THE
MIDDLE
AGES
Johannes Fried
Translated by Peter Lewis
Contents
Preface
1 Boethius and the Rise of Europe
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1
23
44
82
118
144
167
238
270
328
11 The Monarchy
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449
505
Abbreviations
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Notes
530
Selected Bibliography
558
Index
569
Preface
Preface
history and literature of three epochs: antiquity (priscae [tempestates]), the
interim period (media tempestas), and the present day (nostra tempora). This
formulation reached German humanists through the Latin world-chronicle
of Hartmann Schedel (1493). However, at this stage, the idea of an era in
its own right still did not exist. Such a concept was only devised by authors
in later centuries, during the Baroque period and the Enlightenment. True,
these commentators did not set hard-and-fast boundaries to this middle
period some dated it from Constantine the Great or from a.d. 500 or
600to the Reformation, while others saw it as having lasted variously to
700, or up to around 1100, or to the conquest of Constantinople by the
Seljuk Turks in 1453, or even to other, quite different cutoff points. But even
so, their endeavors only succeeded in presenting this middle age as some
distant, self-contained era with no connection to the here and now, and in
so doing gave the period its own identity. Specific hallmarks to corroborate this very rigid image of the period were soon invented. Henceforth, the
Middle Ages changed from being barbarian and dark to being meaningful and enlightened, though this development brought its own particular
dangers. Indeed, even up to the present day, various nationalisms and
ideologies still appeal to a medieval period as defined by them to suit their
own ends.
The present work therefore has as its subject matter a contentious phenomenon that has been shaped by contradictory and opposing traditions.
It will thus eschew postulating any homogeneous picture of the Middle
Ages or constructing any hermetically sealed whole. It will rather attempt
to pursue certain lines of development through a millennium whose beginning and end have been solely determined by the customary practice of
German university faculties of assigning responsibility for the period between around 500 to circa 1500 to those charged with teaching medieval
studies; elsewhere, things are organized differently, with far-reaching implications for the tendentious concept of the Middle Ages.1 Consequently,
whenever the term Middle Ages is used in the following account, it is
not meant to denote any monolithic concept, of whatever kind, signaling
1. Johan Huizinga, Zur Geschichte des Begriff s Mittelalter, in Geschichte und Kultur: Gesammelte Aufstze, ed. Kurt Kster (Stuttgart, 1954), 213217; Peter von Moos, Gefahren des
Mittelalterbegriff s, in Modernes Mittelalter: Neue Begriff e einer populren Epoche, ed.
Joachim Heinzle, pp. 33 63 (Leipzig: Frankfurt a.M., 1994).
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some irreducible identity, but meant simply to designate the given time
span of 1,000 years or so.
In such an overview of a millennium, which aims to present humans of
flesh and blood and not just trends and structures, it will naturally be
impossible to treat the full range of all details exhaustively. Only the most
stringent selection is possible, and this is of necessity subjective. The flow
of the narrative will sometimes take a broad and straight course, while on
other occasions it will split into tributaries, or flow around islands, but then
its streambed will narrow once more, hastening the onward flow. Whatever
it carries with it from here or there stands as an exemplar of many similar
things, and hence should be regarded as symptomatic of cultural evolution
beholden to the human spirit and as the social development of cultures of
knowledge. The same applies to those particular historical instances that
we have chosen to light upon as prime examples of the complexity of events
within the realm of politics and power. Abstractionsthe monk, the
knight, the townsmanhave been avoided. Rather, this account focuses
on certain individuals sometimes a pope, sometimes a king, or a scholar,
a missionary, or an enterprising merchant. Their encounters with the unfamiliar, their grappling with new ideas, or religious movements, or scientific disciplines, their scope of action, and the expansion of their culture of
knowledge are examined within the framework of political constellations
of power and the proliferation of international relations, the growing complexity of societies, and functional differentiation.
Our focus, then, is firmly fixed upon cultural evolution, with both its
continuities and discontinuities; and, just like any natural evolution, this
does not develop teleologically. Only in retrospect does it appear to the
historian to be linear, logical, and oriented toward progress. It is therefore
a construct, necessarily subjective, no less so indeed than all the other spheres
of reality in which we humans navigate, move, and act. It is a hypothesis,
whose plausibility is conditioned by unprovable premises, our own subjective experiences, and familiar structural patterns. There can be no such
thing as a generally binding history, any more than my reality could be
your reality, even though both are indisputably forms of reality. Likewise, the simultaneity of events also defies any authoritative account, since
once such an account has been given, it is forever consigned to posterity, and
is only capable of sequentially considering, combining, or describing things
that in actual fact had a concurrent effect and were contingent upon one
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another and intermeshed in their impact. This is also consonant with our
cognitive makeup as human beings, which prevents us from grasping simultaneity immediately, through our sensory perception, but which, rather,
allows us to piece it together only in retrospect, on reflection, by adducing
information from third parties and by deploying countless methodical
preconditions and artifices. Flashbacks, forward shifts in time, and more
minor interpolations by way of digression can only be an unsatisfactory literary expedient; for the same reason, it is impossible to avoid brief
repetitionsthese are quite intentional. Nonetheless, our intention is still
to present an overview of a whole, namely that evolution mentioned
above, a development that drew its dynamism from the confluence of political, social, religious, cultural (in the widest sense), economic, scientific, and
natural forces, and whose guiding thread in the labyrinth of chance occurrences and exigencies, of plans and reactions, is constituted by the growth
of the culture of reason in those supposedly middle centuries.
This book is intended to reach a readership that is interested in the past,
yet is not blinded by any particular specialization. The choice of color illustrations has the dual purpose of illustrating the lines of development of
religious mentalities, and of making clear how modes of visual perception
changed over the centuries under discussion here; in doing so, it also has
the effect of graphically underscoring the deliberate cultural evolution we
have spoken of. The secondary literature on these thousand years of European history and culture fills entire libraries. No halfway manageable bibliography could hope to encompass this body of work; any such further
reading list must of necessity remain incomplete. Accordingly, there is a
great deal of scope for subjective emphasis. Any subject treated here confines itself to the bare necessities; there is no indication of all the sources
that were consultedrather, we are generally content merely to cite more
recent pieces of secondary literature that digest the foregoing scholarship.
With a few exceptions, only direct quotations are cited in the endnotes.
Many people assisted in the publication of this work. First, I am most
grateful to Wolfgang Beck for his great patience and forbearance, and to
Detlef Felken, without whose gentle but insistent prodding this book would
never have seen the light of day. Wolfram Brandes, Jrg Busch, Heribert
Mller and in no lesser measure Kerstin Schulmeyer-Ahl, Barbara Schlieben, Daniel Fller, and Peter Gorzolla were responsible for providing valuable advice, reading either individual sections of the manuscript or the complete draft at various stages of development, diligently offering constructive
Preface
criticism and corrections on both detailed passages and the overall concept,
and in promoting the project in a multitude of different ways. Alexander
Goller compiled the index (for the German edition). My heartfelt thanks
are due to all of them, but most of all to my wife for her enormous patience
and unstinting help. It is to her that I dedicate this Middle Ages.
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1
Boethius and the Rise of Europe
oethius, the most learned man of his time, met his death in the
hangmans noose. He came from one of the most noble senatorial families
of Rome and was a patrician, a consul, and a minister at the court of the
Ostrogoth King Theodoric in Ravenna. Nevertheless, he fell victim to
this same barbarian ruler; neither Theodoric himself nor his realm was to
survive for long following the demise of his minister. Contemporary commentators believed that this tyrant had descended to the bowels of Mount
Etna, into Hell itself, whence he would occasionally return as a wild horseman and a harbinger of doom. In truth, Theodoric simply passed away in
526. The precise reasons for the fall of his first minister have been lost in the
mists of time. No proof of guilt for a crime was ever brought forth. It appears
that this famous Roman was toppled purely by the mistrust of his king. This
turned out to be a serious misjudgment, which the Goth ruler must instantly
have regretted, albeit not soon enough to save himself.
And yet the life of Boethius was a triumph! The West owes this individual, Anicius Manlius Severinus Boethius, nothing less than its progression
toward a culture of reason. Such a culture may be regarded as a blessing or
a curse. Alongside many other gifts, Boethius left the Latin West, which
was not familiar with Greek culture, a translation of one of the most seminal didactic texts in history, nothing less than a primer for the application
of reason. This slim volume, really only a pamphlet, comprising the first
three texts from Aristotles Organon, provided an introduction to a mode
of thinking that was subject to learnable rules and therefore susceptible to
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Gregory the Great and
theNewPower of the Franks
ope gregory the Great (r. 590 604) must be counted among the
most outstanding successors of Saint Peter. As a former Roman prefect
and hence the citys highest-ranking civilian official, and subsequently
permanent papal nuncio to the Byzantine court in Constantinople, Gregory, who came from the most distinguished Roman aristocratic family of
the period, was the last pontiff to display the full panoply of ancient learning. After him, vulgarization and barbarity were the order of the day
comparable intellectual heights were only attained again several centuries
later, without the immediate help of Antiquity. Repeatedly, Gregorys extensive theological works, comprising biblical exegeses, sermons, and letters, held the faithful in thrall. Yet the form of liturgical music that nowadays bears his name is from a later date, despite the fact that the very
oldest books of liturgy do indeed date back to his time.
The later period of the Roman Empirewhich was entirely given over
to Christian observancelived in expectation of the coming end of the
world, in the belief in the Last Judgment, Gods righteousness, and the everlasting nature of the soul. Natural disasters, such as the flooding of the
Tiber in 589, which destroyed the ancient city of Rome, and the threatened invasions of the Lombards, made people fearful and seemed to vindicate their belief in the end time. This tenet of faith demanded that people
exert their spiritual powers to the full, and required that they be steadfast
in their faith in order that they might be prepared for the imminent upheaval. Gregory was well aware of this mind-set and geared his teachings
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Charlemagne and the First
Renewal of the Roman Empire
he first years of Charlemagnes reign were overshadowed by conflicts with his brother, which were only prevented from culminating in
all-out war by the untimely death of Carloman. And yet the surviving
brother then proceeded to play the familiar, deadly power game that
Charlemagnes predecessors had played so skillfully in similar circumstances. Filled with dark forebodings as to what would happen to her and
her sons, Carlomans widow fled to the court of the Lombard king Desiderius at Pavia all in vain, as it turned out, since she and her sons,
Charlemagnes nephews, disappeared without trace from history when
the Frankish king overran Pavia and the Lombard kingdom in 774.
Charlemagne ruled with an iron fist, not sparing even his closest relatives.
After many years of plots, tensions, and conflicts, he even sacrificed his
own son, who bore the portentous regal name of Pepin but had a hunchback that rendered him unsuitable for high office. His father banished
him to the monastery at Prm when he disobeyed his wishes. At the same
time, Pepins associates were summarily executed. As king, Charlemagne
was at war for fully thirty years; it was only when he became emperor that
he turned his attention toward maintaining peace.
Charlemagne inherited the bases of his power and of the administration of his realm from his father; these were overwhelmingly of a personal
nature, even including institutional bodies. Kingship in the Early and
Late Middle Ages manifested itself in ostentatiously displayed wealth (as
we have seen from Childerics tomb)in the glitter of gold and symbols
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Consolidation of the Kingdoms
chool and its curriculum, which took the same form in all the educational landscapes that were shaped by the Latin language, laid the
foundations for the intellectual unification of Europe. Everywhere one
went, be it among the Anglo-Saxons or in France, and including Catalonia, Italy, or even at the seat of the papacy in Rome, schools always followed
the same basic pattern. The only places where special forms of education
arose were Spain and Ireland, as a result of their par ticu lar historical
trajectoryin the former case, the conquest of Al-Andalus by the Arabs
in the early eighth century, and in the latter an autonomous path of development separate from the Anglo-Saxon and Frankish centers. As a
result, the illiterate populace became part of the culture this established,
at the same time contributing to it their practical knowledge.
The principal monasteries and other ecclesiastical institutions were the
main vectors not only of religious culture, but also of intellectual culture.
In the process, in contrast to Late Antiquity, a noticeable shift took place,
from the individual pursuit of knowledge that was widespread in the
earlier time to the institutional pursuit, namely in monastery and other
religious foundation schools as the most important places of learning.
Faith and knowledge coalesced to form a whole, which only began to
disintegrate once more in the Late Middle Ages. This unity was accompanied by a general awareness of sin, and this in turn called for an allembracing, wide-ranging remembrance in prayer that would embrace both
the spiritual and the secular lites, and whose traces, which are still visible
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The End of Days Draws
MenacinglyClose
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The True Emperor Is the Pope
hrist was the body and the pope the head of the universal church.
Mysticism was made real, with all that that implied; it was as old as the
church and yet still managed to appear revolutionary each time it was realized afresh. Now, in the late eleventh century, thanks to Gregory VIIs
efforts, the universal church assumed the form that it would basically retain for the whole of the ensuing millennium. The churchs agenda emerges
clearly from the twenty-seven guiding principles enunciated in Gregory
VIIs Dictatus Papae of 1075 a mysterious document, since it was addressed to no one yet was subsumed into the records of papal correspondence without any further explanation. These guidelines stressed the monarchical exclusivity of the pope and, as a consequence, the subservience
and unquestioning obedience of the entire church, namely all prelates and
lay people including the king. The Dictatus stipulates that the Roman
church was founded by God alone (1); that the only person legally entitled
to be known as the universal pontiff is the pope in Rome (2); that he is
solely empowered to dismiss bishops and reinstate them (3); that he can
depose the absent (5); that for him alone is it lawful to make new laws,
according to the needs of the time (7); that he alone may use the imperial
insignia (8); that all princes shall only kiss the feet of the pope (9); that he
has the power to depose emperors (12); that no synod may be deemed a
general one [namely, a concilium] without his say-so (16); that no chapter
and no book shall be considered canonical without his authority (17); that
a sentence passed by him cannot be retracted by anyone, but that he alone
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Sixth-century gilded bronze forehead plate portraying Lombard king Agilulf (r. 590 616).
At center, the ruler is shown seated on his throne, bare-headed, with long hair and beard
and wearing his royal cloak. He is flanked by heavily armed warriors, while from the sides
winged spirits carrying plaques with the legend Victoria and dukes bearing gifts approach
the throne. This artifact was found near Lucca, Italy, and is thought to have been presented
as an honorary gift. Nicolo Orsi Battaglini / Art Resource, NY.
Merovingian jewels, sixth to seventh century. The Merovingians ruled the Franks until
replaced by Pepin, the son of Charles Martel, in 751. Chroniclers claimed the pope approved
deposing the Merovingians, but no authoritative account of the Carolingian accession exists.
Gianni Dagli Orti / The Art Archive at Art Resource, NY.
This small rock-crystal crucifi x in a gold and pearl setting was given by Pope Gregory
the Great to Queen Theodelinde of the Bavarian Agilolfing dynasty in thanks for her
conversion of the Lombards, formerly followers of Arian Christianity, to the Roman
Catholic faith. As was customary in Late Antiquity, the crucified Christ is shown
wearing a short sleeveless tunic (colobium). Treasury of Monza Cathedral, Italy / De
Agostini Picture Library / M. Carrieri / The Bridgeman Art Library.
A gilded table centerpiece in the form of a hen with seven chicks (ca. 600). The Bavarian
Lombard queen Theodelinde is thought to have donated this piece to the cathedral at Monza,
Italy. Aside from its religious symbolism, this stunning example of the goldsmiths art
demonstrates the advanced state of craftsmanship in Late Antiquity. Trea sury of Monza
Cathedral, Italy / Giraudon / The Bridgeman Art Library.
Cutaway view perspective of the ancient Basilica of Saint Peter by Giacomo Grimaldi,
seventeenth-century drawing. Biblioteca Apostolica Vaticana, Vatican City / Mondadori
Portfolio / The Bridgeman Art Library.
A silver denarius coin depicting Charlemagne in the idealized guise of a Roman emperor,
clad in an imperial toga and garlanded with a laurel wreath. It bears the inscription
KAROLUS IMP AUG (Emperor Charles Augustus). Mnzkabinett, Staatliche Museen,
Berlin / Karin Maerz / Art Resource, NY.
The Palatine Chapel at Aachen Cathedral in Germany, which houses the marble throne
believed to have been used by Charlemagne. Alfredo Dagli Orti / The Art Archive at Art
Resource, NY.
An early church council, as depicted in the Utrecht Psalter. The Psalter is a Carolingian-era copy (ca.
830) of an original document from Late Antiquity. Shown is an animated assembly of priests in whose
midst scribes sit documenting the proceedings, while three figures holding an unrolled scroll engage in
lively debate. On the two lecterns, manuscripts with authoritative texts lie open, ready to be consulted
if necessary. Bibliothque Nationale, Paris, France / The Bridgeman Art Library.
Siege of a city, from the Utrecht Psalter. Despite its stylized portrayal, this illustration conveys
something of the turmoil of a battle during the Early Middle Ages. Bibliothque Nationale, Paris,
France / The Bridgeman Art Library.
The Susanna Crystal, crafted at the behest of King Lothar II (d. 869), depicting the
slaughter of the two lustful elders who had watched Susanna bathing. The expressiveness
of the image demonstrates the high level of artistry in crystal cutting in the Carolingian
period. The Trustees of the British Museum / Art Resource, NY.
The Gokstad ship is an outstanding example of a Viking longboat from the late ninth
century. It had room for thirty-two oarsmen. Werner Forman / Art Resource, NY.
The Golden Madonna of Essen, ca. 980, one of the oldest preserved free-standing
sculptures in the world. It is made from a wooden core covered with sheets of gold leaf.
Foto Marburg / Art Resource, NY.
The Abbey of Saint Philibert near Tournus, France (the surviving building dates from the twelfth
century) was originally built as a fortified compound for protection against Viking raids, as can
still be seen from its configuration. Gianni Dagli Orti / The Art Archive at Art Resource, NY.
Detail from the Christ Column in Hildesheim. Commissioned by Bishop Bernward (ca. 9601022),
the column shows twenty-eight scenes from the life of Christ. Modeled on Trajans Column in
Rome, it symbolizes the conscious attempt made during the reign of Otto III to revive the Roman
Empire. Erich Lessing / Art Resource, NY.
The Antichrist slaying Elijah and Enoch, eleventh century. Given peoples high expectation of
the End of Days around the turn of the first millennium, the Apocalypse and Last Judgment
were frequently addressed topics. ART167537.
The so-called Gero Crucifi x was created in the late tenth century. It represents a decisive
stage of medieval piety: this was the first time that the dead Christ was shown nailed to
the Cross, and it became the model for many similar life-sized Romanesque works.
Dendrochronological dating has shown that the piece comes from the time of Saint
Heribert (9701021), not his predecessor as archbishop of Cologne, Gero (ca. 900 976).
Foto Marburg / Art Resource, NY.
Table of the Movements of the Moon in Relation to the Sun, on vellum, Master Ermengaut
(d. 1322). Biblioteca Monasterio del Escorial, Madrid, Spain / Giraudon / The Bridgeman
Art Library.
Equestrian statue in Padua, Italy, depicting the mercenary leader (condottiero) Erasmo da
Narni (d. 1443). Nicknamed Gattamelata (Honeyed Cat), the former butchers apprentice
rose to become ruler of the city. Four years after his death, this statue was carved by Donatello.
It was the first equestrian statue since Antiquity and was commissioned as a striking public
display of authority. Alfredo Dagli Orti / The Art Archive at Art Resource, NY.
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The Long Century of Papal Schisms
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Royal Strategies
So it was that kings and their realms took center stage once more. The
concept of la douce France was joined by that of the Honor of the Holy
Roman Empire, as propagated by Frederick Barbarossa. But what a difference there was! In the West, the power of the king was definitely intensified under the influence of the new sciences; the abstraction processes
that we have touched upon progressed more rapidly. In the East, by contrast, all attempts to set the same process in motion were hindered by
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Intellectual Culture
As kings and bishops found themselves embroiled in these disputes, the
most significant up-and-coming social force of the twelfth centurythe
cities and their citizenryseemed to have played no major part in developments, leaving aside Barbarossas campaigns in Italy. Nevertheless, kings
required money, and this was only amassed in the cities. Correspondingly,
the power and the influence of the urban bourgeoisie were on the rise everywhere. Even as early as the twelfth century, the Italian municipalities
had given evidence of the fact that this group, despite internal divisions,
was also highly potent in military terms. Its influence was even growing
in Germany. At this stage, only the largest European citiesParis, London,
Barcelona, Milan, Genoa, Venice, or Romehad more than 50,000 inhabitants; in addition, Cologne may have been just as populous, but other
than that German cities had far fewer people. Immigration was growing
fast, though. The bourgeoisie was by no means homogeneous.
The middle classes were largely led by the merchant class, who were
increasingly proving their worth both as entrepreneurs and in financial
transactions, as well as by a patrician class that drew its members from the
ranks of the lower aristocracy. The cities of Lombardy were characterized
by a rivalry between the resident aristocracy and representatives of the
people, which manifested itself not in formal political parties pursuing
a set agenda but rather in general trends. Fierce competition, even to the
point of long-running feuds, hallmarked dealings within the cities, but,
overall, competition tended to stimulate the entrepreneurial spirit rather
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8
The Vicar of God
ust as the founder of the universe established two great lights in the
firmament of heaven, the greater light to rule the day, and the lesser light
to rule the night, so too He set two great dignities in the firmament of the
universal church . . . , the greater one to rule the day, that is, souls, and
the lesser to rule the night, that is, bodies. These dignities are the papal
authority and the royal power. Now just as the moon derives its light from
the sun and is indeed lesser than it in quantity and quality, in position
and in power, so too the royal power derives the splendor of its dignity
from the pontifical authority, and the more closely it cleaves to the sphere
of that authority the less is the light with which it is adorned; the farther
it is removed, the more it increases in splendor. Far awaylike the full
moon from the sun according to Innocent III, that was how remote
secular authority should be from the ecclesiastical. His entire policy was
geared toward realizing this goal: namely, keeping the Holy Roman Emperor at arms length from the seat of papal power. Only in such circumstances could royal power truly shine. If it were to come too close to the
church, it would dim like the new moon. In creating this analogy, Innocent was conjuring up an image that had a long history, and that Gregory
VII had used to symbolize the notion that royal grandeur was subject to
the leadership of the church. Subsequently Boniface VIII was also to have
recourse to the same image, extracting every last drop of symbolic value
from it in comparing hieratic and secular authority in his assertion: The
moon has no light except insofar as it obtain it from the sun; in the same
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