STUDI PUSTAKA & STUDI BANDING / BEDAH KARYA

Setelah judul dan tema telah saudara tetapkan, selanjutnya rencanakan studi banding pada proyek nyata yang
sama/mirip atau sejenis dengan topik. Perhatikan kompleksitas, jenis/variasi serta besaran proyek yang akan
diamati.
Pada studi banding, informasi setidaknya menjelaskan tentang :
Data pokok seperti nama proyek, lokasi, serta keterangan lain
Penjelasan tentang isi fasilitas tersebut, spt jenis ruang, besaran, dll
Jelaskan Karakteristik pengguna/pemakai/pengelola fasilitas tsb
Susunlah narasi kajian pengamatan saudara berdasarkan aspek perkotaan, arsitektur,struktur, serta utilitas-nya
Gambaran schematic plan
Foto-foto eksterior, interior, detail, suasana, dll
Keterangan lain yang dianggap perlu
Susunlah informasi tersebut pada kertas A3, beri keterangan judul (Studi Banding Proyek: ..) dan identitas
saudara.
Cantumkan criteria tapak yang saudara perlukan, selanjutnya tentukan usulan lokasi tapak (Tahap awal dapat
meng-copy peta umum, selanjutnya menggunakan Peta terukur 1:5000 atau 1:1000 dari Dinas Tata Kota Pemda
Setempat).

1
1

Perancangan Arsitektur 6
Ir. Budi Susetyo, MT.

Pusat Pengembangan Bahan Ajar

Universitas Mercu Buana

Lampiran
LT-1 (1)

STUDI PUSTAKA

Nama/NIM

: Andre Hendra Gunadi

Literatur/Sumbe

: www. wikipedia.com, free encyclopedia

Topik

Catatan

Definisi/Pengertian/Penjelasa
n

A Concert hall is a cultural building, which serves as performance venue, chiefly for classical instrumental music. Many concert halls exist as one of several halls or
performance spaces within a larger performing arts center and, where appropriate, the name of the arts centre is included. Many larger cities have both public and
private concert halls. The three finest concert halls in the world are generally considered to be Amsterdam's Concertgebouw, Boston's Symphony Hall, and Vienna's
Musikverein[1].
A performing arts center, often abbreviated PAC, is a multi-use performance space that can be adapted for use by various types of the performing arts, including
dance, music and theatre. However, many PACs have performance halls designed for specific purposes such as symphonic music or chamber music. The adaptability
of performing arts centers differentiate them from concert halls, opera houses or theatres.
A convention center, in American English, is an exhibition hall, or conference center, that holds conventions. A large, cavernous public building with enough open
space to host public and private business and social events for the surrounding municipal and metropolitan areas. In British English very large venues suitable for
major trade shows are known as exhibition centres while the term "convention centre" is sometimes used for intermediate venues between exhibitions centres and
"conference centres", which are much smaller and contain lecture halls and meeting rooms.

Standar/Besaran
Unit/Fasilitas

An opera house is a building where operas are performed. The venues are usually constructed specifically with opera in mind, although other performing arts may be
performed there.A theater or theatre is a structure where theatrical works or plays are performed or other performances such as musical concerts may be given.
While a theater is not required for performance (as in environmental theatre or street theatre), a theater serves to define the acting and audience spaces and organize
the theater space as well as provide facilities for the performers, the technical crew and the audience.
Convention centers typically offer enough floor area to accommodate several thousand attendees. Convention centers rent space for meetings such as: corporate
conferences, industry trade shows, formal dances entertainment spectacles and concerts. The largest in the United States is McCormick Place in Chicago. Larger Convention
centers located in resort areas also host conventions that attract additional visitors to the municipality. It is not uncommon for large resort area hotels to include a convention
center.There are as many types of theaters as there are types of performance. Theaters may be built specifically for a certain types of productions, they may serve for more
general performance needs or they may be adapted or converted for use as a theatre. They may range from open-air amphitheatres to ornate, cathedral-like structures to
simple, undecorated rooms or black box theaters. Some theaters may have a fixed acting area (in most theaters this is known as the stage), while some theaters such as
black box theaters, may not, allowing the director and designers to construct an acting area suiable for the production.

Penjelasan Karakter
Penhuni/Pengguna

Contemporary theaters are often non-traditional, such as very adaptable spaces, or theaters where audience and performers are not separated. A major example of this is the
modular theater, (see for example the Walt Disney Modular Theater). This large theater has floors and walls divided into small movable sections, with the floor sections on
adjustable hydraulic pylons, so that the space may be adjusted into any configuration for each individual play. As new styles of theatre performance have evolved, so has the
desire to improve or recreate performance venues. This applies equally to artistic and presentation techniques, such as stage lighting.

Penjelasan Konsep konsep

Rancangan

All theatre structures, regardless of type, contain certain basic elements. The most important of these areas is the acting space generally known as the stage. In some
theatres, specifically proscenium theatres, arena theatres and amphitheaters, this area is permanent part of the structure. In a blackbox theatre, the acting area is undefined so
that each theatre may adapt specifically to a production. In addition to these acting spaces, there may be offstage spaces as well. These include wings on either side of a
proscenium stage (called "backstage" or "offstage") where props, sets and scenery may be stored as well as a place for actors awaiting an entrance. A Prompter's box may be
found backstage. In an amphitheater, an area behind the stage may be designated for such uses while a blackbox theatre may have spaces outside of the actual theatre
designated for such uses. Often a theatre will incorporate other spaces intended for the performers and other personnel. A booth facing the stage may be incorporated into the
house where lighting and sound personnel may view the show and run their respective instruments. Other rooms in the building may be used for dressing rooms, rehearsal
rooms, spaces for constructing sets, props and costumes, as well as storage. All theatres provide a space for their audience. In proscenium theatres and amphitheaters, these
areas, like the stage, are often a permanent feature of the structure. This area is known as the auditorium or the house. Of course, like the stage in a blackbox theatre, this
area is also defined by the production. In addition, many theatres may provide areas specifically designated for the comfort of the audience. These areas include a lobby where
tickets and concessions may be sold, restrooms, and other areas where the audience may relax before, in between or after performances. These areas may be known as the
"Front of House" or FOH.

Catatan : Isian tabel diatas disusun setelah mendapat data dan informasi. Jika diperlukan kutip dan analisis data tersebut.

BEDAH KARYA
Lampiran
LT-1 (2)

Nama/NIM

: ANDRE HENDRA GUNADI/0120311034

Literatur/Sumbe

: WWW.ESPLANADE.COM

Gambar/Sketsa/Foto (Rancangan Tapak, Denah, Tampak, Potongan, Detail)

Keterangan/Uraian

History
The Esplanade occupies the site of the former "Satay Club" a popular food haunt for Singaporeans which had been
discontinued prior to the Esplanade's construction. Currently the "Satay Club" is re-allocated next to Sembawang Shopping
Center. Officially opened on October 12, 2002, the total cost of constructing the Esplanade is estimated at SGD 1 billion
including the estimated land value and SGD 660 million for the building costs. On 5 July 2005, the opening ceremony of the
117th IOC Session was staged in the Esplanade, featuring a 30-minute long performance aimed at showcasing Singapore's
multi-cultural heritage to her international audience.

Design
The building was designed by two architectural firms working in conjunction: by the London-based Michael Wilford & Partners
(MWP) and by DP Architects (DPA) of Singapore. The original design, presented to the public in 1994, consisted of unadorned
glass cases over the theaters. Such a design would have created a greenhouse in the tropical climate of Singapore, but
according to DPA director Vikas Gore some form of shading was always intended [1], and a cladding of aluminium sunshades
was added to the final design. The unique architectural design has been said to have an appearance similar to either a durian
(a tropical fruit) or the eyes of a fly. Many Singaporeans casually refer to the Esplanade as "The Durian".

Facilities
The Esplanade contains world-class performing spaces, coupled with a wide range of professional support services and
facilities. Other than performing venues, the Esplanade also contains meeting venues, as well as other lifestyle and arts
related services. The main highlights of the Esplanade - the Concert Hall and Theatre, are connected to the main concourse
via a foyer, while the Esplanade Mall is accessible through an entry point located between these 2 halls.

Concert Hall
Esplanade's crown jewel is its elegantly-designed Concert Hall, which has been acclaimed by various performers from around
the world. It features world-class acoustics designed by one of the world's most renowed acousticians, Russell Johnson of
ARTEC Consultants Inc, USA, and is an ideal venue for concerts, recitals, and other performances. There are only four other
halls in the world with such state-of-the-art acoustics. The orchestral platform is able to hold up to 120 musicians. Above it is
the movable acoustic canopy, which comprises of three pieces each weighing 17 tons. This canopy serves the purpose of a
sound reflector, both to get the right acoustics to suit the ongoing event, and also to enable musicians to hear themselves on
stage. As such, the hall can cater to a diverse range of musical performances. The hall's reverberation chamber, used to vary
the acoustic characteristics of the Hall, is an open void that spans three levels and has a volume of 9,500 cubic metres, or
about the volume of 4 olympic sized swimming pools. It boasts 84 computer controlled doors and flaps. Each door weighs
between three to 11 tons, with the largest door being 10.5 m in height and the smallest door being 2.2m in height. This
chamber is smartly hidden behind mahogany timbre ribs that frame the front walls of the Concert Hall.

The concert hall's Pipe Organ comprises 4470 pipes and 61 stops. It was custom designed and built by Johannes Klais
Orgelbau, one of the worlds renowned organ-builders. The Concert Hall is able to comfortably seat 1,600 people over four
levels in an intimate setting. Types of seats include Stalls, Foyer stalls, and Circles 1, 2 & 3. There are another 200 seats in
the chior stalls behind the concert hall stage, which may be converted into Gallery seats for an additional 200 people. There
are also four exclusive VIP Private Boxes, where one is able to have a close-up view of the performance.

Theatre
The Esplanade's 2,000 seat Theatre is a form of an adaptation of the horseshoe form of a traditional European opera house.
Spread out over four levels, it is designed for all genres of the performing arts, including but not limited to Asian and Western
arts, Musicals and plays, classical, traditional and contemporary forms and advanced multimedia performances, whether they
are large scale, or intimate in size. The Theatre is home to Singapores largest performing stage (39m length x 23m width),
and this caters for a diverse range of performances. There is a main stage and two ancillary stages of similar size to facilitate
technical set-ups and quick scene changes. The main stage is framed by an adjustable proscenium arch, allowing the stage
width to be adjusted from 12m-16m. There is also a 30m high fly tower, as well as an adjustable orchestra pit that can hold up
to 100 musicians. Although the theatre is considered large with 2000 seats, the viewing distance between the furthest seat
and the stage is just 40m, thus allowing patrons a clear view of what's going on on stage.

Recital Studio
The fan-shaped Recital Studio is able to contain 250 people and is a good venue for small scale and intimate chamber
musical performances, as well as presentations and meetings. In addition to its timbre flooring, the studios wall and ceiling
finishes are designed in order to ensure good acoustics. The Studio is also commonly used as a rehearsal space for
orchestras and choirs.

Theatre Studio
The Theatre Studio, with a capacity of 220, is a small setting for experimental theatre and dance presentations. The
performance space, equipped with movable and retractable seating, offers a wide variety of configrations . Although small, it is
equipped with adaptable staging, lighting and sound systems, therefore enabling it to accommodate different kinds of
performances. As it is approximately the same size as the Theatre stage, the Theatre Studio is also commonly used for full
production rehearsals.

Jendela
Jendela means window in Malay. The Esplanade Jendela is a 215sq m exhibition space on the second level dedicated to the
presentation of the visual arts. With a distinctive architecture and panoromic views of Marina Bay, the Jendela hosts many art
exhibitions, some of them which are full scale shows that are integrated with other events at the Esplanade.

Outdoor Venues
The Esplanade features two outdoor performing venues. They are the Waterfront Stage and the Stage@Powerhouse, located
along the promenade. These venues stage regular free performances, meant to liven up the arts scene. Other than that, the
building also features a large roof terrace with a panoramic view of Marina Bay and the City Area. There are also courtyards
and open spaces which can be used for various activities.

Esplanade - Theatres on the Bay is the prickly hedgehog-like outline landmark of Singapore across Esplanade Bridge and
Marina Bay. It opened in October 2002 with much fanfare. Nicknamed, quite aptly, 'the Durians' (after the pungent, spiky local
fruit), the twin silver spiky leaf hedgehog cladding domes of this arts complex couldn't be more of a contrast to the colonial
ensemble of the Padang. Love it or hate it (and we love it), the Esplanade complex has become the poster boy of
contemporary Singapore, a shining example of the artsy, creative side of the island state.
This S$600 million performing arts centre was the product of Singapore's recognition that it needed iconic buildings to keep
pace with the competitive international Tourist industry, with equally grandiose dreams of establishing itself as a cultural
landmark akin to Australia's Sydney Opera House. Designed by Michael Wilford, the British architect quit the project in 1995
over unexplained differences, leaving home-grown company DP Architects to complete the job.
Esplanade, situated on reclaimed land along the waterfront, was built with public money and has been in the pipeline since
the 1970s. It wasn't commissioned until 1993 and construction didn't start until 1996. The controversial exterior is made from
7139 variously angled aluminium shades that maximise the natural light while shielding the glass roof from the sun; by night,
internal lighting makes the building glow a cool green. The interior has the hushed, slightly awestruck atmosphere you get in
truly special Buildings.
Public opinion of the building design has been divided. Despite their fruity nickname, or comparisons with Madonna's
infamous bra and overturned bathtubs, the theatre complex's twin glass domes, covered in spiky metal sunshades, do not
take their design reference from tropical fruit or celebrity breasts, but from the natural geometries of nature and traditional
Asian reed weavings. Varying angles and geometrics make the roofline morph and mutate across the building "the way
feathers on a bird's neck gradually change in size and orientation", according to the project's director Vikas Gore. But what
happens inside is perhaps of greater interest to the Arts community.
The 6-hectare (15-acre) site of the Esplanade houses the twin auditoriums which are both visually and acoustically
spectacular (they both rest on rubber pads to soak up external noise and vibrations): a Concert Hall of 1,600 seats (with
acoustics designed to handle both the sonic blasts of Cantopop and the delicate trills of a Mozart sonata) and a Lyric Theatre
of 2,000 seats (complete with the latest stage technology and a full-size orchestra pit). Additionally, you will find an open-air
amphitheatre, practice studios and rehearsal rooms which also serve as smaller performance venues, outdoor sapces for
informal performances and sculpted gardens by the waterfront.
There are a number of possibilities: the Esplanade can promote the development of a Singaporean aesthetic; it can present
the best and biggest of visiting acts; and it can attract casual visitors with no interest in the Arts with its informal spaces and
eateries. Whatever happens, it will be a force to be reckoned with - there are more seats under its roof than in all the other
venues combined - just as it will change the harbour skyline by virtue of its position and scale. This massive complex, which
seems a little hemmed in by its rather small site, is a realisation of Singapore's aspiration to be Asia's hub of the Arts.
Worth looking out for are the regular free performances outside the Buildings, which are advertised either on the theatre's
website or in the monthly "What's On" guide.

Lampiran
LT-2

Nama/NIM

: ANDRE HENDRA GUNADI/HENDRY/JAKA

LAPORAN TINJAUAN LAPANGAN

Tempat Tinj. Lap.

: HARVEST, LIPPO KARAWACI

l Catatan : Keterangan tambahan dapat dilengkapi pada lembar lain. Rancangan karya studi banding yang akan ditinjau dipilih yang memiliki kompleksitas memadai
Gambar/Sketsa/Foto (Rancangan Tapak, Denah, Tampak, Potongan, Detail)

Keterangan/Uraian

Salah satu gedung pertunjukan yang cukup representative di wilayah Tangerang adalah World Harvest Center yang
berada di kawasan Lippo Karawaci, tepatnya di Jl. Gunung Rinjani No. 6 Taman Himalaya.
Gedung yang berdiri sejak tahun 2001 ini memiliki luas bangunan sekitar 1030 m2 dibangun sebagai gedung
pertunjukan yang berfungsi sebagai gereja dan juga kantor pusat organisasi nirlaba yang bergerak di bidang
keagamaan, World Harvest. NGO ini memiliki kantor perwakilan di Semarang dan beberapa kota di dunia, seperti
California, Amsterdam, Singapura, Saitama Ken-Jepang dan Seoul, Korea Selatan.
Bagian bangunan yang paling menarik pada World Harvest Center ini adalah aulanya yang diberi nama The Dome of
The Harvest. Dengan kapasitas 1.500 tempat duduk yang terbagi menjadi 2 bagian, yakni lantai dasar sebanyak 1.150
kursi dan sisanya 350 berada di area balkon, The Doom berulangkali menjadi lokasi berbagai konser musik hingga
lokasi syuting reality show salah satu stasiun TV beberapa waktu lalu.
Menurut Bp. Andreas selaku Building Manager World Harvest Centre, penyelenggaraan konser musik di lokasi ini
belum terlalu banyak setiap tahunnya, hanya sekitar 3-4 kali. Namun ketika sejak 2 tahun lalu, The Doom juga
disewakan untuk tempat pesta pernikahan, aula ini cukup laris disewa oleh masyarakat yang hendak mengadakan
pesta pernikahan di lokasi tersebut.

Tampak samping gedung World Harvest Centre

Areal parkir dan juga akses menuju droping off

Salah satu ornament dekoratif yang paling menarik dari aula ini adalah kubahnya alias Doom yang diberikan aksen
langit, dengan sentuhan lighting khusus maka efek dari ornament dekoratif ini menjadi luar biasa, seolah gedung
tersebut beratapkan langit. Menurut Bp. Andreas, pengecatan kubahnya ini menggunakan teknik khusus dengan
mendatangkan ahlinya dari Italia. Menjadi suatu hal yang wajar mengingat biaya pembangunan World Harvest Center
pada tahun 2001 ini sekitar Rp 4 milyar.
Fasilitas lain yang terdapat di The Doom of the Harvest ini adalah stage alias panggung berbentuk setengah
lingkaran dengan fasilitas sound dan lighting yang cukup lengkap. Selain balkon dengan kapasitas 350 kursi, pada
bagian samping kiri dan kanan panggung terdapat function room yang berfungsi sebagai storage sound system
maupun fitting room. Sementara operator sound system berada di split level yang terdapat di lantai atas balkon.
Dengan berada di bagian depan, maka kualitas sound dapat terjaga dengan baik.

Kiri, Panggung berbentuk lengkung dengan fasilitas sound & lighting lengkap. Kanan, balkon.
Akses masuk ke aula The Doom berada di lantai 2 bangunan yang dilengkapi dengan fasilitas 2 buah elevator/lift dan
juga tangga. Sementara World Harvest Center sendiri dilengkapi dengan sebuah toko buku, caf, ruang-ruang kelas,
ruang-ruang kantor, ruang tamu, ruang karyawan, ruang meeting dan kantin.
Meski dari luar bangunan tampak bergaya Joglo-tidak terkesan sebuah gedung pertunjukan nan mewah, namun
interior ruang, termasuk lobby yang cukup dengan hiasan water fountain memiliki gaya art-deco. Sehingga kesan
mewah begitu terasa ketika kita masuk gedung ini.

Kubah The Doom of The Harvest yang dihiasi ornament dekoratif langit