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8/3/15 12:25 AM
transmediale/
conversationpiece
03.-07.02.2016
HKW
The next edition of transmediale follows the format of a
Conversation Piece which unfolds through a series of
dialogues and participatory formats that articulate the most
burning topics of post-digital culture today and that reflect
the main ongoing themes of transmediale.
Conversation starters are everywhere as constant
communication has become a mundane feature of postdigital culture. But to define common starting grounds for
conversation in today's agonistic and rapidly changing
cultural landscape is a daunting if not impossible task.
Against the backdrop of different processes of social
transformation, 17th and 18th century European painters
perfected the group portrait painting known as the
Conversation Piece in which the everyday life of the
aristocracy was depicted in ideal scenes of common
activity. The Conversation Piece that is transmediale 2016
references and problematises the ideal of finding common
ground through four interconnected thematic streams:
Anxious to Act, Anxious to Make, Anxious to Share and
Anxious to Secure.
Through these streams we take a critical look at what we
could today think about as the fragmented and
contradictory ideal scenes of cultural production and life
under digital capitalism. Can the anxiousness to take part
or not to take part in these idealised activities be used in a
way that does not only lead to reactionary positions based
on fear and exclusion?
What are the possible new values and methodologies of
cultural co-production that allows itself not only to be
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conversationpiece | transmediale
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Anxious to Act
This stream deals with the complexity of taking action in a
world consisting of constantly networked flows and the
increasing messiness of the global. It zooms in on the
irritated ideal scene of media activism and the multiple
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Anxious to Make
This stream looks closer at the new conglomeration of
cybernetic automation, DIY culture and industrial
production. Here, on a macro-level, anxieties of global
competition come to the fore and on a micro-level there
are anxieties to at all deal with the socio-political
consequences, as the new maker cultures revel in the
craftsmanship of the prototypical, instrumental and
entrepreneurial. What are the cultural implications of the
ideal scene of Industry 4.0 or the so called third industrial
revolution where new cultures of industrial fabrication
meets DIY culture?
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Anxious to Share
The ideal scene of this stream is that of a sharing culture
of micro-practices and cottage industries that emerged as
part of innovative citizen-driven alternatives to the crisis of
a receding public sphere and relentless privatisation. The
stream however takes a critical, post-startup economy
look at interrelated topics such as disruption and
displacement, conditions of cultural production, spatial
politics, and network economy. We are anxious to share
but do we really want to take the responsibility for what
and how something is being shared? And from a nonanthropocentric perspective, are new planetary scales of
sharing emerging?
Anxious to Secure
This stream looks at the increasing securitisation of
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transmediale is funded by
Kulturstiftung des Bundes
a project by
Kulturprojekte Berlin
in cooperation with
Haus der Kulturen der Welt
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