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INMERCHANTOFVENICE
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PREFACE
I feel great pleasure in presenting the project under study. I hope that the
readers will find the project interesting and that the project in its present
from shall be well received by all. The project contains the explanation and
analysis relating to Anti -Semitism and one of its role in merchant of
venice .
Every effort is made to keep the project error free. I would gratefully
acknowledge the suggestions to improve the project to make it more useful.
ACKNOWLEDGMENT
I have been taught the subject of Legal English by our Assistant Professor,
Mr.Pratyush Kaushik sir who helped me all through in the accomplishment
of this project. My sincerely thanks to the Respected Professor, who helped
me to gather the various sources which I could give final shape to the topic
under study. He not only provided me a platform to compile but also guided
me at various levels.
I, also thank the members of the library staff and computer section for the
cooperation in making available the books and accessing the internet even
during their free time.
I hope that the project in its present form shall be received by all.
TableofContent
Chapter 1
1.1 Introduction of Shakespeare.
1.2 Early life .
1.3 later years and death .
Chapter 2
2.1 An introduction of Merchant of Venice
2.2 Synopsis of Merchant of Venice
Chapter 3
3.1 Anti Semitism
3.2 usage and etymology
3.3 Definition of anti-semitism
3.4 Forms of anti Semitism
Chapter 4
4.1 Shylock as a villain
4.2Shylock as a sympathetic character
Bibliography
Chapter1
AnIntroductionofWilliamShakespeare
1.1INTRODUCTION
William Shakespeare (26 April 1564 23 April 1616) was an English poet
and playwright , widely regarded as the greatest writer in the English
language and the world's pre-eminent dramatist. He is often called
England's National poet and the "Bard of Avon. His extant works, including
some collaborations , consist of about 38 plays 154 sonnets , two long
narrative poems , two epitaphs on a man named John Combe, one
epitaph on Elias James, and several other poems. His plays have been
translated into every major living language and are performed more often
than those of any other playwright.
Shakespeare was born and brought up in At Stratford-upon -avon the age
of 18, he married Anne Hathaway, with whom he had three children:
Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he
began a successful career in London as an actor, writer, and part owner of
a playing company called the Lord Chamberlain's Men, later known as the
King's Men. He appears to have retired to Stratford around 1613 at age 49,
where he died three years later. Few records of Shakespeare's private life
survive, and there has been considerable speculation about such matters
as his physical appearance, sexuality, religious beliefs, and whether the
works attributed to him were written by others.
Shakespeare produced most of his known work between 1589 and 1613 .
His early plays were mainly comedies and histories, genres he raised to
the peak of sophistication and artistry by the end of the 16th century. He
then wrote mainly tragedies until about 1608, including Hamlet, King Lear,
Othello, and Macbeth, considered some of the finest works in the English
grammar school curricula were largely similar, the basic Latin text was
standardised by royal decree, and the school would have provided an
intensive education in grammar based upon Latin classical authors At the
age of 18, Shakespeare married the 26-year-old Anne Hathaway. The
consistory court of the Diocese of Worcester issued a marriage license on
27 November 1582. The next day two of Hathaway's neighbors posted
bonds guaranteeing that no lawful claims impeded the marriage. The
ceremony may have been arranged in some haste, since the Worcester
chancellor allowed the marriage banns to be read once instead of the
usual three times,and six months after the marriage Anne gave birth to a
daughter, Susanna, baptized 26 May 1583. Twins, son Hamnet and
daughter Judith, followed almost two years later and were baptised 2
February 1585. Hamnet died of unknown causes at the age of 11 and was
buried 11 August 1596.
After the birth of the twins, Shakespeare left few historical traces until he is
mentioned as part of the London theatre scene in 1592, and scholars refer
to the years between 1585 and 1592 as Shakespeare's "lost years.
Biographers attempting to account for this period have reported many
apocryphal stories. Nicholas Rowe, Shakespeares first biographer,
recounted a Stratford legend that Shakespeare fled the town for London to
escape prosecution for deer poaching in the estate of local squire Thomas
Lucy. Shakespeare is also supposed to have taken his revenge on Lucy by
writing a scurrilous ballad about him. Another 18th-century story has
Shakespeare starting his theatrical career minding the horses of theatre
patrons in London. John Aubrey reported that Shakespeare had been a
country schoolmaster. Some 20th-century scholars have suggested that
Shakespeare may have been employed as a schoolmaster by Alexander
Hoghton of Lancashire, a Catholic landowner who named a certain
"William Shakeshafte" in his will. Little evidence substantiates such stories
other than hearsay collected after his death, and Shakeshafte was a
common name in the Lancashire area.
MERCHANT OF VENICE
CHAPTER 2
2.1 INTRODUCTION OF THE PLAY
The Merchant of Venice is a tragic comedy by William Shakespeare,
believed to have been written between 1596 and 1598. Though classified
as a comedy in the First Folio and sharing certain aspects with
Shakespeare's other romantic comedies, the play is perhaps most
remembered for its dramatic scenes, and is best known for Shylock and
the famous 'Hath not a Jew eyes' speech. Also notable is Portia's speech
about the 'quality of mercy'.
The title character is the merchant Antonio, not the Jewish moneylender
Shylock, who is the play's most prominent and most famous character.
This is made explicit by the title page of the first quarto: The most
excellent History of the Merchant of Venice. With the extreme cruelty of
Shylock the Jew towards the Merchant....
.
Meanwhile in Belmont, Portia is awash with suitors. Her father left a will
stipulating each of her suitors must choose correctly from one of three
caskets one each of gold, silver and lead. If he picks the right casket, he
gets Portia. The first suitor, the luxurious Prince of Morocco, chooses the
gold casket, interpreting its slogan "Who chooseth me shall gain what
many men desire" as referring to Portia. The second suitor, the conceited
Prince of Arragon, chooses the silver casket, which proclaims "Who
chooseth me shall get as much as he deserves", imagining himself to be
full of merit. Both suitors leave empty-handed, having rejected the lead
casket because of the baseness of its material and the uninviting nature of
its slogan: "Who chooseth me must give and hazard all he hath." The last
suitor is Bassanio, whom Portia wishes to succeed, having met him before.
As Bassanio ponders his choice, members of Portia's household sing a
song which says that "fancy" (not true love) is "engend'red in the eyes,
With gazing fed." prompting Bassanio to disregard "outward shows" and
"ornament" and choses the lead casket, winning Portia's hand.
At Venice, Antonio's ships are reported lost at sea. This leaves him unable
to satisfy the bond. Shylock is even more determined to exact revenge
from Christians after his daughter Jessica had fled home and eloped with
the Christian Lorenzo, taking a substantial amount of Shylock's wealth with
her, as well as a turquoise ring which was a gift to Shylock from his late
wife, Leah. Shylock has Antonio brought before court.
At Belmont, Bassanio receives a letter telling him that Antonio has been
unable to return the loan taken from Shylock. Portia and Bassanio marry,
as do Gratiano and Portia's handmaid Nerissa. Bassanio and Gratiano
then leave for Venice, with money from Portia, to save Antonio's life by
offering the money to Shylock. Unknown to Bassanio and Gratiano, Portia
has sent her servant, Balthazar, to seek the counsel of Portia's cousin,
Bellario, a lawyer, at Padua.
The climax of the play comes in the court of the Duke of Venice. Shylock
refuses Bassanio's offer of 6,000 ducats, twice the amount of the loan. He
demands his pound of flesh from Antonio. The Duke, wishing to save
Antonio but unable to nullify a contract, refers the case to a visitor who
introduces himself as Balthazar, a young male "doctor of the law", bearing
a letter of recommendation to the Duke from the learned lawyer Bellario.
The doctor is actually Portia in disguise, and the law clerk who
accompanies her is actually Nerissa, also in disguise. As Balthazar, Portia
repeatedly asks Shylock to show mercy in a famous speech, advising him
that mercy "is twice blest: It blesseth him that gives and him that takes."
However, Shylock adamantly refuses any compensations and insists on
the pound of flesh.
As the court grants Shylock his bond and Antonio prepares for Shylock's
knife, Portia points out that the contract only allows Shylock to remove the
flesh, not the "blood", of Antonio . Thus, if Shylock were to shed any drop
of Antonio's blood, his "lands and goods" would be forfeited under
Venetian laws. Further damning Shylock's case, she tells him that he must
cut precisely one pound of flesh, no more, no less; she advises him that "if
the scale do turn, But in the estimation of a hair, Thou diest and all thy
goods are confiscate."
Defeated, Shylock concedes to accepting Bassanio's offer of money for
the defaulted bond, first his offer to pay "the bond thrice", which Portia
rebuffs, telling him to take his bond, and then merely the principal, which
Portia also prevents him from doing on the ground that he has already
refused it "in the open court." She then cites a law under which Shylock,
as a Jew and therefore an "alien", having attempted to take the life of a
citizen, has forfeited his property, half to the government and half to
Antonio, leaving his life at the mercy of the Duke. The Duke immediately
pardons Shylock's life. Antonio asks for his share "in use" (that is,
reserving the principal amount while taking only the income) until
Shylock's death, when the principal will be given to Lorenzo and Jessica.
At Antonio's request, the Duke grants remission of the state's half of
forfeiture, but on the condition of Shylock converting to Christianity and
bequeathing his entire estate to Lorenzo and Jessica (IV,i).
Bassanio does not recognise his disguised wife, but offers to give a
present to the supposed lawyer. First she declines, but after he insists,
Portia requests his ring and Antonio's gloves. Antonio parts with his gloves
without a second thought, but Bassanio gives the ring only after much
persuasion from Antonio, as earlier in the play he promised his wife never
to lose, sell or give it. Nerissa, as the lawyer's clerk, also succeeds in
likewise retrieving her ring from Gratiano, who does not see through her
disguise.
At Belmont, Portia and Nerissa taunt and pretend to accuse their
husbands before revealing they were really the lawyer and his clerk in
disguise (V). After all the other characters make amends, Antonio learns
from Portia that three of his ships were not stranded and have returned
safely after all.
CHAPTER 3
3.1
ANTI -SEMITISM
Usage
Despite the use of the prefix anti-, the terms Semitic and anti-Semitic are
not directly opposed to each other. Antisemitism refers specifically to
prejudice against Jews alone and in general, despite the fact that there are
other speakers of Semitic languages (e.g. Arabs, Ethiopians, or Assyrians)
and that not all Jews speak a Semitic language.
The term anti-Semitic has been used on occasion to include bigotry
against other Semitic-language peoples such as Arabs, but such usage is
not widely accepted.
Both terms anti-Semitism and antisemitism are in common use. Some
scholars favor the unhyphenated form antisemitism to avoid possible
confusion involving whether the term refers specifically to Jews, or to
3.2Etymology
Although Wilhelm Marr is generally credited with coining the word antiSemitism (see below), Alex Bein writes that the word was first used in
1860 by the Austrian Jewish scholar Moritz Steinschneider in the phrase
"anti-Semitic prejudices". Steinschneider used this phrase to characterize
Ernest Renan's ideas about how "Semitic races" were inferior to "Aryan
races." These pseudo-scientific theories concerning race, civilization, and
"progress" had become quite widespread in Europe in the second half of
the 19th century, especially as Prussian nationalistic historian Heinrich von
Treitschke did much to promote this form of racism. He coined the phrase
"the Jews are our misfortune" which would later be widely used by Nazis.
In Treitschke's writings Semitic was synonymous with Jewish, in contrast to
its use by Renan and others.
In 1873 German journalist Wilhelm Marr published a pamphlet "The
Victory of the Jewish Spirit over the Germanic Spirit. Observed from a nonreligious perspective." ("Der Sieg des Judenthums ber das
Germanenthum. Vom nicht confessionellen Standpunkt aus betrachtet.") in
which he used the word "Semitismus" interchangeably with the word
"Judentum" to denote both "Jewry" (the Jews as a collective) and
"jewishness" (the quality of being Jewish, or the Jewish spirit). Although he
did not use the word "Antisemitismus" in the pamphlet, the coining of the
latter word followed naturally from the word "Semitismus" and indicated
either opposition to the Jews as a people, or else opposition to Jewishness
or the Jewish spirit, which he saw as infiltrating German culture. In his next
pamphlet, "The Way to Victory of the Germanic Spirit over the Jewish
Spirit", published in 1880, Marr developed his ideas further and coined the
related German word Antisemitismus antisemitism, derived from the
word "Semitismus" that he had earlier used.
The pamphlet became very popular, and in the same year he founded the
"League of Antisemites" ("Antisemiten-Liga"), the first German
.
.
.
.
Racial antisemitism
enacted in Egypt, Syria, Iraq and Yemen from the 11th century. Jews
were also forced to convert to Islam or face death in some parts of
Yemen, Morocco and Baghdad several times between the 12th and
18th centuries.The Almohads, who had taken control of the
Almoravids' Maghribi and Andalusian territories by 1147, were far
more fundamentalist in outlook, and they treated the dhimmis
harshly. Faced with the choice of either death or conversion, many
Jews and Christians emigrated. Some, such as the family of
Maimonides, fled east to more tolerant Muslim lands, while some
others went northward to settle in the growing Christian kingdoms.
During the Middle Ages in Europe there was persecution against
Jews in many places, with blood libels, expulsions, forced
conversions and massacres. A main justification of prejudice against
Jews in Europe was religious. The persecution hit its first peak during
the Crusades. In the First Crusade (1096) flourishing communities on
the Rhine and the Danube were destroyed. In the Second Crusade
(1147) the Jews in Germany were subject to several massacres. The
Jews were also subjected to attacks by the Shepherds' Crusades of
1251 and 1320. The Crusades were followed by expulsions,
including, in 1290, the banishing of all English Jews; in 1396, the
expulsion of 100,000 Jews in France; and in 1421, the expulsion of
thousands from Austria. Many of the expelled Jews fled to Poland.
[93] In medieval and Renaissance Europe, a major contributor to the
deepening of antisemitic sentiment and legal action among the
Christian populations was the popular preaching of the zealous
reform religious orders, the Franciscans (especially Bernardino of
Feltre) and Dominicans (especially Vincent Ferrer), who combed
Europe and promoted antisemitism through their often fiery,
emotional appeals.
As the Black Death epidemics devastated Europe in the mid-14th
century, annihilating more than half of the population, Jews were
used as scapegoats. Rumors spread that they caused the disease by
deliberately poisoning wells. Hundreds of Jewish communities were
Mussulmans, they are pelted by the boys and mobs with stones and
dirt ."
Secular or racial antisemitism
In 1850 the German composer Richard Wagner published Das
Judenthum in der Musik ("Jewishness in Music") under a pseudonym
in the Neue Zeitschrift fr Musik. The essay began as an attack on
Jewish composers, particularly Wagner's contemporaries (and rivals)
Felix Mendelssohn and Giacomo Meyerbeer, but expanded to accuse
Jews of being a harmful and alien element in German culture.
Antisemitism can also be found in many of the Grimms' Fairy Tales
by Jacob and Wilhelm Grimm, published from 1812 to 1857. It is
mainly characterized by Jews being the villain of a story, such as in
"The Good Bargain (Der gute Handel)" and "The Jew Among Thorns
(Der Jude im Dorn)."
The Dreyfus Affair was an infamous antisemitic event of the late 19th
century and early 20th century. Alfred Dreyfus, a Jewish artillery
captain in the French Army, was accused in 1894 of passing secrets
to the Germans. As a result of these charges, Dreyfus was convicted
and sentenced to life imprisonment on Devil's Island. The actual spy,
Marie Charles Esterhazy, was acquitted. The event caused great
uproar among the French, with the public choosing sides regarding
whether Dreyfus was actually guilty or not. mile Zola accused the
army of polluting the French justice system. However, general
consensus held that Dreyfus was guilty: 80% of the press in France
condemned him. This attitude among the majority of the French
population reveals the underlying antisemitism of the time period .
Adolf Stoecker (18351909), the Lutheran court chaplain to Kaiser
Wilhelm I, founded in 1878 an antisemitic, antiliberal political party
called The Christian Social Party (Germany). However, this party did
not attract as many votes as the Nazi party, which flourished in part
because of The Great Depression, which hit Germany especially
America, the bulk from Eastern Europe. Before 1900 American Jews
had always amounted to less than 1% of America's total population,
but by 1930 Jews formed about 3.5%. This increase, combined with
the upward social mobility of some Jews, contributed to a resurgence
of antisemitism. In the first half of the 20th century, in the USA, Jews
were discriminated against in employment, access to residential and
resort areas, membership in clubs and organizations, and in
tightened quotas on Jewish enrolment and teaching positions in
colleges and universities. The lynching of Leo Frank by a mob of
prominent citizens in Marietta, Georgia in 1915 turned the spotlight
on antisemitism in the United States.[118] The case was also used to
build support for the renewal of the Ku Klux Klan which had been
inactive since 1870.
At the beginning of the 20th century, the Beilis Trial in Russia
represented incidents of blood-libel in Europe. Christians used
allegations of Jews killing Christians as a justification for the killing of
Jews.
Antisemitism in America reached its peak during the interwar period.
The pioneer automobile manufacturer Henry Ford propagated
antisemitic ideas in his newspaper The Dearborn Independent
(published by Ford from 1919 to 1927). The radio speeches of Father
Coughlin in the late 1930s attacked Franklin D. Roosevelt's New Deal
and promoted the notion of a Jewish financial conspiracy. Some
prominent politicians shared such views: Louis T. McFadden,
Chairman of the United States House Committee on Banking and
Currency, blamed Jews for Roosevelt's decision to abandon the gold
standard, and claimed that "in the United States today, the Gentiles
have the slips of paper while the Jews have the lawful money".
4.1Shylock as a villain
English society in the Elizabethan era has been described as
"judeophobic". English Jews had been expelled under Edward I in
1290 and were not permitted to return until 1656 under the rule of
Oliver Cromwell. In Venice and in some other places, Jews were
required to wear a red hat at all times in public to make sure that they
were easily identified, and had to live in a ghetto protected by
Christian guards.[15] On the Elizabethan stage, Jews were often
presented in an Orientalist caricature, with hooked noses and bright
red wigs, and were usually depicted as avaricious usurers; an
example is Christopher Marlowe's play The Jew of Malta, which
features a comically wicked Jewish villain called Barabas. They were
usually characterised as evil, deceitful and greedy.
Shakespeare's play may be seen as a continuation of this tradition.
[ The title page of the Quarto indicates that the play was sometimes
known as The Jew of Venice in its day, which suggests that it was
seen as similar to Marlowe's The Jew of Malta. One interpretation of
the play's structure is that Shakespeare meant to contrast the mercy
of the main Christian characters with the vengefulness of a Jew, who
lacks the religious grace to comprehend mercy. Similarly, it is
possible that Shakespeare meant Shylock's forced conversion to
Christianity to be a "happy ending" for the character, as, to a
Christian audience, it saves his soul and allows him to enter Heaven.
[
citation needed]
caps in society .Even the BIBLE depicted them as a traitor . Tey were
only
Involved in money lending activities as the bible banned these
activities for Christians
BIBLIOGRAPHY
.
Caldecott, Henry Stratford: Our English Homer; or, the BaconShakespeare Controversy (Johannesburg Times, 1895).
.
.
Chapter1INTRODUCTIONTONEGLIGE