Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Clint Borzoni
Adagio q = 69
2
4
POET
5
4
3
4
2
4
2
4p
Triangle
Cymbals
5
4
5
4
mf
Adagio q = 69
2
4
c
3
pp
2
4
3
4
3
4
3
4
5
4
Piano
5
4
3
4
POET
c
I have had as much as any man need have,
W.Ch.
ppp
c
ppp
c
3
ppp
3
11
POET
for the monster of loneliness there is left no room,
14
5
4
POET
my heart has been lled,
5
4
3
3
3
5
4
16
POET
4
4
5
4
4
4
5
4
my body sated,
mf
pp
3
3
4
4
5
4
4
18
5
4
POET
my body sated,
5
4
f
p
3
f
3
5
4
20
3
2
Bongos
p
3
2
3
3
2
3
rit.
22
POET
A tempo q = 69
(He writes.)
3
2
5
4
6
4
may I share this contentment
with you?
Cym.
3
2
5
4
6
4
ppp
rit.
3
2
mp
A tempo q = 69
5
4
6
4
5
4
6
4
pp
3
3
2
p
26
2
4
POET
I
have met
the
dev
il
and I con
fess
2
4
2
4
we made
pp
30
3
2
POET
love
2
4
we made love
in fact man y
3
2
3
4
3
4
times,
2
4
pp
3
4
3
2
2
4
POET
Pi mosso q = 88
34
c
slow
ly,
and swift ly
3
Sogo
va ri
3
e
3
ty of
styles,
3
c
pp
Pi mosso q = 88
c
pp
Tempo primo q = 69
p
37
5
4
POET
the heat
rise;
W.Ch.
c
I have heard men say that they
5
4
5
4
5
4
mf
Sogo
p
Tempo primo q = 69
c
p
5
4
pp
41
POET
mp
freely p
mf
c
sold their souls,
but
I must ad mit
c
ppp
ppp
mf
c
ff
ppp
46
mf
POET
and be fore he ev en asked;
pp
mp
50
mp
rit.
POET
shot him down,
but it was he
rit.
53 Meno mosso q = 69
3
4
POET
soul.
3
4
Sogo
Meno mosso q = 69
mp
3
4
pp
3
4
er
8
57
pp
mp
POET
in which per haps I sleep;
us ing
Sogo
mp
pp
61
pp
(He drinks.)
mp
POET
words
I nev er
speak.
When
c
3
c
f
64
POET
last I lie
3
to rest my head
let
it
not
be said
9
67
POET
missed
a bed!
69
T. Bl.
f
f
3
71
5
4
T. Bl.
The Meniere's disease and the Hendrick's are making my eyes swim;
3
5
4
5
4
pp
6
ff
pp
10
75
pp
3
4
POET
my n gers are
ry...
3
4
Cym.
blur
p
3
3
4
pp
3
4
Andante q = 96
81
MUSE
3
2
3
4
The walls,
3
2
POET
clois tered,
3
4
Tamb.
pp
3
2
3
4
3
2
3
4
3
2
3
4
mf
Andante q = 96
c
p
85
3
4
MUSE
3
2
gray
and mon o
3
4
lith
ic
sent me
3
2
reel
3
2
to
3
4
pp
3
4
c
p
88
ing
c
mf
3
4
mf
3
4
ward
3
4
pp
MUSE
11
mf
c
your
warmth
with
out
3
4
3
4
91
your arms
to
MUSE
hold
me
there,
I have fal
len
to your
12
(The POET puts the letter back onto the
table and takes out another. He reads.)
94
MUSE
feet
gain!
POET
Plucked out the worms their families
and remains and cast the good parts
into the pot.
pp
rit.
Meno mosso q = 72
pp
MUSE
with
pp
POET
with
rit.
Meno mosso q = 72
13
100
mp
MUSE
hone
ey
and
gin
ger,
in to
ap
ple
sauce
mp
POET
hone
ey
and
gin
ger,
mp
Andante q = 96
103
MUSE
spread
Andante q = 96
6
to
14
f
104
MUSE
cross
your
chest,
Sogo
f
106
Bongos
f
Sogo
p
p subito
ff
15
107
mf
MUSE
red
den,
hot,
that
Bongos
Sogo
108
3
2
MUSE
smil
ing
6
crest
6
and
6
3
2
mf
3
2
109
MUSE
3
2
c
3
slide
6
3
6
a
6
mong
the
6
3
2
c
6
3
2
16
110
MUSE
gold
en
hair
c
6
6
6
111
MUSE
grow
ing...
rit.
112
113
17
Meno mosso q = 76
3
2
MUSE
Then
c
I would be the worm,
then
I would crawl
Meno mosso q = 76
3
2
p
3
c
3
3
2
116
mf
MUSE
on
to,
and try to nd
my
way
with
in;
there I would
mf
rit.
119
MUSE
nest, a mid
tast y hair
breast,
rit.
in those
Meno mosso q = 63
18
pp
122
MUSE
sun
set
Tri.
skies,
your gold en de
li
cious thighs,
Meno mosso q = 63
pp
3
3
125
MUSE
your ap ples, your pies!
mf
130
POET
The
ppp
3
ff
war
19
135
3
4
POET
nast y
5
4
c
I'm not for eith er side,
I'd
3
4
just
as soon the
5
4
5
4
3
4
3
Pi mosso q = 88
139
5
4
POET
c
bomb
would drop
and
all
died.
Pi mosso q = 88
5
4
c
f
p
3
5
4
c
6
142
MUSE
with
pp
hone ey
and
gin
ger,
in to
20
146
MUSE
ap
ple sauce
to
spread
148
MUSE
cross
your
chest,
POET
War
150
is de
2
4
POET
clared
and I don't
care,
2
4
p
2
4
p
21
pp
153
2
4
MUSE
c
there I would sleep,
2
4
POET
in those sun
set skies,
c
the
air...
2
4
c
p
pp
2
4
157
MUSE
your gold en de
li
cious thighs,
3
3
3
22
160
MUSE
3
4
POET
3
4
3
4
c
f
pp
3
4
c
166
3
2
T. Bl.
f
3
2
f
3
2
rit.
169
T. Bl.
3
2
3
2
rit.
3
2
3
2
pp
3
2
c
pp
3
2
f
23
171 A tempo q = 88
5
4
MUSE
A tempo q = 88
c
3
ff
5
4
5
4
pp
174
mp
5
4
MUSE
think
heard
5
4
c
p
mp
5
4
5
4
3
2
176
MUSE
don
is
call
his
5
4
3
2
5
4
3
2
24
177
3
2
MUSE
voice
was
thin
and
sul
len,
he
3
2
3
2
178
MUSE
seemed
to
be
sad
dened
or
in
some
sor
ry
179
MUSE
c
need:
Tamb.
c
pp
25
180
3
2
MUSE
I
felt
shiv
er
up
my
spine
3
2
Tamb.
mf
pp
3
2
f
3
2
p
182
mf
3
2
MUSE
c
I
thought of
all
the
wo
men
would have to
3
2
se
c
p
3
2
3
2
183
MUSE
duce
to
prove
was
3
2
3
2
26
184
mp
3
2
MUSE
5
4
man.
think
heard
3
2
5
4
mf
3
2
5
4
5
4
3
2
185
MUSE
don
is
call
his
5
4
3
2
5
4
3
2
186
MUSE
3
2
voice
3
2
3
2
was
pale
and
wear
y,
it
27
187
MUSE
spoke
of
fad
ing
skin
and
thin
ing
c
Adagio q = 63
rit.
188
5
4
MUSE
hair
bod y
Adagio q = 63
rit.
5
4
c
3
pp
5
4
190
MUSE
pp
5
4
3
2
sag ging rear,
Cym.
lice,
5
4
pp
the
3
2
ef fem i nate:
c
3
5
4
3
2
5
4
3
2
c
pp
28
193
Andante q =84
6
4
MUSE
all the dy ing gods
and
c
cried
for
my
Andante q =84
whom
the
6
4
f
self
c
p
6
4
c
f
195
3
2
MUSE
si
rens
have
rav
aged,
and
for
3
2
c
f
7
3
2
c
3
197
MUSE
3
2
those
3
2
3
2
of
us
who
pre
fer
29
198
MUSE
sleep
to
the
wak
ing
state.
c
p
3
c
pp
3
199
3
2
MUSE
And
for
3
2
c
pp
3
2
c
3
200
MUSE
3
2
poor
Gong
3
2
3
2
mp
3
2
A don
is
poor
A don
is
30
202
MUSE
whose
needs seem
so
much great
er
than
my
203 f
MUSE
own.
Cym.
c
f
c
6
204
Cym.
c
ff
c
p
ff
3
c
3
31
206
pp
rit.
pp
208
5
4
MUSE
3
4
3
2
A
5
4
POET
3
4
3
2
rit.
pp
5
4
3
4
3
2
5
4
3
4
3
2
Adagio q = 72
32
212
3
2
MUSE
c
don
is
3
2
POET
c
Pit y
3
2
Gong
pp
me
Adagio q = 72
3
2
f
3
2
218
pp
pp
POET
but pit y all those nights now ung
Tamb.
pp
ppp
freely pp 33
222
MUSE
mf
You
POET
for they may yet
re mem ber
me!
Cym.
Tamb.
mf
c
p
mf
pp
c
mf
228
3
4
MUSE
have giv en me
eas es
and
Andante q = 82
rit.
233
MUSE
pleas es
POET
di
and
c
Our bod
Sogo
c
p
Andante q = 82
rit.
c
c
ppp
ies
the tools
34
mp
237
MUSE
mf
Tip
POET
with which we're made
fools...
Sogo
pp
241
MUSE
glass
mp
POET
3
It
bring
your
35
mf
244
MUSE
me
to your mouth!
mf
POET
why
and mo ral
ty?
mf
246
MUSE
bring
me
to your mouth!
POET
all
that
we
have will
be
36
f
248
MUSE
bring me
to your mouth!
f
POET
lost,
all that
we
are
shall be found;
ff
250
MUSE
ff
your
3
POET
have
made my self
per
fect
ly
clear?
37
252
MUSE
mouth!
POET
254
MUSE
mp
256
POET
I don't know how to do this: I've never had a successful relationship.
38
258
Adagio q = 66
rit.
POET
I have no techniques, no agendas,
shibboleths or solutions.
rit.
Adagio q = 66
pp
3
261
POET
Which means
I am a baby,
3
nak
ed
ff
263
POET
on
the oor,
Andante q = 82
A tempo q = 39
82
rit.
266
mf
3
4
MUSE
Up on
your
chest,
Andante q = 82
my head.
Up
on
A tempo q = 82
rit.
3
4
p
mf
3
4
mf
274
rit.
pp
MUSE
your
breast,
my hand.
Up on
the rest,
rit.
c
mf
pp
c
Adagio q = 69
281
MUSE
Still,
but not
un
moved.
3
4
5
4
3
4
POET
Adagio q = 69
5
4
am more than a
5
4
c
3
c
half cen tur y
3
4
3
4
pp
5
4
40
mf
286
2
4
POET
old
5
4
2
4
af fairs,
5
4
c
mf
2
4
c
p
290
POET
5
4
c
f
5
4
3
4
c
have nev er had one suc cess ful
5
4
mar
riage
too
3
4
c
p
5
4
3
4
293 Andante q = 88
MUSE
3
4
mp
3
4
c
pp
POET
3
4
much
All
3
4
c
the
po
et,
fear
Andante q = 88
3
4
3
4
c
pp
3
4
3
4
41
mf
298
3
4
MUSE
we
ev er
tru ly
be lieve,
is
what
3
4
c
mf
mf
3
4
ceived.
And
c
yet
when
3
4
c
p
mf
3
4
308
3
4
304
our
pp
MUSE
rit.
MUSE
great
er
world
is
oft
rit.
re
ceived.
42
Adagio q = 69
312
3
2
POET
You
have
touched
me
in
Adagio q = 69
3
2
pp
3
2
315
3
2
POET
c
plac
es
mant,
and
3
2
3
2
c
mf
317
POET
dor
c
now
no
breeze
c
mf
blows
to
43
319
A tempo q = 69
rit.
MUSE
with
hone ey
and
POET
cool the burn.
A tempo q = 69
rit.
c
3
p
3
323 mp
Andante q = 92
MUSE
gin ger,
in to ap ple sauce
to spread
Andante q = 92
6
mp
44
326
MUSE
cross
your
chest,
Sogo
f
6
6
328
Bongos
f
Sogo
p
p subito
ff
45
329
mf
MUSE
red
den,
hot,
that
Bongos
Sogo
6
330
3
4
MUSE
smil
ing
6
crest
6
3
4
mf
3
4
331
3
4
c
6
6
3
4
46
mf
332
3
4
POET
c
Me
3
4
Bongos
c
f
Sogo
3
4
3
4
3
4
c
6
6
6
6
6
6
6
334
POET
3
4
c
thinks this child's
a tri e wild. I'd tame him with both chains and whips
3
4
c
mf
but
pp
3
4
3
4
MUSE
A tempo q = 92
rit.
337
2
4
47
pp
c
with hone
ey
3
4
POET
2
4
hav ing none,
must
c
use
my
A tempo q = 92
rit.
3
4
lips.
2
4
c
p
3
4
341
rit.
2
4
Adagio q = 69
3
4
MUSE
c
mp
3
4
POET
c
Butt boy thinks
he's
3
4
Sogo
c
mp
rit.
Adagio q = 69
3
4
c
mp
3
4
48
344
mp
3
4
POET
Pan,
and
may be
who am
to
mp
3
4
3
4
346
3
4
Sogo
he is.
mf
POET
stay "strange
Sogo
mf
c
mf
49
349
POET
when horns do sprout?
but to watch
the child
grow
Sogo
p
p
351
MUSE
Hon
ey...
p
3
POET
stout and goat
a bout?
Who am I
Tamb.
pp
Sogo
f
subito p
50
354 f
mp
POET
rap tures
Tamb.
of youth,
make an gels
of
dev ils
or de cry
goat ly
357
3
4
POET
truths?
3
3
4
Sogo
ff
3
3
4
ff
3
3
4
51
mp
359
3
4
POET
3
4
Sogo
3
4
c
Pan,
as well
he may
he'll nd no
3
4
c
p
be,
3
4
3
4
c
p
3
4
3
4
362
rit.
POET
3
re pri mand
from an
old
Sogo
pp
rit.
c
pp
3
c
3
52
Largo q = 58
p
365
POET
Hon ey from your
lips
Largo q = 58
in the
pp
369
f
3
POET
3
4
2
4
time as we
3
4
pp subito
2
4
nak
2
4
ed up
c
f
3
4
3
4
c
sit
c
pon the
knees
3
4
3
4
pp subito
53
Andante q = 88
374
3
4
POET
of
Je
2
4
sus.
Andante q = 88
3
4
c
f
ppp
mf
3
4
2
4
c
pp
2
4
380
3
4
POET
c
we should probably
do brunch rst.
3
4
3
mf
c
p
3
4
pp
54
Andante q = 80
384
Cym.
pp
Bongos
5
4
5
4
5
4
5
4
c
c
c
c
f
Andante q = 80
5
4
5
4
5
4
pp
5
4
389
Cym.
Bongos
5
4
5
4
5
4
c
c
c
p
5
4
392
Cym.
Bongos
p
55
394
Bongos
ff
Vln. I
ff
Vln. II
Vla.
Vc.
ff
56
396
Bongos
p subito
mf
p subito
mf
398
Bongos
3
mf
mf
400
Bongos
f
pp
57
402
Bongos
ff
ff
404
Bongos
p subito
p subito
406
Bongos
f subito
f subito
pp
58
407
Bongos
3
409
mf
2
4
MUSE
Whis
kers
grow,
3
4
fea
Bongos
tures
2
4
3
4
2
4
3
4
mf
2
4
p
412
MUSE
3
4
hard
3
4
c
en,
au
c
p
3
4
3
4
tumn
in
my youth
ful
59
415
MUSE
gar
den.
Bongos
f
pp
417
Bongos
ff subito
ff subito
419
Bongos
p subito
p subito
pp
60
421
MUSE
My eyes are attracted to so few smiles these days, gleaming in these murky depths,
I have been forced to learn to kiss without warning and with great abandon.
Moderato q = 116
422
pp
MUSE
Shall
climb
or
drown
in your
Moderato q = 116
pp
425
MUSE
sea?
Love's
two
head ed
god
61
rit.
428
MUSE
and
two
Vir gins
are
we!
rit.
Adagio q = 69
430
mp
5
4
POET
He sent me his lust
in a letter.
c
lit tle bear,
a sa tyr,
Vln. I
5
4
Vln. II
5
4
Vla.
5
4
Vc.
5
4
5
4
5
4
Adagio q = 69
62
Allegro q = 132
mf
434
3
4
POET
en.
Allegro q = 132
3
4
c
mf
pp
3
4
438
mf
3
4
MUSE
to
blow you,
don't
3
4
f
mf
3
4
443
mf
MUSE
mean to
con
trol you
mf
63
448
MUSE
britch es,
it itch es;
453
MUSE
come on, let's
be
mp
gin!
POET
Boy
love,
c
p
c
f
456
POET
fresh
and
clean,
lit
tle rough,
Sogo
f
mf
64
458
mf
5
4
POET
a
2
4
Sogo
5
4
2
4
5
4
2
4
mf
5
4
Moderato q = 116
f
461
2
4
MUSE
3
4
2
4
POET
2
4
Love is not
3
4
to eat a
2
4
heart
Moderato q = 116
3
4
2
4
3
4
c
p
465
3
4
MUSE
spark,
it is a
3
4
blaze,
3
4
re
that
rag
es
and can
3
4
3
4
pp
3
4
469
3
4
MUSE
65
c
not be con
tained
un til
all
be comes
3
4
si
lence
be
I,
c
f
3
4
473
3
4
MUSE
neath its ash y snow;
you,
like
have
3
4
3
4
f
477
MUSE
fan
cy
for
match
es!
POET
c
f
p subito
66
481
POET
thous and lov ers,
485
mf
MUSE
If your chest
POET
preg nant purr,
mp
489
5
4
MUSE
were a cat
it could be
no more fur
ry,
5
4
5
4
67
492
5
4
MUSE
c
some where soft
for my ears
5
4
of
hear ing
c
p
5
4
495
c
rit.
mf
3
4
MUSE
but to on ly
just list en
as
stroke you
rit.
3
4
mf
3
4
499
Andante q = 88
MUSE
I'd
like to see
rit.
A tempo q = 88
3
2
3
4
you
nak
ed,
white be neath
The POET smiles and puts down the letter . The MUSE
sings again as if to chastise him for not nishing the poem.
Andante q = 88
rit.
A tempo q = 88
3
2
3
4
3
2
3
4
pp
68
504
5
4
MUSE
me
in
the
3
4
moon,
to
5
4
c
fall
sleep
in
3
4
c
pp
5
4
3
4
rit.
508
MUSE
3
4
c
side
you,
3
4
c
we
would
purr
dif ferent
tune!
rit.
3
4
3
4
3
4
3
4
POET
Meow!
I like that, the way cats smile when they're all curled and sleepy
content, warm, like despite everything else
they will be happy and content and warm;
I like that, the way a cat eyes you suspiciously and keeps its distance.
c
c
69
POET
Cats
cats!
My
Tri.
mf
Allegro q = 138
c
mf
517
3
2
POET
life
is
made
up of these:
some
of thempure breds,
3
2
Tri.
3
2
pp
3
2
70
f
520
3
2
POET
some
c
of them strays,
man y
3
2
I nd a long the
c
f
mf
3
2
522
POET
way
sweets.
pp
mf
525
mf
POET
lects
cats
mf
and
pp
71
528
POET
though
must
say
have
lost
man
mf
530
mp
POET
bat tles.
and have
pp
532
POET
most
war stained
toms...
mf
af
fec tions of
the
72
Moderato q = 112
535
3
4
MUSE
mf
3
4
c
fur
or
kiss
a fuz zy
Moderato q = 112
3
4
3
4
3
4
mf
3
4
539
3
4
MUSE
2
4
c
face,
make it,
of ten
c
sit ting on
walls...
3
4
2
4
3
4
2
4
Andante q = 100
544
POET
I
Andante q = 100
pp
each
and
73
549
POET
eve ry one of my sev en kit ties,
but
can not in
554
POET
struct you
how to make
558 f
love
to
me,
for I have
pp
POET
lost
and must
re
ly on you
to nd
pp
74
Moderato q = 120
p
563
3
2
MUSE
c
Have you got cold
3
2
POET
it.
feet?
Moderato q = 120
3
2
3
2
c
f
569
3
2
MUSE
do
3
2
pp
mp
3
4
not be
3
4
c
pp
3
4
3
2
mf
mp
Cold e mo tions?
574
pp
Andante q = 100
3
2
MUSE
fraid
you-
too nak
ed
for
most
Andante q = 100
3
2
c
f
pp
3
2
75
Moderato q = 120
mp
580
3
2
MUSE
3
4
c
for
am
Moderato q = 120
3
2
3
4
3
2
3
4
586
3
4
MUSE
for
MUSE
the
fe ral est of
3
2
f
3
4
3
2
pp
3
2
c
in
3
2
c
pp
3
2
toms,
pp
592
am
3
4
3
2
need
of
host.
76
Larghetto q = 60
598
5
4
POET
If I seem dry,
please bear with me,
Larghetto q = 60
5
4
5
4
c
3
603
POET
If
am
cold,
it
is just that
3
c
ppp
3
606
3
2
POET
I
am
old
er,
no
3
2
3
3
2
608
3
2
POET
77
mf
c
long er have the needs
I once
had;
aft er all,
3
2
c
3
3
2
610
c
p
POET
one
can on
ly
do
have done
for
so
mf
pp
3
612
3
4
be fore the
gods
take re tri
3
4
3
3
bu
tion.
f
3
POET
long
p
3
3
4
78
Allegro q = 144
615
Tamb.
p
Allegro q = 144
618
MUSE
And if I seem impatient, it is just the pain of youth that I am wearied of:
Tamb.
mp
mp
621
MUSE
Pain no longer amuses me and I have yet to nd its replacement.
Tamb.
p
79
624
Tamb.
fp
fp
fp
627
MUSE
At
Tamb.
f
Sogo
p
fp
80
631
MUSE
least
it will be
a grand
e go boost
when we're
at a bar
and
Sogo
mp
mf
634
MUSE
eve ry one's star ing
Sogo
at
me,
pret ty young
81
637
MUSE
me,
Tamb.
mp
Sogo
mp
640
mp
MUSE
some thing you
that the
hot
num ber
Tamb.
pp
mp
82
643
MUSE
ov er there
dressed to kill
so
por
Tamb.
fp
fp
fp
646
MUSE
no graph ic ally
is
ac tu ally
ver y
in
love
Tamb.
mf
pp
fp
mf
mf
83
649
MUSE
with
you
Tamb.
Largo q = 54
652
pp
3
4
MUSE
Would die
or
3
4
Cym.
mf
pp
Largo q = 54
3
4
pp
ff
3
4
84
655
pp
3
3
4
MUSE
3
4
spend
the
rest
of his
life
at your
feet,
3
4
3
4
3
4
3
4
659
A tempo q = 54
Meno mosso q = 48
3
pp
5
4
MUSE
chained
Meno mosso q = 48
es
for
the
A tempo q = 54
5
4
5
4
662
MUSE
5
4
smell
5
4
of your bod
c
ppp
5
4
by
85
665
pp
MUSE
say
at
5
4
5
4
5
4
all.)
Cym.
5
4
pp
Larghetto q = 63
669
Cym.
Bongos
5
4
5
4
f
Larghetto q = 63
The Muse begins to dance, and as he does, the two dancers enter and slowly
walk near the Poet. He watches them intently as they move in close.
5
4
c
f
c
p
5
4
86
672
Cym.
Bongos
c
p
c
c
3
674
Bongos
Andante q = 88
rit.
676
Bongos
ff
Andante q = 88
ff
rit.
87
Larghetto q = 63
678
Bongos
3
p subito
mf
Larghetto q = 63
p subito
mf
pp
680
W.Ch.
5
4
5
4
pp
Bongos
5
4
ff
pp
5
4
ff
p
683
POET
5
4
pp
5
4
c
How can
c
love
ers
that came be
fore
you?
3
5
4
5
4
5
4
5
4
88
687
POET
They are old
692
pp
and you
are new
3
4
POET
time?
They
are dead
and you
live
3
4
W.Ch.
mf
3
4
f
3
4
mf
697
POET
3
4
3
4
c
but how can life to
3
4
death
com pare?
c
3
3
4
3
4
mp
3
4
rit.
700
3
4
POET
brine
ed
89
c
hair;
it
seems un fair
to
rit.
3
4
3
4
Largo q = 50
704
5
4
POET
love you as
do.
Largo q = 50
5
4
3
pp
mp
pp
5
4
rit.
709
MUSE
5
4
3
2
The Poet exits
rit.
5
4
Andante q = 88
c
3
Andante q = 88
3
2
c
ppp
5
4
3
2
90
Largo q = 56
713
rit.
pp
5
4
MUSE
We some times fall
Largo q = 56
rit.
5
4
5
4
pp
717 A tempo q = 56
A tempo q = 56
rit.
5
4
MUSE
saint;
per
haps
a sad
ness.
5
4
Tri.
A tempo q = 56
ris
es
and
c
p
rit.
5
4
5
4
A tempo q = 56
721
MUSE
noth ing
is plant
ed,
the light
falls
on
mf
p
3
91
723 f
MUSE
emp ty soil
and seeds on
the
full
moon
ris
pp
mp
727
pp
MUSE
es break ing ov er
me
pp
730
MUSE
some
one
tears
too,
92
pp
733
mp
6
4
MUSE
op en
my
bod
y,
mf
c
am read by a
6
4
6
4
pp
rit.
A tempo q = 56
pp
738
MUSE
3
and moon
light
and
A tempo q = 56
rit.
c
f
pp
c
3
742 p
mf
MUSE
moon
light
shines
in
to
the
op en wound.
mf
f
3
Andante q = 92
rit.
745 p
5
4
MUSE
3
4
We have plant ed
a seed,
you and I,
Andante q = 92
rit.
5
4
p
93
3
4
ppp
5
4
3
4
mp
751
MUSE
but
we
can not
pp
that
it will be
come,
mp
Allegro q = 126
757
MUSE
But what fun
Allegro q = 126
mp
we can have
pis sing on
its
roots,
94
762
Andante q = 92
rit.
rit.
MUSE
3
its
trunk,
rit.
and some
Andante q = 92
rit.
day
Larghetto q = 63
p
765
3
2
MUSE
cra dling in its
arms.
Larghetto q = 63
3
2
c
pp
3
2
c
3
Andante q = 96
f
769
MUSE
3
2
c
I
3
2
Andante q = 96
will
c
f
3
2
c
3
95
771
MUSE
bend
this
beast,
this
3
6
mf
773
MUSE
god,
be
neath
the
mp
ff
96
776
ff
MUSE
rag
ings
of
my
storm.
Cym.
mp
f
6
778
rit.
MUSE
rit.
ppp
97
2
4
POET
Let me be frank: time is short, before the tides have
abolished coastal cities, before the Ark sets aoat
2
4
5
4
2
4
pp
5
4
want to plant
gard en of teeth up on
3
4
is land and
p 3
5
4
rit.
pp
2
4
5
4
rit.
3
4
Adagio q = 76
2
4
3
4
Gong
mp
3
4
789 p
A tempo q = 76
pp
mp
5
4
POET
crest;
I want to con
sume
c
all
your riv
ers
and
A tempo q = 76
5
4
pp
c
p
3
5
4
98
Allegro q = 132
794
3
4
POET
plund er dank
for ests.
3
4
Tamb.
c
c
f
The Muse enters. He is in a very excitable state
acting a lot more typical of his youth.
Allegro q = 132
3
4
c
f
3
4
799
Tamb.
p
801 f
MUSE
Mail ings from
3
him,
pas
sel
o'
poems,
he's
99
3
803
3
2
MUSE
hos
taged
my
heart
and
3
2
3
2
804
3
2
MUSE
c
las
soed
my
loins;
now
3
3
2
3
2
805
MUSE
3
4
c
bound
me
in
verse
where I'll
c
nev
er
es
3
4
3
4
100
3
807
MUSE
cape
how tend
c
c
809
MUSE
rape!
Tamb.
810
Tamb.
p
er
ly
terse
do
I bend for
this
101
812
POET
I wore a wife-beater out in public today, for the rst time in some years the diet is working and I confess I got looks and comments both. I could score pretty well for
an old scribbler, were I in the market; but you and I know better.
5
4
pp
c
pp
5
4
c
rit.
818
A tempo q = 112
822
POET
My hair is gray,
A tempo q = 112
pp
my
skin
102
828
3
4
POET
lined
and
scarred
from
c
bat tles both
lost
and
3
3
4
3
4
mp
Moderato q = 112
rit.
mf
832
3
4
POET
won;
and ad
ven
ture
to
me
is
Moderato q = 112
rit.
3
4
mf
3
3
4
836
POET
sit
ting
un
moved
up on a rock
un til
squir rels,
c
p
deer,
103
pp
840
rit.
5
4
POET
skunks
and snakes
nd
me
use
ful
as
both
rit.
5
4
pp
5
4
Larghetto q = 63
843
5
4
POET
3
8
c
pil
low
and
perch.
But you,
but
Larghetto q = 63
5
4
3
8
5
4
3
8
mf
847
POET
3
8
you,
W.Ch.
3
8
pre co
pp
3
8
mf
3
8
cious half
ling,
104
853
POET
when you
grin
and
dance
3
be fore
3
858
POET
me,
ev
3
en
the
pos
sums mum
ble
how
rit.
862
POET
tast
you
Tri.
rit.
might
be
in
pie
pp
or
c
c
105
866 Andante q = 84
pp
POET
stew
and it be comes
im
pos si ble
to
Tri.
Andante q = 84
c
pp
871
mf
5
4
POET
pea nuts and
6
4
at the
3
2
foot
of
my
5
4
6
4
mp
3
2
p
5
4
6
4
3
2
106
p
875
3
2
MUSE
3
4
c
I can
read
your
pp
3
2
POET
3
4
3
4
bed.
3
3
2
Sogo
ff
3
2
3
4
3
4
pp
3
2
mf
878
3
2
MUSE
scars
like a
3
4
bi
ble,
and
pray
Cym.
3
2
3
4
Gong
3
2
3
4
3
2
pp
c
for the joy of
mp
mp
3
4
in
ict ing my
c
c
c
mf
3
2
3
4
107
883
MUSE
own!
Sogo
c
p
c
887
POET
It's no street trick, reaching down your throat and pulling out your heart,
hell you were already chocking on it; I heard your prayers.
Adagio q = 72
888
POET
May
Cym.
I sink
my
teeth
pp
Sogo
Adagio q = 72
pp
in to the
pp
108
892
POET
roan
and
Tamb.
pp
3
Sogo
f
895 mf
ppp
mf
Moderato q = 120
mf
POET
spice
Tamb.
mf
of your
pain?
mf
Moderato q = 120
mp
in me,
109
pp
899
POET
I
want
pp
to
eat
you
by the
Andante q = 76
903
6
4
POET
3
2
spoon ful.
Both of them are restless, and bored, and becoming more aroused.
Although they are still not in the same place, their bond has become
stronger and is beginning to throb with heat and desire.
Andante q = 76
6
4
3
2
3
2
pp
6
4
f
907
c
p
f
3
p
3
110
accel.
910
Gong
ppp
accel.
f
3
Sogo
f
Moderato q = 120
Andante q = 84
916
3
2
MUSE
3
pp
c
As a
Sogo
3
2
3
2
3
2
ff
ff
111
mf
920
3
4
MUSE
ripe
av o ca do
mf
3
4
f
3
4
3
4
rit.
3
A tempo q = 84
pp
mf
c
vour ing what I've left for him,
with
A tempo q = 84
rit.
3
4
c
f
pp
mf
3
4
928
3
4
pp
MUSE
3
4
3
4
924
c
pp
col canto
3
4
MUSE
op en mouth he does not speak,
and
plants
me
deep
by
3
4
Cym.
pp
f
3
col canto
3
4
pp
33
33
3
4
3
112
A tempo q = 84
rit.
932
4
4
MUSE
gard en tree,
that
3
4
nev er he'll with
c
out
with
6
A tempo q = 84
rit.
4
4
3
4
c
p
3
4
4
3
4
f
936
5
4
MUSE
out
me
be.
5
4
c
f
5
3
pp
5
4
c
939
mf
Adagio q = 66
pp
2
4
3
4
2
4
3
4
2
4
3
4
POET
The lure
is too
strong.
pp
113
943
3
2
POET
want to be
rich
for him,
3
2
want to be
c
pp
3
2
rit.
946
mf
POET
fam ous for
him,
Real
ly
rit.
mf
A tempo q = 66
948
POET
fam
ous,
A tempo q = 66
want
him
to
114
951 mf
5
4
POET
want me
c
reas
ons,
for an
5
4
mf
c
p
5
4
953
POET
reas
on;
want
him
to
want me
un til
c
3
c
956
A tempo q = 66
rit.
mp
pp
POET
sat is ed,
he for gets
A tempo q = 66
rit.
mp
all
pp
115
960
3
2
POET
the way
that I
was nev
er
ab le to do.
3
3
2
3
2
Andante q = 96
mf
964
3
2
POET
c
Late night poems for the saints
3
2
Cym.
to
read
c
p
mf
Andante q = 96
3
2
c
mf
3
2
967
3
4
POET
who go to bed
in a blank et
of need.
and so are
3
4
3
3
4
116
p
970
3
4
POET
we,
sea,
and if
by
3
4
f
3
4
973
2
4
POET
fate
we reach
love's
shore,
c
let's dive back
2
4
accel.
976
POET
2
4
c
in
and search
for
more!
accel.
c
6
117
Moderato q = 120
mp
978
MUSE
A lov er
a day,
to
Moderato q = 120
mp
982
3
2
MUSE
make life pay,
be young be gay?
c
toss in the hay,
3
2
3
2
985
MUSE
Adagio q = 72
c
tur gid
fay,
c
pp
Adagio q = 72
118
989
POET
The true poet never sleeps
twice in the same bed.
3
Bongos
p
3
3
pp
993
5
4
POET
You can't hide the heart of a naked man. Surrender is sweet;
The DANCERS appear, One goes to the MUSE, the other to the POET.
They caress the POET and MUSE'S bodies; but are unseen by them.
5
4
Bongos
3
5
4
pp
pp
5
4
mp
119
996
5
4
POET
c
surrender is bliss!
3
5
4
Bongos
c
3
mp
5
4
c
f
5
4
c
3
999
Bongos
3
1002
Andante q = 100
Bongos
f
Sogo
pp
Andante q = 100
120
1005
rit.
Sogo
f
rit.
Adagio q = 69
1008
3
4
Sogo
c
mf
Adagio q = 69
3
4
3
4
mf
1010
MUSE
c
Wast ed
3
Sogo
c
p
c
p
121
1012
MUSE
u
ids
se crete
down
tun nels
and
in
to
vac
ant
1014
MUSE
lov er's mouths,
in
my
ears
the
vi o lent
f
3
1016
MUSE
sound,
nak
ed
bed
creak ing
122
1018
MUSE
3
of a sing
le
arm;
in my hand
the ac
id tears
of
all
my
accel.
1020
MUSE
forms
ies.
f
POET
I
want you
Tamb.
f
(vibrato)
accel.
3
123
Andante q = 84
1022
MUSE
All
ask
is your
POET
raw
ov
er
ice.
Tamb.
Andante q = 84
1024
MUSE
pure,
un
dul ter at
ed ad
dic
tion.
POET
You may
Tamb.
do
124
1026
POET
an
me
an y
Tamb.
1028
POET
of
Tamb.
ten
as
you
like.
and
as
125
f
1029
MUSE
I
would
like
to
shave
your
bod
POET
Tamb.
6
1030
MUSE
clean,
Tri.
mf
126
p
1031
MUSE
strip
its
1032
5
4
MUSE
hair
to
6
5
4
6
5
4
1033
MUSE
5
4
3
2
nak
ed
6
ness,
see
you
5
4
3
2
6
6
5
4
6
6
6
6
3
2
127
1034
MUSE
3
2
3
4
bland
as
cave
liz
6
ard,
6
3
2
3
4
6
6
6
3
2
3
4
3
1035
MUSE
mf
3
4
shim
Tri.
mer
ing,
3
4
mf
3
4
mf
6
6
6
6
3
4
1036
MUSE
blind,
as
white
c
6
6
6
c
3
128
1037
MUSE
c
cave
sh;
c
6
6
6
6
c
1038 rit.
MUSE
rit.
6
6
Adagio q = 69
1039
MUSE
If
6
Adagio q = 69
ppp
129
3
1042
MUSE
might, to touch your esh i
bout
your glas
si
ness
3
3
1045
MUSE
my
lips
POET
I don't want to
fuck your clever!
Sogo
p
ff
130
1049
3
2
MUSE
FUCK...!
3
2
POET
Indeed! It's just what everyone needs once ina while, a good sound fucking...
3
2
3
2
POET
3
2
5
4
5
4
To be squashed between the matched bodies of two great gods like the delicate
oyster that conceals itself between the impermeable walls of its pearly hideaway
Cym.
3
2
5
4
5
4
5
4
5
4
pp
A tempo q = 69
3
2
pp
3
2
5
4
5
4
131
1054
POET
5
4
5
4
c
peeking out only for quick tastes of the dim outside world.
3
Bongos
c
p
5
4
5
4
5
4
5
4
5
4
5
4
c
pp
Andante q = 100
1057
Tamb.
Bongos
5
4
5
4
c
Andante q = 100
5
4
c
f
5
4
1060
c
3
MUSE
Your
Tamb.
veins,
132
1064
MUSE
as
they
Tamb.
1066
MUSE
move
you,
Tamb.
1068
MUSE
my arms as they
Tamb.
133
1070
MUSE
sooth
you,
our
lips
as
they quench
you,
Tamb.
1071
MUSE
my hips as they drench
you,
tip
tip
Tamb.
1073
MUSE
tip
Tamb.
tip
tip
tip
tip
tip
134
1075
MUSE
tip
tip
tip
your
glass
and join me
Tamb.
1077
MUSE
spil
ling,
3
Tamb.
in
my
135
1079
MUSE
bring me
bring me
bring me
Tamb.
p
pp
mf
1081
MUSE
bring me
bring
me
bring me
Tamb.
mp
mp
136
1083
MUSE
bring
me
Tamb.
1084
MUSE
bring
Tamb.
me
bring
me
137
1085
MUSE
bring me
bring me
to your
mouth.
POET
You
Tamb.
f
Bongos
f
1087
POET
have
giv
en
me
3
Bongos
3
138
1089
POET
you
have giv
en
me
dis
eas
es
3
Bongos
3
1091
POET
giv en
me
dis
eas
es
and
have
ac
Bongos
3
3
3
3
3
cep
ted,
139
mp
1093
POET
I
Bongos
p
Pi mosso q = 112
1095
mp
MUSE
my
POET
I
have
ac
ceep ted,
pre sent ed
Bongos
3
Pi mosso q = 112
140
1097
MUSE
arms as they sooth you,
my lips
as they
POET
what pleas
es
pleas es
Bongos
3
1099 mf
MUSE
quench
you
mf
POET
and
have
Bongos
mf
mf
col
141
1100
MUSE
my
hips
as
they drench
you,
POET
lect
ed
Bongos
ff
1101
MUSE
as
ff
POET
I
have
ac
Bongos
ff
ff
cept
ed
they
142
1102
MUSE
move you,
move you,
you,
POET
what pleas
es,
Bongos
3
1104
MUSE
our lips as they quench you,
my
p
POET
dis
eas
es,
what pleas
es,
dis
Bongos
3
143
1106
MUSE
hips
as they drench
you,
eas
es,
what
my
hips
as they
POET
pleas
es,
dis
Bongos
3
ff
1107
MUSE
drench you,
you,
ff
POET
eas
es,
you
Bongos
3
sfz
have giv en me
dis
144
rit.
1109
POET
eas
es
rit.
6
3
Andante q = 100
1110
MUSE
Our
Sogo
Andante q = 100
1112
MUSE
bod ies
the
tools
3
with
3
Sogo
sfz
145
mp
1114
MUSE
which
we're made
fools,
our
Sogo
pp
mf
pp
ff
1116
MUSE
bod ies
our
bod ies
our
Sogo
ff
ff
1118
MUSE
our
our
our
our
our
3
Sogo
146
1120
MUSE
our
our
bod ies
3
Sogo
sfz
1122
MUSE
your
Cym.
mp
bod
147
1124
MUSE
your
3
Sogo
pp
pp
mp
1126
MUSE
bod
Sogo
mp
mp
148
ff
1128
MUSE
your
bod
Sogo
ff
ff
1130
MUSE
so
su perb ly
ling,
3
Sogo
1132
mf
MUSE
tip
Sogo
tip
tip
tip
149
f
1134
MUSE
tip
tip
tip
tip
tip
tip
Tamb.
f
Sogo
mf
1136
MUSE
glass
Tamb.
and join me
in
my
spil
ling,
tip
your
150
1138
MUSE
bring me
3
Tamb.
pp
mf
1140
MUSE
bring me
bring me
bring
me
bring
me
151
mp
1142
MUSE
bring
Tamb.
mp
mp
1143
MUSE
bring me
bring
me
to
your mouth.
Tamb.
f
me
152
1145
mf
POET
3
u ids
u ids
Sogo
6
p
6
1147
POET
u ids
Sogo
u ids
have
plen
ty,
my
son,
1149
153
accel.
3
POET
u ids
tem
per
ance have
Sogo
accel.
Allegro q = 126
1151
MUSE
bring
ff
POET
none,
Tamb.
f
Sogo
ff
Allegro q = 126
ff
me
bring
me
154
1154
MUSE
bring
me
bring
me
bring
me
f
POET
nev er
tease a horn y
bard
tease
tease
Tamb.
1157
MUSE
bring
me
bring
me
POET
tease
Tamb.
tease
tease
tease
155
1159
MUSE
bring
me
to
your
p
POET
tease
tease
tease
tease
Sogo
p
1161 ff
MUSE
mouth
ff
POET
nev
Sogo
f
ff
er
tease
horn
bard
with met
a phors un
156
p
1163
MUSE
bring
p
me
to
your
Nev
er
tease
POET
spun!
Sogo
p
ff
pp
mouth
ff
pp
1165
MUSE
POET
horn
bard
Sogo
ff
pp
ff
pp
157
1167
MUSE
bring
p
me
Nev
er
POET
6
Sogo
ff
pp
ff
pp
1169
MUSE
to
your
tease
mouth
POET
6
Sogo
horn
6
y
6
158
ff
1170
MUSE
ff
POET
bard
Sogo
ff
ff
1172
Cym.
pp
159
1175
MUSE
bring me
to your
POET
with met
Cym.
1177
MUSE
mouth!
f
POET
spun!
Gong
fff
All four men climax with violent abandon.
Even the dancers can be heard.
3
fff
3
3
3
3
3
3
a phors un
160
Largo q = 52
pp
1179
MUSE
I
pp
POET
I
W.Ch.
p
Largo q = 52
pp
1183
MUSE
things
l ling dream af
ter
things
dream
af ter dream
af ter
POET
af ter dream
af ter dream
161
Adagio q = 72
rit.
1186
pp
MUSE
dream
af ter dream
af ter dream
now,
dreams
pp
POET
af ter dream
af ter dream
af ter dream
un til
now,
Adagio q = 72
rit.
1189
rit.
pp
MUSE
ful lled,
mp
gain.
POET
ful lled,
rit.
gain.
c
3
dreams
mp
ppp
3
162
1193
POET
Not so hard to get a good night's sleep, just an evening's dancing, a warm butt
and some quiet, lay you ten to one it's all you'll ever need.
A tempo q = 72
1194
pp
5
4
POET
There
is no light,
the moon
has waned,
A tempo q = 72
5
4
pp
5
4
1199
POET
mf
5
4
weight
Pi mosso q = 84
c
that has just been re leased
on my spine;
mus cles
col
Pi mosso q = 84
5
4
c
mf
5
4
c
rit.
pp
1203
POET
lapsed,
breath ing
soft hairs
rit.
pp
that feel
like
163
A tempo q = 84
rit.
1208
Larghetto q = 60
POET
noth ing
be
tween
us.
A tempo q = 84
rit.
Larghetto q = 60
The lights slowly fade on the POET and MUSE, both of whom are sated and spent.
The DANCERS however, resume their coupling. Their movement slows down as their
1212 bodies become impossible to tell apart, and the lights very slowly fade out.
1216
pp 3
1219
1222
ppp
3
164
Lights up on the POET and MUSE. While they are not in the same space, they
are trading stories as if they were having a late night face to face with drinks.
MUSE
1230
1231
1232
POET
MUSE
POET
I remember when my friend Karen's husband had just left her, after
forty years.
"You don't know what it's like," she admonished me;
"No," I conceded, "and you don't
know what it's like to be left by forty husbands."
POET
Innocence can only be donned by a
soul who has tried everything.
1234 The POET stands up, goes to the sink and splashes some water on his face
POET
I should brush my teeth.
Andante q = 100
165
mf
1235
5
4
MUSE
I held you a mong the net tles
Andante q = 100
5
4
f
5
4
3
1238
MUSE
5
4
3
4
c
I pressed my face to your bod
in the
5
4
3
4
5
4
3
4
1241
Meno mosso q = 84
3
4
MUSE
stung by the dis ap
point ment,
rit.
your ab sence;
swayed
Meno mosso q = 84
rit.
3
4
p
3
4
166
A tempo q = 84
1246
MUSE
a mong the ow ers of your beau
ty
A tempo q = 84
1250
MUSE
and was bit ten by the wild
dis play,
mp
1254
MUSE
chase
me
mp
am
167
1258
MUSE
drowned
in the mem o
ry,
my
p3
1262
MUSE
roll
pants,
3
c
3
c
ff
1265
MUSE
c
bit ter
c
ff
168
Moderato q = 116
1268
mf
POET
I
Moderato q = 116
mf
1271
POET
me;
young er
than
me
(though
1273
POET
have
tra
di
tion
al
ly
pre
ferred
old
er).
Allegro q = 138
169
1275
POET
I
love
that we have
Allegro q = 138
n't
pp
1278
POET
met
and yet
feel
so
deep
ly
as
though we
1281
POET
had
love
that you've
loved
3
in
sev
en
170
3
1284
POET
lan
guag es
(for
have
so
man
yet
to
f
3
1287
POET
go);
love
rit.
3
1290
3
4
POET
"home"
(so that
rit.
3
can
of
3
4
p
3
4
171
Andante q = 76
1293
POET
3
4
c
When I truly think of you I realize that I don't
have a clue who you really are - do you smoke,
do you drink to excess, do you show kindness
to strangers? When I am sick will you nurse me
with joy; when you are sick will you allow
yourself to be coddled? Are you good with the
non-theoreticals? Is there blood behind your
honed words?
Andante q = 76
3
4
c
ppp
3
4
1298 Adagio q = 66
3
2
pp
3
2
pp
1299
MUSE
3
2
c
How
3
2
do
you
say
c
mp
3
2
172
1300
MUSE
5
4
c
no
dy
ing
man:
his
n gers in your
5
4
5
4
mf
1302
MUSE
to
5
4
c
hair,
the
smell
of
co
5
4
c
mf
5
4
p
1303
MUSE
c
logne
mask
ing
c
p
the
173
1304
6
4
MUSE
scent
of
dis
ease,
6
4
mp
6
4
1306
MUSE
rit.
6
4
A tempo q = 66
limbs
too tired
6
4
rit.
MUSE
3
4
3
2
trem bling with
3
4
3
4
3
4
pal sy,
gen
A tempo q = 66
3
2
3
2
c
pp
3
4
hands
A tempo q = 66
rit.
rit.
own,
A tempo q = 66
6
4
1308
3
4
tals
3
Andante q = 100
174
1311
MUSE
shrunk en
and
damp;
will
not
Andante q = 100
1314
MUSE
ght
you
ov
er
brok
en
love
or
p
1316
MUSE
ar
gue
ov
3
er
love's
reck
less
pp
175
1318
MUSE
reach;
the
moon
is
3
3
pp
rit.
1320
MUSE
set
ting,
it
is
time
for
rit.
1322
3
2
MUSE
sleep,
3
2
3
2
3
176
1323 Adagio q = 66
MUSE
3
2
c
but
how
do
you
say
Adagio q = 66
3
2
c
mp
3
2
1324
MUSE
5
4
c
no
to
dy
ing
man:
his
blood
5
4
5
4
rit.
1326
MUSE
mf
5
4
3
2
in
your
rit.
5
4
3
2
mf
5
4
3
2
Allegro q. = 116
p
1327
MUSE
177
3
2
6
8
mouth?
Allegro q. = 116
3
3
2
p
6
8
pp
3
2
1329
POET
6
8
e=e
6
8
If
e=e
6
8
6
8
c
you
don't
see
6
8
6
8
6
8
c
1332
POET
6
8
6
8
c
me
as
Shiv
a,
c
look
6
8
6
8
6
8
6
8
178
1335
POET
6
8
6
8
gain:
vi
pers
c
dive
6
8
6
8
6
8
6
8
6
8
1339
POET
6
8
c
in
to
my
bod
y,
as
horns
sprout
6
8
6
8
6
8
6
8
1343
POET
6
8
c
out
like
3
warts;
3
6
8
6
8
179
1346
POET
6
8
c
the
3
might
3
y
3
6
8
Gang
es
ows
from the
6
8
6
8
6
8
6
8
1349
POET
6
8
6
8
crack
in my
plains
be
neath
6
8
6
8
6
8
6
8
6
8
6
8
1353
POET
6
8
6
8
c
me;
6
8
with
Dur
c
pp
6
8
ga
on
one palm
and
180
mf
1357
POET
Kal
on
the
oth
er,
ff
POET
I
can
se
duce
the
world
and
3
ff
3
3
1362
POET
lay
it
3
to
ruin,
rid
3
ing
3
181
1365
POET
way
on
my
sacr
ick
1368
of a tail
we are
POET
van
ished:
Lie
Cym.
down
1370
be
mp
POET
fore
me
and
weep,
for
all
that
we have im
3
ff
182
3
1373
3
2
POET
ag
ined
is
true,
and
all
you
have
3
3
3
3
3
3
3
2
ff
3
2
Allegro q. = 116
1376
POET
3
2
6
8
dreamed
is
laid
to
6
8
waste:
e=e
6
8
6
8
6
8
6
8
3
2
3
e=e
Allegro q. = 116
3
2
p
1379
POET
6
8
6
8
6
8
6
8
6
8
pp
6
8
1382
POET
183
6
8
c
am
Shiv
6
8
6
8
a,
c
p
1385
6
8
POET
6
8
6
8
6
8
6
8
6
8
p
6
8
f
1389
POET
6
8
c
am
6
8
Shiv
a,
6
8
6
8
6
8
184
rit.
1393
POET
6
8
I am Shiva -
rit.
6
8
6
8
Andante q = 92
1397
POET
Tri.
5
4
5
4
Andante q = 92
5
4
c
mp
p
5
4
c
3
1401
POET
5
4
3
4
c
Who did you think you were dicking with?
Tri.
5
4
5
4
3
4
3
4
5
4
3
4
POET
185
rit.
1405
3
4
3
4
c
Nobody ever told me it's fun growing old,
to laugh at the years and watch time unfold,
The Poet can sense his sadness and fear. His tone
therefore softens a bit, but his sentiment is the same.
rit.
pp
3
4
3
4
3
4
3
4
pp
1410 A tempo q = 92
POET
3
4
c
life is a mirror which riddles the truth:
age is but an excess of youth!
A tempo q = 92
3
4
c
mf
3
4
c
mf
1414
3
4
MUSE
Angelic forms are cruel at best,
our hearts to slay and minds arrest,
3
4
pp
3
4
pp
186
pp
1415
MUSE
3
4
c
pp
POET
3
4
c
Be at peace my diminutive faun,
3
4
pp
3
4
c
mp
1422
3
4
MUSE
want
to
be
co de pend ent
with you,
3
4
POET
3
4
mp
3
4
1428
mf
2
4
MUSE
3
quip ment;
2
4
mf
2
4
187
1431
MUSE
2
4
geth er
un til
he
or she
2
4
2
4
1435
3
4
MUSE
calles the cops---
I want to bel
3
4
3
4
POET
3
4
c
I
3
4
3
4
3
4
3
4
POET
mf
1439
3
4
c
want
to
be
3
4
c
the
bot tle
the
nip ple
pp
mf
3
4
you
188
1444
5
4
POET
suck,
the
pp
c
o pi um
in
your
5
4
c
pp
mp
5
4
1448
veins...
pp
6
4
MUSE
I'd rath er see you
c
cry than be er u dite;
I want an
6
4
6
4
o pen heart
mf
1452
MUSE
and trem bling
mo tions.
5
4
I want us ter ri ed
5
4
mf
5
4
1456
MUSE
rit.
Pi mosso q = 104
189
5
4
5
4
c
and fra
gile,
tal
Pi mosso q = 104
rit.
5
4
5
4
5
4
5
4
1459
MUSE
5
4
3
4
too frail
to un
5
4
pack,
not to dis
mf
c
Presto q = 176
MUSE
kis ses
I have
3
4
3
play.
1464
3
4
5
4
mf
Presto q = 176
190
1468
MUSE
I
don't
care
1472
if
you
burst
in to tears
or
MUSE
laugh
ter,
as
long
as
you
melt
f
1476
MUSE
in
my
arms.
with
191
1480
MUSE
1483 rit.
Allegro q = 144
MUSE
I
want
you
too
Allegro q = 144
rit.
1486 rit.
Moderato q = 112
5
4
MUSE
ust
ered
to be
Je
sus.
mf
5
4
POET
As I said be fore.
rit.
Moderato q = 112
5
4
mf
5
4
192
1490
POET
5
4
c
I love
5
4
5
4
1493
POET
3
cal cu la tor
3
4
and ref er ence guide! But I plan tokeep my n ger al ways up on the
3
4
3
4
1496
POET
3
4
c
On/ Off switch.
c
I plan to show you con tent
3
4
3
4
193
1499
POET
5
4
c
3
5
4
5
4
1502 Adagio q = 72
rit.
5
4
MUSE
3
4
I - I ...
pp
POET
and then breathe
5
4
Adagio q = 72
3
4
c
tal
clay.
rit.
5
4
3
4
5
4
3
4
pp
194
Andante q = 100
1507
POET
3
4
I
have
two
noos
es
Andante q = 100
3
4
p
3
4
1512
POET
one
for
you
and
one
for
me.
1517
POET
Let's
die
to
this
life
and be born
195
1522
POET
gain,
to
geth er
on a farm
some
where,
1527
POET
where
1532
POET
and two dust
may
share
lads
mf
196
1536
POET
bed.
Let's quiv
3
er
and
3
gig
gle
dur ing
mf
3
3
1539
POET
thun
der
storms
and gawk
dumb
found
ed
at
col canto
1542
POET
end
less
3
skies
3
full of tire
3
less
3
stars.
3
c
f
3
col canto
c
3
197
p
1546
POET
3
4
3
4
3
4
3
4
p
3
4
3
4
pp
1550
POET
Let
us
die now
pp
1555
POET
from our
lands
so
far
part,
to
geth
er
198
Moderato q = 120
1560
POET
where
Moderato q = 120
c
c
mf
1564
3
4
POET
wave
and rant
vile
3
4
mf
3
4
accel.
1568
POET
3
4
vi
tri
ol
bout
an
accel.
3
4
3
4
199
Allegro q = 160
1571
POET
break fast ce re al;
let
us
meet
to
geth er
in a
Allegro q = 160
c
f
c
1575
POET
land
ruled by
hob bits,
dwarves,
and
din
o saurs in
1579
3
4
POET
an
nel
vests...
3
3
3
4
3
3
4
200
POET
Andante q = 100
rit.
1582
3
4
rit.
Andante q = 100
3
4
3
3
4
p
1586
POET
I
have
two
noos
es
both
1591
POET
let
ters
and
poems
re ceived
and
sent.
weaved
from
201
Moderato q = 120
1596
POET
They con
tain
your dreams,
your faith,
your
Moderato q = 120
1601
POET
scent;
I share
one with
you,
my
mp
1604
POET
po
et
my
friend,
c
p
202
1607
POET
3
4
c
life,
ma
trix
of a
lone
ness:
3
4
c
f
3
4
Andante q = 100
rit.
ff
1610
POET
and what is
rit.
Love,
if
not worth dy
ing
Andante q = 100
ff
1614
POET
for?
what
is
mp
pp
Meno mosso q = 76
203
rit.
rit.
pp
1620
POET
Love,
if
not worth
Meno mosso q = 76
rit.
rit.
A tempo q = 69
Adagio q = 69
1627
ad lib.
5
4
MUSE
5
4
POET
dy
ing
for?
Adagio q = 69
A tempo q = 69
5
4
5
4
pp
1632
MUSE
5
4
3
3
su i cide
5
4
5
4
c
I trem ble and
5
4
c
pp
5
4
5
4
204
1635
MUSE
5
4
3
4
love
shiv er
and
sharp en
the
knives...
5
4
3
4
5
4
3
4
1638
POET
Who did you think you were messin' with, buttboy?
I am that I am!
Now, sweet child, if you would, I have
universes to attend to.
So put up your damn rhymes, pull up your
meta-phors, and get your presumptuous ass to bed!
1639
POET
I love you, So fuck off!
1640 A tempo q = 69
3
2
pp
3
2
pp
205
p
1641
MUSE
3
2
5
4
Horn
ets
crash
gainst
the
3
2
5
4
mp
3
2
5
4
1642
MUSE
5
4
win dow glass
in
an
ef fort to
es
scape
the
night:
5
4
3
2
5
4
3
2
1644
MUSE
3
2
mf
3
2
c
I
3
2
blow
out
the
c
mf
3
2
206
1645
MUSE
3
2
c
can
dle
cov ers
ov
er
my
3
2
c
p
3
2
1647
MUSE
3
2
head...
3
2
c
p
3
2
1648
MUSE
5
4
c
How do you say no to a dying man?
5
4
5
4
207
1650
5
4
c
mf
5
4
1651
c
p
c
rit.
1653
pp
1655
1657
5
4
3
pp
5
4
208
Adagio q = 69
1660
POET
5
4
c
I
Adagio q = 69
5
4
c
mp
5
4
1663
POET
miss
all
3
my
3
old
lov
where
mf
1665
ers,
3
2
POET
ev
be
neath
the grass,
3
2
3
mf
3
2
1667
POET
209
3
2
c
I
would take
gain
in
my
3
2
c
p
mf
3
2
c
3
1669
5
4
POET
arms
and
3
that
3
5
4
5
4
mf
1671
POET
5
4
c
bad,
that
it
will
5
4
mf
5
4
all
be
all
c
3
210
1673
3
4
POET
right;
death
af ter
all
seems so
un
3
4
3
mp
3
4
1676
mf
POET
reach a ble
to
the
liv ing,
1679
so
tem po rar y
as
POET
though
mf
take,
211
1681
POET
a
dream
Cym.
pp
c
3
ff
1684
POET
al
i
3
ty
of th sun
ny
morn.
in to the re
212
The MUSE enters. He somehow looks older now, as if he's
just reached the summit of a climb he had grossly underestimated.
When he sings, the POET does now look up from his writing.
pp
1686
POET
pp
1688
Largo q = 58
1690 rit.
pp
5
4
MUSE
c
In
rit.
Largo q = 58
5
4
c
pp
5
4
213
1694
MUSE
5
4
c
death per haps our song
sweet,
but
5
4
5
4
1696
MUSE
is
mp
c
liv
ble
feet
with which
to glide on
c
mf
c
rit.
1698
pp
A tempo q = 58
MUSE
bor rowed wings, some min or trips, a few good things,
A tempo q = 58
rit.
pp
214
mp
1701
MUSE
then
back a
gain to Heav
en's
mp
mf
1703
MUSE
teat,
re plete.
f
POET
But for the
Cym.
mf
215
1706
POET
love
Cym.
of
mor
tal
man
would I
sail
to ward that
1707
POET
prom
ised land,
we
nd this
gliss.
ff
1709
POET
pa gan king,
at
home
ff
rit.
216
1711
POET
sand
but
for
the
love
rit.
gliss.
Andante q. = 76
1713
mf
6
8
MUSE
Mon
a mi,
6
8
POET
of mor
tal
man.
Andante q. = 76
3
6
8
3
6
8
3
the
217
1716
MUSE
ros
es are wilt
ing a
gain,
we ne
ver seem
to
3
3
mf
1719
MUSE
bur
y them fast
nough...
The ros
es are dy
ing
3
3
rit.
1722 p
2
4
MUSE
one
by one,
you
and I,
3
we die
3
slow
rit.
3
2
4
p
2
4
218
1725
MUSE
A tempo q. = 76
mf
2
4
2
4
nough
to
6
8
watch
them:
we should learn
A tempo q. = 76
3
2
4
2
4
6
8
mf
2
4
2
4
6
8
3
Andante q = 108
f
1728
3
4
MUSE
nev
er to plant
3
in some
3
thing shal
low as
3
love.
Andante q = 108
3
4
f
3
4
219
1731
MUSE
mp
POET
I
1735
POET
want
ed
it move,
220
1739
POET
I knew your bod y in that shape
too
1743
POET
but nev er knew how
to make it
re spond;
1747
POET
my
3
pen
did not
221
f
1750
POET
want to see!
3
ff
Adagio q = 69
1753
Cym.
f
There is LIGHTINING and gentle THUNDER.
They BOTH listen as the rain begins to fall.
Adagio q = 69
pp
ppp
222
pp
1761
MUSE
The rain
W.Ch.
is
here
af ter a long
ab sence.
c
c
1767
POET
It soothes the
mf
1770
POET
wash es leaves clean
mf
lair,
where it
223
p
1773
POET
touch es me
I am cleansed:
it rins es my
hair
Tamb.
f
gliss.
mp
1776
POET
brow
of my thoughts,
Tamb.
224
f
1779
3
4
POET
it
brings
to
light
the
3
4
Tri.
3
4
fp
3
4
fp
rit.
1783
Meno mosso q = 58
pp
POET
spring,
bloom ing
Tri.
p
rit.
Meno mosso q = 58
pp
pp
225
1788
3
2
POET
bat ed,
the
rain
has re turned:
Gong
am
bar ren
no
3
2
pp
3
2
c
f
ppp
3
2
MUSE
rit.
pp
1793
3
2
3
4
c
You
POET
3
2
way--- your
3
4
c
rit.
more.
3
2
3
4
3
2
3
4
Adagio q = 69
1797 mf
MUSE
eve ry breath
brings
me
clos er to
your
Adagio q = 69
mf
226
Meno mosso q = 60
p
1800
2
4
MUSE
lips:
3
4
we
are the
2
4
por tals
of the Un
know a ble,
Meno mosso q = 60
2
4
3
4
2
4
3
4
2
4
2
4
3
1804 f
MUSE
3
4
3
4
you and I.
POET
3
4
c
f
pp
mp
c
accel.
1810
3
3
3
4
Andante q = 76
227
mf
1813
POET
If
Andante q = 76
you
do
not
al
mf
1815
2
4
POET
read
1817
POET
know
it,
young
3
4
po
then
2
4
3
4
2
4
3
4
mp
3
4
2
4
trust
3
4
my words,
that
3
4
I
2
4
p
3
4
et,
am
with
you
3
4
f
2
4
3
4
228
1819
POET
3
4
2
4
now
and
will
3
4
nev
er
be
3
4
2
4
3
4
3
4
2
4
3
4
1821
POET
3
4
2
4
part
from you---
which is
3
4
big
sive
of the
2
4
p
3
4
2
4
rit.
1824
POET
fact
that
de
mand
un lim
it
3
ed
ac
rit.
cess---
or at
229
A tempo q = 76
1827
POET
least
rst rights of
re
fu
sal--
to
your
A tempo q = 76
1830
POET
deep
est
re
ces
Sogo
p
ses
and the
230
1834
rit.
POET
Pre cious Child that
we
have
be
got.
Sogo
f
rit.
Largo q = 58
1838
MUSE
We make
POET
Tri.
Sogo
p
Largo q = 58
c
3
3
ppp
231
1843
MUSE
5
4
love as we al ways have where we al ways have, and those who have
Cym.
al
ways
5
4
5
4
c
3
5
4
1846
MUSE
3
2
c
scorned us
con
5
4
tin ue,
as we con tin ue in
3
4
si lence, our e mo tions
3
2
5
4
3
4
3
2
5
4
3
4
f
1849
MUSE
3
4
pure as sweat,
Cym.
3
4
our
c
voic es
speak ing
loud ly
3
4
3
4
3
4
3
4
with
in us.
ff
3
4
3
4
232
Andante q = 100
f
1853
3
4
MUSE
Love
has come
to
has come
to
3
4
POET
Humbly, we took pride in this,
that two men stood and bravely kissed,
oblivious to voice or st,
enraptured in this simple bliss.
Love
3
4
Cym.
pp
Andante q = 100
3
4
ppp
mf
3
4
1859
MUSE
wake
the dead,
p
let
souls
re
joice
f
and
ll
the
bed
as
wake
the dead,
let
souls
re
joice
and
ll
the
bed
as
POET
3
3
3
233
mp
1865
rit.
3
4
MUSE
from
the
mp
3
4
POET
from
the
rit.
3
4
c
mp
3
4
A tempo q = 100
pp
1869
MUSE
ground:
Love
pp
has come to
shake the
earth,
to
cleave
her
ground:
Love
has come to
shake the
earth,
to
cleave
her
POET
Cym.
mp
pp
A tempo q = 100
pp
3
234
f
1875
MUSE
thighs
and
give
her
birth,
POET
thighs
and
give
her
birth,
p
3
3
1879
MUSE
an gels ll the air to yank us
up
by
ears
and
hair.
POET
an gels ll the air to yank us
up
by
ears
and
hair.
Tamb.
c
c
235
1884
MUSE
3
4
c
Love
POET
come
to
end
the
drought
with
to
end
the
drought
with
3
4
c
Love
Tamb.
has
has
come
3
4
3
4
3
4
1888
2
4
MUSE
hearts
ed
out;
I heard the
ring,
2
4
POET
hearts
Tamb.
ed
out;
I heard the
ring,
2
4
2
4
2
4
236
1891
MUSE
2
4
3
4
the
POET
al
2
4
bell,
while
was
3
4
the
Tamb.
2
4
2
4
al
bell,
while
was
2
4
3
4
2
4
2
4
3
4
2
4
2
4
3
4
2
4
1894
MUSE
2
4
3
4
bus
POET
2
4
Hell.
3
4
bus
Tamb.
y court ing
y court ing
Hell.
2
4
3
4
2
4
3
4
2
4
3
4
per
237
1897
MUSE
haps this heav en
we em brace
an gel ic
POET
is two clear
eyes,
1900
MUSE
face,
where
blue,
where
blue,
POET
238
1903
MUSE
com pas sion, joy,
and
sor
row
sor
row
POET
com pas sion, joy,
and
Tamb.
f
pp
mp
pp
mp
1906
MUSE
too,
saint ly
smile,
up
mp
POET
too,
which dev
il
grins
239
1909
on
cleft
and
3
4
POET
and
1911
MUSE
3
4
MUSE
3
4
3
4
mf
3
4
c
top
stout and
no
ble
breast
which bids
us
suck
at
which bids
us
suck
at
mf
POET
3
4
c
top
3
4
stout and
no
ble
breast
c
mf
3
4
240
ff
1913
3
4
MUSE
God's
be
c
hest;
ff
3
4
POET
God's
be
c
hest;
3
4
3
4
ff
1915
MUSE
rit.
Adagio q = 69
3
4
life
life
p
POET
3
4
rit.
Adagio q = 69
3
4
pp
3
4
241
1921
MUSE
way from mor
tal
harm
mf
POET
way from mor
tal
harm
as crushed are we
by sage
ly
arms
mp
1930
rit.
pp
Largo q = 58
MUSE
and tucked a
rit.
thighs:
Largo q = 58
c
pp
242
1938
5
4
MUSE
Yes,
pp
Heav
en,
this,
5
4
POET
I'll
glad
ly,
3
4
Yes,
3
3
4
Heav
en,
this,
I'll
glad
ly,
5
4
3
c
3
pp
5
4
3
4
3
4
1941
MUSE
3
4
die!
POET
Yes,
3
4
3
4
en,
3
4
Yes,
5
4
Heav
en,
c
3
5
4
Heav
c
die!
3
4
3
4
3
4
3
4
5
4
5
4
243
1944
MUSE
5
4
this,
POET
I'll
glad
5
4
I'll
die!
5
4
glad
ly,
die!
c
3
5
4
5
4
pp
3
2
5
4
Heav en,
c
this,
I'll
glad
ly,
5
4
Tamb.
5
4
5
4
5
4
pp
3
2
3
5
4
ff
3
2
3
Heav en,
c
this,
I'll
glad
5
4
5
4
3
2
die!
pp
3
2
Yes,
5
4
5
4
Yes,
POET
1947
MUSE
ly,
c
this,
5
4
5
4
ly,
die!
pp
5
4
244
1952
MUSE
POET
Cym.
ff
Gong
ppp
For the rst time in the entire piece, the POET and the MUSE
look at each other, They freeze as the world around them melts
away with the falling rain until there is nothing left around them
but beautiful, empty space. The DANCERS enter and guide the
POET and MUSE very close to one another. While the two of
them are still locked in each other's gaze.
1958
3
2
ppp
3
2
245
1962
c
3
1966
pizz.
Sogo
pp
mf
mp
246
1972
Sogo
6
3
1974
Sogo
1976
Sogo
ff
ff
247
1979
Sogo
1981
Sogo
1982
3
4
Sogo
3
4
3
3
4
248
1984
3
4
Cym.
fff
mp
3
4
c
3
fff
5
3
3
4
c
6
Meno mosso q = 46
1987
rit.
3
Adagio q = 69
5
4
c
pp
5
4
rit.
1993
5
4
c
fff
5
4
249
Andante q = 104
1998
Cym.
mp
ff
ff
Gong
ff
Andante q = 104
mp
fff
3
3
2003
c
3
pp
fp
2008
fff
250
2012
pp
2015
fff