Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
armonas y dramatismo.
El Preludio a modo de fanfarria es una introduccin a
las danzas que le siguen y aparecen los elementos bsicos
del flamenco: cante, baile y toque con acompaamientos
de guitarra flamenca. Sus pasajes en tresillos adelantan lo
que vendr despus con Malaguea.
El Tango es la meloda ms reconocida de Albniz y
ha sido transcrita frecuentemente a otros instrumentos,
asemejndose ms su ritmo a la habanera que al tango
argentino, y sin relacin con el gnero flamenco
homnimo. Gran riqueza armnica y carcter tranquilo y
sensual.
En Malaguea volvemos a encontrar alusiones al
flamenco. En su seccin central hay una clara alusin al
cante con melodas melismticas que recuerdan a este tipo
de msica.
Serenata es una pieza fragmentada en la que se
alternan pasajes en staccato con un vals que aparece y
desaparece. Escuchamos al principio ecos de la msica
de Scarlatti, y del ritmo de sevillanas en su parte central.
Capricho cataln es una de las pocas piezas que
dedic a su tierra natal. Es una pieza encantadora con un
ritmo constante sincopado en el acompaamiento que
mece a la meloda incurvada en terceras.
Zortzico. Compuesta en comps de 5/8 es una de las
dos obras que dedic al pas vasco. Pieza delicada con la
que quiere homenajear a una tierra que siempre le trat
muy bien en sus numerosos conciertos.
Recuerdos (mazurca). Pieza difcil con influencia
Chopiniana, que bajo el tempo de mazurca oscila
constantemente entre el estilo romntico y el espaol.
Tercer minueto. Esta danza, que tiene una primera
seccin ms rtmica, cuenta con una parte central de
delicada belleza de marcada influencia Schumanniana.
Pavana fcil para manos pequeas. Publicada en
1887, cumple una funcin didctica. Alejada del estilo de
Albniz, su encanto radica en la sencillez de su lnea
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Page 1
Santiago L. Sacristn
Santiago L. Sacristn was born in Valdepeas (Ciudad Real, Spain) and studied at the Royal Conservatorio Superior
de Msica of Madrid with Guillermo Gonzlez, where he achieved the highest qualifications. He acquired a complete
training in the school of Central European piano playing, especially in impressionism, inherited from Vlado Perlemuter
(a pupil of Maurice Ravel), and finally specialising in Spanish music. He developed his playing further with important
pianists including Paul Badura-Skoda and Alexander Tselyakov. He began his concert career at the age of fifteen as a
a soloist with the first orchestra established in Castilla La Mancha, giving successful premires of works, including
Cantata in Memoriam for piano and orchestra by Ignacio Morales Nieva, a pupil of Joaqun Turina. He has appeared in
various European countries in concert and in chamber music, with an extensive repertoire that ranges from the
clavecinistes to the contemporary. Since 1999 he has been part of the National Body of musicians directing the Isaac
Albniz Conservatorio de Msica.
SPANISH CLASSICS
ALBNIZ
Piano Music
Espaa Deseo Zortzico Yvonne en visite!
Santiago L. Sacristn
Santiago L. Sacristn
C
M
Y
K
8.573295
8.573295
24/8/14
10:00 AM
Page 2
8.573295
8.573295
8.573295
24/8/14
10:00 AM
Page 2
8.573295
8.573295
8.573295
24/8/14
10:00 AM
Page 2
8.573295
8.573295
8.573295
24/8/14
10:00 AM
Page 1
Santiago L. Sacristn
Santiago L. Sacristn was born in Valdepeas (Ciudad Real, Spain) and studied at the Royal Conservatorio Superior
de Msica of Madrid with Guillermo Gonzlez, where he achieved the highest qualifications. He acquired a complete
training in the school of Central European piano playing, especially in impressionism, inherited from Vlado Perlemuter
(a pupil of Maurice Ravel), and finally specialising in Spanish music. He developed his playing further with important
pianists including Paul Badura-Skoda and Alexander Tselyakov. He began his concert career at the age of fifteen as a
a soloist with the first orchestra established in Castilla La Mancha, giving successful premires of works, including
Cantata in Memoriam for piano and orchestra by Ignacio Morales Nieva, a pupil of Joaqun Turina. He has appeared in
various European countries in concert and in chamber music, with an extensive repertoire that ranges from the
clavecinistes to the contemporary. Since 1999 he has been part of the National Body of musicians directing the Isaac
Albniz Conservatorio de Msica.
SPANISH CLASSICS
ALBNIZ
Piano Music
Espaa Deseo Zortzico Yvonne en visite!
Santiago L. Sacristn
Santiago L. Sacristn
C
M
Y
K
8.573295
8.573295
24/8/14
10:00 AM
Page 1
Santiago L. Sacristn
Santiago L. Sacristn was born in Valdepeas (Ciudad Real, Spain) and studied at the Royal Conservatorio Superior
de Msica of Madrid with Guillermo Gonzlez, where he achieved the highest qualifications. He acquired a complete
training in the school of Central European piano playing, especially in impressionism, inherited from Vlado Perlemuter
(a pupil of Maurice Ravel), and finally specialising in Spanish music. He developed his playing further with important
pianists including Paul Badura-Skoda and Alexander Tselyakov. He began his concert career at the age of fifteen as a
a soloist with the first orchestra established in Castilla La Mancha, giving successful premires of works, including
Cantata in Memoriam for piano and orchestra by Ignacio Morales Nieva, a pupil of Joaqun Turina. He has appeared in
various European countries in concert and in chamber music, with an extensive repertoire that ranges from the
clavecinistes to the contemporary. Since 1999 he has been part of the National Body of musicians directing the Isaac
Albniz Conservatorio de Msica.
SPANISH CLASSICS
ALBNIZ
Piano Music
Espaa Deseo Zortzico Yvonne en visite!
Santiago L. Sacristn
Santiago L. Sacristn
C
M
Y
K
8.573295
8.573295
S
P
A
N
I
S
H
C
L
A
S
S
I
C
S
Also available:
8.570553
8.572196
8.573293
8.573294
8.573295
NAXOS
Volume 6 of this complete edition focusses in the main on Albnizs richly varied, early salon
style. It includes the dazzling Chopin influenced Vals Champagne, the Estudio de concierto
which rivals Liszt for virtuosity, and the famous Tango from Espaa: Seis hojas de lbum, a set
which conjures up Spain in its rhythms, harmonies and sense of drama. Written a year before
the composers death, Yvonne en visite! includes a humorous scene during a pupils reluctant
performance, while the Marcha militar is Albnizs earliest work, composed at the age of eight.
SPANISH CLASSICS
8.573295
Isaac
DDD
ALBE NIZ
Playing Time
7 Serenata
2:59
8 Capricho cataln
2:15
9 Zortzico
2:42
0 Recuerdos (Mazurca), Op. 80,
^ La rvrence
& Joyeuse rencontre, et quelques
T. 80 (1887)*
5:08
pnibles vnements
* Marcha militar, T. 45 (1869)
2:03
4:40
1:50
C
M
8.573295
NAXOS
& 2014
Naxos Rights US, Inc.
Booklet notes in English
Comentarios en espaol
Made in Germany
www.naxos.com
76:01
Piano Music 6
(18601909)
Y
K