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4 THAMIRABARANI
FEBRUARY - 2010
Jiwapd; J}z;fs;
fz;fs; ,uz;lhy;..
til Nghr
khq;F
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THAMIRABARANI
5 FEBRUARY - 2010
kh];lH xU ];ng\y;...
r;Nr...
FapNy... G+q;FapNy...
Nlhuh G[;[p......
THAMIRABARANI
6 FEBRUARY - 2010
'Mtzg;glk; rhpj;jpuj;ij
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M.M.Hazim
Carnival of Folk
T
had organized the ‘Chenda Melam’ for
the inauguration. ‘Kotheshwaram Sree
irunelveli is the land of
Mahadevan Chenndamelam troop’ from
karisal soil which is known for its water
Kanyakumari is the team that has been
retention capacity making it fertile. This
playing Chenda Melam introducing this
karisal land has groomed many art forms
folk form to many of the students in the
in Tamilnadu. Proud of the rich heritage
‘Karisal Thirai Vizha’. In Karisal Thirai
of this soil, we the Department of Com-
Vizha, Chenda Melam is used to give a
munication, Manonmaniam Sundaranar
grand welcome to the delegates from the
University, Tirunelveli, consciously in-
Media and to entertain the participants.
clude the traditional art performances
In 2008 we focused on ‘Thol Paavai
in our department programmes. For the
Koothu’in the cultural session. ‘Tholpaavai
first time, the department’s ‘Karisal
Koothu’ is one of the most ancient forms
Thirai Vizha’ introduced intercolle-
of entertainment which is a real challenge
giate folk competitions in 2010. Kari-
to the imagination and creative ability of
indi-
viduals.
Besides
enter-
tain-
ment,
Paavai
Koothu
serves Still from: the drama by the department of performing arts, Pondy University
as an Tirunelveli district. This would
applied include Tamilnadu’s traditional folk the traditional folk forms which is at
art, con- forms like Oyilattam, Mayilattam, Kara- the verge of destruction. In a generation
veying kattam and Silambattam. Thus, through where western dance and music gains
mean- ‘Karisal Thirai Vizha’, the department is prime importance this gives us the
ingful being playing a vital role in promoting hope that through students there a
m e s - lot of possibilies to revive it.
sages of
all art
forms.
Randakka randakka!!!!!!!!!
sal Thirai Vizha’ is one such program Parai has always been part and
that grooms the traditional folk forms parcel of Karisal Thirai Vizha. Parai has
among the student community. been a powerful tool to assert the rights
“Chenda Melam’, is a type of of the oppressed people in Tamil Nadu.
folk music of Kerala which is played Parai is now retaining its lost glory chal-
by a group of people. In Kerala this was lenging the caste hegemony. For the
used in temples to wake up Gods (Palli- last two years, we arranged street plays,
yunarthal) while opening the temples. drama, Silambattam, Parai and Kaliyal. A
The Chenda is a cylindrical percussion special drama we conducted in a highly
instrument used as an accompaniment professional manner by the students
for Kathakali, Koodiyattam and Kan- of the Department of Performing Arts,
nyarakali among many forms of dances Pondicherry University. The body flex-
and rituals in Kerala. The Chenda, a ibility and vibrant sounds of performers
symbol of prosperity is known for its had fascinated the viewers.
loud and rigid sound rhythm. For the past This year we have arranged a
three years for ‘Karisal Thiraivizha’ we similar programme from Shankarankoil,
Parai the rhythm of Nellai Photo file copy
Thamirabarani: Vol.17, issue: 15. Student Editor: M.M.Hazim, Consulting editors: Dr.P.Govindaraju, Dr.V.Natarajan, Mr.V.Sundararaman,
Ms.B.Radha, Mr. T.Jaisakthivel, Dr..V.Ratnamala, Mr.Paul T Benzikar, Mr.P.Jeya Gobinath.
Tamil Desk : M.Kalavathy, R.Jeyachitra
Published by THE DEPARTMENT OF COMMUNICATION, M.S.UNIVERSITY, TIRUNELVELI. THAMIRABARANI is sponsored by Di-
namalar in the support of budding journalits. The Dept of Communication, M.S.University and Dinamalar are not responsible for the views and
opinions expressed in this issue by the student contribution and editors.
Designed by : G.Muthaiyan
THAMIRABARANI
8 FEBRUARY - 2010
nrhy;yj;jhd; epidf;fpNwd;!...
jpUr;rp <.Nt.uh nghpahH fiyf; Tuticorin A.P.C. Mahalaxmi
fy;Y}hp khztH ,sq;Nfhtd;: College student Maheswari:
,e;j fhpry; jpiutpoh kpfTk; ‘Karisal Thirai Vizha’ was
mikjpahf eilngw;W tUfpwJ. very interesting and organized in fabu-
,e;epfo;r;rpapy; vq;fisAk; gq;F lous manners. The programs were very
ngwr;nra;jjpy; kpfTk; kfpor ;r
; p. ehq;fs; informative and thought provoking. The
,e;j tpohtpy; fye;J nfhz;L njhlH- events were very challenging and com-
gpay; Jiwf;Fj; Njitahd midj;J petitive. We enjoyed every second being
jpwikfisAk; ntspg;gLj;jTk; ey;y in the program.
tha;gg; hf fUJfpNwhk;. NkYk; mjpf
ez;gHfis re;jpf;fTk;> mwpKfkh-
fTk; ,J xU khngUk; tha;gg ; hf
mikfpd;wJ. ehq;fs; fhpry; jpiutpoht-
py; fye;J nfhs;s Kf;fpa fhuzk; ,e;j
gy;fiyf;fofj;jpd; Rw;Wr;R+oy; kw;Wk;
md;gpid nfhLf;Fk; MrphpaHfs; kw;Wk;
khztHfNs fhuzk;. ,q;Fs;s khz-
tHfs; vq;fis tuNtw;W> jq;fitj;J>