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Sometimes lawyers face hard cases cases in which the law is unclear, or in which
statutes
that
are
individually
straightforward
combine
to
give
(morally)
counterintuitive results, or in which it is clear that there is a gap in the law. For
example, the American case of Riggs v Palmer concerned Elmer Palmer, who stood to
inherit his grandfathers estate, and murdered him before he could change the will.
Palmer may have been tried for the murder; but even if found guilty, there was
nothing in the law at the time that expressly forbade him from inheriting the estate all
the same. This seems, at best, couterintuitive. (Riggs was one of the grandfathers
daughters, who sought to have the will declared invalid.)
How should judges representing the law respond? One option would be simply to
insist that judges should apply the law as it is written. But that wont account for
cases in which the law as it is written is in conflict with other laws, or in which theres
a clear change of context. In this sort of case, the problem is precisely that the law as
it is written is unsatisfactory. Dworkin asks us to imagine Hercules, a hypothetical
judge, who must interpret the law as a part of applying it.
One of the tools at Hercules disposal is a distinction between rules or laws, and
principles. In the very simplest terms, Dworkin thinks that laws are built on a
substratum of morally-informed principles that give shape and direction to the laws
they support.
Hercules will be able to apply those laws in the best way, even when the letter of the
law is unclear. These principles are themselves derived from the interpretation of the
data of law statutes, precedents, and so on. In other words, Hercules uses his
Law must have integrity; this is central to the interpretive enterprise. The integrity
of law is based on two things: horizontal integrity depends on current laws and legal
practices fitting together, while vertical integrity depends on their fitting with their
own history.
This is what hes getting at with the chain-novel analogy: in the enterprise of writing a
chain novel, each writer is free to develop the story as they wish, but there must be
some continuity each successive chapter must respect whats gone before, and cant
divert too wildly in terms of style or content. A novel must display this kind of
integrity: for example, the chapters of Moby Dick do vary in tone and style, but they
clearly hang together narratively and thematically. For Dworkin, the same applies to
law: its chapters statutes and the rulings that follow them must be interpreted as
though theyre parts of a coherent enterprise, and its the role of the judge to continue
in that enterprise.