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Models of Musical Analysis

Series Editor Jonathan Dunsby

Early Twentieth-Century Music

Models tif Musical Anagsis

Series editor: Jonathan Dunsby
Professor of Music, L niversity of Reading

Music Before 1600

Editor:
Everist
Lecturer in Music, King's College, London

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Models of Musical Analysis

Early Twentieth-Century Music
edited by

Jonathan Dunsby

I] BLACI<WELL
Reference

Contents

Acknowledgements
Introduction
Jonathan Dunsby
University of Reading
I

Tonality and the Emancipated Dissonance: Schoenberg and Stravinsky

Arnold Whittall
King's College, London

Post-Tonal Voice-Leading
James M. Baker
Brown University

VII
IX

20

3 Pitch Notations and Tonality: Bartok

Malcolm Gillies
University of Queensland
4 Dodecaphony: Schoenberg
Martha Hyde
State University of New York, Buffalo
5 Tonality and the Series: Berg
Craig Ayrey
Goldsmiths' College, University of London

81

6 The Theory of Pitch-Class Sets

Bryan R. Simms
University of Southern California
7 Foreground Rhythm in Early Twentieth-Century Music
Allen Forte
Yale University
Index

I49

Acknowledgements

I am grateful above all to the contributors, for their diligence

and forbearance: also to Cristle Collins Judd for her activity
as research assistant in the early days of this project; to my
supportive publishers John Davey and Sean Magee who were
the inspiration behind it, and Alyn Shipton who has brought
it to fruition; to the University of Reading and to the \Varden

and Fellows of New College, Oxford, for the time and opportunity to finish this work; and to Esther Cavett-Dunsby, for
support beyond description.

The editor and publisher would like to thank various publishers

for permission to reproduce the following music extracts:

Arnold Schoenberg, Das Buch der Hangenden Garten, Op. IS, No.
5. Copyright 1914 by Universal Edition. Renewed copyright
1941 by Arnold Schoenberg.

Bela Bartok, Sonata for Solo Violin . Vfikrokosmos No. 133.

Reproduced by kind permission of Boosey & Hawkes :Music
Publishers Ltd.
Alban Berg, Sieben friihe lieder, No.
Universal Edition A. G. Vienna.

1.

Copyright 1959 by

Alban Berg, JVoaeck. Copyright 1931 by Universal Edition

A. G. Vienna. Renewed copyright I958 by Universal Edition
A. G. Vienna. Act 3 copyright 1977, 1978 by universal Edition
A. G. Vienna.
Josef Hauer, Piano Etudes, Op. 22, No.
1953 by Vniversal Edition A. G. Vienna.

1.

Copyright I926,

Jonathan Dunsby
Reading, 1993

Arnold Schoenberg, Klavierstiick, Op. 33b. Copyright 1932 by

Arnold Schoenberg. Renewed copyright 1952 by Gertrude
Schoenberg.
Arnold Schoenberg, Lockwzg, Op. 6, No 7, from Structural
Functions if Hannony. Reproduced by kind permission of Faber
and Faber and of Lav.Tence Schoenberg.
Igor Stravinsky, Three Pieces for String Quartet, NO.3.
Reproduced by kind permission of Boosey & Hawkes Music
Publishers Ltd.