Adorn Users Guide

$
the
a d orn
the
a d orn
c ol l ect ion
c ol l ect ion
SCRIPTS
MONOGRAMS
Bouquet
Solo
Coronet
Duo
Garland
Trio
Pomander
D I S P L AY
Sans Condensed
O R N A M E N TAT I O N
Sans Expanded
Catchwords
Copperplate
Frames
Engraved
Banners
(regular & expanded)
Ornaments
Slab Serif
(regular & bold)
Serif
Roman
(
l a u r aw o r t h i n g t o n t y p e . c o m
l a u ra wort h i ng t on t y p e
t he ad or n c ollec t i on
a b o u t t h i s f o n t fa m i ly
Adorn t
by Laura Worthington
w
a d or n .
larger and more multilayered than Worthingtons award-winning

Charcuterie, Adorn offers seven display fonts, four script designs,
monograms, ornaments, illustrations, banners, frames,
and catchwords.
Weddings and gift-giving have moved into a new era, one that
is more personal and heartfelt, dispensing with formalities. Even
the concept of elegance has morphed from something rigid
and perfect in its stylishness to a lifestyle that might include
mismatched china, roses in a misshapen handblown glass vase,
and elements of nature strewn across our stationery. An elegant
wedding can be set on a hill overlooking the ocean, not from a
seaside mansion, but at a spot arrived at after tromping a mile
hat can be more lovely than a wedding,
through the forest. As we say farewell to cookie-cutter weddings
an intimate invitation, a gift from the
and templated events, Adorn helps us kiss corporate-looking
heart? One whose presentation uses the
stationery goodbye.
warm and welcoming family of typefaces,
This ambitious undertaking by type designer Laura
Worthington embraces those celebrations in life, be they small or

momentous and provides fonts to enhance the beauty of what
we use to communicate during these moments. With a modern
and sometimes quirky twist on the staid, almost corporate look
of formal invitations, this family of lettering typefaces arms
Anyone in the business of helping others celebrate lifeflorists,

menu designers, landscapers, caterers, tailors, event planners
will find fitting fonts in the Adorn collection. DIYers and
designers will enjoy Adorn, too, for use in prints and drawings,
quotes, invitations for gatherings, greeting cards, baby showers,
gift cards, even wine bottles.
designers with a breathtakingly large number of faces that

work harmoniously, despite the distinctiveness of each. Even
MONO G R A M S
a d o r n c at c h w o r d s ,
The jewel in the crown of this collection may be the three
Twenty-one
monogram design styles:
lettered using a fountain pen calligraphic technique, provide
a d or n duo
a d or n s ol o
for a pair, and a d o r n
for one letter,

t r io
for
all custom hand-
a stunning way to display frequently used words, such as
the classic three-letter monogram. Simply type in the
prepositions, to connect factual information or simply to bridge
lowercase/uppercase letters and your monogram is finished.
the gap between a lavish script and a hard-working display font.
These monograms were carefully wrought: each combination

of letters is a revelation of complex crafting, with no collisions
or overlaps. Despite their intricacy and detail, these are not
your grandmothers monograms. They are modern and bursting
with personality. Worthington sketched them in pencil, then used
a fountain pen for contrast and detail before digitization. Solo
is fresh and airy; Duo is more calligraphic, blossoming before
your eyes; Trio is denser, with the center letter carrying a hint of
art nouveau. Graphic designers will have their own uses for these;
DIYers will see a takeoff point for jewelry, cards, invitations,
rubber stampsan endless source for personalizing and elevating
the everyday, the special gathering, or a handmade creation.
C AT C H WOR D S , B A N N E R S , F R A M E S ,
A N D OR NA M E N T S
Adorn offers four noteworthy extra fonts, though the creative
professional will find them anything but superfluous: catchwords,
banners, frames, and ornaments.
Twenty
a d or n b a n n e r s ,
each with a mirrored image
left and right element, are available, with a customized center

that can be expanded to encapsulate a message or heading of
any width. Whether the design requires something sophisticated,
flowery, or hand-drawn in appearance, or a structure that
whispers in the background so the message itself is the star,
Adorn Banners is marked by the same versatility as the rest
of the collection.
a d or n f r a m e s
is a highly customizable set of elements
offering a multitude of approaches to creating frames of any

width, height, and style. Use it for corner elements, borders,
or to make an actual frame. Adorn Frames features twenty
corner elements and a set of nine top, bottom, and side pieces,
along with a detailed description in the Users Guide on how to
construct the frames. Sides pieces include scalloped edges and
other options with personality, along with classic straight edges
to form rectangles and squares.
In keeping with the spirit of the collection, a d o r n

or na m e n t s
gift the designer with one hundred thirty-
eight unique ornamental illustrations. From works inspired by
including the other Adorn fonts, Adorn Coronet is even a bit

closer to handwriting. With 268 swashes and alternates.
nature, to stunning wreaths, embellishments, rules, and iconic
The script face,
wedding symbols, Adorn Ornaments are meant to accompany
butterfly of a font: light and airy. We see the essence of those
the scripts, rather than restricting them to a theme. They dance
times when love is new, when our minds take flight with
from whimsical to modern to vintage looks, yet stay safely
daydreams, and our days are bright and giddy. The uppercase
within the range of the spectrum that is appropriate for the
letters, especially, break the rules of traditional classic calligraphy.
style of the scripts.
With 390 swashes and alternates.
S C R I P T T Y PE FAC E S
a d or n g a r l a n d
Adorns script typefaces, using modern lettering with a cursive
is, it works as more of a textural element than a headliner, a
impression, are Coronet, Pomander, Garland, and Bouquet.
supporting actor rather than the leading rolethough designers
Their common originsthe fountain pen and a singular design
can make much of it on its own if they choose. Its not the bold
aestheticgive them a cohesive look, one that carries the warmth
statement; its the subheading, the afterword, the reminder:
of the human hand. They are strongly connected to what is
Wedding reception to follow. With its slow, and gently deliberate
personal, imperfect, and authentic, fulfilling todays yearning for
style, and long entry and exit swashes, it can function as a long
a sense of the craftsperson behind what we use.
string, rule, or dividing line. Rather than deriving its strength
a d or n c oron e t s
script face exemplifies the Adorn
spirit of both modernizing and personalizing typefaces. Its crisp,

angular, and straightforward; it adds a snappy yet subtle edginess,
even a slight sense of masculinity, to a design. Less embellished,
loose, and flowy and more condensed than many scripts,
a d or n p om a n de r ,
is a whimsical
is a script face that runs along
a different, and somewhat vintage direction. Beautiful as it
from a heavy skeleton or structure, it uses its sense of contrast,

its light touch upon the page, and its elongation to provide
a visual break. With 234 swashes and alternates.
At the other end of the spectrum is the naivet and giddiness
of a d o r n
b ouqu e t .
If Adorn Engraved is the wedding
vow, Adorn Bouquet is the daydreamy doodles in the corner

of the wedding to do list; its the bachelorette party, or the baby
s a n s e x pa n d e d
shower. It wants to be fancy, but its exuberance bursts through,
Like its sister font, Sans Expanded is a display font with warmth
spilling curlicues across the page. Adorn Bouquet is intentionally
and hand wrought charm that works as an elegant replacement
irregular, created with a practiced hand to communicate joy
for formal type. Ideal for tasks such as making addresses, cards,
uncontrolled and informal: the champagne bubbles, the tipsy
and gift tags look handwritten, Sans Expandeds potential in
speeches, the heartfelt poetry. Theres nothing static about this
the milieu of love and friendship is unlimited. But see it, too,
font: The letters bounce along the baseline, with little tilts
as signage for a summer fruit stand or labels for the little shop
all askew, small and large counters, and exit swashes that bring
around the corner. In contrast to Sans Condensed, the roughness
some letters as close as two lovers or pull them as far apart
was exaggerated so that its characteristics, when compressed,
as the sweep of an endless train on a bridal gown. With 240
remain intact. Use Sans Expanded in a very small font size, loosely
swashes and alternates.
tracked, and its personality sings.
A D OR N S A N S DI S PL AY F ON T S
ADORN SERIF DISPLAY FONTS
s a n s c on de n s e d
Adorn Serifs add weight to hold the scripts in check, just as the
Of all the fonts in the Adorn Collection, Sans Condensed may

be the most easily identified as bucking the template-derived
wedding trend, given its modernity and informality. Created for
weddings, gatherings, and pretty handmade items, it would
be equally at home as a branding element of a startup or titling
wedding ceremony is not merely the scripts rose petals and

tinkling glasses and kisses, but the serifs solemn vows and rings,
as well. Adorn Copperplate, Engraved, and Serif include small
caps to afford more variety in word shapes, making even these
display fonts more readable in special settings.
in movie credits. Brimming with whimsy and the eccentricities
Adorns serif typefacesCopperplate, Engraved, Serif, and
of the human touch, Condensed Sans also has contextual
Slab Serifare more closely related to the highly defined models
alternates with ambicase lettersa distinctive feature not usually
were accustomed to seeing in classic fonts. A slab is a slab; a
found in display fonts.

copperplate is still a copperplate. Yet, Adorns serif display fonts
in that they are all mono-weights. They are perhaps more
break free from the slick and overly polished stock. Leaning
masculine in style than many of the other typefaces, with a
toward a handmade authenticity, they were originally drawn
touch of retro,an historic reference with a contemporary spin.
by hand, and Worthington accentuates their irregularities and
The option to use both upper and lower cases also affords a
organic look in her design choices.
practicality. Adorn Slab Serifs work beautifully when paired with

the pizazz of Adorns cursive scripts.
a d o r n c o p p e r p l at e
has the sturdiness of the
classic copperplates, and continues their rich traditional sense of
ADORN ROMAN
practicality and familiarityyet with a more modern take. Trendy

on wedding invitations, they are all too often heavy-handed.
a d or n rom a n
is both a display and text typeface
Adorn Copperplate is pretty and structural at once, with tiny
marked by its traditional calligraphic hand. Technically it is a
surprises poking out: a delicate leg here, a slim stroke there.
humanist sans, with tapering stems and high contrast in its thicks
and thins. It was created with a chisel-edged calligraphy pen, and
a d o r n e n g r av e d
e x pa n d e d
and
a d o r n e n g r av e d
are strongly reminiscent of formal invitations
even digitized it has the look of what a designer might create

with a calligraphic tool. With more texture and character than
popular in the past. Still, the sweet tail of the Q and the irregular
youd typically find in body text, it brings a softer, warmer look
qualities of the lines bring it into the twenty-first century. Adorn
for small groupings of words. For weddings, this might be the
Engraved Expanded, especially, accentuates the decorative look
description of the venue, or the directions to the reception. The
of the engraved font; the incisions within the stems and serifs
lowercase adds a practicalityto the collection with its ability to
allow the designer to use color to enliven them.
convey information without straining the eye.
a d or n s l a b s e r i f
is available in Regular and Bold
weights. Though these display fonts can also be used for body
text, their uppercase mode shines, adding texture and style to
a message. Adorn Slab Serifs are unique in the Adorn collection
ad or n c orone t
about
Adorn Coronet
Adorn Coronets script face exemplifies the Adorn

spirit of both modernizing and personalizing
typefaces. Its crisp, angular, and straightforward;
it adds a snappy yet subtle edginess,
even a slight sense of masculinity, to a design.
Hello
ad or n c orone t
about
Greetings
and
Salutations
A coronet is a small crown
consisting of ornaments fixed on a metal

ring, worn by a nobleman or a lady
Font Specifications
a d or n c oron e t
Part of the Adorn family of fonts

c h a r ac t e r s :
1070 characters per weight

f on t f i l e s :
1 OpenType (.otf) file and 1 TrueType (.ttf) file

ava i l a bl e :
LauraWorthingtonType.com
ope n t y pe faq :
To access alternates and for any OpenType questions,

go to: http://LauraWorthingtonType.com/faqs/
or ig i na l r e l e a s e :
May 2 014
ad or n c orone t
d e fa u lt c h a r a c t e r s
Default Characters
ABCDEFGHIJKLMNOP
QRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
01 2 3 4 5 6 7 8 9
! "# %&'()*+,-./:;<=>?[\]^_`{|}~
$
ad or n c orone t
e x t e n d e d & b a s i c l at i n c h a r a c t e r s
Extended & Basic Latin

ad or n c orone t
s wa s h e s / a l t e r n a t e s
Swashes/Alternates
Swash Caps A B C D E F G H I J K L
MNOPQRSTUVWXYZ
Standard Ligatures ff tt
Titling a b c d e f g h i j k l m n q r s t u x y z
Stylistic Alternates r s x z
Beginning Forms and Ending Forms (see Stylistic Sets)

ad or n c orone t
beginn ing for m s
a a
ss01
ss02
b b
ss01
ss02
en ding for m s
Stylistic Sets
aa a
ss03
ss03
ss04
ss04
s s05
s s05
t i t ling
(titl)
s t y l i s t i c a lt e r n at e s
( s a lt )
titl
ss06
b b
ss07
ss08
ss09
b b b
ss10
titl
c c c c c c
ss01
ss02
ss03
ss04
s s05
d dd d d
ss01
ss02
ss03
ss04
s s05
titl
d d
ss06
ss07
ss08
ss09
d d
ss10
ss11
ss12
titl
ad or n c orone t
e e
ss01
ss02
e ee e
ss03
ss04
s s05
titl
f f f ff f
ss01
ss02
ss03
ss04
s s05
titl
titl
g g g gg g
ss01
ss02
ss03
ss04
h hh h
ss01
ss13
ss02
ss14
ss03
ss04
s s05
ss06
g
ss07
h h h
s s05
ss06
ss07
g
ss08
h
ss08
g g
ss09
h
ss09
ss10
h
ss10
g
ss11
h
ss11
g
ss12
h
ss12
titl
beginn ing for m s
en ding for m s
t i t ling
(titl)
( s a lt )
ad or n c orone t
ss01
j
ss01
ss02
i ii
ss03
j
ss02
ss04
s s05
ss06
titl
j jj j
ss03
ss04
s s05
ss06
ss07
ss08
ss09
j
ss10
j
ss11
j
ss12
k kk k k k
ss01
ss07
ss02
ss03
k k
ss08
ss09
beginn ing for m s
ss04
k k
ss10
s s05
ss11
ss06
ss12
ss13
en ding for m s
ss14
t i t ling
(titl)
titl
( s a lt )
ad or n c orone t
l ll l
ss01
ss13
ss02
ss14
ss03
ss04
l l l
s s05
ss06
ss07
l l
ss08
ss09
l
ss10
l
ss11
ss12
titl
m m m m m m mm
ss01
n
ss01
ss02
ss03
ss04
s s05
ss06
ss07
ss08
titl
n n n n nnn
ss02
ss03
ss04
s s05
ss06
ss07
ss08
titl
o o oo
ss01
ss02
ss03
beginn ing for m s
ss04
en ding for m s
t i t ling
(titl)
( s a lt )
ad or n c orone t
pp pp p
ss01
ss02
ss03
q q
ss01
r
ss01
ss01
q q
ss02
ss03
r r
ss02
s s
ss02
ss04
ss03
ss04
s s05
beginn ing for m s
ss06
ss07
ss04
ss08
p
ss09
p
ss10
p
ss11
titl
rr r
ss04
s s05
ss
ss03
s s05
ss06
ss07
titl
r
s a lt
titl
s a lt
en ding for m s
t i t ling
(titl)
( s a lt )
ad or n c orone t
t tt t
ss01
ss02
ss03
ss04
t
s s05
t
ss06
ss07
ss08
ss09
ss08
titl
u u u u uu u

v v v
ss01
ss02
ss03
ss01
ss02
ss03
ss04
ss05
ss06
ss07
t
ss10
titl
ww u
ss01
ss02
ss03

beginn ing for m s
en ding for m s
t i t ling
(titl)
( s a lt )
ad or n c orone t
x x x xxx x
ss01
ss02
ss03
ss04
s s05
ss06
ss07
y y y y yy y
ss01
ss02
ss03
ss04
s s05
ss06
ss07
x
titl
y
ss08
x
s a lt
y
ss09
y y
ss10
y
ss11
ss12
y
titl
z z
ss01
ss02
z zz z z
ss03
beginn ing for m s
ss04
s s05
ss06
ss07
en ding for m s
z
ss08
t i t ling
(titl)
z
ss09
z
ss10
ss11
ss12
titl
s a lt
( s a lt )
Festoon
ad or n c orone t
to
to
Emblaze or
Festoon
Emblaze or
embellish
embellish
Array
Array
Ornament Ornament
ss09
ss 03
ss 02
ss01
ss 13
ss 08
ss 10
ss 06
ss 11
s wa s h c a p s
ss 05
ad or n c orone t
Chopin's
Nocturne
for Piano Op.9 No. 2
E- o
ad or n c orone t
Chopin's
Nocturne
for Piano Op.9 No. 2
E- o
stylistic set 09
ss 03
t i t ling ( t i t l )
ss01
ss 07
s wa s h c a p s
ss 05
adorn pomander
about
Adorn Pomander
Adorn Pomander, is a whimsical butterfly of a font:

light and airy. We see the essence of those times
when love is new, when our minds take flight with
daydreams, and our days are bright and giddy.
The uppercase letters, especially, break the
rules of traditional classic calligraphy.
Hello
adorn pomander
about
Greetings
and
Salutations
Pomme d'ambre, ie. apple of
amber, is a ball made of perfumes

such as ambergris, musk, or civet
Font Specifications
a d or n p om a n de r


f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
adorn pomander
Default Characters
ABCDEFGHIJK
LM N OPQ R S T U V W X Y Z
0123456789
! "# %&'()*+,-./:;<=>?[ \]^_`{|}~
$
adorn pomander
b a s i c & e x t e n d e d l at i n c h a r a c t e r s
Basic & Extended Latin

adorn pomander
Swashes/Alternates
Swash Caps A B C D E F G
HIJKLMNOP
QRSTUVWXYZ
Stylistic Alternates r s t x z
Ligatures tt
Beginning & Ending Forms

(see Stylistic Sets)
adorn pomander
s t y l i s t i c a l t e r n at e s
( s a lt )
beginn ing for m s
en ding for m s
Stylistic Sets
aa a a a a a aa a a
ss01
ss01
b b
ss13
ss02
ss03
ss02
ss03
ss14
ss15
cc c
ss01
ss02
ss03
ss04
ss04
ss16
s s05
ss06
b b
s s05
ss06
b b
ss17
ss18
c c c
ss04
s s05
ss06
ss07
ss07
ss08
ss08
ss09
ss10
b b
ss09
ss10
ss11
ss11
b b
ss19
ss20
You can find these swashes in the

Glyphs palette under Entire Font
c ccc c
ss07
ss08
ss09
ss10
ss11
ss12
adorn pomander
ss01
d d
ss13
ss03
ss14
ss15
ss04
ss16
s s05
d d
ss06
ss07
d d
ss17
ss08
ss09
ss10
ss11
ss12
d d
ss18
ss19
ss20

e e e e e e e ee ee
ss01
ss01
ss02
ss03
ss02
ss03
gg g
ss01
ss02
ss03
ss04
ss04
s s05
ss06
ss07
ss08
ss09
s s05
ss06
ss04
s s05
ss06
g
ss07
( s a lt )
g
ss08
g
ss09
ss10
g
ss10
beginn ing for m s
ss11
g g
ss11
ss12
en ding for m s
adorn pomander
ss13
ss14
ss15
ss01
ss02
h h
ss13
ss14
g g
ss16
ss03
ss04
ss15
i i i
ss16
s s05
ss06
h h
ss17
ss18
ss02
ss03
ss04
ss01
ss02
ss03
ss04
s s05
ss06
ss07
ss08
ss09
ss10
ss11
ss12
h h
ss19
ss20

ss01
j j
h h
( s a lt )
ss07
ss08
j
ss09
j
ss10
beginn ing for m s
j
ss11
j
ss12
en ding for m s
adorn pomander
j
ss13
ss01
j
ss14
ss02
k k
ss13
ss01
ss14
ss02
j
ss15
ss03
ss15
ss03
ss04
ss16
ss04
s s05
ss06
ss07
ss08
ss09
ss10
ss11
k k
k k
ss17
s s05
ss18
ss19
ss06
ss07
( s a lt )
ss20
ss08
ss12

ss09
ss10
beginn ing for m s
ss11
ss12
en ding for m s
adorn pomander
l l
ss14
ss01
ss02
ss13
ss16
ss03
ss04
ss15
mmm m
m m m
ss13
ss14
ss15
ss01
ss02
ss03
n nn n
ss04
l l
ss17
ss18
s s05
s s05
l l
ss19
ss20

m m m mm m
ss06
ss07
ss08
ss09
ss10
ss11
ss12
n n n n nn
ss06
ss07
ss08
ss09
ss10
ss11
ss12
n n n
ss13
ss14
ss15
( s a lt )
beginn ing for m s
en ding for m s
adorn pomander
o o o o o o o oo o o
ss01
ss02
ss03
ss04
s s05
p p p p
ss01
p
ss13
ss02
ss03
ss14
ss15
ss04
s s05
ss02
ss03
ss07
ss06
ss07
ss08
p
ss08
ss09
p
ss09
ss10
p
ss10
ss11
p
ss11
p
ss12
p
ss16
qq q q q
ss01
ss06
ss04
s s05
q
ss06
beginn ing for m s
en ding for m s
adorn pomander
r r r r r r r rrr r r
ss01
ss02
ss03
ss04
s s05
s s s s s
ss01
ss02
ss03
ss04
t t t t
ss01
ss02
ss03
s s05
s s05
ss06
ss07
ss08
ss09
ss10
s s ss
ss06
ss07
ss06
ss07
ss08
ss08
ss09
s a lt
ss09
ss11
ss11
ss10
s a lt
u uu u u u u uu u u
ss01
ss02
ss03
ss04
s s05
ss06
ss07
( s a lt )
ss08
ss09
ss10
beginn ing for m s
ss11
en ding for m s
adorn pomander
v vv v
ss01
ss02
ss03
ss04
s s05
ss06
ss07
www w w w w www
ss01
ss02
ss03
ss04
s s05
ss06
ss07
ss08
ss09
ss10
x x x x x x x x x x xx
ss01
ss13
ss02
ss03
ss04
s s05
ss06
ss07
ss08
ss09
ss10
ss11
ss12
x x
ss14
s a lt
( s a lt )
beginn ing for m s
en ding for m s
adorn pomander
yyy y
ss01
ss02
ss03
ss04
ss13
ss14
ss15
ss16
z z z
ss01
z
ss13
ss02
ss03
z
ss14
z
ss04
z z
ss15
ss16
y y
s s05
y y
ss06
ss07
y
ss08
y
ss09
y
ss10
y y
ss11
ss12
ss 17
z
s s05
ss06
ss07
ss08
z
ss09
z
ss10
z z
ss11
ss12
z
ss17
( s a lt )
beginn ing for m s
en ding for m s
adorn pomander
to Festoon
to Festoon
Emblaze or
embellish
Emblaze or
embellish
Ornament
Ornament
Array
ss 15
Array
ss 05
ss09
ss 03
ss 07
beginn ing for m / s s 02
ss 06
ss 11
s wa s h c a p
adorn pomander
the
West Brougham
Gazetteer
adorn pomander
the
West Brougham
Gazetteer
ss 10
ss 09
l i g at u r e s
ss 04
ss 08
ss 06
s wa s h c a p s
en ding for m / s s 0 4
adorn garland
about
Adorn Garland
Adorn Garland is a script face that runs along a different, and

somewhat vintage direction. Beautiful as it is, it works as more
of a textural element than a headliner, a supporting actor rather
than the leading rolethough designers can make much of it on its
own if they choose. Its not the bold statement; its the subheading,
the afterword, the reminder: Wedding reception to follow. With its
slow, and gently deliberate style, and long entry and exit swashes,
it can function as a long string, rule, or dividing line. Rather than
deriving its strength from a heavy skeleton or structure, it uses its
sense of contrast, its light touch upon the page, and its elongation
to provide a visual break. With 234 swashes and alternates.
Hello
adorn garland
about
Greetings
and
Salutations
she was considering

in her own mind (as
well as she could, for the
hot day made her feel very sleepy

and stupid), whether the pleasure
of making a daisy chain would
be worth the trouble of getting
up and picking the daisies,
when suddenly a White Rabbit
with pink eyes ran close by her
Font Specifications
a d or n g a r l a n d


f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
adorn garland
d e fa u lt
charac t e r s
Default Characters
A B C D E F G H I J K LM
N O P Q R S T U V W X Y Z
abcdefghijklmnop
qrstuvwxyz
0123456789
!"#$%&'()*+,-./:;<=>?@[\]^ `{|}
~
adorn garland

adorn garland
Swashes/Alternates
Stylistic Alternates a b c d e f g
hi j k lm n op q r s t u v w xy z
Titling a b c d e f g h i j k l m n
o pqr s t u v w x yz
Beginning Forms & Ending Forms
(see Stylistic Sets)
adorn garland
beginn ing for m s
ss01
titl
b
ss01
b
ss07
ss02
en ding for m s
( s a lt )
Stylistic Sets
a
ss03
a
ss04
ss05
ss06
s a lt
b b b
ss02
ss08
ss03
ss04
titl
s s05
s a lt
s s06
adorn garland
c c

d d
ss01
titl
ss01
ss07
e
ss01
ss02
ss04
s s05
s s06
s a lt
ss02
d
ss08
e
ss02
e e
titl
ss03
ss03
ss04
titl
ss03
s a lt
e
ss04
ss05
ss06
s s05
s s06
s a lt
beginn ing for m s
en ding for m s
( s a lt )
adorn garland
ss01
ss02
titl
s a lt
f
ss03
f
ss04
f
s s05
ss02
ss03
ss04
s s05
ss07
ss08
ss09
titl
s a lt
h
ss01
h
ss02
beginn ing for m s
ss03
en ding for m s
ss04
s s06
ss01
g
s s06
s s05
s s06
( s a lt )
adorn garland
h
ss01
i
ss01
h
ss02
i
ss02
titl
ss03
ss04
ss03
ss04
ss05
ss06
s a lt
ss01
ss02
ss07
ss08
beginn ing for m s
ss03
ss04
j
titl
en ding for m s
s s05
s s06
j
s a lt
( s a lt )
adorn garland
k
ss01
k
ss07
k
ss02
k
ss08
k
ss03
ss04
titl
s a lt
ss01
ss07
m
ss01
ss02
ss08
m
ss02
beginn ing for m s
ss05
ss03
ss04
ss05
ss09
m
ss03
en ding for m s
titl
m
ss04
ss06
ss06
s a lt
m
ss05
m
ss06
( s a lt )
adorn garland
m
titl
n
ss01
n
titl
o
ss01
titl
s a lt
n
ss02
ss03
ss04
ss05
ss06
s a lt
o
ss02
ss03
ss04
ss05
ss06
s a lt
beginn ing for m s
en ding for m s
( s a lt )
adorn garland
p
ss01
p
ss07
ss03
ss04
ss08
ss09
titl
ss02
titl
s a lt
ss01
ss02
ss01
q
ss03
r
ss02
beginn ing for m s
r
ss03
en ding for m s
q
ss04
r
ss04
ss05
ss06
p
s a lt
ss05
ss06
ss05
ss06
( s a lt )
adorn garland
r
r

s
s
titl
ss01
titl
t
ss01
t
titl
s a lt
ss02
ss03
ss04
ss06
ss05
s a lt
t
ss02
ss03
ss04
ss06
ss05
t
s a lt
beginn ing for m s
en ding for m s
( s a lt )
adorn garland
u
u

v
v
v
v
ss01
titl
u
ss02
ss02
w
ss01
titl
ss03
ss04
ss05
ss06
s a lt
ss01
titl
ss03
ss04
ss06
ss05
s a lt
w
ss02
w
ss03
w
ss04
ss05
ss06
s a lt
beginn ing for m s
en ding for m s
( s a lt )
adorn garland
x
ss01
titl
y
ss01
y
ss07
x
ss02
ss03
ss04
ss06
ss05
s a lt
y
ss02
ss03
ss04
s s05
ss08
ss09
titl
s a lt
ss03
ss04
s s05
ss09
titl
s a lt
ss01
ss02
ss07
ss08
z z
beginn ing for m s
z
en ding for m s
y
z
s s06
z
s s06
( s a lt )
adorn garland
Festoon to Festoon
to
Emblaze or
Emblaze or
embellish
embellish
Ornament
Ornament
Array
ss01
ss 04
ss 02
ss 05
Array
ss 06
adorn garland
Harvey
l.o.v.e.s
Simone
adorn garland
Harvey
l.o.v.e.s
Simone
ss 07
t i t ling
adorn bouquet
about
Adorn Bouquet
Adorn Bouquet is the daydreamy doodles in the corner of the

wedding to do list; its the bachelorette party, or the baby shower.
It wants to be fancy, but its exuberance bursts through, spilling
curlicues across the page. Adorn Bouquet is intentionally irregular,
created with a practiced hand to communicate joyuncontrolled and
informal: the champagne bubbles, the tipsy speeches, the heartfelt
poetry. Theres nothing static about this font: The letters bounce along
the baseline, with little tilts all askew, small and large counters, and
exit swashes that bring some letters as close as two lovers or pull them
as far apart as the sweep of an endless train on a bridal gown.
adorn bouquet
about
Hello
Greetings
and
Salutations
Wine flowers fruit cookie

herbs spiritual bouquet of circles
Font Specifications
a d or n b ouqu e t


f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
adorn bouquet
Default Characters
A B C D E F G H I J K LM
N OPQ R S T U V W X Y Z
0123456789
!"#%&'()*,-./:;?@[ \]_{}
+<=>|~$
adorn bouquet
b a s i c a n d e x t e n d e d l at i n c h a r a c t e r s
Basic and Extended Latin
adorn bouquet
s wa s h e s /a l t e r n a t e s
Swashes/A
lternates
Beginning Forms &

Ending Forms (see Stylistic Sets)
Ligatures tt
adorn bouquet
Stylistic Sets
a a a aa a
ss01
b
ss01
ss02
ss03
ss02
ss03
ss04
s s05
b b
ss04
s s05
ss06
b b
ss06
ss07
b
ss08
c c c c cc
ss01
ss02
d d
ss01
ss02
ss03
ss04
ss03
ss04
ss05
ss06
d d
s s05
ss06
ss07
dd
ss13
ss14
ss08
ss09
d d d
ss10
beginn ing for m s
ss11
ss12
en ding for m s
adorn bouquet
e e e e e
ss01
ss02
ss03
ss01
ss02
ss03
g
ss01
h
ss01
g
ss02
h
ss02
g
ss03
h
ss03
ss04
s s05
ss04
g
ss04
h
ss04
s s05
f
ss06
g
s s05
f
ss07
g
ss06
g
ss07
h h
s s05
ss06
g
ss08
h h
ss07
ss08
ss09
ss10
ss11
ss12
beginn ing for m s
en ding for m s
adorn bouquet
h h hhh
ss13
ss14
ss15
ss16
ss17
i i i ii
ss01
ss02
ss03
ss04
s s05
ss01
ss02
ss03
ss04
s s05
ss01
ss02
ss03
ss04
s s05
ss06
ss06
ss07
ss06
ss07
k k
ss13
ss14
ss08
k k k k
ss09
ss10
beginn ing for m s
ss11
ss12
en ding for m s
adorn bouquet
ss01
ss02
ss03
ss06
ss07
ss08
ss09
l l l
ss04
s s05
ss10
ss11
m m m mmm
s s05
ss12
l l
ss13
ss14
m m m
ss01
n
ss01
ss02
ss03
ss04
ss02
ss03
ss04
n
s s05
ss06
ss07
ss08
ss09
ss10
n n nnn
ss06
ss07
ss08
ss09
ss10
o o o o
ss01
ss02
ss03
ss04
beginn ing for m s
en ding for m s
adorn bouquet
p p
ss01
ss02
p
ss03
p
ss04
p
s s05
p p p p
ss06
ss07
ss08
ss09
ss10
q q q
ss01
ss02
ss01
ss02
ss01
ss03
r
ss03
r
ss04
r r r r r
s s05
ss06
ss07
ss08
ss09
s s s ss
ss02
ss03
ss04
s s05
ss06
beginn ing for m s
en ding for m s
adorn bouquet
t
ss01
t t t t t
ss02
ss03
ss04
s s05
ss06
t
ss07
u u u u u u u
ss01
ss02
ss03
v v v
ss01
ss02
ss03
ss04
s s05
ss06
ss07
ss04
w w
ss01
ss02
beginn ing for m s
en ding for m s
adorn bouquet
x x x xxxx
ss01
ss02
y y
ss01
ss02
z z
ss01
ss02
ss03
ss04
s s05
ss03
ss04
s s05
ss04
s s05
z
ss03
ss06
ss07
y
ss06
ss06
ss08
ss07
z
ss07
ss08
z
ss08
ss09
ss10
z
ss09
beginn ing for m s
en ding for m s
adorn bouquet
to
Festoon
to
Festoon
Emblaze or Emblaze or
embellish
embellish
Array
Array
Ornament
ss13
ss08
ss 06
ss 02
Ornament
ss 03
ss04
adorn bouquet
Daydream
Believer
adorn bouquet
Daydream
Believer
ss 03
ss 06
ss 08
ss 09
ad or n sans c on dens ed
about
Adorn sans condensed

Of all the fonts in the Adorn Collection, Sans Condensed
may be the most easily identified as bucking the
template-derived wedding trend, given its modernity
and informality. Created for weddings, gatherings, and
pretty handmade items, it would be equally at home
as a branding element of a startup or titling in movie
credits. Brimming with whimsy and the eccentricities of
the human touch, Condensed Sans also has contextual
alternates with ambicase lettersa distinctive feature not
usually found in display fonts.
about
Hello
Greetings
A nd
Salutations
Brimming with
whimsy And the
Font Specifications
a d or n s a n s c on de n s e d


f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
e c c e n t r i c i t i e s o f t h e h u m A n to u c h
Default Characters
A B C D E F G H I J K L M N O PQ R S T U V W X Y Z
0123456789
!"#$%&'()*+,-./:;<= ?@[\]^_`{|}~

Stylistic Alternates
ABKPRaefimnrtuw
a l p h a b e t / s t y l i s t i c a lt e r n at e s
alphabet
a
o
p
q
r
a l p h a b e t / s t y l i s t i c a lt e r n at e s
v
w
x
example
to festoon to festoon
Emblaze or Emblaze or
embellish embellish
arrAy
arrAy
ORnAment ORnAment
example
amBicase
booKs
n e w u s e d r A r e s p e c i a lt y
example
amBicase
booKs
n e w u s e d r A r e s p e c i a lt y
a d o r n s a n s e x pa n d e d
about
Adorn sans expanded

Sans Expanded is a display font with warmth and hand
wrought charm that works as an elegant replacement for
formal type. Ideal for tasks such as making addresses, cards,
and gift tags look handwritten, Sans Expandeds potential in
the milieu of love and friendship is unlimited. But see it, too,
as signage for a summer fruit stand or labels for the little
shop around the corner. In contrast to Sans Condensed, the
roughness was exaggerated so that its characteristics, when
compressed, remain intact. Use Sans Expanded in a very
small font, loosely tracked, and its personality sings.
about
HELLO
Font Specifications
greetings
and
salutations
Sa n s Ex panded is a d i s pl ay
font with war mth an d ha n d
w roug ht charm t h at wo r k s
a s a n e l ega n t re p l ac e m e n t for
f o r m a l t y p e . I d e a l f o r ta s k s s u c h
a s m a k i n g a d dre s s e s , ca r d s a n d
a d or n s a n s e x pa n de d

f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
g i f t ta g s l o o k h a n d w r i t t e n
Default Characters
A B C D E F G H I J K
LM N O P Q R S T U V W X Y Z
0 1 2 3 4 5 6 7 8 9
! " # % & ' ( ) * + , - . / : ; < = > ? [ \ ] ^ _ ` { | } ~

$

about
Adorn Copperplate
Adorn Copperplate has the sturdiness of the classic
copperplates, and continues their rich traditional sense
of practicality and familiarityyet with a more modern
take. Trendy on wedding invitations, they are all too
often heavy-handed. Adorn Copperplate is pretty and
structural at once, with tiny surprises poking out:
a delicate leg here, a slim stroke there.
about
HELLO
greetings
AND
salutations
Origin ally de signed by
F r ederic Goudy, Coppe rplate is
r eminiscent of stone ca rving
and the victori an e ra
Font Specif ic at ions

a d or n c op pe r pl at e


f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
Default Characters
0123456789
! "#%&'()*+,-./:;<=>?[\]^_`{|}~
Ba sic & Extended Lat in

a d o r n e n g r av e d r e g u l a r
about
Adorn Engraved
Regular
Adorn Engraved is strongly reminiscent of formal

invitations popular in the past. Still, the sweet tail of the
Q and the irregular qualities of the lines bring it into the
twenty-first century and accentuates the decorative look
of the engraved font; the incisions within the stems and
serifs allow the designer to use color to enliven them.
about
HELLO
greetings
AND
salutations
Engraved Typefaces, known
for their formal aesthetic
are most commonly used in
stationery & social printing
Fon t S pe c i f ic at i on s
a d or n e ng r av e d r e g u l a r


f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

go to: http://lauraworthingtontype.com/faqs/
May 2 014
Default Characters
A B C D E F G H I J K LM N
O P Q R S T U V W X Y Z
abcdefghijklmn
opqrstuvwxyz
0123456789
! "# %&'()*+,-./:;<=>?[\]^_`{|}~

a d o r n e n g r av e d e x p a n d e d
about
Adorn Engraved
Expanded
Adorn Engraved Expanded is strongly reminiscent

of formal invitations popular in the past. Still, the sweet
tail of the Q and the irregular qualities of the lines
bring it into the twenty-first century and accentuates
the decorative look of the engraved font; the incisions
within the stems and serifs allow the designer
to use color to enliven them.
about
HELLO
greetings
AND
salutations
Font Spe c i f i c at i on s
a d or n e ng r av e d e x pa n de d


f on t f i l e s :

ava i l a bl e :
Engraved Typefaces, known
ope n t y pe faq :
for their formal aesthetic

are most commonly used in

stationery & social printing
May 2 014
Default Characters
LM N O PQ R S T U VW X Y Z
0123456789
! "# %&'()*+,-./:;<=>?[\]^_`{|}~
Basic & Extended Lat in
adorn slab serif regular
about
Adorn Slab Serif

regul a r
Adorn Slab Serif is available in Regular and Bold weights.
Though these display fonts can also be used for body text,
their uppercase mode shines, adding texture and style
to a message. Adorn Slab Serifs are unique in the Adorn
collection in that they are all mono-weights. They are
perhaps more masculine in style than many of the other
typefaces, with a touch of retro,an historic reference
with a contemporary spin. The option to use both upper
and lower cases also affords a practicality.
about
Hello
Greetings
and
S A L U TAT IO N S
EST. early 1800s
slab serif fonts are also
called mechanistic,
square serif or Egyptian
Font Specifications
a d or n s l a b s e r i f r e g u l a r


f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
Default Characters
L M N O PQ R S T U V W X YZ
0123456789
! "# %&'()*+,-./:;<=>?[\]^_`{|}~

adorn slab serif bold
about
Adorn Slab Serif

bold
Adorn Slab Serif is available in Regular and Bold weights.
Though these display fonts can also be used for body text,
their uppercase mode shines, adding texture and style
to a message. Adorn Slab Serifs are unique in the Adorn
collection in that they are all mono-weights. They are
perhaps more masculine in style than many of the other
typefaces, with a touch of retro,an historic reference
with a contemporary spin. The option to use both upper
and lower cases also affords a practicality.
about
Hello
Greetings
and
S A LU TAT ION S
EST. early 1800s
slab serif fonts are also
called mechanistic,
square serif or Egyptian
Font Specifications
a d or n s l a b s e r i f b ol d


f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
Default Characters
LM N O PQ R S T U V W X Y Z
0123456789
! "# %&'()*+,-./:;<=>?[\]^_`{|}~

adorn serif
about
Adorn Serif
Adorn Serif breaks free from the slick
and overly polished stock. Leaning toward
a handmade authenticity, the letterforms
were originally drawn by hand, and
Worthington accentuates their irregularities
and organic look in her design choices.
adorn serif
about
HELLO
greetings
AND
salutations
Serif s originated in the Lat in
alphabet w i th in s cri p t iona l
let t e ring wor d s carved into
Fon t S pec i f icat i ons

a d or n s e r i f


f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
stone in Roman an tiquit y.
adorn serif
Default Characters
0123456789
! "# %&'()*+,-./:;<=>?[\]^_`{|}~
adorn serif

ad or n rom an
about
Adorn Roman
Adorn Roman is both a display and text typeface marked
by its traditional calligraphic hand. Technically it is a
humanist sans, with tapering stems and high contrast in
its thicks and thins. It was created with a chisel-edged
calligraphy pen, and even digitized it has the look of
what a designer might create with a calligraphic tool.
With more texture and character than youd typically
find in body text, it brings a softer, warmer look for small
groupings of words. The lowercase adds a practicality
to the collection with its ability to convey information
without straining the eye.
ad or n rom an
about
Hello
Greetings
and
Salutations
Adorn Roman is both a display
and text typeface marked by its
traditional calligraphic hand
Font Specifications
a d or n rom a n


f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
ad or n rom an
Default Characters
A BC D E F G H I J K
0123456789
! "# %&'()*+,-./:;<=>?[\]^_`{|}~
ad or n rom an
adorn solo
about
Adorn
Adorn Solo is a fresh and airy monogram

font. Simply type in a lowercase letter and
your monogram is finished! These monograms
were carefully wrought: each combination
of letters is a revelation of complex crafting,
with no collisions or overlaps. Despite their
intricacy and detail, these are not your
grandmothers monograms. They are modern
and bursting with personality. Worthington
Solo
sketched them in pencil, then used a fountain

pen for contrast and detail before digitization.
Graphic designers will have
their own uses for these; DIYers will see
a takeoff point for jewelry, cards, invitations,
rubber stampsan endless source for
personalizing and elevating the everyday,
the special gathering, or a handmade creation.
adorn solo
about
h
h e n r i k s s on
collection
Font Specifications
a d or n s ol o

26 characters
f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
adorn solo
in s t ruc t i on s
Adorn Solo Monograms

Instructions
Simply type in the lowercase letter of your choice and your single-letter
Characters:
monogram will be complete!
A B C D E F G H I
J K L M N O P Q R
Eg. For a monogrammed G, type a lowercase 'g'.
S T U V W X Y Z
g
adorn solo
charac t e r s
abcdefg
hijklmn
opqrstu
vwxyz
adorn duo
about
Adorn
ad
Adorn Duo is a monogram font, calligraphic

and blossoming before your eyes. Simply
type in the lowercase/uppercase letters
and your monogram is finished! These
monograms were carefully wrought: each
combination of letters is a revelation of
complex crafting, with no collisions or
overlaps. Despite their intricacy and
detail, these are not your grandmothers
monograms. They are modern and bursting
Duo
with personality. Worthington sketched

them in pencil, then used a fountain pen
for contrast and detail before digitization.
Graphic designers will have their own uses
for these; DIYers will see a takeoff point for
jewelry, cards, invitations, rubber stamps
an endless source for personalizing and
elevating the everyday, the special gathering,
or a handmade creation.
adorn duo
))))
song
1111
about
sE
Font Specifications
a d or n duo
))))
East
1111
Song & East Co.
52 characters
f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
adorn duo
in s t ruc t i on s
Adorn Duo Monograms

Instructions
Adorn Duo Monograms are programmed to work automatically through
the ligature feature which is activated by default in most applications and
web browsers. However, if this feature is not enabled or available, you will
need to set the monogram by hand.
For the left letter, simply type in a lowercase letter followed by an uppercase
letter and your monogram will be complete!
a B
+
Characters:
A B C D E F G H I
J K L M N O P Q R
S T U V W X Y Z
Eg. Type a lowercase 'a'
followed by an uppercase 'B'.
aB
adorn duo
specimen
aB cD eF gH iJ
kL mN oP qR sT
uV wX yZ
adorn duo
Left
charac t e r s
abcdefg
hi j k l m n
opqrstu
vwxyz
adorn duo
charac t e r s
N
T
Right
adorn trio
about
Adorn
tri
Adorn Trio is a monogram font, dense and

rich with detail, the center letter carrying
a hint of art nouveau. Simply type in the
lowercase letters and your monogram is
finished! These monograms were carefully
wrought: each combination of letters is
a revelation of complex crafting, with no
collisions or overlaps. Despite their intricacy
and detail, these are not your grandmothers
monograms. They are modern and bursting
Trio
with personality. Worthington sketched

them in pencil, then used a fountain pen
for contrast and detail before digitization.
Graphic designers will have their own uses
for these; DIYers will see a takeoff point for
jewelry, cards, invitations, rubber stamps
an endless source for personalizing and
elevating the everyday, the special gathering,
or a handmade creation.
adorn trio
about
lJd
Lauren & Daniel
Jones
Font Specifications
a d or n t r io

78 characters
f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
adorn trio
in s t ruc t i on s
Adorn Trio Monograms

Instructions
Adorn Duo Monograms are programmed to work automatically
a C
+
through the ligature feature which is activated by default in most

applications and web browsers. If the monogram isn't displaying
correctly after typing in your three letters, check to be sure that the
ligature feature is on. If you cannot find how to activate this feature
or it is not available, you will need to set the monogram by hand.
Characters:
A B C D E F G H I
J K L M N O P Q R
S T U V W X Y Z &
For the left letter, simply type in a lowercase letter for the left
portion of the monogram, followed by an uppercase letter for the
Mongram Etiquette:
middle portion of the monogram. For the right portion of the
The first, or left letter should be
monogram, the glyphs are set as alternate letterforms.
initial of your first name. The
If you have Adobe Illustrator or InDesign, you may find these in the
glyphs panel, under TYPE in the menu bar of the application. If
you do not have Illustrator or InDesign, please refer to the guide on
middle letter is the initial of your

last name. The right letter is the
initial of your middle name.
accessing alternates, available on the FAQs page of my website at:

http://LauraWorthingtonype.com/faqs/
adorn trio
in s t ruc t i on s
Example using the name Alice B. Charles :
1. First, type a lowercase 'a'
2. Next, type an uppercase 'C'.
aC
3. Finish by typing
a lowercase letter 'b'.
aCb
adorn trio
specimen
dVb
cMc WSM
JLs Y&z pQr

tHh WSM
sMh
adorn trio
Left
Middle
charac t e r s
abcdefghij
k l m n o p q r st
uvwxyz
& A B C D E F
adorn trio
charac t e r s
G G H I J K L M
N O P Q R S T U
V W X Y Z
adorn trio
Right
charac t e r s
a d o r n c at c h wo r d s
about
Adorn
Catchwords
Twenty-one Adorn Catchwords, all
custom hand-lettered using a fountain pen
calligraphic technique, provide a stunning
way to display frequently used words, such as
prepositions, to connect factual information
or simply to bridge the gap between a lavish
script and a hard-working display font.
about
q
u
4
Font Speci ficati ons

a d or n c at c h wor d s

21 characters
f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
charac t e r s
a b c d e
A
f g h i j
F
k
K
l m n o
L
p q r s t u
P
adorn banners
about
Adorn
Banners
Twenty Adorn Banners, each with a mirrored image

left and right element, are available, with a customized
center that can be expanded to encapsulate a message
or heading of any width. Whether the design requires
something sophisticated, flowery, or hand-drawn
in appearance, or a structure that whispers in the
background so the message itself is the star,
Adorn Banners are marked by the same versatility
as the rest of the collection.

i151k
adorn banners
about
m7p
22322
q999t
R42#
Font Spe c i f i c at i on s
a d or n b a n n e r s

117 characters
f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
adorn banners
charac t e r s
End Pieces
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!
% ^
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& * A
&
<
<
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.
C
C
>
D
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K L
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adorn banners
charac t e r s
P [ {
a
a
b
b
]
]
}
}
c d
c
U V W X e f g h
U
Y
Y
z i j k l
z
adorn banners
charac t e r s
Middle Pieces
m n o p
m
q r
q
1 2 3
7 8 9
u v w x
u
4 5 6
s t
s
adorn frames
about
Adorn Frames
Adorn Frames is a highly customizable set of elements

offering a multitude of approaches to creating frames
of any width, height, and style. Use it for corner elements,
borders, or to make an actual frame. Adorn Frames
features twenty corner elements and nine sets of top,
bottom, and side pieces, along with a detailed description
in the Users Guide on how to construct the frames.
Side pieces include scalloped edges and other options
with personality, along with classic straight edges
to form rectangles and squares.
adorn frames
about
151
484
&
M
&M
I
I
VA=B
1-Q
?.
/>
C@D
T04W

a d or n f r a m e s

117 characters
f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
adorn frames
in s t ruc t i on s
Create your own custom borders using

one of two easy methods!
A1B
2 3
C4D
A
Setting the Stage
I111
TIP :
You may adjust the height of
the frame by decreasing leading,
and the width of the frame by
decreasing kerning.
Create a new layer for your border. If you are designing

in Illustrator, open the character panel and uncheck
fractional widths from the dropdown menu.
Create a new text frame the size of the border that

you want to create (InDesign, Illustrator) or click
anywhere to start a text frame (Illustrator).
Click in the text frame and choose Adorn Frames from
the font drop-down menu. Note: Adorn Frames may
appear as a set of borders rather than the font name
in the font dropdown menu.
44L
adorn frames
in s t ruc t i on s
111111
444444
Method 1
Using the glyph panel

to create borders
1. Open the glyphs panel and select the top left border
corner. Double-click to insert the corner. Next, select the
right top corner and insert it. Hit Enter on the keyboard.
Repeat this step using the bottom left and right corners.
2. Highlight the border pieces and adjust the font size until
it has the thickness you want, then adjust the leading
to be the same size as the font. E.g., if your font is 48 pt,
your leading should be 48 pt.
3. Place your cursor between the top left and right corner
pieces and insert a horizontal piece from the glyph
menu. Do the same between the left and right bottom
corners. Now, place your cursor on the right side of
the top right corner and hit the Enter key. Select a
vertical piece from the glyph menu to insert, then add
vertical pieces to the right side of the border, adding
spaces as necessary. Continue adding vertical and
horizontal pieces until the border is the width and
height that you want. When you have your border the
way you like, lock the layer and create a new layer for
the rest of your design.
adorn frames
in s t ruc t i on s
Locate the border corners that you want to use. From the
[111\
6
7
]444^
Method 2
Character panel (InDesign), click on the dropdown menu, select

OpenType , then select Default Figure Style . Or, simply open
the OpenType panel (Illustrator).
Using the Keyboard
1. Type the letters/numbers/symbols for the top left and right border
and
corners, hit Enter and type the letters/numbers/symbols for the
OpenType
to create borders
*Troubleshooting tip for

InDesign and Illustrator users:
If the borders arent lining
up properly, uncheck fractional
widths in the Character panel.
bottom left and right corners. (E.g., AB [enter key] CD)

2. Highlight the border pieces and adjust the font size until it has the
thickness you want, then adjust the leading to the same size as the
font. E.g., if your font is 48 pt, your leading should be 48 pt. Note: in
some programs, such as Microsoft Word, you wont need to adjust
leading. If there are any gaps in the vertical frame pieces, set your
line spacing to single in the Formatting Palette and/or in Paragraph
Spacing, Before and After are set to zero.
3. Place your cursor between the top left and right corner pieces and
type the letters/numbers/symbols for the horizontal piece. Do the
same between the left and right bottom corners. Now, place your
cursor on the right side of the top right corner and hit the Enter key.
Type the letter/number/symbol of the vertical piece that you want
on the left side of the border, then do the same to the right side,
adding spaces as necessary. Continue adding vertical and horizontal
pieces until the border is the width and height that you want.
adorn frames
charac t e r s
d e fa u lt / b a s i c l at i n
Corners
AB EF IJ MN QR UV
CD GH KL OP ST WX
A B
E F
C D
G H
K L
M N
W X
YZ [\ cd B EF IJ
ab ]^ ef CD GH KL
Y Z
A B
E F
C D
G H
K L
gh kl op MN QR
ij mn qr OP ST
g
MN
Q R
m n
O P
st wx {|
uv yz }~
s
w x
adorn frames
charac t e r s
d e fa u l t /
b a s i c l at i n
stylistic
a lt e r n at e s
Top
Left
Right
Bottom
Top, Bottom, Sides
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2
3
4
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a d or n or na m en t s
about
Adorn
Ornaments
In keeping with the spirit of the collection, Adorn
Ornaments gift the designer with 130 unique ornamental
illustrations. From works inspired by nature, to stunning
wreaths, embellishments, rules, and iconic wedding
symbols, Adorn Ornaments are meant to accompany
the scripts, rather than restricting them to a theme.
They dance from whimsical to modern to vintage looks,
yet stay safely within the range of the spectrum that is
appropriate for the style of the scripts.
about
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a d or n or na m e n t s

138 characters
f on t f i l e s :

ava i l a bl e :
ope n t y pe faq :

May 2 014
charac t e r s
D E FAU LT / B A S I C L A T I N
S T Y L I S T I C A LT E R N A T E S
! # $%&(
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!
(zero)
&
3 4 5 6 7 8 / . A B CD,
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charac t e r s
NO P EQ RS TU _
N
V W X Z [ ^z
V
C u y@a
bcdef
C
charac t e r s
ghi j
g
klmn
k
o pr
qstu vw
o
charac t e r s
x yY a b

c t T hr e k i W
x
d s jJN q K g
d
charac t e r s
H\]Of Y S L
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I Rlm n o p
I
UV M P QX
A

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$

(regular & expanded)

larger and more multilayered than Worthingtons award-winning

hat can be more lovely than a wedding,

through the forest. As we say farewell to cookie-cutter weddings

an intimate invitation, a gift from the

and templated events, Adorn helps us kiss corporate-looking

heart? One whose presentation uses the

warm and welcoming family of typefaces,

This ambitious undertaking by type designer Laura

Worthington embraces those celebrations in life, be they small or

Anyone in the business of helping others celebrate lifeflorists,

designers with a breathtakingly large number of faces that

The jewel in the crown of this collection may be the three

monogram design styles:

lettered using a fountain pen calligraphic technique, provide

for a pair, and a d o r n

for one letter,

all custom hand-

a stunning way to display frequently used words, such as

the classic three-letter monogram. Simply type in the

prepositions, to connect factual information or simply to bridge

lowercase/uppercase letters and your monogram is finished.

the gap between a lavish script and a hard-working display font.

These monograms were carefully wrought: each combination

each with a mirrored image

left and right element, are available, with a customized center

is a highly customizable set of elements

offering a multitude of approaches to creating frames of any

In keeping with the spirit of the collection, a d o r n

gift the designer with one hundred thirty-

eight unique ornamental illustrations. From works inspired by

including the other Adorn fonts, Adorn Coronet is even a bit

nature, to stunning wreaths, embellishments, rules, and iconic

The script face,

wedding symbols, Adorn Ornaments are meant to accompany

butterfly of a font: light and airy. We see the essence of those

the scripts, rather than restricting them to a theme. They dance

from whimsical to modern to vintage looks, yet stay safely

within the range of the spectrum that is appropriate for the

letters, especially, break the rules of traditional classic calligraphy.

style of the scripts.

With 390 swashes and alternates.

Adorns script typefaces, using modern lettering with a cursive

is, it works as more of a textural element than a headliner, a

impression, are Coronet, Pomander, Garland, and Bouquet.

supporting actor rather than the leading rolethough designers

Their common originsthe fountain pen and a singular design

aestheticgive them a cohesive look, one that carries the warmth

statement; its the subheading, the afterword, the reminder:

of the human hand. They are strongly connected to what is

Wedding reception to follow. With its slow, and gently deliberate

personal, imperfect, and authentic, fulfilling todays yearning for

a sense of the craftsperson behind what we use.

string, rule, or dividing line. Rather than deriving its strength

script face exemplifies the Adorn

spirit of both modernizing and personalizing typefaces. Its crisp,

is a script face that runs along

a different, and somewhat vintage direction. Beautiful as it

from a heavy skeleton or structure, it uses its sense of contrast,

If Adorn Engraved is the wedding

vow, Adorn Bouquet is the daydreamy doodles in the corner

shower. It wants to be fancy, but its exuberance bursts through,

spilling curlicues across the page. Adorn Bouquet is intentionally