Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
◊ ∆ Ο
So, do they always happen in England, and why? goes the oft-asked
question. Actually there is credible documentation of crop formations from
all over the world, including Wilbur, in eastern Washington – hosting three so
far - including one this past July. Few are reported from Africa and South
America. But the Wessex Triangle of South Central England, an hour or so
west on the M4 from Heathrow Airport, is the cradle of the phenomenon.
Here lie the rolling quilts of green pastures and oddly shaped fields of
ripening wheat, oats and barley. The patterns are angularly conjoined with
hedgerows, and islet copses float in the cropland - a composed and verdant
hamlet sits here or there – forming a visually compelling tableau and medium
into which to settle a divinely beautiful piece of installation landscape art.
Seems an obviously wonderful choice, say I.
In the two summers visiting England I haven’t met any farmers. Not
that I’ve tried. ZuVuYah and I had to leave a formation when the farmer’s
daughter arrived and in an impatient huff began ordering everyone to leave –
perhaps a dozen of us – because the machine was coming to begin harvesting,
or sadly, to just cut out the offending formation. There seems to be a
cultural schism between the admirers of crop circles, and the owners of the
land and cereal grain crops in and upon which they are created. To be sure,
farmers’ attitudes vary. Some are as awe-struck as anyone, and while they
would not have wished for an event in their field, will allow it to remain and
accept that there will be visitors. Others insist on believing they are victims
of vandalism by organized groups – with vague motives – and feel the best
way to discourage further occurrences is to immediately deface the
formations or cut them out. But then, sometimes the circle makers get
playful . . .
In this sequence the original formation is
defaced by the farmer, only to have
embellishments added over two successive
nights. What must he have thought? The
original was never photographed from above.
The first photo (previous page - left) was taken
of an apparent exact replica which appeared
close by - two weeks later.
Martinsell Hill, near Wooton Rivers – reported July 19th – wheat - note how
the harvester has avoided cutting the formation - for a short while.
There are these rather intriguing and brainy people who spend
intensive hours geometrically dissecting complex patterns, by hand or with a
computer. This “back-engineering” exercise begins to reveal in detail how
the pattern is proportioned, and how one element relates to another. The
level of intelligence underlying the designs, bordering on astounding genius,
begins to shine out. Humankind has universally ascribed meaning to number
and to geometrical shapes: the circle, square, triangle, pentagram and
pentagon, etc. And because the human imagination grounds itself in
archetypal images and symbols, the integral composite of these geometrical
assemblies evokes interpretation and meaning, even if not perceived
consciously. Thus, some say, gazing at these patterns directly communicates
with deep, unconscious layers of our minds, engaging the archetype:
Definition: an inherited idea or
mode of thought derived from the racial
experience and present in the
unconscious of the individual.
This is how a Hindu or Buddhist
mandala is thought to work. Geometric
diagrams can be contemplated as still
moments revealing a continuous, timeless,
universal action generally hidden from
our sensory perception. Are we
therefore being guided in some direction,
toward some fundamental place within
our collective consciousness; toward a
more evolved awareness, a quantum leap
in perception, as from a chimpanzee to
Homo Sapiens, and thence to . . .
It has been discovered that some crop circle patterns encode diatonic
ratios, the mathematical laws that govern the Western musical scale.
Cymatics - the capturing of sound waves as they travel through physical
substances is relevant here. Powder scattered on vibrating metal disks
assumes different geometric expressions as a function of pitch. Shape and
sound are directly related; they create one another. There is also a
symbiotic relationship between sound and light. When the learnėd minds of
crop circle studies advance ideas around the possible mechanisms that cause
immense numbers of cereal grain stalks to lay over so precisely, they discuss
light and sound frequencies, perhaps un-measurable with current technology.
Crop circles can be seen as tonal patterns from an unseen reality.
*************
Internet
www.cropcircleconnector.com/
www.cropcirclesandmore.com/
www.temporarytemples.co.uk/
Books
Crop Circles – Signs, Wonders and Mysteries by Steve and Karen Alexander
Arcturus Publishing - 2006
Vital Signs – A Complete Guide to the Crop Circle Mystery and Why it is Not
a Hoax by Andy Thomas – Frog, Ltd – 2002
Secrets in the Fields – The Science and Mysticism of Crop Circles by Freddy
Silva – Hampton Roads Publishing – 2002
Crop Circles – The Bones of God by Michael Glickman – Frog, Ltd – 2009
Crop Circles – the most enchanting ever and Crop Circles – the evidence by
Janet Ossebaard – Benign Publishers, The Netherlands – 2007 & 2009
Cornography – The New Swirled Order- Despatches from the Crop Circles by
Michael Glickman – The Squeeze Press, Glastonbury, Somerset – 2007
DVDs
What on Earth? Inside the Crop Circle Mystery – Mighty Companions – 2009