Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Viet-Muong
a) Vietnamese
(various
dialects)
b) Muong
(various
dialects)
Maleng (~
Malieng,
Pakatan, Bo)
Arem
Ruc, Sach,
May, Chut
Pong, Hung,
Tum, KhongKheng
Cui or Th
Ahloa, Ahoa
(Thavung)
A significant literature
discussing the
comparative
reconstruction of
Vietic now exists,
e.g.: Barker &
Barker(1970),
Thompson (1976),
Sokolovskaya (1978),
Ferlus (1974, 1975,
1982, 1991, 1996,
1997, 1998). This
work reveals a
variety of
phonological features
and developments
among Vietic
languages that
correspond to the
hypothetical
intermediate stages
Vietnamese must
have gone through
on its way to
becoming a 6 tone
language.
2 - breathy phonation, no
final glottal
contour 34
Also, those low series syllables that had a final stop or fricative
developed a glottal restriction, realised as a glottal hiatus mid way
through the phonation of the vowel. This feature is rather
unstable, and has tended to be subsequently lost, or cause
merger with high series tones in various dialects. The full 6 tone
system is diagrammed below, with names according to the
Vietnamese tradition, approximate pitch contours, and some
illustrative etymologies (from Ferlus' reconstruction):
Ferlus, Michel. 1998. Les systmes de tons dans les langues vietmuong. Diachronica 15:1.1-27.
Nguyn Van Loi. 1993. Ting Ruc. Ha Noi, Nha Xut Ban Khoa Hoc
Xa Hi.