U A R T E R LY

CPM VOLUME 12  j  NO. 1  j  W IN T ER 2 010

T H E N E W S L E T T E R F O R T H E C E N T E R F O R P H O T O G R A P H Y AT M A D I S O N

INSIDE THIS ISSUE:

PRESIDENT’S LETTER [2]  ■  WHITE ELEPHANT SALE [2]  ■  PHOTOMIDWEST 2010 ON THE HORIZON [3]  ■  CALENDAR [4–5]
EXHIBIT OPPORTUNITY [5]  ■  WHAT TO WATCH [5]  ■  PHOTO EXHIBITS WITHIN A DAY’S DRIVE [6]
ANNUAL CPM MEMBER SHOW MARCH 2010 AT UW HOSPITAL [7]  ■  CPM PHOTOGRAPHER FEATURED IN WISCONSIN STATE JOURNAL [8]
CPM TO PUBLISH BOOK [9]  ■  OAXACA JOURNEY [10–11]  ■  CPM OPEN HOUSE AND PARTY [12]
VSA ARTS OF WISCONSIN AND CPM COLLABORATE ON PHOTO TOWN [13]
Carnival High by Ingrid Laas JOIN CPM! MEMBERSHIP FORM INSIDE [14]  ■  MAP AND DIRECTIONS TO CPM [15]
PRESIDENT’S LETTER
As the technology and therefore the art of digital
photography has changed, so too has CPM. One of
the exciting changes has been the settling into our new
home at 303 South Paterson St, Madison, WI. Partly
because of the more central location, our membership
is changing and the new faces can be seen at all our
different groups and events.
CPM, through its groups, has been working on some
long term photography projects. Some of these projects
have included the Digital Group with its panoramic show,
Plastic Camera Group with its show in Door County and
The Human Interest Group with its upcoming show about
what makes Madison unique.
Our photography classes offer adventure, inspiration and
hands on learning. In 2010, DAN RICH, the Chair of the
Education Committee, has put together some winning
combinations of classes and instructors. We encourage you
to bring your imagination, passion and creativity to these
new learning opportunities.
We will be showcasing our unique blend of creative
expression in our first CPM Art Photo Book. This is a
new project for CPM and the book will showcase the
2  ■  CPM QUARTERLY  ■  VOLUME 12, NUMBER 1  ■  WINTER 2010
WHITE ELEPHANT SALE
incredible depth of vision in our members. Please see The annual White Elephant Sale of good used equipment
page 9 of this newsletter for more information. will be on Saturday, March 20 from noon to 4 p.m. Members
are encouraged to donate little-used or well-worn equipment
BOB BEAVERSON , Chair of the Fundraising Committee, is in good working condition for this fundraising event.
utilizing Facebook and an Online Calendar for keeping
CPM organized. CHRIS SPENCER is the new Public This is the first day a spring, and a great time to dust off
Relations Chair. The two are doing a wonderful job in and pass on items you no longer use (a.k.a. “clutter”). Keep
these two new committees. an eye on the weekly updates for instructions on when to
drop off donations.
We invite you to come to our Gala on February 27th
and our White Elephant Sale on the first day of spring, Clear out the old, check out the goods, and bring a friend to
March 20th. the 2010 White Elephant Sale On March 20, 2010,
As always we encourage you to be a
volunteer with this wonderful group.
Thanks, and I look forward to
seeing you soon.
REECE DONIHI
CPM PRESIDENT
608-643-8326
RAMPHOTO@VERIZON.NET
Patterns #17 by Bill Pielsticker
PHOTOMIDWEST 2010 ON THE HORIZON
The biennial month long event known as PhotoMidwest
returns in October. This will be the sixth celebration of
photography in Madison and vicinity sponsored by The
Center for Photography at Madison.
Long standing CPM members should be familiar with
the lectures, exhibits, and workshops that will be a part
of PhotoMidwest 2010. For those new to CPM, get
ready to be impressed.
First, the exhibits. Throughout the Madison area the walls
of big and small venues will feature photography during
October. CPM members, and other
photographers, plan exhibits either as
individuals or get together as groups. A
list of available venues will be available
from CPM in early March. Use the list
to make contacts to arrange your own
show, or plan a group show with like-
minded photographers at area restaurants,
coffeehouses, art centers and available
galleries. You should also feel free to find
your own exhibit space, or perhaps you
already have a potential venue in mind.
Breast Planter by Patrick Patterson
Make your contacts now.
One of the largest exhibits is the Photography Midwest:
Seven State Art Competition in conjunction with the
Wisconsin Union Directorate Art Committee. A call for
submissions for the juried show go out to photographers
and institutions in the Midwest states of Wisconsin, Illinois,
Minnesota, Iowa, Indiana, Michigan and Missouri. This
year’s juror will be Russell Joslin, editor of the Minneapolis
based SHOTS magazine. Selected work will be exhibited
in the Porter Butts and Class of 1925 Galleries in the UW
Union. Complete details, and information on entering, will
be available at the end of February. Watch the CPM Weekly
Update and special announcements.
Then, there’s the lecture component of the celebration.
The PhotoMidwest Committee is putting together a
calendar of nationally known photographers whose
presentations provide insight into the contemporary
photographic process. This year we are working
with Canon’s Explorer of Light program for our
keynote speaker. Three or more speakers will offer
presentations during the month long event.
PhotoMidwest provides the opportunity to participate
in a workshop and/or portfolio review with one of our
nationally known speakers, as well as an array of class
offerings. This year we will introduce
“day excursions” which are opportunities
to visit unique area destinations for
photographing and viewing.
Join the PhotoMidwest 2010
Committee for the Third Thursday
CPM program in April (April 15) where
details, tentative calendar, information
on speakers, exhibit venues, and exhibit
opportunities will be reviewed and
discussed, questions answered and
participation encouraged.
WINTER 2010  ■  VOLUME 12, NUMBER 1  ■  CPM QUARTERLY  ■  3
CALENDAR [WINTER 2010]
PHOTOGRAPHER OF THE MONTH
After a very successful run in 2009, the 2010 schedule
for the Photographer of the Month is filling fast. Thanks
to all members and groups that exhibited the wonderful
photographs and gave interesting and thoughtful gallery
talks. Here’s the 2010 line-up so far:
February: TOM MILLER
March: For several months, the Human
Interest Group has been working on a
project called What Makes Madison Special.
Come to the March 4 presentation by
nine members of the group who have their
images from Madison on display.
April: DAVID SCADLOCK
May: Gallery Night,
contact Reece Donihi
June: PATRICK PATTERSON
If you are interested in exhibiting as the
photographer of the month in November
or December or in 2011, please contact
Tom Miller at miller1950@sbcglobal.net
or 273-1501 or Wayne Brabender at wayne.
Badlands Rocks by Tom Miller
brabender@ces.uwex.edu or 577-3300.
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MEETINGS BEGIN AT 7 P.M. AT CPM, 303 S. PATERSON ST., UNLESS OTHERWISE NOTED.
“GALLERY TALKS” ARE FIRST THURSDAYS OF THE MONTH EXCEPT WHERE NOTED.
THIRD THURSDAY PROGRAMS
February 18 — Friends and relatives may like your photographs,
but chances are they are not the objective reviewers the serious
photographer needs. Across the country, photographers are
seeking out and attending professional portfolio reviews in
an effort to get objective feedback, make networking contacts,
get their work seen by professionals and get direction for their
next step. This program, PORTFOLIO REVIEWS: WHAT, WHY
AND HOW, offers a panel of guest photographers, curators and
others who know the contemporary photography market in
a presentation designed to explain what the portfolio review
is all about. The panel will consist of persons who have been
reviewers at regional and national
events, and photographers who have
been reviewed. Discussion will cover
what a portfolio review is, how your
work can benefit from a review, how to
prepare for a review, what the review
experience is like from both sides of
the table, what a reviewer is looking
for, and the type of review that is best
for you. If you have aspirations for
your photography, you don’t want to
miss tonight’s program.
March 18 — COPYRIGHT LAW should
be of interest to anyone wanting to
sell or license their photography. If
this includes you, attend this CPM
program that will feature attorney Beth
Russell, who specializes in this area.

CPM SPECIAL INTEREST GROUPS
THE LANDSCAPE GROUP Meets on the fourth
Thursday of each month at 7 p.m. A diverse group that
meets to share images of landscape photographs and
emphasizes different themes or approaches each month.
Please see weekly email for the current topic.
THE PLASTIC CAMERA GROUP has decided to
meet every month on the first Tuesday. Contact Patricia
Delker at pcurtindelker@gmail.com.
THE HUMAN INTEREST GROUP meets the first
Wednesday of each month. For more information contact
Dave Peterson at davpeterson@charter.net.
THE NATURE GROUP meets on the second
Wednesday of each month. For more information, please
call Milt Friend at 271-7862.
THE DIGITAL PHOTOGRAPHY GROUP meets at
7 p.m. on the second Thursday of each month. Contact
Steve Walsten at 237-6330 for more info.
EXHIBIT OPPORTUNITY WHAT TO WATCH
We have received a tremendous response to the photo
exhibits in the Lowell Center Lobby, 610 Langdon St., on
the UW-Madison campus. You’ll want to check them out!
The exhibits change every two months.
Here is the schedule through November 2010. All
exhibitors are CPM members. You will be notified when
there is a formal opening for a show. Otherwise, just drop
in anytime to see an exhibit. The lobby is open 24 hours a
day, unless the Center is closed for a holiday.
Feb./Mar.: MILT FRIEND and MURALI PALANGAT (nature,
landscapes)
April/May: MARK BUNGE (nature, landscapes) and BECKY
MCKENZIE (macro nature, B&W, portraits)
June/July: DON MENDENHALL (B&W)
Aug./Sept.: CARL BOWSER (Venetian Fragments or
Greece/Italy)
Oct./Nov.: REECE DONIHI (Movement and Shadows B&W)
If you want to add your name to this impressive exhibitor
list, e-mail me at wayne.brabender@ces.uwex.edu or call
608-577-3300.
Proof (1991)
Directed by Jocelyn
Moorehouse
Martin (Hugo Weaving)
has been blind from
birth and trusts no-one
except the camera that
has replaced his eyes.
By taking photos, Martin
is tr y i ng to f i nd proof t hat t he world he senses
is the sa me one other people see. Unfortunately
Martin has never k nown anyone he trusts enoug h
to describe his photos to him. Until he meets A ndy
(R u s s e l l Crowe), a yo u n g k it c he n h a nd w ho s e
honest y a nd k indness touches him. But Martins
jealous housekeeper habitually rearranges the young
man’s f urniture .
This movie dominated the 1991 Australian Film Institute
awards, winning seven in all, including best film, director,
script, actor, supporting actor and editing.
WINTER 2010  ■  VOLUME 12, NUMBER 1  ■  CPM QUARTERLY  ■  5
PHOTO EXHIBITS WITHIN A DAY’S DRIVE
WISCONSIN
Milwaukee Art Museum {Visit www.mam.org/streetseen
for details} Street Seen: The Psychological Gesture in
American Photography 1940–1959. More than 100
photographs in this major exhibit of street photography,
focusing on works by LISETTE MODEL , LOUIS FAURER , TED
CRONER , SAUL LEITER , WILLIAM KLEIN and ROBERT FRANK .
An extensive list of programs and special events are being
offered in conjunction with the exhibit. January 30
through April 25.
Ha g ger t y Mu s eu m {M a rque t te Un i ver sit y,
M i lwau kee} Barbara Morgan: Montages. Some of
Morgan’s most innovative photographs, produced in
the 1930’s and 40’s from the museum’s collection. Also
Lucinda Devlin: The Omega Suites 12 images from
penitentiaries. And Stella Johnson: Cameroon Images
from Al Sol. Through April 18.
Leigh Yawkey Woodson Art Museum {Oshkosh} Elliott
Erwitt: Dog Days opening April 17.
Chazen Museum {Madison} Imaginary Architecture:
Photographs by Filip Dujardin. Opens March 20.
6  ■  CPM QUARTERLY  ■  VOLUME 12, NUMBER 1  ■  WINTER 2010
CONFIRM DATES AND OPEN HOURS WITH THE VENUE BEFORE MAKING THE TRIP
ILLINOIS
Art Institute of Chicago {Chicago} Chicago Cabinet:
C.D. Arnold Photographs of the World’s Columbian
Exposition through February 28. Also, In the Vernacular.
Ordinary and utilitarian pictures from souvenir
postcards, government archives, police case files, pin-
ups and pages of mass media. Fine art photographers
sought to distance themselves from these images, but
were also influenced/inspired by them. February 26
through May 31.
Chicago Museum of Contemporar y Photography
{ C h i c a g o ; 6 0 0 S . M i c h i g a n Av e } 5 0 % G r e y :
C o n te m p o ra r y C z e ch Ph o t o g ra p h y R e co n s i d e re d
throug h March 28.
Catherine Edelman Gallery {Chicago; 300 W.
Superior} Lauren Simonutti: 8 Rooms, 7 Mirrors, 6 Clocks,
2 Minds and 199 Panes of Glass. Most artists strive to
say something; this work reaches deep inside to reveal
a raw, truthful and powerful world. Through March 6.
Also, Keith Carter: Seen & Unseen March 12 through
May 1. Artist’s talk, Columbia College, March 10,
6:30 p.m. Stage Two, 618 S. Michigan Ave.
MINNESOTA
Minneapolis Art Institute - Josef Sudek and Czech
Photography through February 28. Also, New Pictures 2:
Marco Breur experimental abstract images that invites the
viewer to ponder, “what is a photograph?” February 18
through August 7.
IOWA
Dubuque Museum of Art {Dubuque} Quiet Courage:
Images of Women from the North American Indian by
Edward S. Curtis Striking images of American Indian
women from the Curtis collection. Through March 28.
INDIANA
Indianapolis Museum of Art {Indianapolis} Paired
Photographs through March 21. Twenty sets of paired
images show ing how d if ferent artists approach a
subject matter. Included are CA RLE T ON WATK INS /
ANSEL A DAMS , EDWA RD WESTON / HA RRY CA LL AHAN ,
MINOR WHITE / DOROTHEA LANGE , LEWIS HINE / LISETTE
MODEL , WALKER EVANS/ BERENICE ABBOTT and ALFRED
STIEGLITZ / W. EUGENE SMITH
ANNUAL CPM MEMBER SHOW MARCH 2010 AT UW HOSPITAL
It’s not too soon to begin planning for the 2010 CPM
Member Show. It will be hung in March at the UW
Hospital in the C5/2 Surgical Waiting Skylight Lounge.
Untitled by Murali Palangat
Any member, who’s dues are paid, may submit one image are willing to bring a food or beverage (no alcohol) to the
to be included in the show. There is no theme. Maximum reception, please contact Sylvia Poppelbaum at 827-8648 or
framed size is 36 inches for width and/or height. The sfarmstrong@juno.com.
Exhibitions Committee will appreciate receiving images
that can be used for advance publicity by mid-January. The
image submitted must be the one that will be hung in the
show. Send the image on a CD to: CPM, P.O. Box 56022,
Madison, WI 53705-9322. Include a typed or printed sheet
with your name, address, telephone number, e-mail address,
and the title, process and price of the piece. Images on CD,
accompanied by the identifying information and received by
February 20 may be used on the CPM website. CDs of the
images are not required but the information on each image is.
Drop off will be Tuesday March 9 from 11:30 a.m. to 1:00 p.m.
at the UW Hospital. Pick up will be April 5 from 11:30 a.m.
to 1:00 p.m. Members are asked to make prior arrangements
if they are unable to drop off or pick up their work at the
specified times. The reception date and time for the members
show is Sunday March 14th from 3–5 p.m. If you have any
questions contact Becky (becky@mckenziefam.com).
The Exhibitions Committee invites your help with this
important, all-member show. If you are able to help with
Aracelia & Chicken, Oaxaca by Claire Ruzicka
the drop-off and/or pick-up at UW Hospital, or if you
WINTER 2010  ■  VOLUME 12, NUMBER 1  ■  CPM QUARTERLY  ■  7
CPM PHOTOGRAPHER FEATURED IN WISCONSIN STATE JOURNAL
On Saturday, October 17, 2009, the front page of The Wisconsin State
Journal featured an article on CPM member BILL PIELSTICKER’S project
rephotographing the work of the late-19th Century photographer H.H.
Bennett. In what he projects to be a three to five year project, Pielsticker, in
collaboration with CPM member TRACY MADISON, has completed 10 of 15
planned images for the first phase of this project.

Phase 1 is focused on the area around the Dells as well as several other sites
in Sauk County. These include Bennett’s Leaping the Chasm at Stand Rock,
a view of Devils Lake from Devils Doorway, and anther of Bennett’s more
famous images, Under the Overhanging Rock, a triptych Bennett manually
merged on a single sheet of paper when printing.

The exhibition of the paired images from Phase 1 will begin next summer
and will include a showing and presentation during PhotoMidwest
Bill Pielsticker by B. Tracy Madison
2010 in October. Plans include presenting Bennett’s work and the
current view, ideally shot from the same perspective as the original, side
by side in black and white. Where room permits, the current view will In the case of Under the Overhanging Rock which was featured in a recent Wisconsin
also be shown in color. Geological Survey calendar, Pielsticker notes “it has taken five visits to the site and three
shoots for me to realize that Bennett had to have built a platform to get high enough to obtain
As photographers, members may be interested in some of the difficulties Pielsticker has the effect he was after. That’s what I’ll do in the spring, now that I’ve figured it out – I think!”
encountered in this work. Several of Bennett’s images are fairly intimate, meaning a
small change in camera location can make a large change in perspective. In other cases, Members and others can keep track of the project at www.hhfastforward.com. The website
few common points exist between the original image and today’s perspective, making is still “under construction” but offers some blog entries and several paired images to review
lining them up a challenge. The Wisconsin State Journal article can be found via a search engine online.

8  ■  CPM QUARTERLY  ■  VOLUME 12, NUMBER 1  ■  WINTER 2010

CPM TO PUBLISH BOOK
We are in the process of planning a members-only
photography book. We would like to have this book
be available by October 2010 (during PhotoMidwest).
We would like to know of the interest by March 1, have
all photos submitted by April 1, and have the images
chosen by May 1.

This book will be somewhat loosely divided by CPM’s

groups (Human Interest, Plastic Camera, Landscape,
Nature, and Digital). The intention of this book will be to
showcase CPM’s incredible photographers.
Wingra Park Pier by David Peterson
All current members of CPM can participate. This will be
a juried book and you may submit up to thee images. The
fee will be $5 per image submitted. Please submit your
image(s) to the individual group leaders. The image(s)
you submit do not have to be a recent/new. If your image
is selected, a $50 donation will be required to publish the
image in the book. You will receive one book as part of
this donation.

We are trying to work out several grants for those that need
them. More info will be coming out soon. If you are a group
leader, please let Bob Beaverson (bbeaverson@charter.net)
Madison by Ilia Guzei
know of your concerns or questions .

WINTER 2010  ■  VOLUME 12, NUMBER 1  ■  CPM QUARTERLY  ■  9

OAXACA JOURNEY
Last July I attended a photography workshop in Oaxaca,
Mexico taught by social documentary photographer
Mary Ellen Mark. I have admired Mark’s work since
the early 1990s, a time when I was discovering my own
passion for documentary photography. My time in
Oaxaca was a highlight of 2009 for the opportunity to
realize my long-held dream of meeting and learning from
Mary Ellen Mark.
The 10-day workshop provided a variety of learning
experiences, including Mark’s one-on-one critiques,
guest artist lectures and films, gallery visits and
best of all, an intense regimen of shooting on my
own in various locations around Oaxaca. Early in
the workshop Mark encouraged us to go “beyond
the exotic” and “outside the edges of activity.” She
challenged us to compose great images by combining
strong content and excellent design. Her words guided
my approach to my daily assignments.
Mark’s feedback consisted of a 10-minute review of my
contact sheet each morning. She scanned my proofs from
the previous day with a large lupe, and placed a sticky
dot on those images she deemed worthy of printing.
Her words were spare, but she shared her thoughts on
10  ■  CPM QUARTERLY  ■  VOLUME 12, NUMBER 1  ■  WINTER 2010
what elements of my images worked and her suggestions
to incorporate into my next day of shooting. I listened
attentively and used her impressions and advice as the
spark to motivate me to stretch as a photographer and
improve my images. I worked with the sound of Mark’s
voice in my head telling me to “create the image, move
things around, clean up the background.”
As the week progressed I felt the process of photographing
become more intuitive, and I became more confident in
approaching and relating with the people I photographed.
With each passing day, my images became more
graphically compelling, improved in composition, and
more personally connected with my subjects. By the end
of the workshop I had a series of images that reflected
my intense experience with the people of Oaxaca and
my growth as a photographer. My most meaningful
and memorable moments in Oaxaca are my interactions
with the people I photographed who so generously
collaborated with me.
The camaraderie with 15 other photographers enriched
my experience, as did the fabulous regional food,
including chocolate mole sauce and Oaxaca string
cheese. The beautiful colonial town of Oaxaca sits 5085
feet above sea level surrounded by mountains. The lovely
hand-made art of weavers, wood carvers and potters
made for a unique and memorable cultural experience,
and strengthened my appreciation for Mexican culture.
My images of Oaxaca will be on exhibit February 15–
March 26 at the Steenbock Gallery. The exhibit entitled
Caras de Oaxaca (Faces of Oaxaca) is a series of 20 black
and white portraits and street photographs of the people
I had the privilege to meet while there. The photographs
provide a glimpse into the villages, homes, rituals, and
livelihoods of men, women and children of Oaxaca. I am
grateful to the people of Oaxaca for their participation,
to Mary Ellen Mark for her mentoring and to CPM and
the Steenbock Gallery for the opportunity to share these
images with the public.
An opening reception for Caras de Oaxaca takes place
on Sunday February 21 from 2–5 p.m. at the Steenbock
Gallery, 1922 University Avenue, Madison, Wisconsin.
To learn more about Mary Ellen Mark’s photography and
workshops visit www.maryellenmark.com
■ CLAIRE RUZICKA, CRUZICKA@MAIL.COM
Oaxaca Girl by Claire Ruzicka

WINTER 2010  ■  VOLUME 12, NUMBER 1  ■  CPM QUARTERLY  ■  11

CPM OPEN HOUSE AND PARTY
Organizing has begun for a “Picture Perfect” open house and party the evening of February 27th at our “new” digs.
This free event will put a new twist on our former “Galas” with samples of work on display from each of our interest
groups, an extensive silent auction of donated photos, supplies, and other items of large and not-so-large value.

Doors will open at 5 p.m. There will be music, food and drink to rival the best celebrations we’ve had. Silent
auctions will close at 7:30, 8:30, and 9:30 p.m. The photographs and other auction items will appeal both
to collectors and to a general audience. In addition to the silent auctions there will be one or more bins
with photos available at a set price.

As an open house, we want to showcase CPM’s work while we have a good time. Please invite one or more
non-members to join you for all or part of the evening. Anyone signing up for membership that evening
will be offered a discount for their first year membership.

If you wish to donate an item, whether a photograph or something different, please contact Bill Pielsticker
who is tracking donations. You can email him at bill@pielstickerphotos.com.

• V O L U N T E E R S N E E D E D •
If you would like to a s sis t with CPM
programming, education, this new slet ter,
publicit y o r photo g r aphe r of the m onth,
c all Re e ce at 608 - 6 43 - 8 326

Eagle basketball by Wayne Brabender

12  ■  CPM QUARTERLY  ■  VOLUME 12, NUMBER 1  ■  WINTER 2010

VSA ARTS OF WISCONSIN AND CPM COLLABORATE ON PHOTO TOWN
The Center for Photography at Madison (CPM) and VSA This 1st in a series of classes was
arts of Wisconsin partnered for the first time in September designed to teach participants how
and October 2009, to present a five-week photography class to use digital cameras to capture
for adults with disabilities. The volunteer instructors from photographs of the world around
CPM were CARL BOWSER, REECE DONIHI, DORITH STEINBERG, them. Class meetings were held
BILL PIELSTICKER, CHRIS SPENCER and TRACY MADISON. at Monona Terrace Community
and Convention Center, and
the VSA Art Center facility.
The small ratio of students
to instructors helped ensure
that participants received
individualized instruction in
photographic composition,
lighting, print selection, and
matting and framing.
Untitled by Isaac Ehrhardt

The inspiring Monona

Terrace allowed the class to compose both exterior CPM and VSA are in the process of planning a spring
and interior photos. An exhibition of selected class so if any readers have had experience working with
photographs will be on view at American Girl’s people with disabilities and are interested in volunteering
corporate office in Middleton in September– for this great experience please contact Reece Donihi at
October 2010. This project was supported in ramphoto@verizon.net.
part by American Girl, The Camera Company,
Uniek, Inc., and Monona Terrace Community and
Untitled by Isaac Ehrhardt
Convention Center.

WINTER 2010  ■  VOLUME 12, NUMBER 1  ■  CPM QUARTERLY  ■  13

CPM MEMBER REGISTRATION FORM
to join the center for photography at madison, fill out and
mail this form, along with your membership dues, to:
The Center for Photography at Madison • P.O. Box 56022 • Madison, WI 53705-9322
Choose One: ❏ New Membership ❏ Renewal
WHY JOIN?
as a m em ber you w ill enjoy attenda nce at our progr a ms,
participation in portfolio r eviews and member exhibition,
special member r ates on classes, discounts at participating
photogr aphy merchants, and a quarter ly newsletter.

Name (please print):

Address:

City: State: ZIP:

Phone (day): Phone (eve): E-mail Address (please print clearly):

Choose Membership Option:

❏ $36 Student* ❏ $50 Senior † ❏ $80 Senior household† ❏ $70 Individual ❏ $100 Household ❏ $30 Friend of CPM
❏ $360 Key Member (Contract required, call 608-287-1182 for more information) ‡
❏ $250 Sponsor (Minimum contribution, Corporate or Individual)

Are you interested in volunteering in any capacity?  ❏  Yes    ❏  No    If yes, areas of interest: _____________________________________________________________________

How did you hear about CPM?_______________________________________________________________________________________________________________________

* Student: under 18 or with proof of college ID; † Senior: 62 or older; ‡ Available in ½ year installments.

✁
14  ■  CPM QUARTERLY  ■  VOLUME 12, NUMBER 1  ■  WINTER 2010
The Center for Photography at Madison
P.O. Box 56022 ■ Madison, WI 53705-9322 MAP AND DIRECTIONS TO CPM
608-287-1182 ■ cpmad@yahoo.com ■ www.cpmad.org
From the West Side of Madison: Take Johnson Street across the Isthmus, and turn
CPM Quarterly is published four times a year and is free to all members. Articles, comments, RIGHT onto Paterson Street. Cross E. Washington Avenue, Main Street, and two sets of
suggestions and address changes can be sent to CPM. railroad tracks. 303 S. Paterson is on the LEFT side.

NEXT NEWSLETTER DEADLINE: July 1, 2010
IMAGE SUBMISSIONS: Photographs can be emailed to ramphoto@verizon.net.
Please send grayscale, maximum-quality JPEGs, 5" × 7" @ 300 DPI. Please use your last
name and the name of the photograph as the file name.
ADVERTISING RATES FOR 2010
Ad Size Width × Height Price
Full Page 8.375" × 5.75" $260
1/2 Page vertical 4.0625" × 5.75" $130
From the East/Northeast side of Madison: From either Gorham Street or
E. Washington Avenue, turn LEFT at the Paterson Street light. Cross E. Washington
Avenue (if you were on Gorham Street), Main Street, and two sets of railroad tracks. 303 S.
Paterson is on the LEFT side.
From the Monona area: Get onto Williamson Street inbound towards the Capitol.
Turn RIGHT onto Paterson Street, take the second driveway on the right.
CPM is at 303 South Paterson Street, Ste E2; Madison, WI 53703

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1/3 Page vertical 2.625" × 5.75" $85

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Business Card 3.5" × 2" $25

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Advertising submissions should be sent directly to Reece Donihi at ramphoto@verizon.net.

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BOARD OF DIRECTORS: Reece Donihi [ramphoto@verizon.net] ■ David Peterson

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[davpeterson@charter.net] ■ Bill Pielsticker [bill@pielstickerphotos.com] ■

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Mark Bunge [mark.bunge@gmail.com] ■ Trevor Passmore [tspassmore@aol.com] ■

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Paul Thoreson [thorsing@tds.com] ■ John Murray Mason [john@masonphoto.com]
■ Becky McKenzie [ bjmackie@gmail.com] ■ Chris Spencer [cwsphoto@charter.net]

DESIGN BY GREGORY PARKER [PARKER@ONEFOURNINEDESIGN.COM]

WINTER 2010  ■  VOLUME 12, NUMBER 1  ■  CPM QUARTERLY  ■  15

 P.O. BOX 56022
MADISON, WI 53705-9322

Sedona by Reece Donihi