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Butler states at the very onset of her book, Gender Trouble that women have traditionally been
invisible as far as their political representation is concerned. Therefore the most important goal
of feminist theory has been to develop a language that fully represents women, especially as far
as their visibility in political spheres is concerned. This goal of feminist theory is a logical
reaction to an omnipresent cultural condition in which womens lives are for the most part
misrepresented or ignored completely.
The relationship between feminist theory and politics is complex, according to Butler. She states
that in order to represent women within a political system, they must first be defines as a
subject that can be represented. In other words, the representation of a subject depends upon its
validity as a subject for representation.
The domains of political and linguistic representation
set out in advance the criterion by which subjects themselves
are formed, with the result that representation is extended
only to what can be acknowledged as a subject. In other words,
the qualifications for being a subject must first be met before
womanhood is supposed to be like. It seems as if not everyone is sure of disabusing the idea of
universal womanhood that is actually mmuch the same as a universal patriarchal system.
Certainly, there have been plenty of debates: Is there some commonality among
women that preexists their oppression, or do women have a
bond by virtue of their oppression alone? Is there a specificity to
womens cultures that is independent of their subordination by
hegemonic, masculinist cultures? Are the specificity and integrity
of womens cultural or linguistic practices always specified against and, hence,
within the terms of some more dominant cultural formation? (6)
Butler takes on the much debated myth of the bond of womanhood, that is supposedly built
upon the conception that women can only have a bond, perhaps by virtue of their shared
oppression.
(solution) Within feminist political practice, a radical
rethinking of the ontological constructions of identity appears to
be necessary in order to formulate a representational politics that
might revive feminism on other grounds. On the other hand, it
may be time to entertain a radical critique that seeks to free
feminist theory from the necessity of having to construct a
single or abiding ground which is invariably contested by those
identity positions or anti-identity positions that it invariably
excludes. Do the exclusionary practices that ground feminist
Shekure and Wazir Khanum in a way try to desperately transcend the notion of universal
womanhood as present in their respective cultures.
Wazir Khanum on surface appears to be a very feminine creature decked up in fineries and
doing all that a beautiful woman of her age is supposed to do, yet she refuses to be a part of the
idea of womanhood as propagated in the high society of Lucknow. Owing to her exceptional
beauty and her equally exceptional talents, she is keenly aware of the desire of renowned patrons
of her society to categorize her a begum, an exceptionally precocious one but a begum
nonetheless! Wazir Khanums entire life is spent dispelling this myth. She is aware that all
begums of Lucknow and Delhi etc are overwhelmed by the burden of expectations that they no
longer remain human. They are feminine creatures expected to look their best, lure a lover or
too, get married, procreate and die in peace. Here Butlers assertion, If one is a woman, that is
surely not all one is comes to mind. Wazir Khanum is keenly aware of the fact that intelligence
is virtue that goes unrecognized in women, so she uses her intelligence and even her physical
charms in as unconventional a manner as possible. This masks a desire on her part to be
recognized for being much more than a merely beautiful woman.
Shekure, on the other hand is a victim of different circumstances. Beautiful beyond
reason and equally intelligent, she has gone the conventional route of things early in life. While
still very young, she becomes a widow and is left with two children to look after. Her approach
to love, or atleast what passes a the pangs of love in Ottoman society is dowright cynical.