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Collection Summary
Collection name: Paul Weston and Jo Stafford Collection
Collection number: MMS 6
Creators: Weston, Paul (1912-1996) and Stafford, Jo (1917-)
Physical description: 33 linear ft. (64 boxes)
Abstract: Collection of musical arrangements, business records, photographs, films and
awards from the husband and wife team of Paul Weston (1912-1996) and Jo Stafford
(1917-).
Repository: School of Music.
School of Music
University of Arizona
PO Box 210004
Tucson, AZ 85721-0005
URL: http://web.cfa.arizona.edu/music
Administrative Information
Restrictions: The Collection is open to researchers by appointment. There are no
restricted materials. Copyright restrictions do exist on music manuscripts in the
collection. For more information or requests to photocopy materials, to publish, or to
make an appointment, please contact:
Keith Pawlak
Music Curator
School of Music, rm. 109
University of Arizona
Tucson, AZ 85721
Phone: 520-626-5242
Acquisition Information: The Paul Weston and Jo Stafford Collection was established
in 2006 through the gift of Mrs. Jo Stafford-Weston.
Acknowledgements: This finding aid and gift were made possible through the help of
Tim Weston, son of Paul Weston and Jo Stafford. Additional thanks to Kimberly Lewis
for her help with the finding aid.
Special Policies Governing Reproducing Or Publishing Materials In The Paul
Weston And Jo Stafford Collection: Permission to research or examine these materials
does not carry with it permission to commercially reproduce or publish. Permission to
reproduce or publish in any commercial manner may only be secured by contacting the
copyright holder.
UA Copyright Policy: It is the responsibility of the user to obtain permission to publish
from the owner of the copyright (the institution, the creator of the record, the author or
his/her transferees, heirs, legates, or literary executors). The user agrees to indemnify and
hold harmless the Arizona Board of Regents for the University of Arizona, its officers,
employees, and agents from and against all claims made by any person asserting that he
or she is an owner of copyright. See also restrictions.
Credit line: The Paul Weston and Jo Stafford Collection, University of Arizona School
of Music
Biography
Paul Weston
Paul Weston was born on March 12, 1912, in Springfield, Massachusetts. When he
was two years old, his family moved to Pittsfield where he attended grammar and high
school. He majored in Economics at Dartmouth College, was elected to Phi Beta Kappa in
his senior year, and graduated cum laude with the class of 1933. During his four years at
Dartmouth, Weston also studied music and organized and led his own dance band, The
Green Serenaders.
Weston went to New York in the fall of 1933, took some graduate courses at
Columbia University, and played piano in the Columbia dance band, The Blue Lions. In
January 1934 he was severely injured in a train accident. During his convalescence, he spent
quite a bit of time arranging music. Upon his return to New York in the fall of 1934, he sold
an arrangement of Pop Goes Your Heart to the Joe Haymes Orchestra at the McAlpin
Hotel. This led to the commissioning of several additional arrangements for Haymes, one of
which was a medley of tunes from Anything Goes which was heard by Rudy Vallee. Rudy
sent for Weston and offered him the opportunity to make arrangements for the then-famous
radio show The Fleischman Hour. During this time, Weston also made arrangements for
Phil Harris.
Paul Weston and Jo Stafford collection
In the fall of 1935 the Dorsey Brothers band split up, and Tommy and Jimmy
Dorsey went their separate ways. Tommy used the Joe Haymes Orchestra as a basis for his
first time try as a solo orchestra leader. Weston joined him as a full-time exclusive arranger
and stayed with the band for five and a half years. In January 1940, Weston became a freelance artist and conducted his first recording session for Liberty Music Shop, a Lee Wiley
album of Rodgers and Hart songs. Weston then began writing arrangements for a new singer
at Victor Records, Dinah Shore.
In the summer of 1940, he moved to Hollywood to write for the Bob Crosby
orchestra, although he still continued to write for Dinah Shores radio and record dates. He
also wrote for Fibber McGee and Molly, Ginny Simms, and Paul Whiteman during this
time. In 1941, the Bob Crosby orchestra was hired to do the background music for the Bing
Crosby-Fred Astaire musical, Holiday Inn. Westons arrangements for the picture were so
admired that the studio asked him to do work for Bing Crosby, Bob Hope, and Betty Hutton.
In 1942, while working at Paramount Studios, Paul met Johnny Mercer, who was in
the process of forming Capitol Records with Buddy DeSylva and Glenn Wallichs. Johnny
wanted Paul to write for the label. On April 6, 1942, Paul directed and arranged Johnny
Mercers Strip Polka, the first arrangement written for a Capitol Records artist.
On August 1, 1942, the Musicians Union strike went into effect and caused a
recording ban across the country. Work at Capitol Records ceased until June 1943 when
Johnny Mercer premiered his radio program, Johnny Mercers Music Shop. The show was a
showcase for new Capitol Records talent and featured artists such as Ella Mae Morse, Jo
Stafford, and the Pied Pipers. In October, the recording ban was lifted for Capitol Records,
and Weston started to record again with these artists and others such as Betty Hutton,
Margaret Whiting, Gordon MacRae, Matt Dennis, and Andy Russell.
In 1944, Paul was hired on as Musical Director and Artist and Repertoire consultant
for Capitol, a position he held for six years. He also conducted the orchestra for Duffys
Tavern, Joan Davis, the Hit Parade, and Jo Staffords Chesterfield Supper Club. During this
time, he conceived an idea for an album of music that would incorporate great melodies into
stylized music that wouldnt compete with conversation. This idea became known as Mood
Music and was represented in Pauls first album called Music For Dreaming.
In 1950, Paul switched to Columbia Records and brought Capitol Records top
recording artist, Jo Stafford, with him. He starred in his own CBS radio show and continued
his output of Mood Music albums. In 1952, he married Jo Stafford. In 1952 they had a
son, Tim; a daughter, Amy, was born in 1956.
During the 1950s he became increasingly more involved in television with credits on
The Jo Stafford Show, The Chevy Show and numerous other specials. In 1957, he helped to
form the National Academy of Recording Arts and Sciences, and acted as the first president
of the Los Angeles chapter. Also during that year, he and his wife introduced the comedy
team of Jonathan and Darlene Edwards, whose recording of Jonathan and Darlene Edwards
in Paris, resulted in a Grammy award in 1960.
During the 1960s Weston concentrated most of his work in television. He was the
musical director for the Danny Kaye Show, The Jonathan Winters Show, The Jim Nabors
Show, The Chevy Show, and others. In the early 1970s, he wrote for the Disney On Parade
show. By 1974, Paul Weston was largely retired, although he continued to write music and
record as Jonathan Edwards. In the late 1970s he formed the Corinthian Records label,
which to this day reissues the Columbia recordings made by Paul and Jo.
Paul Weston and Jo Stafford collection
Pauls composing was largely uninterrupted throughout his life. He wrote standards
such as Day By Day and I Should Care, as well as symphonic works like his Crescent
City Suite, The Bells of Santa Ynez, The Journey of Mercy Partridge and more. Paul Weston
passed away in 1996.
Jo Stafford
Jo Elizabeth Stafford was born on November 12, 1917, in Coalinga, California.
She was born to Grover Cleveland and Anna York Stafford. Her mother was a distant
cousin of the Word War I Medal of Honor recipient, Alvin York.
Jo Stafford began her professional career singing with her sisters, Christine and
Pauline, in a group known as The Stafford Sisters. They performed on radio shows such
as David Brockmans California Melodies and the Crockett Family of Kentucky Show.
They were also featured as off-screen voices with the major motion picture studios.
After her sisters married, the group disbanded, and members of the Three Rhythm
Kings and The Four Esquires joined Jo to form the Pied Pipers vocal group. Including
Jo, this group consisted of (8): John Huddleston (Stafford's husband at the time), Hal
Hopper, Chuck Lowry, Bud Hervey, George Tait, Woody Newbury, and Dick
Whittinghill. Like the Stafford Sisters, the Pied Pipers also worked on radio and motion
pictures.
In 1938, Tommy Dorseys arrangers, Axel Stordahl and Paul Weston, heard the
Pied Pipers and convinced Tommy Dorsey to sign them for his radio show. They
appeared briefly on Tommy Dorseys radio show in New York until the shows sponsor
fired them after hearing their rendition of Hold Tight. In late-1939,
Tommy Dorsey rehired them, this time as a quartet, and they stayed with him until 1942.
After leaving the Tommy Dorsey Orchestra, the group traveled to California. In
1943, Capitol Records signed them to a recording contract. Their first appearance, which
predated their first recording session, was on the radio show Johnny Mercers Music
Shop. In October - the month the recording ban was lifted for Capitol - they recorded
their first sides with Johnny Mercer and Paul Weston. Some of the songs they recorded
were released on Capitols first album, Songs By Johnny Mercer.
In 1944 Jo left the Pied Pipers and embarked on her solo career. She appeared
with the USO during this time and established the nickname G.I. Jo. Jo became a top
radio personality during the 1940s starring on the Chesterfield Supper Club, The Revere
Show, and The Carnation Show. She became Capitol Records top selling artist during
the 1940s with 21 top ten records.
When Paul Weston left Capitol Records for Columbia Records in 1950, she
followed suit. Shortly afterward she recorded some of her most successful albums,
Shrimp Boats, You Belong To Me, and Make Love To Me. In 1952, she received
the distinction of being the first female artist to sell 25,000,000 records.
In February 1952 she married Paul Weston. They celebrated their honeymoon in
Europe by capping it off with her most celebrated concert appearance of her career at the
London Palladium. In 1952 they had a son, Tim; a daughter, Amy, was born in 1956.
Her radio career continued in the 1950s with her appearance on two international
radio shows, the Voice of America and the Jo Stafford Show on Radio Luxembourg. Her
popularity in the United States and abroad gained her recognition as a cultural
ambassador for democracy and as Americas Most Versatile Singing Star. She also
starred in her first television show in 1954, The Jo Stafford Show.
Jos versatility is well shown in the diversity of records that she made in a range
of styles from the blues, pop, jazz, country, comedy, folk and spiritual. She also recorded
popular duets with Frankie Laine and Gordon MacRae. Her 1960 record as Darlene
Edwards resulted in a Grammy Award. In the mid-1960s, she retired from the record
business and focused on her family and charity work with Paul Weston. She is a past
president of SHARE, one of Hollywoods most charitable organizations, dedicated to
helping mentally handicapped children.
Arrangement
The order of each series is noted under the header for the respective series or
subseries with most materials arranged chronologically by type. There was a partial
catalogue created by Paul Westons copyist, Clyde Balsley, in the 1940s and 1950s.
However, due to the inconsistency and incompleteness of this system, all titles were
rearranged into chronological order. The Clyde Balsley catalogue number is listed when
known.
Organization
This collection is organized into eight series:
Series I: Compositions and Arrangements, 1933-1993
Series II: Production Materials, 1943-1981
Series III: General Correspondence and Business Records, 1943-1980
Series IV: Miscellaneous, 1991-2001
Series V: Printed Matter, 1943-1996
Series VI: Awards, 1945-1954
Series VII: Photographs, 1928-1993
Series VIII: Recordings, 1947-1980
Container List
I
Organized into ten subseries: Bulk Library; Miscellaneous Compositions and Sketches;
Published Sheet Music; Lead Sheets; Masses and Hymns; Bells of Santa Ynez; The
Hasegawa General Store; Crescent City Suite; Ballad of The Blues; and The Journal of
Mercy Partridge.
Bulk Library: April 6, 1942 1990
This subseries contains the bulk of the Paul Weston and Jo Stafford library of musical
arrangements. All of the arrangements are by Paul Weston unless stated to be otherwise
in the folder description. Titles without scores may or may not be arranged by Paul
Weston.
The folder title contains in bold and in order the song name, artist, and earliest verifiable
date. Several abbreviations are used to indicate a specific artist: JM Johnny Mercer, PW
Paul Weston, JS Jo Stafford, JD Jonathan and Darlene Edwards, DS Dinah Shore,
EF Ella Fitzgerald, TN Ted Nash, DE Dale Evans, NL Norman Luboff Choir, HJ
Harry James, PP Pied Pipers, MM Mellomen, BC Bing Crosby and EM Ethel
Merman. Only the song title and artist name appear on the actual folders.
The folder description includes the following items: inventory; Capitol session number
(Cap #); Clyde Balsley library number (CB #); arranger; recording date; album or
production information; and vocalist information. Certain fields are left out if they are not
pertinent to the specific title.
Box
1
Folder
1
Description
Over The Rainbow PW: ca. 1941
Score and parts; CB # 631; parts copied ca. September 22, 1950;
recorded ca. 1941 (Paramount Pictures) and September 22, 1950
(Columbia); from the Paramount Pictures library (?) and Columbia
Records album Dream Time Music # CL 528 and EP # B-380.
Embraceable You PW: ca. 1941
Parts only; CB # 621; parts copied ca. 1941; recorded ca. 1941
(Paramount Pictures) and September 22, 1950 (Columbia); from the
Paramount Pictures library and Columbia Records album Dream Time
Music # CL 528 and EP # B-380.
Strip Polka JM: April 6, 1942
Score only; Cap # 1(?); recorded April 6, 1942; from the Capitol Records
78 # 103.Vocal for Johnny Mercer.
Youd Be So Nice To Come Home To DS: ca. July 1942
Score only; recorded ca. July 1942; from the Victor Records 78 # 201519. Vocal for Dinah Shore.
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The Bonnie Lad Thats Far Away JS: March 17, 1953
Score and parts; recorded March 17, 1953; from the Columbia Records
album Songs of Scotland # CL-1043. Vocal for Jo Stafford.
My Love Is Like A Red, Red Rose JS: March 17, 1953
Score and parts; recorded March 17, 1953; from the Columbia Records
album Songs of Scotland # CL-1043. Vocal for Jo Stafford.
Basin St. Blues JS: March 29, 1953
Score only; recorded March 29, 1953; from the Columbia Records album
A Musical Portrait of New Orleans # CL-578. Vocal for Jo Stafford and
Frankie Laine.
Adios PW: April 16, 1953
Score and parts; CB # 717; recorded April 16, 1953; from the Columbia
Records album Caribbean Cruise # CL 572, CL 6266 and EP # B-341.
Cuban Love Song PW: April 16, 1953
Score and parts; CB # 735; recorded April 16, 1953; from the Columbia
Records album Caribbean Cruise # CL 572, CL 6266 and EP # B-341.
Summer Night PW: April 16, 1953
Score and parts; CB # 734; recorded April 16, 1953; from the Columbia
Records album Caribbean Cruise # CL 572, CL 6266 and EP # B-341.
Lets Fall In Love PW: April 16, 1953
Score and parts; CB # 736; recorded April 16, 1953; from the Columbia
Records album Caribbean Cruise # CL 572, CL 6266 and EP # B-341.
Perfidia PW: April 28, 1953
Score and parts; CB # 703; recorded April 28, 1953; from the Columbia
Records album Caribbean Cruise # CL 572, CL 6266 and EP # B-341.
Note: This piece contains a second set of parts on ABC music paper. This
suggests the possibility that the arrangement might have been written
before the Columbia Recording date.
When You Wish Upon A Star PW: April 28, 1953
Score and parts; CB # 725; recorded April 28, 1953; from the Columbia
Records album Caribbean Cruise # CL 572, CL 6266 and EP # B-341.
The Nearness Of You PW: April 28, 1953
Score and parts; CB # 702; recorded April 28, 1953; from the Columbia
Records album Caribbean Cruise # CL 572, CL 6266 and EP # B-341.
Magic Is The Moonlight PW: April 28, 1953
Score and parts; CB # 702; recorded April 28, 1953; from the Columbia
Records album Caribbean Cruise # CL 572, CL 6266 and EP # B-341.
Shane PW: May 7, 1953
Score only; CB # 723; aka The Call of the Faraway Hills; recorded
May 7, 1953; from the Columbia Records 45 # 40014.
Gigi PW: May 7, 1953
Score and parts; CB # 737; recorded May 7, 1953; from the Columbia
Records 45 # 40014 and album Music For Quiet Dancing # CL 659.
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Top Hat, White Tie, And Tails EF: March 19, 1958
Score only; recorded March 19, 1958; from the Verve Records album
Ella Fitzgerald Sings the Irving Berlin Song Book # MG VS-6005-2 /
MG V-4030. Vocal for Ella Fitzgerald. Note: Contains score reduction
for 3 trumpets and 3 trombones.
I May Never Pass This Way Again JS: March 21, 1958
Score only; recorded March 21, 1958 (Columbia) and April 9, 1963
(Capitol); from the Columbia Records 45 # 41160 and the Capitol
Records album There's Peace in the Valley # [S]T-1916. Vocal for Jo
Stafford and Gordon MacRae.
You Make Me Feel So Young EM: March 29, 1958
Score only; from the Dinah Shore Chevy Show (airdate: March 30, 1958).
Vocal for Ethel Merman. Note: Arrangement dated March 29, 1958.
You Are All Ive Wanted PW: April 11, 1958
Parts only; CB # 1141; arranger: Bill Loose; recorded April 11, 1958;
from the Columbia Album of Sigmund Romberg # C2L 14.
Softly As In A Morning Sunrise PW: April 11, 1958
Parts only; CB # 1034; arranger: Bill Loose; recorded April 11, 1958;
from the Columbia Album of Sigmund Romberg # C2L 14.
One Kiss PW: April 11, 1958
Parts only; CB # 1186; arranger: Bill Loose; recorded April 11, 1958;
from the Columbia Album of Sigmund Romberg # C2L 14.
Only One PW: April 11, 1958
Parts only; CB # 1144; arranger: Bill Loose; recorded April 11, 1958;
from the Columbia Album of Sigmund Romberg # C2L 14.
April Snow PW: April 11, 1958
Parts only; CB # 1140; arranger: Bill Loose; recorded April 11, 1958;
from the Columbia Album of Sigmund Romberg # C2L 14.
One Alone PW: April 14, 1958
Parts only; CB # 1076; arranger: George Greeley; recorded April 14,
1958; from the Columbia Album of Sigmund Romberg # C2L 14.
Wanting You PW: April 14, 1958
Parts only; CB # 1074; arranger: George Greeley; recorded April 14,
1958; from the Columbia Album of Sigmund Romberg # C2L 14.
Lover Come Back To Me PW: April 14, 1958
Parts only; CB # 1070; arranger: George Greeley; recorded April 14,
1958; from the Columbia Album of Sigmund Romberg # C2L 14.
The Desert Song PW: April 14, 1958
Parts only; CB # 1075; arranger: George Greeley; recorded April 14,
1958; from the Columbia Album of Sigmund Romberg # C2L 14.
Close As Pages In A Book PW: April 14, 1958
Parts only; CB # 1073; arranger: George Greeley; recorded April 14,
1958; from the Columbia Album of Sigmund Romberg # C2L 14.
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53
Folder
1
47
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47
Description
Dartmouth Sketches: 1933
1 p. Note: This is a sketch of three arrangements written by Paul while he
was studying at Dartmouth College in 1933.
Valhala Sketches: n.d.
10 p. See oversize items for 1 newspaper clipping. Note: These sketches
might have been for a television show.
The Four Seasons Sketches: n.d.
7 items. Sheet music (6 items) and notes (1 item). Note: This sketch
might have been for a television show.
Alton Rinker Childrens Songs: n.d.
Sheet music for The Land of Counterpane, The Land of Nod,
Marching Song, The Moon, My Shadow, The Swing, Where go
the Boats?, and The Wind.
TV Sketch: n.d.
2 items. Sketch of arrangements of Moonlight In Vermont and
America The Beautiful. Note: These are for an unknown production.
Folder
6
47
47
Description
Hanover Music Choral Publications
Inventory sheet (1 p.); Day by Day - SATB with piano accompaniment
(sheet music and onion skins); Merry Christmas SATB with piano
accompaniment (sheet music; 2 items); I Should Care SATB with
piano accompaniment (sheet music and onion skins); God Is Love SATB with piano accompaniment (sheet music); Goodbye Is A
Lonesome Sound SATB with piano accompaniment (onion skins); and
Sourwood Mountain SSA with piano accompaniment.
Jo Stafford Sheet Music
Autumn Leaves, Conversation While Dancing, Congratulations,
Hey, Good Looking, Its That Time Again, Jambalaya, Keep it a
Secret, Make Love to Me, Ragtime Cowboy Joe, Teardrops From
My Eyes, Thats Where I Came In, These Will Be The Best Years of
Our Lives, and Waitin for the Train to Come In.
Paul Weston Sheet Music
The Big, Big Lie, Congratulations, Day by Day (3 items), The
Gandy Dancers Ball, God Is Love, The Hasegawa General Store,
I Passed By Your Window, I Should Care, Indiscretion,
Lonesome Water, Make Me A Child Again, Our Father, Poor
Little Piggy Bank, Se Mi Dici No (If You Said No), Shrimp Boats,
This Time, When April Comes Again, Whispering Hope, Why
Dont They Leave Us Alone, and You and You Alone.
54
Lead Sheets
This subseries includes compositions by Paul Weston in pre-publication form. The first
20 folders consist of completed lead sheets, professionally copied on onion skin unless
specified otherwise.
Box
47
Folder
9
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15
Description
Lead Sheets A
Alma Matter (2 items), Alone Again, Always in Love (holograph
on regular paper), and Aotearoa (2 items).
Lead Sheets B
Be Concerned, Be the Good Lord Willing, Believing (Paul Weston
holograph with correspondence and lyric sheet), The Big, Big Lie,
Bicker Song, Bop Went The Strings, A Boy Like Me (and a Girl
Like You, The Bridge of Sighs.
Lead Sheets C
Child and Woman, China Eyes, Christ, Show Us Your Way aka
Lord, Show Us Your Way (onion skin and Ozalid print), Christmas is
the Season of the Bells (onion skin and Ozalid print), Cockney
Rhyming Slang (onion skin and Ozalid print), The Colorado Trail
(onion skin and Ozalid print), Congratulations, Country Bumpkin
(onion skin and Ozalid print), The Cowardly Knight, Creed, and
Cripple Creek.
Lead Sheets D
Dont Forget To Say Your Prayers, Dont Pretend, Dreamy
Hanalei, Dutch Treat, and Dynamite.
Lead Sheets E
Entrance Rite, Evelyn, Eventully, and Evry Time I Think of
You (onion skin and Ozalid prints).
Lead Sheets F
A Fast Hello and a Quick Goodbye (Ozalid print), Floatin Like A
Feather (Paul Weston holograph), Foolin With Me, For The First
Time, and Free and Easy (onion skin and Paul Weston holograph).
Lead Sheets G
The Gandy Dancers Ball, Girl On The Wall, Give Me A Shoulder
To Cry On, Glory To God, Go Nobles (onion skin and Ozalid
print), God Is Love, Goodbye, Goodbye Again, Goodbye is a
Lonesome Sound (ozalid print), and The Grass is Green.
55
47
16
47
17
47
18
47
19
47
20
47
21
47
22
Lead Sheets H
The Hasegawa General Store, Heads Up America, Heart Song
(Paul Weston holograph), Heigh Ho Howdy Do (onion skin and Ozalid
print), Help Me aka Melody A (onion skin and Ozalid print), Here I
Go, Hidden In The Valley (lyric sheets and onion skin), The Hokey
Pokey, Holy, Holy, Holy (3 items), Home For Christmas, How
Can We Say Goodbye? (Paul Weston holograph and onion skins), How
Do You See Me?, How Was I To Know?, (Paul Weston holograph
and onion skin).
Lead Sheets I
I Belong To You, I Guess Ill Have To Dream The Rest, I Heard A
Sermon, I Know Whats Best for Baby (Ozalid print), I Recommend
the Girls (lyric sheet and onion skin), If It Takes Me All My Life, If
Someone Wants To Bet You That I Dont Care, If You Said No, If
You Lived Here, It Isnt Easy, Ill Never Forget You (onion skin,
Paul Weston holograph and lyric sheet), Im Glad To See You Back,
Im Never Really Alone, and Island Girl.
Lead Sheets K
Kiwi Kiwi (Paul Weston holograph, onion skin and Ozalid print).
Lead Sheets L
Lamb of God (3 items), Laugh In Theme aka Lookin Good (Paul
Weston holograph and Ozalid print), Laughter and Tears, Learn From
The Sea, Lilac Mist, Little Boy Blues (lyric sheets and onion skin),
The Little Fat Man With A Big White Beard, A Little More
Affection (Ozalid print), Lonely Heart, Lonesome Water, The
Look of Love (onion skin and Ozalid print), Lord Have Mercy (2
items), Lord, Show Us Your Way, Love Is For Youth (onion skin
and Ozalid print), and Lovely is the Evening.
Lead Sheets M
Make A Rhyme, Make Me A Child Again, The Magic Words
(onion skin and Ozalid print), Meanwhile (Paul Weston holograph and
lyric sheet), Men Are All The Same aka Melody B (onion skin and
Ozalid print), Melody C, Merry Christmas (lyric sheet, Paul Weston
holograph and onion skin), The Miracle Is You (Ozalid print), Mister
Postman, Mister Weatherman, The Monkey Band, My Fate is in
Your Hands.
Lead Sheets N
Night After Night, No Love Like Yours, and Not A Moment Too
Soon (Ozalid print).
Lead Sheets O
Oh, Holy Morning, Old Joe Clark, Once To Every Heart (lyric
sheets, Paul Weston holograph and onion skin), One Little Kiss
(Ozalid prints and note), One Little Rainbow (lyric sheet, Paul Weston
holograph and onion skin), Open Your Heart (Ozalid print), Our
Father, Out of Sight, Out of Mind (Ozalid print), and Out of the
Fryin Pan.
56
47
23
47
24
47
25
47
26
47
27
47
28
47
29
47
30
47
31
47
32
47
33-35
Lead Sheets P
Planters Punch, Poor Mans Slave, and Pussycat Parade.
Lead Sheets R
(What is it Gonna Be) The Rain or the Rainbow?, Remember Me To
Spring (lyric sheet and onion skin), Rendezvous (Paul Weston
holograph and onion skin), and Rock Me in the Cradle of Love (onion
skin and Ozalid print).
Lead Sheets S
Safe in Your Arms (lyric sheet and onion skin), Shenandoah, Single
Girl, Smile, Sourwood Mountain, Spot, Springtime in Rome
(Ozalid print), Strangers Again, and Suddenly Youre A Stranger.
Lead Sheets T
Take My Heart, Teeny Tiny Timmy (Ozalid print), Thats How
Long (Ill Go On Loving You) (Ozalid print), Three-Four, Theres A
Lot Of Dreaming Going On At My House, This Time, Tie A String
Around Your Heart (correspondence, Paul Weston holograph and
Ozalid print), Trouble, and Tweet and Toot.
Lead Sheets W
We Meet Again, We Wont Forget, Weather Man, Were Not
Children Anymore, When April Comes Again (aka Westons Tune)
(lyric sheet, onion skin for Westons Tune, and Photostat negative),
Whats the Matta With The Matador?, What Was the Name of That
Broad?, (Ozalid print), When Knighthood Was in Flower (onion skin
and Ozalid print), When Our Yesterdays Were New (onion skin, Paul
Weston holograph and lyric sheets), When We Dance (Paul Weston
holograph and Ozalid print), Why Dont We Try Again (Ozalid print
and onion skin), Wish Me Well, With My Heart in My Hand (Paul
Weston holograph and lyric sheet), Wonder (Paul Weston holograph
and Ozalid print), and The Wooden Whistle.
Lead Sheets Y
You Never Lose What You Never Had, You Shouldnt Have Done It
(Ozalid print), and Youre the Love of My Life.
Untitled Onion Skin Lead Sheet
1 p.
Lyric Sheets Without Lead Sheets
31 p.
Paul Weston Lyric Sketches
15 p.
Titled Lead Sheet Sketches
62 p.
Untitled Lead Sheet Sketches
57
Folder
36
Description
3rd Mass On Christmas: 1950s
7 p. Sketches (4 p.) and lead sheets for Offertorium, Introit, and
Communion. (Voice with organ accompaniment)
47
37
47
38
47
39
47
40
47
41
Folder
42
Description
Correspondence and Miscellany: n.d., 1956 October 15, 1962
7 items; n.d., 1956 October 15, 1962. Miscellany includes 2 programs,
2 brochures and 1 map. Note: Items cover the period before the
composition was written.
58
47
43
47
44
47
45
47
46
47
47
47
48
Folder
49
47
50
47
51
47
52
Description
The Bells of Santa Ynez
5 items. Choir part (onion skin and Ozalid print); lyric and lead sheets
(holograph).
Alabado and The Valley
8 items. Choir part (holograph, onion skin and Ozalid print); lyric and
lead sheets (holograph).
Adobe
6 items. Choir part (holograph, onion skin and Ozalid print); lyric and
lead sheets (holograph).
Enchanted Mountain
11 items; aka Evening Song. Choir part (holograph, onion skin and
Ozalid print); lyric sheets, vocal part and notes (holograph); lead sheet
(holograph, onion skin and Ozalid print).
59
47
53
47
54
47
55
47
56
47
57
47
58
47
59
47
60
47
61
47
62
Mama
6 items. Choir part (holograph, onion skin and Ozalid print); lyric sheet
and music sketch. (holograph).
Angelus
4 items. Choir part (holograph, onion skin and Ozalid prints).
The Bells of Santa Ynez Reprise
4 items. Choir part (onion skin and Ozalid print); lyric sheet (holograph);
score (partial score in holograph).
The Bells of Santa Ynez Reprise (Side II)
4 items. Choir part (holograph).
Mi Amor
10 items; aka Maria. Choir part (holograph, onion skin and Ozalid
print); lyric and lead sheets (holograph).
Eyes of Fire
5 items. Choir part (holograph, onion skin and Ozalid print) and lyric
sheet (holograph).
The Star and The Rose
5 items; aka Fernanditos Lovesong. Guitar part sketch; lyric sheet;
lead sheet (holograph, onion skin and Ozalid print).
La La La
6 items. Choir part (holograph, onion skin and Ozalid print); lyric and
sheets (holograph).
Valley and Bells Coda
5 items. Choir part (holograph, onion skin and Ozalid prints) and lyric
sheets (holograph).
Music Sketches
61 p.
Folder
63
Description
Correspondence and Miscellany: September 4, 1964 August 15, 1990
97 items; September 4, 1964 August 15, 1990. Miscellany includes
photographs (5 items), brochures and newspaper clippings.
Correspondence includes letters by Arthur Godfrey, Harry Hasegawa,
Larry Shane, Webley Edwards, See oversize items for 8 newspaper
clippings.
60
47
64
Folder
1
48
48
48
48
48
3
4
5
6
Description
Correspondence and Miscellany: October 29, 1956 June 4, 1990
141 items; October 29, 1956 June 4, 1990. Miscellany includes
photographs (6 items) and programs. Correspondence includes letters by
James C. Petrillo, Harry Fox, Bing Crosby and Walter Hoover. Letter
types include telegrams, holographs, carbon copies and Photostats.
Newspaper Clippings: March 24, 1957 August 29, 1960
38 items; March 24, 1957 August 29, 1960.
Columbia Publicity Sheet: August 2, 1957
1957 New Orleans Honorary Citizen Award: July 18, 1957
1968 New Orleans Honorary Citizen Award: July 30, 1968
Copyright Lead Sheets: 1957
Lead sheets to original compositions on onion skin.
61
Folder
7
48
48
48
10
48
11
48
12
48
13
48
14
48
15
48
16
48
17
48
18
48
19
Description
Music Sketches: ca. Late 1956
30 items; ca. late 1956.
Crescent City
Violin, viola and percussion parts (onion skin); cello and bass parts
(negative Photostat).
Vieux Carre
Violin and percussion parts (onion skin); bass part (negative Photostat).
Riverfront Blues
Score (photocopy); violin and viola parts (onion skin); cello and bass
parts (negative Photostat).
Storyville
Score; violin and viola part (onion skin); conductor sketch (holograph);
cello and bass parts (negative Photostat). Orchestration by George
Greeley. See oversize items for score.
Bayou St. John
Violin and viola parts (onion skin); cello and bass parts (negative
Photostat).
High Society
Score (photocopy); Violin, viola and drum parts (onion skin); 5th
woodwind part (holograph); cello and bass parts (negative Photostat).
Creole Songs and Dances
Violin, viola and percussion parts (onion skin); cello and bass parts
(negative Photostat).
Miss Lucy
Violin and viola parts (onion skin); cello and bass parts (negative
Photostat).
Ferryboat To Algiers
Score (photocopy); violin part (onion skin); cello and bass parts (negative
Photostat).
Esplanade At Sunset
Violin and viola parts (onion skin); cello and bass parts (negative
Photostat).
Nobody Knows The Trouble Ive Seen
Violin and viola parts (onion skin); cello and bass parts (negative
Photostat).
Mardi Gras
Violin, viola and drum parts (onion skin); cello and bass parts (negative
Photostat).
62
Folder
1
49
49
49
49
49
49
49
49
49
10
49
11
Description
Crescent City Suite Band Arrangement: 1959
Includes three movements from the Crescent City Suite: Creole Songs
and Dances, Miss Lucy, Ferryboat to Algiers. Orchestration by
Frank Comstock
Publication Templates
5 items.
Crescent City
Score and parts.
Vieux Carre
Score and parts.
Storyville
Score and parts.
Bayou St. John
Score and parts.
Creole Songs and Dances
Score and parts.
Miss Lucy
Score and parts.
Esplanade At Sunset
Score and parts.
Nobody Knows The Trouble Ive Seen
Score and parts.
Mardi Gras
Score and parts.
63
Folder
1
50
50
50
50
50
50
50
Description
Sketches and Correspondence: ca. February 1959 August 12, 1959
Correspondence, 12 items: March 13, 1959 August 12, 1959 (includes 1
Photostat and 5 carbon copies); lyric sheets and sketches.
The Blues (Part 1): February 10, 1959
Score and parts; recorded: February 10, 1959. Ballad of the Blues part 1
of 8.
The Blues Is A Travelin Thing: February 10, 1959
Score and parts; aka Blues Part 3; recorded: February 10, 1959 (?).
Ballad of the Blues part 4 of 8.
The Blues Is A Tale Of A Trouble: February 12, 1959
Score and parts; aka Part II; recorded: February 12, 1959. Ballad of the
Blues part 2 of 8.
The Blues Is A Travellin Thing: February 12, 1959
Score and parts; recorded: February 12, 1959. Ballad of the Blues part 5
of 8.
Times Change: February 20, 1959
Score and parts; recorded: February 20, 1959. Ballad of the Blues part 6
of 8.
Memphis Blues: February 20, 1959
Score and parts; recorded: February 20, 1959. Ballad of the Blues part 3
of 8. Note: This arrangement bears numerous similarities to the 1943
arrangement. See also box 1.
Blues Coda: February 20, 1959
Score and parts; recorded: February 20, 1959 (?). Ballad of the Blues part
8 of 8.
Blues In The Night
Recorded: February 20, 1959. Ballad of the Blues part 7 of 8. See box 21
64
Folder
1
Description
Correspondence and Clippings: October 7, 1971 April 13, 1991
Correspondence and 2 newspaper clippings, 60 items: October 7, 1971
April 13, 1991. Letter types include holographs, carbon copies,
photocopies and Photostats.
Research Items
36 p. Includes book excerpts on Mercy Partridge and miscellaneous
poetry.
Sketches and Notes
27 p.
New England Church
Score and parts
Sacketts Brook
Score and parts
New England Farewell
Score and parts
Kailua At Sunset
Score and parts
Wailua Falls
Score and parts
The Night Marchers Peles Warning
Score and parts
51
51
51
51
51
51
51
51
II
This series includes materials that were either produced for or associated with film,
television, radio and concert productions that starred Paul Weston and/or Jo Stafford.
The organization is chronological with dates representing when production activity
occurred.
Box
52
Folder
1
52
Description
Johnny Mercers Music Shop: June 22, 1943
Music listing (1 item); radio script (19 p.). Note: This script is for the
first episode of Johnny Mercers Music Shop. The show featured Paul
Weston as the musical director with Johnny Mercer, Jo Stafford, and The
Pied Pipers as starring artists. The music listing covers episodes aired
June 22, 1944 December 8, 1944.
Chesterfield Show: ca. 1947-1948
Newspaper and magazine clippings (5 items); 26 p. Note: The show
featured Jo Stafford with Paul Weston as the musical director.
65
52
52
52
52
52
52
52
52
10
52
11
52
12
52
13
66
52
14
52
15
52
16
52
17
52
18
52
19
52
20
52
21
52
22
52
23
52
24
67
52
25
52
26
52
27
52
28
52
29
52
30
52
31
52
32
52
33
68
52
34-42
52
43
52
44
52
45
52
46
52
47
52
48
52
49
52
50-51
69
52
52
52
53
52
54
52
55
52
56
52
57
52
58
52
59
52
60
53
70
53
53
53
53
III
This series consists of correspondence, business records, and notes documenting the life
and work of Paul Weston and Jo Stafford. This series is divided into two subseries: Paul
Weston and Jo Stafford.
The organization is chronological and by type. Dates represent when authorship of
materials occurred. Manuscript types include holographs and carbon copies.
Paul Weston: July 22, 1944 February 21, 1980
The Paul Weston subseries covers general correspondence, business records, and notes
not related to any of his major works. Letters relating to Pauls work as a leader on Jo
Stafford record dates are included in the Paul Weston subseries.
Box
53
Folder
6
Description
General Correspondence and Notes: July 22, 1944 December 8, 1947
85 p.; July 22, 1944 December 8, 1947. Note: Includes business memos
and correspondence related to Paul Westons work as the music director
for Capitol Records. There are letters to/from Glenn Wallichs, Floyd
Bittaker, Deane Kincaide, Jim Conkling, Mannie Sacks, Frank Sinatra,
Hymie Shertzer, Alan Livingston, and others.
71
53
53
43 p.; June 2, 1953 ca. June 1958. Note: Includes materials related to
the final portion of Paul Westons tenure with Columbia Records. There
are letters to/from Mitch Miller, Goddard Lieberson, Norman Adler,
Douglas H. Duer, and Jim Conkling.
53
10
53
11
53
12
53
13
53
14
53
15
53
16
53
17
General Correspondence and Notes: December 12, 1959 February 21, 1980
42 p.; December 12, 1959 March 23, 1993. Note: Includes materials
related to Paul Westons second period with Capitol Records. There are
letters to/from Lloyd Bittaker, Ralph Carmichael, Caesar Giovannini,
Jack Russell, Herb Sanford, Bill McRae, Pierre Salinger, Sue Allen and
Edmund G. Brown.
General Correspondence and Notes: n.d.
20 p.; n.d.
Notes for Speeches/Meetings: ca. mid-1950s
24 p.; ca. mid-1950s. Note: Includes notes for meetings with Columbia
executives and business conferences.
Mannie Greenfied Assoc. Press Documents: December 7, 1949 January 18, 1950
72
53
18
53
19
53
20
58
Jo Stafford
The Jo Stafford subseries covers general correspondence, business records and notes
specifically directed towards Jo Stafford.
Box
53
53
IV
Folder
21
22
Description
General Correspondence and Notes: July 19, 1945 December 3, 1968
Miscellaneous, 1920-1996
Paul Weston
Box
Folder
53
23
53
24
53
25
53
26
Description
Dartmouth Miscellany: ca. 1990
Photograph of Baker Library (December 19, 1990) and reproduction of
Alma Matter text by Richard Harry (n.d.). See oversize items
AFM Local 47 Tribute: 1996
1 item; 1996.
Letterhead and Music Papers
55 p. See oversize items for 34 p. of music paper.
The Waiting Room: ca. 1960
9 p. Note: This is a script written by Paul Weston for either the stage or
film.
Miscellaneous: 1940s-1950
Jack McCoy song plug cards (1940s; 3 items); Brown Derby restaurant
menu (1947; 1 item); Sammy Cahn wedding invitation; ASCAP mailer
(July 21, 1959; 1 item); bridge game tips (3 items); Dodgers mailer
(1963; 1 p.); August brochure (1970s; 1 item).
73
Jo Stafford
Box
53
Folder
27
53
28
53
29
53
30
53
31
Description
Jo Stafford Valentine Cards: ca. 1920
2 items; ca. 1920. See oversize items for 1 Valentine card.
Stafford Family Miscellany
5 items; 1941 ca. 1990. Note: Contains newspaper clippings and
tributes to Jo Staffords parents, grandparents and sisters.
Jo Stafford Essay By Amy Weston: ca. 1972
11 p.; ca. 1972.
Restaurant Souvenirs: 1940s 1950s
7 items (includes 5 souvenir photographs); 1940s 1950s.
Old Oaken Bucket Brigade Certification: 1945
This series includes various types of printed matter not related to specific productions or
major works. Printed matter types include journals, newspapers, magazines and album
artwork.
Jo Stafford
Box
53
Folder
32
53
33
53
34
53
35
Description
Newspaper and Magazine Clippings
102 items. See oversize for 55 items
Magazines: 1945-1996
Band Leaders, July 1945; Radio and Television Parade, July 1949;
Photoplay, September 1950; Colliers, April 21, 1951; TV Stage, June
1952; The New Yorker, August 1996. See oversize items for Colliers.
Capitol Records and Radio Recorders Marketing Items: 1945-1952
3 items, 1945-1952. See oversize items for 3 items.
Fan Miscellany: 1952-2006
Jos Journal (vol. 2, no. 2; 1952) and 2 discographies by Jim Marshall
(1995 and 2006).
Paul Weston
Box
53
Folder
36
Description
Newspaper and Magazine Clippings
14 items. Includes article by Paul Weston, The Forgotten Art: Music For
Television.
74
53
37
53
38
VI
Folder
Description
Corinthian Records Album Artwork
15 items. See oversize items.
Awards, 1945-1954
Jo Stafford
Box
53
VII
Folder
39
Description
1945 Metronome Award
1952 Down Beat Award for Popular Record of the Year You Belong To
Me; 1954 Academy of Television Arts and Sciences nomination for
Best Female Singer.
Photographs, 1928-1996
Jo Stafford
Box
54
Folder
Description
Tommy Dorsey and The Pied Pipers (9 items, 1940-1942); glamour
portraits (65 items); radio shows (20 items); television shows (22 items);
concert appearances (7 items); Capitol Records publicity (6 items); group
gatherings (4 items); Jo Plus Jazz album photography (13 items);
receiving a new car (2 items); unidentified baseball player (1 item); Navy
recruitment publicity (3 items); at the Truman White House with
Liberace, Postmaster General Jess Donaldson, and Marge and Gower
Champion (5 items); unidentified publicity event (3 items); AFM
President John te Groen and Jo Staffords French poodle, Beau (4 items,
February 5, 1952); French poodle, Beau (1 item); with military personnel
(1 item); receiving award for 25 million albums sold (1 item); winter
scenes (5 items); Valentines Day scene (1 item); store window display
(1 item); Jimmy Durante (1 item, 1946); Fred Heider (2 items, 1950). See
oversize for radio shows (2 items); television shows (2 items); and
glamour portraits (4 items).
75
55
Paul Weston
Box
55
Folder
Description
Boy Scout troupe (1 item, ca. 1928); Axel Stordahl and unidentified man
(3 items, ca. 1936); Jim Conkling (1 item, ca. early 1940s); unknown big
band (1 item, ca. early 1940s); portraits (10 items); Nat Cole (1 item, ca.
1950); unknown NBC radio show (5 items); studio photographs (6
items); Jonathan Edwards (1 item); Unidentified group (1 item);
unidentified man (1 item, March 1968).
See oversize items for 6 studio photographs.
Folder
Description
Capitol Records pressing plant [Los Angeles?] (8 items, ca. 1946); with
Lynn Murray (1 item, April 19, 1946); publicity for Folk Song album (2
items, ca. 1948); Peter Meremblum Junior Symphony Orchestra concert
(3 items, September 21, 1947); unknown actor (1 item, ca. 1947); at
greyhound race (1 item, ca. 1950s); Palm Springs vacation with Weston
family (19 items, ca. 1950); Big Bear trip and at home (18 items, ca.
1950); Polaroid shots at home (4 items, ca. 1952); publicity photo taken
at home (1 item, ca. 1952); honeymoon cruise to London (6 items, March
1952); London personalities (2 items, ca. April 1952); Roman Catholic
event (1 item, ca. 1950s); proof sheet of home life (1 item, ca. 1954);
home at piano (1 item, ca. 1955); playing home record player (1 item, ca.
1955); studio photographs (3 items, ca. 1955-1965); at home by piano (2
items, April 1982); group photographs (3 items); NARAS awards (1
item, ca. 1970); charity event (1 item, ca. 1990s); conference (3 items, ca.
1990s).
76
Family
Box
55
Folder
Description
Tim Weston (18 items, 1952-1980); Amy Weston (1 4x5 negative and 1
8x10 print, ca. 1957); Tim and Amy (2 items, ca. 1960 and 1970);
Pauline [Stafford] and Galen Drake (1 item).
Miscellaneous
Box
55
Folder
Description
Edward R. Murrow inscribed to Jo Stafford (1 item); John F. Kennedy
stock photographs (2 items); unidentified.
Folder
Description
Audio Recordings
Audio Recordings
Reel-to-Reels
Reel-to-Reels
16 Transcriptions
16mm films
77
Oversize items
Box
60
Folder
1
60
60
60
60
60
60
60
60
60
10
60
11
60
12
60
13
60
14
60
15
60
16
60
17
60
18
60
19
60
20
60
21
Description
My Romance
Score
Dearly Beloved
Score
Winter Wonderland
Score
Street Of Dreams
Score
Time On My Hands
Score
Sometimes Im Happy
Score
The Thrill Is Gone
Score
Linger Awhile
Score
Lies
Score
All By Myself
Score
Blue Moon
Score
Ill See You In My Dreams
Score
Dream
Score
I Love You
Score
Bye Bye Blues
Score
Jonathan And Darlene Edwards In Paris
Scores
East Of The Sun
Score
I Love You
Score
Goodnight Sweetheart
Score
Always
Score
My One And Only Love
Score
78
60
22
60
23
60
24
60
25
60
26
61
61
61
61
61
61
61
61
61
61
10
61
11
61
12
61
13
61
14
61
15
61
16
61
17
For You
Score
True Love
Score
Anniversary Waltz
Score
I Love You Truly
Score
My Darling, My Darling
Score
Johnny Has Gone For A Soldier
Score
Shenandoah
Score
Cripple Creek
Score
Old Joe Clark
Score
Single Girl
Score
Sourwood Mountain
Score
Misty
Score
Oh, Holy Morning
Score
All Through The Night
Score
Somebody Bigger Than You And I
Score
Shepherd Show Me
Score
He
Score
I Believe
Score
Youll Never Walk Alone
Score
Rendezvous In May
Score
Fascination
Score
Far Away Places
Score
79
61
18
61
19
61
20
61
21
61
22
61
23
62
62
62
62
62
62
62
62
62
62
10
62
11
62
12
62
13
62
14
62
15
62
16
True Love
Score
Afterthoughts
Score
Together
Score
The King Of Paris
Score
Three-Four Open The Door
Score
When Im Not Near The Boy
Score
Do I Hear A Waltz?
Score
Beautiful Ohio
Score
Down In The Valley
Score
I See Your Face
Score
Button Up Your Overcoat
Score
Carioca
Score
Crazy Words, Crazy Tunes
Score
Deep Purple
Score
I Wanna Be Loved By You
Score
Moonlight On The Ganges
Score
Varsity Drag
Score
Who
Score
Why Was I Born?
Score
Day By Day
Score
Lovely Night
Score
Maudie Theme
Score
80
62
17
62
18
62
19
62
20
62
21
62
22
62
23
62
24
62
63
25
63
63
63
63
63
63
5
6
63
63
63
64
64
64
64
64
Shrimp Boats
Score
Whispering Hope
Score
It Is No Secret
Score
I Should Care
Score
Memories Of Ireland
Score
Share Vocal Medley
Score
Ill Never Smile Again
Score
One For My Baby
Score
Miscellaneous Score Fragments
Jo Stafford Show Photo Album
1 item
Photographs
14 items.
Jo Stafford Valentine Card
1 item
1972 Disney on Parade Sketches
6 items
Maryknoll Sketches
3 p.
City of Solvang Award: September 20, 1991
Corinthian Records Album Artwork
14 items
Dartmouth Miscellany
2 items
Magazines
Billboard and Colliers
Music Papers
34 p.
London Palladium Posters
2 items
Capitol and Columbia Records Marketing Items
5 items
Storyville
Score
Newspaper clippings
86 items
The New York Times. February 25, 1962 (Section 4)
81