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The root indicates just that: which note of the chromatic scale is the root (i.e. the main note, or the bass
note) of the chord.
The next part of the symbol indicates the quality of the chord. There are many symbols to define the
quality (major, minor, dominant, augmented, diminished, half-diminished), including, in some cases,
different symbols for the same quality.
The next number shows the extensions used on a chord. Classical harmony often uses only the basic
triad, while jazz harmony makes greater use of the upper extensions (7th, 9th, 11th, 13th). If no
extension is shown, it is assumed that the chord is a major triad.
Finally, any alterations to the chord are indicated (usually within parentheses, to make them easier to
identify). These alterations include raising or lowering a chord tone by half step (indicated by a sharp
or a flat, respectively), and can also indicate that a given non-chord tone should be added ("add D"), or
that a chord tone should be omitted ("no 3rd"). Multiple alterations may be indicated within one chord
symbol ("b9/#11).