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Siva K. Balasubramanian
297
P1.
P2.
Pleasure
To the extent that the stimulus brand imparts pleasure to the
consumer, it is an integral element of brand romance.
Feelings like love, attraction, desire, pleasure, fun and
excitement belong to the same constellation of emotions.
We propose pleasure as the first dimension of brand romance
that associates positive feelings with the brand.
Arousal
Even if positive feelings characterize consumer-brand
relationships, they must be intense enough to arouse the
consumer in order to be meaningful or effective. As discussed
earlier, self-expansion may find expression in shopping
experiences via strong arousal and approach tendencies.
Mehrabian and Russell (1974) summarized evidence in
support of a positive relationship between the intensity of
pleasure and the tendency to approach a stimulus. According
to them, physical approach, preference, liking or positive
attitudes, exploration, performance and affiliation reach a
peak at a moderate level of arousal. Therefore arousal is
proposed as the second dimension of brand romance.
Dominance
This characteristic captures the brands tendency to engage
the consumers cognition. Oliver (1999) and Schouten and
McAlexander (1995) report the complete immersion of
Harley Davidson bikers within their community, thereby
vividly illustrating the centrality of the focus brand in their
lives. Extant research on brand communities (e.g.
McAlexander et al., 2002) depicts the extent to which
brands [. . .] become inextricably embedded within some
portion of the consumers psyche, as well as his/her lifestyle
(Oliver, 1999, p. 40). Proshansky et al. (1970) observe that
Figure 1 Brand romance: the model
299
Study 2
This study focused on removing items deemed to represent
the construct poorly, and to explore the factor structure of
brand romance. The item pool was administered to a sample
of 99 undergraduate students who participated in the study
for course credit. The mean age of the respondents was 20.25
years, with a standard deviation of 1.41 years. Males
accounted for 45.5 percent of the respondents.
P4.
P5.
Procedure
Participants read sample vignettes that depicted feelings
toward three sets of brands that consumers state that they
respectively love, like, or dislike (these represent the three
experimental conditions in this study). The use of the
keyword love is appropriate to describe high romance
brands because it is loosely used by people to identify people,
brands, objects, ideas, etc. they are attracted to (Ahuvia et al.,
2009). Similarly the keyword like sought to tap positive
attitudes towards the brand. Lastly, dislike was used as the
logical antithesis of like. Each subject evaluated three
specific brands that he/she loved, liked, or disliked
respectively, on each of the 70 scale items.
Results
We obtained a total of 297 brand-specific observations (99
subjects 3 brands/subject). Recall that the focus was to
reduce the number of pool items and to explore the
hypothesized three-factor structure of the brand romance
construct. Following Ohanian (1990), an exploratory factor
analysis (EFA) was first conducted to remove items that
loaded on more than one factor and to retain those with high
loadings.
A principal components analysis (PCA) with varimax
rotation was conducted. Of the 70 items in the original pool,
44 items were discarded for loading on multiple factors. This
procedure yielded two factors. Items that loaded on the first
factor reflected both pleasure and arousal derived from
the brand, while items loading on the second factor tapped
the brands dominance. The EFA did not successfully
discriminate between the first two hypothesized factors
(pleasure and arousal), thereby suggesting they may be
correlated.
To further test the existence of the hypothesized three factor
structure, items with maximal loadings on the EFA factors
were retained. These comprised eight items loading on the
first EFA factor (four highest loading items that appeared to
load on pleasure, and four highest loading items that appeared
to load on arousal) and four items loading on the second EFA
factor (see Table I study 2). These 12 items were subjected
to a confirmatory factor analysis (CFA) that specified the
three hypothesized factors for brand romance. Bartletts test
of sphericity indicated a good data fit. The measure of
sampling adequacy (MSA) was 0.98, further confirming data
suitability.
Our primary research objective is to test the plausibility of
the three factor model structure. This structure is supported if
the CFA results reflect acceptable fit indices and significant
item loadings on the three factors.
The factors were allowed to correlate and Robust
Maximum Likelihood Estimation approach (Bentler, 1995)
Studies
We sought to develop a measurement scale for brand romance
and to explore its relationship to brand loyalty and brand
attitude. Accordingly, four studies were conducted. Study 1
generated a pool of items to measure brand romance that
were purified in Study 2. The third study assessed the
reliability and validity of the proposed brand romance scale.
The final study explored the relationships between brand
romance, brand attitude and brand loyalty. The scale
development process reflects well-established practice (e.g.
Churchill, 1979; Anderson and Gerbing, 1988).
Study 1
We drew on relevant literature and participant reports to
generate an extensive inventory of candidate scale items. First,
a review of the romantic relationship literature pointed to
scales designed to measure romantic love in the inter-personal
domain (e.g. Fengler, 1974; Hobart, 1958; Rubin, 1970).
The emotion literature showcases scales that capture affective
intensity (e.g. Affect Intensity Measure (Larsen and Diener,
1987); Emotional Intensity Scale (Geuens and De
Pelsmacher, 2002)) or tap emotions (e.g. Izard, 1977;
Mehrabian and Russell, 1974; Plutchik, 1980). Additionally,
two related scales were considered The RomanticismClassicism Index (RC Index (Holbrook and Olney, 1995))
designed to measure an individuals romantic bent of mind,
and Brand Relationship Quality scale (Park et al., 2002).
Similarly, the emotion literature in marketing (e.g. Edell and
Burke, 1987; Holbrook and Batra, 1987; Richins, 1997)
provided helpful guidance for generating measurement items.
Second, an experience survey (Churchill, 1979) was
conducted to explore individuals relationships with brands.
A convenience sample of nine adult respondents was asked to
recall a brand in the context of the three conceptual
dimensions of brand romance. The researchers provided
personal examples to illustrate this task. Respondents
300
Item
Study 3
t-value
CFA
Loading
SE
t-value
Factor pleasure
I love this brand
Using this brand gives me great pleasure
I am really happy that this brand is available
This brand rarely disappoints me
0.907
0.871
0.915
0.864
0.942
0.942
0.9a51
0.891
na
0.021
0.020
0.027
na
42.108 *
47.893 *
31.328 *
0.962
0.960
0.969
0.792
na
0.015
0.014
0.036
na
63.055 *
69.753 *
21.323 *
Factor arousal
I am attracted to this brand
I desire this brand
I want this brand
I look forward to using this brand
0.892
0.901
0.907
0.878
0.949
0.955
0.934
0.935
na
0.020
0.022
0.022
na
48.280 *
43.799 *
43.097 *
0.941
0.974
0.978
0.927
na
0.017
0.019
0.024
na
60.269 *
56.193 *
41.989 *
0.840
0.847
0.792
0.823
na
0.077
na
12.406 *
0.859
0.928
na
0.036
na
26.732 *
0.868
0.889
0.852
0.902
0.098
0.097
10.252 *
11.532 *
0.836
0.827
0.061
0.057
13.659 *
15.884 *
Factor dominance
My day-dreams often include this brand
This brand often dominates my thoughts
Sometimes I feel I cant control my thoughts as they are
obsessively on this brand
This brand always seems to be on my mind
Notes: *Significant at the 95 percent level; na not applicable
Study 3
This study sought to confirm the three-factor structure of
brand romance by testing convergent and criterion validities.
The reduced set of items from the measure purification stage
was administered to a new sample of 112 student subjects
who participated for course credit. Mean age of respondents
was 20.95 years with a standard deviation of 1.55 years. Males
accounted for 40.2 percent of the respondents
Procedure and measures
The procedure was identical to study 2. Each subject
contributed three brand-specific observations, so 336 brandspecific observations were available. The brand romance scale
from the previous measure purification phase was
administered. We used Putrevu and Lords (1994) purchase
intentions scale to test criterion validity (reliability 0:91;
scale items were:
.
It is very likely that I will buy this brand.
.
I will purchase this brand the next time I need this
product.
.
I will definitely try this brand.
301
Study 2
CFA brand romance
Study 3
CFA brand romance
113.39 *
0.978
0.984
0.988
0.064
0.954
129.9329 *
0.977
0.982
0.986
0.068
0.951
Measures
To test proximity, Mitchell and Olsens (1981) Attitude
toward the Brand scale (a four-item semantic differential scale
with a reported reliability of 0.88) was used, as also
Chaudhari and Holbrooks (2001) attitudinal brand loyalty
scale consisting of two items each for purchase loyalty and
attitudinal loyalty, respectively. The authors reported a
satisfactory Cronbachs alpha for both purchase loyalty
(0.90) and attitudinal loyalty (0.83) components. Brand
romance was measured with the scale developed in studies 2
and 3.
Results
Scale reliabilities and factor structures were assessed through
CFA. Robust maximum likelihood estimation approach was
used. Fit statistics for brand romance were good (Table II
study 3). Both constructs showed satisfactory reliabilities
(Nunnally, 1978).
Convergent validity
Convergent validity of a construct is defined as the agreement
among measures of the same trait (Bagozzi et al., 1991). We
examined the magnitude and statistical significance of item
loadings for each of the three factors of the proposed brand
romance construct. The strength of the items is evident in the
standardized loadings. Table I showcases the significance and
strength of these loadings for the three factors in both studies 2
and 3. All loadings are acceptably high (the lowest loading is
0.792) and significant. Overall, these results provide satisfactory
evidence of convergent validity for each of the three factors.
Criterion validity
Does brand romance successfully predict the criterion
measure? This was addressed by regressing purchase
intentions on brand romance. The rationale for this
regression follows. Brand romance involves a highly positive
state of mind, so consumers in that state should be predisposed
toward brand purchase. Under the circumstances, brand
romance is positively related to high purchase intentions.
Therefore, a significant regression of purchase intentions on
brand romance will support criterion validity. Regression
results (adjusted R square 0:754; F 1,023:6, p 0:00)
indicate that brand romance is a significant (t 31:994,
p 0:00) predictor of purchase intentions, thereby affirming
the criterion validity of the former.
Study 4
The objective of this phase was to test discriminant validity
and proximity of brand romance to brand loyalty.
Discriminant validity was tested by comparing competing
models. More specifically, the objective was to check if the
hypothesized three factor solution outperformed all other
possible solutions i.e. three two-factor solutions and one
single-factor solution. Chi-square tests of difference were
conducted between alternative models to determine the
model best supported by the data. Proximity was tested by
examining if attitude toward the brand moderates or mediates
the impact of brand romance on brand loyalty.
Procedure
A total of 500 undergraduate students participated in this
study for course credit. The cover story stated that the study
sought to understand consumers response to brands.
Participants received a questionnaire booklet, and were
randomly assigned to one of three conditions (love, like,
and dislike). Overall, 173 respondents were assigned to the
love condition, 164 to the like condition and 163 to the
dislike condition. The instructions were similar to the
earlier studies. Each subject noted the name of a brand
recalled under his/her assigned treatment condition, the
corresponding product category and the frequency of its use.
Subsequently, they responded to the items in the proposed
brand romance scale, and provided demographic information.
Results proximity
Proximity was tested by examining whether attitude toward
the brand moderates or mediates the impact of brand
romance on brand loyalty. To investigate the moderation
effect, the statistical significance of the interaction variable
302
Normal ML chi-square
SB scaled chi-square
Degrees of freedom
Fit indices
NFI
NNFI
CFI
RMSEA
Model 1
Model 2a
Model 2b
Model 2c
Model 3
235.60 *
447.46 *
1,109.020 *
1,086.58 *
129.93 *
220.68 *
547.55 *
1,302.03 *
582.89 *
54
51
0.977
0.982
0.986
0.068
53
544.36 *
53
0.961
0.963
0.970
0.097
53
0.904
0.890
0.912
0.167
0.904
0.891
0.912
0.167
0.897
0.885
0.906
0.171
Brand romance
Brand loyalty
0.718
1,253.235 *
1.202
35.401 *
278.1722
0.975
0.988
0.990
0.038
df
164
0.00
303
ns
Discussion
Our brand is so powerful because of our heritage. But youve got to innovate,
and not just in terms of what is new today but what will be new far into the
future.
Limitations
Although students are arguably consumers, this study is
somewhat limited by its sample characteristics. Our subjects
were mostly undergraduate students, so the generalizability of
our research findings to the adult population needs to be
explored. Moreover, this research does not clarify whether the
effects obtained were due to the brand or the product
category. Because certain expressive product categories (e.g.
clothes, cars) are likely to inspire greater romanticism than
others, it is useful to know how the observed brand romance
should be attributed at the brand level. In other words, the
differential effects of the category and the brand should be
separately estimated. We observed that mainly lifestyle
categories and brands (e.g. in Study 4, clothing and
accessories 27.2 percent; automobiles 13.4 percent;
beverages 11.2 percent; and footwear 10.2 percent
predominant brands were Abercrombie & Fitch, Nike, Ford,
304
Conclusion
In a highly competitive world, marketers find it increasingly
difficult to make their brands sticky enough. While
marketers aggressively pursue loyalty programs, the results
remain less than spectacular. Is it possible to build brands that
create and maintain a powerful attraction for consumers?
Throughout this research, we maintain that a key metric for
marketing success is to ascertain the degree to which target
audiences romance a focal brand. If brand romance is high,
attitudinal brand loyalty may also be high; if brand romance is
low, marketers should focus their efforts on creating conditions
that are conducive to brand romance because this approach
may be more fruitful than traditional loyalty programs.
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