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Juries were worse than The Gong Show. Anyone could sit in and offer
remarks about intonation or timing. A bassoonist named Barbara Mushwater
once stopped me in the middle of Wagner to tell me my retardation of the
slurred note before the cadence was bad. I said I didn't know there was such
a thing as good retardation, but no one found it very funny. I said, "Could
you be more specific than bad?"
She said no, that about summed it up.
Rose Peters. She will never tell you about the time she caught her daughter
heavy petting on the back porch with Jeremy Keyswater. She will never tell
you about the time she hit a doe with her husband's Jeep, and backed up
over it to put it out of it's misery. She will never tell you that she hasn't
shaved her legs in sixteen years. She will never tell you how she lost her
front teeth when her husband jabbed her with his elbow. She will never tell
you she is sorry but she doesn't have time to talk right now. And she will
never tell you about the two German Shepherds she keeps in the cellar, tied
to the furnace with rope, their mouths shut with duct tape, or how she feeds
them Oleson's day old steaks and tomato juice, hitting them with kindling or
snapping their sides with a hot wet rag, nourishing their tempers, and in the
end times, when the world is one big riot, she will loose them on the
antichrist, once and for all.
thing. He finally took her to the hospital, where they pumped her stomach,
and made her sleep next to a man with dementia. The next morning, when
she came home, bleary-eyed and white as a ghost, my mother broke down
and begged for a milkshake from McDonalds. My father shrugged. We
climbed in the car and got Big Macs and Chicken McNuggets from the drivethru.
The following year, my parents read too many Anne Rice novels and
brought home bags of garlic cloves for stocking stuffers. They put up mirros
in every room, just to be safe. My father watched a TV special on Celtic
myths and superstitions and decided to laminate four-leaf clovers and give
them away as Christmas lanyards. He encouraged us to wear them around
our necks, like ID tags, to usher in good fortune. Each one had our name and
a famous quote from a James Joyce novel. Mine said: Hi! My name is Sufjan.
History is a nightmare from which I am trying to awake. When my mother
accidentally broke the mirror in the coat closet, she made us each wear a
lucky rabbits foot on our belt loops. But on New Years Day, my oldest sister
broke her arm sledding down the hillside gardens and my father was laid off
from his job at the state park. A few weeks later, our dog was run over by a
snowplow and my mother said enough is enough. She asked that we give
back the rabbits foot key chain and the lucky wheat penny and the yin yang
talisman bracelets and the four-leaf clovers. She burned them in the wood
stove. My father took out a life insurance policy and started buying lottery
tickets and my mother used the garlic cloves in her egg frittata.
A few years later, everyone was talking about the Christmas lunar
eclipse. My parents considered this rare celestial phenomenon an important
sign. They had begun to prescribe to the notion that they were Star
People, space aliens from another planet temporarily inhabiting human
bodies. There were millions of Star People on earth waiting for the Universal
Power Source to end all the nonsense of war and suffering once and for all.
There was a paperback book frequenting our kitchen countertops (Are You a
Star People? Am I a Star People? By Curtis Leopard) with illustrations of
crystal shapes, interplanetary objects, illuminated faces with concentric
eyes and first-person accounts of past life experiences on other planets.
There was a description of one man, a short-order cook named Garth from
Cleveland, who recalled having once been a Martian king with a harem.
Santa Claus, the book claimed, was a Star Person with intimacydisplacement issues. He went around giving gifts because he wasnt shown
enough affection by his space mother.
My own mother was certain that, in another life, on another planet,
she had been a witch. She pointed out residuals: her proclivity for sweeping
the floor with a medieval-like broom she had bought at an antique shop; she
also claimed to possess the powers of telekinesis. We had yet to see her
move anything, not even our disbelief. My mothers evidence was an
inventory of rhetorical questions. Have you ever felt out of touch? she
read from the book cover. Have you ever felt restless and homesick for no
apparent reason? She pointed out other symptoms: acne, headaches, an
interest in learning foreign languages. This made me worry. I had just
started high school and my face was breaking out, little ruddy patches
around the flat face of my chin, where I was starting to grow stubble. I was
also taking first year German. My mother gave me a look over her reading
glasses. You seem to fit the bill, she said. Do you ever get migraines?
For Christmas that year, I got a copy of Ray Bradburys Martian Chronicles
and a telescope from Sears, but it was too overcast to see anything through
it, not even the lunar eclipse.
Then there was the Christmas when Aunt Harriet got divorced and
moved in with us for a few weeks. My parents put her up in the living room,
in a cot next to the Christmas tree. Dont bother Aunt Harriet, my mother
warned us. She is going through menopause. I was only seven years old; I
thought menopause was something like a very long vacation you take when
you have been working too hard. Thats about right, my mother said. But
maybe keep that to yourself.
Aunt Harriet smoked unfiltered cigarettes and read Vogue magazines
cover to cover. At night, after a few drinks, she would call us to the living
room and pull out the Ouija board, which she used for spiritual guidance. We
all circled around her, me and my brother and sisters, touching our
fingertips to the heart-shaped pointer as if we were praying in church. Aunt
Harriet asked the spirits if there was life on other planets, was there any
meaning in life, was there hope for Ethiopians starving in the desert, who
would be the next president of the United States of America? After each
inquiry, the pointer would seamlessly slip and slide, spelling out ominous
answers, and I felt my hands turn hot. Go ahead and ask something, Aunt
Harriet nudged me. I racked my brain, rummaging through a catalogue of
the worlds mysteries, unanswered questions, the secrets of the universe. I
decided on something less grand: What will Santa Claus get me for
Christmas? My sisters snorted and snickered, rolling their eyes, poking my
gut with their pointer finger. Santa Claus doesnt even exist! they hollered,
and right then all the powers of the Ouija board had left us.
On Christmas morning, our mother told us the news: Aunt Harriet had
packed up her suitcase and taken a bus to Canada, where she wanted to
teach yoga classes to disabled children. She is having a midlife crisis, my
mother said, passing out gifts from under the tree. God help her! Aunt
Harriet had left a few things next to her empty cot a shoe box of New Age
crystals, a carton of cigarettes and the Ouija board, bent and frayed at the
corners like a dogs toy. After presents, after Christmas dinner, and after our
parents had gone to their rooms to read the newspaper, me and my brother
and sisters tiptoed down to the living room and pulled out Aunt Harriets
things. My brother emptied the cigarettes on the carpet and built a Civil War
fortress out of them. My sisters made earrings out of the crystals using
sewing thread and fishhooks. When no one was looking, I took the Ouija
board to my room and propped it up on the pillows on my bed,
concentrating on the mysteries of the universe. Will Aunt Harriet be OK? I
asked, resting my fingertips on the pointer. Will she ever remarry? Will she
find peace and happiness? Is there any meaning in life? Slowly, the pointer
trembled awake, inching over the alphabet like a slow-motion hockey puck.
Yes, yes, yes, the board assured me after each question. Everything will
be just fine!
Whats in a Name?
After a few years moving in and out of various towns, religious cults, faddish
diets, etc., my parents finally sat me down and apologized for the weird
name they gave me. We were out of our minds! they admitted. We didnt
know what we were thinking! To make up for it, they said, I could change
my name to anything I wanted. Anything at all. Something familiar, normal,
American, easy-to-spell, perhaps? It was totally up to me. What democracy!
What fun! I scanned the possibilities: Benjamin, Jason, Derek, Chad.
Endlessly delightful, perfectly ordinary candidates! I was given a week to
decide, and a Websters dictionary. I scavenged for something conventional,
conservative, and concise: Calvin, Colin, Jeremy, Kenneth. I was drawn to
the monosyllables of Bob, Rob, Don, John, Dirk, Chad, and Chuck. Oh! To be
summoned with one simple, single-syllable sound of the English language.
Dave! Matt! Mike! Pat! Pete! Paul! No more spitballs behind the ears and
getting my lights punched out behind the dugouts. No more dizzying taunts
and esoteric rhyme schemes at recess. No more pokes in the ribs and jokes
in the locker room. I was going to be just like Carl and Scott and Steve and
Rick and Gordon and Aaron and all those other handy-dandy factory premade key-chain-name-tag-button-shot-glass-sticker-greeting-card names
you find at gas stations!
But after a week of fitful sleep, dreamscapes and nightmares of lists and
catalogs, the constant fretful consideration of nomenclature, etymologies,
ancestries, astrologies, and the like, I came up with absolute zilch! Nothing
sounded quite right. Nothing sounded personal. Nothing looked me right in
the eye and said, Hey you with the buck teeth and the feathered hair and
the stitches in your lip and the corduroys tight-rolled in your tube socks,
here I am, first name, middle name, last name, Im all yours! Nothing! What
a cosmic tragedy! What a waste of fate! My parents were baffled: how could
their mouthy, precocious, spiteful youngest child pass up such an
opportunity? I shrugged my shoulders and resigned myself to the same silly
foreign name, a sequence of odd letters stitched together like a crazy quilt,
easily misspelled, misread, mispronounced, teased and squeezed and
tickled and jabbed at during recess, along with Nataki the black girl (my first
kiss), Opie the foster kid (who died in a car crash), and Kiki the Japanese boy
(who didnt even speak English but we played marbles during recess and
communicated with our own form of sign language).
My parents were confused, but also a bit relieved. They later told me they
didnt really have the money (evidently, name changes, like personalized
license plates, come at a cost). A few weeks later, our dog got hit by a
snowplow and I forgot all about the problem of names.
Until college, when I learned to play the guitar, and, as an exercise, started
writing songs (very poorly executed) in the same way that Henry Ford
produced the automobile: assembly-line-style. I wrote songs for the days of
the week (poor Monday!). Songs for the planets (poor Pluto!). Songs for the
Apostles (poor Judas!). And, finally, when all else failed, I started a series of
songs for names. Ode to Sarah (in 6/8). Claras Irish Jig. The ballad of
Benjamin, the bearded one (in rounds). The jumpy Jason number, the waltz
for Walter, Susans smooth jazz. Each piece was a rhetorical, philosophical,
musical rumination on all the possible names I had entertained years before
when my parents had given me the one chance to change my own. Oh
fates! I sang these songs in the privacy of my dorm room, behind closed
doors, pillows and cushions stuffed in the air vents so no one would hear.
And then I almost failed Latin class, my grades plummeted, my social life
dissolved into ping pong tournaments in the residence halls, and, gradually,
my interest in music (or anything divine, creative, fruitful, enriching)
completely waned. I turned to beer. And cigarettes. And TV sitcoms. And
candy bars. Oh well! A perfectly good youth wasted on junk food!
That is, until a few months ago, when I came across some of the old name
songs, stuffed onto tape cassettes, 4-track recorders, forgotten boxes,
forgotten shelves, forgotten hard drives. It was like finding an old diary, or a
high school yearbook, senior picture with lens flare and pockmarks, slightly
cute and embarrassing. What was I thinking? The song for Mary was
seventeen minutes long, with ten key changes. The song for Chris was also
called Song for Cross-Eyes. My older self, glancing back over simple chords
and hazardous poetry, likes to think Im older, wiser, more mature, more
eloquent, more artful, more poignant, more contemporary. But thats unfair.
The concept has changed but the approach has always been the same: to
become so completely entrenched in something that it becomes a great big
clumsy mummy outfit wrapped around all arms and legs: a metaphysical
form of suffocation. Sure, back then, I was young, nave, unenlightened,
untraveled, virtuous, good-natured, and always on time. But the world of
youth was where I tried on new ideas, new outfits, new names, and new
rhyme schemes-a world where the banjo was my journal, where Sofia
Coppola was my imaginary confidant, and where singing out of tune was
perfectly OK!
weeks later it was Ridley Scotts Alien, then Dead Calm, then The Shining. It
didnt phase me one bit. I never had nightmares.
In my imaginary television show, Vincent Price was the host, David
Cronenburg was the director, and Freddy Kreuger played the lead. Ive
watched so much gore that modern horror films look farcical. Im no longer a
fan of the teenage slasher. Its not scary anymore. Its just messy and
tedious. More recently, Ive begun to uncover elements of horror in everyday
life. The cockroach nesting under the sink. The metronome click of the
radiator in the corner. The old woman in her chair on the street next door,
who is always asking for change. In the same way, some horror films arent
horror films at all. But they evoke a particular kind of consternation that
settles under your skin like the flu. You can feel the palpitations of your
heart in your ears. Here is a list of a few my favorites:
1. Night of the Living DeadThis is an obvious choice. Bad acting, cheap
make-up, and clumsy camera work actually contribute to the overall panic
affect. Its so unscripted it begins to feel real. The still frame sequence at
the end, when they burn all the bodies (with its genocidal overtones)that
still makes me sick to my stomach.
2. DecasiaThis is a film that compiles all kinds of old film footage worn
away by the elements, creating a ghastly composition of images that slowly
break apart. The visual distortions create a burning, melting sensation,
evoking the sense that all of life, and art, and culture, and society, the
origins of language, everythingyou, mewill eventually be cremated in the
fires of time, whatever that means. Michael Gordons soundtrack is equally
scarya growling, swirling dirge, the sound of a great orchestra forced to
play with bad intonation for 40 minutes straight. Its a great horror film for a
blind date!
3. An Inconvenient TruthI couldnt sleep for days. Melting ice caps,
receding glaciers, New York City submerged in water, Al Gore and his
gruesome pie charts. Hes like Darth Vader armed with a Power Point
presentation. Yikes.
4. EraserheadIts an art film, horror film, student film, philosophy film,
whatever you call it. I like to think of it as the only horror film that doubles
as a form of birth control.
5. Hell Housea clear, concise, empathetic documentation of an evangelical
churchs tireless undertaking in constructing a theatrical Haunted Housein
which different rooms act as stage sets where church members play out life
or death scenarios meant to scare unsuspecting viewers into repentance.
Its not exactly a horror film, of course. But its horrifying in that other kind
of way, in which ordinary people begin to behave in extraordinary ways so
that all logic is turned on its head and you begin to worry that we are very
near the end of civilization.
6. Glen or Glenda?If you thought Plan 9 was bad, this one is the grand
prixe of b-rate movie making. Whats more horrifying than alien invasion?
Coming home from the beauty salon and finding your husband in drag. To be
fair, Ed Wood looks good in angora. Who doesnt? Whats really horrifying (in
that sad, scary kind of way) is Bela Lugosis rambling, medicated monologue
about the meaningless trajectory of life. Pull the string! He chants to the
camera, like a mad puppeteer! And what about that free jazz number with
the devil dancing around on the couch? What does that have to do with
cross-dressing? Or puppets? Who cares! Oscars all around!
Michigan Stories
They Also Mourn Who Do Not Wear Black (For The Homeless In Muskegon)
Children mourners must wear pleated pants or skirts and must not speak
loudly indoors for two weeks. There is to be no talking during meals, and
hands must always be folded in laps in the sitting room for six days. Pets
must be taken to the shelter, or stored out of sight, for a month. Siamese
cats are acceptable as long as there is no shedding. There will be no
drinking of carbonated beverages for eight weeks. The next of kin wear
black, long sleeves, cardigan or wool, and a veil tied at the ankle with a
black ribbon. Shoes with heels are to be avoided. A paper armband is
optional. A black shawl must be worn by the widow for seven moths, after
which a dark blue or green one of the same variety is permissible. Parents of
the deceased are to speak softly and in complete sentences. They are to
arrange the viewing, the visitors brunch, accommodations for the priest.
Thank you notes should be written no later than seven days following.
Mourners are required to observe the appropriate dress colors, as follows:
Mothers and daughters: black. Fathers and sons: black or dark gray.
Grandfathers: maroon. Grandmothers: beige. Second cousins are permitted
to wear summer colors. Great uncles: black. Close friends may go either
way. Loved ones who are not able to attend the viewing may wear what they
like. Those unrelated, or uninvited, are permitted to wear comfortable,
loose-fitting clothes, cotton slacks, a tank top, a tunic, or boxers, perhaps.
Just try to be yourself.
twelve miles to go, the mothers heart was rent as she saw one cub sink and
drown. She struggled to gain the beach with the remaining cub behind her.
After two miles of slow dragging, the second of her beloved cubs also
perished.
The mother reached the beach, alone, and crept to a resting place where
she lay down facing the restless waters that covered her lost ones. As she
gazed, two islands rose to mark the graves of the cubs. The Great Spirit
Manitou created these two islands (North and South) to mark the spot where
the cubs disappeared. The Great Spirit also shaped a solitary dune to
represent the faithful mother bear, where she remains today, watching the
waters.
Romulus
Our parents do the best they can, under the circumstances. They do what
they can, and it is always the very best. Whos to say if you were not loved
or touched. There was too much to do, there were too many children, too
many meals to prepare, too many sheets to fold, too many socks to match,
too many floors to sweep. Oh the terrible burden, each of us doing the very
best we could. Try to imagine yourself in their shoes. Living their lives,
mowing their lawns, hanging their laundry, cleaning their clothes, arguing
their arguments. You would do far worse. You would fail completely.
Oh Detroit, what have you done to city hall, the public trains, the workers
union, the Eastern Market, Boblo Island, the Ambassador Bridge? Where
have you put your riches, where have you hid your treasure? Your concrete
over-passes, your avenues as wide as rivers, your suburbs bloated with brick
homes and strip malls and discount liquor stores and resale shops. Where
have you hid our grandmothers ukulele, the swimming pool out back, the
lawn chairs, the car seats wrapped in plastic? Where are the rain shakers
and the basketball nets? Where are the full court presses, the sneakers tied
to phone lines, the windows broken in, the crazy old man on his porch
yelling profanities, the old woman with the African statues in the stairwell,
the kids with bikes with flat tires, the stray cats and guard dogs and
prophylactics thrown in alleyways.
Oh Detroit, when you are dead and gone, who will care for your childrens
children. They have run wild with the bastard boys around the streets,
reckless car rides downtown, rigorous dancing, drug taking, knife-stabbing,
pillow-stuffing, tail wagging restlessness. They have been drunk with this for
years. They have been out of their minds. They have been left with nothing.
Holland
This was the summer it got so hot we put a fan in each window. At night we
teamed up with the Palestinian students and stole tulips from Centennial
Tahquamenon Falls
We went with Cassie to pick pine cones at the falls. She gave us each a
paper bag and cotton gloves. These were the small cones, little burnt rose
bud cones, from Hemlock. We werent allowed to pick them off the tree. This
would be stealing, Cassie said. We were to pick them off the ground, and
only the ones that were symmetrical, round, soft to the touch. Look for
blemishes and knots and deformities, Cassie said.
There were thousands around us in certain places, clustered around each
other like friends at school. I remember thinking this because I had no
friends at school. I wasnt teased. I wasnt disliked. But there was something
about me that kept people at arms length. Sometimes girls flirted, or left
notes in my gym bag, but the boys went down to the IGA at lunch without
inviting me. They planned sleep-overs and fishing trips and weekends
snowmobiling at the tree farm, but I only heard about these things after the
fact.
Behind us, we could hear the falls mumbling something, moving over rocks
and moss and silt. Cassie told us that these trees produce cones only once
every few years. This was a special occasion, she said, and she sprayed bug
spray on our necks and on our arms.
Cassies husband set up the tripod and took pictures, only of natural things
stones, sky, trees, mushrooms, mold never of people. Finally, Cassie had
us line up on a log and pose, one after the other, and he took our picture
too.
When our bags were full, we walked to a clearing by the water and Cassie
put down a sheet on the grass and made our lunches: pastrami with
mustard, lettuce, Swiss cheese, pumpernickel bread, and potato chips.
There were so many bags of potato chips. She had two liters of Faygo pop
and plastic cups. We ate fast. We were always hungry then. But Cassie knew
how to enjoy her food. She would take off her sandals and roll up her
sleeves to get a little sun on her shoulders. She would close her eyes when
she chewed, as if she was thinking about something important. She wore
wicker hats, and reflective sunglasses and denim shorts. For a few years,
she was like a mother to me.
He pulls away the pillows and the babys blanket and the terry towels and
the baby wipes. He makes room for her on the couch, so she can get a good
look at their son. But she doesnt see it. She looks and shrugs and says she
thinks she is starting her period.
Two years later, in the middle of the night, she will leave him, she will drive
all night to her mothers house in Cadillac. Mr. T can talk and walk. He knows
a few cuss words. He has ADD. He is put on medication. He goes to speech
therapy. She will start working at K-mart, doing stock for womens clothing.
She might steal a tank top or a pair of sandals once in a while. She likes nice
things: nail polish and lip-gloss and doilies for the table. She might change
her hair color. She might take a trip to Florida. She is tired of these long
winters.
effort it takes a friendly nod at the stranger on the street, giving change to
the vagabond, saying hello or goodbye, opening doors, keeping our mouths
shut. In the small things, the day-to-day gestures, the normal business of
the day, we do the great work of the kingdom, which is to welcome each
unlikely individual into the fold, one person at a time.
One week we were washing dishes at the co-op. The next week we were in
Al-Anon. One week we were eating Macrobiotic. The next week we were
given food allowances: we would devise eating lists and do the shopping on
our own. Years later, our parents put a lock on the refrigerator. You eat too
much, our father said. All of you are like one big empty stomach. I cannot
imagine the burden we put on our parents. We were always hungry, we were
always cold. There was very little money; there was so much work to do.
We never lived in Flint, but we had the capacity to empathize with its
economic slump. The industrial scapegoat for the entire state, Flint has not
grown old with fortunate grandchildren.