As a flagship brand of South Australia a partnership with Adelaide Festival enables the reach of key demographics or tangible outcomes personalised to your
business needs in a way far more credible than traditional advertising. For further information on how you can support the festival, access exclusive hospitalit y
or promote your company please contact the Business Development Director on 08 8216 4444 or sponsorship@adelaidefestival.com.au.
Community is not a buzzword to us.
Its what we do everyday.
Our bank was established in 1858 with the sole purpose of building a
community during the gold rush. Today, this community philosophy continues
in everything we do.
At Bendigo and Adelaide Bank we think vibrant and
inclusive communities are good for business.
But when it comes to the arts, we know our

limitations as bankers.
But were not just a bank to our community we

get involved in lots of other ways too.
Thats why were happy to be a support act for the

2012 Adelaide Festival.
Like our Community Bank branches which have

contributed $58 million to local communities.
Created by the Adelaide community, your festival is

an icon of what can be achieved by communities.
Like sponsoring clubs and community groups and

the performing arts.
We look forward to seeing you at the Festival and

in one of our branches soon.
Bendigo and Adelaide Bank and the Adelaide

Festival have spent many decades helping to make
this city a stronger community.
Communities are our focus each and every day.

Just imagine what we can do together.
endigo and Adelaide Bank Limited ABN 11 068 049 178 AFSL 237879 (S25440) (08/09)
Bendigo and Adelaide Bank Limited ABN 11 068 049 178 AFSL 237879. (S36282) (08/11)

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WE L C OM E

As well as the maestro, award-winning

Now, from 2012, the Festival

These significant attractions

Among our Festivals enduring, defining

In a fitting send-off to outgoing

Famed Italian film composer Ennio

film scores, be moved by the

A STR EE T CA R : based on a streetcar

BOOK INGS P A G E 6 8 ACCESS P A G E 6 9

F ollo w the festi val online

Base d on ' A S treet c ar N ame d Desire ' b y T ennessee Williams

S tage d w ith gusto b y Warliko w ski , A S treet c ar . . .

There was theatre before Krzysztof Warlikowski and then

direc ted and adapted by Kr z ysz tof War likowski

T he mi x ture of a b sur d ist

F E STIV A L T H E A TR E , A D E L A ID E F E STIV A L C E NTR E

A co-produc t ion w it h L a Cou rsi ve Scne

When y ou re talking a b out Clou d G ate ,

Th is tour is made possible by g ra nt s

Water S tains on the Wall

THE MOZART OF FILM MUSIC

conductor Ennio Morricone

P r em i u m (s eat ed) $1 49, F r i en d s $1 2 7

T his w ill b e our repl y to v iolen c e : to make

I w oul d shout m y thanks at the top of m y

Breathtaking E ast - E uropean

d i r e c t o r KORN L MUN D RUC Z

OLD CLI P S A L SIT E , M E E T A T CORN E R

S piritual language , c eremonial d an c e

T he F rei b urg Baro q ue O r c hestra is a

Broadc a st by A BC Cla ssic FM

F rei b urg Baro q ue O rc hestra

T he H illiar d S ong b ook

An ensemble famous for mesmerising

The Hilliard Ensemble is music

K ate Champion is a rare talent , an d w hate v er she d oes

p r o d u c e d b y F o r c e M a j e u r e & S y d n e y Thea t r e C o mpa n y

A d elai d e s e d giest an d most

direc tor SAM HAREN

m y ers ' in v enti v e

adel aidefestival .co m. au

This is a story of three teenage boys. Theyre going to the school

A tri b ute b y the A ustralian A rt O r c hestra

The Australian Art Orchestra returns to its jazz roots with

adel aidefestival .co m. au

adel aidefestival .co m. au

Liberating the body from our everyday understanding of

choreog r apher Gar ry Ste wart

presented in association with Adelaide Festival

A young poet moves into a squalid rooming house run by

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presented by State Theatre Company of South Australia

adel aidefestival .co m. au

Adela ide Ch a m b er Sin ger s / Syd ne y Ch a m b er Choir

Two of Australias finest chamber choirs, Adelaide Chamber

presented by Adelaide Chamber Singers,

Adel aide Town Hall

History comes alive as Tafelmusik combines music, science

adel aidefestival .co m. au

Seventeen musicians perform beautiful music by

Adel aide Town Hall

adel aidefestival .co m. au

A ustralian S tring Quartet