Scribd Logo
Carica

Benvenuto in Scribd!

  • Powerful Enemies of The Past

    Caricato da

    Harry
    23 visualizzazioni4 pagine
    Communications From Elsewhere SKIP TO CONTENT HOME FACEBOOK TWITTER Poetry Corner (Reload this page for a new poem.) I am by The Aggregate Kid i am through with you at night i dream of you makes me melt into a puddle!! we have to leave, your my 2nd choice here in chat, so at that, youve been my grandmother, my freind. what should i start? i've never done before! that is... if tomorrow's ever today. i'll bet that's why yesterday's never tomorrow... and tomorrow's never today... besides, what's another day? when i see a stream of purified innocence. walk in, smell the music. at my jokes. i'd giggle at the test. a lonely young girl, sitting off in a few items on sale the jewelry, cds, and the lights go dim and for the day of the moniters are so many ways, at last 4002, to count them i guess i love you to save it but when you are the biggest gossips, and report everything from the depth of my past timithy mcveigh is to die you made cry and turn to the ground, little beads of glass all around. What it's all about I used to work for a company with a website for kids. One of the features of the site was a bulletin-board type of thing, where kids could write in and get "published". A lot of kids wrote in with poetry. Some of it was actually pretty good. You know, for a 12 year old. Anyway, I took all their poems, and used them as the input for a program which dissects texts and creates new texts based on the probabilities of words following each other. It's called "I am" because those are always the first two words of the poem. I had it set up to be more random at first, but I found that I liked the consistency of having the first two words always the same. I've been doing things like this for a while, but so far the kids' poetry is the best source I've found. If you have any comments about this page, I'd love to hear them. Please use the form below. Jamie Zawinski has a very nice page explaining this sort of thing in more (and more interesting) detail. Check it out. READ 99 COMMENTS Comment navigation ← OLDER COMMENTS keep good working posted 2011/05/23 at 3:18 am by jack Are these copywrited? May my band lift some of this for lyrics? posted 2011/07/06 at 1:02 pm by John Heh, what a good question. (And you probably mean “subject to copyright” — “copywrited” isn’t a word.) The original poems that the program is using are the property of their respective authors, and I’m using them here without permission, so we’re already on shaky ground. In the US, at least, something is subject to copyright as soon as you write it down. That said, no individual poem is likely to be recognizable from the output of the program. As far as I’m concerned, you can go ahead and use it for whatever. I’m not going to sue you, and I highly doubt that any of the original authors are going to recognize their work and come after you either. posted 2011/07/06 at 1:18 pm by Josh I’ve got the same question. Can I use it for my songs for commercial use?? I’ve sat five hours to make a great lyrics. I’ve also redone it. I’ve used the lyrics for one song. posted 2011/10/13 at 1:04 am by MORENO nice blog. keep up the good work posted 2012/03/27 at 6:00 am by Mark V I would love to republish an excerpt from one of these poems. They’re fun to read. Many thanks for publishing. posted 2012/05/29 at 6:08 am by Francis Shaw Do you think all businesses should have a Facebook page? Even if they do something boring like Finance or Accounting? posted 2012/07/06 at 6:15 am by Elli Pangilinan its been years, & i keep coming back here. cheers aggregate kid posted 2012/07/07 at 8:32 pm by Roo Gatsby Holy cool! I can’t believe I’ve not seen this before now. As my kids grew up, I always tried to think of cool ways to “save” things they had done. Too bad I never came up with something such as this! posted 2012/07/18 at 5:55 pm by Kat Armstr

    Titolo originale

    Powerful Enemies of the Past

    Copyright

    © © All Rights Reserved

    Formati disponibili

    DOCX, PDF, TXT o leggi online da Scribd

    Hai trovato utile questo documento?

    Questo contenuto è inappropriato?

    Segnala questo documento
    Communications From Elsewhere SKIP TO CONTENT HOME FACEBOOK TWITTER Poetry Corner (Reload this page for a new poem.) I am by The Aggregate Kid i am through with you at night i dream of you makes me melt into a puddle!! we have to leave, your my 2nd choice here in chat, so at that, youve been my grandmother, my freind. what should i start? i've never done before! that is... if tomorrow's ever today. i'll bet that's why yesterday's never tomorrow... and tomorrow's never today... besides, what's another day? when i see a stream of purified innocence. walk in, smell the music. at my jokes. i'd giggle at the test. a lonely young girl, sitting off in a few items on sale the jewelry, cds, and the lights go dim and for the day of the moniters are so many ways, at last 4002, to count them i guess i love you to save it but when you are the biggest gossips, and report everything from the depth of my past timithy mcveigh is to die you made cry and turn to the ground, little beads of glass all around. What it's all about I used to work for a company with a website for kids. One of the features of the site was a bulletin-board type of thing, where kids could write in and get "published". A lot of kids wrote in with poetry. Some of it was actually pretty good. You know, for a 12 year old. Anyway, I took all their poems, and used them as the input for a program which dissects texts and creates new texts based on the probabilities of words following each other. It's called "I am" because those are always the first two words of the poem. I had it set up to be more random at first, but I found that I liked the consistency of having the first two words always the same. I've been doing things like this for a while, but so far the kids' poetry is the best source I've found. If you have any comments about this page, I'd love to hear them. Please use the form below. Jamie Zawinski has a very nice page explaining this sort of thing in more (and more interesting) detail. Check it out. READ 99 COMMENTS Comment navigation ← OLDER COMMENTS keep good working posted 2011/05/23 at 3:18 am by jack Are these copywrited? May my band lift some of this for lyrics? posted 2011/07/06 at 1:02 pm by John Heh, what a good question. (And you probably mean “subject to copyright” — “copywrited” isn’t a word.) The original poems that the program is using are the property of their respective authors, and I’m using them here without permission, so we’re already on shaky ground. In the US, at least, something is subject to copyright as soon as you write it down. That said, no individual poem is likely to be recognizable from the output of the program. As far as I’m concerned, you can go ahead and use it for whatever. I’m not going to sue you, and I highly doubt that any of the original authors are going to recognize their work and come after you either. posted 2011/07/06 at 1:18 pm by Josh I’ve got the same question. Can I use it for my songs for commercial use?? I’ve sat five hours to make a great lyrics. I’ve also redone it. I’ve used the lyrics for one song. posted 2011/10/13 at 1:04 am by MORENO nice blog. keep up the good work posted 2012/03/27 at 6:00 am by Mark V I would love to republish an excerpt from one of these poems. They’re fun to read. Many thanks for publishing. posted 2012/05/29 at 6:08 am by Francis Shaw Do you think all businesses should have a Facebook page? Even if they do something boring like Finance or Accounting? posted 2012/07/06 at 6:15 am by Elli Pangilinan its been years, & i keep coming back here. cheers aggregate kid posted 2012/07/07 at 8:32 pm by Roo Gatsby Holy cool! I can’t believe I’ve not seen this before now. As my kids grew up, I always tried to think of cool ways to “save” things they had done. Too bad I never came up with something such as this! posted 2012/07/18 at 5:55 pm by Kat Armstr

    Copyright:

    © All Rights Reserved
    Scarica in formato DOCX, PDF, TXT o leggi online su Scribd
    Segnala contenuti inappropriati
    23 visualizzazioni4 pagine

    Powerful Enemies of The Past

    Caricato da

    Harry
    Communications From Elsewhere SKIP TO CONTENT HOME FACEBOOK TWITTER Poetry Corner (Reload this page for a new poem.) I am by The Aggregate Kid i am through with you at night i dream of you makes me melt into a puddle!! we have to leave, your my 2nd choice here in chat, so at that, youve been my grandmother, my freind. what should i start? i've never done before! that is... if tomorrow's ever today. i'll bet that's why yesterday's never tomorrow... and tomorrow's never today... besides, what's another day? when i see a stream of purified innocence. walk in, smell the music. at my jokes. i'd giggle at the test. a lonely young girl, sitting off in a few items on sale the jewelry, cds, and the lights go dim and for the day of the moniters are so many ways, at last 4002, to count them i guess i love you to save it but when you are the biggest gossips, and report everything from the depth of my past timithy mcveigh is to die you made cry and turn to the ground, little beads of glass all around. What it's all about I used to work for a company with a website for kids. One of the features of the site was a bulletin-board type of thing, where kids could write in and get "published". A lot of kids wrote in with poetry. Some of it was actually pretty good. You know, for a 12 year old. Anyway, I took all their poems, and used them as the input for a program which dissects texts and creates new texts based on the probabilities of words following each other. It's called "I am" because those are always the first two words of the poem. I had it set up to be more random at first, but I found that I liked the consistency of having the first two words always the same. I've been doing things like this for a while, but so far the kids' poetry is the best source I've found. If you have any comments about this page, I'd love to hear them. Please use the form below. Jamie Zawinski has a very nice page explaining this sort of thing in more (and more interesting) detail. Check it out. READ 99 COMMENTS Comment navigation ← OLDER COMMENTS keep good working posted 2011/05/23 at 3:18 am by jack Are these copywrited? May my band lift some of this for lyrics? posted 2011/07/06 at 1:02 pm by John Heh, what a good question. (And you probably mean “subject to copyright” — “copywrited” isn’t a word.) The original poems that the program is using are the property of their respective authors, and I’m using them here without permission, so we’re already on shaky ground. In the US, at least, something is subject to copyright as soon as you write it down. That said, no individual poem is likely to be recognizable from the output of the program. As far as I’m concerned, you can go ahead and use it for whatever. I’m not going to sue you, and I highly doubt that any of the original authors are going to recognize their work and come after you either. posted 2011/07/06 at 1:18 pm by Josh I’ve got the same question. Can I use it for my songs for commercial use?? I’ve sat five hours to make a great lyrics. I’ve also redone it. I’ve used the lyrics for one song. posted 2011/10/13 at 1:04 am by MORENO nice blog. keep up the good work posted 2012/03/27 at 6:00 am by Mark V I would love to republish an excerpt from one of these poems. They’re fun to read. Many thanks for publishing. posted 2012/05/29 at 6:08 am by Francis Shaw Do you think all businesses should have a Facebook page? Even if they do something boring like Finance or Accounting? posted 2012/07/06 at 6:15 am by Elli Pangilinan its been years, & i keep coming back here. cheers aggregate kid posted 2012/07/07 at 8:32 pm by Roo Gatsby Holy cool! I can’t believe I’ve not seen this before now. As my kids grew up, I always tried to think of cool ways to “save” things they had done. Too bad I never came up with something such as this! posted 2012/07/18 at 5:55 pm by Kat Armstr

    Copyright:

    © All Rights Reserved
    Scarica in formato DOCX, PDF, TXT o leggi online su Scribd
    Segnala contenuti inappropriati
    di 4

    Communications From Elsewhere

    SKIP TO CONTENT

    HOME

    FACEBOOK

    TWITTER

    The Economy of Class: Social realism


    in the works of Rushdie
    ANDREAS G. S. HANFKOPF
    DEPARTMENT OF FUTURE STUDIES,
    UNIVERSITY OF ILLINOIS
    HENRY LA FOURNIER
    DEPARTMENT OF DECONSTRUCTION,
    CARNEGIE-MELLON UNIVERSITY
    1. Postpatriarchial discourse and cultural theory
    If one examines Debordist image, one is faced with a choice: either accept
    social realism or conclude that consensus is a product of the masses, given
    that Baudrillards model of postpatriarchial discourse is invalid. The subject is
    contextualised into a cultural theory that includes consciousness as a
    paradox. However, the example of social realism depicted in Fellinis 8
    1/2 emerges again inAmarcord, although in a more self-falsifying sense.
    The primary theme of the works of Fellini is not discourse, as Foucault would
    have it, but prediscourse. An abundance of desemioticisms concerning
    neomaterial Marxism exist. But Lyotard uses the term postpatriarchial
    discourse to denote the role of the poet as writer.
    The premise of social realism suggests that language may be used to
    entrench capitalism. However, the subject is interpolated into a
    postpatriarchial discourse that includes reality as a whole.

    Lacans analysis of Marxist socialism states that society, somewhat


    paradoxically, has significance, but only if truth is distinct from culture. In a
    sense, the main theme of Baileys[1]critique of cultural theory is the
    difference between truth and sexual identity.
    The subject is contextualised into a capitalist feminism that includes
    language as a totality. It could be said that the primary theme of the works of
    Madonna is the meaninglessness of predeconstructivist society.
    If cultural theory holds, we have to choose between postpatriarchial
    discourse and the dialectic paradigm of expression. Thus, Bataille promotes
    the use of social realism to deconstruct hierarchy.

    2. Discourses of paradigm
    If one examines cultural theory, one is faced with a choice: either reject
    neocapitalist objectivism or conclude that culture is used to disempower the
    Other. The subject is interpolated into a social realism that includes art as a
    reality. It could be said that Pickett[2]holds that we have to choose between
    cultural theory and posttextual discourse.
    The main theme of dErlettes[3] analysis of postpatriarchial discourse is not
    theory, but subtheory. In a sense, if the structuralist paradigm of discourse
    holds, the works of Madonna are an example of posttextual Marxism.
    Sartre uses the term cultural theory to denote the bridge between sexual
    identity and society. It could be said that a number of constructions
    concerning the role of the participant as reader may be revealed.

    1. Bailey, P. O. U. (1996) Postpatriarchial discourse in the works of


    Madonna. Loompanics
    2. Pickett, F. Z. ed. (1974) Expressions of Collapse: Social realism and
    postpatriarchial discourse. Panic Button Books
    3. dErlette, U. F. Q. (1995) Social realism in the works of Cage. Harvard
    University Press

    The essay you have just seen is completely meaningless and was randomly
    generated by the Postmodernism Generator. To generate another essay,
    follow this link. If you liked this particular essay and would like to return to it,
    follow this link for a bookmarkable page.
    The Postmodernism Generator was written by Andrew C. Bulhak using
    the Dada Engine, a system for generating random text from recursive
    grammars, and modified very slightly byJosh Larios (this version, anyway.
    There are others out there).
    This installation of the Generator has delivered 12386843 essays since
    25/Feb/2000 18:43:09 PST, when it became operational.
    More detailed technical information may be found in Monash University
    Department of Computer Science Technical Report 96/264: On the
    Simulation of Postmodernism and Mental Debility Using Recursive Transition
    Networks.
    More generated texts are linked to from the sidebar to the right.
    If you enjoy this, you might also enjoy reading about the Social Text Affair,
    where NYU Physics Professor Alan Sokals brilliant(ly meaningless) hoax
    article was accepted by a cultural criticism publication.

    Search

    Adolescent Poetry
    Band Names
    Postmodernism
    Subgenius Brag
    Time Cube

    Buy Me Something
    Discordian Tarot

    Drainspotting
    Emperor Norton
    GmapToGPX (broken)
    Loteria Collection

    amazon

    art

    Bicycle

    bushCar-Free

    Cool copyrightCulture customer_service DI

    Ydrainspotting eco_footprintelsewhere EventsExternal


    Sale

    Brain flickrFor

    Gadgets geargoogle hacks Humor InternetLinks Listening loteriam

    ake Manhole Movies/TVmusic Personal policepreparedness

    RantsReading Se

    attle Stupid
    People

    Technology

    tools

    video

    wifi wordpresswtf xtracycle youtub

    e
    Log in
    Entries RSS
    Comments RSS
    WordPress.org

    Potrebbero piacerti anche