Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
harmonic support
Marian Mullen
The A Student
z Writes
z Has
creative melodies
z Makes
cadences etc
Produces good bass lines
F technical knowledge
Q1
Q2 TEXT SETTING
10-15
0-9
Identify motifs
16-21
22-27
Development of Opening
Ideas
28-33
Phrase Development
Modulation
z End
Common Weaknesses
z
z
z
z
z
z
Basics
Notes (treble and bass clefs),
Melody writing
8/16 bars as appropriate
Modulation to dominant (HL)
Harmony
Intervals
Backing chords
Chord progressions
Adding bass
Forming a Chord
z Chords
z
z
z
z
In major keys
I, IV and V are major
When the
Dominant Seventh
In minor keys
i and iv are minor
zFor
Chord Exercises
Chord Progressions
z One
Chord Progressions
Cadence Progressions
Chord
Can never go to
Perfect Cadence:
V(7) I
Any chord
Plagal Cadence:
IV I
Interrupted Cadence:
V(7) vi
Imperfect Cadence:
ii V
ii
V7
IV
ii
V, V7
vi
IV
ii
vi
IV
ii
IV V
IV
NB The chord of V7 is not used in imperfect cadences
z Primary
triads
progressions
z Rising fourths (I IV; ii V)
z I vi
IV ii
z Cadence
3rds
z ii
I
z V ii
Forbidden
L.N. must resolve
Except
As part of sequence
Start of new phrase
z
z
to maintain interest
Add occasional passing notes to improve melodic
Imperfect cadence: Ic V
Perfect cadence:
Ic V - I
Stage 1
Stage 2
Stage 3