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"Water on Mirror under sun" (2015) is a durational installation piece that happens and develops only when there the sun is out. The installation is placed on the edge of the sunrays from the window with a small rainbow generated by water sprayed by audiences from above. Audiences are required to sit or kneel down close to the installation to be able to view the rainbow.
"Water on Mirror under sun" (2015) is a durational installation piece that happens and develops only when there the sun is out. The installation is placed on the edge of the sunrays from the window with a small rainbow generated by water sprayed by audiences from above. Audiences are required to sit or kneel down close to the installation to be able to view the rainbow.
"Water on Mirror under sun" (2015) is a durational installation piece that happens and develops only when there the sun is out. The installation is placed on the edge of the sunrays from the window with a small rainbow generated by water sprayed by audiences from above. Audiences are required to sit or kneel down close to the installation to be able to view the rainbow.
Florence
So-Yue
Lam
(MA
Fine
Art,
Iceland
Academy
of
the
Arts)
(1) Brief
descriptions
of
submitted
work
Water
on
Mirror
under
Sun
(2015)
is
a
durational
installation
piece
that
happens
and
develops
only
when
there
the
sun
is
out.
It
was
first
realized
in
Reykjavik,
Iceland,
know
for
having
only
sunlight
for
half
a
year,
but
with
excessive
natural
phenomenon
like
gigantic
rainbows
and
aurora.
The
installation
is
placed
on
the
edge
of
the
sunrays
from
the
window
with
a
small
rainbow
generated
by
water
sprayed
by
audiences
from
above.
Audiences
are
required
to
sit
or
kneel
down
close
to
the
installation
to
be
able
to
view
the
rainbow.
I
attempt
to
break
boundaries
of
art,
artist
and
audiences
by
combining
all
into
one
body,
generating
and
maintaining
each
other
at
the
same
time.
I
touch
on
elements
of
new
experiences
of
art,
performance,
audience
participation
and
sensory
perception,
and
with
influences
from
the
practical
uses
and
effects
of
therapy,
stage
magic,
neuropsychology
and
child
psychology.
Inspired
by
the
two
common
phenomenon
in
the
early
developmental
stages
in
children,
Magic
Thinking
and
Animistic
Thinking,
simple
materials
common
to
general
public
is
used,
something
that
audiences
thought
they
already
have
a
knowledge
of
their
mechanisms,
to
pick
out
and
amplify
their
special
quality
creating
a
sense
of
surprise,
the
trigger
of
wonder,
as
if
the
object
is
engaging
to
the
audience
to
create
an
illusion
of
liveliness.
I
strive
to
recall
my
audiences'
feeling
of
pure
wonder
by
bringing
in
front
of
their
eyes
an
object
that
seems
physically
impossible
without
life,
just
as
children
believed
that
there
were
spirits
inhabited
in
the
flowing
water
and
sizzling
leaves.
This
is
a
collective
memory
for
all
people
regardless
of
time,
space
and
background,
and
is
driven
by
the
natural
human
instinct
of
curiosity.
(2) Visual
representation
(3) Technical
implementation
Installation
needs
to
be
placed
next
to
a
window
where
the
light
would
cast
in
as
a
diagonal.
The
position
of
the
objects
are
shifted
and
rearranged
constantly
according
to
the
shape
of
the
light
cast.