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Speculative fiction
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http://en.wikipedia.org/wiki/Speculative_fiction[27/02/2012 09:25:03]
writers like Sima Qian (ca. 145 or 135 BCE86 BCE), author of
Shiji,[14][15] which suggests the caveat that while many works now
considered intentional or unintentional speculative fiction existed before
the coining of the genre term, its concept in its broadest sense
captures both a conscious and unconscious aspect of human
psychology in making sense of the world, reacting to it, and creating
imaginary, inventive, and artistic expressions, some of which underlie
practical progress through interpersonal influences, social and cultural
movements, scientific research and advances, and philosophy of
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science.[16][17][18]
In its English language usage in arts and literature since 20th century, "speculative fiction" as a genre
term is often attributed to Robert A. Heinlein. In his first known use of the term, in editorial material at
the front of the 2/8/1947 issue of The Saturday Evening Post, Heinlein used it specifically as a
synonym for "science fiction"; in a later piece, he explicitly stated that his use of the term did not
include fantasy. Heinlein may have come up with the term himself, but there are earlier citations: a
piece in Lippincott's Monthly Magazine in 1889, used the term in reference to Edward Bellamy's
Looking Backward: 20001887 and other works; and one in the May, 1900 issue of The Bookman
said that John Uri Lloyd's Etidorhpa, The End of the Earth had "created a great deal of discussion
among people interested in speculative fiction." [19] A variation on this term is "speculative
literature."[20]
The use of "speculative fiction" in the sense of expressing dissatisfaction with traditional or
establishment science fiction was popularized in the 1960s and early 1970s by Judith Merril and
other writers and editors, in connection with the New Wave movement. It fell into disuse around the
mid-1970s. [21] The Internet Speculative Fiction Database contains a broad list of different subtypes.
In the 2000s, the term has come into wider use as a convenient collective term for a set of genres.
Academic journals which publish essays on speculative fiction include Extrapolation, and
Foundation.[22]
[edit]
"Speculative fiction" is sometimes abbreviated "spec-fic", "specfic", [23] "S-F", "SF", or "sf" [24] but
these last three abbreviations are ambiguous as they have long been used to refer to science fiction,
which lies within this general range of literature, [25] and in several other abbreviations.
The term has been used to express dissatisfaction with what some people consider the limitations of
science fiction, or otherwise to designate fiction that falls under readily stereotypical genres so that it
can be pigeonholed within such categorical limits as "fantasy" or "mystery". [26] For example, in
Harlan Ellison's writing, the term may signal a wish not to be pigeonholed as a science fiction writer,
and a desire to break out of science fiction's genre conventions in a literary and modernist direction;
or to escape the prejudice with which science fiction is often met by mainstream critics.[27][28]
The term "suppositional fiction" is sometimes used as a sub-category designating fiction in which
characters and stories are constrained by an internally consistent world, but not necessarily one
defined by any particular genre.[29][30][31]
See also
History
History of science fiction
Genres
Historical fiction
Future history
Supernatural fiction
Themes
Women in speculative fiction
http://en.wikipedia.org/wiki/Speculative_fiction[27/02/2012 09:25:03]
[edit]
References
1. ^ Atwood, Margaret. "The Handmaid's Tale
Study Guide: About Speculative Fiction" .
Archived from the original on April 18, 2010.
Retrieved April 18, 2010.
2. ^ Barry Baldwin, Emeritus Professor of
Classics, University of Calgary, Fellow of the
Royal Society of Canada, "Ancient Science
Fiction," Shattercolors Literary Review
3. ^ Paradox:The Magazine of Historical and
Speculative Fiction,
http://www.paradoxmag.com/
4. ^ This theory of Euripides' invention has
gained wide acceptance. See (e.g.) McDermott
1989, 12; Powell 1990, 35; Sommerstein 2002,
16; Griffiths, 2006 81; Ewans 2007, 55.
5. ^ See, e.g., Barrett 1964; McDermott 2000.
6. ^ "Mark Wagstaff Historical invention and
political purpose," Re-public, http://www.republic.gr/en/?p=126
7. ^ Martha Tuck Rozett, "Creating a Context for
Shakespeare with Historical Fiction,"
Shakespeare Quarterly Vol. 46, No. 2 (Summer,
1995), pp. 220-227
8. ^ Dorothea Kehler, A midsummer night's
dream: critical essays, 2001
9. ^ Adcox, John, "Can Fantasy be Myth?
Mythopoeia and The Lord of the Rings" in "The
Newsletter of the Mythic Imagination Institute,
September/October, 2003"
10. ^ Eric Garber, Lyn Paleo Uranian Worlds: A
Guide to Alternative Sexuality in Science
Fiction, Fantasy, and Horror, 2nd Edition, G K
Hall: 1990 ISBN 978-0816118328
11. ^ Herodotus and Myth Conference, Christ
Church, Oxford, 2003
12. ^ John M. Marincola, Introduction and Notes,
The Histories by Herodotus, tr. Aubrey De
Slincourt, 2007
13. ^ John Lendering, "Herodotus of
Halicarnassus," http://www.livius.org/hehg/herodotus/herodotus02.html
14. ^ Stephen W. Durrant, The cloudy mirror:
tension and conflict in the writings of Sima
Qian, 1995
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