Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
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Hsu-Jen Huang,ommihair
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TABLE OF CONTENTS
List of Figures
Thesis Abstract
Intro
Addictive Minds
Spiritual Recovery through Architecture
Site Analysis
Program Development
Turning Concept into Construction
Design Development
Final Design
Conclusion
Bibliography
1-4
6
9 - 10
13 - 24
25 - 36
37 - 46
47 - 62
63 - 76
77 - 84
85 - 114
115 - 118
119 - 120
LIST OF FIGURES
INTRO
1 . 1 page 9
Zen Symbol (http://www.calpoly.edu/~calpo
lyzen/Images/zen-symbol4_copy_vectorized.png)
ADDICTIVE MINDS
2 . 1 page 17
The Vicious Cyclde of Addiction
(Groman p. 299)
2 . 2 page 20
The Native American Healing Experience
(Coyhis p. 1935)
2 . 3 page 21
Traditional vs. Contemporary Values
(Coyhis p. 1936)
2 . 4 page 22
The Tweleve Teahings of the Wellbriety
Movement (Coyhis p. 1944)
SPIRITUAL RECOVERY THROUGH
ARCHITECTURE
3 . 1 page 28
Nature Inspired Architecture (Day p. 50)
3 . 2 page 30
Unique Door Design (Day p. 19)
3 . 3 page 31
Self-sufficient Architecture with Natural
and Local Materials (Pearson p. 58)
3 . 4 page 33
The Beauty of Natural Light (Pearson p. 67)
3 . 5 page 34
The Beauty of Color in Architecture
(Pearson p. 24)
SITE ANALYSIS
4 . 1 page 39
Rome, Georgia ( http://northamericanhome
care.com/yahoo_site_admin/assets/images
/Rome-GA.7200750_std.jpg)
4 . 2 page 39
Historic Rome, Georgia ( http://grc.gcsu.edu
/files/geog4080/web/oconee_shoals/800px-YazooGeorgia_Controversy.png)
4 . 3 page 39
Berry College Mill - Hilly Forrest View
(http://1.bp.blogspot.com/-vIrvxnV-Ymw
/UCT1S7bOhtI/AAAAAAAAD4Q/Wj42m4lP5l0/
s1600/Rome2.jpg)
4 . 4 page 39
Berry College Mill - Rusic Materials
(http://veronicathepajamathief365project.files.
wordpress.com/2012/01/old-mill-at-berry-college
-in-rome-georgia-usa-by-melissa-at-flickr.jpg)
4 . 5 page 40
Diagram of Site Location (by author)
4 . 6 page 41
View of Site - Lake (http://www.landwa
tch.com/Floyd-County-Georgia-Land-for-sale/pid/
45000663)
4 . 7 page 41
View of Site - Wooded Area (http://www.land
watch.com/Floyd-County-Georgia-Land-for-sale
/pid/145000663)
4 . 8 page 42
View of Site - Steep Slope (http://www.landwa
tch.com/Floyd-County-Georgia-Land-for-sale/pid/
45000663)
4 . 9 page 42
View of Site - Wooded Area (http://www.land
watch.com/Floyd-County-Georgia-Land-for-sale
/pid/145000663)
4 . 10 page 42
View of Site - Lake (http://www.landwa
tch.com/Floyd-County-Georgia-Land-for-sale/pid/
145000663)
4 . 11 page 42
Zooming in Aerial View of Site (Google
Maps)
4 . 12 page 43
Site Dimensions (http://www.landwa
tch.com/Floyd-County-Georgia-Land-for-sale/pid/
145000663)
4 . 13 page 44
Site Boundaries (http://www.landwa
tch.com/Floyd-County-Georgia-Land-for-sale/pid/
145000663)
4 . 14 page 44
Rome, Georgia Weather (http://weatherspark
.com/averages/31482/Rome-Georgia-United-States)
4 . 15 page 45
Site Context Model (by author)
4 . 16 page 45
Site Concept Model (by author)
4 . 17 page 45
Site Concept Model (by author)
4 . 18 page 46
Site Concept Model (by author)
4 . 19 page 46
Site Concept Model (by author)
PROGRAM DEVELOPMENT
5 . 1 page 49
Falling Water Building Section (http://data.
greatbuildings.com/gbc/drawings/Fallingwater
_Section.jpg)
5 . 2 page 50
Falling Water - Natural Materials (http://ww
w.designspeakstl.com/wp-content/uploads/2012/
-01/Wright-fallingwater-ext3.jpg)
5 . 3 page 50
Falling Water - Among Trees (http://www.bu
syboo.com/wp-content/uploads/modern-house
-fallingwater-3.jpg)
5 . 4 page 50
Falling Water - Incorporating Site (http://
www.fallingwater.org/img/home_assets/new
_first.jpg)
5 . 5 page 51
Cordwood with Colored Glass (http://ww
w.inspirationgreen.com/assets/images/Blog-Build
ing/Cordwood%20Bldg/cordwood%20wall.jpg)
5 . 6 page 52
Cordwood Construction (http://www.inspira
tiongreen.com/assets/images/Blog-Building/
Cordwood%20Bldg/Treehaven.jpg)
5 . 7 page 52
Cordwood with Green Roof (http://www.nat
uralbuildingblog.com/wp-content/uploads/2012/
04/Wholewoods-natural-roundhouse.jpg)
5 . 8 page 53
Reading Room (http://www.templemound.
com/facilities/reading_room_files/dscn0244-2.jpg)
5 . 9 page 54
Guest Room (http://www.templemound.com
/index/files/dscn1809.jpg)
5 . 10 page 54
Temple Mound (http://www.templemound.com
/index/files/dscn1809.jpg)
5 . 11 page 54
Meditation Trail (http://www.templemound.com
/facilities/meditation_trail_files/dscn1780.jpg)
5 . 12 page 55
Monastery Main Building - Natural
Materials (http://86sfa2wpzvx3fgjsn3har7
obhw.wpengine.netdna-cdn.com/wp-content/
uploads/2012/11/house-night.jpg)
5 . 13 page 56
Monastery - Zen Garden (http://86sfa2wpzvx3
fgjsn3har7obhw.wpengine.netdna-cdn.com/wpcontent/uploads/2012/11/rockgarden.jpeg)
5 . 14 page 56
Monastery - Cabins (http://86sfa2wpzvx3fgjsn
3har7obhw.wpengine.netdna-cdn.com/wp-content/
uploads/2012/11/aframes.jpg)
5 . 15 page 56
Monastery - Hermitage (http://86sfa2wpzvx3
fgjsn3har7obhw.wpengine.netdna-cdn.com/wpcontent/uploads/2012/11/hermitage.jpg)
5 . 16 page 57
Creative Expression (http://www.eomega.org/
sites/default/files/styles/article_md/public/images/
articles/omega_institute_find_your_creative_ out
let.jpg?itok=v9JTgVnM)
5 . 17 page 58
OMEGA - Group Dining (http://www.eom
ega.org/sites/default/files/images/dining-group.jpg)
5 . 18 page 58
OMEGA - Yoga (http://www.eomega.org/sites/
default/files/learning-paths/Heart%20header%20
yoga.jpg)
5 . 19 page 58
OMEGA - Guest Room (http://www.eom
ega.org/sites/default/files/images/green-room.jpg)
5 . 20 page 59
Meditation Trail with Labyrinth (http://stm
arksaustin.org/wp-content/uploads/2012/01
/Labyrinth.jpg)
5 . 21 page 60
The Forest Retreat (http://www.stayvacation
rentals.com/resources/listings/pphoto_07411507
0111_forest-retreat-cabin-1-1.jpg)
LIST OF FIGURES
5 . 22 page 62
Yoga (https://encrypted-tbn1.gstatic.com/images
?q=tbn:ANd9GcSNAAh1hp56dtILXbv9rFR9jujxF
m1wgxlQBNE9tU5D_M29qs6i)
TURNING CONCEPT INTO
CONSTRUCTION
6 . 1 page 65
The Addiction Tree (http://aedfoundation
inc.org/wp-content/uploads/2014/03/addictiontree.
gif)
6 . 2 page 67
Human Spirit, Earth, God Trinity (by
author)
6 . 3 page 68
Twelve Step/Wellbriety Diagram (by
author)
6 . 4 page 69
Conecpt into Program Diagram (by author)
6 . 5 page 70
Program Location Diagrams (by author)
6 . 6 page 71
Program Diagram (by author)
6 . 7 page 72
Circulation Diagram (by author)
6 . 8 page 73 - 74
Turning Wellriety into Architecture (by
author)
6 . 9 page 75
Form Diagram (by author)
6 . 10 page 75
Stain Glass Cordwood (by author)
6 . 11 page 76
Section View Light Diagram (by author)
6 . 12 page 76
Plan View Light Diagram (by author)
DESIGN DEVELOPMENT
7 . 1 page 79
Stick Louvers (http://patsfencing.com.au/
wp-content/uploads/2012/05/old-style-woven
-fence.jpg)
7.2
7.3
7.4
7.5
7.6
7.7
7.8
7.9
7 . 10
7 . 11
7 . 12
7 . 13
page 79
Stone Wall (http://www.24ktgreen.com/upload
ed_images/rockwall.JPG)
page 79
Wood Panels (http://blog.sndimg.com/hgt
v/design/Erin-Loechner/wall.jpg)
page 79
Stone Steps (http://sublimegardende
sign.com/wp-content/uploads/2013/01/nat
ural-stone-steps.jpg)
page 79
Wood Mullions (http://www.centralglass.ca/
files/window-walls-curtain-walls[2].jpg)
page 79
Cordwood (http://www.cordwoodmason
ry.com/images/IMG_1298a.JPG)
page 79
Color Glass Cordwood (http://3.bp.blog
spot.com/_YOlh-xVmP-k/TKD0jn
ri86I/AAAAAAAAAyY/D__VUmY
QMi4/s1600/IMG_1797.JPG)
page 79
Roof Shakers (http://www.aplsroof
ing.com/wp-content/uploads/2013/04/wood-shin
gle.jpg)
page 79
Exposed Structure (http://homeguides.sfga
te.com/DM-Resize/photos.demandstudios.com/get
ty/article/117/32/87814760_XS.jpg?w=442&
h=442&keep_ratio=1)
page 79
Exposed Roof Structure (http://drkdesign.
files.wordpress.com/2010/07/l1120153.jpg)
page 79
Folding Glass Doors (http://p.globalsourc
es.com/IMAGES/PDT/B1080025678/Wood
en-Grain-Design-Aluminum-Folding-Doors.jpg)
page 79
Planters on Terraces (http://st.houzz.com/
simgs/9321e48e000aea32_4-5690/traditional-out
door-planters.jpg)
page 80
Detail Wall Section (by author)
7 . 14 page 82
North Door (http://www.idesignarch.com/
wp-content/uploads/2010/08/artfactory
DoorZwingerPalace.jpg)
7 . 15 page 82
East Door (http://www.artsignsinteriors.com/im
ages/pg44/home-wood-decorative_2.jpg)
7 . 16 page 82
West Door (http://www.zomdai.com/imag
es/2013/12/interior-furniture-modern-minimalist-in
terior-glass-and-wood-entry-doors-design-mod
ern-interior-doors-design-for-2014.jpg)
7 . 17 page 82
South Door (http://www.doorsbydecora.net/clie
ntimages/41910/countryfrench/dbyd2033_lb.jpg)
7 . 18 page 83
Bathroom ADA (http://www.harborcitysup
ply.com/ADA/ADA_alcove_eor_B.jpg)
7 . 19 page 83
Ramps ADA (http://www.lowes.com/brands/Ac
cessibleHome/images/graph.gif )
7 . 20 page 84
First Floor Egress (by author)
7 . 21 page 84
Second Floor Egress (by author)
7 . 22 page 84
Third Floor Egress (by author)
7 . 23 page 84
Stair Code (http://www.contractortalk.com/attach
ments/f50/11349d1220149189-aussie-stairs-ameri
can-style-stringer-7-inch-rise-11-inch-run2.jpg
FINAL DESIGN
8 . 1 page 87 - 88
Site Plan (by author)
8 . 2 page 89
First Floor Plan (by author)
8 . 3 page 89
Second Floor Plan (by author)
8 . 4 page 90
Third Floor Plan (by author)
8 . 5 page 91
Typical Guest Unit (by author)
8 . 6 page 91
North Hermitage Plan (by author)
8 . 7 page 91
North Hermitage Perspective (by author)
8 . 8 page 92
South Hermitage Plan (by author)
8 . 9 page 92
South Hermitage Perspective (by author)
8 . 10 page 92
West Hermitage Plan (by author)
8 . 11 page 92
West Hermitage Perspective (by author)
8 . 12 page 93 - 94
North/South Section (by author)
8 . 13 page 95 - 96
East/West Section (by author)
8 . 14 page 97
South Elevation (by author)
8 . 15 page 98
West Elevation (by author)
8 . 16 page 99 - 100
Exterior Path View (by author)
8 . 17 page 101 - 102
Second Floor Entry (by author)
8 . 18 page 103 - 104
Art Studio (by author)
8 . 19 page 105 - 106
Art Gallery (by author)
8 . 20 page 107 - 108
Reading Room (by author)
8 . 21 page 109 - 110
Yoga Room (by author)
8 . 22 page 111 - 112
Entry View (by author)
8 . 23 page -113 - 114
Final Board Design (by author)
Holistic Wellness
A Spiritual Healing Center
Christine Ellis
August 2014
This thesis focuses on creating architecture that enchances spiritual healing by acting as a
medum between human soul and the energy of the Universe. Acheiving this will come from
inspiration driven by the Twelve-Step program developed by Alcoholics Anonymous.
However, because the focus is on people with unmanageable lives, drug related or not, focus
on the Native Americans Wellbriety Movement approach to these steps will be the driving
force for design. By doing this, the result will be the well-being and true recovery of people
who feel they have unmanagable lives, and searching for spiritual help.
wisdom
serenity
courage
Th e S e r e n i ty Pr a y e r
God,
Grant me
the s e r e n i ty to accept
the things I can not change,
the c o u r a g e to change
the things I can,
and the w i s do m to know
the difference.
- Reinhold Niebuhr
Figure 1.1
INTRO
9
10
The
mission of an architect
is to
how to
and to
meaning to life.
ADDICTIVE MINDS
UNDERSTANDING WHY
Addictive Minds
15
16
Addictive Minds
17
18
Addictive Minds
19
Figure 2.2 - A representation of a holistic approach to the 12 step program and how it integrates with
the Medical Wheel treatment method.
20
Figure 2.3 - Values developed by the Native Americans for spiritual healing versus the values of western
American contemporary values
Addictive Minds
21
Figure 2.4 - The 12 step program developed by the Native American Wellbriety movement
22
Addictive Minds
23
24
SPIRITUAL RECOVERY
THROUGH ARCHITECTURE
In architecture, as in life,
to separate spirit and matter is to destroy both.
- Frank Lloyd Wright
THE TRINITY OF
Spiritual Recovery
27
NATURE AS INSPIRATION
FOR SPACE AND FORM
In order to truly connect architecture to
Earth, the building has to nourish the ground it
occupies (Day 9). The purpose of the building
should not only be to fit the needs of the intended
program, but to nurture the earth it occupies and
nurture the occupants it holds. Frank Lloyd Wright
Figure 3.1
28
Spiritual Recovery
29
NATURAL MATERIALS
To find spiritual answers within self,
honesty is needed; building materials used in
spiritual architecture need to be honest and true:
natural. Unfortunately, to save money, an
alternative or faux option is sometimes used. On the
topic of using materials that only resemble nature,
such as laminate wood, Christopher Day
comments using such materials is as hollow and
meaningless as synthetic fresh bread smell outside
a fast-food restaurant. (Day 20)
Not only does using natural materials have
a spiritual benefit, but an ecological one, as well
(Pearson 73). If a building is harmonious with
nature, it also benefits the environment. By creating
self-sufficient buildings, series of eco-cycle
Figure 3.2
30
Figure 3.3
Spiritual Recovery
31
Color has a significance all its own, and is in a realm all its own.
Color is the music of light, you see.
Frank Lloyd Wright
houses, or agriculture systems, architecture can
work with nature in harmony (Pearson 74). When a
person is on a spiritual passage to recovery, they
have to learn to be self-reliant. It may, in fact, be
safe to compare that experience to a building that is
completely reliant on nature to stay alive.
More so, because context needs to play a
huge role in spiritual architecture, using local
resources is not only vital, but may even be cheaper
in some regions. Using local materials allows for
the community to play a role in the construction
process, as well. Natural materials that have been
hand crafted are unique, which is as appealing as it
is authentic (Pearson 59). When first-hand manual
labor goes into the construction of a building, it
creates a sense of spirit that connects human soul to
the built environment (Day 14). When a building is
constructed by hand, it is uniquely individual. The
universe hand crafted each individual human being
on Earth, so if a building is created in the same way,
inhabitants searching for spiritual guidance will
find comfort in a building that is perfectly
imperfect, just as they are emphasizing the trinity
of human soul, built environment, and divine
power. Sometimes this process can take years to
complete, but the results will be an eternal, spiritual
NATURAL LIGHT
Research shows that artificial light causes
stress, and can cause us to feel dull about daily life
(Day 12, 16). Unfortunately because artificial light
is so common, and in most cases necessary, people
have become accustomed to its negative effect
(Day 16). And because we have become
accustomed to it, we continue to apply it to our built
surroundings, creating a vicious cycle of negative
impacts on our subconscious mind. In a spiritual
building, it is important to activate the senses, as
well as eliminate as many stress producers as
possible.
There is life in natural light that soothes the
soul, as much as it is beautiful to the human eye
(Day 18). A burning log fire not only gives off a
vibrant light, but a warmth that is not only
physically hot, but comforting to the soul (Day 20).
This alive light is life-enhancing (Day 21). The
glands in the human brain that affect growth and
32
COLOR
Figure 3.4
Spiritual Recovery
33
Color is a very critical thing. Ive found that architects dont like
colors. Engineers too. And so somebody has to stand in. Because this is
the finish of it. It is the emotional part of a structure.
John Hench
the actual color. This just proves that the built
environment creates cognitive and emotional
responses (Mahnke 7).
To study how colors affect humans,
designers should first consider the major hues: red,
orange, yellow, green, blue, and purple/violet
(Mahnke 60-76). Red is dominant, arousing,
loving, full of life, fierce, and angry. It appears
heavy on the ceiling, aggressive on walls, and
urgent on floors. In reference to sounds, it is
associated with being loud, sweet or spicy to taste
or smell, and firm to the touch. Orange, being a mix
of red and yellow, can have various meanings:
exciting, sociable, or intrusive. Brown is only a
darker version of orange, which is associated with
comfort, nature, and food. Orange is comforting on
the ceiling, intimate on walls, and strange on floors.
For sounds, smells, taste, and touch, it seems
strong: oranges, chocolate, and coffee. Yellow is
the happiest of the colors, resembles the sun, and
depicts a bright future. On the ceiling, it can be
similar to lighting, exciting on walls, and elevating
on floors. Although pleasant and happy visually,
and appearing smooth to the touch, yellow is
unpleasant when it comes to representing sounds or
taste: high-pitch and sour. Green is the color of
Figure 3.5
34
Spiritual Recovery
35
CONCLUSION
By including different positive energies
within the built environment, a hub is created that
human beings can use to spiritually connect their
soul to the universe a place that allows the release
of the conscious world and submersion of the
unconscious world. By creating a mystical trinity
between human soul, built environment, and divine
power, a united bond will be formed so that those
suffering with addictions will have all they need for
their spiritual journey to recovery.
...
SITE ANALYSIS
Figure 4.1
Figure 4.3
Figure 4.2
The Native American culture and the historic style of Rome, Georgia proved to be the best location for
this type of building
39
FLOYD COUNTY
ROME, GA & SHANNON, GA
SHANNON
ROME
SHANNON
SITE
ATLANTA
MACON
SAVANNAH
ROME
10 MINUTE DRIVE
20 MINUTE DRIVE
Figure 4.5
40
Figure 4.6
41
Figure 4.7
SHANNON
ROME
Figure 4.8
Figure 4.9
Figure 4.10
Figure 4.11
42
SITE
5 ACRES = 217,800 SQ FT
Figure 4.12
Figure 4.13
Figure 4.14
44
SITE MODELS
Figure 4.17
Figure 4.19
45
Figure 4.18
Figure 4.15
Figure 4.16
PROGRAM DEVELOPMENT
CASE STUDIES
FALLING WATER .
OHIOPYLE, PA
building was natural itself. The exposed structure
gives an honest look, and the low ceiling gives a
sense of coziness, like a nook or cave to call home.
It creates a sense of exploration, which this thesis
encourages. If an inhabitant of this thesis project
can gain a sense of exploration by simliarily
connecting natures spirit into the architecture, the
hope is they will also grow in exploration of
themselves.
Figure 5.1
49
Figure 5.2
Figure 5.3
Figure 5.4
50
CASE STUDIES
CORDWOOD CONSTRUTION
One important goal of this thesis is to
create a close relationship with the spirit of the
Universe in order to aid in spiritual healing. To do
this, the use of natural materials is vital. An
uprising construction method called cordwood
invovles using logs and mortar, similar to brick
laying, to create walls (Fox). This method is
environemntal friendly in its use of nature, as well
as its great insulative properties. As stated
previously, contructing a buildling by hand
captures the human spirit into the architecture, thus
enhancing the Human Spirit, Mother Nature,
Universe trinity needed for developing a
meaningful spiritual relationship. Kelly Hart and
Dr. Owen Geiger state on their Wholewoods
Natural Buildings website:
Building something beautiful in
sympathy with the natural world is
Real Building. Around the world
many traditional communities build
this way. Designs of simple beauty
have evolved over generations; their
elegance tells the story of the people
and their relationship to the land.
(Hart)
51
Figure 5.5
Figure 5.6
Figure 5.7
52
CASE STUDIES
TEMPLE MOUND SPIRITUAL WELLNESS CENTER . TARPON SPRINGS, FL
This wellness center includes a meditation
trail with a labyrinth , a reading room, guest rooms,
fire pit/temple site, and a media room for movies.
Its a fairly small facility, with focus mainly on the
experience of nature. Throughout the meditation
trail, there are specific locations with places to sit
and written suggestions of contemplation. It is said
that the temple has a strong energy that can be felt
and is great for learning energy awareness. The
labyrinth along the trail is also said to be great for
Figure 5.8
53
Figure 5.9
Figure 5.10
Figure 5.11
54
CASE STUDIES
ZEN MOUNTAIN MONASTERY .
MOUNT TREMPER, NY
Figure 5.12
55
Figure 5.13
Figure 5.14
Figure 5.15
56
CASE STUDIES
OMEGA NON-PROFIT ORGANIZATION .
RHINEBECK, NY
Figure 5.16
57
Figure 5.17
Figure 5.18
Figure 5.19
58
PROGRAM DEVELOPMENT
RECREATION
DOCK / W ATER REFLECTION
ZEN GARDENS
1800 SF
500 SF
Figure 5.20
59
TOTAL 2300 SF
1200 LINEAR FEET
HERMITAGES
KITCHENETTE
BATHROOM
STUDIO FLOOR PLAN
PATIO
50 SF
50 SF
200 SF
200 SF
TOTAL
THREE HERMITAGES
500 SF
1500 SF
GUEST UNITS
BATHROOM
STUDIO FLOOR PLAN
PATIO
60 SF
120 SF
100 SF
TOTAL
FIVE UNITS
280 SF
1400 SF
Figure 5.21
60
MAIN BUILDING
300 SF
1500 SF
865 SF
620 SF
500 SF
1500 SF
1050 SF
1300 SF
425 SF
700 SF
200 SF
200 SF
970 SF
8800 SF
6600 SF
5000 SF
1515 SF
LOBBY/ ENTRY
YOGA / MEDITATION ROOM
LARGE MEETING ROOM
SMALL MEETING ROOM
KITCHEN
READING ROOM
CAFETERIA
GALLERY
ART STUDIO
ADMIN
STORAGE FOR GALLERY
STORAGE FOR MEETING ROOMS
BATHROOMS WITH LOCKERS (2)
TERRACES
PARKING
CIRCULATION (20% OF BUILDING TOTAL)
MECHANICAL / ELECTRICAL (6% OF BUILDING TOTAL)
TOTAL
Program Development
61
32,045 SF
Figure 5.22
62
TURNING CONCEPT
INTO CONSTRUCTION
Figure 6.1
Having an addiction doesnt mean only having an issue with alcohol or substances.
Life can become unmanageable with any kind of addiction.
Turning Concept into Constrution
65
Its about bettering your life and relationship with a higher power.
Developing that spiritual relationship means living a fuller, happier life.
The common confusion of the Twelve
Step recovery program is that it is only for those
suffering from a drug or alcohol problem. It can
actually be applied to any sort of dependence or life
issue. Its not just a method that has been proven to
help in the recovery of addictions, but because of its
spiritual approach, it can transform a life that seems
unmanageable whatever the issue. The Steps then
become more than just a recovery option, but a true
way of bettering life and personal well-being. The
Figure 6.2
66
NORTH
CHANGE
RECOGNITION
FORGIVENESS
MENTAL
ACKNOWLEDGEMENT
STEP 4: COURAGE
STEP 5: INTEGRITY
STEP 6: WILLINGNESS
SOUTH
Figure 6.3
EMOTIONAL
PHYSICAL
ACKNOWLEDGE MEANS
I AM READY TO DO THE
HARD PERSONAL WORK
TO ALLOW WHAT I
RECOGNIZED TO
ACTUALLY COME IN
AND CHANGE ME
START
EAST
STEP 7: HUMILITY
STEP 8: FORGIVENESS
STEP 9: JUSTICE
SPIRITUAL
STEP 1: HONESTY
STEP 2: HOPE
STEP 3: FAITH
WEST
FORGIVE MEANS TO
FINALLY TAKE OFF THE
BACKPACK FULL OF
HARMS AND HURTS
THAT I HAVE BEEN
CARRYING AROUND
RECOGNIZE MEANS I
FINALLY ACCEPT THE
FACT THAT I AM
POWERLESS OR
HELPLESS OVER MY
LIFE - MY LIFE HAS
BECOME
UNMANAGEABLE
- THAT OUR
Step Two
Step Three
MADE A DECISION TO TURN OUR WILL AND OUR LIVES OVER TO THE
CARE OF GOD AS WE UNDERSTOOD HIM
Step Four
Step Five
Step Six
Step Seven
Step Eight
Step Nine
Step Ten
Step Eleven
Step Twelve
68
SCHEMATIC DESIGN
NORTH SPIRITUAL
EASTEMOTIONAL
RECOGNIZE
CHANGE 10
11 12
wonder
FIND CREATOR
vulnerable
newness
truth
openness
discovery
knowledge
ceremony
commitment experience
dedication
contribution
application
ADMIN LODGES
ADMINISTRATION/OFFICES
GALLERY / ART ROOM
LOUNGE
KITCHEN
MEDITATION
TEMPLE AREA
GUEST CABINS
CAMPING GROUNDS
YOGA
FIREPIT
MEDITATION TRAIL
WATER REFLECTION
HERMITAGES
ZEN GARDEN
FIND FAMILY
ACKNOWLEDGE
& FRIENDS COURAGE . INTEGRITY . WILLINGNESS
MENTAL
7 8 9
SOUTH
belonging
validation
acceptance
PHYSICAL
4 5 6
Figure 6.4
69
WEST
Figure 6.5
70
Figure 6.6
Schematic Design
71
Figure 6.7
72
Schematic Design
73
Figure 6.8
74
Figure 6.9
COLOR
Color has been proven to be very effective
in affecting mood within interior spaces. However,
beause the use of natural materials was more
important than color, stain glass within the
cordwood construction in the hermitages, and light
well in the reading room were the only color added.
Although not a grand presence in the design, it is
successful in creating wonder and happiness within
these spaces.
75
Figure 6.10
NATURAL LIGHTING
Meeting
Rooms
Yoga
Library
Gallery
Cafeteria
Figure 6.11
Section View
Meeting
Room
Entry
Balcony
Terrace
Yoga
Meeting
Room
Library
Figure 6.12
Floor Plan
Natural daylighting was a major focus of this thesis. Roof shapes and windows were formed based on
which directon the light should come into a space. For example, the reading room has a strong focus on
knowledge, and gaining elders wisdom through reading materials, thus light should come into this space from
the North, according to the wellbriety movement. The figures above explain this idea.
76
DESIGN DEVELOPMENT
Preserved Wooden
Stick Louvers
Figure 7.5
Wood Mullions
on Windows
Figure 7.9
Exposed Structure
79
Figure 7.2
Figure 7.3
Figure 7.4
Stone Steps
Figure 7.7
Figure 7.8
Exposed Pitched
Roof Structure
(in Yoga Studio)
Folding Glass
Window Doors
(in Yoga Studio)
Planters on Terraces
6 x 18 Roof Joist
3 Roof Dropdown
for Sun Shading
10 Curatin Wall
with Folding Panels
6 x 8 Wood Joists
2 x 6 Wood Girder
6 x 18 Wood Beam
Figure 7.13
80
DOORS
Each room has a unique door based on the
function of that specific room, depending on its
relationship to the wellbriety movement. This gives
people a sense of personal accomplishment from
step to step within the program. Creating a physical
journey can act as a guide for the spiritual journey.
NORTH
SPIRITUAL FOCUS
Yoga
Library
North Hermitage
South Hermitage
Cafeteria
Gallery
MENTAL FOCUS
SOUTH
81
EAST
EMOTIONAL FOCUS
Entry
Art Room
Meeting Rooms
West Hermitage
Guest Units
PHYSICAL FOCUS
WEST
Figure 7.14
NORTH
WEST
Figure 7.16
Figure 7.15
EAST
SOUTH
Figure 7.17
82
CODES
Terrace
Terrace
83
Figure 7.18
Figure 7.19
Terrace
Kitchen
First Floor
Second
Floor
Meeting
Parki
First Floor
Room
Balcony
Admin
Te
Storage
Terrace
Figure 7.20
Cafeteria
Yoga
Figure 7.21
Figure 7.22
Terrace
Terrace
Patio
Terrace
Figure 7.23
84
FINAL DESIGN
SITE PLAN
West Hermitage
Guest Units
Dock
87
North Hermitage
Figure 8.1
South Hermitage
Main Building
88
FLOOR PLANS
Kitchen
Mech.
Cafeteria
Terrace
Cafeteria
Terrace
Terrace
First Floor
Figure 8.2
Restrooms
Lockers
Lockers
Balcony
Admin
Storage
Open
to Below
Yoga
Terrace
Patio
Gallery
Art Studio
Figure 8.3
89
Second Floor
Terrace
Meeting
Room
Parking
Storage
Meeting
Room
Terrace
Terrace
Reading Room
Terrace
Figure 8.4
Third Floor
90
HERMITAGES
The hermitages are built with a mixture of colorful
glass, and cordwood made from the existing trees
that have to be demolished during building
construction. Each hermitage was designed to
encourage a one-on-one relationship with nature by
fully encorporating the land it rests on.
Figure 8.5
10
Figure 8.6
20
10
20
North Hermitage
Figure 8.8
10
20
Figure 8.9
Figure 8.10
South Hermitage
West: Focus on Self Reflection and Physical Labor
10
20
Figure 8.11
West Hermitage
92
93
10
20
40
4
8
1
2
3
4
5
6
7
8
6
2
Egress
Kitchen
Restrooms
Green Roof
Zen Garden
Yoga Studio
Parking Lots
Meeting Room Storage
Figure 8.12
94
7
3
11
Figure 8.13
95
10
2
10 20
40
60
Lake
Gallery
Cafeteria
Light Well
Green Roof
Stone Steps
Yoga Studio
Dock Terrace
Twig Louvres
Reading Room
Retaining Wall
96
ELEVATIONS
South Elevation
0 10 20
Figure 8.14
97
40
West Elevation
0 10 20
40
Figure 8.15
98
EXTERIOR PERSPECTIVE
99
Figure 8.16
100
EXTERIOR PERSPECTIVE
101
Figure 8.17
102
EXTERIOR PERSPECTIVE
103
Figure 8.22
104
INTERIOR PERSPECTIVE
105
Figure 8.18
ART STUDIO
106
INTERIOR PERSPECTIVE
Figure 8.19
ART GALLERY
108
INTERIOR PERSPECTIVE
Figure 8.20
READING ROOM
110
INTERIOR PERSPECTIVE
111
Figure 8.21
YOGA STUDIO
The Yoga Studio focuses on the physical and mental aspects of the recovery program, so faces South and West.
The glass wall is foldable so it can be opened on a sunny day, and occupants can enjoy this meditating exercise
along with the outdoors. Daylight coming from the south is strong, so louvres made from twigs of trees
surround the space to allow for shading. A small wrap around walkway is available for those who wish to see
the view of the lake from the most protruding portion of the building, but not have to particpate in yoga.
112
PRESENTATION DESIGN
Holistic Wellness
A Spiritual Healing Center
North/South Section
0
10
15
20
Meeting
Room
Entry
Balcony
Terrace
Meeting
Room
N/S/E/W Grid
Yoga
East/West Elevation
Terrace
Parking
Library
Meeting
Room
North H
Storage
Pathway
Balcony
Restrooms
Balcony
Library
Gallery
0
10
Admin
Library
West Hermitage
Cafeteria
15
20
Meeting
Room
Storage
First Floor
0
10
20
40
Yoga
Balcony
Balcony
Gallery
Art Studio
Second Floo
0
10
20
Guest Units
0
10
15
20
South Hermi
0
10
Site Plan
Meditation Trail
113
Focus on physical wo
Figure 8.23
6 x 18 Roof Joist
3 Roof Dropdown
for sun shading
10 Curatin Wall
North/South Section
0
10
15
20
12 x 12 Timber Wood Column
West Elevation
Art Studio
Hermitage
10
15
20
Kitchen
Terrace
Storage
Cafeteria
Terrace
or
Third Floor
40
10
20
40
Yoga Studio
Art Gallery
itage
15
20
West Hermitage
South Hermitage
North Hermitage
Library
114
CONCLUSION
117
118
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