Documenti di Didattica
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Contents…
March 2010: Issue No 21, Cover Image: Kathryn Gray
Regular Features…
5 Editor’s Note: Read Bea Broadwood’s introduction &
welcome to this month’s fabulous edition of the Artisans In
Miniature FREE ‘downloadable’ magazine!
14 Aunt Anastasia: If you have a miniature dilemma, then
why not write to our very own agony aunt for her well
considered advice?
19 Blog Of The Month: This month we take a
closer look at AIM member Nicky Cooper’s
wonderful blog...
16 24 Diary Of An Edwardian Dollshouse: Don’t
miss the 2nd instalment of Julie Campbell’s
fascinating miniature dolls house adventure!
38 Through The Keyhole: Ever wondered what it
10 would be like to be able to have a closer look
at the working environments of AIM
members? This month we take a peek at the
Australian work space of Kathy Brindle.
40 Getting To Know You: Get to know more
about AIM member Jana Rowntree.
15 45 Fashion Gallery: AIM members showcase their miniature fashion
for the great outdoors.
50 *New Feature* Creative Cuisine: AIM’s very own, in‐house,
celebrity chef Claude Petit‐Fretin invites his friends and fellow
‘artisans de cuisine’ to pick up the gauntlet of his Creative Cuisine
Challenge!
52 In Season This Month: Welcome to the next instalment of this
18
popular ‘miniature food’ feature. This month Vicky Guile and
her fellow AIM food artisans take a closer look at humble ‘root
vegetables’.
52 76 Gardening With Grandma: AIM members come together to
celebrate ‘gardening in miniature’
84 Mini Aimers: A Secret Garden Project for the artisans of the
future. Written by Debie Lyons
88 The Miniature Grapevine: Catch up on all the latest news and
announcements from the international miniature world.
92 The Post Box: Why not write in and tell us what you think!?
Artisans In Miniature 2
Features… 60
6 Cover Story: AIM member Kathryn Gray tells us more a b o u t
her very special 1:24th scale ‘Miner’s Cottage’
15 The History Of Bee Skeps: Frances Powell shares some
interesting facts and information about this age old pastime.
16 Smaller Scale Gardens: Small scale expert Malcolm Smith
opens the gate of his tiny gardens and shows just what can be
achieved, no matter what the size or scale.
23 Garden Gnomes: AIM member Julie Campbell delves into the
potted history of this traditional miniature garden dweller.
28 A Tree House Studio: Talented artist and model maker 10
Simon Wilday shows Bea Broadwood around his delightful
1:24th scale bespoke tree house.
59 *New Feature* The Book Corner: Each month read Louise 58
Win’s reviews of ‘miniature related books’ you may want to add to your own book
shelves.
60 *New Feature* Cross Over Crafts: Ever wondered what AIM
artisans get up to in their spare time? This month Kathryn Gray 44
reveals her fascinating (non miniature) hobby.
68 Witches Gardening Thyme: Ever wondered what goes on in a
witch’s garden? Debie Lyons takes a (brave) closer look!
87 AIM At Thame: Read how AIM got on at the show.
It is true that I have spent the cold winter months curled up in front of the
fire, flicking through seed catalogues and pondering my much loved
The AIM Magazine’s collection of antiquated gardening magazines.
Editorial Team:
It is true I have made great horticultural plans, drawn up detailed sketches
and hoarded enough seeds to replant an entire village.
Bea Broadwood Sadly it is also true that on the stroke of midnight back at the birth of the
office@petite‐properties@aol.com year, I proudly (and somewhat loudly) declared to friends and family that this
was to be my ‘year of the garden’, my turn to spend quality time with nature.
I even wildly predicted that by summer I would be knee deep in organic
Debie Lyons vegetables, herbs would billow from the boarders and flowers would be
Hufflepuffed1048@aol.com bursting into a riot of colour and blooms…
Oh dear….
Here comes the big ‘but’… the disappointment, the ‘however’ bit…
Janine Crocker
janine@missameliasminiatures.com Despite all of my gardening resolutions, aspirations and grand designs, I am
sadly yet to even pull on one wellie boot (let alone two) and venture bravely
out into my quietly dishevelled little garden. So now, as I look out the window
Julie Campbell of my office, the birds seem happy enough, but I think my garden isn’t talking
belljulie1@aol.com to me anymore… I think it is sulking and who can blame it; I have let it down.
Luckily it seems that ‘garden life’ in the miniature world is much easier to
cope with, no wellie boots or heavy double digging needed there. Miniature
Margaret Cassidy
gardens do not sprout weeds the moment you turn your back and reach for
info@mags‐nificent.co.uk
your tea cup and best of all they don’t sit outside your back door silently
sulking! For this reason, this month’s issue of the AIM magazine is a
celebration of the humble garden. AIM members have come together to
Mary Williams
show that they are a truly a ‘green fingered bunch’ albeit in miniature of
marysdolls@gmail.com
course, where life is so much simpler.
So, just how do I tackle my own real life garden?
Vicky Guile Do I let my stoic horticultural resolutions crumble and fail?
vicky@njdminiatures.com
Oh no… I have a plan…! It starts with making tea and turning off my laptop,
Please note then I’ll see if I can’t dig out a wellie boot (or two) from the back of the shoe
AIM is an active association
to which all AIM cupboard… then I am off outside to tend, nurture and placate my sulking
members contribute ... garden. I may be gone sometime!
Bea
Editor (& General whip cracker)
March 2010 Artisans In Miniature 5
www.petite‐properties.com
MINER’S COTTAGE
In 1:24th Scale...
By AIM Member, Kathryn Gray.
Artisans In Miniature 6
AIM Artisan and professional miniaturist Kathryn Gray always wanted to make a
miniature garden and a yard. Kathryn had always felt that the inside of dolls houses are
only seen when the doors are open and so she wanted to make something that could be
seen and enjoyed at all times.
As Kathryn comes from the north of England her decision to bring a ‘mid century miner’s cottage’ to life
was a nostalgically simple one, although finding the time to work on her plans within her busy schedule
was not so easy!
Before starting work on the garden Kathryn researched her idea thoroughly and poured through many
references books about UK cottages, she also used her own personal family history to inspire her and
partially based her design on her grandparent’s garden in Derbyshire, where they lived in a small cottage.
Kathryn’s grandmother was always very proud of her garden and spent a lot of time in it and the ‘real life’
flowers and plants that grew in it invariably came from swaps with other people who lived around them.
Artisans In Miniature 7
fine details into it, including the expressions of the people’s faces
plus the details in the accessories. When Kathryn saw the cottage
and scullery for sale at a dolls house fair, she thought it was
simply crying out to her to be made into the type of scene
she remembered from her youth.
Kathryn both bought and had made many
of the elements of the scene
and then put them all
together with loads
of artistic flare! The roses,
sunflowers, grass, pebbles etc
are all from kits sold by Kathryn and
Alan and for the other areas she
used her knowledge of the period to
put everything together in a pastiche
of the period.
Kathryn bought many items over an
18 month period that she intended
to use in the scene, although until
she started to build it she
confesses that she did not
know how it would all come
together. She was also keen to
support and celebrate the
talents of her fellow
members at AIM
and her garden
features many
members beautiful
work – See end of
feature for
Kathryn’s shopping
list.
Artisans In Miniature 9
First of all to give her cottage the ‘lived in look’ Kathryn cleverly used antique lace from the period in the
windows of the house and scullery to give the windows a more homely feel, as wives were always very
insistent that their window nets be white and crisp.
Kathryn started by using a 24 x 18 piece of MDF that was covered in PVA glue to seal it, then placed the
cottage, scullery's and outside loo where she wanted them on the base. Kathryn drew around them and then
removed them (sawing off the front pavement of the cottage front, as she thought that was more appropriate
to a front facing house and this is a rear facing house.) Then roughly sketched out on the board where she
wanted the hard landscaping and the grass to be, by and large she stuck to her original plan.
Kathryn started by placing down the paths using the brick slips and to make them look old and worn and in
places put gravel and other pieces of stone to give the appearance of age. After the two main brick paths had
been put in place she placed in the cobbles for the yard, but did not mortar between the bricks or cobbles as
she wanted them to look older. Kathryn then made the outline for the pond and then in all the other areas
not to be covered by grass she put down the fleureze shingle*. She also made a very weak wash of brown and
washed over the bricks, cobbles and shingle and then in places washed over this with a weak green wash to
make it look like lichen and then in some small areas put an even weaker red wash just to bring out the colour
of the bricks, stones and shingle.
Using fleureze grass* in three shades, Kathryn put PVA glue all over the areas where she wanted grass
and then sprinkled over the fleuese grass*, leaving the glue to dry before shaking off the residue ‐
more can be put on if needed.
The pond was made by creating a ring of stones, and then heavily gluing them in place in order that
there were no cracks with PVA glue, she
also glued the base in order that it was
watertight. Kathryn used ‘scenic water’
for the water, but this was the last thing
she did when the scene was complete.
Once the landscaping was in place
Kathryn started to build up the scene,
by first placing the climbing roses
around the door and then working
forwards. The rose bushes went in next
followed by the garden section and then
she went on to the yard section.
Artisans In Miniature 11
The people were positioned and
placed and then the animals, and all
the accessories ‐ the material that the
geese and hens are pecking on is a
piece of cherry wood that she shaved
off in very, very small pieces with a
sharp blade so that they curled.
Kathryn has a wonderful eye for detail
and she has even hidden five tiny 24th
scale mice around the scene! After all
her hard work she loves how her initial
idea has finally come together and has
thoroughly enjoyed creating the
landscaping within her traditional half
scale cottage garden and then distressing it to give it a ‘worn poor’ look.
So with her garden now complete we couldn’t resist asking Kathryn what had had learnt from her garden
project?
Artisans In Miniature 12
“Even though I am a miniature artisan it is wonderful to get back to what brought me into the business in
the first place ‐ that of the sheer love and enjoyment of making a project and seeing it completed. – It was
the making and planning I enjoyed, rather than the finished item…”
The garden that Kathryn has created is very special and it has pride of place on top of a cupboard in her
dining room ‐ the cupboard is the exact size of the scene so it fits over all the top of the cupboard.
In fact it is no surprise at all that everyone who has seen it has spent a lot of time looking at it and
searching out the five mice, even Kathryn’s non miniaturist friends love it too!
Text & Images © Templewood Miniatures 2010
Aunt Anastasia
Greetings from Miniscule Manor! I'm Aunt Anastasia, your
very distant mini relative (sixth cousin, twice removed and
scaled down) and when I am not making the most fabulous
minis, sipping bubbly or bossing my butler Trotters about, I
just love helping miniaturists and solving problems of a
miniature nature, so if your paint won't stick and your glue
won't glue, get in touch:
auntanastasia@yahoo.com
Looking forward to hearing from you soon….
Aunt Anastasia
Dear Aunt Anastasia, Can you help? I love making furniture from kits but it
always turns out slightly wonky. I wish I could glue things straight.
Wobbly in Winnipeg
Dear Wobbly,
Of course, Auntie can help!
What you need, my dear, is a gluing jig. Sounds expensive and technical doesn't it? But never fear, it is neither.
First thing you do is tootle over to a £/$ shop (Trotters always shudders when I confess that I adore Cheap Shops…
he's such an old snob…but the cost of maintaining Miniscule Manor obliges me to be thrifty). At the £/$ shop
purchase a nice tin tea/serving tray and a packet of those see‐through plastic report/presentation cover thingies
(you will find them in the stationery aisle).
Your next stop is DIY emporium to buy a packet of square magnets for holding cupboard doors shut. Once home,
stick a sheet of graph paper on the top of the tray, cut a report cover in half and tape that over the graph paper.
Let the gluing commence: align your pieces with the graph paper and hold them in place with the magnets.
Everything will be nice and straight and square and won't stick to the plastic, plus, if you bought a large tray, you
can do minis in your favourite comfy chair in front of the television. AA
Dear Aunt Anastasia, I can't get acrylic paint to stick to the plastic accessories I bought. What am I doing
wrong?
Perplexed in Portland
Dear Perplexed,
Acrylics and plastic often need a bit of help before they will play nicely together. First, try giving the parts to be
painted a good wash in soapy water, followed by a dunk in white/spirit vinegar and a rinse in clear water. This
bathing regimen gets rid of any oily release agent that was possibly still clinging like grim death to the part in
question. If the paint is still reluctant to grip, my second trick is to spray the parts with Artist's Matte Fixative (this
is smelly stuff that comes in a tin/can from hobby emporiums and art shops… so do the spraying in a well
ventilated area (I tootle down to the garage to do this). When the bits are dry, paint away to your heart's content
but, to ensure that the paint does stay where you put it, once dry, coat with an acrylic based varnish.
On the off‐chance that the last trick did not solve your problem, Perplexed, my only suggestion is that you use
hobby paint (enamel) rather than acrylic.
Well, my dears, I mustn't tarry, Trotters is here with my mid‐afternoon libation…
Artisans In Miniature 14
Aunt Anastasia
The History Of…
Bee Skeps
By AIM Member,
Frances Powell.
Bees have been kept for their honey from ancient times. Although honey was originally
collected from bees’ nests in hollow trees, people soon decided to make artificial nests (known
as beehives) for the honey bees to live in. This made collecting the honey much easier. A hive in
its most basic form is a hollow space where the bees can create their own internal structure from
honeycomb (a mass of hexagonal cells made from beeswax, excreted from glands in the female
worker bees). This honeycomb is where the honey is found along with stores of pollen and eggs,
larvae and pupae of the bees.
Early hives were made from straw and clay and mimicked the natural cavities bees would choose
in the wild. Several paintings survive showing ancient Egyptians performing various tasks
associated with beekeeping.
By Medieval times intricate straw skeps were being made. As these were not weatherproof many
were covered with thatch or a render similar to that used on house walls (a mix of mud, dung and
lime). The basic design was very similar in all cases an upturned bowl with a small hole either
part way up or at the base for the bees to enter and exit the hive. Some bee skeps were placed
in specially created niches in walls or in cottage garden often had an old earthenware pot placed
over them to keep rain out.
Because there was no internal structure in the skep the bees had to create their own using
honeycomb. This meant that to extract the honey and beeswax the honeycomb had to be
destroyed. Sometimes the beekeeper would invert the original skep and place a new skep on
top, thus allowing the bees chance to colonise the new skep before destroying the old one.
Today skeps are illegal because tests cannot be performed on bees to check for parasites etc
without destroying the colony. Modern beehives have removable frames within them, thus
allowing tests on small parts of the honeycomb.
1/12th scale kit £ 3.00 each are available from Buttercup Miniatures.
http://store.buttercupminiatures.co.uk/1-12th-and-1-24th-scale-kits/1-12th-scale-kits/Raffia
-Kits/Bee-skep-kit/prod_106.html
Text & Images © Frances Powell 2010 Artisans In Miniature 15
SMALLER SCALE
Gardens
By AIM Member,
Malcolm Smith
T
he gardens illustrated in this feature are built to smaller scales than the usual ones used for doll’s houses.
In fact two of them are built to the scales used for model railways and the third is built to a very small scale that
is becoming popular with some miniaturists.
The first garden is built to 1:43 also known as 7mm:1foot
or 0 Gauge (close to the doll’s house scale of 1:48) and was
commissioned for a 7mm model railway layout. It was in
fact the stationmaster’s garden and, on the layout it is
located adjacent to the station. The garden has an
abundant display of vegetables and flowers which are
growing well although the white butterflies on the
cabbages might change that!
Artisans In Miniature 16
The second (unfinished) garden is
built to 1:76 also known as
4mm:1foot or 00 gauge.
It represents a typical small
allotment with a potting shed and a
chicken run. The drystone walls
around the allotment are made
from cardboard covered in DAS
modelling clay.
The sides were embossed while the
DAS was still soft and the stones on
the top were made by leaving a
sheet of DAS to dry and then
breaking it up to form small flat
stones which were glued on edge
on the top of the wall.
The final garden is made to 1:144 – originally made popular
with miniaturists for model dolls houses in dolls houses
(ie 1/12 of 1/12).
This scale is similar to the model railway scale of 1:148
also known as 2mm:1foot or N gauge. It represents our
own garden complete with shed, greenhouse, pond,
arches and fences.
The main materials used to create the vegetables
and flowers are painted tissue paper (preferably
good quality unbleached tissue) and the
sponge scatter materials sold for model
railways. The scatters are available in a
range of colours and textures including
coloured ones for flowers.
Leaves and petals are cut out of the tissue by folding a strip to give several layers. The layers are then either
punched or cut with a craft knife. For lettuces, cabbages, etc a disc is punched and then V cuts are made into
the disc to produce a ”flower” shape. The shape is then placed on an eraser and a blunt cocktail stick is
pressed into the centre to make a cup shape. Four or five of these shapes are nested together (reducing in
size) to produce the shape of the cabbage.
Flowers can be made by
punching small discs and
pressing the centre
on an eraser to make
a cup shape.
To see more of Malcolm’s
stunning work in miniature,
why not visit his website:
www.malcolmsminiatures.co.uk
Malcolm’s Miniatures
Tel 01491 6800951
Artisans In Miniature 18 Text & Images © Malcolm Smith 2010
Blog Of By AIM Member Debie Lyons
Each month we will be looking at a particular AIM member’s
the Month!
Blog… This month we turn our attention to the blog of AIM
member Nicky Cooper, of Nicky’s Dolls and Critters.
http://nickycc.blogspot.com/
Nicky hasn’t been blogging very long yet, but she has managed to put together a blog that is easy on the eye that
works well along side her website. She started a blog because she wanted to keep an online diary, to keep her
customers, friends and family informed of what she is up to professionally. For Nicky her blog is a way for those who
follow her to interact, leave comments and be kept up to date regarding both Nicky and her work.
Nicky originally had a blog attached to her old website but it wasn’t very user friendly. She then discovered Blogspot
(run by google) and found that it was as easy to manage as writing an email.
When asked why she liked blogging Nicky replied, “Blogging is just a wonderful way of interacting with not only friends
and family but with others who have a similar interest, blog spot has a dashboard that lets you see recent posts on
blogs that I am following, it really helps make things more personal! When I take a coffee break I normally go browsing
to see what everyone else is up to :) I don't just follow miniature makers, there is also a wealth of people out there that
blog about so many things and I have found many of those have also helped to inspire me within my work, either by
their enthusiasm, their moods or comments or from holidays they have shared, inspiration can be found in the
strangest of places “
Nicky rarely exhibits at fairs and this year is no exception, so her blog is an additional way of keeping herself in the
public eye. She does struggle sometimes to keep everything as updated as she would like, but she does manage to
post on her blog at least every couple of days. However, Nicky finds updating her blog easier than updating her
website, which she does about once a week.
Nicky has found that she has had new customers contact her as a result of seeing and reading her blog. Having her blog
linked to Facebook has also brought new interest in her and through it people have recently discovered her work, so
she finds that having a blog is very beneficial.
‘Blogging’ also has a social aspect and Nicky has got to meet and get to know many like‐minded people; she especially
enjoys seeing her customer’s blogs , reading what they are up to and watching their individual projects come to life.
When asked about her favourite ‘blog widget’ Nicky answered “The first one I discovered was changing my background
so I would have to say that is definitely my favourite as I could give it a very personal look rather than it being the basic
templates. There are so many clever people out there writing codes and designing new things, I envy them having the
time :) I don't have a lot of widgets on my blog at the moment as I simply would rather play with the clay, hopefully
when I am bit more caught up on orders I can actually have
the time to play around with the widgets a bit more, but try to
keep things as simple as I can as I really don't like for things to
look cluttered and complicated! I find music on websites and
blogs annoying, as I like a quiet life! Nothing worse than
browsing in the wee small hours and clicking on a page and
jumping out of my skin (and waking the rest of the
household), whilst I clamour for the mute button!”
It is lovely to visit Nicky’s blog and see her most recent work
and ebay auctions. When visiting don’t forget to click the
‘older posts’ button at the bottom of each entry to see her
previous posts and her wonderful creations.
NEW !
FEATUR
E
The Green Hedgehog...
Welcome to this new regular project column,
written by AIM Member Louise Win.
Louise kicks off her new series with this fantastic 2 part project, which this month
teaches how to create an old tree stump, toadstools, foliage & plants
This is a 1/12th scale project but can
easily be adapted.
Artisans In Miniature 20
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STEP 1...
Decide on the shape you want for your
stump. I have used florists foam but would
recommend polystyrene or a medium you
feel confident using. (The florists foam
becomes crumbly).
Roll out your air drying clay, glue the shape
and cover with clay. We do not want a
smooth finish. You can add cut off branches
and roots ‐ add toothpicks for strength.
Holes can be added. If you would like an
animal in those holes, you will need to leave
enough space for them to fit. We will be
adding a bird so make a hole where extra
clay can be added later for the legs to stand
in.
STEP 2...
Here are 2 other samples of stumps. Make
toadstools ‐ the heads were made on match
sticks and the stems from rolled clay. Glue
up and set aside to dry.
Paint as desired ‐ the red ones would be
gorgeous in a fairy garden. If you don't have
sand, then chop up clay as small as possible,
set aside to dry.
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STEP 3...
Painting the stump: I used a wash of umber (speck
of umber with 2‐3 drops of water) and let it settle
into the cracks.
Then I wiped off some of the paint (not that in the
cracks). Set aside to dry. Then highlight with a
brown of your choice ‐ I used honey brown and
then highlighted with darker (in the holes) and grey
in some cracks.
STEP 4...
I bought some greenery for an aquarium ‐ the one
on the left was the best, but so expensive!
I suppose you pay for the perfect scale! Be careful
not to buy the huge plants ‐ no matter how you cut
them, they never quite suit the scale.
We have finished part 1 of this tutorial.
Louise Win
If you would like to find out
more about AIM member
Louise Win, why not visit
her website:
www. louisewinminiatures.weebly.com
Email:
louisewinminiatures@gmail.com
Text & Images ©
Louise Win 2010
www. louisewinminiatures.weebly.com
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A Potted History Of...
THE GARDEN
GNOME
Written By AIM Member, Julie Campbell
Photographs By AIM Member, Linda Masters
The garden gnome has become a quirky feature in many gardens over
the last century, but do you ever wonder where this little chap came
from? Well wonder no more…
Gnome mythology spans the centuries. Often represented as little old men with long beards or ugly dwarfs.
Dwarfs were often featured in German fairytales such as those by the Brothers Grimm and it was considered
lucky to have a dwarf figurine placed in the home or garden. The Germans often portrayed the gnome as a
miner and the pointed red hat we recognize today is based on those that German miners once wore.
Englishman, Sir Charles Isham brought about 20 small gnome figurines from Germany and placed them in a
rockery in the garden at Lamport Hall, Northamptonshire, England in 1849 and that was the start of a
miniature trend with the little fellows popping up in gardens all over England as the years went by!
The early gnomes were beautifully made and some were quite large, some were a meter tall, with superbly
sculpted features and clothes. These would be bought by affluent people to decorate their large homes and
gardens. A far cry from today’s gnomes, these early ones were gnarly old dwarfs not smiling cheeky little
characters at all.
So how did these figures evolve into the garden gnome we know and love?
Well it is mostly due to Walt Disney and the Second World War!
In 1937, Walt Disney Productions created “Snow White and the Seven Dwarfs”, based on the Brothers Grimm
tale of “Little Snow White” who was given shelter by seven dwarfs who lived deep in the forest where they
worked as miners.
Although Walt Disney kept the dwarfs as miners, these dwarves were very cute endearing little character who
became well loved by the public. During the Second World War gnome production all but stopped but when
it resumed the gnome’s image had changed, inspired by Disney’s seven dwarfs.
In the 1960s the first plastic gnomes were made in Germany, they were weatherproof and shatter proof and
very colourful. This cheeky little character was soon known by all as the Garden Gnome and he went on to
brighten many a suburban garden.
This period was the height of popularity for the wee chap and
gnomes were produced engaging in all manner of activities, in
later years some of these were rather naughty and not
entirely suitable for the garden!
Today the Garden Gnome is as popular as ever and recognized
by everyone. Whether you love them or hate them they never
fail to raise a smile and I think they will be around for a long
time to come.
To see more of Linda’s fabulous carving why not visit her website:
Artisans In Miniature 18 www.miraclechickenurns.com
Images © Linda Masters
DIARY OF AN
EDWARDIAN
DOLLS HOUSE
By AIM Member, Julie Campbell
WEEK Last month I began work on “Belle’s Toy Emporium” and
1 started my diary of a dolls house. A lot of progress was made
in the first week of the project. The MDF doors took many
coats of paint to cover but finally they were dry and ready for their hinges
You can see here what the problem was…
My door was too short and slightly
too wide !!
Now, I scoured the instruction
book and online photos of the
finished shop and the short door
wasn’t mentioned anywhere,
leaving only one explanation... it
was the wrong door !
There was no other in the kit and as
this one now had around 6 coats of
paint returning it wasn’t an option.
So after half an hour sanding it to
fit inside the opening and a bit of constructive thinking I fitted
Artisans In Miniature 24
the door. Once the house is
assembled I will fit a step on the
inside and outside of the door
(and a small notice saying "mind
the step” ! )
I then assembled the little
wall and pavement
section on the small side
opening panel.
This is such a cute feature to the house and I can’t wait to get the railings up but as I plan to use real
brick slips to decorate my house I will be leaving the railings until the very end.
I stopped work for a cup of tea and another perusal of the instructions... all 19 pages...
It was finally time to construct the
house itself!
Mine did not want to go into the
grooves but a wee bit sanding, a
hefty dollop of wood glue and a
bit of elbow grease eventually got
the floors into the right side of the
house and, happily , the left side was
a much better fit.
It is a lovely size building and already
my mind is ticking over planning how
I will decorate it inside.
Artisans In Miniature 25
The internal walls simply slide in and out making this a decorators dream. The stairwells are fairly small
and would be very tricky to decorate otherwise.
The hole you can see in the bottom of the house is for the turn table
I especially love the attic section of this kit, although small it
has a sweet little trap door and I will probably use this to
store old toys :0)
Here I am fitting the trim to the roof which simply glues into
the slots provided and finishes the roof off beautifully.
This bit is a little trickier as the front of the roof is rested on the top floor
of the building with glued edges and then the roof is lowered down to fit
over it.
I did a dry run first and was surprised as what looked very tricky in the
instruction book was really quite simple. In no time at all I had a lovely
roof!
You can see here how the entire roof section lifts for access to the top
floor. Once the windows are in and the trim glued around the openings
this is going to look just perfect!
To see more of Julie’s beautiful work,
why not visit her website:
www.bellabelledolls.co.uk
Text & Photographs © Julie Campbell 2010
Artisans In Miniature 27
A Tree
House
Studio…
By AIM Member, Simon Wilday
Article written by Bea Broadwood
& Artist’s Hideaway...
AIM member
Simon Wilday is an
amazingly talented
miniature creation….
When I first met Simon a few years ago
and was introduced to his work, I was
immediately amazed, not only by his
wealth of talent, but also by his meticulous
eye for detail and scale.
Artisans In Miniature 29
Using his enviable artistic
talents Simon began to
commit his ideas to
paper and so the
concept of his 1:24th
scale tree house
diorama was born.
Simon started work on the tree house in 2007, but unfortunately work was
interrupted due to a family problem and Simon had to spend most of his
time in Cornwall. However, being ‘ever resourceful’ he used this time away
from home wisely and took this opportunity to sketch out and plan his
ideas for the interior and contents of the studio further; as ever using his
typically detailed approach!
h laptop
complete wit
The balcony,
d and
rawing boar
computer, d
.
artist’s easel..
Artisans In Miniature 30
Over time Simon produced many more scale drawings,
which were also supported by meticulous notes that he
made and recorded regarding the size and
measurements of everyday objects. Throughout his
time in Cornwall Simon also collected together
materials and scale objects that he would later use in
the building process.
Although the inspiration for the tree house is rooted in
‘fantasy’, Simon was also keen that it include and
reflect many of the working and recreation activities
that he has been involved and enjoyed over the years.
Artisans In Miniature 31
‘For The Love Of Art...’
Here Simon’s own
miniature art work
creates a fabulously quirky
‘out door’ display...
Artisans In Miniature 32
Both Simon’s love of art and his lifetime spent
working within a creative industry are
celebrated and reflected throughout the
model, from his paintings, to model cars, even
the dolls houses that he has designed and
built. Simon has managed to take all of these
experiences and gently incorporate them with
stunning realism and typical quiet humour.
The tree house studio has taken a long time to
complete and it is clear that Simon is a
miniature artisan who simply will not be
rushed. However, the time and attention to
detail that he has lavished upon his tree house
studio, combined with his artistic eye and
enviable modelling ability has enabled Simon
to create a truly spectacular miniature
diorama; one that reflects not only his love of
the miniature world, but also captures the life
Simon’s own ‘s
of the very special man who made it... elf portrait…’
www.wildayswizzardworkshop.co.uk
Photographs © Simon Wilday 2010 Artisans In Miniature 33
Text © AIM 2010
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By AIM Member Ernesto Baldini
Carnations are pretty nice flowers to be displayed by themselves
or as part of a floral arrangement.
In this project I’ll try to explain how I make them and I do hope
that you will find it easy enough to make your own carnations.
Materials needed:
Cold porcelain clay in pink and green colors.
White tacky glue.
Floral wire (nº 28 is the one that I use).
Needle tool.
Procedure:
Step 1: Cut a piece of floral wire about 5 cm
long. Apply a small amount of glue to one
end and attach a little ball of pink cold
porcelain clay.
Step 2: Take a 2mm
Step 4: Place some white glue over
ball of pink clay and flatten it between your
the ball of clay on the end of the
fingers as much as you can in order to
wire. Insert the wire into the center
obtain a thin circle of clay.
of the fringed circle of clay.
Step 3: Use the needle tool to
fringe the circle’s borders
all the way around.
Artisans In Miniature 34
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Step 5: Gently wrap the ball of
clay with the fringed circle.
Step 6: Take another ball of clay
2mm wide and proceed the same
way (flatten and fringe). This time fold the circle in
four (as you would do with crêpes).
Step 8: Repeat until you have petals
all around the central one (this
requires about three to five petals
depending the size of each one).
Step 9: Take a small cone of green clay,
insert the wire into it and glue it to
the base of the flower to
form the calyx. Step 10. Make some
more carnations, add
some dried foliage,
arrange in a flower pot
and dress y o u r
dollhouse!!!!
©2010 Ernesto Baldini – Punto Sur Miniaturas
For more information about me and my work please visit...
www.puntosurminiaturas.blogspot.com
www.puntosurminiaturas.jimdo.com
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AIM member Léa Frisoni shows us
how to make a 1:12 scale
‘folding style’ chair.
You will need…
1mm thick Bristol board or cardboard.
2mm thick Lime or Basswood.
1mm thick Lime or Basswood.
A cocktail stick.
2 x 0.5mm miniature nails.
Quick grab wood or tacky glue.
Super‐glue.
Compass point.
Gesso or primer.
Sage green paint.
Light oak wood‐stain.
000 grade steel wool.
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Step 2 - Assembly
(fig.5) Place the front legs inside the back legs aligning
the holes at each side.
(fig.6) Cut a 3cm length of cocktail stick, place a tiny drop
of superglue at each end and align with the holes in the
(fig.6)
side of the chair frame. Apply another drop of superglue to
the tip of a mini nail and drive home through the hole into
the cocktail stick with the flat edge of a pair of tweezers,
repeat this for the opposite side of the frame. Paint the
entire structures with primer, leave to dry, then paint again
in sage green. When the sage green paint is thoroughly
dry wipe over with steel wool to create the desired
distressed finish.
(fig.7)
(fig.7) To make the backrest cut two pieces from the 2mm
thick Lime or Basswood measuring 0.5cm x 3.6cm. Stain
with light oak wood‐stain, leave to dry and then glue into
place at the top of the frame leaving a gap of 0.5cm.
(fig.8)
(fig.8 & 9)To make the seat cut 4 strips of 2mm thick Lime
or Basswood measuring 0.5cm x 3.6cm and 2 strips from
1mm thick Lime or Basswood measuring 0.3cm x 2.7cm. Stain with light oak wood stain
and leave to dry. On a sheet of grid paper draw a rectangle measuring 3.6cm x 2.7cm.
(fig.9)
Using the rectangle as a template, arrange the 0.5cm x 3.6cm strips so that they are
evenly spaced. Overlay and glue into place the 0.3cm x 2.7cm strips leaving a gap of
0.3cm at each edge and leave to dry.
(fig.10) Fit the seat into position so
that the overlaid strips on the
(fig.10) underside are adjoining the upper
sections of the front and back feet.
Glue into place with superglue.
©2010 Léa Frisoni
www.atelier‐de‐lea.com
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Through
The Keyh le...
Ever wondered what it would be like to be able to have a closer look at the
working environments of AIM members?
This month we take a peek at the working environment of Kathy Brindle in
Western Australia...
Kathy lives in Australind, Western Australia, which is about 2 hours south of Perth and just north of the
Margaret River wine growing region where some of Australia best wines are produced. Kathy’s workspace is a
room added onto the side of her house and she has worked in for about 2 years.
In all the other homes that Kathy has lived in there has always been a room where she could work. However,
since moving into her new home, she planned to work in the games room, however it started to bother her
that every time she had guests there was always a mess! After lots of looking as to where an extra room could
go, Kathy decided that she would use one end of the patio by enclosing it. She got to work and now has her
own studio to work in.
In her studio workspace Kathy creates flowers and other miniatures. Her flowers are made from hand painted
paper and punched out and she is most particular on the colour of the leaves. All of Kathy’s flowers are
produced with care to resemble the flowers in real life. As well as flowers Kathy also makes luggage which
‘opens and shuts’, she also dabbles from time to time in wicker work and make vignettes.
Artisans In Miniature 38
Kathy says that the best thing about her
workspace is that she can walk away and shut
the door plus she has a phone and CD player to
keep her busy, whilst not disrupting others in
the house. As Kathy’s workspace also butts
onto the kitchen in the main part of the house,
I can open the adjoining window when the
temperatures get really hot (over 40c) and get
the benefit of the air conditioner which is a
must in our summer months.
Kathy is really happy with her workspace but if
she could change anything about it she would
like it a little bigger, however she readily
confesses that if it were larger she would put
more into it and therefore lose the benefit that the extra space would bring!
After seeing Kathy’s studio we her if she had any storage tips?
Kathy said “Ask all your friends to part with the fancy boxes they have. I use a lot of the clear plastic boxes
and have in my studio a book case on my work table lying on its side. That way I have all I use all the time at
my finger tips. Another thing is I keep a broom and dustpan in my studio to sweep up my mess.”
Text & Photographs ©
Kathy Brindle 2010
If you would like to find out more about the beautiful miniatures that Kathy creates,
Many Fantasy miniature artists focus on magical creatures. I create the environments that they would
live in! I look to my collection of picture books about medieval castles and ruined city temples. I'll open
up my wicker basket full of the many beautiful Tarot cards I've collected. I'll watch fantasy movies and
paranormal TV shows while I create. I ask myself, 'What would a wizard need in his library?' Or a dark
fairy in her pumpkin house, or the witch in her swamp cabin? I like to make one of a kind furniture
pieces with wings, claws, or twisting vines. I want tables overflowing with alchemy potions, bookcases
stuffed with manuscripts and scrolls, huge stone hearths with steaming cauldrons, and lush moss fairy
beds. When I come up with an idea, I tend to label it with a particular theme such as Vintage Halloween,
Dark Fairy, Egyptian, Gothic Vampire, Medieval Wizard, or Country Witch. I’ve also been adding
Steampunk elements to my Wizard and Victorian pieces. Think techno‐magical clocks, celestial globes,
and other mechanical oddities!
I think my fascination with the fantastical all began with a childhood love of books and movies. I spent
many hours reading the Tolkien, Narnia, and Conan books. I still have my VHS copies of Legends, The
Last Unicorn, Dark Crystal, and The Hobbit. I'm also a fan of the newer Lord of the Rings and Harry
Potter series as well. My favorite spooky movies are Sleepy Hollow, Trick or Treat, Beetlejuice, The
Adams Family, and any werewolf or vampire flick. I like the whimsical and the kooky!
Artisans In Miniature 42
Do you have any hobbies
unrelated to miniatures?
I scrapbook and make collages, altered
books, and mixed media paintings. I find
working with paper very relaxing and
regularly buy vintage books for this
purpose.
I also alter dolls and my own clothes. I
make jewelry, magic wands, and wreaths.
I love Victorian, Egyptian, Steampunk,
Gothic, and Country Primitive styles.
Any phobias?
I might be an artist of spooky miniatures
but I do not like spiders.
Period.
You do not see any spiders in my work
although I often use web designs. I
recently bought a large stuffed tarantula
spider with googly eyes, hoping to see a
'cuter' side and get over this. They are
fuzzy... eek!
I used to not be scared of spiders and ac‐
tually played with them. Then I was bit by
a black widow on my leg when I was
about 12.
Fantasies?
I would love to build a 1:12 scale Pyramid with an underground tomb chamber filled with treasure! I
think about it quite often.
You can see more of Jana’s beautiful work by following any of the links provided below...
My Blog: http://cauldroncraftminiatures.blogspot.com
Photograph & Text (Answers) © Jana Rowntree 2010
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Gift tags
Set your printer to the best setting or highest DPI. Print onto 180gsm photo card or
quality craft card. Follow instructions below.
Strictly for personal use only, not for sale, distribution as a hand made miniature,
printed sheets, or kit. © www.thecraftpackcompany.co.uk
A Hat Box Side B Glue along here
Hat Box Lid Hat Box Base
Hat Box Lid Side
Take the hat box side section, and draw a line in from the edge of one end approx 5mm from the edge, as indicated by the double ended arrow
above. Apply some card adhesive to the area at the end as shown above. Gently wrap the card section around and affix end A over and stick onto
the glued section marked B as shown above. Hold in place for a few seconds until the glue begins to bond. Now take the hat box side and stick it
directly into the middle of the hat box base section, this should leave a narrow rim around the hat box base( see pack photo) To make the lid side
section, you first need to check the fit. So take the lid side piece, and gently wrap it around the completed base and base side section, check for a
good fit and mark the overlap with a pencil. Now that you have exactly the right line to fit, you can go ahead and glue the end with your own meas‐
urements as before. Stick the now complete lid side, onto the underside ( plain white side) of the hat box lid, right in the middle, leaving another
narrow rim. Once dry, place the lid on the box and you should have a perfect fit. Cut out and glue the little gift card onto the box, and repeat the
process with the other two remaining boxes in the kit.
© The Craft Pack Company 2010 0191 581 2305 www.thecraftpackcompany.co.uk – kits, project downloads & more
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Ytá{|ÉÇ ZtÄÄxÜçAAA
Photo 1… 1
Sheer elegance in a chemise
of palest rose silk with lace
trim.
Doll by
Beatrice Thierus
www.myminiatures.net
2
Photo 2…
Elegant knitted outfit for a
stroll in the garden.
Pattern by Helena Bleeker
£3.25
Venne threads £1.80
per reel
www.helena‐petitefashions.co.uk
Artisans In Miniature 45
Photo 3…
3 A selection of adorable
knitted children's garden
outfits from patterns by
Helena Bleeker
www.helena‐petitefashions.co.uk
Photo 4… White dress with lace neckline and emerald embroidery.
Pattern 5029 from La Petite Belle www.minipatterns.com
Photo 5… Picnic, romantic interlude, quiet time? Create a hat for
coyness and fancy and a bag ( be green) to carry your plants, or picnic
goodies. Pattern 1022 by La Petite Belle www.minipatterns.com
4
5
Photo 6… 6
Garden Party, lay out your
perfect dress and hat to stroll
among the flowers.
Pattern 2009 by la Petite Belle.
www.minipatterns.com
Photo 7…
Delightful contemporary floral
pink dress with white cardigan
and pretty pink straw hat
by Janet Harmsworth.
www.minimannequins.co.uk
7
8
Photo 8…
Delicate spring blossoms adorn
this stunning floral ivory
and lilac dress.
Doll created by Mary Williams
www.dollshousedolls.co.uk
9
10
Photo 9…
The combination of winter white, pistachio, chocolate and raspberry makes
this a stunning winter outfit by Wilga
11 van den Wijngaart
www.artisansinminiature.com/
WilgavandenWijngaart.html
Photo 10… Dad wears a handsome
fisherman style jumper of burgundy,
grey and cream stripes while his son is
cosy in this cowl neck design with
geometric pattern. Dolls created by
Wilga van den Wijngaart
www.artisansinminiature.com/
WilgavandenWijngaart.html
Photo 11…
1940’s cream floral dress by
Miss Amelia
www.missameliasminiatures.com
Photo 12…
Fashionable hat and parasol
set in cream, mauve and
buttercup floral print.
Handmade by
Francesca Vernuccio
Photo 13…
‘Butterfly Bag’
Made in Italy
by Francesca Vernuccio
12
www.miniaturitalia.it/elenco_espositori.html
13
Text & Photographs © belongs to the individual artisans as credited.
AIM’s very own, in‐house, celebrity chef Claude
Petit‐Fretin invites his friends and fellow ‘artisans
de cuisine’ to pick up the gauntlet of his Creative
Cuisine Challenge!
In this, Claude’s debut month, his guest artisan is
Vicky Guile of NJD Miniatures. Has she got what it
takes to impress?
Find out when chef Claude challenges Vicky to
create a Vegetable Casserole with Herby
Claude ©2010 www.sassyminidolls.com Dumplings...
...in miniature of course!
Peel and chop 4 large carrots, 2
medium parsnips and half a
medium sized swede. Slice 2
large onions and 3 good sized
leeks and chop 4 large
mushrooms.
oigts!
Attention à vos d
Doucement,
doucement!
Heat a little olive oil in a large wok or sauté
pan and add the onions and leek. Heat until
Add a little more oil to your wok or sauté pan and add
softened then transfer to a large casserole
the carrots, swede and parsnips. Cook until lightly
dish. browned then transfer to the casserole dish.
Artisans In Miniature 50
Add the chopped mushrooms and the juice of one small lemon to
the casserole dish.
PAS DE
GRUMEAUX! Mix well and then add to the casserole dish. Season with
sea salt and freshly ground black pepper. Cover and
place in a hot preheated oven for twenty minutes then
turn down and cook at a low temperature for two and a
half hours.
Et Voila!
Claude’s verdict...
C’est tres bien!
Prochain challenger s’il vous plait?
Artisans In Miniature 51
©2010 Vicky Guile - NJD Miniatures - www.njdminiatures.blogspot.com
IN SEASON THIS MONTH...
Vicky Guile
www.njdminiatures.blogspot.com
Illustrated by AIM members and written by Vicky Guile.
Although root vegetables are available throughout
the year it is probably during the coldest winter days
and still chilly early spring when we appreciate them
most. They are the perfect addition to soups, stews
and casseroles and no roast dinner would be
complete without a serving or two of our favourite
roots.
Not only are roots amongst the most versatile of all
the vegetables they are also an easy and economic Honey roasted lamb
source of essential vitamins and minerals. with potatoes and carrots by
Mags Cassidy ‐ www.magsnificentminis.etsy.com
Carrots for super night‐vision?
There is some truth to the old wives tale that eating
carrots can help you see in the dark. Carrots contain
more beta‐carotene (what gives them their orange
colour) than any other vegetable. Beta‐carotene is
transformed into vitamin A by our bodies and it’s this
vitamin A which is essential for maintaining good night
vision ‐ but don’t overdo the carrot munching as too
many can turn your skin orange! Carrots have been
specifically grown for food for thousands of years. The
ancient Greek word for carrot is philtron meaning ‘love
charm’ and they thought that the consumption
Page number here? 1:12 crocheted carrot of carrots made both men and women behave
Artisans In Miniature 52 by Lydia Murphy more amorously!
www.minimurph.etsy.com
Basket of carrots by Debbe Mize
www.cdhm.org/user/trisscade
Vegetable seed packets and seed tray by Frances Powell
www.buttercupminiatures.co.uk
By crossbreeding the red and pale yellow they came up
with a brand new breed of carrot ‐ ORANGE! The orange
carrot was taken across the North Sea to the shores of
England where it was received with enthusiasm. Before
long the English were not only eating the new orange
carrot but also wearing them as a fashion accessory.
High class carrot tops!
Aristocratic ladies were known to wear hats decorated
with fluffy carrot tops! I wonder if they had to water
them?
Carrot Cake by Amanda Speakman
www.amanspeakminiatures.com
Artisans In Miniature 53
Another root vegetable that we are familiar with is the
parsnip, a close relative of the carrot and similar in
shape but with a much stronger flavour and paler in
colour.
Parsnips and scraping skirrets!
The parsnip was commonplace in old English cookery
Vicky Guile as a sweetening agent for cakes and preserves along
www.njdminiatures.blogspot.com with skirrets or crummocks, another pale root
vegetable with a gathering of tasty roots.
Vegetable Preparation Board by Debbie Wright Sprou
www.debbiestinytreasures.blogspot.com www
Skirrets which originate from Asia and are
also known as Sium Sisarum, have been
cultivated across Europe for thousands of
years. One Tudor recipe for sweet parsnip
and skirret tart also lists other ingredients
such as wine, eggs, lemon juice and
rosewater. The parsnips would have been
peeled but the skirrets would instead
have been scraped to ensure maximum
usage ‐ no wastage in a Tudor kitchen!
Vegetable crate by Sarah Maloney
www.sarahmaloney.etsy.com
Casserole with dumplings by Carol Smith
www.starsgemini3.etsy.com
Crate of sweet potatoes
Artisans In Miniature 54 www.c
The potato, now the world’s largest produced Sack and paper bag of Potatoes
vegetable crop, didn’t make its appearance in by Carol Smith
Europe, when brought back to Spain, until 1536. www.starsgemini3.etsy.com
A potato a day keeps the doctor away?
A native crop of Peru and the Andes region,
where they have over 1000 words for the humble
spud, it was thought to have healing properties
and was often rubbed directly onto the skin of
those affected by illness.
uting potatoes by Kiva Atkinson
.kivasminiatures.com
It wasn’t until 1597 that the first potato crops were
established in Britain and Ireland. During the Industrial
Revolution the demand for potatoes boomed, the workforce
and economy demanded a cheap and sustainable food stuff
that could keep the workers going and the potato, being
high in energy providing carbohydrates, fitted those
requirements. In Ireland the potato had become so
essential to the nutrition of the poor that in the Irish Potato
Famine of 1845, caused by potato blight and outside political
factors, up to 25% of the nation’s people are thought to
have starved, with as many again emigrating across the seas
to America .
Peeling potatoes by Debbie Wright
www.debbiestinytreasures.blogspot.com
s and bucket of potatoes by Debbe Mize
cdhm.org/user/trisscade Artisans In Miniature 55
Beetroot, or beets, can be both a root and leaf vegetable. A relation to
Swiss chard, the leafy beetroot tops can be eaten raw, a colourful
addition to salads, or cooked in a similar way to spinach. The sweet and
plump roots of the beetroot can be cooked in many ways, but it’s best
to cook with the skin on and then peel before eating. Baby beetroot
can also be grated raw into salads.
Two thousand years ago beetroot was of a similar shape to carrots and
Beetroot by parsnips and
Sarah Maloney the roots were
www.sarahmaloney.etsy.com
only ever used
medicinally. The globe shaped
beetroot that we recognise
today evolved in the 16th
century and was widely
accepted across Europe.
Similar to beetroot, for culinary
uses, are turnips. Turnip tops Root basket by Debbe Mize www.cdhm.org/user/trisscade
can be used raw in salads as well as grated raw baby turnips. The turnip roots can also
be boiled, roasted and steamed, or as the French prepare theirs, braised or sautéed. In
Italy the turnip is added to risottos and the Japanese have their very popular pickled
turnip.
Crate of Swedes
Turnip, swede or rutabaga? by Carol Smith
www.starsgemini3.etsy.com
Swede, also known as neeps in Scotland, is a relative newcomer to the dinner table.
The earliest reference to them being used as a foodstuff is from the 17th century. It wasn’t until the 18th century
that it had become a main crop on farms across Europe and until the 19th century that it had been introduced to
the Americas where it is known as rutabaga which comes from its Swedish name of rotabagge.
Pickling beetroot by Linda Cummings
http://shop.ebay.com/lindac5204/m.html
Vegetable basket w
Artisans In Miniature 56 By Kiva Atkinson
Onions of all varieties can also be classed as root Red onions by Vicky Guile Www.njdminiatures.blogspot.com
vegetables in the loosest sense of the term. Although
they are not tuberous in nature they do grow their
bulbous sections underground. They have been
cultivated throughout the world for thousands and
thousands of years and have numerous medicinal
qualities. Roman gladiators would rub onion as a cure
onto aching muscles, the Ancient Greeks ate large
Know your onions!
There are basically two different
types of onions, ‘storage onions’
are those which are round and globe shaped, this includes Spanish and regular red,
white and brown onions. They are harvested over the spring or summer and stored
for months until the outer skin has dried. While ’green onions’ such as spring
onions or scallions and pearl onions are harvested and eaten as soon as possible.
The versatile onions of all varieties are as common in cooking, with as many
different methods and recipes as any other vegetable, but perhaps one of the most
famous onion recipes is the classic French onion soup, made from slowly caramelised onions, and rich beef stock,
delicious served piping hot and topped with a crisp crouton and just a sprinkling of melted Gruyère cheese!
Text written and ©2010 Vicky Guile ‐ www.njdminiatures.blogspot.com
All photos ©2010 by their respective artisans.
with roots
www.kivasminiatures.com Artisans In Miniature 57
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AIM Member Philippa Todd shows us how to
make 1:12 scale carrots from polymer clay.
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The Book "A Taste of History:
10 000 years of food in Britain"
Maggie Black
English Heritage in association with The
Corner... British Museum Press
ISBN: 0‐7141‐1788‐9 / 352 pages
200 clear line drawings
172mm wide x 138 mm long
By AIM member, Louise Win Available at Amazon.co.uk:
This book is not full of color pictures of finished dishes but is packed with
information spanning food from Prehistoric Britain to 20th Century time.
"Five food historians collaborated in this book". Early recipes are based on
archaeological discoveries and later on manuscripts of the time!
In the Medieval period one of the recipes is for Grape stuffed boiled chicken.
Recipes are written in original text i.e. "Chykens in hocchee: Take chykens
and scaled them, take parsel and sawge.." and that is then translated into
current day English. Thank goodness that Dressed Swan and milk‐fed snails
no longer graces our tables, but stew has stood the test of time ‐ still being
popular after 4000 years!
I found myself trying to understand the old text before reading the modern and this made the whole
experience huge fun. I imagined what it must have been like finding those old manuscripts ‐ if you have
your Gran's recipe book I'm sure you would relate.
Each of the 7 periods are detailed in many sections:
*Basics of food eaten.
*Culinary organisation in the great households.
*The actual means.
*Tableware (very interesting).
*Recipes.
Let me give you 2 or 3 of the recipes from each era:
Prehistoric: Fish soup and Hakka Muggies (fish stomach).
Roman: Boiled mussels and Prawn Rissoles.
Medieval: Flesh day dishes: Beef or mutton olives and Lenten and fish days: Hot wine.
Beverage and almond milk and real mince pie.
Tudor times is "eggs in mustard sauce" ‐ (think I'd like to make that!)
17th Century: Diet bread (oh dear!) and Dutch pudding.
Georgian: Plain pudding and Oatmeal hasty pudding.
Victorian: Poulet saute a la plomviere and Sister Nightingales Rice or Mock crab.
20th Century: Stir fried gingered beef.
I bought this book and have used it often. The information gives you an in depth
understanding of the etiquette, culture and custom of the time and an accurate assessment
of the food for the day. Well worth the buy for mini food addicts.
www.louisewinminiatures.weebly.com Artisans In Miniature 59
Cross Over
Crafts
NEW
FEATURE!
Artisans In Miniature 60
T he world of miniatures is certainly a diverse one and it is easy to see that the hobby
incorporates so many different craft areas, techniques and artistic pursuits
Here at AIM our members are a very talented bunch and despite leading the field in the
world of professional miniatures, many of them also enjoy a number of ‘full size’ crafts and
hobbies
So we thought it would be interesting to find out more about our member’s ‘extra curricular’
crafting activities and ask whether their hobbies are a source of inspiration for their miniature
work or simply time to relax.
AIM member Kathryn Gray is well known in the miniature world for her beautiful flowers,
but what isn’t so well know is that she is also an amazing ‘full size’ flower sculptor too!
What is 'cold porcelain’?
It is an air drying clay made from corn flour, PVA glue and oil, it is a lovely medium to work with and can be
rolled so thinly that you can 'read' through it and then can be used to make very delicate leaves and flowers
or in a bigger piece can be used for modelling people and animals. It shrinks when dried between 8 ‐ 12 %
and so for miniature projects is ideal.
How long have you been working with cold porcelain?
Initially I used to make full size pieces from sugar but when cold porcelain came into the country from
Argentina approx 15 years ago I realised that it was much easier to work with and you get longer lasting
results than with sugar paste ‐ altogether I
have been working with sugar and cold
porcelain in full and miniature size for over 20
years.
How did you discover this craft & get involved
in it?
I took an evening class in cake decorating ‐
really did not like all the royal icing and sugar
paste of covering cakes but loved making the
flowers and was amazed at what realistic flow‐
ers could be made. I met a fantastic artisan
Rosemary Merills, who sadly is no longer with
us, and she persuaded me that I had a talent
for making sugar and then cold porcelain
flowers to a high level, with her I went from
making easy flowers for the tops of cakes to
advanced floral creations. ‐ I can still
remember the first thing I made with her ‐ it
was a small strawberry bush and the wonder
of what I had made that to my eyes was
incredible. Artisans In Miniature 61
Artisans In Miniature 62
Why do you like this hobby?
Its a lot like the miniature world, eve‐
ryone is very giving of their time and
talents and always happy to help oth‐
ers. I have always been involved in
flower arranging since I was in my
teens and so making the flowers and
then arranging them covers both areas
that I enjoy.
What do you enjoy creating most?
Flowers and their leaves, I make in
white and then colour up once made,
using craft and sugar dusts, sometimes
leaves can have 5 colours on them to give light and shade and depth. ‐ I enjoy taking apart a real flower
and then replicating it in cold porcelain.
What is your favourite piece that your have made and why?
that's really difficult as I have many ‐ a vase of nasturtiums and a vase of catkins are probably my two
favourites although I quite like a crystal rose bowl full of full size roses that I made and won a best in show
for.
What are the draw backs or limitations
of creating full size flowers in this
medium?
Time, space!! ‐ no nothing really if you
have the right equipment and tools, it
makes it easier to make a good finished
product, also that your skills develop
the more you make and that when you
start its just practise in order to get the
finished result you want ‐ my first
pieces, which I thought were truly
wonderful are not but they are still
loved as they made my what I am able
to do with both large and small size
pieces.
Artisans In Miniature 63
Is it hard to do?
It’s like all crafts ‐ practise makes you better, and its fun
learning.
Are there any special techniques?
Have the right equipment definitely as it makes it easier to
make a good finished product and when you start, take a class
or workshop to learn from someone as they can show you the
best ways, which make it easier for you to make a lovely result
and a good patient teacher will give you confidence and
encouragement.
How did you make the change from full size to miniature flowers?
Like a lot of miniaturists and crafters we find that our crafting hobbies range through many things and I
decided to take a class with Penny Thompson at Pat Cutforth’s, I was lucky enough to be seated next to Diane
Harefield, who is an amazing cold porcelain miniaturist, we got chatting and the rest as they say is history.
Diane and I are good friends, we use different styles of cutters, mine are like the traditional cookie cutters,
and our the end aim is the same, to make beautiful flowers and leaves in miniature scales.
Which scale do you prefer?
Oh that is so difficult! ‐ I love full size
flower making as you can get such detail
and realism into it, but full size flowers
take up so much room and I love
miniature flower making and that is how I
started off my business, I initially taught
and still do, cold porcelain flower making
in the UK, Europe and every year in
Chicago at the Tom Bishop spring show
but I also teach and sell paper flower kits.
Cold porcelain flowers in miniature cannot
get the realism that full size flowers can
get but especially in 12th scale you can
make very good replicas and using the
specialist cutters and equipment that I sell
you can make flowers and leaves very
Artisans In Miniature 64 easily.
Artisans In Miniature ??
Do you still create full size porcelain flowers?
Not as often as I would like as I do not have as much time now that we have our miniature business ‐
Templewood Miniatures, but I teach cold porcelain miniature flowers extensively and get lots of pleasure
from that ‐ guiding new comers to its amazing properties and uses and seeing them become proficient in its
use. ‐ My youngest pupil was a six year old who made some pink (!) snowdrops and was proudly going to take
them into 'show and tell' at her school the next day and I have many people attending my workshops who are
not in their first flush of youth. ‐ I love teaching the art of cold porcelain and really enjoy it and I trust my
pupils and workshop attendees do so also.
If readers wanted to have a try at sculpting with cold porcelain ‐ how / where can they find out more?
I teach cold porcelain in miniature at classes and groups all over the UK, Europe and USA, please get in touch
for more details, I teach all abilities from beginners to advanced and on my web site there is a section with
cold porcelain paste, cutters, books and equipment ‐ www.templewoodminatures.co.uk ‐ I am always very
happy to give 'hints and tips' and have a handout which I send to everyone who buys anything from the cold
porcelain section.
There are evening school classes in most areas in cake decorating and city in guilds courses on sugar and cold
porcelain flower making if people want to go further. The British Sugarcraft Guild ‐ www.bsguk.org is a
wonderful guild to belong to if you work in either sugar or cold porcelain and they have lots of branches all
over the country who have monthly meetings, where you can watch at a demonstration and exchange hints
and tips with others.
There are several sugar craft shops ‐ Squires Kitchen is Fareham (UK) is very good and they also have a really
good range of full size sugar and cold porcelain classes for everyone, of all abilities.
Text & Photographs
www.templewoodminiatures.co.uk © Kathryn Gray 2010
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By AIM Member, Cristina Diego.
Si necesitamos reproducir una pieza con relieves complicados y la silicona y demás nos parecen un enredo
(y lo son), podemos recurrir a las arcillas poliméricas:
Sculpey tiene un par de productos que una vez horneados como cualquier pieza , en lugar de endurecer
quedan algo flexibles. Yo he usado el "Mold Maker" y el Sculpey superfle La pieza blanca es el molde,
hecho con el Sculpey superflex, y las oscuras son las copias, hechas con restos de varios colores.
1.‐ This has worked well for me with all types of surfaces as you can see from the photo; but for thicker
pieces with more depth it doesn’t always work quite the same and when you remove the piece the mold can
break. As with everything it’s a matter of trial and error.
2.‐ Brush talcum powder or cornflour over the item you wish to reproduce. Tap off the excess. This is to
prevent sticking
3.‐ Soften the Scupley Superflex (Mold Maker is very soft already so be careful) and form a shape that is
larger than the original surface.
4.‐ Press the clay onto the original making sure that all the contours are filled. Use a little talc on your hands
to avoid sticking.
5.‐ Pop into the fridge or freezer for approximately one hour
6.‐Separate carefully so that the clay keeps it’s shape (you could bake together depending on the material of
the original but I prefer to lift off the mold)
7.‐ Place into the oven (not Microwave) for 15 minutes at 130ºC (keep checking to avoid burning)
8.‐ Allow to cool
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9.‐Sprinkle with talcum powder over this finished piece (in my case the white) and remove the excess.
10.‐Knead a piece of normal Sculpey, leftover pieces that you may have, until soft. Apply talc to your hands
again and push the clay into the mold, removing the excess and smooth the surface. Allow to cool.
11.‐ Carefully remove the clay from the mold and pass a cutter round any rough edges. If you completed
the last step well you shouldn’t need to do much here. Repeat the mold process as many times as you
wish
12.‐ Bake the pieces in the oven (not Microwave) for 15 minutes at 130ºC. Allow to cool and there we have
our reproduction pieces
Instrucciones...
1.‐ Me ha funcionado bien con relieves del tipo que se ve en la foto; para piezas más gruesas y con volu‐
men no funciona igual, cuesta sacar la pieza, se rompe el molde...Como todo, es cuestión de ir probando, y
acierto‐error‐‐‐
2.‐ Pasar un pincel con talco o maizena por toda la superficie del original; sacudir el exceso. Es para que la
arcilla no se pegue.
3.‐Ablandar el esculpey superflex (el mold maker es muy blandito, cuidado), formar una pieza más grande
y gruesa que la superficie original.
4.‐ Presionar la pasta sobre el original y ajustarla a todos los relieves. Para evitar que la pasta se nos pegue
a los dedos podemos espolvorear un poco de talco en las manos.
5.‐ Poner a enfriar en la nevera o congelador todo el conjunto una horita (aproximado).
6.‐ Levantar con cuidado de que no se deforme la pasta de arcilla (según el material del original podría ir
todo junto al horno, pero yo prefiero levantar el molde).
7.‐ Meter en el horno casero NO EN MICROONDAS, 15 minutos a 130º (ir revisando , no vaya a quemarse).
8 .‐ Dejar enfriar.
9.‐ Espolvorear con talco la pieza que hemos conseguido ( en mi caso la blanca)y sacudir el exceso
10.‐ Amasar pasta de Sculpey normal, restos que tengamos...hasta que quede blando. Volvemos a poner‐
nos talco en las manos y apretamos la pasta amasada en el molde, retirando el exceso que pueda sobresa‐
lir y alisando la superficie. Dejamos enfriar.
11.‐ Sacamos con cuidado la pasta del molde y repasamos con una cuchilla de cutter los bordes que sobre‐
n; cuanto mejor hayas hecho el paso anterior , menos tendremos que repasar ahora.
Repetimos todas las veces que queramos o necesitemos.
12.‐ Llevamos al horno , NO MICROONDAS, 15 minutos a 130º , dejamos enfriar y ya tenemos nuestras
repproducciones.
To view Cristina of Minidecris’ fabulous miniatures, why not visit her blog;
http://miniscris.blogspot.com
Artisans In Miniature 67
Text & Photographs © Cristina Diego 2010
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Witches
Gardening
Thyme !
Witch By Debie Lyones
A Brief Introduction to Pumpkins by Nikki Rowe
Remaining items by Debbie Wright
Witchy Horticulture...
As any witch worth her salt knows that if you want good herbs and ingredients for your potions and
magical brews you have to grow them yourself.
A visit to a witches garden is a very eye opening experience, not only are they places of wonder, that are
awe inspiring, they are also dangerous places to go. Take the humble cabbage for instance. Most
witches grow a variety know as Cabbage Carnivora that is not only partial to the odd cabbage white
butterfly that is trying to lay eggs on its leaves, it is also partial to the odd finger. If you see a witch with
a digit missing you know what she has been growing.
Never visit a witch’s garden and think about helping
your self to the odd carrot, pumpkin or any other
plant. Often the varieties that withes grow will look at
you and shout ‘Oi thief’ and POOF before you know it
you’re a toad.
Veg of the Occulus variety are often grown in several
areas of the garden as a thief deterrent. As they are
very vocal they are easy to grow and if you are in the
vicinity of a witch’s garden you will often here ‘ Missus
I could do with a bit of water here’ or ‘Geesh these
maggot worms are really making me itch’, then its out
Cabbages by Debbie Wright
with the watering can and the dittany powder.
Artisans In Miniature 68
Vicky Guile’s ‘Audrey’...
Artisans In Miniature 69
By Kiva Atkinson By Kiva Atkinson
Two of the most common plants that you are likely to
By Vicky Guile encounter that are grown by all withes are pumpkins and
mandrakes. Let us first talk about the humble (or not so
humble pumpkin).
Pumpkins come in all shapes and sizes. They are used as
stools, seats, prams, as an ingredient in a variety of potions
and some of the really rare ones talk. These talking
pumpkins have magical properties and are known to be
extremely grumpy.
The only way to perk up a cranky pumpkin is to give it a good
dose of dragon dung and maggot juice. As you can see the
pumpkin in the picture below has been very neglected.
By
Debie Lyons
By Debbie Wright
Artisans In Miniature 70
If there is one plant that a witch
covets amongst any other it is
By Nikki Rowe
the mandrake.
These plants have to be the most
dangerous plant in a witches
garden or potting shed. They like
their home comforts and will not
tolerate being out of their pots
for long.
The best way to subdue a
mandrake (or so I have been
told) is to stroke its nose with a
trolls toe. It will then promptly
stop screaming; go into a deep
kind of stupor and go rigid. It is
also advisable to plug each of
your ears with a sock so you are
fully protected if this process
goes wrong.
By Debie Lyons
Finally no self‐respecting witch would be with out a good
By Jain Squires potting table upon which she can tend to her most
delicate plants. Don’t let these plants fool you though.
Here you see pretty mushrooms and delicate flowers.
They are all highly poisonous and need careful handling.
What ever you do, don’t pick up a mushroom and lick
your fingers, remember what happened to Alice in
wonderland?
I hope you have all enjoyed this brief insight into magical
and mystical gardening. Next time you decided to peek
over the garden wall of the cottage at the end of the lane, take care you never know whom that garden
belongs to and what is growing there!!!
Debie Lyons – Piskies & Poppets ‐ www.piskiesandpoppets.com
Nikki Rowe – Witch and Wizard Miniatures ‐ http://nikkinikkinikki72.blogspot.com
Debbie Wright – Tiny Treasures ‐ http://debbiestinytreasures.blogspot.com
Vicky Guile ‐ NJD Miniatures ‐ http://njdminiatures.blogspot.com
Kiva Atkinson ‐ www.kivasminiatures.com Text © Debie Lyons 2010
Jain Squires ‐ The Giddy Kipper ‐ www.giddykipperdolls.com Photographs © By the individual
artisans credited
By Nikki Rowe
Artisans In Miniature 72
1/12th Scale Knitting Pattern
for Ladies Slippers c.1920
By AIM Member Frances Powell
Abbreviations: st ‐ stitch; ( ) ‐ repeat instructions between brackets; k ‐ knit;
p ‐ purl; inc ‐ increase by working twice into next stitch to make 2 stitches;
k2tog ‐ knit next 2 stitches together to form 1 stitch; p2tog ‐ purl next 2 sts
together to make 1 stitch; M ‐ Main colour; C ‐ contrast colour; sl ‐ slip next
stitch without working it.
Materials required: size 19 (1 mm/US 5/0) knitting needles, 15 metres each
main colour and contrast colour. Optional‐thin cork or leather to make a
sole.
Upper (Make 2 alike)
Start at lower edge.
Using M cast on 30 sts.
Rows 1‐2: k
Join in contrast colour but do not break main colour.
Row 3: Using C, k 1, sl 1, (k 2, sl 1) to last st, k 1.
Row 4: Using C, p 1, sl 1, (p 2, sl 1) to last st, p 1.
Row 5: Using M, k
Row 6: Using M, k2tog, k to last 2 sts, k2tog. (28 sts)
Row 7: Using C, k2tog, k 1, sl 1, (k 2, sl 1) to last 3 sts, k 1, k2tog. (26 sts)
Row 8: Using C, p2tog, sl 1, (p 2, sl 1), to last 2 sts, p2tog. (24 sts)
Break C, continue in M for ankle flap:
Row 9: k
Row 10: cast off 2 sts, k to end. (22 sts)
Row 11: cast off 2 sts, k to end. (20 sts)
Rows 12‐16: k
Cast off loosely.
Sole (Make 2 alike)
NB reverse one when sewing up so the shape of foot is different on each side (giving a left and right foot)
Using M, cast on 4 sts.
Rows 1‐8: k
Row 9: inc in 1st st, k 3. (5 sts)
Rows 10‐16: k
Row 17: k2tog, k 1, k2tog. (3 sts)
Row 18: k
Row 19: sl 1, k2tog, psso. (1 st)
Fasten off.
To make up:
Join centre front seam of upper. Sew soles onto upper (remembering to reverse one.) Sew in all loose ends. Turn down
ankle flaps. These may be secured with a stitch if necessary. Cut out cork or leather soles and stick to sole if required.
Rosette (Make 2 alike)
Using C, cast on 12 sts.
Row 1: (p2tog) to end. (6 sts)
Break yarn and thread through 6 remaining sts. Pull up tight and sew ends together
to form a circular rosette. Sew to front of slipper near ankle flap. © Copyright F. H. Powell 2010
This pattern is for private use only and
www.buttercupminiatures.co.uk may not be reproduced in any form for
Text & Photograph © Copyright F. H. Powell 2010 commercial gain, including selling any
item knitted up from these patterns
without written permission from
Buttercup Miniatures
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Process:
Step 1:
Cut the
pieces for the
house, and
mark the
openings for
door, window
and dowel
placing.
Step 2: For the roof cut a piece of wood 2.2 cm wide and then
cut stripes about 0.3 to 0.5 cm wide.
Artisans In Miniature 74
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Step 3: Assemble the house gluing along the joints.
Step 4: Paint the house base in dark green, dowel in light
blue, and house in pale yellow. It’s easier to paint the roof
once placed.
Your birdhouse is now finished and ready to be placed in your dollhouse garden!
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I’m going to visit Grandma,
she lives not far away.
‘Gardening with Grandma’ (above) and ‘Mary, Mary Quite Contrary’ doll
and trunk (below) by Debbie Dixon‐Paver.
www.cdhm.org/user/debbie
‘Looking through the Garden’ by Julia Jeffreys
www.bearcabinminiatures.etsy.com
1:12 Garden Scene (above) by Daisy Carpi
www.miniaturasdaisy.blogspot.com
Miniature ‘Spring in Tuscany’ (left)
and ‘Tuscany Secret Gardens’ (below left and right)
By Francesca Vernuccio
Email: Francescavernuccio1@virgilio.it
A team of gardeners work the land,
to keep weeds and pests at bay.
‘Garden Thief’ (below) by Kristy Taylor ‐ Mini Menagerie
www.minimenagerie.com
Both 1:12 Gardener dolls on this page by Malcolms Miniatures
www.malcolmsminiatures.co.uk
Artisans In Miniature 78
1:12 ’Occupied’ Privy by Malcolm’s Miniatures
‘Bill the Gardener’ (above) by Julie Campbell ‐ Bellabelle Dolls
www.malcolmsminiatures.co.uk
www.bellabelledolls.co.uk
Gardener (below) by Nicky Cooper ‐ Nicky’s Dolls & Critters
www.nickycc.com
Sometimes they do get a break,
to sit down or hideaway,
(Grandma too on a sunny day!)
Lady in Purple Sunbathing (above) by Mary Williams
www.dollshousedolls.co.uk
Orchids by Ernesto Baldini ‐ Punto Sur Miniaturas ‐ email: puntosurminiaturas@yahoo.com.ar ‐ www.cdhm.org/user/ernesto
Plants in pots by Debbie Dixon‐Paver ‐ www.cdhm.org/user/debbie
Water Features by Ernesto Baldini ‐ Punto Sur Miniaturas ‐ email: puntosurminiaturas@yahoo.com.ar ‐ www.cdhm.org/user/ernesto
Floral Arrangements (above) by Kathy Brindle ‐ www.kathybee.net
Flower baskets (below right) and vase (below)
by Francesa Vernuccio ‐ email: Francescavernuccio1@virgilio.it
Spring Rose Arrangements (above) by The Mouse Market
www.themousemarket.com
1:12 Victorian Aviary ( left) with Budgies (made with real feathers), water dish
and bunches of millet by Literature in Miniature
www.literatureinminiature.co.uk
1:12 Potting Bench (above), 1:6 Flower/Garden Cart (below left), 1:6
Adirondacks (bottom left) and 1:6 Beach Chair (bottom right) ‐ All available in
other scale from Lili Goczal
email: liligoczal@gmail.com ‐ www.weaverlili.t35.com
‘Les Petits Choux’ by Béatrice Thierus ‐ Les Miniatures de Béatrice
www.myminiatures.net/index.html
Mini Makes!
By AIM Member, Debie Lyons
Mini Makes...
Secret Garden Part
one !
The project will be in two parts, this month I will show you how to create the effects on the walls, the fake
door and the faux/fake grass. Next month I will show you how to make the little pond, the birdhouse,
stepping‐stones and flowerbed.
This project mainly focuses on the various techniques needed to make a miniature garden.
You can make the base for your garden using whatever materials you have to hand and it can
be whatever size you would like it to be. Some of you might want to make your corner out of
foam board or you might have someone who can make a corner for you out of MDF. I used the corner of an
old cardboard box for my garden, the walls are approx 8 inches/20cm tall and the base is 8 inches/20cms by
6 inches/15cms.
If you are using the corner of a cardboard box you need to take special care to make sure that the base of
the garden doesn’t distort and I would recommend that you use a double thickness of card. All the edges of
box need covering with masking tape and the card needs to be sealed with PVA glue.
Also put some sawdust in a bowl and colour with green food colouring. Put it to one side and let it dry.
Please read all instructions carefully before you begin.
1 – Make a little cardboard door out of box card and paint brown.
Take a rectangle of card, cut some extra lengths of card and stick them
together as shown. Paint the door brown and dry brush it black.
.1.
2 – Choose where you would like your .1.
.2.
door to go and draw around it about
1/2cm from the base (this is to allow space for the first stepping stone).
Then cover all the walls with the ready mixed filler carefully avoiding the
area for the door, let it dry. I wore gloves and used my fingers to spread
the filler around. If you have used the corner of a box the filler will set
rock hard and firm up the walls. Stick the door in place and let dry.
.3.
.2.
3 – Paint the all the walls with
cream paint and let it dry. When
dry, take a used wet
teabag and dab the
walls with it.
.4.
.13. 4 – Thin some black paint so that it looks like ink and dab it onto
some areas of the walls using some kitchen roll. Do the same
with some green paint and let dry.
Artisans In Miniature 85
.4.
5 – Cover the floor of the garden .5.
with PVA glue and sprinkle on the
green coloured sawdust all over
the base and let it dry.
hufflepuffed1048@aol.com
Artisans In Miniature 86 Text & Photographs © Debie Lyons 2010
FAIR REPORT... FAIR REPORT... FAIR REPORT... FAIR REPORT... FAIR REPORT... FAIR REPORT... FAIR REPORT... FAIR REPORT.. For the second year in a row the
Artisans in Miniature Association
were lucky to have a promotional
table at the Thame Dolls House
and Miniatures Fair.
By AIM member Debie Lyons
The Thame fair was organised by Celia Thomas of KT
Miniatures. Fifty percent of the total profits from the
show are donated to the Breast Cancer Awareness
Campaign. This was my first time at the fair and I must
stay I was really impressed with the quality of the
miniatures and the stands at the show.
The AIM stand had a display of some of our members work along
with some of the projects from the magazine and samples of the
magazine. Visitors to the show were very impressed with the
work that was displayed and the quality of the magazine. We
were over whelmed with positive comments and there was a huge
amount of interest in the magazine from visitors who had not seen
it before.
Most of our
members work that
was on display had
also been donated to
the charity and was moved to the sales table at 3pm. To those
AIM members who donated pieces of your work we would like
to say a big thank
you. We would
also like to say
thank you to Mary Williams and Bethany Lyons who co‐manned
the AIM stand. Also thank you to Celia for supporting Aim and
generously allowing us to have a stand at the show.
If you would like to know how much money has been raised so
far please visit...
www.ktminiatures.com/Thame_Fair_2010.html
©2010 ‐ Debie Lyons ‐ www.piskiesandpoppets.com
Artisans In Miniature 87
The Miniature... Minimilliner...
Margaret Pitts of MiniMilliner is
pleased to announce that some of
The Village School ‐ the lat‐
Diane Pietrocola
est addition to the 144th
Shay Aaron
scale village of Newton St Mary's is the Village
Debbie Wright School. The UK designed and laser cut kit by Alan
Jean Day Gray of Templewood Miniatures, comes complete
Adelaide Cann with kits to make the teachers desk and pupils
benches, two easels and wall frames. The kit is
Hannah Shepherd
suitable for all skill levels as it has full step by step
Piewen Petitgrand
instructions and photographs, it has 'glazed'
windows with window sills, etched doors, a lift off
beamed roof with curved engraved tiles and a base
New From Barbara Brear!
for the school yard.
IGMA Artisan Barbara Brear has a new book hot off
the press. It is Julius Caesar's Gallic Wars. There are The kit cost is £28 and is
no illustrations, but the cover is any one of the available from
covers from Barbaras Persian series. So you can Templewood Miniatures ‐
order the book with any cover of your choice and
(within reason) any colour leather. You can see the www.templewoodminiatures.co.uk
covers on the first page of the web site. This would
be suitable for any school room setting, any study
or any gentleman's room . Fully sewn (with super New Ski
fine Invisible thread!), leather covers with Persian Knitwear...
image impressed into the leather, fully printed for Helena Bleeker has New Ski
those who read Latin! Marbled end papers. knitwear, patterns available
A gorgeous book. soon.
It is also available in a Collector's Edition in plain Phillip and Phillipa are for
leather with tooling, ridged spine and with brass 4" (10cm) dolls.
corner detail. More Ski/
Visit Barbaras website to see the book Sweaters knitwear available in
www.bbminiatures.homestead.com smaller sizes as well.
All patterns are £3.25 each and
Venne colcoton £1.80 per reel.
Debbe Mize...
Is very excited that she is to be the featured artisan
Helena also has a pattern in this
on CDHM (Custom Doll House Miniatures) site for
months Dolls House and
March.
Miniature Scene magazine,
See more of Debbe’s lovely food at www.cdhm.org
Candy shown here...
Artisans In Miniature 88
Steampunk hats!…
Miss Amelia has released a limited collection of
Miniatura
Victorian Steampunk
millinery. Beautifully
handmade by Janine
Crocker t h e s e
preview!
wonderful hats are
Spring is in the air which
unique combination of means one thing…
Spring Miniatura is
technology and frivolity
almost here!
19th century style.
AIM members will be out in
More details at:
force at this year’s event and
the following members will
www.missameliasminiatures.com
all be exhibiting at the show:
www.miraclechickenurns.com
Willow Models
More information about the show, including how to book
your tickets can be found on Miniatura’s website:
www.miniatura.co.uk
Miniatura Malcolm’s Miniatures.
Malcolm’s Miniatures specialise in country
cottages, shops, room boxes and the furniture and
preview! figures to populate them, inspired by the paintings
of Victorian and Edwardian artists.
Here are just a few of the wonderful new items They also
available from our talented AIM members to wet your produce a range
appetite! of Impress
Moulds to
produce realistic
Theresa Thompson of brick, stone, tile
Costume Cavalcade and slate finishes
Amongst a good number of new dolls having their first using DAS.
showing on the Costume Cavalcade stand at Miniatura
will be these based on the Larkrise to Candleford TV Malcolm’s
series Miniatures:
01491 680951
www.costumecavalcade.co.uk
www.malcolmsminiatures.co.uk.
Bellabelle Dolls
IGMA Artisan Julie
Campbell of
Bellabelle Dolls
will be exhibiting
her u n i q u e
miniature dolls in
both 12th and 24th
scale. This Spring
Julie will have a
wonderful display
Carol Smith based on “The
Carol Smith will be exhibiting Wizard of Oz” , as
food and witch/wizard items. Her well as ghosts,
food ranges from a filled room w i z a r d s a n d
box pantry, delicatessen / witches and an
patisserie displays, preparation array of characters
boards, sweets / candy, from all periods of
preserves / pickles / chutneys / history
conserves, cranberry glass items
and more. Julie’s “Ghostly
Carol has exhibited at Miniatura for over 20yrs and Gallery” of haunted
obtained her IGMA artisan certificate in 1996. pictures and “Petite
Bella” the ever so
chic tiny boxed doll
will also be available.
Artisans In Miniature 90 www.bellabelledolls.co.uk.
New from
The Giddy Kipper NEW
TO MINIA
TURA
Mags-nificent Miniatures
All things fishy...
Suitable for a Fisherman’s
cottage, Fish & Chip Shops,
Jain Squires, Seafood Stalls and
The Giddy Kipper will Fishmongers.
be exhibiting at Bowls of cockles, whelks
Miniatura for the first and prawns
time!! Buckets of Fish heads
Fish boards
Buckets of Oysters and
Mussels
Seagull and fish mini
scenes
Seagulls on fish and
chips
Platter of Moules
Jain makes whimsical characters frites, Tudor Oysters and much more!
in miniature and accessories to www.mags‐nificent.co.uk
accompany them.
www.giddykipperdolls.com
Maybe you have been inspired by something you've seen in the magazine ?
If you would like to share your news and views with us, please email Julie at
belljulie1@aol.com
(Please remember to put ‘The Post Box’ in the subject header of the email)
So whatever your thoughts, we look forward to hearing from you and will print a
selection of your letters each month in this new section of the
“When my grandaughter Samantha was born I was thrilled because I had a little baby to hug. She is now ten years
old and has given me something just as wonderful as a
hug... She continues to grow, as most children do, and
will soon be taller than I am, but I see a bit of "tiny" in
her too. In fact there's a possibility that she may one
day be a miniaturist. Or, at least a dollmaker.
She begged me for years to be able to make a doll, and
when she was nearly ten years old, I finally agreed. I
bought a doll kit rather than use one of mine, and all I
did was paint it for her. She had the job of assembling,
wigging and dressing it. I sat with her and told her
how to accomplish each step as she came to it. Her
biggest problem was cutting out the pattern because
she is left‐handed. All in all I am very proud of her
work.
So is she... she asked if I thought it would be ok if she
named the doll after herself. I thought it would be just
fine, so below and attached you will see another
Samantha... (she also added two middle names to the
doll)... hence I present: "Samantha Ria Rochelle"
Viola Williams
Artisans In Miniature 92
Artisans In Miniature
“An association of professional artisans,
dedicated to promoting a high standard
of excellence in original handcrafted scale miniatures…”
www.artisansinminiature.com
NEW
artisansinminiature.blogspot.com
Are YOU a professional miniature artisan??
If you answered 'YES' to EVERY question…
Then look no further, AIM is the professional miniaturists association for YOU!!
AIM is completely FREE to join and completely FREE to be part of.
So...if you are a professional miniature artisan and you would like to find out
more about joining the AIM Association,
please email AIM’s Membership Secretary: Mary for more information:
marysdolls@gmail.com
Or alternatively visit our website…
Artisans In Miniature 93
COMING nEXT
MONTH…
Don’t Miss A Thing!
LADIES’ FASHION & BOUDIOR
SPECIAL!!
All FREE and fully
downloadable at:
www.artisansinminiature.com
All the projects from the AIM
advent calendar
combined in one bumper
project supplement!
Written exclusively by
AIM members!!!
The AIM magazine’s content is for private use only and it must not be reproduced in part or in full for commercial gain in any form.
Each artisan contributor is responsible for their own work / contribution to the AIM magazine
and retain full responsibility for their published work.
Artisans In Miniature 52
The authors/self publishers cannot be held legally responsible for any consequences arising from following instructions,
advice or information in this magazine.
*with the exception of the Mini AIMers feature which is written especially for children under 14.
This issue would not have been possible without the generous
contributions from the following AIM members…
Many thanks therefore go to...
‘Aunt Anastasia’ Helena Bleeker Lydia Murphy
Amanda Speakman Jain Squires Mags Cassidy
Barbara Brear Jana Rowntree Malcolm Smith
Bea (Fiona) Broadwood Janet Harmsworth Margaret Pitts
Beatrice Thierus Janine Crocker Mary Williams
Carol Smith Julia Jeffreys Mo Tipton
Cristina Diego Julie Campbell Nicky Cooper
Daisy Carpi Kathi Mendenhall Pat Carlson
Debbe Mize Kathryn & Alan Gray Pearl (Literature In
Debbie Dixon-Paver Kathy Brindle Miniature)
Debbie Wright Kiva Atkinson Philippa Todd
Debie Lyons Kristy Taylor Sally Watson
Emma Eilbeck Léa Frisoni Sarah Maloney
Ernesto Baldini Lili Goczal Simon Wilday
Frances Powell Linda Cummings Theresa Thompson
Francesca Vernuccio Linda Masters Vicky Guile
Grace Griffin Louise Goldsborough Wilga van den Wijnga-
Helen Woods Louise Win art
www.artisansinminiature.com