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PRFM1602
Louis A Cummings
Marinetti was born in Egypt in 1876, where his parents had been invited to
act as legal advisers to take part in modernization programs for foreign
companies. His parents were involved in a de facto relationship (more
uxorio), with his mother introducing him to Italian and European classic
poetry as a young child. When Marinetti was seventeen he published his
own high-school newspaper for which he was nearly expelled, for
publishing Emile Zolas scandalous novels in. After completing his degree
in law at the University of Pavia in 1899 he decided to pursue a literary
career and began experimenting with many artistic forms including poetry
and theatre.
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PRFM1602
Louis A Cummings
The Italy Marinetti lived in was a country barely 50 years old, with
backwards social and political ideals compared to its European
counterparts. Marinettis goal was to make his compatriots aware that
Italy has been too long the great second-hand market (Marinetti 1909)
and that it was their responsibility to restore Italy to a modern cultural
power where freedom and fearlessness paved the way for great art and
action. A large proportion of Marinettis manifesto was focused on
shocking Italy out of the past and into the future by destroying museums,
libraries, academies of every kind and fighting moralism, feminism,
every opportunistic or utilitarian cowardice (Marinetti 1909).
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Louis A Cummings
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Louis A Cummings
of the manifesto takes a list form, stating the goals of his proposed
movement; some taking the form of direct actions and others employing a
reflective form focusing on the faults of the past and the cultural
normalities it has created. The final part of Marinettis article reads like a
call-to-arms, with Marinetti focusing on the liberating feelings of living a
life grounded in the sensations of the present and the future with
extensive use of exclamations and rhetoric. The manifesto as a whole acts
as a denouncement of the political and social values of an entire nation,
which expanded into an international movement through its transgressive
ideals and its hope for an invigorated future which struck down objects of
the past and utilitarian movements.
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Louis A Cummings
extending into Cubism in later years. The focus of these works of art were
on the individual and his place among the modern world, with works often
looking at experiences and sensations between the human mind and
constant movement (speed) e.g. Boccionis The City Rises and Ballas
Dynamism of a Dog on a Leash.
References
Marinetti, Tommaso. 1909. Manifesto of Futurism. In Le Figaro, p. 7-11
Marinetti, Tommaso. 1915. The Futurist Synthetic Theatre. In The Drama
Review, 15(1) : p. 142-146
Robbins, Daniel. 1964. Albert Gleizes, 1881-1953 : a retrospective
exhibition. In Exhibition of Albert Gleizes at the Guggenheim Museum p.
123-131