47

l.

Fingering Chart for Soprano Recorder

,.

I),
TII

Baroque (English) Fingering

Finger I
Finger 2
Finger 3

o
o
o
a

o
o
o
o

o
o
o
o

Finger I
Finger 2
Finger 3
Finger 4

o
o
o
o

o
o
o

o
o
o
o

Thumb
LEFT
HAND

RICHT
HAND

o
o
o
o
o
o
o
o

oa

o
o
o
o

o
o
o
o

o
o
o
o

o
o
o

o
o
o

o
o
o
o

o
o
o
o

o
o

o
o
o
o
o

o
o
o
o

o
o
o
o

o
o
o
o

o
o

o
o
o
o

o
o

o
o

cf

BtB

o
o
o
o
o
o

,'

'o

o
a

o
o
o
o
o
Q open

o
o

o
o
o

o
o
o

o
o-

o.

o
hole

'unshodid

closed

o
o

o
o
o
o
Cr*

Db

:,O,1'

.o

,l-.;.

hoJe I

O.

o'

o
o

o
'o

o:...
t

i
o

o
o
o

D
r

gt=

of,eb

o
o

o
o

o'

r n t tis tio3 r.
J

o.

sligluly opened thumb

areas'indicate nur.r'rsn

o":

","Q,,rtti

.O
'

c;
o:

O1

oa

$e bg

rr

o
o

o
o
o
o

o
o

o
o
o
o
o

o
o
o
o
o

o
o
o
o

bo

o
o

o
o

o
o
o
o
o
o
o
o

o
o
a
o

hol:

4?

Fingering Chart for Alto Recorder

Baroque (English) Fingering

Thumb

Finger
Finger 2
Finger 3
I

LEFT
HAND

Finger I
R'CHTI Finger 2
"o*o Finger 3
Finger 4

o
o
o
o

,,O,.is

j,r .,-;::ir

o
o

o
Oi. o
'o". o
oo ,' o
,1.;:

o
o
o
o
o
o
o
o

o
o
o

o
o
o
o
o

c Db

{>

bo

o
o
o

o,
o
o
o

o
o
o
o

o
o
o
o
o
o
o

Q open

*o o

o
o
o

o
o
o
o

o
o
o
o

o
o
o
o

a
o
o
o

o
o
o
o

.l

o
o
o
o

o
o
a
o

o
o

o
o
o
o

o
o
o

o
o
o
o

nf rBb
le tr>

-o

,"j;C

..t.4

-oa'j
,,,r.--; l-.

i'o

o
o

o
o
o
o

o
o
o
o
o
o
o
o

o
o
o
o
D

oilEb

..,iO

,O

,,O

l ',ti,o.fi

o.:

:'tj

r.',

::

O;'i ..9,'
O

closed hole

*O-u*

iio

t':O: 5,o
^:".

i'.o

,:o

cl .{b
e*
-=
I

ffi
i

#c:;i +C
;f;o
iTjo
,:Fo

+''

::o.

a, .. 'o,]
,O', ','

;1'r.

jigT; :?
:fi i:l:

fe

.ita':i; ,;:ffi
',;:i ;9.s
o"1

.o

:,f

C.l" ..:C S: ,*c

o
o
o
o

.r

o
o
o

'O

'r1C

:i,t

r> loE

o
o
o

Cil

oo

r cb

.t

o
a
o

hole

o
o

s,lightlv opened thumb hole

.::o

o
o
o

Tho- Rnco rdec Gud'

k uibcavr , Aj tLo
rrlVhen

going

One hole

Theme

Variation

Theme And Variation

from I B to C, and C to B on the Soprano .-^ .,ln to f, and F to E on the Alfo I the fingers must move with a crisp

is

opened

at the same instant the other is closed.

and

firm

motion.

TVuu

Reconln Gatde
ICutbach, Nilk

p')l

THE LETTBRS..BOVE TIE STAFF ARE CHORD SYMBOLS FOR

GUITAR, AND HAVE NO REFBRENCE TO TITE NAME OF THE NOTES.

Paris
(French)

little French tune in two versions. The first is a Soprano solo, and the second is a duet with the
*ti in tne afto part. Breathe as indicated (which at the same time means phrase), or it will lose its charm.
Here is a

Am

I.APa
2. A
3. Re-

Seve-

ris,
dan,
nous

a
a
au

Pa
Se ma -

ris,
dan,

noir,

sur
sur
sur

un
un
un

pe
pe

pe

- tit
- tit
- tit

che
che

che -

A
. Melody

Waltz
In a waltz (3f time the first beat of the measure usually receives a stight stress. Do this with the tongue,
but do it iightly so that you do not play out of tune.
Practice this \altz until you can play it stopping for breath only where indicated.

val
val
val

gris.
blanc.
noir.

Th"

Swinging

Seoarde, Gud<
\au\bcLc, tlil*a-

Here we have a lst and 2nd ending. It is a form of musical shorthand. Play from the beginning to the repeat sign in
the lst ending. Then go back to the beginning. Play the selection again, omt the first ending and skip directly to the
second ending.

22
fl

JUDA
(American)
Now with words, you can see the impornce of correct tonguing. Tonguing is a means of articulating - giving the
sound definition. The end of a phrase, (indicated by a breath mark or rest) is like the end of a spoken phrase, or sentence - and the period at the end of a sentence corresponds to the final "d" of our tonguing syllable.
PIay Juba on your recorder, then sing it as well.

Simly, with rhythrn

G

Ju -ba this

D7

D7

D7

'l

and

Ju-ba killed

Ju -ba that,

yel-low cat,

Ju-ba

up and

Ju-ba down, Ju-ba run-ning all a-round.

I

t
A

m D?G

.l

Th' ((erorclw 6urcl<

(rrl loacrc, N if
p.:

Sleep

Baby Sleep
(C'erman)

8n

Melody

Sleep

ba -

sleep;

by

your

fa - ther

tends the

sheep;

your

cDc

mo

- ther

* Renetnber

-rLif

the\sign makes f* an

Then

comes

a lit - tle
)

dream

for

thee;

f\

Sleep Baby Sleep

The accompanying part (soprano) should not overpower the merody
rine (Alto)

Melody

shakes the dream - land tree

.D?

sleep

ba

by

sleep.

Ul

T wL k

urs f'>

Country Donce

Gaily
Recorder I

Recorder 2

Triangle

Rec. I

Rec. 2

Trgl.
The G Major key

sature is omitted becau this musical symbol

has not yet been introduccd in rhe corretated

ncthod, RECORDER TIME (Sp23O8).

Dtter Tl,'l;-'
$ttra Koft

k a-

scPru

The Gift To Be Simple

Recorder

Recorder 2

Finger
Cymbals

lO

Jo /Ls o /)q oce

tr,Lo{*,

5 ( soP'ono * #tt)

Sf r r cY-lc,,n

Lullaby
Soprano
Recorder

Alto
Recorder

Son<,ls a"ild l\nces

3ufta"r1-. Srclqnd_

Hymn Of Praise
Moderately
Soprano
Recorder

Alto
Recorder

u
r
rt

ftL

Dr Qec'trcler, br

So Pru

.rrq.

Soprano

Soprano

II

P'q
c'k-lq^"
Sf'ri
ff,

vro

Thanks

Tambourine

-3-

Tf.r

or Ru"o nle,r-,0
SsPrzrnos, p,3
g^u.o, jtr,
^d'
"ia

Soprano

Soprano

tr

Cuckoo

Triangle

-2-

Y-llito , vPlu, Sp /*tteL,

l{aes?tt".

Ungarsdre Gavotte
alten Spielbu (1740)

rtleu- tntrnnhto '-[r { vo I

Rn*ecl,,curn
l=, G o-rnkat<.

Gregoan Melody

soP.
2

Alto
3

Tenor

This is on extrq port if TWO qlto recorders ore to be used.

ALTERNATE PARTS

OCopyright

1964 By Sharell Music publishers

,(.a- cder nE r.,b -8-, ns

ed., , orr, ' F, 6qvnbls

Vo

Hymn Of Brotherhood
Sop.
I

soP.
2

Alto
3

Tenor
4

This is qn extrq port if TWO Alto recorders ore to be used.

@ Copyrtght

1964 By Empire Music lubtishes

Llmited