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Candidate Number
Theory 6
May 2014
TIME: 3 HOURS
[30] Question 1. Harmonize the following excerpt in Baroque chorale style for S.A.T.B.
Complete all phrases, modulating to related keys as required
Incorporate non-chord tones in all voices, but do not alter the given parts.
Circle and label all non-chord tones that you use, including those in the given parts.
Supply a Roman numeral analysis indicating inversions or a Chordal analysis (F+, C+, etc).
The passages under brackets are unfigured. Harmonize accordingly.
Change the harmony under the repeated soprano notes.
Use a dominant 13th chord at asterisk in measure 8.
O Traurigkeit
8-#7 #6
3--2 #4
3
#4
2
6
5
6-4-3 #3
J. S. Bach
adapted
mf
13
[20] Question 3. Complete the missing bars in the Baroque contrapuntal style.
Use rhythmic and motivic ideas derived from the given part.
You do not need to supply a Roman numeral analysis.
The passage modulates to the submediant in measure 6.
J.S. Bach
adapted from
Vier Inverntionen
Bizzarria
Presto
[30] Question 4. On the next three pages your will find Menuetto and Trio by Mozart.
Please answer the questions below.
(a). What is the form of the entire movement? ___________________________
(b). Place letter names on the music to support your answer to question (a).
(c). What is the form of the Trio?
___________________________
(d). Place letter names on the music to support your answer to question (c).
(e). Provide complete Roman numeral analysis where indicated.
(f). Clearly mark all phrases for the entire Menuetto with a slur. Be sure to identify the key and
cadence the end of each phrase.
Menuetto
f
p
Start analysis
17
End analysis
25
Trio
sf
31
cresc.
39
46
Men. D. C.